continuing art education for adults || guest editor: marylou kuhn

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National Art Education Association Guest Editor: Marylou Kuhn Author(s): Lou Kuhn Source: Art Education, Vol. 18, No. 9, Continuing Art Education for Adults (Dec., 1965), p. 2 Published by: National Art Education Association Stable URL: http://www.jstor.org/stable/3190647 . Accessed: 11/06/2014 01:15 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. . National Art Education Association is collaborating with JSTOR to digitize, preserve and extend access to Art Education. http://www.jstor.org This content downloaded from 195.78.109.52 on Wed, 11 Jun 2014 01:15:36 AM All use subject to JSTOR Terms and Conditions

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Page 1: Continuing Art Education for Adults || Guest Editor: Marylou Kuhn

National Art Education Association

Guest Editor: Marylou KuhnAuthor(s): Lou KuhnSource: Art Education, Vol. 18, No. 9, Continuing Art Education for Adults (Dec., 1965), p. 2Published by: National Art Education AssociationStable URL: http://www.jstor.org/stable/3190647 .

Accessed: 11/06/2014 01:15

Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at .http://www.jstor.org/page/info/about/policies/terms.jsp

.JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range ofcontent in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new formsof scholarship. For more information about JSTOR, please contact [email protected].

.

National Art Education Association is collaborating with JSTOR to digitize, preserve and extend access to ArtEducation.

http://www.jstor.org

This content downloaded from 195.78.109.52 on Wed, 11 Jun 2014 01:15:36 AMAll use subject to JSTOR Terms and Conditions

Page 2: Continuing Art Education for Adults || Guest Editor: Marylou Kuhn

guest editor. marylou kuhn Adult art education is an integral part of the social and cultural forms of today's world. It has seemed appropriate, therefore, to draw contributors for this issue from these many contexts. The stage is set by John McHale. As director of the World Resources Inventory and associate of Buckminster Fuller, he is uniquely well qualified to do this. Mr. McHale has indicated a new role for men in the world of the future; and the importance of symbolic and value systems to the development of individual creative achievement. Alvin Toffler highlights this setting by outlining causes and reactions to the current social phenomenon of "naturalization" of the arts in America. He points out specific consequences of this situation for art educators, indicating some needs and cautions to the profession from the view of an interested and informed lay observer. As a free lance writer and a former editor of "Fortune" magazine, he is a knowing critic of the American scene. The interview of Lou Hazam, Producer-writer of NBC's forthcoming feature "Michelangelo, The Last Giant," gives us a backstage glimpse at one of commercial television's contributions to adult art education; and the Symposium, "Locales of Adult Art Education," takes us directly on' stage into the action of this scene. The issue is rounded out by a scholarly article, "Emerging Directions In Adult Art Education," which draws directions for the future. Knox and Shields have explored several emergent needs in the light of research and authoritative opinion, and their article attempts to provide guidance for the meeting of these needs in behavior appropriate to each. All these writers herald intense growth in adult art education. Evidence is presented here of the broadening base of art education in service to people of all ages through widening numbers of social institutions, and of the imperative for adequate and effective leadership for adult art education.

Marylou Kuhn is with the Florida State University, Tallahassee

Photo courtesy Milwaukee Art Center

This content downloaded from 195.78.109.52 on Wed, 11 Jun 2014 01:15:36 AMAll use subject to JSTOR Terms and Conditions