come if you dare

5
Come If You Dare Author(s): Purcell Consort and Vincent Novello Source: The Musical Times and Singing Class Circular, Vol. 2, No. 40 (Sep. 1, 1847), pp. 123-126 Published by: Musical Times Publications Ltd. Stable URL: http://www.jstor.org/stable/3370989 . Accessed: 20/05/2014 02:33 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. . Musical Times Publications Ltd. is collaborating with JSTOR to digitize, preserve and extend access to The Musical Times and Singing Class Circular. http://www.jstor.org This content downloaded from 193.104.110.111 on Tue, 20 May 2014 02:33:14 AM All use subject to JSTOR Terms and Conditions

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Page 1: Come If You Dare

Come If You DareAuthor(s): Purcell Consort and Vincent NovelloSource: The Musical Times and Singing Class Circular, Vol. 2, No. 40 (Sep. 1, 1847), pp. 123-126Published by: Musical Times Publications Ltd.Stable URL: http://www.jstor.org/stable/3370989 .

Accessed: 20/05/2014 02:33

Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at .http://www.jstor.org/page/info/about/policies/terms.jsp

.JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range ofcontent in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new formsof scholarship. For more information about JSTOR, please contact [email protected].

.

Musical Times Publications Ltd. is collaborating with JSTOR to digitize, preserve and extend access to TheMusical Times and Singing Class Circular.

http://www.jstor.org

This content downloaded from 193.104.110.111 on Tue, 20 May 2014 02:33:14 AMAll use subject to JSTOR Terms and Conditions

Page 2: Come If You Dare

From "King Arthur."

/ n

owme tif out btre. I 1, i I 1 ", I

Composed by PURCELL, 1691. Newly Edited by VINCENT NOYELLO.

I , 1 J I

SYMPHONY. (iV fl r- .1 -

- -

I -

7- _ . lkr - I I I -1 I I -r , 1 m h: :r '. ^: - f, I ! j '17 -

-

4 t ' 1'l , - r ' !

h: r f'F i - - ,i i i ' 1 , r-r-F'-j I

F .- -

U ' r ,, ,l *' 1 .r

_.-_-- * ~

' f i-

N a nr (-1 SrW--r I r u . IP Cres. f -

t r-rr ['] , ir'r-~ ~-~'l' Fr -L^FT-r, I r 1.. i-11 CHORUS.* *

c^? Q r- rr1 rF - n * I'rPr ^ F- o 'rf IANTO.e, f y 'I our 1 1 . if o r h | e I I

Come, if you dare, our trumpets sound; Come, if you dare, the foes re - bound. We

ALTO., J iJ f ou dr ti J j J r

J 4J u;l Come, if you dare, our trumpe sound; Come,if you dare, the foes rebound. We

BAss. i W r' I K| | j.| ji1 /11 j?.J I4r Come, if you dare, our trumpets sound Come, if you dare, the foes re - bound. We

. .r -f r i r i r t f oI ro l

. come, we come, we come, we come, says the double, double, double, beat of the thund'r - ing drum.

LLLcAr. i J p

,. 1J ; : r 1 1o ,_1--- - , r ;u :

Repeat in Chorus.

come, we come, we come, we come, says the double, double, double, beat of the thund'ring drum.

come, we come, we come, we come, says the double, double, double, beat of the thund'ring drum.

Each moveme nt of this Como o we come, sung first as the doubldo, and then repeated in Chorus. The olo btund'ring the same

|\' . r r fr r! r r r?as the upper line in the s ore. . . - .* 8ves.

* Each movement of this Composition should be sung first as a Tenor Solo, and then repeated in Chorus. The Solo being the same as the upper line in the score.

I-u- - I i I i t (Ik 4 ii - -' I i i g 1: 1 s 1 I 4 -r~-r-ge 1 9 I- 1C v I ;1

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Page 3: Come If You Dare

CHORUS.

Now they charge CHORUS.

-4. I

" Now they charge CHORUS. n- .

COME IF YOU DARE.

on a - main; Now they ra l-ly

on a - main; Now they ral

a- gain; The Gods from a -

- ly a- gain; The Gods from a -

o Now they charge CHORUS. -. nA

on a - main; Now they ral - ly a- gain; The Gods from a -

Now they charge

n lr I on a - main; Now they

j I ral - ly a - gain The Gods from a -

I . . 1- i 1

I1 YT I t- t - L ..I N I - -_ i i - .

-w -T r-- gw *-41~ F V

V I

* -W

iL - *

la - hour be - hold, and pi - ty

la - bour be 4

- hold, and pi - ty

man-kind that will

man- kind that will

- bove the mad

b): Tv -t 'r - bove the mad

1 IN I

la - our be - hold, ald pi-ty _ . r r

la - bour be - hold, and

I I Pa I al

man - kind that will a 1 -- . -

pi-ty man - kind

P I that will

N

I - I i" I l' V

4L a I

for gold. And pi - ty man - kind that will pe - rish for gofd. f-

perish for gold. And pi- ty

pe1-T - r pe - rish for gold. And pi - ty - a

man - kind that will e - rish for gold. ._R .-1

man - kind that will -+-. .

perish for gold. And pi - ty man - kind that will pe - rish

- ^ k .I P , I I N i h

1 - I - V I I

-.- a a -

(2)

I

t.

t _ bove n

t - bove A \

the mad

the mad j . p ~I-J

' L I I 7 I

-p- i p 6

Si A perish

pe - rish for gold.

for gold.

L * -9-

It-

a

a

I

i

r

A

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Page 4: Come If You Dare

COME IF YOU DARE.

Dim.

r[I:r r -'1T n t r I .t The faint - - ing Sax - ons quit their ground; Their trum - pets

Dim.

CIJ L J i j LM_J iJ i N The faint - - ing Sax - ons quit their ground; Their trum - pets

Dim.

The faint - -ing Sax ons quit their ground; Their trum -pets

- guishthe ound They ly, tey fly, they fly they

an - guish in the sound; They flr, they fly, they fly, they

():

fl - r 9 Ir i I

c

lan - guish in the sound; They fly, they fly, they they ) J r I : 1 I -

lan -guish in the sound; The y y,y' they

t,: 1 Tr f rJg lan guish in the sound I They fly, they fly, they fly, they

;:1 t r [r 1 i 1 1 1 ; jr ~ F'

,- 1

ixf __ Repeat in Chorus.

& r l^ r lr-rlI yI^J .ll fly, Vic - to - ria, Vic - to -ria, the bold Britons cry.

fi J J I J J G I L-rL I J J^[J || fly, Vic - to - ria, Vic - to - ria, the bold Britons cry.

qrlr r- r Ir 'I rl c v ill fly, Vic - to - ria, Vic - to -ria, the bold tons cry.

? ' 'r I r j o-ri 1c I 't-1 1 fly, Vie - to -ria, Vic - to - ria, the bold Britons cry.

i f , , R'epeat For.

J~~~- -t

(3)

^ CHORUS.

4

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Page 5: Come If You Dare

COME IF YOU DARE.

r'^"~ f - r lr - I rr ' I J

.i. .. ..-T Now the Vic - to - ry's won, To the Plun-der we run; Then re - turn to our CHORUS. Soft.

p ^ i j. j j1 -. , 4LJ . j1 - i-A1 1 2 J Now the Vic - to - ry's won, To the Plun-der we run; Then re - turn to our CHORUS. Soft.

c.t. ^ l ;' , r I I Fr- t r I ,, '- ,,l- Nowthe Vi - to - ry's won, To the Plun-der we run; Then re - turn to our

CHORUS. Soft.

>I: - WrM r t r rr r J r r-- n le Now the Vic - to - ry's won, To the Plun-der we run; Then re -turn to our

{ CHORUS. I

ttl?'J?^ 54r I'W 1- 4Soft. ve. - Loud.

Lass-es like for -tu-nate Traders, Tri - umphant with spoils of the vanquish'd in -

J i _j -r . j.* !. - J t . . j it

):; fou& 2 r l m t 0 : C r r r : r J F1 '72f Lass-es like for - tu-nate Traders, Tri - umphant with spoils of the vanquish'd in -

n oL~ bi. Loud. i Lass-es like for - tu-nate Traders, Tri - umphant with spoils of the vanquish'd in -

)f l;ozF

I , _ ? . .~ .

Lass-es like for - tu-nate Traders, Tri - umpant with spoils of the vanquish'd in -

I) e ' -1 ?t H e-r : : L =^

Repeat i?n Chorus.

I f *f!T5 - r+-r t r' I - va- ders, Tri - umphant with spoils of the vanquishd in va - ders.

- va-ders, Tri - umphant with spoils of the vanquish'd in - va - ders.

4. t r .

r i r t. f ! r -[ 4 IL - va-ders, Tri - umphant with spoils of the vanquish'd in va - ders.

' J'.tri r. rl Etr r I-F r' I-t- . 11

- va-ders, Tri - umphant with spoils of the vanquish'd in - va - ders.

(?e-d j I ^-M J W , ^: ^J T^-^ 11 iff~ ' *

| S

Repeat for. :- *r I c r r f I r f L C- r 3 1 - : 11:

-drs Tri- mhn ihsol ftevnus' n-v-dr:

fit~~~~~~~~~ END.

(4)

CHORUS. lst Time Tenor Solo. Soft.

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