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TRANSCRIPT
Greece as an intercultural pole of musical thought and creativitycr
ossr
oads aristotle university of thessaloniki - faculty of fine arts
school of music studies
ims regional association for the study of music of the balkans
International Musicological Conference
June 6-10, 2011
Conference Proceedings
Thessaloniki 2013
! v
T A B L E O F C O N T E N T S
Evi Nika-Sampson – Crossroads | Greece as an intercultural pole of musical thought and creativity. An introduction to the Conference Proceedings
!
xi
KEYNOTE LECTURE
Constantin Floros – The Influence of Byzantine Music on the West
1
PANELS
PANEL I: Contemporary Ethnomusicological Knowledge in Greece: Young
Scholars Reflecting on Experience and Ethnography, the Academy and the Field
13
I. Eleni Kallimopoulou - Ethnomusicological Student Fieldwork in the City of
Thessaloniki: Cultural Difference and Cultural Politics in the Field and the University!
15
II. Harris Sarris - The ‘Greek clarinet’ in Thrace revisited: A contemporary ethnomusicological perspective
23
III. Alexandra Balandina - A Greek ethnomusicologist doing fieldwork in the
Middle East returns home: Encounters and trajectories in contemporary Greek academia
31
PANEL II: Music in Greece during the 1940s
51
I. Katy Romanou - Occupied by the most musical people in Europe; a musical
Greek tragedy
53
II. Alexandros Charkiolakis - The Athens Conservatoire Symphonic Orchestra
– State Orchestra of Athens during the Occupation period: repertoire and
political conclusions
63
III. Sofia Kontossi - The Greek National Opera during the Axis Occupation and
the beginnings of the Greek Civil War through the activity of the conductor
Leonidas Zoras!
71
IV. Myrto Economides - Manolis Kalomiris during the 1940s 89
PANEL III: Teaching tonal and contemporary composition as an issue of
internationalization and modernism in Greek music: Editing Yannis A. Papaioannou’s (1910-1989) educational corpus
97
I. Demetre Yannou - The editorial problems of the material 99
II. Costas Tsougras - Y. A. Papaioannou's educational corpus – A creative
approach to tonal composition teaching
109
III. Kostas Chardas - Teaching modernism in Greece: Techniques and ideas crossing the compositional and educational work of Papaioannou since 1950
133
! vi
FREE PAPERS - Papers appear in alphabetical order (by first author’s last
name)
Μinas Ι. Alexiadis - The “Hellenikon” (Ελληνικόν) and the “Elinikon” (Ελινικόν) issue, in Leoš Janáček’s opera The Makropoulos affair
147
Spyridon Antonopoulos - Manuel Chrysaphes and his Treatise: Reception
History, a Work in Progress
153
Thomas Apostolopoulos – Production fields of theoretical terminology of the
Psaltiki
173
George Athanasopoulos – The Fall of Ancient Greek Notation - social change
in the Ancient World
181
Anna Babali - Musical interrelations between Serbia and Greece: The case of the Seven Balkan Dances for the piano by Marko Tajčević and the piano set
Greek Dances by Georgios Kasassoglou
191
Irini Beina - Ethnographic film as a methodology tool and product of ethnomusicological research
203
Angela Bellia - Musical Instruments and Funerary Rites in a Western Greek
Colony: the case of Locri Epizefirii (VI-IV c. B.C.)
217
Yannis Belonis - Marios Varvoglis’ (1885-1967) chamber music 229
Gordana Blagojević - Byzantine music as a driving force of music creativity in Belgrade today
237
Spyros Bonelis – The unfinished avant-garde of Jani Christou 245
Irina Chudinova - Greek Chant in the Russian North 251
Zamfira Dănilă - The publication of Ghelasie the Bessarabian’s music - an
invaluable restitution for Romanian psaltic music
259
Nektaria Delvinioti – Manolis Kalomiris’ relationship with cultures, artists,
political factors
275
Dimitrios Delviniotis & Georgios Kouroupetroglou - DAMASKINOS: The
Prototype Corpus of Greek Orthodox Ecclesiastical Chant Voices
289
Lampros Efthymiou - The lavta: Origins and evolution; its relation to the old type of Greek lute
303
Demosthenes Fistouris - The Tetrachords - archetype structural composing
unit - in the opera, as an aesthetical element of orientalism, exoticism, folklorism and inspiring resource for European composers, furthermore as an
experiential element of national identity or, especially, as a mannerism tool for
Greek composers
315
Ioannis Fulias - Researching the early work of the composer Dimitri
Mitropoulos: some historical and analytical remarks on his Un morceau de
concert for violin and piano
339
Filomena Gagliardi - Aristotle and the strength of music 347
Amaya Sara García Pérez - Ptolemy, pipes and shepherds 357
! vii
Oliver Gerlach - Crossroads of Latin and Greek Christians in Norman Italy.
Byzantine Italy and Reciprocal Influences between Greek and Latin Chant (11th-13th Century)
375
Stamatia Gerothanasi - Cross-cultural interactions between Greeks and
Italians. Musical dramaturgy in The Afternoon of Love of Marios Varvoglis
403
Alexandra Goulaki-Voutyra - Τυφλός ανήρ, οικεί δε Χίω ένι παιπαλοέσση 413
Stela Guţanu - The Monastery of New Neamţ – the sacred river that flew in the ocean of Romanian history
427
Maria Hnaraki & Yannis Sabrovalakis - Traditional Cretan rhyming couplets at
Greek, artistic compositions: from D. Mitropoulos’ Cretan Feast (1919) to G. Koumentakis’ Amor Fati (2007)
435
Kyriakos Kalaitzidis - Kratemata and Terenüm – “Parallel Lives” 449
Kostas Kardamis - Ionian (Septinsular) composers and Classical Antiquity:
Revisiting the past or legitimising the present?
453
Olga Kolokitha - Views of Greece as an intercultural pole of musical thought and creativity and young Greek professional musicians: the cultural policy and
management perspective
465
Meri Kumbe - The historical developement of Byzantine music in Albania from 1900 until today
473
Irmgard Lerch-Kalavrytinos - Frank Choisy (1872-1966) – a Swiss-Belgian
composer in Greece
481
Katerina Levidou - Rethinking “Greekness” in Art Music 503
Benjamin R. Levy - “A Form that Occurs in Many Places” - Clouds and Arborescence in Mycenae Alpha
515
Guang-rui Lu - Western Music Philosophy via Ancient Greek Spirit and
Contemporary Chinese Symphonies
525
Nikos Maliaras - Some Western European Musical Instruments and Their
Byzantine Origin
533
Rev. Gabriel Mândrilă - Saint John of Damascus: The Byzantine Music
Notation and the Theology of Holy Icons
545
Eva Mantzourani - A reappraisal of Nikos Skalkottas’s dodecaphonic compositional techniques
553
Nataša Marjanović - Great Chant in the Liturgical Practice of the Serbian
Orthodox Church
569
Daphne Mavridou - Types of melisma in the traditional songs of central
Macedonia, Greece
581
Vesna Mikić - Whose are these songs? Serbian/exYu and Greek input in
Balkan’s popular music
599
Melania Elena Nagy - Greek Manuscript O. 354 from the Library of the Romanian Academy, Cluj-Napoca
607
Matthias Nikolaidis - Myth as structure in the works of Richard Wagner 619
Panagiotis Ch. Panagiotidis – Byzantine Chant Notation in the English
Language
631
Mema Papandrikou - The santouri in Greece between 1799-1800. Is it an Ottoman or a European dulcimer?
653
! viii
Roksanda Pejović - Possible Baroque Influences on the Representations of
Musical Instruments in 17th and 18th Century Serbian Art
667
Tijana Popović Mladjenović - Ariadne’s Thread of Hofmannsthal's and
Strauss's Opera in the Opera, or the Labyrinth of the Crossroads of European
Cultural History
681
Massimo Raffa - The Study and Teaching of Harmonic Science in the Age of
Neo-Platonism: A Preliminary Approach
699
Anna-Maria Rentzeperi-Tsonou - Marios Varvoglis, “The Muleteer song”
(1905) and “Eurycome” (1906), songs for voice and piano
707
Giorgos Sakallieros - A decisive step to prewar Greek musical modernism: Dimitri Mitropoulos’ Ostinata for violin and piano (1926-27)
725
Anastasia Siopsi - A comparative study of music written for productions of
ancient Greek drama in modern Greece and Europe (1900-1970)
743
Philip Gregory Sougles - Gina Bachauer, a forgotten artist: Negligence or
political taboo?
755
Demosthenis Spanoudakis - The Sticheron Today is hanged on wood -
Σήµερον κρεµᾶται ἐπὶ ξύλου. Comparative musical analysis based on the
Temporal-Evolution-of-the-Average-Pitch approach
765
Isavella Stavridou - Zur Transformation einer antiken Heroine in der Moderne:
Die szenische und musikalische Interpretation der Klytämnestra im 20.
Jahrhundert
787
Agamemnon Tentes – Elements of neo-Hellenic proto-musicology in the ‘Great
Theoreticon of Music’. A study of the main treatise of Chrysanthos from
Madytos in the light of two writings by Gary Tomlinson
795
Polyxeni Theodoridou - Emilios Riadis (1880-1935) - Yannis A. Papaioannou
(1910-1989): Greek representatives of orientalism
819
Athanasios Trikoupis - Greek composers in the 20th century. European
influences in their work
843
Pavlos Tsakalidis – Three-chord modes in Greek folk music 853
Mirjana Veselinović Hofman - Temporal Capacities of the Visual in the
Representation of a Piece of Music on the Screen
867
George Vlastos - Incidental Music for Ancient Greek Dramas in fin-de-siècle
Paris
875
Stella Voskaridou Economou - Communicating Greekness in filmed tragedy “out of the spirit of music”
893
George Zervos - Two Greek composers on the crossroads of two traditions:
Nikos Skalkottas, Iannis Xenakis
907
Vasiliki Zlatkou - Petros Petridis, Trio for piano, violin and violoncello (1934):
the relation of sonata form with modality and its interaction with European and
Hellenistic influences of 20th century music
919
Μαρία Αλεξάνδρου (Alexandru) - Παρατηρήσεις για την ανάλυση, υφή και
µεταισθητική της Βυζαντινής Μουσικής. Ο ύµνος !"#$%&'() *+%,) %-./)
0.1'23,
933
Εµµανουήλ Στ. Γιαννόπουλος (Giannopoulos) - Η σύνθεση ∆ύναµις του
Τρισαγίου ύµνου του πρωτοψάλτη Ξένου Κορώνη. Από τον 14ο στον 21ο
αιώνα
963
! ix
Βασιλική Γούση (Gousi) - Τρύφων Γ. Γερόπουλος: Ένας κορυφαίος εκπρόσωπος της Εκκλησιαστικής Ψαλτικής Τέχνης στη Μαγνησία
985
Ιωάννης Ζαρίας (Zarias) - Η Kαταγραφή της ∆ιαποίκιλσης στην Ελληνική
Παραδοσιακή Μουσική από την Ευρεία ∆ιάδοση της ∆υτικής Σηµειογραφίας και Μετά
993
Κωνσταντίνος Χ. Καραγκούνης (Karagounis) - Ένας αυτόγραφος κώδικας του Απόστολου Κώνστα Χίου, ανακαλυφθείς πρόσφατα στα Άνω Λεχώνια
Πηλίου της Μαγνησίας
1007
Αντώνης Ι. Κωνσταντινίδης! (Konstantinidis) - Οι "κλασικές" βάσεις της µεταρρύθµισης. Ιδεολογικές και τεχνικές προσεγγίσεις της νέας Ψαλτικής θεωρίας
1041
Γεώργιος Ν. Κωνσταντίνου (Konstantinou) -!!"#$%&'()(#*&+,'+,-)+'./-(#
'(0#12'/(3#145(6(&&7,8(3!
1055
Ιωάννης Λιάκος (Liakos) - Μοναχός Θεοφάνης Παντοκρατορινός. Ένας εξηγητής της προ Χρυσανθικής περιόδου
1077
Αγγελική Λιβέρη (Liveri) - Κύµβαλα και κυµβαλίστριες από αρχαία ελληνικά
ιερά
1087
Μαρία Ντούρου! (Dourou) - Γιάννη Ανδρέου Παπαϊωάννου, Τρεις Βυζαντινές Ωδές για σοπράνο και ενόργανο σύνολο: αντικατοπτρισµοί του βυζαντινού µέλους στο προσωπικό ιδίωµα του συνθέτη
1119
Πέτρος Παπαεµµανουήλ & Γρηγόρης Παπαεµµανουήλ (Papaemmanouil &
Papaemmanouil) - Η µουσική παράδοση στα χωριά του Φαλακρού ∆ράµας. Καταβολές – Eπιρροές
1131
π. Νεκτάριος Πάρης!(Rev. N. Paris) -!!/(6./-(#'9:#*;(5(3<8+:#'=+<=&#
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Καλλιόπη Στίγκα (Stiga) - Βυζαντινή παράδοση και νεοελληνική ποίηση συνδιαλέγονται στο έργο του Μίκη Θεοδωράκη
1169
Ναυσικά Τσιµά (Τsima) - !Συνοπτική γραµµατικήB, Ν (Νικόλαος) Φλογαΐτης, Εθνική Τυπογραφία, Αίγινα, 1830: ένα πολύπλευρης σηµασίας τεκµήριο
1175
Σοφία - Μαριάνθη Χαλκιαδάκη (Chalkiadaki) - Ο Αθήναιος ο Ναυκρατίτης ως µοναδική πηγή για τη µελέτη αρχαίων εγχόρδων µουσικών οργάνων
1189
Αγλαΐα Χατζάρα! (Chatzara) - Η προφορική παράδοση στη Βυζαντινή
Εκκλησιαστική Μουσική
1201
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