dance and open inline education

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Pierre Gorissen Fontys University of Applied Sciences The Netherlands Open Inline Education https://www.flickr.com/photos/stopgapdance/5458806118 https://www.flickr.com/photos/paulcoxphotography/5304241804

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Presentation slides used for Open Education workshop as part of the transnational meeting of the Erasmus+ project "Inclusive Dance and Movement practice, the transferable skills of the dance artist"

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Page 1: Dance and Open Inline Education

Pierre Gorissen Fontys University of Applied Sciences

The Netherlands

Open Inline Education

https://www.flickr.com/photos/stopgapdance/5458806118 https://www.flickr.com/photos/paulcoxphotography/5304241804

Page 2: Dance and Open Inline Education

What is Open Education?

Why should Education be Open?

https://www.flickr.com/photos/carlwwycoff/14088323649

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Open Education

• open accessible (no restrictions to entry); • open in pace (no restricted course period); • open in place (no need to be somewhere in person); • open in time (no fixed start date); • open in program (choice for individual courses); • open available (free); • open to reuse (repurpose, mix, edit, distribute).

Page 4: Dance and Open Inline Education

5R’s of Openness

• Retain – the right to make, own, and control copies of the content

• Reuse – the right to use the content in a wide range of ways (e.g., in a class, in a study group,

on a website, in a video)

• Revise – the right to adapt, adjust, modify, or alter the content itself (e.g., translate the content

into another language)

• Remix – the right to combine the original or revised content with other open content to create

something new (e.g., incorporate the content into a mashup)

• Redistribute – the right to share copies of the original content, your revisions, or your remixes with

others (e.g., give a copy of the content to a friend)

http://opencontent.org/blog/archives/3221

Page 5: Dance and Open Inline Education

Education is about Sharing

Instructor shares with Student v.v.

https://www.flickr.com/photos/csufnewsphotos/6193119729

Page 6: Dance and Open Inline Education

Let’s look at some of the lingo…

https://www.flickr.com/photos/santiagoelliott/10718383146

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Open Educational Resources

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Example OER

http://www.dance-archives.ac.uk/

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“Scrapbook Exploring Duets”

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Creative Commons

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http://www.sharingame.org/media/Creative-Commons-Infographic.png

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This presentation…

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https://stateof.creativecommons.org/

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Step further…

https://www.flickr.com/photos/paulcoxphotography/5313532668

Page 15: Dance and Open Inline Education

MOOC

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Example MOOC

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Course Schedule

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Assignments

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Grading Policy

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Video lectures

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In-video quiz

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Forums

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Meetups

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OER versus MOOC

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OER Lifecycle

http://www.eurodl.org/?p=current&article=419

Page 26: Dance and Open Inline Education

Prepare

• Module Specifications Sheet – Outline, Duration, Learning Outcomes, Assessment

Criteria, Learning Units Description.

• Context of Use – mainstream educational system, short professional

development courses, both.

• Identify type of Open Licensing to be used • Selection of the approaches to learning

– pedagogical strategy + instructional techniques

Page 27: Dance and Open Inline Education

Approaches to learning

http://www.jisc.ac.uk/media/documents/publications/effectivepracticedigitalage.pdf

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Learning activity design

http://www.jisc.ac.uk/media/documents/publications/effectivepracticedigitalage.pdf

Page 29: Dance and Open Inline Education

Search and Classify

• Identify repositories to be used – e.g. Openlearn, Connexions, MIT, OERCommons,

WikiEducator or Wikipedia etc. • Look for related content

– browse metadata, check licence type, check content quality, level, format, pedagogical approach, duration etc.

• Build a checklist of available content – classify according to one's requirements.

• Identify what is missing and what needs to be added, developed from scratch and/or adapted/ repurposed/ recontextualized.

Page 30: Dance and Open Inline Education

(re)Purpose

• Decontextualize highly adapted learning content. • Rewrite material that is not contextually correct • Create new materials to cater for those that are

missing • Mix materials from different sources. • Add context-related learning activities that meet

the pedagogical approach selected.

Page 31: Dance and Open Inline Education

Value addition

• Add new learning/pedagogical scenarios that improve the learning experience of learners.

• Provide multiple modalities (such as animations and multimedia) for learning to suit individual preferences of learners (such as learning/cognitive styles).

• Provide multiple access/delivery modes to increase accessibility to learners with different constraints such as internet connection, limited bandwidth etc.

Page 32: Dance and Open Inline Education

Publish and Deliver

• Publish online. • Deliver the course to target audience. • Monitor the learner progress and achievements

and provide tutoring/technical support. • Share in the different OER repositories or simply

put the content available on your local website and let others know about it.

Page 33: Dance and Open Inline Education

Review

• Gather feedback from learners on the course. • Review content to improve the course for

subsequent cohorts. • Restart the cycle if there are changing

requirements and/or to keep up-to-date with ongoing developments.

Page 34: Dance and Open Inline Education

Important!!

• Approach to learning • Copyright / licenses • Accessibility • Quality control

https://flic.kr/p/k7EHk

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Example Accessibility

• Descriptions provide alternative, text-based representations of the information contained in tables, diagrams, images, and other objects. This information is useful for people with vision or cognitive impairments who may not be able to see or understand the object.

• Example: This is a colour photo of a female dancer rehearsing Negro Spirituals. The studio floor is grey and the wall is made of bricks painted white. She is leaning forward on her left leg which is bent while her right leg stretches at the back with only her toes touching the floor. Her right arm is stretched forward and she is pointing with her index finger towards her front. She is looking in that direction. She is barefoot and is wearing a long black skirt and a black leotard. She has short black hair. On her head she is wearing a colourful handkerchief as a hairband. The image shows her from her right side.

Page 36: Dance and Open Inline Education
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Example Quality Control

http://www.academicpartnerships.com/sites/default/files/A%20Guide%20to%20Quality%20in%20Online%20Learning.pdf

Page 38: Dance and Open Inline Education

Is it worth it?

https://www.flickr.com/photos/usembassyromania/8588095399

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Reach of your material

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Pierre Gorissen

[email protected] http://ictoblog.nl/ @PeterMcAllister

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Some additional sources

• http://www.col.org/PublicationDocuments/Basic-Guide-To-OER.pdf • http://unesdoc.unesco.org/images/0021/002136/213605e.pdf • http://www.jisc.ac.uk/media/documents/publications/effectivepracticedigitalage.p

df • http://www.academicpartnerships.com/sites/default/files/A%20Guide%20to%20

Quality%20in%20Online%20Learning.pdf https://www.academia.edu/4469045/Instructional_Design_considerations_for_an_OER

• http://www.tonybates.ca/2010/08/15/e-learning-quality-assurance-standards-organizations-and-research/

• http://booktype.okfn.org/open-education-handbook-2014/creating-developing-oer/

• https://www.oercommons.org/search?f.search=dance • http://oerresearchhub.files.wordpress.com/2014/11/oerrh-evidence-report-

2014.pdf • http://unesco.de/fileadmin/medien/Dokumente/Kommunikation/Open_Content_A

_Practical_Guide_to_Using_Open_Content_Licences_web.pdf