collation of research on the impact of art, culture and creative industries in africa

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Arterial Network’s Bibliography for the Creative Economy in Africa © CAJ, 2009 Page 1 of 292 Research into the Impact of the Arts & Creative Industries on Africa’s Economy An Arterial Network Project Delivered by Agoralumiere International in partnership with CAJ Funded by: DOEN, STROMME, and the Nigerian Federal Ministry of Commerce and Industry Culture, Arts and Jobs

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The AfricanCreative Economy - Arts, Culture and CreativeIndustry Research in Africa

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Page 1: Collation of Research on the Impact of Art, Culture and Creative Industries in Africa

Arterial Network’s Bibliography for the Creative Economy in Africa

© CAJ, 2009 Page 1 of 292

Research into the Impact of the Arts

& Creative Industries on Africa’s

Economy

An Arterial Network Project

Delivered by Agoralumiere International in partnership with CAJ

Funded by: DOEN, STROMME, and the Nigerian

Federal Ministry of Commerce and Industry

Culture, Arts and Jobs

Page 2: Collation of Research on the Impact of Art, Culture and Creative Industries in Africa

Arterial Network’s Bibliography for the Creative Economy in Africa

© CAJ, 2009 Page 2 of 292

The African Creative Economy

Arts, Culture and Creative Industry Research in Africa

Research sources, key institutions and annotated bibliography of the

creative economy in Africa

Deliverable 2: The collation of existing research material on the impact of the art and creative industries on Africa’s Economy over the last five years

Deliverable 2 of the Research project is prepared by © CAJ 2009

[email protected]

Postnet 193, Private Bag X2600, Houghton, 2041, Johannesburg, South Africa, Ph: +27-11-487-2507 Cell: +27-83-229-6072

Page 3: Collation of Research on the Impact of Art, Culture and Creative Industries in Africa

Arterial Network’s Bibliography for the Creative Economy in Africa

© CAJ, 2009 Page 3 of 292

BACKGROUND TO THE STUDY.................................................................................... 5

LIST OF DOCUMENTS BY YEAR................................................................................. 12

AFRICA: GENERAL WEBSITES................................................................................... 63

NATIONAL CULTURAL POLICIES IN AFRICA ........................................................ 64

CULTURAL POLICY FRAMEWORKS IN SELECTIVE AFRICAN COUNTRIES .. 65

AFRICA, CARIBBEAN AND PACIFIC COUNTRIES.................................................. 69

AFRICA CONTINENT .................................................................................................... 70

DEVELOPING COUNTRIES DOCUMENTS ................................................................ 83

EAST AFRICA DOCUMENTS........................................................................................ 87

SADC................................................................................................................................. 87

WEST AFRICA................................................................................................................. 91

BOTSWANA ..................................................................................................................... 93

DRC ................................................................................................................................... 93

Page 4: Collation of Research on the Impact of Art, Culture and Creative Industries in Africa

Arterial Network’s Bibliography for the Creative Economy in Africa

© CAJ, 2009 Page 4 of 292

GHANA ............................................................................................................................. 94

KENYA.............................................................................................................................. 95

MALI................................................................................................................................. 96

NAMIBIA.......................................................................................................................... 96

NIGERIA........................................................................................................................... 97

SENEGAL ......................................................................................................................... 99

SOUTH AFRICA ............................................................................................................ 101

TANZANIA DOCUMENTS ........................................................................................... 125

UGANDA......................................................................................................................... 125

ZAMBIA.......................................................................................................................... 126

ZIMBABWE.................................................................................................................... 128

LIST OF DOCUMENTS BY NAME.............................................................................. 130

LIST OF DOCUMENTS BY COUNTRY ...................................................................... 181

LIST OF DOCUMENTS BY AREA OF INTEREST (SECTORS)............................... 244

Page 5: Collation of Research on the Impact of Art, Culture and Creative Industries in Africa

Arterial Network’s Bibliography for the Creative Economy in Africa

© CAJ, 2009 Page 5 of 292

Background to the Study

Arterial Network The Arterial Network put out a project call for research into the Impact of the Arts on Africa’s Economy. As this call explains, arts and culture are often marginalised in Africa and are seen to have little impact on developmental issues of poverty eradication, job creation, rural and urban development or community livelihoods let alone on economic considerations of GDP, employment and earnings.

The aims of the overall project: The aims are therefore to:

1. Identify African researchers in the field of the arts economy and provide them additional skills, training and mentoring to become increasingly proficient in researching and presenting the case for the economic and developmental value of the arts in the African context

2. Initiate ongoing research into the African arts economy, to publish related documentation and reports on an annual basis and generally to produce the research required to inform arguments in favour of the creative sector on the Continent.

3. Produce the information and analysis that would feed into annual conferences on the arts and the African economy as a way of increasing public and private support for the arts on the Continent.

The deliverables of this research project are:

a. To collate all the research that has been done on the theme of the economic impact of the arts and creative industries in Africa in the last five years

b. To train Africa-based researchers who can undertake such research in the short, medium and long term and

c. To conduct research into the contribution of the Arts and creative industries in one or two African countries or regions.

CAJ’s work: Agoralumiere International in partnership with CAJ responded to this call and was awarded the opportunity to provide the required services.

a. Avril Joffe from CAJ conducted training of African-based researchers in the required research skills for creative economy investigation and measurement of the impact of the creative economy. The purpose of this training is to equip Africa-based researchers with the necessary skills to undertake such research in the short, medium and long term. The training was conducted in Addis Ababa, Ethiopia for researchers from the

Page 6: Collation of Research on the Impact of Art, Culture and Creative Industries in Africa

Arterial Network’s Bibliography for the Creative Economy in Africa

© CAJ, 2009 Page 6 of 292

DRC and from Nigeria. These two countries were chosen for this first round of investigation into the creative economies.

b. To collate all the research that has been done on the theme of the economic impact of the arts and creative industries in Africa in the last five years. CAJ was tasked with this assignment which is the subject of this report. CAJ has interpreted this brief to include the compilation of a comprehensive list of writing about creative arts and creative industries in African in the last 5 year. Further details of the report are contained in the following sections.

Methodology of the Report on the Collation of the research

The brief was fulfilled by a desktop review of available research on the Creative Industries generally and on each of the sub-sectors of creative industries.

• Initially all documents and reports in the CAJ library were classified and summarised.

• Secondly, a call to the Arterial Network went out which resulted in a number of new reports and documents.

• Thirdly, leads were followed up from organisations, agencies, institutions and individuals in the broader creative industry sector principally in South Africa and finally, extensive searches were conducted on the internet.

CAJ decided to extend the brief to beyond the 5 years to include all key works since 2000 and some from the late 1990s. This was to provide a more comprehensive listing of writings and documentation of the creative economy in Africa and to ensure that key texts from before 2004 were reflected. Not surprisingly the work is a little like the proverbial length of a string. At some point a decision needed to be made to stop searching, stop writing and stop classifying. There is no doubt that this report cannot in any way claim to represent the totality of what is available. The section below on the challenges of collecting and collating resources on the creative economy in Africa elaborates on this further.

1. Construct a comprehensive bibliography

The first task was to collect all reports written on the creative industries generally and on each of the sub-sectors of the creative industries and to organise these by date and by sector. These were sourced from known authors and from consultants and associates in CAJ’s extensive network.

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Arterial Network’s Bibliography for the Creative Economy in Africa

© CAJ, 2009 Page 7 of 292

The brief was fulfilled by a desktop review of available research on the Creative Industries generally and on each of the sub-sectors of creative industries.

2. Compile a comprehensive list of writing about creative arts and creative industries in African in the last 5 year. Where possible the report contains the following information on each study (report, document, presentation, newspaper article, etc) with the following headings.

1. Title

2. Author

3. Commissioning agent

4. Purpose

5. Date

6. Country

7. Website

8. Summary of report

9. Key words

Headings only appear in the narrative where information is available. The tables on the other hand have all fields reflected. Challenges in documenting resources available about creative industries, arts and culture and creative economy in Africa Official and public documentation of reports and papers on the creative industries in Africa is simply absent. While there may well be reports and publications in African countries which remain either in handwritten or printed form these do not make their way into the public realm. It is part of the African Union’s programme to transfer existing material in physical form into economic form for easy public access. Very few organisations post their reports and research findings on their own websites (where they have these) even when they are public bodies or government funded. Consultant reports are kept either by the consultant or by the commissioning agent. Very few of these are available to the public. Were it not for the extensive library and network of CAJ very few of these would be reflected in the report below. As a result very few documents have URL links. It should be assumed that where documents are summarised they exist in hard copy in CAJ’s library. While some are in soft copy (as a word document, a pdf or a PowerPoint presentation) a future task of the Arterial Network would be to scan all those papers and reports that have

Page 8: Collation of Research on the Impact of Art, Culture and Creative Industries in Africa

Arterial Network’s Bibliography for the Creative Economy in Africa

© CAJ, 2009 Page 8 of 292

been collected by CAJ and others at conferences, meetings, or whilst conducting research for different organisations. Many of the 200 or so articles, documents or news pieces reflected below were collected over the years by CAJ as research into various aspects of the creative industries, creative economy and cultural policy research were undertaken. This reflects a key weakness in our knowledge system here on the African continent. Many organisational websites are not up to date or even when they are do not post research done in preparation for policy or strategic intervention. Thus, even where the research is known about, it cannot be found in the public domain. This research is kept privatised by the organisation and unless either the research or the relevant consultants or advisors were known to CAJ, this work is then not reflected. It should be noted that the more time was spend on exploring bibliographies, links in websites or leads from individuals, the more was found. Not all the short articles are reflected although many of these are worth reading. Links to their websites are provided below. Researchers, cultural practitioners, creatives, policy analysts etc are encouraged to use these websites continually and to forward any links/ articles to the Arterial Network to keep this information up-to-date. In many respects this document and particularly the form it takes as a web resource must be a living document. The current list of resources reflects that which was found during this assignment. There is no doubt that more is out there. With more time, more connections made, more visibility as to its usefulness and more ‘buy-in’ from organisations, practitioners, policy analysts, creators that more resources, documents, reports, and links will be sent through to the Arterial Network. Keeping this list of web resources alive should become a permanent feature of the work of the Arterial Network. The consequence of this ‘privatisation’ of resources is that the research reflected below relates only to that where CAJ has been directly or indirectly connected to a project or where other respondents to the call for research (particularly the members of the Arterial Network) have had access. It is therefore a key recommendation of this work that the Arterial Network support the making public of research about the creative economy of Africa by:

a) Updating this work periodically

b) Encouraging creative industry organisations and practitioners, creative sector individuals and organisations we well as officials working in arts and culture government departments to regularly send through research or documents prepared

c) Offering to ‘house’ research completed on its website and makes it available to all creative sector practitioners, advisors, experts and organisations

d) Collaborate with other organisations, in particular IFACCA and the OCPA but also UNESCO and UNCTAD to ‘share’ resources, documents, and reports etc with the Arterial Network as these websites

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Arterial Network’s Bibliography for the Creative Economy in Africa

© CAJ, 2009 Page 9 of 292

e) Providing links to websites which regularly feature editorials or guest pieces on creative industries

f) The use of shared Google docs to allow individuals/ organisation easy transmission of their personal libraries and resources.

For this assignment, available reports, news pieces and documents were classified, summarised and searched for on the internet in order to provide a more transparent mechanism for locating the original texts. CAJ decided to sort the pieces by name, by country, by year and by sector. Documents from before 2004 have been included where they are seminal or significant pieces or precursors to other research. While there is no doubt that some reports/ texts and documents are more useful than others, little attempt was made to impose a selection on the items. Reports, documents and policy statements from the range of international organisations reflected below reveal a sameness of language, identification of trends and recommendations for support to the creative economies. Very few reports are from grassroots practitioners. Absent are analyses of what has been done, what was successful and why. Future phases of this ongoing research project will need to develop a more systematic classification system ensuring that yet to be implemented policies for instance are accorded less significance than evaluation of the impact of existing policies, or public advocacy addresses by influential people are sorted separately to the voice of people on the ground directly experiencing the policies, the support or the developments. Feedback from the website users will be an important barometer of the usefulness of resources. There are different ways to ‘slice’ the information. In the text the information is presented in a table format by year. The appendices have the tables with the information ‘sliced’ by name, by country, by sector. These lists reveal different limitations depending on how it has been sliced.

1. When sliced by year it reveals a slight increase in published material in recent years although these are still extremely few given the rich culture and diversity of our continent’s cultural and creative assets.

2. When sliced by country it reveals the disproportionate quantity of information resources from South Africa and also highlights the need for translation. Very few French texts were collected; no Portuguese or Arabic texts were collected. A recommendation to Arterial Network would be to raise funds to have translators reviewing what web-users say are the most useful texts. At a minimum, the summaries provided here should be translated into French, Portuguese and Arabic. In addition, this slice by country

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Arterial Network’s Bibliography for the Creative Economy in Africa

© CAJ, 2009 Page 10 of 292

also shows the extent to which international agencies report on Africa or developing countries without differentiation.

3. When sliced by sector it reveals a paucity of information in some of our key sectors such as performing arts and dance, design and all forms of live arts. Unfortunately the bias of CAJ’s work in the film, music and craft industries is revealed in the disproportionate number of resources in these sectors which have been collected over years of work in the sector.

There is no doubt that a further slicing of the sectors themselves will allow researchers, practitioners and policy makers and advisors to go the core of the subject they are investigating. For example the sector music should be sliced further to reveal genres, piracy, recorded vs. live music, equipment, intellectual property issues, artists, concerts and festivals. This could perhaps be part of the brief for future reviews. The sector called ‘Cross-Cutting’, for instance, could be ‘sliced’ further to reveal documents about the creative economy, human resource development and so on. In addition further work on this and new lists will need to be more systematic about the differentiations within the sectors especially in relation to policy, project implementation and funding and sponsorships. Many texts talk to all of these in one report but for this first cut, only the dominant subject has been captured. The list of key words for each document shows the range of subjects covered in the respective reports. It is also worth noting that in this listing only 13 of Africa’s 52 countries have articles specific to that country. This is clearly not an accurate picture of the reality. What it does indicate however is the lack of visibility of writing about the creative economy and creative arts both amongst Africa-based practitioners and experts associated with various networks as well as the limitations of on-line resources for many African countries. In the narrative section, documents and reports are presented according to the country they speak about. Where countries cover more than one country in Africa they are located under the following country headings, whichever is the more appropriate:

• ACP

• Africa

• Developing Countries

• East Africa

• SADC

• West Africa

If there are many documents or reports (such as under the heading Africa and South Africa), documents and reports are listed by year. Included below is a section on national cultural policies in Africa.

Page 11: Collation of Research on the Impact of Art, Culture and Creative Industries in Africa

Arterial Network’s Bibliography for the Creative Economy in Africa

© CAJ, 2009 Page 11 of 292

Page 12: Collation of Research on the Impact of Art, Culture and Creative Industries in Africa

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ank

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ence

s C

entre

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c,

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ton,

D

C

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usic

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Page 18: Collation of Research on the Impact of Art, Culture and Creative Industries in Africa

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enna

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pdf

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and

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S)

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org/

intra

doc/

grou

ps/p

ubli

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/idep

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an00

3349

.pdf

Page 19: Collation of Research on the Impact of Art, Culture and Creative Industries in Africa

Art

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Page 20: Collation of Research on the Impact of Art, Culture and Creative Industries in Africa

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Page 21: Collation of Research on the Impact of Art, Culture and Creative Industries in Africa

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Mus

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Page 27: Collation of Research on the Impact of Art, Culture and Creative Industries in Africa

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Page 28: Collation of Research on the Impact of Art, Culture and Creative Industries in Africa

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Page 29: Collation of Research on the Impact of Art, Culture and Creative Industries in Africa

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Page 35: Collation of Research on the Impact of Art, Culture and Creative Industries in Africa

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Ros

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Title

: Fu

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an

d E

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roni

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edia

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fu

ndin

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p

Nts

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ila-

Kho

sa, R

osel

ine

Title

: Des

ign

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: N

tshi

ngila

-Kho

sa

and

Ass

ocia

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Page 36: Collation of Research on the Impact of Art, Culture and Creative Industries in Africa

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Title

: M

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an

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rum

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ay

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lm

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2007

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es,

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outh

Afri

ca

2007

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usic

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2007

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Vol

2 n

o 6

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2007

vi

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Per

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Afri

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and

trans

natio

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cultu

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ndus

tries

Uni

vers

ity

of

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Urb

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Cha

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2007

C

ross

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the

Nig

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lm In

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2008

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2008

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m

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, D

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.)

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Page 52: Collation of Research on the Impact of Art, Culture and Creative Industries in Africa

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amro

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outh

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ral

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uppo

rt P

roje

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hana

20

08

data

base

s

Dem

ilew

, Abi

y

Cre

ativ

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utili

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can

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urce

s C

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Web

site

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reat

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ca w

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Afr

ica

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oss

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Page 53: Collation of Research on the Impact of Art, Culture and Creative Industries in Africa

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Mus

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Qua

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oshi

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usic

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nn

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outh

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Page 54: Collation of Research on the Impact of Art, Culture and Creative Industries in Africa

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is

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Page 55: Collation of Research on the Impact of Art, Culture and Creative Industries in Africa

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Africa: General Websites

Administration des douanes et impôts indirects du Maroc www.douane.gov.ma Africa Information www.africinfo.org African Union www.africa-union.org African, Caribbean and Pacific Group of States (ACP group) www.acpsec.org Agence de la Francophonie www.agence.francophoni.org All Africa Global Media www.allafrica.com Art matters www.artmatters.info BBC www.bbc.co.uk/africabeyond British Council www.britishcouncil.org Coalition Française pour la diversité culturelle www.comitedevigilance.org Creative Africa www.creativeafrica.com Eve Gray (Publisher and book industry analyst) www.evegray.co.za Goiree Institute www.goireeinstitute.org ILO www.ilo.org International Network on Cultural Development www.incd.net Power of Culture www.powerofculture.nl Smithsonian Institution Research Information System http://www.siris.si.edu/ Sociolingo’s Africa http://sociolingo.wordpress.com/category/culture/african-culture/page/2/ Trade Law Centre for Southern Africa www.tralac.org UN STATS/ Statistiques des Nations Unies www.unstats.un.org Union Economique et Monétaire Ouest Africaine www.uemoa.int WIPO/ Organisation Mondiale sur la Propriété Intellectuelle www.wipo.int World Bank/ Banque Mondiale www.worldbank.org WTO/ Organisation Mondiale du Commerce www.wto.org www.suplanet.net UNESCO / Organisation des Nations Unies pour l’Education, la Science et la Culture www.unesco.org UNESCO, Creative Industries, Africa www.unesco.org/culture/en/creative -industries/africa http://appablog.wordpress.com/2008/12/12/culture-economy-regional-integration-culture European Union http://ec.europa.eu/development/body/publications/ UNESCO, portal, documents http://portal.unesco.org/culture/en/ http://allafrica.com African Women’s Media Centre - http://awmc.com

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National Cultural Policies in Africa

This section provides information on cultural policies in Africa. The following is taken from the webpage of OCPA: The Observatory of Cultural Policies in Africa with the URL address inserted. The OCPA website is a comprehensive resource for this information. See http://ocpa.irmo.hr/resources/index-en.html for a list of cultural policies in Africa.

Country by Country Law No 2005-006 on the National Cultural Policy for Socio-economic Development, Madagascar, July 2005 http://ocpa.irmo.hr/resources/policy/Madagascar_National_Cultural_Policy-fr.pdf The Cultural Policy of The Republic of Seychelles, Ministry of Local Government, Sports and Culture, 2004 at http://ocpa.irmo.hr/resources/policy/Seychelles_Cultural_Policy-en.pdf or Polisi Kiltir Repiblik Sesel, Minister Gouvernman Lokal, Sport ek Kiltir, 2004 at http://ocpa.irmo.hr/resources/policy/Seychelles_Cultural_Policy-sc.pdf The Uganda National Culture Policy, Final Draft, Ministry of Gender, Labour and Social Development, Kampala, December 2006 at http://ocpa.irmo.hr/resources/policy/Uganda_Culture_Policy-en.pdf Botswana National Policy on Culture, Ministry of Labour and Home Affairs, Department of Culture and Youth, October 2001 at http://ocpa.irmo.hr/resources/policy/Botswana_National_Cultural_Policy-en.pdf Unity, Identity and Creativity for Prosperity - Policy on Arts and Culture of the Republic of Namibia, Ministry of Basic Education, Sport and Culture, Windhoek, Namibia, August 2001 at http://ocpa.irmo.hr/resources/policy/Namibia_Cultural_Policy-en.pdf Mozambique Cultural Policy and Implementation Strategy, Council of Ministers, Resolution No. 12/97, June 1997 at http://ocpa.irmo.hr/resources/policy/Mozambique_Cultural_Policy-pt.pdf Cultural Policies in African Member States: Present Situation and Trends, SHC-75/AFRICACULT/4 (24 countries) Situation and Trends of Cultural Policies in the Member States of Africa, CLT/MONDIACULT/REF.1/AFR (28 Sub-Saharan countries) Situation and Trends of Cultural Policies in the Arab Member States, CLT/MONDIACULT/REF.1/ARBR (6 North Africain countries) Guide to Current States and Trends in Cultural Policy and Life in UNESCO Member States: Africa, CULTURELINK, Cultural Policy Databank, 1992

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Monographies on Cultural Policies in the Member States: African Countries Algeria (1977), Cameroon (1975), Egypt (1972), Ghana (1975), Guinea (1979), Kenya (1975), Liberia (1974), Morocco (1981), Nigeria (1972), Senegal (1973), Sierra Leone (1979), Tanzania (1974), Togo (1975), Tunisia (1970), Zaire (1975)

Cultural Policy Frameworks in Selective African Countries

Country Cultural Policy Framework

Angola In Angola the Ministry of Culture is responsible for development of the cultural sector. This is done through and by nine public institutions, which includes the National Institute of Cultural Heritage and the National Institute of Artistic and Cultural Training.

Botswana In Botswana, a draft national cultural policy was published in March 20011 by

the Ministry of Labour and Home Affairs which has the portfolio responsibility for culture and youth, with the Botswana National Cultural Council acting as an advisory body. The policy was approved by cabinet in October 2001. Cultural heritage is accounted for in various acts of parliament but these don’t mention the visual arts and crafts directly. This is now contained in the draft national cultural policy.

Ethiopia The 1997 cultural policy guarantees equal access to culture for all Ethiopians. A direct response to a dictatorial regime that was discriminatory to many ethnic cultures. A key feature of the policy is the preservation of heritage and reclaiming that which has been stolen. A campaign was launched in 2004, reinforced by the return of an obelisk in 2005 that was plundered in 1937 on the orders of Mussolini. It has now been returned!

Ghana In 2004, Ghana instituted a cultural policy that promotes unity in diversity, African values and standards and provides for the establishment of a cultural fund. The primary focus is on promoting culture to promote redress after colonialism.

Lesotho The Ministry of Tourism, Sports and Culture is responsible for arts and culture policy and management. The Directorate of Culture is subdivided into sections as well as commissions, committees and associations, which are recognized

and affiliated to the Department of Culture.2

In 2002 a new White Paper on culture was drawn up, but has not yet been implemented. It focuses on training and revision of museum frameworks.

Malawi Cultural issues fall under the Ministry of Education, Sports and Culture. Cultural Heritage is protected through different Acts of Parliament, dealing

1 Draft National Cultural Policy, Government of Botswana Ministry of Labour and Home Affairs, March 2001 2 Unless otherwise indicated, all information from the SADC report on the Sector of Culture and Information Policies, Priorities and Strategies, May 1998 http://www.teledata.mz/sadccult/poling.htm

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Country Cultural Policy Framework

with Monuments and Relics, Museums, Arts and Crafts, Archives and censorship issues. The Department of Arts and Crafts recently called artists of all disciplines to form associations, for which the government provided seed funding. The mandate given to these associations is that they write their own constitutions. Once these are presented to government, they will become eligible for funding. Government felt it was important to put this responsibility onto the artists so they could, as Mr. Bernard Kwilimbe says, “speak with one

voice, because who feels it, knows it most.”3

The definition of arts and crafts in Malawi is officially grouped as grassroots (basketry, woodcarving, and domestic implements); entrepreneurial (defined as passing from one hand to another) and fine arts (painting and sculpture) The Malawi Chamber of Commerce is encouraging government to promote the visual arts and crafts industries at the trade show grounds in Blantyre for the international trade fair. This will be negotiated around May 2002. It is the first time artists and craftspeople have been invited to exhibit.

Mauritius The arts and culture industries in Mauritius are considered very important to the national identity of the country. The Ministry of Arts and Culture, divided into the respective departments, deals with artistic and cultural issues and activities and endeavors to enhance and promote development in these industries. The arts division deals with all artistic disciplines, whereas the Culture Division deals with training, national cultural festivals and cultural exchange programmes, at regional and international levels. Policies governing these and other related departments are in the process of revision in response to developmental needs in Mauritius.

Mozambique In Mozambique, the Ministry of Culture, Youth and Sports manage the field of culture. Like many other countries in the region, there are few formally organized groups or institutions in the sector other than those with connections to ex-colonial powers. There are many Portuguese-funded cultural centres and connections between other ex-Portuguese colonies (Brazil, Angola etc.) are fostered.

Namibia Next to South Africa, Namibia demonstrates the most well organized visual arts and crafts industries, with government and various parastatals like art galleries, museums, associations and unions taking responsibility for organizing cultural practice. In order to enable more effective administration of culture, the government has decentralized cultural services through seven regional offices. Collective workshops, workshops, biennales and craft fairs have featured prominently on the visual arts and crafts calendar for some twenty years. Like South Africa, Namibian is succeeding in getting the private sector to invest in and support the visual arts and crafts industries.

Nigeria The right to culture is enshrined in the constitution and is critical for the unity of some 250 groups that comprise the Nigeria people. Preserving cultural heritage is critical objective of the Ministry of Culture & Tourism. The National Commission for Museums & Monuments enforces a strict regime to

3 From personal interview, Department of Arts and Crafts, Lilongwe, April 2002.

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Country Cultural Policy Framework

prevent art theft. Cultural policy is implemented by National Council for Art and Culture (NCAC) In addition the 36 states each have their own arts council. The policy is currently under revision, with a desire to place more emphasis on cultural co-operation with business and local communities.

Senegal The country has played an important role in West Africa since 1960 due to the biannual arts festival Dak’Art and the 30 year old Gorée Diaspora Festivale. The National Programme for the Development of Culture launched in 2005 is founded on 2 central pillars – unity & diversity. The objective is to stimulate the cultural sectors, retain the country’s heritage and promote Senegal as Africa’s Cultural Crossroad. The Programme is decentralized, with local cultural offices responsible for its implementation. In addition to the Programme there are “presidential projects” that are managed directly by the Office of the President: Construction of a National Theatre & Academy of the Arts in Dakar The establishment of the Museum of Black Civilizations

South Africa In comparison to many of the other countries in the region, the cultural policy environment is highly developed. The constitution of South Africa provides for a National Ministry for Arts and Culture (Department of Arts and Culture or DACST), and nine provincial ministries of Culture. Since 1994, the visual arts and crafts industries have been at the mercy of funding and support policies that seem constantly under revision to address issues of ‘community relevance’ (implying a homogenous ‘community’ instead of heterogeneous ‘communities’), education and skills transfer.

Swaziland Cultural management, being the responsibility of the Ministry of Home Affairs demonstrates the imprecation of cultural heritage and social life. Aspects of cultural management also fall under the Ministries of Education and Natural Resources. The latter manages and preserves traditional sculptural practices. The mandate of the National Cultural Council is to “encourage all cultural groups to enhance their performances and patriotic living as a uniting force in the nation,” which effectively excludes the visual arts and crafts industries. However, successful crafts-based projects are in operation, and many thrive.

Tanzania Tanzania put in place a cultural policy in 1997. The cultural sector is located in the Ministry of Education and Culture which in turn has two major sectors, Education and Culture, each of which has a commissioner. The cultural sector is inclusive of four directorates: Arts and Languages; Sport Development; Archives and Antiquities. The Department of Arts and Languages co-ordinates the National Arts Council of Tanzania (BASATA), which exists to organize exhibitions on invitation to local artists, but apparently this has not happened for some years. The National Arts Council is responsible for writing policy on arts events, structures and cultural activities. Their main aim or service is to register the various ethnic groups and associated special events. They will, for example certify the public practice of fine artists and register exhibitions. In relation to the Village Museum, the NAC will provide certification of standards of production that aids with the promotion and sale of artifacts as well as events. The Department also administers the Bagamoyo College of Arts which trains traditional dancers, musicians, performing artists, fine artists and sculptors.

Uganda Uganda’s draft cultural policy was submitted to the country’s Cabinet in August 2005 explicitly links the arts to social development. The policy promotes the cultural industries as a source of income and encourages the use of indigenous knowledge. The responsible Ministry of Gender, Labour & Social Development has integrated culture into the national plan to combat poverty.

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Country Cultural Policy Framework

The emphasis is on decentralization with local authorities formulating their own cultural policy within national guidelines. A special department in the Ministry of Trade, Tourism and Industry bears responsibility for museums & monuments. The Ministry of Education takes responsibility for the literary world. The Ministry compiled a policy plan in 1997 to stimulating publications in national languages, making books accessible and constructing libraries.

Zambia The Ministry of Community Development and Social Services is responsible for policy development and promotion of cultural activities such as the arts and crafts. The Ministry is also responsible for bilateral and multilateral cultural co-operation. The National Arts Council of Zambia, which co-ordinates artistic activities of national arts associations, is a statutory body under the Ministry of Community Development and Social Services The Visual Arts Council currently has a register of approximately 300 members throughout Zambia and organizers national exhibitions and workshops. In 1994 the National Arts Council grew out of various associations of the department of cultural services to form a relationship between the artists and the government.

Zimbabwe Zimbabwe has a written cultural policy which articulates the promotion of culture in a multi-cultural society that takes into account the different ethnic, linguistic and religious elements in the country. Role players in the industry have reported that this is not actively practiced due to recent restrictions that affect freedom of speech put in place by President Robert Mugabe. Culture is supported and managed in various line Ministries and departments in the Zimbabwean government. The Ministry of Education, Sport and Culture is responsible for policy direction in all matters concerning culture. The Ministry of Home Affairs administers the National Museums and Monuments and the National Archives. Copyright and Neighbouring Rights matters are administered by the Ministry of Justice, Legal and Parliamentary Affairs.

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Africa, Caribbean and Pacific Countries

Title: Dakar Declaration on the Promotion of ACP Cultures and Cultural Industries Author: ACP Group Date: 20-Jun-03 Website: http://www.acpsec.org/acpfestival/acp8300603_Dakar_Declaration_e.pdf Summary: This declaration commits the African, Caribbean and Pacific cultural ministers to formulate an ACP cultural policy, to collaborate with regional bodies and international institutions and to promote the adoption of measures conducive to the development and establishment of all forms of cultural industries in ACP states. Its commits ACP states to working with the Convention on the diversity of cultural expressions, to participate in the World Summit on the Information Society, to support the regular hosting of an ACP festival and to work with the European Union and other international and multilateral partners and non state actors to design, promote and support ACP cultural activities through the establishment of an ACP Cultural Foundation. Key Words: ACP, cultural industries, development, ICTs, ACP festival, ACP Cultural Foundation, Dakar Title: Promotion of Cultural industries/ Regional cooperation in the field of culture: report on the main conclusions Author: ACP Group Commissioning Party: Technical meeting 1st meeting of ACP Ministers of Culture, Working Group 11 Date: 18-Jun-03 Title: Handbook on ACP Cultural Industries Author: ACP Secretariat Commissioning Party: Drawn up by Ccawa / Cacao for the Secretariat of the ACP Date: 2006 Website: http://www.acpfilms.eu/fileadmin/fichiers/formulaire_et_annexes/EN/Handbook_ACP_cultural_industries.pdf Summary: This handbook is produced for 2 purposes: a) to publicise ACP's cultural policies and b) to promote an understanding of the advantages of cooperation between ACP and the EU in the field of culture. The report outlines the ACP groups' cultural policy; ACP cultural industries; information on national and regional cultural policies and the principles to which cultural cooperation with the EC has to sign up. Key Words: ACP, EU, culture, cultural policy, cultural industries

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Africa Continent

Before 2000 Title: Cultural Industries for development in Africa: Dakar Plan of Action Author: Organisation of African Unity/ UNESCO Commissioning Party: AU/UNESCO Date: Jun-92 Title: Expanding the book trade across Africa: a study of current barriers and future potential Author: Makotsi, Ruth Commissioning Party: Association for the Development of Education in Africa Date: 1999 Associated project: Association for the development of Education in Africa, in collaboration with the African Publishers' Network, Oxford, UK Website: http://openlibrary.org/b/OL22460732M/Expanding-the-book-trade-across-Africa Key Words: publishing; publishing industry; book industry; bookselling; trade; book development; Africa

2000 Title: Culture can play a key role in regional integration Author: Sithole, Jabulani Date: 15-Dec-00 Website: http://www.sardc.net/editorial/sanf/2000/Iss23/Nf2.html Title: Regional consultation on cultural industries in Africa Author: UNESCO Commissioning Party: UNESCO Date: 5-8 th September 2000 Associated project: Cotonou Summary: A UNESCO meeting of experts met in Cotonou (Benin) in September 2000 to review the current situation of cultural industries in Africa, 8 years after the launch of the Dakar Plan of Action and in the light of the impact of globalisation and the need to respect cultural diversity. Professionals from Angola, Benin, the Central African Republic, the Democratic Republic of Congo, Ivory Coast, Gabon, Ghana, Malawi, Tanzania and Togo participated in the meeting. Challenges facing each of the core cultural industries in Africa as a result of culture, trade and globalisation are outlined. Recommendations directed at key role-players are identified: states and public authorities, cultural operators, international and regional organisations and bodies and particularly, for UNESCO. Key Words: Cotonou agreement, UNESCO, cultural industries, Africa, recommendations, role of government, globalisation Title: Regional Forum on cultural industries in Africa

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Author: UNESCO Commissioning Party: UNESCO Date: 4th - 9th September 2000 Associated project: Organised by Breda at ABOMEY, Benin Website: http//www.dakar.unesco.org/news/en/en_000814_cutlure.shtml Summary: This news item announces the regional forum on cultural industries in Africa to reflect on developments since the adoption of the Dakar Plan of Action in 1992. The intention is to conduct an inventory of cultural industries in Africa and provide guidelines for UNESCO. It would be useful to have access to these working papers as there is little to reflect on in this period! Key Words: Africa, cultural industries, Dakar plan of action, UNESCO, assessment, regional forum Title: The Dynamics of African Filmmaking Author: Cham, Mbye Commissioning Party: UNESCO Associated project: UNESCO's World Culture Report 2000: Cultural diversity, conflict and pluralism

2001 Title: Culture, Entrepreneurship and Development in Africa Author: Tshikuku, Kabeya Commissioning Party: CRDI/IDRC, UNESCO Date: 10-14 December 2001 Associated project: Paper presented to the International Conference on the Cultural Approach to Development in Africa, Senegal by Prof Tshikuku from Institut de Recherches Economoniques et Sociales (IRES) Universite de Kinshasa Website: http://unpan1.un.org/intradoc/groups/public/documents/idep/unpan003349.pdf Summary: This paper reflects on the nature of African economies and particularly the weakness of indigenous entrepreneurship. While the old framework of lifelong solidarity has not disintegrated completely the new framework of capitalist individualism has not completely moved in. It is here that the author finds the basis for a plan of action for Africa. This plan is targeted at educators in favour of the very young, at teachers for teenagers, at political institutions to promote national entrepreneurship and finally at action strategies aimed for civil society. Culture is considered from the perspective of values, attitudes and reflexes. Key Words: culture, indigenous entrepreneurship, values, inculturation, teachers, educators Title: Local repertoire hits new highs to dominate world music market in African Music Industry Author: Seligman, G Commissioning Party: World Bank Date: June 20-21 June 2001 Associated project: Paper presented at the workshop on the development of the music industry in Africa, World Bank and Policy Sciences Centre, Inc, Washington, DC Website: http://siteresources.worldbank.org/intceerd/resources/cwi_music_industry_in_africa_synopsis.pdf

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Summary: This presentation focuses on how each of the key players in the music industry makes money: record companies, artists and publishers. It assesses the high risk nature of the music business and highlights market trends and potentials per type of music for each of 6 African countries. Key Words: record companies, music, distribution, Congo, market trends, royalties, air play Title: What's the use of music? The role of the music industry in Africa Author: Sen. Amartya Commissioning Party: World Bank Date: June 20-21. 2001 Associated project: Workshop on the development of the music industry in Africa, sponsored by the World Bank and the Policy Sciences Centre, Inc, Washington, DC Website: http://siteresources.worldbank.org/intceerd/resources/cwi_music_industry_in_africa_synopsis.pdf Summary: This presentation highlights the key points from all the contributors to the workshop in 2001. In highlighting the contributions of the music industry to Africa's development, he notes that it extends beyond the direct contribution that the development of music makes to the living standards and the quality of life of the people; a) economic returns from programmes of distribution, with protection of rights and entitlements; b) music plays a part in sustaining old identities and contributes to the creation of new ones; c) music in both entertainment and dialogue. He concludes that music makes interrelated contributions to economic development, social change, political cohesion and cultural progress. Key Words: Music, contributions, economic, social, cultural, living standards, quality of life, Africa, music industry Title: Informal music training in early childhood musical development Author: Strumpf, Mitchel Commissioning Party: UNESCO Date: 24-30 June 2001 Associated project: Paper presented at the African Regional Arts Education Conference in port Elizabeth, South Africa Summary: This report deals with music education in Malawi and Zimbabwe and offers suggestions of ways to improve formal, in-classroom music education in both countries. Key Words: Music training, early childhood, musical development, Malawi Title: Workshop on the development of the music industry in Africa Author: The Development Research Group on International Trade Commissioning Party: World Bank Date: 20-21 June 2001 Associated project: Participants include Amartya Sen, Paul Collier, J Michael Finger, Frank Penna, David Saryek, Gerard Seligman, John Collins, Coenraad Visser, Jerome Reichman, Phil Hardy, Scott Burnett, Keith Maskus Website: http://siteresources.worldbank.org/INTCEERD/Resources/CWI_music_industry_in_Africa_synopsis.pdf Summary: This workshop focused on the development of the music industry in Africa with contributions from international and African experts. Topics ranged from the WTO and Trips

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agreements, economies of African states, the role of the cultural industries in poverty alleviation, the Nashville experience, creating and sustaining markets for African music, how the various players in the music industry market money, the legal and intellectual property rights frameworks, public domain music, the role of collection societies, digital solutions as well as how to create an African music industry. Key Words: Africa, music industry, West Africa, Sub-Saharan Africa, World Bank, economics, social contribution, cultural industry, Nashville, Congo, Ghana, South Africa, markets, legal framework, collection societies, African music industry

2002 Title: Culture and Peace: the Search for Indicators Author: Mazonde, I N Commissioning Party: International Network for Cultural Diversity Date: 2002 Associated project: Presented at the INCD meeting in Cape Town, Author from University of Botswana Title: Scholarly publishing in Africa Author: African Book Collective and the Dag Hammarskjold Foundation Date: Jul-02

2003 Title: Guide to Pan-African cultural markets, professional networks and research resources Author: Brereton, Kira Commissioning Party: African Marketplace Inc, Cultural Engineering, Inc. Date: May, 2003 Associated project: African Marketplace Inc, Cultural Engineering, Inc. Website: http://www.culturalengineering.com/uploadfiles/AMP_CE%20GUIDE.pdf Summary: This guide commissioned by the African Marketplace Inc (a not for profit organisation that promotes the understanding and appreciation of the global influence of the African Diaspora) covers the following sectors: fashion, literature, media, multi-disciplinary, music, performing arts, tourism and visual arts. It includes a questionnaire for participation in future editions. The Guide consists of a brief description and associated contact information for thousands of Festivals, Cultural markets, Professional Networks, and Research resources all either part of the African Diaspora or demonstrating a strong emphasis on Pan-African arts and culture. Key Words: Guide, African Markets, Festivals, cultural markets, Research, African Diaspora

2004 Title: Les industries culturelles des pays du Sud : enjeux du projet de convention internationale sur la diversité culturelle Author: M. Francisco d’Almeida et Mme Marie Lise Alleman, Commissioning Party: Association Culture et développement

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Date: Aug-04 Associated project: Association Culture et développement Summary: This report was written for the Intergovernmental Agency of the Francophonie (AIF) and the High Council of the Francophonie. It is their contention that this is the first comprehensive attempt to assess the economic importance of the cultural industries of the South. Their study highlights the shortage of comprehensive data on these industries and the need to harmonize data collection procedures to arrive at a common 'model' for the international community. They argue for the identification of indicators to measure the current and potential contribution of cultural industries; ability to pinpoint structural obstacles to the development of cultural insures that require public policy solutions and to explore the economic and cultural rationale for international convention on cultural diversity. They conclude that the diversity of cultural industries in the South precludes their characterisation as an homogenous entity. Therefore policies directed at these industries will need to be diverse. Key Words: Francophonie, AIF, cultural industries, Africa, data collection, policy, cultural diversity, indicators. Title: Nairobi Plan of Action for Cultural Industries in Africa Author: African Union Commissioning Party: African Union Date: 10-14 December 2005 Website: www.africa-union.org Summary: The Nairobi Plan of Action (2005) replaces the Dakar Plan of Action (1992) taking into account developments in the interim years. It offers a situational analysis of the cultural industries in Africa and presents a plan of action for the development of endogenous cultural industries in Africa with the perspective of setting up an African cultural common market. Specific measures to be taken by pan-African organisations, UNESCO as well as member states are outlined to support the growth and development of the cultural industries in Africa. Key Words: Nairobi Plan of Action, Dakar Plan of Action, cultural industries, Africa, UNESCO, African Union, African cultural common market. Title: For most Africans, Internet access is little more than a pipe dream Author: Alden, Chris Commissioning Party: Online Journalism Review Date: 2004 Associated project: Online Journalism Review Website: http://www.ojr.org/ojr/workplace/107109268.php Summary: This review of internet use in Africa based on the World Summit on the Information Society reveals the lack of computers, training or economics essential to affording and using new technology. The case of Ethiopia is presented with less than 0.1 percent of the population ever having seen the internet. Facts from Swaziland, South Africa, Zimbabwe, Uganda, Tanzania, Benin, Ghana, Madagascar, Kenya, Nigeria and Rwanda are given. Key Words: Africa, internet, digital divide, information society, internet use, Ethiopia Title: Cultural Indicators: Views from Africa Author: OCPA Commissioning Party: OCPA Date: March/ August 2004

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Associated project: Drafted by the Task Force on Cultural Indicators of Human Development in Africa for presentation at the Congress of Cultural Rights and Human development under the auspices of the Forum Barcelona, Mozambique Website: http://www.culturalrights.net/descargas/drets_culturals80.pdf Summary: This paper documents the work of an interdisciplinary and complementary team during two seminars in Maputo during 2004. The purpose of the work was to provide a specifically African perspective on cultural indicators for human development. Priority indicators are presented including governance, equity, cultural liberties, creativity and cultural entrepreneurship, knowledge generation and management, as well as capacity building, gender and HIV/Aids. Key Words: Cultural indicators, cultural diversity, Africa Title: Take Note! The (Re)naissance of the music industry in Sub-Saharan Africa Author: Development Works Commissioning Party: UNESCO Date: Jun-04 Associated project: Paper prepared for The Global Alliance for Cultural Diversity: Division of Arts and Cultural enterprise, Unesco, Paris Website: http://portal.unesco.org/culture/en/files/26323/11127048393Global_Alliance_Tool_-_Music_Industry_in_Sub-Saharan_Africa.doc/Global%2BAlliance%2BTool%2B-%2BMusic%2BIndustry%2Bin%2BSub-Saharan%2BAfrica.doc. Summary: This report explores six themes relating to the music economies of Sub-Saharan Africa. These are: the size of the African music economy as reflected in market value assessments; the major differences pertaining to the status of the music industry in different countries in terms of evidence of the developmental stages which both the recording and live performance sectors have achieved; music genres in terms of the share of the market captured by local repertoire and common music genres across the region; the contextual factors that define the condition of the music industry in the region. These include socio-cultural, political and economic factors; overviews of the production and consumption patterns in the recording and live performance industry value chains respectively, in terms of different markets, value chain segments and role-players. Key Words: Sub-Saharan Africa, African music economy, developmental stages, music genres, recording and live performance sectors, socio-cultural, political and economic factors, production and consumption patterns, value chains, role players, music industry, music sector, UNESCO Title: Musicians' cooperatives: a new model for developing the African music industry Author: IFM, Unesco Commissioning Party: UNESCO Date: Nov-04 Title: Publishing in Africa Author: Kromberg, Steve Commissioning Party: HSRC, South Africa Date: 2004 Associated project: Part of the HSRC research team for DACST to establish a cultural observatory Website: www.culturalobservatory.org.za

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2005 Title: Under-rated Arts Author: Brickhill, Paul Date: 2005 Associated project: Magazine for Development and Cooperation Website: http://www.inwent.org/E+Z/content/archive-eng/12-2005/tribune_art4.html Title: UNESCO: Culture, Integration and African Renaissance Author: Matsuura, Koichiro Commissioning Party: UNESCO Date: 13-Dec-05 Associated project: Address on the occasion of the Conference of Ministers of Culture of the Africa Union Website: http://unesdoc.unesco.org/images/0014/01427/142796e.pdf Summary: This address was given in Kenya on the theme 'Culture, Integration and African Renaissance' has as its starting point the 'glaring absence' of culture from the action plan of NEPAD and that the 'entire approach, the entire quest for the African renaissance rests on cultural postulates'. The address touches on the links between culture and development, the importance of cultural heritage for cultural unity as well as the significance of cultural industries in Africa. It notes that little progress has been made since the adoption of the 1992 Dakar Plan of Action for the Development of Cultural Industries and that in addition there have been substantial changes and advances in technologies since then. The address also emphasises that language is a key instrument in research and that partnerships enabling South-South and triangular solidarities need to be explored. Key Words: Culture, Integration, African Renaissance, Dakar Plan of Action, cultural industries, partnerships, South-South partnerships Title: What is Digital Arts in Africa? Author: DigiArts, UNESCO Commissioning Party: UNESCO Date: 2005 Associated project: UNESCO Knowledge Portal Website: http://portal.unesco.org/culture/en/ev.php-URL_ID=24376&URL_DO=DO_TOPIC&URL_SECTION=201.html Title: Interview with Gaston Kabore Author: The Global Alliance for Cultural Diversity Commissioning Party: UNESCO Date: 2005/11/10 Associated project: UNESCO Website: http://portal.unesco/org/culture/en/ev/php-URL_ID=26989URL_DO=DO_Topic& … Summary: This Global Alliance interview with one of Africa's most famous filmmakers, Gaston Kabore touches on many issues of relevance to African film industry. These include training and professionalism including his company 'Imagine", film distribution as the key control of the cinema industry, the impact of digital technologies, whether mobile cinema is a solution to the

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lack of cinema viewing halls in Africa, the role of television and whether a vibrant film market can be developed in Africa. Key Words: Gatson Kabore, filmmaker, Africa, Burkina Faso, film industry, digital technologies, mobile cinema, television, training Title: Africa music: new challenges, new vocations Author: Tchebwa, M Commissioning Party: UNESCO Date: 2005 Associated project: UNESCO Website: www.unesco.org/publishing Summary: This book provides an overview of Africa as the home of a kaleidoscope of musical traditions and discoveries. It documents the multiple forms of African music and shows how they are firmly rooted in the social and cultural concerns of Africa societies. It documents the challenges of globalisation and the internet showing how trade has abolished frontiers with cultural capitalism advancing daily and the rise of digital piracy. It asks whether small African production studios can protect the musical heritage and the development of Africa's cultural industries from multinational record companies and whether artists should accept the pirating of their work by new technologies. Key Words: Africa, music, heritage, internet, globalization, digital piracy, small production,

2006 Title: National Conference on Culture and NEPAD Author: National Commission on Culture, Ghana Commissioning Party: National Commission on Culture Date: 18/05/2006 Website: http://www.ghanaculture.gov.gh/indes1/php?linkid=65&archiveid=159&page=1&adate=… Summary: This report details the workshops held by the National Commission on Culture in Ghana. The objectives of these workshops were to examine the dimensions of culture relevant to the realization of the NEPAD goals and to make recommendations for inclusion of cultural dimensions in the NEPAD framework Key Words: National Commission on Culture, NEPAD, Ghana, workshops, socio-economic development Title: Charter for African Cultural Renaissance Author: African Union Commissioning Party: African Union Date: 23rd -24th January 2006 Associated project: Sixth Ordinary Session of the Assembly, held in Khartoum, Sudan Website: www.africa-union.org/root/au/documents/treaties/text/charter%20-%20African%20cultural%20Renaissance-en.pdf Summary: This Charter for African Cultural Renaissance replaces the 1976 Cultural Charter for Africa and deals with objectives and principles, African cultural diversity, identity and renaissance, cultural development, use of African languages, use of mass media, the role of

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states in cultural development, Intra and inter African cultural co-operation and Africa and the African Diaspora. Key Words: Africa, culture, renaissance Title: The Promotion and Protection of Africa's Cultural Products: Advocacy Statement Author: African Union Commissioning Party: African Union Date: 06-Dec-06 Associated project: Advocacy Statement Website: http://www.thecommonwealth.org/Shared_ASP_Files/UploadedFiles/0DD2D9DE-E737-4839-B5F1-11F4B3B53102_Cultural_products_protection_advocacy_statement_2.pdf Summary: This Advocacy statement addresses the problem of African cultural products being made all over the world without benefit to the African originators. Third parties exploit African designs without authority, acknowledgement or benefit-sharing and also at times obtain intellectual property rights over their 'new' or 'original' designs. This results in concerns that not only is the style of the indigenous design misappropriated, but is all too often in a disrespectful or inappropriate manner. It calls for instruments to be designed to address the protection of the full range of African cultural products . Key Words: Africa, promotion, cultural products, cultural manifesto, traditional cultural expressions, local economies Title: Culture And Poverty Alleviation in Africa: A review of the cultural effectiveness of Poverty Reduction Strategy Papers in West and Central Africa Author: Sagnia, Burama Commissioning Party: International Network for Cultural Diversity Date: Oct-06 Associated project: A report prepared for the Conference on African Cultural Sector Development, Goiree Island, Dakar, Senegal, 5-7 March 2007 Website: http://www.hivox.nl/english/english/arterial/background-materials Summary: This paper was commissioned as a background document for the Conference on African Culture Sector Development and served two purposes: a) to provide a cultural review and critique of Poverty Reduction Strategy Papers (PRSPs) of 9 countries in West and Central Africa to determine the manner and extent to which cultural issues and concerns have been accommodated and b) to reveal how creative industries have been incorporated and prioritised in the PRSP, national development strategies and budgets. It proposes strategies for reinforcing the case for culture in PRSP and other sector development strategies. Key Words: PRSPs, Africa, cultural effectiveness, cultural industries, creative industries, sector development policies, strategies Title: Compendium of Reference Documents for Cultural Policies in Africa Author: OCPA Commissioning Party: OCPA Date: 2006 Associated project: Published in cooperation with UNESCO Website: http://ocpa.irmo.hr/activities/publics/indexen.html and http://ocpa.irmo.hr/activities/newsletter/2009/OCPA_News_No223_20090226.pdf Summary: This document was developed and published by OCPA in co-operation with UNESCO, the International Organization of the Francophonie and the Swiss Commission for

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UNESCO. The book includes a collection of reference texts, resolutions, recommendations and declarations concerning culture and its role in development in Africa, adopted since the 1960's, namely by the OAU/AU, UNESCO and the International Organization of the Francophonie (OIF).The Compendium also contains an introductory Overview of Objectives and Priorities of Cultural Policies in Africa - From the Pan African Manifesto (1969) to the Charter for the Cultural Renaissance of Africa (2006), as well as a bibliography of some 600 documents and publications concerning cultural policies and cultural development in Africa from the UNESCO and OCPA databases. Key Words: Reference documents, Cultural Policies, Africa, OCPA, AU, OCPA

2007 Title: Creative economy and poverty eradication in Africa: principles and realities Author: Kovacs, Mate, OCPA Commissioning Party: OCPA Date: 15-Apr-07 Associated project: OCPA website Summary: The central message of this paper is that despite numerous policy declarations and guidelines as well as thorough assessments of the cultural industries in Africa (such as the Nairobi Plan of Action), the prevailing strategies and planning practices continue to ignore in general the cultural realities and assets of the African continent. The paper argues that the creative economy is a sustainable development strategy and points to the variety and multiplicity of initiatives taken in various countries. The international cultural market imposes an imperative on African countries to realise the objectives of the Convention on the preservation and protection of the diversity of cultural expressions and for the international community to share expertise and resources to assist in this endeavour. Key Words: Cultural industries, Africa, Convention on the preservation and protection of the diversity of cultural expressions, creative economy, sustainable development Title: The Arterial Conference: Vitalising African cultural assets Author: Arterial Conference Commissioning Party: Arterial Network Date: 5-7 March 2007 Associated project: Conference Report Website: http://ocpa.irmo.hr/resources/docs/arterial_conference_report_en.pdf Summary: This report of the Arterial Network Conference titled 'Vitalising African Cultural Assets' covered aspects relating to African cultural assets, African cultural sector, UNESCO's Convention, economic sustainability, arts and culture management and capacity building, cultural cooperation and exchange, lobbying and organisation building, funding as well as proposals for practical projects to address some of the key challenges. The report serves as a basis for planning, networking and action to address the primary themes and issues emanating form the conference. Key Words: Arterial Network, cultural assets, Goiree Island, Senegal, African cultural sector, UNESCO, economic sustainability, arts and culture management, cultural cooperation, funding Title: Economic sustainability in African Culture Sector Author: Brickhill, Paul

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Commissioning Party: Presented at the Arterial Network conference, 'Revitalising Africa's assets'. Date: 2007 Associated project: Arterial Network Summary: This short discussion presented at the Arterial Conference 'Revitalising Africa's Assets' asks questions about what fuels the growth of the cultural sector in Africa, what the main markets are, are new markets emerging, etc. It notes that the creative sector is not accorded economic status equivalent to other industries and is rather framed by intrinsic social value resulting in arts practitioners arguing that homegrown culture which drives intellectual and social synergy in the continent is massively under-valued. Key Words: economic sustainability, African cultural sector, growth, markets, social value, artistic heritage, production and distribution capacity, publishing, music recording, film distribution Title: Culture - what culture? Author: Guchu, Wander Commissioning Party: Arterial News Vol2 No 2 Date: Mar-07 Associated project: Arterial Network Title: Start small, think big Author: Mbewe, Nebat Commissioning Party: Arterial Network Date: Mar-07 Associated project: Arterial News Vol 2 no 4 Key Words: Mass media, coverage, arts journalism, SABC, editorial Title: Concept Note Author: African Union Commissioning Party: African Union Date: Apr-07 Associated project: The Second Session of AU Conference of Ministers of Culture (CAMC2) Website: www.african-union.org Summary: This concept note highlights the objectives of the roundtable 'Strengthening Partnership between African Cultural Institutions and the African Union' and the Conference of Ministers of Culture (19-23 October 2008) and sets up the precedents for the meeting, the agenda as well as the expected outcomes, in particular the African Cultural Policy Framework. Key Words: Africa, African Union, African Cultural Policy Framework, Cultural Institutions, Partnership Title: The Power of Culture: Master Plan African Art Sector on the way Author: Unknown Date: Apr-07 Website: http://www.powerofculture.nl/en/current/2007/april/arterial.html Title: Capacity building for cultural enterprise Date: 2007 Website: http://www.defsa.org.za/2007conference/documents/papers/JackieGuille.pdf

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Summary: This photo document presentation focuses on the 25 bilateral focus countries (16 of which are in Sub Saharan Africa) eligible for DelPHI funding and highlights the need to develop capacity for cultural enterprises in many of these countries. Using vivid photos of craft projects throughout the region and UNESCO programmes the document showcases existing craft enterprise development in the region. Key Words: UNESCO, photo gallery, craft enterprises, cultural enterprise, income generation, DelPHI funding. Title: African Film Industry needs Better Training to Survive Author: Mbewe, Nebat Commissioning Party: Arterial Network Date: Mar-07 Associated project: Arterial News Vol 1 No 1 Title: Introducing MASA (Market for African Performing Arts) Author: MASA Commissioning Party: MASA Date: 2007 Associated project: Website: http://www.masa.francophonie.org/english/presentation/presentation.htm Summary: MASA was created in 1993 by the Agence Intergouvernementale de la Francophonie to promote African artists and their works and incorporate them into international distribution channels. It is a Pan African project. This note introduces the work of Masa. Key Words: MASA, Francophonie, Pan African, African artists Title: Visual arts in Africa: plagued by a litany of problems & obstacle Author: Owoo, John Commissioning Party: Arterial Network Date: Mar-07 Associated project: Arterial News Vol 2 no 6 Website: http://www.imagineafrica.org/files/Arterial_Conference_Report.pdf

2008 Title: Creative Industries: the under-utilized African resources Author: Demilew, Abiy Commissioning Party: Creative Africa Website Date: 2008 Associated project: on Creative Africa website Website: http://www.creative-africa.org/creative-africa_2008/index.php?option=com_c Summary: This commissioned piece reflects on the inability of Africa to respond creatively and effectively with the global creative economy resulting in an under-utilization of Africa's resources and the potential for the impoverishment of the cultural heritage of African countries. It highlights the establishment of the Accra Group in Ghana in April 2008 as a mechanism both to mobilise creative sector stakeholders in each national context and as a starting point for the implementation of the Nairobi Plan of Action.

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Key Words: Accra Group, Ghana, creative economy, cultural heritage, Africa, African countries, Nairobi Plan of Action Title: Culture, a lever for development in Africa Author: UNESCO Commissioning Party: UNESCO Date: 2008 Associated project: Meeting Debate in Culture, economy, regional integration Website: http://appablog.wordpress.com/2008/12/12/culture-economy-regional-integration-cult..

2009 Title: The African Cinema doesn’t exist Author: Ondega, Ogova Commissioning Party: The Power of Culture Web site Date: Feb-09 Website: http://www.powerofculture.nl/en/current/2009/february/fespaco Summary: This short piece laments the lack of a 'film industry' in Africa despite the many films produced in Africa. The problems facing the development of 'African cinema' are highlighted with a particular emphasis on the role of France. Key Words: African cinema, France, film industry,

Unknown date Title: Africa and transnational cultural industries Author: Perman, Tony Associated project: University of Illinois, Urbana-Champaign Website: http://www.afrst.uiuc.edu Summary: This short paper from the Outreach Program of the Centre for African Studies reflects on the impact of globalisation on the cultural industries of the poorer countries of Africa. Key Words: Africa, cultural industries, globalisation, Outreach Programme of the Centre for African Studies Title: Africa: Media research is still a problem: Blind leading the Blind Author: Koenderman, Tony Summary: This short piece reflects on the problems of media research in pan-African advertising. This is largely as a result of the wave of deregulation and privatisation which fostered the emergence of dozens of commercial broadcasters on the African continent. Very little credible audience research accompanies their sales pitches. This makes selling advertising very difficult. The paper looks at the work of the Pan African Media Research Organisation (PAMRO) as well as the All Media and Product survey in South Africa, Zambia, Kenya, Namibia and Ghana. Key Words: media research, Africa, All Media and Product survey, South Africa, Zambia, Kenya, Namibia, Ghana, Pamro, TV Africa, advertisers, commercial broadcasters

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Title: African Cultural Policy Resources Author: OCPA Commissioning Party: OCPA Website Website: http://ocpa.irmo.hr/resources/index-en.html Summary: This website lists African regional and local cultural policies as well as links to other relevant documentation, such as working papers, reports, conclusions and recommendations. Many agencies and institutions are covered including the AU, UNESCO, Culturelink resources, Foundations, African Regional and Sub-regional Organisations, African Regional and National Cultural Institutions, Other International and Regional Organisations, Cooperation Ministries and Agencies, Networks and Research Centres, Non-Governmental Organisations, Museums. African Cultural Policy Documents are listed according to year 1989-2007. African Cultural Policy References are listed according to agency/ institution such as the AU, UNESCO or according to Project, Events, Publications, Press Reviews, News and Listings. Key Words: African cultural policies, AU, UNESCO, Culturelink resources, foundations, African organisations, African institutions, national cultural institutions, international organisations, cooperation ministries, agencies, networks, research centres, non-governmental organisations, museums. African cultural policy documents, African cultural policy references, project, events, publications, press reviews, news, listings. Title: Project Archives Author: The Global Alliance for Cultural Diversity Commissioning Party: UNESCO Associated project: Web listing of projects relating to arts, culture, entrepreneurship in Africa Website: http://portal.unesco.org/culture/en/ev.php-URL_ID=31471&URL_DO=DO_TOPIC Title: African Cinema Author: TransAfrica Forum Commissioning Party: TransAfrica Forum Associated project: Issue brief Website: www.transafricaforum.org Summary: This short piece on African cinema gives a history to the emergence of the film industry in Africa and the production obstacles faces by African filmmakers. The piece looks at finance, production and distribution in African cinema and the dependence on Europe. The importance of the FESPACO fund is highlighted to encourage African filmmakers to take charge of the direction of the industry as well as the development of partnerships across borders. Key Words: African cinema, Africa, production, finance, distribution, Fespaco, fund, partnerships, Europe

Developing Countries Documents

Title: Putting Culture First: Commonwealth perspectives on culture and development Author: Commonwealth Foundation Commissioning Party: Commonwealth Foundation Date: 01-Nov-08

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Associated project: Commonwealth Foundation Summary: Putting Culture First is the product of consultation with representatives from government, civil society and the culture and development sectors across the Commonwealth, carried out during 2008. It acknowledges the lack of recognition given by the Commonwealth to the links between culture and development. The booklet highlights 7 key connections between culture and development: the creative economy and sustainable livelihoods, cultural policy and the 2005 UNESCO convention, Culture as a tool for development, as a process for development, cultural expression and negotiating identifies, culture, crisis and repression as well as rights and culture. Key Words: Culture, developing countries, commonwealth foundation, UNESCO convention, culture and development, Title: The cultural industries and development Author: Pagniet, Geraldine Commissioning Party: ACP Date: 2002 Associated project: in The Courier ACP-EU no 194 September - October, 2002 Website: http://ec.europa.eu/development/body/publicatins/courier/courier194/en/en-042-ni.pdf Summary: This article outlines the emergence of cultural industries in the ACP countries and proposes conditions under which they could flourish and generate development. Key Words: ACP, cultural industries, development, UNESCO, cultural services, copyright-based cultural industries Title: Globalization , creative industries and economy development: policy challenges for Developing Countries Author: Kozul-Wright, Zeljka Commissioning Party: UNCTAD Date: June 4, 2003 Associated project: UNCTAD and UN Partners Summary: The paper covers topics ranging from globalisation and new perspectives for culture, the definition of creative industries with a particular focus on the music industry in developing countries. Production and trade as well as opportunities and policy challenges for the music industry are considered. Mechanisms to upgrade creative industries, managing cultural trade, institution building for creative industries in developing countries as well as the need for a global cultural pact are discussed. In conclusion the paper assesses the flexibility that developing countries have to carry out independent policy initiatives in support of their domestic creative industries in the light of the global trading regime. Key Words: Unctad, music industry, developing countries, creative industries, global trading regime, Trips agreement, globalisation Title: Creative Industries and Development Author: UNCTAD Commissioning Party: UNCTAD Date: 04-Jun-04 Associated project: For 11th session, Sao Paulo, 13-18 June 2004 Website: http://www.unctad.org/en/docs/tdxibpd13_en.pdf Summary: This 14 page report provides information on the state of the creative industries in developing countries in the light of its success in developed countries. Domestic policy

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weaknesses and global systemic biases are the two reasons for the marginal nature of creative industries in the world economy. The advantage to developing countries however is that creativity is deeply embedded in every country's cultural context such that with effective nurturing, these sources of creativity can open up new opportunities for developing countries to increase their shares of world trade and leap frog into new areas of wealth creation. Key Words: UNCTAD, creative industries, development, creativity, developing countries, trade Title: High level panel on creative industries Author: UNCTAD Commissioning Party: UNCTAD Date: 04-Jun-04 Associated project: For 11th session, Sao Paulo, 13-18 June 2004 Website: http://www.unctad.org/en/docs Summary: In 2004 a high level panel on creative industries comprising more than 40 eminent artists and experts from the cultural community, industry, academia, international organisations and civil society met in Sao Paola focused on the developing countries. A key concern was the inability of the developing countries to benefit from the employment expansion, value creation and technological upgrading associated with the creative industries and the need for policy intervention to facilitate market access. Key Words: High level panel, UNCTAD, Sao Paola, creative industries, developing countries, value creation, employment expansion, technological upgrading, market access Title: Creative industries and developing countries: voice, choice and economic growth. . Author: Barrowclough, Diana and Kozul-Wright, Zeljka, (eds.) Commissioning Party: UNCTAD Date: 2008 Associated project: UNCTAD and UN Website: www.unctad.org Summary: This book covers information relating to creative industries in developing countries and the impact these industries have on economic growth. Key Words: Developing countries, creative industries, economic growth, UNCTAD, Barrowclough, Kozul-Wright Title: High level panel on the creative economy and industries for development Author: UNCTAD Commissioning Party: UNCTAD Date: 14-15 January 2008 Associated project: As a pre UNCTAD X11 event in Geneva 14-15 January 2008. Website: http://www.unctad.org/en/docs/tdxiibpd4_en.pdf Summary: In 2008 a high level panel on the creative economy and industries met in Geneva as a precursor to the 12th Session of UNCTAD held in Accra, Ghana. It focussed on the developing countries. The meeting discussed policy strategies, multilateral processes, national experiences, assessment tools and areas for international cooperation aimed at enhancing creative capacities in developing countries. Six themes were debated from policy options, trade gains, and intellectual property rights, cultural policies to capacity building and capturing trade and economic data. Key Words: Creative industries, developing countries, UNCTAD, high level panel, creative economy, trade figures and economic indictors, cross cutting policy

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Title: Creative Economy Report 2008: the challenge of assessing the creative economy: towards informed policy-making Author: United Nations Commissioning Party: UNCTAD Date: 2008 Associated project: UNCTAD and UN partners Website: http://www.unctad.org/Templates/webflyer.asp?docid=9750&intItemID=2068&lang=1 Summary: The so called "Creative economy" is an evolving concept based on the potential of "creative assets" to generate socio-economic growth and development, in a globalized world increasingly dominated by images, sounds, texts and symbols. At the heart of the creative economy lie the creative industries. Loosely defined, the creative industries are at the crossroads of arts, culture, business and technology and use intellectual capital as their primary input. Today’s creative industries range from folk art, festivals, music, books, newspapers, paintings, sculptures and performing arts to more technology-intensive subsectors such as the film industry, TV and radio broadcasting, digital animation and video games, and more service-oriented fields such as architectural and advertising services. The Creative Economy Report 2008 – the challenge of assessing the creative economy towards informed policy-making is the first comprehensive study to present the United Nations perspective on this emerging topic. This policy-oriented analysis is intended to facilitate a better understanding of the key issues underlying the emerging creative economy at national and international levels. It brings together contributions from five United Nations organizations, namely UNCTAD, UNDP UNESCO, WIPO and the International Trade Centre (ITC), in a joint endeavour to enhance policy coherence and international action in this area. The development dimension is the guiding principle of this Report which aims to assist developing countries to harness their creative economies and to maximize trade and development gains by recognizing the creative economy as a feasible development option for linking economic, technological, social and cultural development objectives of our contemporary society. It does this by discussing concepts, methodologies and the structure of the creative economy; sharing evidence-based analysis confirming that the creative industries constitute a new dynamic sector in international trade and suggesting directions for policy strategies. The statistical annex presents first-hand trade data and pioneering analysis of international trade flows of creative goods and services in world markets. The 350-pages Report recognizes that creativity and human talent are fast becoming powerful engines for economic growth and development, and calls for the adoption of effective cross-cutting mechanisms and concerted inter-ministerial policy action. Developing countries around the world can find ways to optimize the potential of the creative economy for generating economic growth, job creation and export earnings while at the same time promoting social inclusion, cultural diversity and human development. Key Words: creative economy, creative industries, feasible development option, cross-cutting mechanisms, statistics, cultural trade data, definitions, concepts, models, methodologies. Title: Cultural Diversity and the impact of globalization Author: Joffe, A et al Commissioning Party: HSRC, South Africa Date: 2003 Associated project: Paper prepared for the DAC, South Africa (via the HSRC) as a position paper for Developing Countries for the International Network on Cultural Policy Website: http://www.incp-ripc.org

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Summary: The paper takes as its point of departure the work of the International Network on Cultural Policy (INCP). The perspective taken in this paper is that of a developing country isolating both what the development priorities are as well as the status of cultural sectors in developing countries and how these interact. Specific focus is given to the cultural sectors in Sub-Saharan Africa. Having identified these it offers proposals for an instrument that would enhance the ability of developing countries to realise their cultural policy objectives. Key Words: Cultural diversity, globalisation, developing country, cultural industries, sub-Saharan Africa, SADC, trade, development, post-colonial societies, intellectual property rights, instrument, UNESCO, HSRC, cultural policy, heritage, music, film, craft, visual arts, publishing, cultural industries. Title: ICT in Developing Countries Author: Parliamentary office on science and technology Date: Mar-06 Associated project: Postnote No 261 Website: www.parliament.uk/parliamentary_offices/post/pubs2006.cfm Summary: The benefits of ICT is not being realised in developing countries. A particular focus on Africa is provided with examples from Mali, Zimbabwe, Senegal, Sub Saharan Africa, Ethiopia, Egypt and Tanzania. Technological developments and changes in the way new ICT are used can assist in bridging the 'digital divide'. The importance of NEPAD and the Commission for Africa are highlighted. Key Words: ICT, Developing Countries, Sub Saharan Africa, Africa, technology, digital divide, Tanzania, ICT4D

East Africa Documents

Title: East Africa in a frenzy of Film Festivals Author: Artsmatters.info Commissioning Party: Art Matters Date: 2005 Website: http://www.artmatters.info/frenzy.htm Summary: This short news piece announces that Uganda hosts an international film festival ahead of the Zanzibar International Film Festival and the African Cine Week of Nairobi. The festival is about cultural showcasing rather than a film market. Kampala is carving a niche in documentary films. Speakers include Mathia Diawara, an authority on African cinema as well as Dommie Yambo Odotte on the relationship between broadcasting and film production in East Africa. Key Words: Uganda, film, Zanzibar, East Africa, film festivals, FESPACO, Kampala, Manthi Diawara, African Cinema

SADC

Title: Southern African Development Community Sector of Culture and Information Policies, Priorities and Strategies

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Author: SADC Commissioning Party: SADC Date: May-98 Website: http://www.teledata.mz/sadccult/poling.htm Title: Establishment of the SADC Culture Trust Fund Author: SADC Commissioning Party: SADC Date: 30 April - 5 May 2001 Associated project: in Culturelink. 12 (34) August 2001, pages 29-31. Zagreb, Croatia Website: http://siris-libraries.si.edu/ipac20/ipac.jsp?session=1239810OW533K.13436&profile=liball&uri=search=SL~!Southern%20African%20Development%20Community%20Culture%20Trust%20Fund.&menu=search&submenu=subtab103&source=~!silibraries#focus Title: Protocol on culture, information and sport Author: SADC Commissioning Party: SADC Date: 26/07/2002 Associated project: SADC Website: http://www.tralac.org/scripts/content.php?id=437 Summary: This SADC Protocol was developed in the spirit of regional integration and co-operation to develop and implement policies and programmes in the areas of Culture, Sport and Information, to pool resources, to enhance regional identity in diversity and to ensure the right of access to information and participation in culture and sport. A number of articles deal with all aspects of culture, cultural industries, cultural heritage, festivals, copyright and neighbouring rights and language policy. Key Words: SADC protocol on Sport, Culture and Information, cultural industries, diversity, copyright, festivals, regional integration Title: The production of culture: towards a creative region Author: Joffe, A Commissioning Party: Presentation to INCD Date: 2002 Associated project: A synthesis of the bigger ILO project on culture in SADC Website: www.incd.net/Media/ILOPresentation.ppt Summary: This presentation summarises the ILO study on cultural sector's impact on small business and job creation in the SADC region coordinated by Avril Joffe. The presentation assesses the state of the cultural sector in the SADC region and analyses its importance to the region. Areas covered with examples from the SADC region across the music, visual and performing arts, ethno-tourism, film and video industries, include definitions of the cultural industries in Africa, tangible vs. intangible heritage, coordination and integration, cross border integration, funding for cultural events, international recognition vs. poor local acclaim, censorship and piracy, the role of government, markets, infrastructure, festivals and events, the leakage of talent, corporate support, coordinating bodies, the second or parallel economy, technology and telecommunications, training and development, spatial and geographic concerns, institutional frameworks and copyright and intellectual property.

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Key Words: Creative region, SADC, cultural, cultural industries, tangible product, intangible product, copyright, music, film, craft, visual arts, performing arts, video, ethno-tourism Title: The visual arts and crafts sector: promoting the cultural sector through job creation and small enterprise development in the SADC countries Author: The Trinity Session Commissioning Party: ILO Date: 2003 Associated project: For the ILO series on Upgrading in small enterprise clusters and global value chains Website: http://www.ilo.org/dyn/empent/empent.Portal?p_lang=EN&p_prog=S&p_category=PUB&p_mode=PROD&p_lang=EN&p_type=WP Summary: The objective of this study was to explore the possibility that the promotion of cultural entrepreneurship that harnesses local talents, skills and heritage may be especially resistant to the competitive pressures of globalisation and may provide innovative possibilities for boosting incomes and generating quality employment in a sector that is normally overlooked by policy-makers or addressed with piecemeal and traditional approaches. For this reason ILO commissioned a field research in the Visual Arts and Crafts Sector to provide more detailed information and case studies of culture enterprises in the SADC region, with an eye toward providing policy prescriptions that would help ameliorate the major constraints preventing the growth of small enterprises. Key Words: visual arts, crafts, value chain, entrepreneurship, job creation, small business development, skills, heritage, talent, globalisation, SADC, culture enterprises, policy Title: The Ethno-tourism industry: promoting the cultural sector through job creation and small enterprise development in the SADC countries Author: Bolnick, Steven Commissioning Party: ILO Date: 2003 Associated project: For the ILO series on Upgrading in small enterprise clusters and global value chains Website: http://www.ilo.org/dyn/empent/empent.Portal?p_lang=EN&p_prog=S&p_category=PUB&p_mode=PROD&p_lang=EN&p_type=WP Summary: The objective of this study was to explore the possibility that the promotion of cultural entrepreneurship that harnesses local talents, skills and heritage may be especially resistant to the competitive pressures of globalisation and may provide innovative possibilities for boosting incomes and generating quality employment in a sector that is normally overlooked by policy-makers or addressed with piecemeal and traditional approaches. For this reason ILO commissioned a field research in the Ethno-Tourism sector to provide more detailed information and case studies of culture enterprises in the SADC region, with an eye toward providing policy prescriptions that would help ameliorate the major constraints preventing the growth of small enterprises. The term Ethno-tourism is a term describing any excursion, which focuses on the works of humans rather than nature, and attempts to give the tourist an understanding of the lifestyles of local people. This has also been referred to as '‘indigenous tourism'’.

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Key Words: ethno-tourism, value chain, entrepreneurship, job creation, small business development, skills, heritage, talent, globalisation, SADC, culture enterprises, policy Title: The film and video industry: promoting the cultural sector through job creation and small enterprise development in the SADC countries Author: Joffe, A and Jacklin, N Commissioning Party: ILO Date: 2003 Associated project: For the ILO series on Upgrading in small enterprise clusters and global value chains Website: http://www.ilo.org/dyn/empent/empent.Portal?p_lang=EN&p_prog=S&p_category=PUB&p_mode=PROD&p_lang=EN&p_type=WP Summary: The objective of this study was to explore the possibility that the promotion of cultural entrepreneurship that harnesses local talents, skills and heritage may be especially resistant to the competitive pressures of globalisation and may provide innovative possibilities for boosting incomes and generating quality employment in a sector that is normally overlooked by policy-makers or addressed with piecemeal and traditional approaches. For this reason ILO commissioned a field research in the Film and Video Sector to provide more detailed information and case studies of culture enterprises in the SADC region, with an eye toward providing policy prescriptions that would help ameliorate the major constraints preventing the growth of small enterprises. Key Words: film and video industry, value chain, entrepreneurship, job creation, small business development, skills, heritage, talent, globalisation, SADC, culture enterprises, policy Title: The Music industry: promoting the cultural sector through job creation and small enterprise development in the SADC countries Author: Ambert, Cecile Commissioning Party: ILO Date: 2003 Associated project: For the ILO series on Upgrading in small enterprise clusters and global value chains Website: http://www.ilo.org/dyn/empent/empent.Portal?p_lang=EN&p_prog=S&p_category=PUB&p_mode=PROD&p_lang=EN&p_type=WP Summary: The objective of this study was to explore the possibility that the promotion of cultural entrepreneurship that harnesses local talents, skills and heritage may be especially resistant to the competitive pressures of globalisation and may provide innovative possibilities for boosting incomes and generating quality employment in a sector that is normally overlooked by policy-makers or addressed with piecemeal and traditional approaches. For this reason ILO commissioned a field research in the Music Sector to provide more detailed information and case studies of culture enterprises in the SADC region, with an eye toward providing policy prescriptions that would help ameliorate the major constraints preventing the growth of small enterprises. Key Words: music industry, value chain, entrepreneurship, job creation, small business development, skills, heritage, talent, globalisation, SADC, culture enterprises, policy

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Title: The Performing Arts and Dance: promoting the Cultural sector through job creation and small enterprise development in the SADC countries Author: Lebethe, A Commissioning Party: ILO Date: 2003 Associated project: For the ILO series on Upgrading in small enterprise clusters and global value chains Website: http://www.ilo.org/dyn/empent/empent.Portal?p_lang=EN&p_prog=S&p_category=PUB&p_mode=PROD&p_lang=EN&p_type=WP Summary: The objective of this study was to explore the possibility that the promotion of cultural entrepreneurship that harnesses local talents, skills and heritage may be especially resistant to the competitive pressures of globalisation and may provide innovative possibilities for boosting incomes and generating quality employment in a sector that is normally overlooked by policy-makers or addressed with piecemeal and traditional approaches. For this reason ILO commissioned a field research in the Performing Arts and Dance sector to provide more detailed information and case studies of culture enterprises in the SADC region, with an eye toward providing policy prescriptions that would help ameliorate the major constraints preventing the growth of small enterprises. Key Words: performing arts, dance, industry, value chain, entrepreneurship, job creation, small business development, skills, heritage, talent, globalisation, SADC, culture enterprises, policy Title: Piracy campaign Author: SAFACT Commissioning Party: South Africa.info – gateway to the nation Date: 15 April 08 Website: http://www.southafrica.info/ess_info/sa_glance/media/dvd-piracy-190506.htm Summary: This short report highlights new anti-piracy programmes to persuade the audience that buying pirated material is not a good idea. South Africa’s Anti-Piracy Foundation has developed an initiative in which fake pirated DVDs are given to vendors at street corners. The buyer only realises they are fake when they play the DVD when a message appears saying: “Thank you for buying this DVD. Your R40 has been donated to the Anti Piracy Foundation. Piracy is a crime.” Key Words: Piracy, DVDs, fake, anti-piracy, South Africa

West Africa

Title: World Bank study of Ivory Coast, Senegal and Mali Author: Ouest Afrique Economie Commissioning Party: Ouest Afrique Economie Date: 2003 Website: http://siteresources.worldbank.org/INTCEERD/Resources/CWI_music_industry_in_Africa_synopsis.pdf Title: Geographies de L'industrie musicale hip hop en Afrique de l'Ouest

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Author: Mbaye, Jenny Commissioning Party: Institut National de la Recherche Scientifique (INRS) - Quebec Date: 6 -7th May 2008 Associated project: Collègue international “Arts, territoires et nouvelle économie culturelle. La culture, un atout incontournable du développement urbain et régional? 76eme congres de L'ACFAS Summary: The objective of this communication is to explore political, cultural and economic geographies of the industry of music hip hop and to analyse its potential contribution in the development of the urban territory. Leaning on the example of the Dakar hip hop 'dakaroise' – crossroads of West Africa Hip Hop–, this article considers musical industry hip hop as a trans-local phenomenon linked to the economic and social development of the urban region. Aesthetics of today’s globalized culture; this music seems to establish itself as a concrete implement of claim and to represent a common answer of West African youth to the political and social deterioration of their locality. Key Words: West Africa, hip hop, music, Dakar, urban, youth, music industry, urban geography, cultural development, entrepreneurship. Title: West African Hip Hop: A transnational social movement Author: Mbaye, Jenny Commissioning Party: Private Date: 16-22 June 2008 Associated project: Aegis Cortona summer school in African studies, Cortona, Tuscany, 16-22 June 2008 Summary: This paper examines the links between hip hop music, cultural entrepreneurship and social change in two West African urban regions: Dakar and Ouagadougou. Among musical genres, Hip Hop has contributed to the vitality of the music industry and social change amongst the youth in the last 20 years. Hip hop music is presented as a cultural economy with the potential to socially empower West African youth via the creation of organisational and cultural forms that contribute to sustainable urban development. The players in this sector are both entrepreneurs and political actors. Key Words: West Africa, hip hop, music, Dakar, urban, youth, Ouagadougou, music industry, entrepreneurship Title: AURA (*) or some political production of hip hop music Author: Mbaye, Jenny Commissioning Party: Private Summary: For the last twenty years, Hip Hop in West Africa, among the few musical genres common to the whole region, has considerably contributed to the vitality of the local musical sector as well as to social change among the West African youth. Hip hop music has asserted itself through the articulation of new socio-cultural and ideologico-political perspectives. Drawing the nowadays globalised geographies of Hip Hop and its musical expression, this article suggests an analysis of the political production of hip hop musical from the West African collective, AURA. The mobilisation of those hip hop actors thus illustrates the application of the differential politics and the politics of difference inscribed in this musical genre in West Africa. Key Words: Hip Hop; AURA; political production; West Africa; rap music

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Botswana

Title: National Policy on Culture Author: Republic of Botswana Commissioning Party: Republic of Botswana Date: 2002 Website: http://www.gov.bw/docs/national_policy_on_culture_v2.pdf Summary: This is Botswana’s cultural policy adopted in 2002. It provides a vision for 2016 and touches on all areas relevant to culture such as identity, preservation, cooperation, tourism, environment, language, gender, children, and cultural sectors. Key Words: Botswana, vision 2016, policy on culture, cultural identify, preservation, cultural cooperation, tourism, environment, language, gender, children, sectors Title: Botswana conference focuses on strengthening the cultural industries Author: International Intellectual Property Institute Commissioning Party: IIPI Date: 2006 Associated project: IIPI Website: http://www.iipi.org/nav_newsroom/detail.asp?itemID-145 Summary: Text summarises the 3 day conference in Botswana on 'Establishing a National Collecting Society and Strengthening the Cultural Industries'. The workshop included an overview of Botswana copyright law and a discussion of trademarkers in the music industry, The Botswana Musicians Union explored the necessary ingredients for building artist based organisations, introduction to the local music industry of issues such as licensing mechanisms and deal terms, tips on breaking into various markets and how to protect musical works from international copyright thieves. Key Words: Botswana, copyright, cultural industries, musicians union, international copyright thieves Title: Culture and Peace: The Search for Indicators Author: Mazonde, I.N Commissioning Party: OCPA and Interarts Date: 2006 (undated) Associated project: University of Botswana Website: http://ocpa.irmo.hr/activities/meetings/maputo2006/Workshop_Final_Report-en.pdf Summary: This paper discusses conflict resolution and peace building from the perspective of culture. Cultural indices are presented as useful in the development framework of understanding conflict. Key Words: Cultural indicators, conflict, Africa

DRC

Title: Feux de Brazza: Rapport de la troisième édition Author: Unknown Date: 2008 Associated project: Festival populaire des musiques traditionnelles

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Summary: This French Language word document outlines the origins, process and impact of the Traditional Music Festival held in the DRC in 2008. Key Words: Feux de Brazza, DRC, traditional music, festival

Ghana

Title: Database for Cultural Initiative in Ghana: cultural industries/ enterprise Author: Cultural Industries Support Project (CISP) Commissioning Party: Cultural Industries Support Project Date: 2008 Website: http://www.ghanaculture.gov.gh/privatecontent/File/CISP%20Ghana/CISP%20DATABASE%20PHASE%201%20REPORT%20_2_(1).pdf Summary: Report on the findings of the Cultural Initiatives (Cis) survey phase one project conducted in 10 administrative regions of Ghana covering the background of cultural practitioners, materials, tools, production, labour, marketing and financial details of the cultural enterprises. Key Words: Database, cultural initiatives, Ghana, administrative regions, cultural practitioners, cultural enterprises, phase one, report Title: Music Awards 2001: Making Ghanaian music exportable Author: Collins, John Date: 2001 Associated project: Music Awards 2001 Paper Website: https://www.scientific-african.org/scholars/jcollins/collins/files/bib16/at_download, Summary: The paper covers the two markets for Ghanaian popular music: the internal market recorded fro the local market and the World music market. The latter has in the last 5 years been the fastest growing sector of the American music industry representing approximately 14% of the annual global record/cd sales. The paper explores the success of World music artists such as Youssou N'Dour, Salif Keita and Ali Faka Toure, Angelique Kidjo, Fela Kuti and Papa Wemba and Kanda Bongo Man. Details of the Ghanaian music sector by genre are explored as well as the lack of local role model musicians. The problem of taxes. The paper provides concrete proposals for Ghana to support its live commercial music and entertainment sector. Key Words: Ghana, music industry, West Africa, world music, Seligman Title: The Ghanaian experience Author: Collins, John Commissioning Party: World Bank Date: 2001 Associated project: Workshop on the development of the music industry in Africa, sponsored by the World Bank and the Policy Sciences Centre, Inc, Washington, DC Website: http://siteresources.worldbank.org/intceerd/resources/cwi_music_industry_in_africa_synopsis.pdf

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Summary: This presentation deals with the current structure and function of the music industry sector in 6 countries in terms of copyright legislation, collection society institutions, music unions and technology. It highlights the potential for music performances for tourism and domestic sales by focusing on Ghana as a case study. Finally it assesses the pros and cons of music piracy and policy options. Key Words: Ghana, music industry, West Africa, collection society institutions, music unions, technology, piracy, copyright legislation, World Bank

Kenya

Title: Consultative forum on arts and culture in Kenya Author: British Council Commissioning Party: British Council Date: 2005 Associated project: All Africa Arts Consultation Forum Summary: This report documents a meeting organised by the British Council in Nairobi as one of ten organised in Africa as part of the All Africa Arts Consultation Forum. The report assesses the ascendant and dominant art forms in Kenya, the notable trends and development over the past few years, the influences on the Kenyan arts and culture sector as well as priorities for support from the British Council. Key Words: British Council, Kenya, arts, creative industries, All Africa Arts Consultation Forum Title: Colonisation of Kenyan screens kills filmmakers, drives others into exile Author: Artmatters Commissioning Party: Art Matters Date: 2005 Associated project: Artmatters news Website: http://www/artmatters.info/film/colonisation.htm Summary: This news piece reflects on a debate about local content on Kenyan television and radio stations. The local content call has the support of the Kenyan Union of Journalists, artists and the independent audio visual sector but not that of the Nation Media Group which says it is 'a slap in the face of liberalisation'. Key Words: Kenya, film, local television and radio stations, local content, broadcasting, foreign programmes Title: Kenyans make low budget films Author: Art matters Commissioning Party: Art Matters Associated project: Art Matters Website: http://artmatters.info/film3.htm Summary: This news piece reflects on the ability of Kenyan filmmakers to make films despite lack of funds, poor economy and a deficient promotion and distribution network. The example of the film The Green Card is used to elaborate on a partnership with the private sector that resulted in a low budget film shot in under 21 days. Key Words: Kenya, Film, low budget, goodwill, The Green Card

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Mali

Title: Les rencontres Africaines de la Photographie, Bamako 2005 Author: Mercier, Jeanne Commissioning Party: Ecole des Hautes Etudes en Sciences Sociales (EHESS) Date: juin, 2006 Website: http://www.africultures.com/php/index.php?nav=evenement&no=62 Summary: The report documents the history of photography in Africa and how photographers have captured the people, their environment and their rituals through this medium. The report attempts to provide a measurement of the impact of the biennale in Africa across mass media. Key Words: Mali, Bamako, Photography Title: EU project in the cultural sector in Mali Author: Culture and creativity: vectors for development Commissioning Party: culture-dev.eu website Date: 2009 Associated project: EU project in the cultural sector in Africa Website: http://www.culture-dev.eu/documentation-generale/Culture-Dev.eu-mali_culture-ndomo_fr.pdf Summary: This webpage summary provides information on projects in specific countries outlining the context, the objectives and the impacts of these projects. This focus of this page is: Ndomo: L'école d'initiation et l'histoire d'un succès Key Words: EU, Mali, cultural projects, development

Namibia

Title: Creating a cultural policy for Namibia Author: Mans, Minette E Date: May 1 2000 Associated project: Arts Education Policy Review Website: http://www.highbeam.com/doc/1G1-64151059.html Summary: This article outlines the importance of a national cultural policy for Namibia. Mans describes how the policy was developed and discusses the purpose of a cultural policy and the concerns and recommendations for the implementation of the policy. Key Words: art education, cultural awareness, culture, dance education, education policy, elementary secondary education, fine arts, foreign arts, foreign countries, music education, public policy, theatre arts Title: Namibia Intellectual Property Conference - Supporting Culture Based Industries Author: IIPI Date: November 15-17, 2006 Associated project: Website: http://www.iipi.org/Conferences/Namibia_IP_Conference/Agenda.asp

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Summary: This conference was dedicated to the role of intellectual property in supporting culture based industries. The website offers links to authors as well as their presentations. Topics discussed and presented include copyright, trademarks and geographic indications for SMMEs, marketing of handicrafts, the role of IP in marketing creative assets, cultural counterfeiting, traditional knowledge, traditional cultural expression and creative industries, Namibia’s copyright provisions, enforcement of trademarks or geographic indications. Key Words: IP, cultural industry, creative industries, intellectual property, marketing, handicraft, Namibia, traditional knowledge, enforcement, geographic indications, trademarks

Nigeria

Title: Nigeria 'Nobody knows tomorrow' Author: Nwandiko, Emeka Commissioning Party: New African Date: May 2006 Associated project: New African Website: http://mountainrunner.us/2006/06/nigeria_nobody_.html Summary: This news article speaks about the growth of Nollywood and its portrayal of and the impact on Africa culture. Nigerian films are well received in Africa and are far cheaper than the American movies they are displacing. Key Words: Nigeria, Nollywood, African culture, Nigerian films, film industry Title: The Obasanjo years: motion without movement for arts, entertainment Author: Abodunrin, Akintayo Commissioning Party: Private Date: Tuesday 22nd May, 2007 Associated project: Nigerian Tribune Website: http://www.tribune.com.ng/22052007/arts.html Summary: This news piece appraises the arts and entertainment sector during the eight years of the Obasanjo government. He concludes that the benefits for the sector are ambivalent. The author argues that the sector survived mainly on the patronage of corporate concerns and the resilience of stakeholders. Key Words: Obasanjo, arts and entertainment sector, Nigerian, filmmakers, corporate support, stakeholders Title: Empowering the black creative class Author: Aina, Yetunde Commissioning Party: Jadeas Trust Date: Mar-07 Associated project: Jadeas Trust Website: www.jadeastrust.org Summary: This article looks at how 'blackness' remains an important defining factor and its impact or potential impact on the fortunes of the black creative class worldwide. In this light, the Black Heritage City project is assessed for its ability to put Lagos on the international radar as a creative city.

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Key Words: Black, Nigeria, Lagos, Creative Economy, creative city, Jadeas Trust, Black Heritage City, black creative class Title: A movie industry in search of investors Author: Special correspondent, Lagos Commissioning Party: All Africa.com Date: June 19, 2001 Associated project: All Africa.com Website: http://allafrica.com/stories/200106190023.html Summary: This short piece reflects on a two day summit on motion picture content and distribution in Lagos which posed two questions: What would an authentically Nigerian film be like? What’s the best way to distribute it to ensure maximum returns of the producers or investors? Players in the Nigerian film industry, such as Ola Balogun, Tony Osagie Abulu and Zik Zulu Okafor, are quoted. Key Words: Nigeria, movies, movie industry, Lagos, culture, film Title: The Nigerian Film Industry Author: Various Commissioning Party: Africa Update Newsletter Date: Spring 2004 Associated project: Africa Update Vol.X1, Issue 2 (Spring 2004) Website: http://www.ccsu.edu/afstudy/upd11-2.html Summary: This special edition of Africa Update Newsletter focuses on the Nigerian Film Industry with contributions from Dr Gloria Emeagwali, Tayo Aderinokun, Femi Odugbemi, Toyin Akinosho and Jahman Anikulapo from CORA and Ayele Bekerie. The edition discusses the prolific output of Nigerian screen writers and producers from papers produced for the 50th Art Stampede Session of the Committee for Relevant Art (CORA) held in Nigeria in 2004. The economics of Nigerian film, art and business is the subject of Tayo Aderinokun's paper while Femi Odugbemi (President of Independent Television Producers of Nigeria) starts off his paper with what the President said 'Film as national patrimony' to argue for a new political consensus for a vibrant film industry. Key Words: Nigeria, film industry, art and business, economics, Screen writers, producers, Nigerian cinema, CORA Title: Reinventing Nollywood: the role of the mafia in the development of the Nigerian Film Industry Author: Aina, Yetunde Commissioning Party: Private Date: Nov-08 Associated project: Creative Clusters 2008, London, UK Summary: This presentation provides an overview of the origins and development of Nollywood, the significance of the development, the impact of this creative economy on Lagos and the role of the mafia. The particular issue of distribution and piracy is the focus of this assessment. Key Words: Nigeria, film, distribution, piracy, mafia, black people Title: Nigerians market their country through film Author: Artmatters

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Commissioning Party: Art Matters Website: http://www.artmatters.info/nigeria1.htm Summary: This artmatters piece discusses the straight-to-video model of the Nigerian film industry. Key Words: Nigeria, straight-to-video, audiovisual, films Title: The Nigerian video industry as an example of import substitution Author: Kunzler, D Website: www.suz.unizh.ch/khenzler/grey/bergen1.pdf Summary: This paper argues that the Nigerian video industry is an example of import substitution and assesses why it is that the videos are so popular across the region. The paper analyses the tree production centres in Nigeria with an economic perspective on the video production, the overall economic importance of the Nigerian video industry as well as attempting a basic approach to evaluate the relevance of Nigerian videos outside Nigeria. Key Words: Nigeria, video industry, import substitution, motion picture, FESPACO, Ghana, cinema industry, videos, popular culture, oil boom Title: National Information Technology Policy, "Use It": Chapter 11: Arts, Culture and Tourism Author: Nigerian government Commissioning Party: Nigerian Government Website: http://www.nitda.gov.ng/document/nigeriaitpolicy.pdf Summary: Chapter 11 deals with Arts, Culture and Tourism and how it needs to be used to project a positive image of Nigeria's arts and culture and creative wealth. The particular focus is on safeguarding manuscripts and preserving cultural artefacts, promoting Nigerian cultural heritage on the digital superhighway, promote business and tourist activities and generate revenue as well as enable Nigerians to become providers of internet content on the web. Key Words: ICT, Nigeria, policy statement, culture, cultural heritage, digital, internet

Senegal

Title: Etude - Diagnostic du secteur de la culture Author: Tambadou, Moustapha (Ministère de la Culture) Date: 1999 Summary: This private paper reviews the status of culture and cultural industries and provides an assessment of the sector. Its focus is on the economics and finance of the cultural sector. Key Words: Senegal, Dakar, Minister, Plan of Action, Diagnostic, culture, cultural industries Title: Employment generation and Trade Expansion in Creative Industries: the case of the film, video and broadcast industry in Senegal Author: Joffe, A with research input from Abdoul Sow Commissioning Party: ILO Date: January 30th 2004 Associated project: As part of the proposal by ILO, UNCTAD and UNESCO to the ACP Secretariat to conduct a project on creative industries

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Summary: This paper was commissioned as a case study for the ILO in its partnership with UNESCO and UNCTAD to make a case to the ACP secretariat to support further research into the creative industries in the ACP group of countries. An associated study was prepared for UNCTAD on the Music Industry in Senegal (see Pratt, A). The paper considers the role of film, video and broadcasting industries in development countries and compares the case of Francophone and Anglophone African countries in their support to the film, video and broadcast industry. It concentrates the bulk of the paper to the case of Senegal and evaluates the film and television value chain in Senegal to assess where blockages are located; it assesses the state of training in this sector in Senegal and the role and benefit of coordinating bodies and agencies active in the region. Finally the paper makes recommendations relating to human and cultural capital development, business and industry development, domestic and export market development and regulation and legislation. It concludes by comparing various periods in Senegal’s history and the impact they had on the development of the film, video and broadcasting industry. Key Words: Employment generation, trade expansion, creative industries, film, video and broadcast industry, Senegal, ILO, film and television value chain Title: The Music Industry in Senegal: the potential for economy development Author: Pratt, Andy with research input from Biram N'deck Ndiaye Commissioning Party: UNCTAD Date: 11-Mar-04 Associated project: As part of the proposal by ILO, UNCTAD and UNESCO to the ACP Secretariat to conduct a project on creative industries Website: www.lse.ac.uk/collections/geography/andenvironment/whossho/profiles/pratt/pdf/senegal.pdf Summary: This report reviews the music industry in Senegal, assesses the contribution it makes to the economy, explores the impact it could have on the national economy and makes recommendations to achieve this. The paper explores the potential structural, regulatory and institutional challenges that Senegal faces if it is to achieve the further development of its music industry. Key Words: Senegal, Dakar, Minister, Music, music industry, cultural industries, UNCTAD Title: OCPA and Interacts Experts meeting on Research Priorities Author: OCPA, Interarts Commissioning Party: OCPA Date: 16-17 November 2005 Associated project: Meeting convened in Dakar by OCPA, the Interacts Foundation (Barcelona, Spain) with the support of the Spanish Ministry of Culture on the occasion of the INCD meeting convened in co-operation with the Senegalese Coalition for Cultural Diversity and the Senegalese Coalition of Socio-Economic Actors. Website: http://ocpa.irmo.hr/activities/meetings/dakar2005/Experts_Meeting_Final_Report_2005-en.pdf Summary: This meeting of experts was a follow up to the meeting on cultural indicators and assessed the documents produced by the task force. The meeting identified priority themes as well as projects for cooperation in 2006-2008, identified the partners and funding bodies and drafted a research agenda with associated guidelines. This agenda includes culture and peace, culture and health, culture and poverty, traditional governance and an African Cultural Report. Key Words: cultural indicators, OCPS, 2006-2008, research agenda, Africa. Culture

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South Africa

General Websites HRSC – www.hsrcpress.ac.za DACST – http://www.dacst.gov.za/arts_culture/cutlure/industries/index.htm DAC – http://www.dac.gov.za/ DFA – http://www.dfa/gov.za/docs/speeches South Africa – http://www.southafrica.info/ Cultural Observatory – http://www.culturalobservatory.org.za Media Advertising, Print, Packaging and Publishing Sector Education and Training Authority – http://www.mappp-seta.co.za/archives.htm National Film and Video Foundation – http://www.nfvf.co.za Gauteng Film Commission – http://www.gautengfilm.org.za Western Cape Film Commission – http://www.capefilmcommission.co.za Durban Film Office – http://www.durbanfilmoffice.com Moshito Music Market and Conference – http://www.moshito.co.za Gauteng Arts and Culture – http://www.srac.co.za SA’s Music Information Portal – http://www.mio.co.za YFM radio station – http://www.yfm.co.za Cape Craft and Design Institute – http://www.capecraftanddesign.org.za Craft Council – http://www.craftcouncil.co.za South African music – http://www.music.org.za Visual Arts Network South Africa – http://www.vansa.co.za/resources _________________________________________________________

1998 Title: Creative South Africa Author: The Cultural Strategy Group Commissioning Party: DACST Date: November 1998 Country: South Africa Website: http://www.dacst.gov.za/arts_culture/culture/industries/index.htm

Summary: Creative South Africa primarily aimed at National Government. The report seeks to make the case that a flourishing cultural industry sector in South Africa will become a powerful means of defining South Africa’s distinctiveness and growth within the emerging global economy. Creative South Africa is also aimed at the levels of government (provincial and local) as well as the cultural industries themselves. The report seeks to stimulate dialogue between government, industry organisations, businesses and no-governmental organisations around future strategies for growth in the cultural industries. _________________________________________________________

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2000 Title: Profile 2000 Author: Price Coopers Waterhouse Commissioning Party: Department of Arts and Culture (DAC) Date: 2000 Summary: The purpose of the study is to document and describe the history of the South African Film Industry and to chart current initiatives that are impacting on the sector and make recommendations to government regarding the development of the sector. Recommendations include meeting the industry’s capital requirement needs; improving and reviewing fund allocation resources and allocation mechanisms; developing an internationally competitive skills base; and developing a comprehensive marketing strategy, SMME development strategy and audience development strategy. Title: European Union South Africa Film Symposium Author: National Film and Video Foundation Commissioning Party: National Film and Video Foundation Date: November 2000 Summary: The purpose of the film symposium was to come up with strategies on how to develop and sustain robust co-production and co-operation between the EU member states and South Africa. The film symposium included presentations from different stakeholders from the Netherlands, UK, France, Sweden and South Africa. The symposium found common points from the need for a film friendly government; the need for Incentives and Levies to be investigated; for Audience Development, Training and Development and Benchmarking; the need for more opportunities for South African films to be distributed and exhibited and for more communication between the NFVF and the industry _________________________________________________________

2001 Title: The Adult Arts and Culture and Arts and Culture Sponsorship Market in South Africa Author: BMI-Sport Info Commissioning Party: Business Arts South Africa (BASA), the National Arts Council of South Africa (NAC) and the Arts and Culture Trust (ACT) Date: October 2001 Associated project: BASA Website: http://www.basa.co.za/pdfs/1MUSICfinal.pdf Summary: The purpose of the study was to provide a market report on the consumptive behaviours of adult South Africans and also to assess the degree to which sponsorship from the private sector impacts on consumptive behaviour. The study also aimed to quantify sponsorship of and expenditure on the arts and culture in the country. 1 950 face-to-face interviews based on a structured questionnaire with adult South Africans from across the country were conducted. In addition, 270 companies were interviewed across a range of industry sectors. Music was found to be most closely associated with the phrase arts and culture in the minds of adults, with dancing, painting, artworks, theatre, craft, festivals and film/movies following. 72% of adults believe that government should continue to sponsor the arts, especially music and festivals.

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Title: The South African Music Industry Author: KPMG Commissioning party: KPMG Media and Entertainment Date: 2001 Website: http://www.info.gov.za/view/DownloadFileAction?id=70494 Summary: The report presents a useful insight to the facts and trends within both the global and South African music industry. It also looks at the future potential of the industry. Findings relate in particularly to global and local trends. For example the report states that despite the decline in the South African music industry, the South African music has increased its market share to 23% of total sales by value during 2000 or 38% of total unit sales. The South African music industry faces substantial challenges in overcoming its current decline. In the future stakeholders will be grappling with local content quotas and ‘needle time’ as they search for an integrated strategy to drive the development of the industry. The report highlights the internet as a new distribution channel for music content. Today’s technology allows musicians to record and edit material inexpensively and to distribute and promote it over the Internet. It also allows them to test consumers’ reactions to their music, build an audience for their recorded performances, and even distribute their products entirely in the market space. _________________________________________________________

2002 Title: A survey of research outputs for the South African Music, Craft, Film and Television and publishing sectors between 1997 and 2002 Author: Unknown Commissioning Party: HSRC Cultural Observatory Date: 2002 Associated project: HSRC Cultural Observatory Website: www.culturalobservatory.org.za/ Summary: This document provides an overview of research conducted in South Africa in the creative industries. Most of this research is unpublished, commissioned by the DAC, and the purpose is to define and assess a previously under-researched area and provide a way forward for government and the players in the cultural sectors. The document lists the reports by sector and argue that the CIGS reports (Cultural Industry Growth Strategy reflected in the Creative South Africa report) are the founding and most important of these. The purpose of this document is to introduce the reader to what has been done thus far. Key Words: South Africa, research, cultural sector, 1997-2002, DAC, CIGS, music, craft, film and television, publishing Title: National Craft Imbizo Workshop Final Report Author: Monica Newton Commissioning Party: Department of Arts and Culture Date: November 2002 Associated project: Beautiful Things Exhibition Summary: The report comprised the proceedings of an evaluation workshop hosted by the Department of Arts and Culture (DAC) at Eduworld Modderfontein on 28 & 29 November 2002. The objective of the workshop was to evaluate the success of the National Craft Imbizo 2002

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and Beautiful Things Exhibition linked to the World Summit on Sustainable Development (WSSD) in September 2002. The objectives of the National Craft Imbizo, a partnership project between the Department of Arts and Culture (DAC), the Department of Trade and Industry (DTI) and the provincial arts and culture departments are to broaden market opportunities; create awareness of the craft sector and achievements to date; provide an avenue for direct sales to the public; and provide documented and tested strategies for the implementation of National Craft Imbizo exhibitions. _________________________________________________________

2003 Title: Driving the Creative Industries in the Western Cape Author: Sean Kristarfor and Meshal Budhram Commissioning party: The Graduate School of Business, University of Cape Town Date: November 2003 Associated project: MBA Programme Study Website: http://www.designindaba.com/advocacy/downloads/Driving.pdf Summary: The report investigates the literature and reviews existing studies regarding the concept called Creative Industries. A mapping study is conducted to understand the opportunities and characteristics of the individual industries and to provide an overview of the combined sub-set of creative industries. The economic impact assessment calculates the impact that the creative industries have on the South African economy, and this report concludes with evidence to support development of specific industries in the creative industries sub-set. It is also intended to assist in understanding and guiding the economic and social development of the creative industries sector in the Cape Peninsula, as well as to contribute towards the understanding and growth of the Creative Industries in South Africa. Findings include a lack of awareness of the Creative Industries; lack of understanding of the Creative Industries, lack of promotion of the Creative Industries; lack of education in the Creative Industries; the Creative Industries are crucial for competition within the knowledge-based economy; the insufficient data to effectively quantify the Creative Industries Title: Measuring Culture – developments globally to inform what we do locally Author: Avril Joffe, CAJ Commissioning party: HSRC and DAC Date: February 2003 Associated Project: Establishment of Cultural Observatory by HSRC on behalf of DAC Summary: The study looks at the developments globally to inform what should be done locally in the South African context. The report is a contribution to developing a statistical framework for prospective South African Cultural Observatory. The collection of cultural data is a relatively new phenomenon which dates to the two world cultural reports published by UNESCO in 1998 and 2000 and the establishment by UNESCO of an institute for statistics based in Montreal, Canada. This new institution generated indicates on culture and development, argued for cultural indicators as a tool for policy dialogue and guidance and developed an international framework for both quantitative and qualitative data. UNESCO published a study in 2000 on International Flows of selected cultural goods 1980-1988 that updates two previous studies (1986 and 1992). As countries have developed their capacity to generate statistics a new problem has emerged of too much data. Hence the Australian statistical organisation is

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questioning, for each statistic collected, ‘do we need it’ and ‘what will we be using it for’. Statistics are found to be useful as they tell us both the extent of cultural diversity in society and the strength of each of the cultural sectors. This assists the argument that ‘the arts economy is a significant contributor of the country’s economy’, that the ‘arts are important for self-respect as a nation’ and that ‘public sector patronage could encourage the arts to contribute to economic growth’. Most cultural data is collected under the following categories: creation, production, distribution, consumption and preservation. UNESCO’s framework for cultural statistics (FCS) published in 1986 uses the following categories: cultural heritage, printed matter and literature, music, performing arts, audio media, audio-visual media, socio-cultural activities, sports and games, environment and nature. The cultural statistics collection methods and experience in the following systems are reviewed: Australia, Canada, Finland, Philippines, France and Italy. Title: National Skills and Resources Audit 2003 Author: CreateSA Commissioning Party: CreateSA Date: 27 November 2003 Associated project: CreateSA Summary: The purpose of the study was to establish the labour market dynamics of the creative industries in South Africa, and to assess skills needs and shortages to inform skills development programmes. A survey sample conducted in two phases of 1059 enterprises/ organisations across sub-sectors comprising the creative industries. The postal and face-to-face survey was supplemented with 16 case studies. Key findings relate to enterprises. These are predominantly small and micro-enterprises, started after 2000, reporting turnover of less than R50 000 per annum. The primary challenges facing enterprises are alternative funding sources, keeping abreast of technological changes, market development, training and product development. Research & Development and technology are important tools for competitive production and service provision. Communication and information gathering are critical raw materials for production and services, with the news media playing a major role in information provision. Title: The Kwaito nation: an industry analysis Author: Yired Commissioning Party: YFM, South Africa Date: 2003 Website: http://www.mio.co.za Summary: The report aims to provide South Africa’s aspirant music stars with a sense that music is in fact a business that requires hard work and skills to make a success. In a series of mini case studies the report shows the multiple careers one can have in the music industry – from musician to businessperson. Key Words: music, business, skills, success, careers, businessperson, musician, stars, case studies Title: Strategic Recommendations for Industry Development (Discussion Guide) Author: Kaiser Associates Economic Development Practice Commissioning party: CCDI Date: July 2003 Associated Project: CCDI Export Development Pilot Programme

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Website: http://www.capecraftanddesign.org.za/research_folder/htm/niche/index.htm?6925d11c91e4ee8ac7ad3c1412e300c6=6713d13ca89078444f643390000d631c Summary: This report outlines the processes and results of the Market Research portion of the integrated Export Development Pilot Programme run by the Cape Craft & Design Institute (Mar – Sep 2003). Market Research Partners Kaiser Associates were contracted to investigate and report on local craft sector challenges and opportunities and two potential niche markets, namely the Soft Furnishings & Home Textiles UK / USA Market and the Fashion / Costume Jewellery – UK Market. Outcomes include two user-friendly export market guides, a local craft sector analysis and a comprehensive Strategy Discussion Guide. Title: “The Economics of Culture and Cultural Statistics in South Africa” Author: Haroon Bhorat and Mei-Chi Liou Commissioning Party: Development Policy Research Unit, University of Cape Town Date: 2003 Associated project: HSRC Cultural Observatory Website: http://www.culturalobservatory.org.za/pdf_files/econ_of_culture.pdf Summary: The stated purpose of the study is to define culture and explore arguments as to why culture is important. The study also touches in cultural characteristics that positively or negatively impact on economic growth. A critique of the Cultural Industries Growth Strategy (CIGS) research is also presented. The authors argue that economists have finally come to realise the importance of culture of the ability to influence the lives of people and economies. The authors set out to gather and analysis exist cultural statistics, recognising that cultural research is new and under developed in South Africa, a problem shared with other developing nations. They note that the cultural industries are difficult to define; in addition it is difficult to measure and quantity activities. The only national dataset that exist is contained with the Cultural Industries Growth Strategy (CIGS) report, However the narrow scope of focus (4 sectors); the lack of statistical data making reliable estimates of size and economic contribution impossible and the inconsistency of data across all sectors, however the value of certain industry specific datasets is noted. Title: Workshop Report of the Free State Provincial Craft Conference Author: Monica Newton Commissioning Party: Free State Department of Sport, Arts, Culture, Science and Technology Date: 28 & 29 October 2003 Summary: The objective of the workshop was to Inform crafters of services and opportunities presented by various stakeholders in the craft sector; discuss issues, problems and opportunities currently facing the sector in the province and agree to the roles and functions of a Provincial Craft Body and appoint an interim steering committee to take the process of establishing the body forward.

Title: The Crafts and Visual Arts in the SADC Region Author: The Trinity Session Commissioning party: ILO Date: 2003

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Associated project: Promoting the Culture through Job Creation and Small Enterprise Development in SADC Countries Summary: The objective of this study was to explore the possibility that the promotion of cultural entrepreneurship that harnesses local talents, skills and heritage may be especially resistant to the competitive pressures of globalisation and may provide innovative possibilities for boosting incomes and generating quality employment in a sector that is normally overlooked by policy-makers or addressed with piecemeal and traditional approaches. For this reason ILO commissioned a field research to provide more detailed information and case studies of culture enterprises in the SADC region, with an eye toward providing policy prescriptions that would help ameliorate the major constraints preventing the growth of small enterprises.

Title: The South African Music Industry Author: Karl Gostner, YFM Commissioning party: NAB Date: 2003 Summary: This report reviews previous documents written for the music industry and in parallel looks at the trends and problem analysis in the sector. In 2002 world music sales declined by 7%. The 2002 decline continued the declining trend that started 7 years previously in 1995, that was partially offset by growth in 2000. The global music industry has been in the doldrums since mid-1990s as the CD replacement cycle came to an end and has experienced little real growth since 1995. The International Federation of Phonographic Industries (IFPI 2003a) attributes the decline to piracy, competition from DVD and video gaming and economic uncertainty. The report identified Top 10 genres that people are interested in South Africa. The number of adults interested in those genres was the basis for the ranking, resulting in gospel emerging as the country’s most popular genre. Kwaito, a relative new kid on the block as the genre beat all other genres including the globally popular formats of rock and pop into second place. Rock and Pop only makes it into 11th spot in the SA context. The author assets that there is much to be hopeful about such as the changing income distribution within South Africa which he says, holds considerable promise for the industry as black South Africans’ ability to purchase music increases; and changing patterns of social interaction which both allow for increasingly common experiences that are in turn reflected in music. Title: The Ethno-Tourism Author: Steven Bolnick Commissioning party: ILO Date: 2003 Associated project: Promoting the Culture through Job Creation and Small Development in SADC Countries Summary: The research explored the possibility that the promotion of cultural entrepreneurship that harness local talents, skills and heritage may be especially resistant to the competitive pressures of globalisation and may provide innovative possibilities for boosting incomes and generating quality employment in a sector that is normally overlooked by policy-makers or addressed with piecemeal and traditional approaches. The term Ethno-tourism is a term describing any excursion, which focuses on the works of humans rather than nature, and attempts to give the tourist an understanding of the lifestyles of local people. This has also been referred to as '‘indigenous tourism'’.

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Title: The Performing Arts and Dance Author: Annabell Lebethe Commissioning party: ILO Date: 2003 Associated project: Promoting the Culture Sector through Creation and Small Enterprise Development in SADC Countries Summary: The objective of this study was to explore the possibility that the promotion of cultural entrepreneurship that harnesses local talents, skills and heritage may be especially resistant to the competitive pressures of globalisation and may provide innovative possibilities for boosting incomes and generating quality employment in a sector that is normally overlooked by policy-makers or addressed with piecemeal and traditional approaches. For this reason ILO commissioned a field research to provide more detailed information and case studies of culture enterprises in the SADC region, with an eye toward providing policy prescriptions that would help ameliorate the major constraints preventing the growth of small enterprises.

Title: ‘Protecting our cultural capital: A research plan for the Heritage Sector Author: Harriet Deacon, Sephai Mngqolo and Sandra Prosalendis Commissioning Party: HRSC: Social Cohesion and Integration Research Programme Date: 2003 Associated project: Cultural Observatory at the HRSC commissioned by DAC. Website: http://www.hsrcpress.ac/full_title_info.asp?id=2024 Summary: The HSRC commissioned this report to form the basis of a colloquium on heritage issues organised by the HRSC on 31 March 2003. The paper also formed part of the wider project of the then DACST around issues of cultural diversity and globalisation, cultural industries and the establishment of a cultural observatory and the use of community arts centres. The paper outlines the major achievements in the heritage sector since 1994 and lists persistent challenges. Institutions such as museums, archives and heritage resources agencies mandated to manage and protect a special subset of this broad cultural heritage that the authors call ‘cultural capital’. The Heritage Sector is managed through specific legislation. The NHRA protects places and objects that are of cultural significance. The National Archives of SA Act of 1996 protects public records; The World Heritage Convention Act of 1999 protects and identifies world heritage sites; Cultural Institutions Act of 1998 protects national museums and the National Environmental Management Act 107 of 1999 and provincial planning legislation intersects with heritage sector. The National Heritage Council Act was approved in 1999 but not yet implemented. Title: Cultural Industries Sector Author: Cultural Industries Core Team Commissioning Party: Western Cape Government Date: 2003 Associated project: Input paper into Micro-economic Strategy for the Western Cape Website: http://www.amts.co.za/cultural.pdf Summary: This input paper represents a dipstick trends analysis of the South African cultural industries in the Western Cape. It reviews current and previous cultural industry strategic initiatives in relation to the terms of reference of the Advanced manufacturing and logistics technology strategy.

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Key Words: Western Cape, South Africa, cultural industries, Advanced Manufacturing and Logistics Technology Strategy, strategic initiatives.

2004 Title: Quantitative Data Collection for Mappp-Seta Sector Skills Plan (SSP) Author: Khulisa Management Services and Eve Gray and Associates Commissioning Party: Mappp-Seta Date: 3rd August 2004 Associated project: Mappp-Seta sector skills plan Summary: The study provides information required by the SETA to develop its Sector Skills Plan (SSP) such as the sector profile of the members of the SETA; training and skills development needs in the sector as well as the capacity of training service providers to effectively address the skills development needs in the sector Title: MAPPP-SETA ‘Sector Skills Plan’ Author: Mappp-Seta (authored by Monica Newton) Commissioning Party: Mappp-Seta Date: August 2004 Associated project: Mappp-Seta sector skills plan per sector Summary: To develop the second sector skills plan (SSP) for the Mappp-Seta. The SSP represents a profile informed by a variety of issues, from industrial outputs to drivers of change. It aligns the demand to the supply of skills. Key findings are: small organisations dominate the sector with 47.5% employing between 5-49 staff members and 26.6% employing between 50-99. Over 4700 are freelancers, small or micro businesses. 50% of the companies have a payroll of between .5m – 5million. Only 7,847 (out of 29,000) will receive training, most will be white and half the companies conduct internal training. There are few barriers to entry with only the advertising sector believing that training provision meets the needs of the market. Clerks, technicians and associated professionals receive the bulk of training as to white women. Skills needs across the sectors are disparate but creative, technical; management, innovation and entrepreneurship are required for particularly black and women entrants. Most employees are technicians and associated professionals, plant and machine operators and assemblers. Half have matric and many have diploma or degree. There is no turnover problem, HIV/Aids is limited as a problem with the biggest challenge to skill development time and funds. New entrants, skills gaps, career progression, women and disabled and overcoming institutional failure which limit the supply of skills. Main skill areas are generic business; information technology; creative and technical skills; soft skills (communication) and management skills. Title: Beads Sub-Sector Study Author: ECI Africa Commissioning party: Tourism Enterprise Project (TEP) and the Department of Trade and Industries (the DTI) Date: March 2004 Summary: The Beads sub-sector study report intended to show how the sub-sector is structured, where it is heading, the forces that are driving the changes in the sub-sector, and the activities and roles that can be best played to reinvigorate the sector. Particular focus was

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paid to roles that strengthen the MSE growth within the sub-sector. Bead working skills are in abundance in the target population of women in rural communities. The labour intensity nature of beadwork lends itself to creating more employment in rural areas. There are gaps to be filled with producer groups, which can be fee based business development services. Exceptional KZN beadwork brand recognition nationally and internationally. This can be leveraged to increase market access for bead products. Most of the constraints present opportunities for designing and implementing solutions. Markets, cash flow, training and government policies were considered with the key focus being input supply, design, providing working capital, access to international exhibitions, training in literacy and basic business skills and the provision of market information. Title: CERAMIC Sub-sector Study Author: ECI Africa Commissioning party: TEP and DTI Date: March 2004 Summary: The ceramic sub-sector study report intended to show how the sub-sector is structured, where it is heading, the forces that are driving the changes in the sub-sector, and the activities and roles that can be best played to reinvigorate the sector. Particular focus was paid to roles that strengthen the MSE growth within the sub-sector. Positive factors supporting the ceramic sector as well as constraints are identified with key recommendations focusing on design, working capital and training.

Title: Grass Sub-Sector Study Author: ECI Africa Commissioning party: TEP & DTI Date: March 2004 Summary: The objective of the research was to show how the sub-sector is structured, the forces that are driving or hindering changes in the sub-sector, and the roles and activities that are required to reinvigorate the sector. Particular focus was given to what was needed to strengthen the Micro Small Enterprise growth within the sub-sector, as this is one of the ultimate goals for the craft sector across South Africa. The analysis provided insights into the driving forces, the points of leverage, the roles of different participants and the range of business services that support the sector. There are many factors that constrain the growth of the grass weaving sub-sector, as well as many constraints facing MSEs. Most of the constraints present opportunities for designing and implementing solutions. Title: Wireware Subsector Study Author: ECI Africa Commissioning party: Tourism Enterprise Programme & DTI Date: March 2004 Summary: The wireware sub-sector study report intended to show how the sub-sector is structured, where it is heading, the forces that are driving the changes in the sub-sector, and the activities and roles that can be best played to reinvigorate the sector. Particular focus was paid to roles that strengthen the MSE growth within the sub-sector. Recommendations include those for small business development, retail, production facilities and vacation work programmes.

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Title: KZN Craft Sub-sector Study Author: ECI Africa Commissioning party: Tourism Enterprise Programme and DTI Date: April 2004 Summary: The objective of this study was to design a focused growth strategy for the craft sector in KZN; identifying necessary facilitative activities and business services which will lead to job creation, increased income for the micro small enterprises and increased competitiveness of the KZN sector. The study was based on the sub-sector analysis methodology, which derives all its recommendations on services that promote enterprise growth by identifying and understanding the sources of economic growth in a sector. The KZN craft sector is a highly innovative and dynamic informal industry comprised of a number of diverse sub sectors. Title: Moshito ‘04 Author: Moshito Music Conference & Exhibition Commissioning party: Moshito Music Conference & Exhibition Date: February 2004 Summary: The purpose of the Moshito document was to report on the proceedings of the Moshito ’04 conference, which took place at the Sandton Convention Centre in Johannesburg in 2004. Title: The Music Industry Author: Zodwa Moatlhodi Commissioning Party: MAPPP-SETA Date: July 2004 Associated project: MAPPP-SETA Sector Skills Plan Summary: The music industry in South Africa is a relatively big sector with different role players and genres of music. The purpose of this research was to obtain information on trends that are impacting on the industry as well as the direction the industry is taking in terms of growth. The interviewees were given a questionnaire to respond to, followed by face to face interview that helped to clarify issues raised in the questionnaire. The questionnaire comprised of both quantitative as well as qualitative questions, which when addressed would identify the current trends, the growth rate of the music industry as well as highlight other key issues that impact on the music industry. Seven individuals representing various musicians, a record company, union and music societies who are all committed to the growth and development of the South African Music Industry were interviewed. Title: Feasibility Study of the South African Animation sector Author: Yoliswa Koyo Laballo (Anamazing Workshop) Commissioning party: Department of Communications Date: March 2004 Summary: The study was to assess the viability of the animation sector in South Africa. It is envisaged that this study will help the department achieve the following broad goals. Stimulate and promote innovation in design and production of animation products through appropriate technologies, techniques, and training, Develop core knowledge and a skill base for animation through accredited training programmes, Increase the quality, quantity and range of national as well as regional animation products including culturally relevant programmes, Bridge the digital

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divide through creating capacity and technical know how in the field of animation and be a point of reference for continued technological animation in the region. Title: Film and Video Sector Author: Avril Joffe, CAJ Commissioning party: MAPPP-SETA Date: July 2004 Associated project: MAPPP-SETA Sector Skills Plan Summary: The Sector Skills Plan for the Film and Video Sector, one of the sectors of the Film and Electronic Media Chamber addressed the trends, the value chain and the important issues facing this sector and meant to help inform the MAPPP-SETA’s strategy. The SSP focused on the profile of the Film and Video industry, the value chain and the important issues facing the sector in the next 5 years as they relate to training and support for the sector. CAJ was able to draw a quantitative picture of their sub-sectors from documentation produced by these organisations. The rest of the work consisted of analytic evaluation of the sector’s profile, value chain, economic logic, SWOT analysis, social trends and future projections.

Title: TV and Radio Broadcasting

Author: Avril Joffe and Zodwa Moatlhodi Commissioning party: MAPPP-SETA Date: July 2004 Associated project: MAPPP-SETA Sector Skills Plan Summary: The TV and Broadcasting report provided information for the Broadcasting sector (TV and Radio) which contributed towards the overall Sector Skills Plan for the Film and Electronic Media Sector. The report addressed the trends, the value chain, the profile of the sector and the important issues facing this sector which helped inform the MAPPP-Seta’s strategy. Radio Broadcasting is perceived as a small industry with very skilled people. Therefore the report focussed on the profile of the Broadcasting Sector (both TV and Radio), the value chain and the important issues facing the sector in the following five years as they relate to training and support for the sector. Title: Multimedia Animation Sub-Sector Author: Dr. Roseline Ntshingila-Khosa Commissioning party: Ntshingila-Khosa and Associates Date: July 2004 Associated project: MAPPP-SETA Sector Skills Plan Summary: The purpose of the qualitative review was to investigate and identify current and future skills needs and articulate skills gaps that may exist within the sub-sector. The result of the research was to provide the necessary information for the development of the Sector Skills Plan for 2005-2009. Recommendations including conducting an audit of current education and training provision in the sector and examination of the quality of training is required, developing workshops for the processes of accessing Learnership, collaborating with the DTI to simplify the processes of accessing the incentives provided by DTI to the industry and facilitating the development of unit standards such as one in 2D, 3D and stop-frame at NQF Level 6. In addition it was felt that support should be given to train assessors and develop assessment guides.

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Title: Funding for the Creative Industries; Film and Electronic Media Author: Dr Roseline Ntshilinga-Khosa and Avril Joffe Commissioning party: Ntshingila-Khosa and Associates Date: July 2004 Associated project: MAPPP-SETA Sector Skills Plan Summary: The objective of this report was to contribute towards the development of the Sector Skills Profile for the MAPPP-SETA. The report focused on funding provided by national government, provincial governments, public private partnerships as well as international donors. Respondents were representatives of various government departments and donors. Interviews were conducted either face-to-face or telephonically depending on the availability and location of interviewees. Additional information was obtained from reports, Internet, and commissioned studies.

Title: Qualitative Research for Mappp Seta Sector Skills Plan: the publishing sub-sector Author: Eve Gray and Associates Commissioning party: Mappp Seta Date: 25 July 2004 Summary: The purpose of the study was to investigate and identify current and future skills needs and to articulate skills gaps that may exist within the Print Media, Publishing, Printing and packaging sub-sectors of MAPPP SETA. The results of the research were used to provide much needed information for the development of the Sector Skills Plan for 2005-2009. Publishing is a vitally important strategic industry from 2 related perspectives: as a cultural industry and as a knowledge industry. Publishing falls within the overlap of the two domains of culture (the expression of culture in text and image) and trade (the reproduction, packaging, distribution, marketing and sale of these products of cultural expression).SA has a self-sustaining publishing industry that can supply the needs of the educational system at all levels. Title: The Advertising Industry’s skill needs Author: Avril Joffe, Roseline Ntshilinga-Khosa and Lee Walters Commissioning party: Ntshingila-Khosa and Associations Date: July 2004 Associated project: MAPPP-SETA Skills Plan Summary: The purpose of this study was to investigate issues relevant to the National Skills Development Strategy within the context of the internal and external environment of advertising in South Africa. The qualitative review was designed to reflect on trends in the sector as well as critical issues facing the industry from transformation to skills, from accreditation to learnerships, from large players to SMMEs, from policy and regulation to performance in the market place and from HIV/AIDS to innovative ideas. Title: Design Sub-Sector

Author: Dr Roseline Ntshingila-Khosa Commissioning party: Ntshingila-Khosa and Associates Date: July 2004 Associated project: MAPPP-SETA Skills Plan Summary: This report provided information on three aspects; fashion design, craft design and graphic design. Findings and recommendations were dealt with separately for each sub-sector as the sectors are very different and operate differently. Areas such as training provision and key drivers of change overlap across the sectors. The purpose of this qualitative review was to

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investigate and identify current and future skills needs and articulate skills gaps that may exist within the sub-sector. The results of the research will provide the necessary information for the development of the Sector Skills Plan for 2005-2009. A key finding was that in South Africa, the potential of the fashion design has not yet been tapped. There is no available data in the country about the economic profile and significance of the sector. Available data is only based on a study, which was conducted on the creative industries in the Western Cape. Title: Moshito ‘04 Author: Moshito Music Conference & Exhibition Commissioning Party: Moshito Music Conference & Exhibition Date: February 2004 Associated project: Moshito Conference Summary: The purpose of the Moshito document was to report on the proceedings of the Moshito ’04 conference, which took place at the Sandton Convention Centre in Johannesburg in 2004. Key Words: Moshito, proceedings, conference, Johannesburg, South Africa _________________________________________________________

2005 Title: Future Foundations: An Integrated Human Resource Development Strategy Author: CreateSA Commissioning Party: Department of Arts and Culture (DAC) Date: 31 March 2005 Associated project: Creative industry development in the DAC Summary: The purpose of the study was to develop an integrated human resource development strategy for the creative industries that would co-ordinate the activities of stakeholders in the sector, ensure that all groups are appropriately targeted and promote a shared understanding of the needs. It is important to note the project allied its research objectives with a broader empowerment programme that trained 20 researchers from across the country to collect and collate the information used for the study. Findings relate to the three specific target groups for human resource development; the value of culture and of arts education and training; general human resource issues in the South African creative industries. The research informed a number of broad strategic recommendations relating to research, policy review, coordination, representative structures, standards and qualifications frameworks; development of cultural practitioners including trainers and teachers, formalization of education and training in the sector, development and retention of cultural managers, creating linkages between schools and the arts community as well as increasing opportunities for life long learning across the education and training spectrum. Key words: integrated human resource development, strategy, creative industries, researchers, training, cultural, practitioners, education, manager, arts community Title: ‘Beyond Planning to Action’: Film and TV Sector Development Strategy

Author: Department of Trade and Industry (DTI) (Jane Corden and Richard Phillips) Commissioning Party: DTI: Trade and Investment South Africa; Chief Directorate: Customised Sector Programmes Date: June 2005

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Associated project: Customised Sector Programmes (CSP) of the DTI. Summary: To outline the DTI sector development strategy for increasing competitiveness, exports and investments as well as employment and equity in the film and TV sector as one of the priority sectors of SA. The report provides a situational analysis of the sector both locally and internationally with the aim of inspiring and reinvigorating the sector that suffered by ‘strategy fatigue’. The report builds on previous strategic papers developed by DAC, IDC, PWC, NFVF, Mappp-Seta and DOC. Extensive industry consultation focusing on key areas such as skills development, audience development, financing, co-ordination, export and marketing, equity/ BEE, international and domestic intelligence and competitiveness were undertaken. In addition an analysis of global opportunities and challenges with respect to this industry were explored. The report identifies an integrated set of interventions with the strategic vision of SA becoming the lead producer of film and TV content from Africa and the middle east watched by the world by 2014. Key Words: DTI, sector development strategy, film, TV, content, producer, Africa, South Africa, DAC, IDC, PWC, NFVF, Mappp-Seta, DOC, financing, audience development, export, skills, BEE Title: ‘Beyond Planning to Action’: Craft Sector Development Strategy Author: Department of Trade and Industry (DTI) (Erica Elk) Commission Party: DTI: Trade and Investment South Africa; Chief Directorate: Date: 2005 Associated Project: Customised Sector Programmes (CSP) of the DTI. Webstie: http://www.capecraftanddesign.org.za/research_folder/pdf/dti_cust.pdf Summary: This DTI sector development strategy for Craft outlines a key action programme relating to craft manufacturing, enterprise development, research and development, craft hubs and market development and access. It provides a comprehensive overview of the status quo of the craft industry in South Africa and focusing on strategies for increasing competiveness, exports and investments as well as employment and equity in this priority sector for South Africa. Each key focus area requires joint action and consultation between government and stakeholders. The document also provides a review of trends and developments in the international craft industry.

Key words: DTI, craft, manufacturing, craft hubs, marketing, enterprise, development, research, competiveness, exports, investments, stakeholders, government, international, industry. Title: Creative Industries Sector Scoping Author: Monica Newton Commissioning Party: City of Johannesburg: Economic Development Unit Date: 30 June 2005 Associated project: Johannesburg Film Incubator, Johannesburg Performing Arts Incubator, and Johannesburg Music Market Summary: The purpose of the study was to locate the Creative Industries Sector in Johannesburg within the broader economic development strategy of the City and the Joburg 2030 strategy. In addition, the study culminated in recommendations for initiatives and projects to promote the economic contribution of the sector to the city’s economy. Developments such as the training projects of the Mappp-Seta, poverty alleviation projects, market development projects, the culturally oriented Blue IQ projects and the Alexandra Urban Renewal Project were identified has having a positive impact on the creative sector.

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Title: Soweto Blues: Jazz, popular music, and politics in South Africa Author: Ansell, Gwen Commissioning Party: Private Date: 2005 Summary: This book illustrates the relationship between jazz and the anti apartheid movement in South Africa from the early politics of resistance, illegal performance spaces, the global reach of musicians such as Hugh Masekela and Miriam Makeba as well as the post-apartheid experiences of the national broadcasting and music recording industry. Ansell provides an overview of the ongoing links between African and American styles of music. Key Words: music industry, Western Cape, South Africa, digital distribution, government intervention Title: Developing Audiences for Joburg Live Arts

Author: Freedthinkers Commissioning party: City of Joburg Date: June 2005 Summary: The objective of Developing Audiences for Joburg Arts is market development. A question that arises is ‘How can the City of Joburg contribute to a thriving live arts industry in Joburg by being a catalyst in attracting and developing audiences?’ The first research conducted was titled ‘Joburg Live Arts Marketing Project – Research on International Trends’ and identified what is happening in the Live Arts internationally with regard to attracting and retaining new audiences. The outcomes of the report offered insight into global best practices and focused on the UK, USA, Australia, France, Brazil and Burkina Faso. Case studies were selected that shed light on new trends in audience development worldwide. The second report ‘Developing Audiences for Joburg Live Arts’ provides feedback and way forward to CoJ on what needs to be considered. Key Words: Joburg, live arts, marketing, industry, best practice, UK, USA, Australia, France, Brazil, Burkina Faso

Title: Proposal for an African Music market Author: André Le Roux Commissioning Party: Ochre Communication Date: July 2005 Associated project: City of Joburg Economic Development Unit’s Sector Strategies for Cultural Sector Summary: The purpose of the study is to investigate the feasibility of a Music Market and to explore potential relationships and partnerships between the City of Joburg and South African Music Cooperation Initiative (SAMICI) and the National Music Conference and Exhibition (MOSHITO). The benefits to the City of Johannesburg include local economic development, gateway to Africa possibilities and building the city’s image. The next phase of the work of the COJ with MOSHITO and SAMICI will be the development of a business plan for the Music Market. Title: Consultative forum on arts and culture in South Africa Author: British Council Commissioning Party: British Council Date: 08-Sep-05

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Associated project: All Africa Arts Consultation Forum Summary: This report documents a meeting organised by the British Council in South Africa as one of ten organised in Africa as part of the All Africa Arts Consultation Forum. The report assessed the dominant art forms in South Africa and considered the notable trends and developments in the sector. The meeting considered the nature of support required by the arts sector for growth and influence as well as the specific role of the British Council in this support Key Words: British Council, South Africa, creative industries, arts, All Africa Arts Consultative Forum Title: A Benevolent Fund for Artists Author: CAJ Commissioning Party: Arts and Culture Trust, South Africa Date: 2005 Associated project: DAC Summary: The investigation into a benevolent fund was an initiative of the Department of Arts and Culture (DAC) as part of their programme to “develop the arts and building a caring society” to address some of the problems which confront artists in South Africa. The research was conducted to inform a strategy dedicated to the creation and implementation of a Benevolent Fund for practitioners in the arts and culture sector. The report argues that a Benevolent Fund would address market failure by providing a support structure for cultural workers, artists and practitioners considered vulnerable by the Department of Labour. Key Words: Benevolent fund, artists, South Africa, best practice, international experience, social security, welfare, funding, arts and culture practitioners, Department of Labour, Department of Arts and Culture Title: Driving a regional sector development programme: Lessons from the Western Cape: 1999-2005 Author: Gwynne-Evans, N Commissioning Party: WESTGRO, South Africa Date: June 20 2005 Associated project: Western Cape economic development Website: http://www.commerce.uct.ac.za/Research_Units/DPRU/DPRUConference2006/Papers/Driving_a_regional_sector_developmentGwynn-Evans.pdf Summary: The report provides an overview of the regional sector development strategy adopted by the Western Cape Department of Economic Development and the lessons gained over the 6 years of its implementation. This has been influenced by the broad literature around economic clusters and an approach implemented that is captured in the document “A Collaborative Approach to regional sector development”. Creative industries covered include film and craft. This paper outlines the process and lessons gained from the programme over the past six years. These constitute the views of the writer who was responsible for driving the sector strategy in the period reviewed and intimately involved in the establishment and development of a number of sector bodies. Key Words: Regional sector development strategy, creative industries, Western Cape, film, craft. Title: Creative sector research in South Africa: research sources, key institutions and annotated bibliography of the cultural sector in South Africa

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Author: CAJ Commissioning Party: British Council Date: 2005 Associated project: Prepared for the fist phase of the Creative Mapping study for the British Council Summary: This report by CAJ was commissioned by the British Council as an initial contribution to their longer term creative mapping project in South Africa. It highlights all research undertaken in South Africa in the period 1994-2005 relating to cultural policy, creative industries and heritage. The report contains a short summary of each document in a standardised format highlighting research methodology, key findings, recommendations and gaps in research. Key Words: Creative industries, culture, policy, South Africa, heritage, research Title: Cultural Industries, arts, culture and creative arts: Towards an understanding of the current nature and scope of the creative industries in the Western Cape Author: Van Graan, Mike Commissioning Party: WESTGRO, South Africa Date: 2005 Associated project: Westgro, Cape Gateway Website: www.capegateway.gov.za/other/2005/11/final_first_paper_cultural_industries_printing.pdf Summary: This report was written as part of a wider research process commissioned by the Department of Economic Development and Tourism in the Western Cape to assess the potential impact of the creative industries within the provincial economy. The report provides a broad overview of the current status quo of the creative industries as highlighting possible policy and strategic interventions that would result in the Western Cape becoming the centre of the creative industries in South Africa. Key Words: Economic development, tourism, Western Cape, Creative Industries, centre, creative arts _________________________________________________________

2006 Title: In South Africa, crafts revival boosts exports Author: International Trade Forum Commissioning Party: International Trade Forum Date: Oct-06 Associated project: Interview with Tembeka Nkamba-van Wyk, Talking Beads Academy Website: http://www.tradeforum.org/news/fullstory.php/aid/626/in_South_Africa_craft_revival Summary: This interview highlights the work of a South African business woman in exposing locally made handicrafts and protecting local craft traditions for the benefit of crafters and tourists alike. The business created is now exporting and employing thousands of women in rural areas with training and medical care provided. The Talking Beads Academy was begun in 1997and is working towards a mobile training unit to provide women in remote rural areas with supplies of beads and designs. Key Words: South Africa, crafts, Talking Beads Academy, rural women, training, business skills, exports, tourism

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Title: Proposed Strategy on Engendering the Accelerated and Shared Growth Imitative (ASGI-SA) Author: DTI Commissioning Party: DAC Date: Jan-06 Associated project: South Africa's Strategy on Engendering the Accelerated and Shared Growth Imitative (ASGI-SA) Website: http://www.thedti.gov.za/sawen/ASGISAPROPOSEDSTRATEGY06.pdf Summary: This document highlights amongst others the role of the creative industries in facilitating the economic empowerment of women especially through rural women engaged in the craft sector. It provides one of the arguments for why the South African government provides support to the craft sector. Key Words: South Africa, craft, women, ASGI-SA, empowerment, second economy Title: Hisses and whistles': A baseline study into arts coverage in the South African mass media Author: Media Monitoring Project & Open Research Commissioning Party: Media monitoring project and open research Date: Mar-06 Website: http://www.mediamonitoringafrica.org/index.php/resources/entry/hisses_and_whistles_a_baseline_study_into_arts_coverage_in_the_sa_mass_medi/ Summary: The report presents findings of arts coverage, advertising and publicity in the mass media in South Africa. Key findings relate to percentage of space allocated to arts and entertainment content in newspaper supplements, which art genres dominate, nature of arts coverage, the differences between coverage of local and international artists as well as journalism and the role of the national broadcaster. Key Words: arts, advertising, publicity, mass media, South Africa, entertainment, newspapers, broadcaster, artists Title: Parliamentary Media Briefing Economic Cluster 11 Author: DAC Commissioning Party: DAC Date: 10-Feb-06 Associated project: Briefing for parliament Website: http://www.dac.gov.za/media_release/10Geb06.htm Summary: This parliamentary media briefing focuses on the interventions relating to Arts, Culture and Heritage during 2006/7. The DAC's programme of action is described, the budget associated as well as the purpose of each set of activities. Key Words: South Africa, arts and culture, policy review, heritage _________________________________________________________

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2007 Title: Cultural Industries, arts, culture and creative arts: Second Paper: Policy recommendations and Interventions Author: Van Graan, Mike Commissioning Party: WESTGRO, South Africa Date: 2007 Associated project: MEDS process, Western Cape Website: http://www.hivos.nl/english/english/arterial/background_materials Summary: This paper provides recommendations based on research undertaken in the first phase of the MEDS process focusing on the creative industries in the Western Cape. It focuses on a few key initiatives to advance the sector. It provides a summary of the overview of the creative industry in the Western Cape, general economic arguments in support of the creative industry sector, highlights the challenges facing the sector and outlines the proposed strategies that the Western Cape provincial government could implement to support the sector. Key Words: MEDS, Western Cape, creative industries, strategy, policy, government Title: Arts and Culture Policy Review Author: DAC Commissioning Party: DAC Date: 2007 Associated project: SA government review of policy Website: http://www.dac.gov.za/projects/policy%20Review/background%20document.doc Summary: This policy review was commissioned in the broader context of the 10 years of the new ANC government. The documents covers 7 chapters: background, legal framework for arts, culture and heritage, contribution of the arts and culture to the economy, the role of arts and culture continentally and internationally, review of human resources, research and development needs of the arts and culture sector, the role of arts and culture in social development as well as review of the arts and culture funding and financing model. Key Words: South Africa, arts and culture, policy review, heritage Title: Film: Analysis needed to make policy decisions Author: Cultural Observatory, South Africa Commissioning Party: Cultural Observatory, South Africa Date: accessed 23/05/07 Associated project: Prepared by Howard Thomas as part of a broader research project to develop an interactive website on the creative industries in South Africa. Numerous inputs were provided to stimulate debate on the best way to collect data. Website: http://www.culturealobservatory.org.za/_tv_ana.html Summary: Investigates the main sources for cultural analyses such as the ILO, UNESCO, Canadian, UK, Australian and Irish film industries as well as EU documents on film and ICT structures. A list of the information needed to analyse the film sector is provided. A critique of the problem tree analysis is provided as well as the problems attached to data collected from players in the sector. Key Words: Film, South Africa, policy, information, problem tree Title: Bush Radio's CREW project: growing with media education

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Author: Louw, Adrian Commissioning Party: UNESCO Date: 21-22 June 2007 Associated project: Paper presented at the French Commission for UNESCO meeting in partnership with the French Ministry of Education and the Council of Europe at the Centre de Conferences Internationals, Paris, France Website: http://www.ncrf.org.za/sa-community-radio-present-paper-at-unesco-media-education… Summary: Bush Radio was asked to present a paper and a meeting organised by the French Commission for UNESCO. The title was Media Education: Advances, Obstacles and new Trends since Grunwald; Towards a scale of change? The radio station based in the Cape Flats has as its mission 'to ensure that communities, who have been denied access to resources, take part in producing ethical, creative and responsible radio that encourages them to communicate with each other, to take part in decisions that affect their lives, and to celebrate their own cultures'. The paper reflects on the CREW project (Children's Radio Education Workshop) which started in 1996 to give young people a voice in media. Key Words: South Africa, community radio, UNESCO, media education, bush radio Title: Final Report on the Micro-economic Development Strategy for the Music Industry in the Western Cape Author: Ansell, Gwen, Barnard, Helen and Barnard, Phillippa Commissioning Party: Department of Economic Development and Tourism, Western Cape Provincial Government Date: Nov-07 Associated project: MEDS reports, Western Cape Economic Development Summary: This report documents the music industry in the Western Cape focusing on the context and local performance, development drivers, the need for and role of government intervention, tourism and the digital opportunities in the industry. The bulk of the recommendations focus on this latter area arguing that digitisation leads to differentiated product niches and the rise of smaller players which both favour the Western Cape region. Other recommendations relate to digital inclusion, supporting a credible industry body as well as developing skills amongst a diverse body of role players. Key Words: Western Cape, South Africa, government intervention, tourism, digital opportunities, music industry, product niches, smaller players _________________________________________________________

2008 Title: Sampling Music Author: Melandowitz, Hugh Commissioning Party: Moshito Date: 2008 Associated project: Moshito Conference Summary: This presentation from Moshito '08 deals with ownership of copyright in music its commercial exploitation. The question it poses is whether the sampling of music could constitute an infringement of copyright. The answer is that any infringement of the moral right is

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an infringement of copyright and that therefore even if a very small portion of the song is to be used the person must obtain authorisation. Key Words: Moshito, copyright, sampling, music, moral rights, authorisation, infringement Title: South African Music Hub Author: Masokoane, Glenn Commissioning Party: DAC, South Africa Date: 2008 Associated project: Moshito Conference Summary: The DAC's presentation to Moshito '08 outlines the motivation for the establishment of a music hub including music recording facilities for emergent talent and young musicians. The motivation includes state of the art music production hub, target market of the second economy, strategic black economic empowerment, total value chain offering, heritage centre and space for music organisations. Key Words: DAC, Moshito, Music, second economy, recording studios, emergent talent Title: Making Cultural Policy Work Author: Commonwealth Foundation Commissioning Party: Commonwealth Foundation Date: 19-May-08 Associated project: Consultation held in partnership with South African Coalition for Cultural Diversity and Department of Arts and Culture, Samro House Website: http://www.commonwealthfoundation.com/uploads/fckeditor/00000088_Making%20Culture%20Work%20for%20Development.pdf Summary: This summary report reflects on the consultation between government and civil society organisations in South Africa held by the Commonwealth Foundation in partnership with the South African coalition for Cultural Diversity (SACCD) and the DAC. This discussion was the second in a series of Commonwealth Foundation consultations on different aspects of culture, cultural policy and development. Key questions discussed include the success of South Africa's cultural policies for the creative sectors and for development; the extent of implementation of UNESCO's Convention on the Protection and Promotion of the Diversity of Cultural Expressions and the possibility of sharing the South African experience and approach to culture regionally and globally. The findings feed directly into the Foundation's research project, Putting Culture First available at www.commonwealthfoundation.com/culturediversity/research Key Words: South African Coalition for Cultural Diversity, DAC, South Africa, cultural policy, civil society, Commonwealth Foundation Title: Speech to Moshito Author: Wakashe, T Commissioning Party: Moshito Date: 2008 Associated project: Moshito Conference Summary: The speech by the Director General of Arts and Culture focuses on copyright, indigenous knowledge protection as well as various programmes initiated by Government to support the music industry. These include 'Taking SA Music to the World and the development of a music studio for the second economy music sector

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Key Words: DAC, Moshito, Music industry, government programmes, copyright, indigenous knowledge protection, music studio, second economy Title: Music policy discussion document Author: SABC Commissioning Party: Moshito Date: 2008 Associated project: Moshito conference Summary: The SABC's presentation to Moshito '08 outlines the music policy they have developed. It includes its purpose, the scope, policy changes that it envisages as well as roles and responsibilities. Key Words: SABC, South Africa, music policy, music compilation, pay for play, music rights, indigenous music Title: Music Qualifications: Are music education institutions/ qualifications responding to the changing and growing needs of the music industry? Author: Feenstra, Marianne Commissioning Party: Moshito Date: 2008 Associated project: Moshito Conference Summary: This presentation from Moshito '08 is a hard hitting account of what is wrong with the whole music education institution and qualification system. The conclusion is that neither SAQA management nor anyone else in the system has thought through the process of the generation of a qualification and the effect of its implementation and that SAQA, the DOE and CHE are simply maintaining the status quo Key Words: music, education, qualification, SAQA, DOE, CHE, needs Title: Mappp-Seta Sector Skills Plan 2009/2010 Author: CAJ Commissioning Party: Mappp-Seta Date: 2008 Summary: This paper provides an overview of the creative industries in South Africa identifies key characteristics and outlines critical challenges and opportunities for its growth. Particular focus is given to the nature of supply and demand for skills and the role of government as a key investor in the creative industries. The report includes a review of industrial and occupational profile, sector specific dynamics, employment patterns and trends, scarce and critical skills as well as small business and entrepreneurial opportunities. Creative industry sectors covered in this report include: print media, publishing, visual arts, crafts, advertising, film and electronic media, music, design, performing arts and dance. Key Words: Mappp-Seta, creative industries, creative economy, supply and demand of skills, role of government, CAJ, 2009/2010, industrial and occupational profile, sector specific dynamics, employment patterns and trends, scarce and critical skills, small business and entrepreneurial opportunities, print media, publishing, visual arts, crafts, advertising, film and electronic media, music, design, performing arts and dance. _________________________________________________________

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2009 Title: Producing creative content: skills and economic challenges in the South African Creative Industries Author: CAJ Commissioning Party: HSRC, South Africa Date: 2009 Associated project: Skills and economic challenges in the ASGI-SA sectors Website: www.hsrcpress.org.za Summary: This paper provides an overview of the creative industries in South Africa identifies key characteristics and outlines critical challenges and opportunities for its growth. Particular focus is given to the nature of supply and demand for skills and the role of government as a key investor in the creative industries. Key Words: HSRC, CAJ, Creative industries, creative economy, supply and demand of skills, role of government Title: Mike van Graan website Author: Van Graan, Mike Commissioning Party: Mike van Graan Date: Various Associated project: Website: http://www.mikevangraan.co.za/recent-articles-papers Summary: Mike van Graan's website carries his personal reflections and views on the state of the arts, culture and creative industries in South Africa. Key Words: Mike van Graan, culture, arts, creative industries, government, Title: Centre for Jazz and Popular Music (CJPM) University of Natal Author: Brubeck, Darius Commissioning Party: Private Associated project: Cambridge Journals Website: http://journals.cambridge.org Summary: This overview of the Centre for Jazz and Popular Music based at the University of Natal reflects on its intention to become a 'micro-mini' version of the Smithsonian Institute (Washington D.C.). It notes that research on South African jazz and popular music is a low priority at present. The centre is providing teaching, study, research, preservation and performances of popular music and jazz and suggests establishing an endowment to support the range of ad hoc projects coming to the centre. Key Words: Jazz, popular music, endowment, projects, University of Natal, Smithsonian Institute, Brubeck, Darius Title: VANSA Author: Visual Arts Network of South Africa Commissioning Party: VANSA Date: All Associated project: VANSA Website: http://www.vansa.co.za/resources Summary: This website regularly carries articles on the state of the visual arts sector in South Africa.

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Key Words: South Africa, visual arts, website Title: Artthrob: Contemporary art in South Africa Author: Artthrob Commissioning Party: Artthrob Date: All Associated project: Artthrob Website: http://www.artthrob.co.za/ Summary: This website has regular articles and special features on the arts in South Africa, on art and social development etc. Articles are archived and can be easily searched. Key Words: Art, culture, South Africa, visual arts, social development

Tanzania documents

Title: Balancing Culture and Conservation through Enterprise Author: USAID Commissioning Party: USAID Date: 2004 Associated project: Story on Website about Tanzania Website: http://africastories.usaid.gov/search_details.cfm?storyID=228&countryID=26&sector … Summary: The Naisho Women's Group established the Esilalei Cultural Boma in 1999 to bring tourist dollars to their villages and, at the same time, preserve their local culture and alleviate gender inequality and poverty. A lack of business knowledge resulted in limited success. This USAID article shows how their support altered the fortunes of the Naisho group. Key Words: Naisho, Cultural village, USAID, business knowledge Title: Consultative forum on arts and culture in Tanzania Author: British Council Commissioning Party: British Council Date: 19-Sep-05 Associated project: All Africa Arts Consultation Forum Summary: This report documents a meeting organised by the British Council in Dar es Salaam as one of ten organised in Africa as part of the All Africa Arts Consultation Forum. The report assesses the ascendant and dominant art forms in Tanzania, the notable trends and development over the past few years, the influences on the Tanzanian arts and culture sector as well as priorities for support from the British Council. Key Words: British Council, Tanzania, arts, culture, creative industries, development, All Africa

Uganda

Title: Uganda-based initiative to promote African and Asian filmmaking Author: Artmatters Commissioning Party: Art Matters Date: 2004

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Website: http://www.artmatters.info/mira.htm; http://www.mashada.com/forums/405142-post1.html Summary: This news piece highlights the establishment of an annual filmmaker’s laboratory in Uganda to promote African and Asian filmmaking with the support and writer and producer Mira Nair. Key Words: film laboratory, African film, Asian filmmaking, Mira Nair, Uganda, Kampala Title: The national ICT master plan and E-government network feasibility study in Uganda Author: Mega-Tech Commissioning Party: Internet Governance for Development Date: August, 11 2006 Associated project: Women of Uganda Network Website: http://wougnet/org.ICTpolicy/ug/ugictpolicy.html Summary: This paper highlights the importance of ICT for development. The scope of Uganda's National ICT Policy Framework covers information as a resource for development, mechanisms for accessing information, and ICT as an industry, including e-business, software development and manufacturing. The policy looks at various categories of information from different sectors, essentially aimed at empowering people to improve their living conditions. The sectors include: health, education, agriculture, energy, environment, business, and science & technology. Key Words: ICP, Uganda, living conditions, policy, feasibility Title: Survey of Content and Audiences of Video Halls in Uganda 2005-2006 Author: Marshfield, Katerina and van Oosterhout, Michiel Commissioning Party: Uganda International Film Festival Date: Jan-07 Website: www.uiff.org Summary: The report documents the network of over 2000 video halls in Uganda known as 'Bibandas' which function as local cinemas and general audiovisual entertainment venues. The report analyses the content shown as well as the audience and facilities. Key Words: Uganda, video, halls, cinema, audiovisual, entertainment, venues, Bibandas

Zambia

Title: Enhancing Marketing Skills for Artists and Artisans Author: Ballyn, John Commissioning Party: ILO Date: 2-4 October 2002 Associated project: AN ITC conference paper prepared for the National Workshop organised by the ILO 'Enterprise Development and Employment in the Cultural Sector in Zambia; national and local strategies: Website: http://www.intracen.org/CreativeIndustries/conference_papers.pdf Summary: This paper looks at the distinctions in business practice for artists and artisans in the sectors of visual arts and crafts in order to develop improved marketing practices for both. The paper explores the market influences on the visual arts and craft products as well as the

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needs for artists and artisans such as investment in design and marketing, training in design and marketing, provision of design and marketing services as well as business support needs. Key Words: Marketing skills, artists, artisans, Zambia, ILO, ITC, Ballyn, Lusaka Title: An Action research on Small Enterprise Development and Job Creation in the Cultural Sector Author: Moyo, Dixon Commissioning Party: ILO Date: Jul-02 Associated project: ILO research and workshop in Zambia Summary: This report produced for the ILO as part of the Seed study on the role of the cultural sector in contributing to job creation and small business development in the SADC region focuses the spotlight on Zambia by exploring four cultural subsectors, namely music, ethno tourism, crafts and dance in Zambia. The report investigates the development process of these sectors, the successes and constraints in the area of small enterprise development and job creation in all the value chains and proposes various interventions/ recommendations for action. Key Words: Zambia, cultural sector, small enterprise development, job creation, ILO, Zambian labour market, national arts council Title: Disbursement of donor funds - Shining example from Zambia Author: Owoo, John Commissioning Party: Arterial Network Date: Mar-07 Associated project: Arterial News Vol 2 No 5, Revitalising African Cultural Assets Website: http://www.dccd.dk/dccd/cku.nsf/images/senart/$file/shinning+example+from+zambia+by+john+owoo.pdf Summary: This news article showcases the Zambian experience of disabusing 1.28 million Euros for the cultural sector development programme. This grant forms part of European Union funds. The Zambian experience was shared at the three day workshop on Goiree Island in Senegal called ‘Revitalising African Cultural Assets’ by Mulenga Kapwepwe. Key Words: Zambia, funds, EU, cultural, development, African, assets, Goiree Island, Mulenga Kapwepwe Title: Ceremony! Celebrating Zambia's Cultural Heritage Author: Guhrs, Tamara, D'elbee, Francois and Kapwepwe, Mulenga Commissioning Party: Celtel Zambia and Seka (Sensitisation and Education through Kunda Arts) Date: 2009 Associated project: Seka Educational Theatre Website: http://www.seka-educational-theatre.com/ceremony-book.htm Summary: This book showcases indigenous rituals, traditional ceremonies and cultural practices in Zambia including the arts, dances, songs, crafts and artefacts produced for them and passed down through generations. It also highlights the traditional educational methods, leadership systems, ethical values and indigenous technologies associated with these ceremonies. The book celebrates Zambia, Zambian people and the fact that tradition co-exists

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with modernisation and how they feed one another. Chapters include impressions (photos and text) from each of the 7 provinces of Zambia. Key Words: Ceremonies, cultural heritage, Zambia, Title: Zambia's ICT policy finally launched Author: Mushinga, Gloria Date: 2007 Website: http://www.thewip.net/contributors/2007/04/zambia_s_ict_policy_finally_la.html Summary: This is a news piece about the launch of the National Information and Communications Technologies (ICT's) Policy in Zambia. The purpose of the policy is to bridge the digital divide amongst Zambians by 2030. Key Words: Zambia, ICT, policy, National Information and Communications Technology, VOIP, internet Title: Country report on the status of copyright and neighbouring rights in Zambia Author: Shakarongo, Brian Chengela Commissioning Party: WIPO Date: 17-19 July 2002 Associated project: Presented at WIPO symposium, Lilongwe, Malawi

Zimbabwe

Title: Intellectual Property Rights, Copyright and Development Policy in a Developing Country: Options For Sub Saharan African Countries Author: Professor E.S Nwauche

Date: 30th

of July 2003 Associated project: Paper presented to the Copyright Workshop at Zimbabwe International Book Fair Website: www.kopinor.org/content/download/1777/13422/file/zibf.pdf Summary: This paper argues that a development oriented strong copyright protection is fundamental to the economic and technological advancement of Sub Saharan African countries (SSA) and synthesizes such a policy. Key Words: IP, Sub Saharan Africa, copyright, protection, economy, technology, policy Title: Zimbabwe arts focus group meeting Author: British Council Commissioning Party: British Council Date: 26-Sep-05 Associated project: All Africa Consultative Forum Summary: This report documents a meeting organised by the British Council in Zimbabwe as one of ten organised in Africa as part of the All Africa Arts Consultation Forum. The specific aims of the Zimbabwe meeting were to start a strong network of arts contacts in Africa and to generate ideas for Africa-wide projects for funding Key Words: Zimbabwe, creative industries, network, arts, funding Title: Narrative and ideology: 50 years of filmmaking in Zimbabwe

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Author: Hungwe, Kedmon Nyasha Commissioning Party: Private Date: 2005 Associated project: in Media, culture and society, Vol 27, no 1, 83-99 Website: http://mcs.sagepub.com/cgi/content/abstract/27/1/83 Summary: This article reviews film-making in the period 1948-2000 when the country was going through the transition to an independent nation. It assesses how the political governance crisis of the later 1990s undermined prospects for this sector. Of general interest are the insights provided by the article into the problems and prospects of African countries as global players in the production of media. Key Words: African cinema, African Script Development Fund, Central African Film Unit, Neria, Sithengi, Southern African Film Festival

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t 200

0:

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tura

l di

vers

ity,

conf

lict a

nd

plur

alis

m

Afri

ca

fil

m

Cit

y o

f Jo

han

nes

bu

Jobu

rg C

reat

ive

Indu

stry

Sec

tor

City

of

Joha

nnes

bur

Pre

pare

d by

M

onic

a N

ewto

n S

outh

Afri

ca

2003

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dica

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m

easu

rem

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Page 140: Collation of Research on the Impact of Art, Culture and Creative Industries in Africa

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eria

l Net

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age

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pro

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ntr

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ear

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a of

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tere

st

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site

rg

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ping

g

Co

llin

s,

Joh

n

Mus

ic A

war

ds

2001

: Mak

ing

Gha

naia

n m

usic

ex

porta

ble

M

usic

Aw

ards

20

01 P

aper

G

hana

20

01

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ic

http

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ww

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entif

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_dow

nloa

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llin

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naia

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perie

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ld B

ank

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th

e de

velo

pmen

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the

mus

ic

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stry

in

Afri

ca,

spon

sore

d by

th

e W

orld

Ban

k an

d th

e P

olic

y S

cien

ces

Cen

tre, I

nc,

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hing

ton,

D

C

Gha

na

2001

M

usic

ht

tp://

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urce

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orld

bank

.org

/intc

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Page 141: Collation of Research on the Impact of Art, Culture and Creative Industries in Africa

Art

eria

l Net

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ntr

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datio

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sulta

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artm

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f A

rts a

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ture

, Sam

ro

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frica

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y ht

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Page 142: Collation of Research on the Impact of Art, Culture and Creative Industries in Africa

Art

eria

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indi

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uman

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tegy

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artm

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AC

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Page 143: Collation of Research on the Impact of Art, Culture and Creative Industries in Africa

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eria

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Page 144: Collation of Research on the Impact of Art, Culture and Creative Industries in Africa

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sear

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lan

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Page 145: Collation of Research on the Impact of Art, Culture and Creative Industries in Africa

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Page 146: Collation of Research on the Impact of Art, Culture and Creative Industries in Africa

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Page 147: Collation of Research on the Impact of Art, Culture and Creative Industries in Africa

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litat

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appp

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a S

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Pla

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e pu

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par

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pp S

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2004

pu

blis

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Fee

nst

ra,

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ne

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Qua

lific

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ns:

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stitu

tions

/ qu

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08

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Page 148: Collation of Research on the Impact of Art, Culture and Creative Industries in Africa

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ultu

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, pub

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Page 149: Collation of Research on the Impact of Art, Culture and Creative Industries in Africa

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rteria

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2 N

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ca

2007

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ross

-cut

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Page 154: Collation of Research on the Impact of Art, Culture and Creative Industries in Africa

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Edu

catio

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d th

e C

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urop

e at

the

Cen

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onfe

renc

es

Inte

rnat

inal

es,

Par

is, F

ranc

e

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Fra

nci

sco

d

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eid

a et

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me

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ie

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e A

llem

an,

Les

indu

strie

s cu

lture

lles

des

pays

du

Sud

: en

jeux

du

proj

et

de c

onve

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n in

tern

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nale

sur

la

div

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relle

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ocia

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et

déve

lopp

emen

t

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ocia

tion

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ture

et

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lopp

emen

t

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ca

2004

C

ross

-cut

ting

Mak

ots

i, R

uth

Exp

andi

ng th

e bo

ok tr

ade

acro

ss A

frica

: a

stud

y of

cur

rent

ba

rrie

rs a

nd

futu

re p

oten

tial

Ass

ocia

tion

for t

he

Dev

elop

men

t of

Edu

catio

n in

A

frica

Ass

ocia

tion

for

the

deve

lopm

ent o

f E

duca

tion

in

Afri

ca, i

n co

llabo

ratio

n w

ith th

e A

frica

n P

ublis

hers

' N

etw

ork,

O

xfor

d, U

K

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ca

1999

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s,

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r N

amib

ia

A

rts E

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amib

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Page 159: Collation of Research on the Impact of Art, Culture and Creative Industries in Africa

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kills

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04

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va

n

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ut,

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tent

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nda

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-20

06

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nda

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rnat

iona

l Fi

lm F

estiv

al

Uga

nda

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nda

2007

U

gand

a w

ww

.uiff

.org

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SA

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trodu

cing

M

AS

A (M

arke

t for

A

frica

n P

erfo

rmin

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rts)

MA

SA

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rese

ntat

ion

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frica

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07

perfo

rmin

g ar

ts a

nd

danc

e ht

tp://

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enta

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htm

Mas

oko

ane,

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frica

n M

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Hub

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AC

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M

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dica

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ce: T

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tera

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f B

otsw

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Bot

swan

a 20

06

indi

cato

rs &

m

easu

rem

ent

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nn

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atou

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eria

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wor

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pro

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site

Mb

aye,

Je

nn

y

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t Afri

can

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H

op: A

tra

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l so

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mov

emen

t

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ate

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is c

orto

na

sum

mer

sch

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in A

frica

n st

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s,

Cor

tona

, T

usca

ny, 1

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usic

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nn

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AU

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ate

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ic

Mb

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ette

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k A

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thin

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2 n

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ses

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ba

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into

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the

Sou

th A

frica

n m

ass

med

ia

Med

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mon

itorin

g pr

ojec

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op

en

rese

arch

Sou

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outh

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edia

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a-T

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Page 162: Collation of Research on the Impact of Art, Culture and Creative Industries in Africa

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wor

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plin

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usic

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oshi

to

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fric

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outh

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ca

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usic

Mer

cier

, Je

ann

e

Les

renc

ontre

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ines

de

la

Pho

togr

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Bam

ako

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le d

es

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tes

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des

en

Sci

ence

s S

ocia

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(EH

ES

S)

Bam

ako,

Mal

i M

ali

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vi

sual

art

Mo

atlh

od

i, Z

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wa

Title

: The

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ic

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stry

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omm

issi

oni

ng P

arty

: M

AP

PP

-S

ETA

Ass

ocia

ted

proj

ect:

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PP

P-S

ETA

S

ecto

r Ski

lls

Pla

n

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th A

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04

Mus

ic

Mo

nic

a N

ewto

n

Cre

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dust

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Sec

tor

Sco

ping

City

of

Joha

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bur

g: E

cono

mic

D

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opm

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nit

Joha

nnes

burg

F

ilm In

cuba

tor,

Joha

nnes

burg

P

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rmin

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rts

Incu

bato

r, an

d Jo

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esbu

rg

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ic M

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t

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frica

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05

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the

Free

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vinc

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Con

fere

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of S

port,

A

rts, C

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Sci

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outh

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Nat

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02

arts

and

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th

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ILO

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bia

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oss

cutti

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and

o,

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tin

an

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lm V

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Tanz

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film

ht

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s IC

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ly

laun

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Zam

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IC

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mm

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on C

ultu

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frica

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cros

s cu

tting

ht

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th

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mis

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iona

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P

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Use

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Cha

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Arts

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Tour

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Nig

eria

n G

over

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Nig

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fund

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Page 165: Collation of Research on the Impact of Art, Culture and Creative Industries in Africa

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Page 171: Collation of Research on the Impact of Art, Culture and Creative Industries in Africa

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Page 173: Collation of Research on the Impact of Art, Culture and Creative Industries in Africa

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Page 203: Collation of Research on the Impact of Art, Culture and Creative Industries in Africa

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Page 222: Collation of Research on the Impact of Art, Culture and Creative Industries in Africa

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site

Bal

lyn,

Joh

n E

nhan

cing

Mar

ketin

g S

kills

for A

rtis

ts a

nd

Arti

sans

ILO

A

N IT

C c

onfe

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red

for

the

Nat

iona

l W

orks

hop

orga

nise

d by

the

ILO

'E

nter

pris

e D

evel

opm

ent a

nd

Em

ploy

men

t in

the

Cul

tura

l Sec

tor i

n Za

mbi

a; n

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nal a

nd

loca

l str

ateg

ies:

Zam

bia

20

02

arts

and

cra

fts

hard

ht

tp://

ww

w.in

trace

n.or

g/C

reat

iveI

ndus

tries

/con

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o, D

ixon

A

n A

ctio

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sear

ch

on S

mal

l Ent

erpr

ise

Dev

elop

men

t and

Jo

b C

reat

ion

in th

e C

ultu

ral S

ecto

r

ILO

Zam

bia

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02

cros

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ha

rd

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karo

ngo,

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n C

heng

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e st

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of c

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d ne

ighb

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sym

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alaw

i

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Inte

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ual

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ts

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ound

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Art

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C

ou

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ear

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um

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Mus

hing

a, G

loria

Za

mbi

a's

ICT

polic

y fin

ally

laun

ched

Z

amb

ia

2007

IC

T ha

rd

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et/c

ontr

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zam

bia_

s_ic

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licy_

final

ly_l

a.ht

ml

Ow

oo, J

ohn

Dis

burs

emen

t of

dono

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ex

ampl

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m Z

ambi

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Art

eria

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wor

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s V

ol 2

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rs, T

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a, D

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Page 243: Collation of Research on the Impact of Art, Culture and Creative Industries in Africa

Art

eria

l Net

wor

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um

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.S.

Inte

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nd

Dev

elop

men

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icy

in a

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ntry

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ions

For

S

ub S

ahar

an A

frica

n C

ount

ries

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aper

pre

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th

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orks

hop

at

Zim

babw

e In

tern

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nal B

ook

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bab

we

2003

inte

rnet

w

ww

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ritis

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il P

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ncil

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bab

we

2005

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ross

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d

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gwe,

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mon

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sha

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rativ

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gy: 5

0 ye

ars

of

film

mak

ing

in

Zim

babw

e

Priv

ate

in M

edia

, cul

ture

and

so

ciet

y, V

ol 2

7, n

o 1,

83

-99

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bab

we

2005

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m

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ht

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eria

l Net

wor

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CA

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)

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Dat

e Y

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tor

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um

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site

Joffe

, Avr

il &

Nts

hilin

ga-

Kho

sa,

Ros

elin

e &

Wal

ters

, Le

e

Title

: The

Adv

ertis

ing

Indu

stry

’s s

kill

need

s C

omm

issi

onin

g pa

rty: N

tshi

ngila

-K

hosa

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A

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ns

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MA

PP

P-S

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y 20

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vert

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g

soft

Laba

llo, Y

olis

wa

Koy

o

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maz

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ksho

p)

Title

: Fea

sibi

lity

Stu

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f the

Sou

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can

Ani

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sect

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mis

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omm

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ns

S

outh

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ica

Dat

e: M

arch

20

04

2004

an

imat

ion

ha

rd

Nts

hing

ila-K

hosa

, Ros

elin

e Ti

tle: M

ultim

edia

A

nim

atio

n S

ub-

Sec

tor

Com

mis

sion

ing

party

: Nts

hing

ila-

Kho

sa a

nd

Ass

ocia

tes

Ass

ocia

ted

proj

ect:

MA

PP

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S

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lan

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th A

fric

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ate:

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y 20

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2004

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ft

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lyn,

Joh

n E

nhan

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g S

kills

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rtis

ts a

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ILO

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N IT

C c

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Nat

iona

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e D

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tura

l Sec

tor i

n Za

mbi

a; n

atio

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nd

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l str

ateg

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Zam

bia

2-4

Oct

ober

20

02

2002

ar

ts a

nd

cr

afts

hard

ht

tp://

ww

w.in

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cen.

org/

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Page 246: Collation of Research on the Impact of Art, Culture and Creative Industries in Africa

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Page 247: Collation of Research on the Impact of Art, Culture and Creative Industries in Africa

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Mak

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duca

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frica

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labo

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Afri

can

Pub

lishe

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O

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b C

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bia

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ul

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eria

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000

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lm

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arch

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lafri

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20

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Joffe

, A w

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ch in

put

from

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oul S

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ploy

men

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nera

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and

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xpan

sion

in

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ativ

e In

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ries:

th

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se o

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film

, vi

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ry in

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ILO

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nuar

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, Avr

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AJ)

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and

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tor

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mis

sion

ing

party

: MA

PP

P-

SE

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Ass

ocia

ted

proj

ect:

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PP

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ETA

S

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r Ski

lls P

lan

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fric

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y 20

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2004

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lm

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Joffe

, Avr

il an

d M

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V a

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road

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: MA

PP

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SE

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proj

ect:

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lan

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y 20

04

2004

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ilm

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atte

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Asi

an

film

mak

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Art

Mat

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ostin

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gand

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know

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04

film

ha

rd

http

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mat

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Page 270: Collation of Research on the Impact of Art, Culture and Creative Industries in Africa

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NE

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ate

in M

edia

, cul

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ol 2

7, n

o 1,

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e 20

05

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lm

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eria

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07-M

ar

2007

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lm

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ters

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enya

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ake

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atte

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enya

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07

Film

so

ft ht

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lm3.

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Art

Mat

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http

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ww

.art

mat

ters

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eria

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m

Page 272: Collation of Research on the Impact of Art, Culture and Creative Industries in Africa

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CA

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009

P

age

272

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Cul

tura

l Obs

erva

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, Sou

th

Afri

ca

Film

: Ana

lysi

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to m

ake

polic

y de

cisi

ons

Cul

tura

l O

bser

vato

ry, S

outh

A

fric

a

Pre

pare

d by

How

ard

Thom

as a

s pa

rt of

a

broa

der

rese

arch

pr

ojec

t to

deve

lop

an

inte

ract

ive

web

site

on

the

crea

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indu

strie

s in

Sou

th

Afri

ca. N

umer

ous

inpu

ts w

ere

prov

ided

to

stim

ulat

e de

bate

on

the

best

way

to

colle

ct d

ata.

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th A

fric

a ac

cess

ed

23/0

5/07

20

07

Film

ha

rd

http

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ww

.cu

lture

alob

serv

ator

y.or

g.za

/_tv

_ana

.htm

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Mth

ando

, Mar

tin a

nd K

ipej

a,

Laur

ian

The

Tanz

ania

n Fi

lm

Val

ue C

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Stu

dy

Rep

ort

Zanz

ibar

In

tern

atio

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ilm

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Pre

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, Fes

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Dho

w C

ount

ries

Tanz

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-Oct

20

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pd

f ht

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ww

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soko

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Ain

a, Y

etun

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Rei

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Nol

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ood:

the

role

of

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ia in

the

deve

lopm

ent o

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N

iger

ian

Film

In

dust

ry

Priv

ate

Cre

ativ

e C

lust

ers

2008

, Lon

don,

UK

N

iger

ia

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ov

2008

fi

lm

ppt

Ond

ega,

Ogo

va

The

Afri

can

Cin

ema

does

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xist

Th

e P

ower

of

Cul

ture

Web

site

A

frica

A

frica

09

-Feb

20

09

film

ht

ml

http

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ww

.po

wer

ofcu

lture

.nl

/en/

curr

ent/

2009

/febr

uary

/fesp

aco

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k’s

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liogr

aphy

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reat

ive

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nom

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ca

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CA

J, 2

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age

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sAfri

ca F

orum

A

frica

n C

inem

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rans

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ica

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m

Issu

e br

ief

Afri

ca

unkn

own

fi

lm

hard

w

ww

.tran

safri

cafo

rum

.org

Kun

zler

, D

The

Nig

eria

n vi

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stry

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ple

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port

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titut

ion

Nig

eria

un

know

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film

pd

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.suz

.uni

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nd

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nd

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ip

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The

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ip

Mar

ket i

n S

outh

A

frica

Bus

ines

s A

rts

Sou

th A

frica

(B

AS

A),

the

Nat

iona

l Arts

C

ounc

il of

Sou

th

Afr

ica

(NA

C)

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the

Arts

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C

ultu

re T

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outh

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ica

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ct

2001

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Nts

hilin

ga-K

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, Ros

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e an

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ffe, A

vril

Title

: Fun

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for t

he

Cre

ativ

e In

dust

ries;

Fi

lm a

nd E

lect

roni

c M

edia

Com

mis

sion

ing

party

: Nts

hing

ila-

Kho

sa a

nd

Ass

ocia

tes

Ass

ocia

ted

proj

ect:

MA

PP

P-S

ETA

S

ecto

r Ski

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lan

Sou

th A

fric

a D

ate:

Jul

y 20

04

2004

fu

nd

ing

an

d

spo

nso

rsh

ip

soft

Ow

oo, J

ohn

Dis

burs

emen

t of

dono

r fun

ds -

Shi

ning

ex

ampl

e fro

m Z

ambi

a

Art

eria

l Net

wor

k A

rteria

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s V

ol 2

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bia

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ar

2007

fu

nd

ing

an

d

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pdf

http

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Har

riet D

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andr

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Her

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Ald

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Fo

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ore

than

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m

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Jour

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Rev

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O

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e Jo

urna

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R

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Afri

ca

2004

20

04

ICT

so

ft ht

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1092

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on

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ICT

in D

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P

ostn

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2006

20

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Sou

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y 20

05

2005

m

usi

c ha

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Ans

ell,

Gw

en, B

arna

rd, H

elen

an

d B

arna

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ppa

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icro

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usi

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okoa

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2008

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usi

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fric

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ye, J

enny

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que

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ouve

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ica

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ay

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sic

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ye, J

enny

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est A

frica

n H

ip

Hop

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is c

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mer

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frica

n st

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Cor

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, Tus

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sic

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Gos

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The

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Unk

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DR

C

2008

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usi

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s, M

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C

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Com

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amro

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-08

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Dag

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Sch

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ca

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ul

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Kro

mbe

rg, S

teve

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ublis

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SR

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ishi

ng

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