classic tags - barbershop harmony society · informal chord-ringing. the tag allows four singers to...
TRANSCRIPT
Classic TagsClassic Tagsfor men’s voices
Compiled by David WrightAssisted by Jim Bagby, Jim Henry, Kevin Keller, and David Krause
Barbershop tag singing is surely one of the grandest traditions arising from the field of vocal harmony. Atag is a short passage consisting of an arrangement’s ending, or coda, which is taught and sung in sessions ofinformal chord-ringing. The tag allows four singers to quickly blend their voices in a few seconds of blissfulharmony without the burden of learning an entire song.
This manual is an anthology dedicated to the perpetuation of this practice. We have endeavored to chroniclethe tag-singing of today and yesterday by collecting the “classic” tags—those which have become lore by virtue ofhaving been repeated and passed along from harmonizer to harmonizer.
Most of these tags originated within the barbershop community, but a few from neighboring vocal styleshave been embraced by barbershoppers and are therefore included as well. It should be noted that some of the tagscontain chords which are not accepted in a barbershop contest. We have simply recorded the tags the way they areusually sung, with no editorial “corrections”.
An effort was made to determine the origin of each tag, but this proved to be an impossible task. Thesource of many of these little gems seems lost in the murky past, perhaps never to be ascertained. When possiblewe have identified the tag’s arranger and an approximate date of origin; if the tag was popularized by a particularperformer, we have so indicated.
The tags appear in no particular order, and no consistent method was applied in labeling them. (Sometimesthe tag is identified by its first line, sometimes by the song title, sometimes both, sometimes neither.) The indexwhich appears at the end is hopefully thorough enough to enable the user to locate any particular tag. In somecases there exists more than one common version of a tag, in which case we have attempted to select the one whichis most traditional, occasionally notating alternatives using grace notes. Accordingly, we have generally opted forthe popular version even when it differs from the arranger’s original.
Barbershop harmony is typically sung by singers of the same gender; hence a men’s version and a women’sversion have been created. Often the most appropriate interval of transposition between the men’s key and thewomen’s key is a tritone, so a tag written in B-flat for men transposes to E for women. It is not unusual to find menand women singing tags together, and in this case they may choose to “split the difference” in selecting a suitablekey by singing it approximately a minor third above where it is written for men, or a minor third below where it iswritten for women.
Many of these tags contain recognizable portions of copyrighted songs and arrangements. Therefore thismanual may not be sold for profit. Since a tag is not a “performable unit”, the manual may be used for classroom/educational purposes. Barbershop choruses will find the tags useful in warm-ups and as exercises in vowel match-ing, tuning, balance, and vocal production. However, anyone wishing to use this or any copyrighted material inpublic performance must obtain a legally cleared arrangement.
This manual is an ongoing project, to be updated and appended from time to time. The date of the latestrevision appears at the top of page one. Many thanks are due to a number of people who assisted us in trackingdown information. We would appreciate the help of anyone who can provide missing origins and/or dates of thetags in this collection, and we welcome suggestions for tags which should be included in future updates.
I wish to specifically recognize and thank my colleagues Jim Bagby, Jim Henry, Kevin Keller, and DavidKrause for serving as an editorial board for this project.
David [email protected]
PREFACE
i
1. I Love To Sing ’Em p. 12. Lonely For You Am I p. 13. Way Down South (Where The Black-Eyed Susans Grow) p. 14. Danny My Boy p. 25. My Heart Is Free p. 26. Flower From An Old Bouquet p. 27. I’ll Be Seeing You p. 38. Wedding Bells Are Breaking Up p. 39. Lonesome Rose p. 3
10. The Sunshine Of Your Smile p.311. When I Leave The World Behind p. 412. My Dianne p. 413. Smile p. 414. Cry (I’m Sorry I Made You Cry) p. 415. Heart Of A Clown p. 516. Please Don’t Give My Daddy No More Wine p. 517. Oh Lida Rose p. 518. Darkness On The Delta p. 619. Who’ll Take My Place When I’m Gone? p. 620. Sunshine Is Bidding The Day Goodbye p. 621. We’ll Just Be The Same Old Friends p. 622. Nobody’s Waiting There With A Smile (I Hate To Go
Home Alone) p. 723. Foolish Over You (Each Time I Fall In Love) p. 724. Last Night Was The End Of The World p. 725. Back In My Home Town p. 826. Friendship And Love p. 827. Run, Run, Run p. 828. Drink To Me Only With Thine Eyes p. 929. Gone Are The Memories p. 930. Goodbye Forever, It’s Over I Know p. 931. Melancholy Baby p. 1032. Lullabye And Goodnight p. 1033. Sleepy Time Down South p. 1034. Give Me Your Hand To Hold In Mine p. 1035. Don’t Leave Me, Dear Old Mammy p. 1136. Annie Doesn’t Live Here Anymore p. 1137. We’ll Build A Rainbow p. 1138. Roses I Bring To You p. 1239. Snowflakes p. 1240. Who’ll Dry Your Tears When You Cry? p. 1241. So Tired Of Waiting For You p. 1242. Darling, That Someone Is You p. 1343. Ireland, My Ireland p. 1344. Jean p. 1345. Irish Mother p. 1446. Silvery Moonlight p. 1447. Friends p. 1448. Buddy, Can You Spare A Dime p. 1549. All By Myself Alone p. 1550. Back In The Old Routine p. 1551. For Life Is Interwoven p. 1652. Love Letters Straight From Your Heart p. 1653. When I Lost You p. 1654. Autumn Leaves p. 1755. Rhapsody Of New York p. 1756. Lone Prairie p. 1757. Johnny Doughboy Found A Rose p. 1858. I Know We’ll Meet Again p. 5859. Old Bones (I Wanna Do It Again) p. 1860. Through The Years p. 1961. I’m So Alone In A Crowd p. 1962. She Stole My Heart Away (An Old Fashioned Girl In A
Gingham Gown) p. 1963. In Dixieland Where I Was Born (On The Mississippi) p. 1964. The Old Dominion Line p. 20
TABLE OF CONTENTS
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65. Spring Brought Me Flowers p. 2066. New York Ain’t New York Anymore p. 2067. Sonny Boy p. 2168. What Miracle Has Made You The Way You Are (Gigi) p. 2169. To Reach The Unreachable Star (The Impossible Dream) p. 2170. My Old Kentucky Home p. 2171 Their Hearts Were Full Of Spring p. 2272. Bye Oh Bye Oh p. 2273. As Time Goes By p. 2274. Pal Of My Dreams p. 2375 I Close My Eyes (I Heard You Singing) p. 2376. For Me And My Gal p. 2377. Please Don’t Leave Me p. 2378. There’s No Place Like Home p. 2479. Mother’s Boy p. 2480. Don’t Be Blue When Raindrops Come Along p. 2481. Midnight Rose p. 2582. Somewhere p. 2583. Bright Was The Night p. 2584. Where Is The Boy p. 2685. My Love Is Your Love p. 2686. And Left Me Lonely Nights (Happy Days And Lonely
Nights) p. 2687. Where Is Love p. 2788. Now There’s No Time For Toys p. 2789. Over Troubled Waters p. 2790. Foggy London Town p. 2791. Little Pal p. 2892. Ev’ry Time I See You I Cry p. 2893. The Shadow Of Your Smile p. 2994. Show Me Where The Good Times Are p. 2995. Tammy p. 2996. Hush, Little Baby (Summertime) p. 2997. Mickey Mouse p. 3098. Lord, You Made The Night Too Long p. 3099. Baby, You’re The One I Love p. 30
100. Sure, They Called It Ireland p. 31101. Till Love Comes My Way p. 31102. You’re The One Who Made Me Cry p. 31103. I’ll Take Care Of Your Cares p. 32104. Drop Me A Line, Say That You’re Fine (Do You Really
Love Me?) p. 32105. While Sweet Dreams Rest You p. 33106. First You Gotta Have Heart (Heart) p. 33107. Mam’selle p. 33108. Happy Trails p. 34109. Please Don’t Take My Sunshine Away (You Are My
Sunshine) p. 34110. After Today p. 34111. Cheer Up, Charlie p. 34112. Just When I Thought I Was Through p. 35113. No More Hurryin’, Worryin’ (Down Where The South
Begins) p. 35114. To My Beautiful Lifelong Friends (Thanks Again) p. 35115. My Romance p. 35116. Dixie p. 36117. When Nobody Else Wants You p.36118. I Will Sail No More (I Will Go Sailing No More) p. 36119. Tho’ I’m Gone For A Long, Long Time p. 37120. London By Night p. 37121. Where The Southern Roses Grow p. 37122. If Happy Little Bluebirds Fly (Somewhere Over The
Rainbow) p. 38123. The Gang That Sang Heart Of My Heart p.38124. When I Was The Kid Next Door p. 38125. When You’ve Wandered Alone (Just A Cottage Small) p. 38
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1. I Love To Sing ’Em
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I love to sing ’em,
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love those bar -ber - shop,
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2. Lonely For You Am I
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you am
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I
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3. Way Down South (Where The Black-Eyed Susans Grow)
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,
Way down
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,
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w
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south.
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w
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˙ ˙b
˙ ˙∫
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CCC lll aaa sss sss iii ccc TTT aaa ggg sssCompiled by David Wright
Assisted by Jim Bagby, Jim Henry, Kevin Keller, and David Krauselatest revision 7/10/03
for men’s voices
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4. Danny My Boy
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Dan - ny my
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boy,
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boy;
.˙
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Bob BohnSung by the Easternaires, 1955
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my
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boy.
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5. My Heart Is Free
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heart is free, I
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long to be
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way down
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Dave Stevens
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home.
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6. Flower From An Old Bouquet˙ œ œ˙
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There in our
˙ œ œ˙ œ œ
œ œ
œ œœœbœœ
sweet - heart bow - er,
œbœ
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Œ
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you’re just my
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7. I’ll Be Seeing You
Ó
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I’ll be
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look - ing at the
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look - ing at the
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moon,
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look - ing at the
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moon,
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but I’ll be
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moon,
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see - ing
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see - ing
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you.
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8. Wedding Bells Are Breaking Up
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wed - ding bells are
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break - ing up that
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old3
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S. K. Grundy, 1959Sung by the Four PitchikersGrace note version sung by the Gas House Gang, 1993
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gang of
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w
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mine.
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9. Lonesome Roseœ œ œb
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Love will come your
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way,
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lone - - -
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lone - some
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lone,
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some
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lone - some
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rose.
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Ed Waesche, 1985
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10. The Sunshine Of Your Smile
Œ
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Your
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My world for -
Œ
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smile
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ev - er: the
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,
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sun - shine of your
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Bill DiekemaSung by the Confederates, 1956
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smile.
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11. When I Leave The World Behind
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when I leave the
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12. My Diane
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I’m in
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heav -en when I
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see you
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smile,
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smile for
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me,
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13. Smile
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smile is still worth -
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darn ya,
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while, Bobby Gray, Jr., 1985Sung by the New Tradition
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14. Cry (I’m Sorry I Made You Cry)
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Cry,
.˙
Cry
.˙
Cry,
.˙
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,
.˙
œœn œ
,
œœn
œ
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œ
I made you
.˙
œn œ œ
I made you
œœn
œ
Brian Beck, 1983Sung by the Side Street Ramblers
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cry
.˙
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cry
.˙
- 4 -
Attributed to Jim Poindexter
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15. Heart Of A Clown
Ó
œ œ#
Sure, if
Ó
˙#œ#œ
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I had the
˙
œ#œ
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Œ
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heartof a
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Œ
œ œbœ
Œ
Œ
œœœ
I had the
w
clown.
Œ
œœœb
I had the
Œœœœ
Lloyd SteinkampSung by the Western Continentals, 1968
˙bœœ
heart of a
w
˙
œb œ
heart of a
˙œœ
w
clown.
w
w
clown.
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ww
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16. Please Don’t Give My Daddy No More Wine
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Please don’t give my
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j
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J
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dad - dy no morej
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wine, no more
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wine.
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He may be no
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good, but he’s all
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mine, all
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mine, all
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mine.
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mine.
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17. Oh Lida Rose
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My
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Rose
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Oh Li - da
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Rose,
w
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Œ
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won’t you be
Œ
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mine.
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18. Darkness On The Delta≈ Œ
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œn.
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Oh, let me
≈ Œ
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lin- ger in the
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shel - ter of thej
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night.
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Sung by the Bluegrass Student Union, 1978
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19. Who’ll Take My Place When I’m Gone?
˙n œ œ˙
œ
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Who’ll take my
˙ œ œ˙
œ
œ
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j
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J
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place when I’m
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j
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.œ
w
gone,
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.˙
gone,
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gone,
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gone,
w#
gone,
Œ
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gone,
Ó˙
gone,
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gone,
Sung by the Dealer’s Choice, 1973
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gone.
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gone.
Ó˙b
gone.
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gone.
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20. Sunshine Is Bidding The Day Goodbye
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Sun - shine is
œ ˙ œ
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j
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j
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J
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bid - ding the day good -j
œ œ
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J
œ œ
J
œœ œ
wb
w
bye.
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21. We’ll Just Be The Same Old Friends
˙n
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We’ll
˙
˙
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just be the
˙n œ œ
˙ œ œ
.˙ œ
˙œœ
same old
˙œœ
.˙ œ
w
,
friends.
˙
˙
friends, old
œœ
,
˙œœ˙
Carl Dahlke, 1965Sung by the Auto Towners
w
w
friends.
w
w
- 6 -
V
?
b
b
4
4
4
4
22. Nobody’s Waiting There With A Smile (I Hate To Go Home Alone)
˙ œ œ˙
œœ
No - bod - y’s
˙ œ œ
˙ œ œ
œœ˙
œœ˙
wait - ing there
œ# œ ˙
œ œ ˙
˙˙
˙˙
with a
˙ ˙b
˙ ˙
w
w
smile.
w
w
w
V
?
b
b
b
b
b
b
b
b
4
4
4
4
23. Foolish Over You (Each Time I Fall In Love)
Ó
˙
with
Ó
3
œb œ œ
Ó
3
œ œ œ
Fall-ing in
Ó
3
œ œ œw
you
˙b
3
œœbœ
˙
3
œ œ œ
love o - ver a -
˙
3
œ œ œ˙
3
œœbœb
˙
U
˙
˙
"
u
œœb
gain with
˙
U"
˙
˙
u
œbœ
S. K. GrundySung by the Sundowners, 1967
w
you.
˙
"
œœœœ
you, fool-ish o - ver
˙
"
œœœ
œ
w
you.
w
w
you.
w
w
.˙
Œ.˙Œ
.˙Œ
.˙
Œ
V
?
b
b
8
12
8
12
24. Last Night Was The End Of The World
‰
J
œ
My
‰
.œ œ
j
œ.œ œ
j
œ
.œ œ
J
œ .œ# œ
J
œ
dream is o’er, to
.œ œ
j
œ.œ œ
j
œ.œ œ
J
œ.œ œ
J
œ
.œ .œ
.œ œ ‰
.œ .œ
.œ œ
J
œ
live no more.Last
.œ .œ
.œ œ
j
œ œb
‰
(no more)
.œ#.œ
.œ œ
‰
Œ..œ
.œ#
j
œ
j
œ#
j
œ
.˙ .œ
J
œ
J
œn
J
œ
nightwas the
Œ.
.œ
.œ
j
œ
j
œ#
j
œ
Last night
Œ..œ
.œ
J
œ
J
œ#
J
œ
V
?
b
b
.œN
.œ.œ
j
œ
‰
j
œb
.œ
.œ.œ
J
œ
‰J
œ
end, the
.˙n .œ
j
œ
‰
j
œ.œ.œ .œ
J
œ ‰
J
œb
.œ.œ.œ œ
‰j
œ
.˙ .œ œ
J
œ
end ofthe
.œA.œ.œ œ
‰
j
œb
.œ
.œ.œ œ
‰ J
œb
Bob BrockSung by the Four Renegades, 1962
Œ.
.œ.œ.œ
end of the
.w
world.
Œ.
.œN .œ .œb
end of the
Œ.
.œ.œ.œ
.w
world.
.w
.w
world.
.w
- 7 -
V
?
b
b
b
b
4
4
4
4
25. Back In My Home Town
œœœœ
œœœœ
Back in my
œœ˙œ
œœ œb
˙˙b
U
˙˙
,u
home
.˙œb
,U
˙˙
u
w˙b
˙
town
˙b ˙n
˙b˙
Val Hicks, 1962Sung by the Dapper Dans of Disneyland
w
wN
w
w
V
?
b
b
b
b
b
b
8
6
8
6
26. Friendship And Love
‰
œ œ
To the
‰
œ œ
To the
Œ.
j
œ
j
œ
j
œ
Friend - ship and
.˙
end
Œ.
j
œ
j
œ
j
œb
Friend - ship and
.˙
end,
.œb œ œ œ
love to the
.˙
.œb
œ œ œ
love to the
.œ œ œ œ
love to the
Don Clause, 1985Sung by the Happiness Emporium
.˙
end
.˙
.˙
end
.˙
end.
.˙
.˙
.˙
.˙
V
?
#
#
4
4
4
4
27. Run, Run, Run
w
Run
œ œ œ œ œ œ
Run to the cit - y of
œ œ œ œ œ œœ œ œ œ œ œ
w˙ œ œ œ œ
ref - uge, you bet - ter
˙b œ œ œ œ
˙ œ œ œ œ
˙
j
œ .œ
˙ ˙
run, run,
˙N˙
˙˙
.˙
Œ
.˙
Œ
run.
.˙Œ
w
run.
V
?
#
#
œ œ œœn œ œ
œ œ œ œ œ œ
Run to the cit - y of
œ œ œ œ œ œw
˙ œ œ œb œ˙ œ œ œ œ
ref - uge, you bet - ter
˙b œ œœ œ
w
˙œ œ#
˙
,
˙
run, run,
˙
,
˙
w
Bob Dowma, 1975Sung by the Happiness Emporium
ww
run.
w
w
- 8 -
V
?
b
b
4
3
4
3
28. Drink To Me Only With Thine Eyes
œ œ œœ œ œ
Drink to me
œ œ œœ œ œ
œœœ
˙ œ
on - ly
˙ œ˙ œ
Œ
œ œ
Œœ œ
with thine
Œ œ œ
˙ œ
with
œœœ
˙ œb
eyes, and
˙# œn
˙n œb
œ œ œ
œ œ œ
I will not
œ œœb
œb œ œ
John Hill, 1955
˙œ
˙n œb
ask for
˙ œb
˙ œb
Sung by the Buffalo Bills
.˙
.˙
wine.
.˙
.˙
.˙
.˙
.˙
.˙
V
?
4
4
4
4
29. Gone Are The Memories
˙ œ œ˙œ œb
Gone are the
˙ œ œ
˙ œ œ
œœœ œ
mem - o - ries
˙ œb œ
mem - ’ries of
˙œ œ
˙ œ œ
œ œ œ œbœœœ œ
all those gol - den
œ œ#œ# œ
œœœ œb
œ
œœ
Œ
gol - den days
.˙ Œ
days
œNœœ Œ
gol - den days
.˙
Œ
days
œ œ œ
œ
œœœœ
that have gone
œ œ œ œb
œœœœb
w
w
bye.
w
w
V
?
#
#
4
3
4
3
30. Goodbye Forever, It’s Over I Know
œ œ œ
œ œ œ
Good -bye for -
œ œ œœ œ œ
œ œ œ
œ œ œ
ev - er, it’s
œ œ œ
œn œ œ
œ œ œ
œœœ
o - ver I
œœœ
œ œ œ
.˙
.˙
know.
.˙
.˙b
œ œ œ
œ œœ
Love’s warm sweet
œ œ œ
œ œ œ
œ œ œœ œ œ
weath- er has
œb œ œ
œb œ œ
œ œ œœb œ œ
turned in - to
œ œ œ
œ œ œ
V
?
#
#
˙
U
œ
˙
,u
œ
snow. The
œœn
,
U
œ
˙b
u
œ
œœœ
œ# œ œ
love - li - est
œœœ
œ œ œ
œœœ
œ# œ œ
time of the
œœœ
œ œ œ
.˙
.˙
year
.˙
.˙
.˙
.˙b
has
.˙
.˙n
.˙
.˙
gone.
.˙
.˙
.˙
.˙
.˙
.˙
Bill Busby
.˙
.˙
.˙
.˙
.˙
.˙
.˙
.˙
- 9 -
Joe Sullivan, 1962Popular version
V
?
4
4
4
4
31. Melancholy Baby
Œ
œ
Or
Œ
œ# œ œ œœœœœ
else I shall be
œ œœœ
œ œ
œ œ
œœœ œ
œ œ œœ
mel - an chol y
œ œ œ œbœœœ œb
.˙œ#
w
too.
Œ œNœœ#œ
mel - an - chol - y
.˙
œ
too.
Sung by the Playtonics, mid 1950s
ww
w
too.
w
V
?
4
3
4
3
32. Lullaby And Goodnight
œ œœ œ
Lul - la -
œ œœ œ
˙œ œ
œœœœ
by and good -
˙ œ œ
˙ œ œ
˙ œ
U
˙
, 3
œ
u
œ
u
œ
u
night, good -
˙b
,
œ
U
˙b
3
œ
u
J
œb
u
œœœ
˙œ
night.
œœœ
.˙
Joe Sullivan, late 1970s
.˙
.˙
.˙
.˙
V
?
4
4
4
4
33. Sleepy Time Down South
œœ
œœ
When it’s
œœ
œœ
œ œ œœ
U
œ œ ˙
u
sleep - y time
œ œ ˙
U
œœ˙#
u
˙b˙
w
down
˙ ˙bwN
wNw
south.
w
w
˙
Ó˙
Ó
˙
Ó˙
Ó
V
?
b
b
4
3
4
3
34. Give Me Your Hand To Hold In Mine
œ œ œœ œ œ
Give me your
œ œ œ
œ
œ
œ
˙# œ˙ œ
hand to
˙ œ˙ œ
˙ œ
˙ œ
hold in
˙ œ˙ œ
˙b œ
˙ œ
mine, and
˙
˙
œ
˙ œ
˙ œ
˙ œ
I will
œœœ
œœœ
œ œ œ
œœœ
give you my
œœœ
œ œ œ
.˙
heart.
œœ
,
œ#
heart, my
œbœ
,
œn
.˙b
heart.
Lou Perry, early 1980s
.˙
.˙
heart.
.˙
.˙
- 10 -
V
?
4
4
4
4
35. Don’t Leave Me, Dear Old Mammy
œ
œ
So
œ
œ
˙œ œ
˙œœ
don’t leave me,
˙œ œ
˙
œ
œ
œœ#œ#œ
œœœœ
dear old mam -my,
œ œœœ
œœœ
œ
˙#˙
˙˙
I need
˙˙
˙˙
˙
j
œ .œ
˙J
œ .œ
,
you, mam- my,
˙
j
œ#.œ
,
˙
J
œ
.œ
˙bœœ˙˙
I need
˙N˙b
˙œœ
Lloyd SteinkampSung by Most Happy Fellows, 1977
ww
you.
w
w
.˙
Œ.˙Œ
.˙
Œ.˙Œ
V
?
#
#
4
4
4
4
36. Annie Doesn’t Live Here Anymore
œ œ œœ
œ œ œ
œ
An - nie’s gone a -
œ œœ
œ
œ œ œ œ
˙˙
w
way,
˙˙b
˙ ˙b
œœnœœ
œ
œœ#œ
what more can I
œ
œœ#œ
œ œœœ
˙aœ#
Œ
.˙
Œ
say?
˙œ
Œ˙
œŒ
V
?
#
#
œN œœœ
œ œœœ
An - nie does - n’t
œ# œ œ œ
œ œ
œ œ
œœb œn œb
œbœ œ
œ
live here an - y -
œ# œ œn
œœb
œbœœ
ww
more.
w
w
Burt Szabo, 1982
.˙
Œ
.˙
Œ
.˙
Œ
.˙
Œ
V
?
b
b
4
4
4
4
37. We’ll Build A Rainbow
˙ œ œ
˙œ
œ
We’ll build a
˙œ
œ
˙ œ œb
˙˙
˙
˙
,
rain - bow
˙˙n
,
˙
˙
˙ ˙#˙ ˙
in the
˙A ˙n
˙ ˙b
Earl Moon, early 1970s
ww
sky.
w
w
- 11 -
V
?
b
b
4
3
4
3
38. Roses I Bring To You
œœœ
œ œœ
Sweet-heart I
œœœ
œœ#œ
˙
œ
to
.˙
bring,
.˙
.˙
.˙
you.
∑
∑
.˙
œ˙n
ros - es;
œ˙#
œ˙b
.˙
œœ
u
œ
Ros - es I
œ œb
U
œ
œœ
u
œ
Bob Bohn, 1969Sung by the Easternaires
.˙
˙nœb
bring to
˙
œ
˙œ
.˙
.˙
you.
.˙
.˙
.˙
.˙
.˙
.˙
V
?
b
b
4
4
4
4
39. Snowflakes.œ
j
œ œ œ.œ
J
œœœ
From the dark and
.œ
j
œ œœb
.œ
J
œ œ œ
œœœ
Œ
œœœŒ
drear - y skies
œ œœ#
Œœ œ
œŒ
œœœbœ
œ œ œœ
love - ly snow - flakes
œ#œœ œb
œb
œœb
œ
Willie Randel
.˙
Œ
.˙
Œ
fall
.˙
Œ.˙
Œ
V
?
4
3
4
3
40. Who’ll Dry Your Tears When You Cry?
œ œœœ
œ œ#
Who’ll dry your
œœœb
œ œœ
˙œœ
˙
œœ
tears when you
˙œ œ
˙
œ
œ
.˙b
.˙
cry?
Œœœbœb
Who’ll dry your
.˙b
cry?
.˙
.˙
.œb
j
œ œ#
tears when you
.˙
.˙N
.˙
.˙
cry?
.˙
.˙
.˙
.˙
.˙
Burt Szabo, 1978
V
?
#
#
4
4
4
4
41. So Tired Of Waiting For You
œœ
œ
œ œ œ#
So tired of
œœn
œœ
œœ
œ˙
œ
œ ˙#œ
wait - ing for
œ ˙œbœ
˙œ
Sung by the Cracker Jills, 1957Renee Craig
w
w
you.
w
w
w
w
w
w
- 12 -
V
?
b
b
b
b
4
3
4
3
42. Darling, That Someone Is You
œœœ
œœœ
My heart is
œœœ
œœœ
œœbœ
œbœœ
long - ing for
œœbœ
œœbœ
œœœ
œ
œ
œ
some - one to
œ
œ
œ
œœ œb
œœn
U
œ
œn
œ
u
"
œ#
cling to, and
œ œ
U"
œ
œ
œ
u
œb
.˙.˙
dar - - - -
.˙
.˙
.˙.˙
.˙.˙b
.˙ .˙
ling,
.˙n
.˙
V
?
b
b
b
b
œ
Œ
œœ
Œ
œn
that
œ
Œ
œb
œ Œ œb
.˙
.˙A
some - - -
œ
œœ
dar - ling, that
.˙
some - - -
œœ
Œ
œ
œŒ
one,
œ œŒ
some- one,
œ
œ‰J
œ
one is
œœœ
œ
œ
œ
dar - ling, that
œb œ œ
.˙
you.
œœœ
œ
œ
œ
some- one is
œ œ œb
.˙
Joe Liles, 1983Sung by the Side Street Ramblers
.˙.˙
you.
.˙
.˙
œÓœ Ó
œÓ
œÓ
V
?
#
#
4
3
4
3
43. Ireland, My Ireland
œ.œ
j
œ
œ
.œ
J
œ
Ire - land, my
œ.œ
j
œ#
œ .œ
J
œ
œ œœ
œ œb œn
Ire - land, I’m
œœ œ#
œœ œ#
œ œœ
œœ# œn
long - ing for
œ
œœ
œ
œ
œ
œ
.˙
.˙
you.
.˙
.˙
Burt Szabo, 1978
V
?
b
b
b
b
4
3
4
3
44. Jean
œœ
Come
œœ
œ œœb
œœ
œb
in - to my
œ
œ
œ
œœ œb
˙N œœ
˙ œ œ
arms, bon - nie
˙ œœ
˙ œ œ
Sung by the SuntonesGene Cokeroft, 1970
˙bœbœ
Jean, bon - nie
.˙b
Jean.
˙œbœb
Jean, bon - nie
.˙b
Jean.
˙
Œ
Jean.
˙Œ
˙Œ
Jean.
˙Œ
- 13 -
V
?
b
b
b
b
4
3
4
3
45. Irish Mother
œ
œn
That
œ
œ
œn œ œ
œAœœ
old I - rish
œœ œ
œ œ œ
˙ œ
U
˙œ
"
u
moth - er,
˙ œ
"U
˙œ
u
œœœ
œ œ œ
sweet I - rish
œœb œ
œœœ
˙œ
U
˙ œ
"u
moth - er,
˙ œ
"U
˙œ
u
.˙
.˙
of
.˙b
.˙b
.˙.˙
.˙n
.˙
.˙
.˙
mine.
.˙
.˙
Greg Backwell, 1959Sung by the Nighthawks
˙
Œ˙Œ
˙Œ
˙Œ
V
?
b
b
4
3
4
3
46. Silvery Moonlight
œœœ
Sil - ver - y
.˙
Moon -
œœœ
.˙
œœœ
moon- light and
˙ œ
light and
˙bœ
˙b œ
.˙
star - - -
œœ œb
star - -
œœœb
˙ œb
œœœ
light, and
˙ œb
light, and
˙œ
˙ œ
.˙
you.
œœ
œ
all I can
œ œ œ
œœœ
.˙
˙n œb
see is
˙ œb
˙ œb
.˙
.˙
you.
.˙
.˙
.˙
.˙
.˙
.˙
V
?
b
b
b
b
4
4
4
4
47. Friends
Ó
œœ
That a
ÓÓ
œ œ œ œbœ œ
œœ
life - time’s not too
œ œ œœ
œ œœœ
.œ
j
œ
œœ
long, it’s not too
w
long
˙˙
long,
.œ
J
œœœ
long, it’s not too
w
long
w
˙œœ
not too
w
long
V
?
b
b
b
b
œ
‰
j
œ .œ
j
œ
œ
‰
J
œ
.œ
J
œ
to live as
œ
‰
j
œ.œ
j
œ
long
œ‰
J
œ .œ
J
œ
w
friends,
w
friends.
w
friends,
w
friends.
œ‰
j
œœœ
to live as
w
œ‰
j
œœœ
to live as
w
David Wright, 1987Sung by Ambiance
w
friends.
w
w
friends.
w
ww
w
w
- 14 -
V
?
b
b
b
b
b
b
4
4
4
4
48. Buddy, Can You Spare A Dime
œ œœ œ
œœ
œœœœœœ
,
Say, don’t you re - mem - ber,
œ œ œ œœn œ
,
œ œ œ œœ œ
œœn˙
œœ ˙b
I’m your pal.
œœ ˙
œ
œ˙
Greg Backwell 1959Sung by the Nighthawks
œœ œ œ
œnœ
œœ
,
œœœ œ
Bud - dy, can you spare a
œœ
,
œnœœœ
œœ œ œ
œ œ
w
wn
dime?
w
w
V
?
4
3
4
3
49. All By Myself Alone
œœ œ
œœ
œ
All by my -
œœ
œbœ
œbœb
˙œ
˙œ
self, a - -
˙Nœ
˙ œ
.˙
.˙
lone.
.˙
.˙
˙
Œ˙
Œ
˙
Œ˙
Œ
V
?
4
4
4
4
50. Back In The Old Routine
Œ
œ
œ
Rou - tine
ŒŒ
‰.
j˚
œ .œœ
j
œ.œ
I’d love to be there,
w
‰.
j˚
œ .œœ
j
œb .œ
I'd love to be there,
‰.
J
œ .œœ
J
œ.œ
œ.œ œ
j
œb .œ
just you and me there,
w
œ.œ œ
j
œb.œ
just you and me there,
œ.œ
œ
J
œb .œ
V
?
Œ
œN œ œb
Œœ œ œ
back in those
Œ
œ œœb
˙N œ œb
back
j
œ.œ
j
œ
.œb
J
œ.œ
J
œ.œ
good old vaude - ville
j
œN
.œ
j
œ
.œ
J
œ.œ
J
œ
.œ
Greg Backwell, 1961Sung by the Nighthawks
Œœ
j
œb .œ
those good old
w
days.
Œ
œb
j
œ.œb
those good old
Œœ
J
œb .œ
w
days.
w
w
days.
w
- 15 -
Rex Reeve, 1959Sung by the Playtonics
V
?
b
b
4
4
4
4
51. For Life Is Interwoven
Œ
œ
For
ŒŒ
œ œœ# œ
œ œœ œ
life is in - ter -
œ œœ œœ œ
œ œ
˙œœ œ
˙œ œ œ
wo - ven with the
œœ œb œ œ
˙
œ œ œ
œ œœœ
œœ
œœ
friends we used to
œ œ œb œ
œ œ œ œ
Mo Rector, 1966
.˙
Œ.˙Œ
know.
.˙
.˙
Œ
.˙
Œ
V
?
#
#
#
#
#
#
4
4
4
4
52. Love Letters Straight From Your Heart
˙ œ œ
˙ œ œ
Love let - ters
˙ œ œ
˙ œ œ
˙œœ
˙œœ
straight from your
˙ œ œ˙
˙
œ œ
w
heart,
w
heart,
˙œœ
love let - ters
w
heart.
˙œœ
from your
w
˙nœœ
straight from your
w
w
heart.
œœœœ
love - ly let - ters
w
heart,
w
w
˙ ˙#
from your
˙ ˙n
your
w
w
w
heart.
w
heart.
w
Fred King, 1981Sung by the Pros And Cons
w
w
w
w
V
?
#
#
#
#
4
3
4
3
53. When I Lost You
œ# œ œ
œœœ
I lost the
œœ
œ
œ œ œ
œ#.œ
j
œœn .œ
,J
œ
glad- ness that
œ.œ
,j
œœ.œ
J
œ
˙N œ
œ#
˙#œœ
turned in - to
˙œ#œ
˙
œ œ
œ# .œ
j
œ
œ.œ
,
J
œ
sad - ness when
œ .œ
,j
œœ .œ
J
œ#
œ ˙b.˙
I
.˙
œN˙
œ˙
œ
˙
lost
.˙œ
˙
V
?
#
#
#
#
˙ œnœ.
˙
you,
˙nœ œb
˙œ# œn
˙
U
œ˙
u
œ
,
when
œœ#
,U
œ
œœ
u
œ
˙œ˙œb
I
˙Nœ
.˙b
.˙.˙b
lost
œn˙
.˙
Nancy Bergman, 1992
.˙
you.
Óœb
lost
Ӝ
Ó
œ
œ
U
Ӝ
u
Ó
you.
œ
U
Ӝ
u
Ó
- 16 -
V
?
#
#
#
#
#
#
4
4
4
4
54. Autumn Leaves
˙̇
When
˙̇
œœ˙
œœ˙
au - tumn leaves
œ œ ˙œœ˙
œœ# .œ
j
œ
œœ.œ
J
œ
be - gin to
œœ.œ
j
œ
œœ
.œn
J
œ#
w
fall.
Œ
œœœ
when au - tumn
Œ
œœœ
Œœœœœ
wœœ .œ
J
œ
leaves be - gin to
œœœ .œ
j
œœœ .œ
J
œ
Renee Craig, circa 1960Sung by the Cracker Jills
w
w#
fall.
w
w
˙
Ó˙Ó
˙Ó
˙
Ó
V
?
#
#
#
#
4
4
4
4
55. Rhapsody Of New York
‰
j
œ œ œ.œ œ œ
‰
J
œœœ.œn œ œ
It plays a rhap - so -dy,
‰
j
œ œ œ.œ œ œ
˙ œ ‰.
J
œ
town New
‰
j
œ œ œœœœ œ
‰
J
œœœœnœœœ
It pounds the heart - beat of New
‰
j
œ œ œœœœ œ
w
York
w
w
York.
w
w
David Wright, 1988Sung by Ambiance
w
w
w
w
V
?
b
b
4
4
4
4
56. Lone Prairie
œœ
œ
œ œ œ
And when I
œ œœ
œœ
œ
w
w
die
w
w
œœ œ
œœœœ œ œ œœ
you can bur - y
œ œ œ œ œ
œ œ œ œ œ
w
w
me
w
w
V
?
b
b
œ
œ œœœ
œ
,
œ œ œ œ
’neath the west - ern
œ
,
œ œ œœ
œ
œ œœœ
w
˙˙#
sky,
˙˙
˙˙
œœœœ œ
œn œ œœn œb
on the lone prai -
œb œ œœ œb
œb œ œœ œb
w
w
rie.
w
w
Norman Luboff, 1966Sung by the Norman Luboff Choir
œ
Œ ÓœŒ Ó
œŒ Ó
œ
Œ Ó
- 17 -
V
?
b
b
b
b
4
4
4
4
57. Johnny Doughboy Found A Rose
œ œ
œœ
John -ny
œ œ
œ
œ
j
œ.œ.œ#
j
œ
J
œ .œ .œn
J
œ
Dough -boy found aj
œ .œ.œ
j
œ
J
œ.œ.œ
J
œ
œ
œœbœ#
.˙
œ
rose in
œbœœœn
.˙
œ
w
w
Ire - - -
˙˙
˙˙b
.˙ œ
.˙
,
œ
land, in
.˙n
,
œ
.˙ œ
w
˙ ˙b
Ire -
˙A˙
˙˙
w
w
land.
w
w
V
?
b
b
4
4
4
4
58. I Know We’ll Meet Again
œœ
I
œœ
œœœœ
œœœ œ
know we’ll meet a -
œœœ œœ
œœœ
.˙ œ
some -
.˙
Œ
gain
.˙
Œ.˙Œ
w
day.
Óœ œ
meet a -
Ó
œ œb
Óœœb
w
˙˙b
gain some -
˙b ˙n
˙b˙b
w
w
day.
ww
.˙
Œ.˙
Œ
.˙
Œ
.˙
Œ
V
?
b
b
b
b
4
4
4
4
59. Old Bones (I Wanna Do It Again)
.œ œ.œ œ
Just to
.œ œ.œ œ
˙ .œ
j
œ
˙ .œ
J
œ
turn back the
˙.œ
j
œ
˙ .œ
J
œ
œb œ œ œ .œ
j
œ
œœœœ .œ
J
œ
pag-es of time and
œœœ œ .œ
j
œ
œ œ œ œ .œ
J
œ
j
œœ
j
œ œœœ
J
œœ
J
œ œœ
œ
let my life be-gin,j
œœ
j
œ œ œœn
J
œœ
J
œb œ œœ
˙
Ó
˙
Ó
˙Ó
˙ Œ
œ
Oh,
Ó
˙n
Oh,
Ó˙
Oh,
Ó˙
Oh,
w
yeah,
.˙A œœ
yeah, a-gain,
œ œœœœœœœ
yeah, I wan-na do it a-gain,
.˙ œ œb
yeah, a-gain,
.˙ œ
œ
V
?
b
b
b
b
.˙
œbœ
a-gain,
œœœœœœœœ
I wan-na do it a-gain,
.˙
œœ
a-gain,
.˙ œ
œ
a-gain,
.˙ œ œ
a-gain,
.˙ œ œ
a-gain,
œœœœœœœœ
I wan-na do it a-gain,
.˙ œœ
a-gain,
œœœœœœœœ
I wan-na do it a-gain,
.˙ œœ
a-gain.
.˙ œ
œ
.˙ œœ
.˙ œ œ
a-gain,
œœ œ œ
œn œ œbœ
I wan-na do it a-gain,
œ
œ œ œœ# œ œn
œ
œ
œb œ œœ œ œb
œ
Val Hicks, 1982
œœœ ˙
a-gain!
œœ#œ ˙
a-gain!
œœnœ ˙
œœœ ˙
- 18 -
Lee Plaskoff, 1996
V
?
b
b
b
b
4
4
4
4
60. Through The Years
Œœœœ
Œœ
œ œœ
œ œb
I’ll come to
Œ œ
œ œœœ
Œ œ œ œb
˙
Œ
œ œ
˙
Œ
œ œ
you smil - ing
˙
Œ
œ œ
˙Œœ œ
.˙
œ
œœœb œn
through the
œ ˙b œœœbœœb
w
˙˙
years.
w
w
Gene Puerling, 1954Sung by the Hi-Lo’s
w
w
w
w
V
?
b
b
b
b
4
3
4
3
61. I’m So Alone With The Crowd
Œ
œ
Old
ŒŒ
œ œ œ
œœœ
friends seem to
œ œ œ
œ œ œ
˙bŒ
˙ œœ
be to- tal
˙Œ
˙b
Œ
œ œ œ
œœœ
strang- ers to
œ œ œ
œ œ œ
˙ œ
˙ œ
me, for
˙n œ
˙ œ
œœœ
œ œ œ
I’m so a -
œA œ œ
œœœ
œbœ
3
œœœ
œ
,
œ
3
œb œn œb
lone with the
œ
,
œ
3
œœœ
œœœ
.˙
.˙
crowd.
.˙
.˙
Rex Reeve, 1952
V
?
#
#
4
4
4
4
62. She Stole My Heart Away (An Old Fashioned Girl In A Gingham Gown)
œœ
œœ
In a
œœ
œœ
˙ œœn
˙ œœ
ging - ham
˙ œœ
˙ œ
œ
˙
Œ
œ˙Œœ
gownshe
˙#
Œ
œ
she
˙Œœ
she
.˙ œb
.˙ œ
stole
œ œ
œœ
stole, she stolemy
.˙ œ
stole my
˙Œœ
a -
˙Œœ
a -
˙Œœ
heart
˙
Œ
œ
heart a -
w
way.
˙ ˙
way, a -
Earl MoonPopular version
˙ ˙b
w
way.
w
w
way.
w
w
V
?
b
b
b
b
b
b
4
4
4
4
63. In Dixieland Where I Was Born (On The Mississippi)
œ
In
œ
œœ
œœœœ
Dix - ie - land where
œœœœ
œœœœ
œœœœ
˙˙
I was
˙ ˙
˙ ˙b˙ ˙
w
born.
w
w
w
ww
w
w
Burt Szabo, 1980
- 19 -
V
?
b
b
4
4
4
4
64. The Old Dominion Line
œ œœ œ
Lis - ten to the
œ œœ œ
œ œ œ œœ œ œ œ
œ œ
œ œ
whis - tle blow - in’
œ œ œ œ
œ œ œ œœ œ œ œ
œ œ œ œ
ev - ’ry - thing is
œ œœ œ
œ œ œ# œ
œ œœ œ
w
fine.
w#
˙˙
w
V
?
b
b
œ œœ# œ
Ev - ’ry - one is
œN œœ œ
œ œ œ œœ œ œn œ
œ œœ œn
sail - in’ on the
œœœœ
œ œ œœb
œ œœ œ#
˙ ˙b
old Do -
˙ ˙
˙ ˙#˙ ˙b
œ .˙
min - ion
œ.˙
œ .˙b
œ .˙b
Earl MoonSung by the Sidewinders
w
Line.
w
w
w
V
?
b
b
4
4
4
4
65. Spring Brought Me Flowers
˙ œ œ
˙ œ œ
Spring brought me
˙ œ œ
˙œœ
˙˙
˙ ˙
flow - ers,
˙˙
˙˙b
˙ œ œ˙bœb œ
you brought me
˙œ œ
˙œ œ
w
love.
˙˙
love, sweet
˙
˙
w
love.
Lee Plaskoff, mid 1990s
w
w
love.
w
w
V
?
b
b
b
b
4
3
4
3
66. New York Ain’t New York Anymore
œ œ#œœ
an - y -
œ œœœ
˙œb
.˙
more,
.˙
˙œ
˙ œb
˙œ
New
˙bœ
˙n œb
œœœ
œœœ
York ain’t New
œœ œb
.˙
York
œ
U
œœ
œ
,u
œœ
York an - y -
œ
,
U
œ œb
œ
u
œn œb
.˙
.˙
more.
.˙
.˙
Jay Giallombardo, 1978
.˙
.˙
.˙
.˙
- 20 -
V
?
b
b
4
4
4
4
67. Sonny Boy
œœœ
œœœ
I love you
œ œœ
œ œ œ
.˙œ œ
.˙ œ
œ
so, son - ny
.˙nœ œb
.˙
œ œb
œ.˙œœbœ œb
boy,
œœœœ
œ
œ˙
œœb œn
œœ œb
œ œ
son - - ny
.˙
œb
œ œbœ œb
w
w
boy.
w
w
V
?
b
b
b
b
b
b
4
4
4
4
68. What Miracle Has Made You The Way You Are (Gigi)
œœ
œœ
Oh, what
œ œ
œ œb
œ œ œ œœœœœn
mir - a - cle has
œ œ œ œ
œ
œœbœ
œœœœ œ
œAœœ# œn œ
œ
made you the way you
œbœœn œb
œ
œbœœn œb
œ
.˙ œ
are,
‰J
œ œ œ œ œ
what mir - a-cle has
‰
j
œ œ œœœ
‰J
œ œ œœœ
œ#œ
œ œ#
œœ
"
œœ
made you what you
œ œn
"
œb œœb
œœ
œA
Bob BohnSung by the Easternaires
w
w
are.
w
w
V
?
#
#
#
#
#
#
8
6
8
6
69. To Reach The Unreachable Star (The Impossible Dream)
j
œ
J
œ
To
j
œ
J
œ
.œ .œ .œ#
.œ .œ
reach
.œ
.œ
.œ.œ
j
œ
U
j
œ
j
œ
j
œ
j
œ
j
œ
J
œ
uJ
œ
J
œ
J
œ
J
œ
J
œ
the un - reach - a - ble
j
œ
Uj
œ
j
œ
j
œ
j
œ
j
œ
J
œ
u
J
œ
J
œ
J
œ
J
œ
J
œ
.œ
.œ
.œ.œn
star.
.œ
.œn
.œ
.œn
Burt Staffen, 1970
.œ
.œ
.œ
.œ
.œ.œ
.œ
.œ
V
?
b
b
4
4
4
4
70. My Old Kentucky Home
œ œb
œœ
For my
Ó
.œ
j
œ
œœ
.œ
J
œ
œœ
old Ken- tuck - y
.œ
j
œ
œ œ#
.œ
J
œ
œœ
˙.œ
j
œ
a -
˙.œ
J
œ
home fara -
˙n .œb
j
œ
a -
˙
.œ
J
œ
˙b.œ
j
œ
way, far a -
w
way.
˙b.œ
j
œ
way, far a -
˙b.œb
J
œ
Doug Harrington, 1990Sung by Second Edition
w
way.
w
w
way.
w
- 21 -
V
?
b
b
b
b
4
4
4
4
71. Their Hearts Were Full Of Spring
œœ
For their
Œ
ŒŒ
w˙œ# œn
hearts
˙œ œb
˙œn œb
.˙
œ.˙n œb
were
.˙œ
.˙
œ
.˙
œ
˙œ
,
œ
full of
˙œ
,
œ˙
œ
œ
wœœœœœœœœœ
spring.
œœœœœœœœœ
w
Sung by the Four Freshmen
w
w
ww
V
?
b
b
b
b
b
b
b
b
4
4
4
4
72. Bye Oh Bye Oh
œ œ œ œ œ œ œ
Bye oh bye oh bye oh
œ œ œ œ œ œ œ
œ œ œ œ œ œ œ
œ œ œ œ œ œ œ
œ œ œ œ œ œ œ
bye oh bye oh bye oh
œ œ œ œ œ œ œ
œb œ œ œ œ œ œœ œ œ œ œ œ œ
œ œ œ œ œ œ œ
bye oh bye oh bye oh
œ œ œ œ œ œ œ
œ œ œ œ œ œ œœ œ œ œ œ œ œ
V
?
b
b
b
b
b
b
b
b
.˙n
Œ
bye.
.˙n Œ
.˙
Œ
.˙b
Œ
˙˙b
Good - bye
˙˙∫
˙ ˙
˙˙b
j
œN.œ
U
œœœœ
Dix - ie, Dix - ie good -bye,
J
œ.œ
u
œ œ œœ
j
œ .œ
U
œ œ œœ
J
œ.œ
u
œœœ
œ
good -bye.
˙˙n
good -
˙˙
˙˙
w
Gene Morford, circa 1960
w
bye.
w
w
w
V
?
#
#
#
#
4
4
4
4
73. As Time Goes By
œ
Œ
The
ŒŒ
œ œ œ œœnœœ œ œ œ œœn
world will al - ways wel - come
œ# œ œ œ œ œ
œ œ œ œ œb œ
˙ œ
U
œ
œœ œ#
u
œ
lov - ers as
˙ œ
U
œ
˙œ
u
œ
˙ œœ
˙Nœœ#
time goes
˙nœœ
˙bœœ
Walter Latzko, late 1950sSung by the Buffalo Bills
w
w
bye.
w
w
- 22 -
V
?
b
b
4
3
4
3
74. Pal Of My DreamsÓ.
œœœ
Oh how I
Ó.Ó.
.˙
.˙
miss
.˙.˙
.˙#
.˙
you,
.˙
.˙#
.˙
pal
œœœ
pal of my
œœœ
.˙
pal,
.˙
dreams
œœœ
pal of my,
.˙
dreams.
œœœ
pal of my
œœœ
pal of my
œœœ
pal of my
.˙
.˙
dreams.
Kirk Roose, late 1970s
.˙
dreams.
.˙
dreams.
.˙
.˙
V
?
4
4
4
4
75. I Close My Eyes (I Heard You Singing)
ŒŒ
œ
my
Œ
œœœ
Œœœœ
doo doo doo
Œœ œ œ
w
eyes
.œœœœœ.œ
œœœœ
doo doo doo doo doo
.œ œ œ œ œ
w
.œœœœœ
.œœœœœ
doo doo doo doo I
.œb œ œ œ œ
w
˙˙
˙
˙
close my
˙ ˙b
w
Jay Giallombardo, 1971Sung by Grandma's Boys
w
w
eyes.
w
w
V
?
#
#
4
4
4
4
76. For Me And My GalŒ
œ
In
ŒŒ
œ ˙ œœ ˙ œ
love - land for
œ# ˙ œœ ˙ œ
œœœœbœœ
œœœœœœ
me and my
œN œ#œœœ#œ
œ œ˙
Sung by the Sidewinders
wNw
gal.
w
w
V
?
b
b
b
b
4
4
4
4
77. Please Don’t Leave Me, Never Go Away
Œ
œ
a -
œ
a -
Œ
œœœœ
Œœœœœ
Please don’t leave me,
w
way,
w
way.
œœœbœ
œœ œ
œ
nev - er go a -
œbœœœb
w
w
w
way.
w
w
w
w
w
w
Joe Liles, 1968
- 23 -
V
?
4
4
4
4
78. There’s No Place Like Home
œœ
œœ
Be it
œœ
œœ
˙œœ
˙œ œ#
ev - er so
˙ œ œœœœœ
˙œ
U
œœœœ#
u ,
œ
hum - ble, there’s
˙ œb
U ,
œ
œœœ
u
œ
.œ
j
œœœ
˙N œ
3
œœbœb
no place like
˙ œ
3
œbœœ
.œ
J
œœœb
Carl Dahlke, 1969
ww
home.
w
w
V
?
#
#
4
4
4
4
79. Mother’s Boy
œ œ œœœ
œ
In dreams I’ll
œ œœ
œœ œ
˙œ œ
˙#œ
œn
be moth - er’s
˙#œ
œn
˙bœ œ
˙ œœ
˙
,
œ
œb
boy, moth - er’s
˙b
,
œœ
˙ œ œ
Earl Moon
w
ww
boy.
w
w
w
V
?
b
b
b
b
4
4
4
4
80. Don’t Be Blue When Raindrops Come Along
œœœ œn
œœœ œ#
Don’t be blue when
œ œ œ œœœbœ œb
œœb œn
œ
a -
œ œbœœ
rain - drops come a -
œ œ œœb
œ œbœœb
w
long.
œ œ œ œœ œ œ œ
lis - ten to the pat - ter ’cause it
œ œ œ œœ œ œ œ
œ œ œ œœb œ œ œ
V
?
b
b
b
b
w
œ œ œ œœ œ œ œ
real - ly does - n’t mat - ter when the
œ œ œ œœb œ œ œ
œ œ œ œœb œ œ œ
w
œn œ œb œ
rain - drops come a -
œ œ œb œ
œ œ œb œ
w
w
long.
w
w
- 24 -
V
?
b
b
b
b
4
4
4
4
81. Midnight Rose
œœ
œœ
Change your
œn œœ œ
˙n œ œ˙œœ
ways lit - tle
˙A œœ
˙ œ œ
˙A˙
˙˙
Mid - night,
˙˙
˙b˙
Œœ œ
œ œ
Œ œ œ œœ
lit - tle Mid - night
Œœ œ#
œ œb
w
Rose.Ed Waesche, 1975Sung by the Bluegrass Student Union
ww
Rose.
w
w
V
?
#
#
#
#
4
4
4
4
82. Somewhere
œ
Some -
œ
Some -
œ
Some -
œ
˙
˙
how,
.˙
œ
how, some -
˙
˙
how,
˙
˙
œœœ#
,
œœ
day, some - day, some -
w
day - - - - - -
œ œ œ
,
œ
day, some - day, some -
œ#œœ
œœ
Sung by the Interstate Rivals, 1988
w#
where.
w
ere.
w
where.
w
ww
w
w
V
?
4
4
4
4
83. Bright Was The NightŒ.
J
œ
J
œ
J
œ
She prom - isedj
œ
j
œ
j
œ
Œ.
œœ œ
œ
œœœ
œ
she would be my
œœ#œœ#
œ œ
œ
œ
˙# œnœ
œœbœœn
bride
˙N˙
œ œbœœ
œ˙ œb
w
w
.˙
œ#
V
?
.œ
‰
œbœ
.œ
‰
˙
some
.œ
‰
œœb
.œ ‰ œb
œb
w
day.
.˙
Œ
day,
.˙N
Œ
.˙b
Œ
w
œ.˙#
some fine
œ .˙#
œb.˙
w
w
day.
ww
David Wright, 1991Sung by the Gas House Gang
w
w
ww
- 25 -
V
?
#
#
4
3
4
3
84. Where Is The Boy
œœ œn
œ œ œ
Where is the
œ œ œ
œ œ œ
.˙
œ œbœ
boy,
boy,
.˙
.˙
.˙œ œ œ
where is the
œœ# œn
œ œ œ
.˙
.˙
boy,
.˙.˙
œ œ œœœ# œn
the boy I
œb
œœ
œœb
œn
œœ œb
˙œ
˙# œn
used to
˙œ
˙
œ
œ
Fred King, 1964
.˙
.˙
be?
.˙
.˙
.˙
.˙
.˙
.˙
V
?
b
b
b
b
b
b
4
3
4
3
85. My Love Is Your Love
œœ œ#
œ œ œ
My love is
œœn œb
œœ œb
œ ˙∫
œ ˙
your love
œ œb
œb
œœb
œb
œœœ
œ œ œ
un - til I
œN œ œb
œœœ
Brent Graham and Dave LaBar, 1982
.˙
.˙
die.
.˙
.˙
V
?
b
b
b
b
b
b
4
4
4
4
86. And Left Me Lonely Nights (Happy Days And Lonely Nights)
‰
‰
J
œ
And
‰
j
œn œ œ œb œ
‰J
œ œœ œ
œ
And left me lone - ly
‰
j
œ œœœ œ
.œ
J
œ œ œ
left me lone - ly
œœn ˙b
nights,
œ œœ œ
œ ˙
oh, so lone - ly nights,
œ
œ˙n
nights.
œœ .œ
œœœn
nights, and then you
V
?
b
b
b
b
b
b
‰
j
œn œ œ œb œ
‰J
œ œœ œ
œ
and left me lone - ly
‰
j
œ œœœ œ
.œ
J
œ œ œ
left
j
œ œ
j
œ
j
œ∫ œ
j
œ
I’m lone - ly, you on - ly
w
nights.
j
œœ
j
œ
j
œbœb
j
œ
I’m lone - ly, you on - ly
J
œ œ
J
œ
J
œb œ
J
œ
œ œœ œ
œ ˙
left me lone - ly nights.
w
œN œ œb œœ ˙
left me lone - ly nights.
œ œœ œ
œ ˙
Earl Moon
- 26 -
V
?
b
b
4
4
4
4
87. Where Is Love
œœœœ
w
Where
œœœ œn
˙bœ œb
œœœœ
œ˙ œ
is
œœœ œ
œœnœ œ
w
love.
‰
J
œœœ.œ
J
œ
where is love, oh
‰
j
œœœ .œ
j
œ
w
love.
w
˙ ˙
where is
˙ ˙b
w
Frank BloebaumSung by the Vocal Majority
w
w
love.
w
w
V
?
b
b
b
b
8
6
8
6
88. Now There’s No Time For Toys (All The Little Toy Soldiers)
‰
‰
J
œ
and
Œ.
.œ
Œ.
.œ
Now
Œ.
.œb
.˙
boys.
j
œ
j
œ
j
œ
j
œœ
J
œ
J
œ
J
œ
J
œœ
there's no time for
j
œ
j
œ
j
œ
j
œ œb
.˙
.˙
.˙
toys.
.˙
.˙
Jay Giallombardo, 1978Sung by Grandma’s Boys
.˙
.˙
.˙
.˙
V
?
#
#
4
4
4
4
89. Over Troubled Waters
œœœœ
œœœœ
O - ver trou - bled
œœœ œœ
œœ œb
œœœœ
œœœ œ
wat - ers I will
œ œœœ
œœ œ
œ
˙˙
˙ ˙b
ease your
˙˙
˙
˙n
w
w
mind.
w
w
Fraser Brown, early 1970s
V
?
b
b
4
4
4
4
90. Foggy London Town
Œ
œœ
And in
ŒŒ
œœœ
j
œ‰ œ
œ
ooh
œ
œœœœœœœ
fog - gy Lon - don town the sun was
œœœ
j
œ‰œœ
ooh
œœ
J
œ
‰œœb
œ˙ ˙b
Œœ
˙
Œ
shin - ing
œ˙n
Œœ
˙
˙bŒ
˙˙
ev - ’ry,
˙˙
ev - ’ry -
˙A ˙
ev - ’ry,
˙
˙
ev - ’ry -
œœœœ
shin - ing ev - ’ry -
w
where.
œœœ
œ
shin - ing ev - ’ry -
w
where.Brent Graham, 1981(original in grace notes)
w
where.
w
w
where.
w
- 27 -
V
?
b
b
b
b
b
b
b
b
4
3
4
3
91. Little PalŒ
œœ
So ’til
ŒŒ
œb œ œœ œ œ
we meet a -
œ œ œ
œ œ œ
˙ œœ˙œœ
again, heav -en
˙n œ œ
˙
œ œ
œ.œ
j
œœ
.œ
J
œ
knows where or
œA.œn
j
œ
œ.œ
J
œ
œ œb œn œb
œœ œ
œ
when, don’t for -
œAœ œ
œ
˙ œ œ
.œ
j
œœ
.œ
J
œnœ
get a - bout
.œ
j
œœ
.œ
J
œnœ
V
?
b
b
b
b
b
b
b
b
˙n œ œbœœ œ
œ
me, lit - tle
œœ œ œbœ
œ œ œ∫
˙Œ
˙Œ
pal.
˙Œ
.˙
pal.
œ˙
œ˙
Bless you,
œ
˙
.˙
œ˙
œ˙
lit - tle
œ
˙
.˙
Lou Perry, 1961Sung by the Four Rascals
.˙
.˙
pal.
.˙
.˙
V
?
b
b
b
b
4
3
4
3
92. Ev’ry Time I See You I Cry
œ œ œ œœ œ œ œ
Ev - ’ry time I
œ œœn œb
œ œ œ œ
œœ
œœ
œœ
see you I
œ œ œ
œ
œ œ
˙œ
˙ œ
cry a -
˙b œ˙
œ
˙
Œ˙n Œ
gain.
˙
Œ˙ Œ
V
?
b
b
b
b
œ œ œ œœ œ œ œ
Ev - ’ry time I
œ œœn œb
œ œ
œ
œ
œœœ
œœœ
see you I
œ œ œ
œ
œ œ
.˙
cry.
˙
œ
cry,
˙œb
.˙
cry.
.˙
œb
Œ
œ
I
œŒœb
.˙
.˙
.˙N
cry.
.˙
.˙
.˙
.˙
.˙
.˙
Mac Huff
- 28 -
V
?
b
b
b
b
b
b
b
b
4
4
4
4
93. The Shadow Of Your Smilej
œ
œœ
œ
œ
J
œ
œœœœ
The shad - ow of your
j
œ
œœœ œ
J
œ
œœœœ
w
w
smile
˙œœ
smile, of your
w
smile
œnœœœ
œœœœn
when you are
œœœ
œ
smile,
œœœ
œ
.˙
œ
gone, are
w
gone.
œœœn œb
gone, when you are
.˙
œ
gone, are
wn
gone.
w
w
gone.
w
gone.
V
?
#
#
#
#
4
4
4
4
94. Show Me Where The Good Times Are
œ œ œ œ
œ œœ œ#
Show me where the
œœ œ œ
œœœ œb
œœ ˙
œœœœ
good times
œœ ˙
œœœœ
Œ
œ œ œ œœb œ
Œ
œ œ œ œ œn œ
show me where the good times
Œœ œ œ œ œ œ
w
are.
Gene Cokeroft, 1973Sung by the Suntones
wwa
are.
w
w
V
?
b
b
4
3
4
3
95. Tammy
œœœ
œ
Tam - my, oh,
œœ˙
Tam - my,
œœœœ#
Tam - my, oh,
œ œ œn
œœ˙#
œœ˙
Tam - my,
œœ ˙
œœb˙
œNœ œ
œœœ
Tam - my’s in
œ
œœ
œ œbœ œ
.˙
love
œœœ
I hope that
œ œœ
.˙
love.
.˙
œ
œœ
he knows that
œ
œ œ
.˙
œœœ
œ
œœ
Tam - my’s in
œ œ
œb
.˙
Brent Graham, 1990
.˙
.˙
love.
.˙
.˙
V
?
4
4
4
4
96. Hush, Little Baby (Summertime)
Œ
œ
So
ŒŒ
˙œœ
˙œœ
hush, lit - tle
˙ œœ
˙ œœ
˙˙#
˙˙
ba - by,
˙˙
˙˙
wœœœœ
don’t
w#
œœœœ
.˙ œœœœbœ
you
.˙ œ#
œbœœœ
ww#
cry.
Œ œœ#œ#
don’t you
w
cry.
Sung by the Confederates
w#
w
w
cry.
w
- 29 -
V
?
4
4
4
4
97. Mickey Mouse
œ œ ˙œ œ ˙
M - I - C -
œ œ˙b
œ œ
˙
œ œ ˙#
œ œ ˙
K - E - Y
œ œœbœb
œ œ˙b
œœ
œœœ
œœ
œ œ
M - O - U - S -
œœœœ œ œ
œ
œœœœœœœ
œ
˙#˙
w
E!
˙˙
œœœ
œ
˙
M - O - U - S - E!
(one of several popular versions)
V
?
b
b
b
b
b
b
4
4
4
4
98. Lord, You Made The Night Too Long
œœ
So
œœ
œ œ œ œ œ œœ œ
œ œœ œ
who am I to say you’re
œ œ œ œ œ œœ œ
œ œœ œ
.˙
Œ
.˙ œ
wrong?But
.˙
Œœœœ Œ
wrong, all wrong?
Œ
œœ
Œ
But Lord,
˙ œœœnœ
Lord, you made the
Œ
œœn
Œ
But Lord,
Œœœ Œ
V
?
b
b
b
b
b
b
Œ.
j
œb œœ
the night too
.˙œ
night too
Œ.
j
œ œœn
the night too
Œ.J
œ œœ
Œœ œ
œ
you made
.˙ œ
long,the
Œ
œ œ
œ
you made
Œœ œ œ
œœœœn
.˙
,
œ
night too
.˙
,
œ
œœœœ
w
wn
long.
w
w
V
?
#
#
4
4
4
4
99. Baby, You’re The One I Love
œœ
œœ
œœ œ œ
Ba - by, you’re the
œ œ œ œœ
œ
œ
œb
˙ ˙#
˙œœ
one I
˙œ
œ
˙œ
œ
ww
love.
w
w
ww
w
w
Renee Craig, 1975
- 30 -
V
?
4
4
4
4
100. Sure, They Called It Ireland
œœ
And
∑
œ œœ#œ
œ œœ#œ
when they had it
œ œœœ
œ œœœ
œœ#œ œb
œœœœ
fin - ished, sure, they
œœœ
œ
œœœ œ
˙˙#
˙˙
called it
˙˙
œ
œ˙
.˙n
œ#.˙
œ
Ire - - -
œœb œnœœ œbœœ
ww
land.
w
w
Dave LaBar, 1978
ww
w
w
V
?
b
b
b
b
b
b
4
4
4
4
101. Till Love Comes My Way
œœœœ
œ
œ
œœ
Till love comes my
œœœ œ
œ œœœ
w
way.
.˙b
Œ
way,
.˙
Œ.˙
Œ
wœbœbœ œ œ
till love comes my
œb œœœœ
œbœœ œ
œbœ
David Wright, 1980
w
w
way.
wN
w
V
?
b
b
4
4
4
4
102. You’re The One Who Made Me Cry
Œ
œœ
But of
ŒŒ
œ œ .œ#
j
œ
œ œ .œ
J
œ
all the girls, the
œ œ
.œ
j
œ
œb œ .œ
J
œ
œ œœ# œ
œ œœœ
man - y girls I’ve
œ œ
œœ
œb œœ œ
œN œ ˙
œœ
˙
ev - er loved,
œœ
˙b
œbœ
˙
V
?
b
b
.˙
Œ.˙ Œ
.˙
Œ
.˙
Œ
w
you
œ œœœ
you’re the one who
œN œœœ
w
you
˙˙
˙˙
made me
˙ ˙
˙ ˙
wb
w
cry.
œ œœ œb
œ
cry, you made me
w
cry.
Ed Waesche, 1986Sung by the Basin Street Quartet
w
w
w
cry.
w
- 31 -
V
?
b
b
b
b
4
3
4
3
103. I’ll Take Care Of Your Cares
œœ
Al -
œbœ
œ œ œ
œœœ
though you’re not
œ œ œ
œœœ
˙b œ
˙ œ
mine, for
˙ œ
˙ œ
.œb
j
œ œ.œ
J
œœ
now and all
.œ
j
œ œ
.œ
J
œœ
˙ œœ˙
œœ
time, I’ll take
˙n
Œ˙ Œ
.˙n
.˙
care
Œ
œAœ
I’ll take
Œ
œœ
V
?
b
b
b
b
œA œ œœœœ
of your
œœœ
care
œ
œ œ
œœœ
cares,
.˙
cares.
œœœb
cares,
œœœ
.œb
j
œœ
of your
.˙
.œ
j
œ œb
of your
.œ
J
œœ
.˙
cares.
.˙
.˙
cares
.˙
.˙.˙
.˙
.˙
V
?
b
b
b
b
b
b
4
3
4
3
104. Drop Me A Line, Say That You’re Fine (Do You Really Love Me?)
Œ
œ
All
ŒŒ
Ó.
.˙
mine.
Ó.Ó.
œœœ
Drop me a
.˙
œb œ œ
Drop me a
œœœ
.˙
line,
.˙
.˙
line,
.˙
œœœ
say that you’re
.˙
œb œ œ
say that you’re
œœœ
.˙
U
fine.
.˙
u
,
˙œn
U ,
fine.
˙œ
u
V
?
b
b
b
b
b
b
œœ
œœœ
œ
Tell me you’re
œn œ œ
œ
œ œ
œ
˙
œ˙
,
mine,
œA˙
,
.˙
˙œ
œœ
œ
all
œœ
œb
˙œ
Ruby Rhea, 1963(popular version)
.˙
.˙
mine.
.˙
.˙
- 32 -
V
?
b
b
4
4
4
4
105. While Sweet Dreams Rest You
œ
œ
While
œ
œ
œ œ œœœ
œ œb˙
sweet dreams rest
œ œ œœœ
œ œb˙
˙ œ œ˙œœ
you, dear old
˙œœ
˙
œ œ#
˙˙b
w œ
.˙
pal,
w
˙˙
˙
˙#
˙
˙
pal of
˙b˙
˙ ˙
ww
mine.
w
w
V
?
b
b
4
4
4
4
106. First You Gotta Have Heart (Heart)
œœ
œœ
First you
œœ
œœ
œ œ œœ œ œ œ
œ œ œœ œ œ œ
got - ta have, got - ta have,
œ œ œœ œ œ œ
œ œ œ œ œ œ œ
œ œ œœ œ œ
œ
œ œ œœ œ œ
œ
got - ta have, got - ta have
œ œ œ œn œ œœ
œ œ œ œ œ œœ
.˙ œb
w
heart.
.˙œb
.˙ œb
˙˙
w
˙N ˙b
˙˙
ww
w
w
ww
w
w
V
?
#
#
107. Mam’selle
œœœ
œœœ
Then vi - o -
œœ œ
œœ œ
.œ
j
œ .œ
j
œ.œ
J
œ.œ
J
œ
lins will cry, and
.œ
j
œ .œ
j
œ
.œ
J
œ .œ
J
œ
.œ
j
œ œŒ
.œ
J
œœœ
so will I, mam’ -
.œ
j
œœ
Œ.œ
J
œ œbŒ
Œœœœœ
vi - o - lins
.˙ œ
selle, will
Œ
œœœ œ
vi - o - lins
Œœœœœ
V
?
#
#
.˙b œ
.˙ œ
cry, and
.˙ œ
.˙n œ
˙ ˙
˙ ˙
so will
˙n ˙
˙b ˙
˙ œœbœn œ#
˙# ˙n
I, mam’ - - -
˙ œbœnœ
˙ ˙b
w
w
selle.
w
w
- 33 -
Ed Waesche, 1967
V
?
b
b
4
4
4
4
108. Happy Trails To You
Œ
œ œ
Hap - py
œ œœ œ
˙˙
˙ ˙
trails to
˙ œœ
˙˙b
.˙#Œ
.˙œœ
you ’til we
.˙
Œ.˙ Œ
Ó œœ
’til we
w
meet
Ó
œ œ
’til we
Ó
œœ
.˙ œ
meet
.˙
œ
a -
.˙ œ
meet a -
.˙œ
a -
wbw
gain.
œb œœœ œn
gain, ’til we meet a -
wb
gain.
Bobby Gray, Jr., late 1970s
wNw
w
gain.
w
V
?
b
b
4
4
4
4
109. Please Don’t Take My Sunshine Away (You Are My Sunshine)
œœ
œœ
Please don’t
œœn
œ œb
.˙
œ
˙ œ# œ
take my
.˙
œ
˙œ œ
˙ œœ
a -
˙Nœ œ
sun - shine a -
˙n œb œ
œ œbœ œ
w
way.
œ˙
œ
way, a -
œ
˙œ
œ˙
œ
w
w
way.
w
w
V
?
b
b
4
4
4
4
110. After Today3
œ œ œ
3
œ œ œ
Af - ter to -
3
œ œ œ
3
œ œ œ
.˙
3
œ œ œ.˙
3
œ œ œ
day, af - ter to -
œœœb
3
œ œ œœœbœb
3
œ œ œ
.˙
3
œœœ
to -
.˙
3
œœbœb
day, af - terto -
œœœb
3
œœœ
to -
œœbœb
3
œœœ
˙œœbœ
day, af - ter to -
w
day.
˙b
œb œ œ
day, af - ter to -
˙b
œœbœ
Jay Giallombardo, 1971Sung by the Acoustix
w
day.
w
w
day.
w
V
?
#
#
#
#
#
#
4
4
4
4
111. Cheer Up, Charlie
˙ ˙˙˙
Just be
˙ ˙
˙˙
˙n˙
˙˙
glad you’re
˙˙
˙˙
œœœœ ˙
Cheer up, Char - lie!
w
you.
œ
œ
œœ ˙
Cheer up, Char - lie!
w
you,
˙
j
œ.œn
I love
w
œœ
j
œ.œ
I love
˙J
œ
.œ
w
you.
w
w
you.
w
Brent Graham, 1986
ww
w
w
- 34 -
V
?
b
b
4
3
4
3
112. Just When I Thought I Was Through
.˙
I
œ œ œ
Just when I
œ œ œ
.˙
I
.˙
was
œœœ
thought I was
œ œœ
.˙b
was
˙#œ
˙œ
through with
˙ œ
˙
œ
œœœ#
œ#œœ
fal - ling in
œ œ œ
œ œ
œ
˙Nœ
˙œ
love, I
˙n œ
˙
œ
œœœ
œœœ
ran in - to
œA œ œ
œ œ
œ
.˙
.˙
you.
.˙#
.˙
.˙
.˙
.˙
.˙
V
?
4
4
4
4
113. No More Hurryin’, Worryin’ (Down Where The South Begins)
Œ
œ
be -
Œ
Ó
œœ
no more
w
gins,
Ó
œœ
Óœœ
no more
œœ.˙
hur - ry - in’,
w
œb œ .˙
œ œ .˙
hur - ry - in’,
œœ˙
Œ
wor - ry - in’,
.˙Œ
œ œ ˙b
Œœœ˙
Œ
wor - ry - in’,
œ œb
j
œ.œb
˙J
œ.œ
I’m go - in’
œœb
j
œ.œ
œ œb
J
œ
.œ
Renee Craig, 1956Sung by the Confederates
w
w
south.
w
w
V
?
b
b
b
b
b
b
b
b
4
4
4
4
114. To My Beautiful Lifelong Friends (Thanks Again)
Ó
œœ
To my
Ó
˙ œ œ˙œœ
beau - ti-ful
˙ œ œ
˙ œ
œ
˙˙
˙
˙
life - long
˙ œœ
˙
˙
.˙ Œ
.˙
œ
friends, hey,
.˙
Œ.˙ Œ
œ œœ œb
œœœœ
Mom and Dad-dy,
œœœ
œ
œ œ œ œ
w˙œœ
thanks
w
w
.˙ œ
a -
.˙ œ
a -
.˙ œ
a -
.˙ œ
˙ œœ
gain, thanks a -
w
gain.
˙ œ œb
gain, thanks a -
˙ œ œ
w
gain.
w
w
gain.
w
V
?
#
#
4
4
4
4
115. My Romance
œœ
œn œ
My ro -
œ œ
œ œ
œœ˙ œ
œ.˙ œ œ
mance does - n’t
.˙ œœ
.˙# œn œ
œœ˙
œ œ˙
need athing
œœ ˙
thing,
œ œ˙
thing
.˙œ
.˙
,
œ
but
j
œœœœœ œ œb
does - n’t need a thing
.˙
,
œ
Gene PuerlingSung by the Singers Unlimited
w
w
you.
w
w
- 35 -
Peter Benson, 1996
V
?
4
4
4
4
116. Dixie
Œ
Œ
œ
A -
Œ
œœ
ŒŒœœŒ
A - way,
Œ œ œ Œ
.˙œ
way, a -
Œ
œ œ œ
Œœœ
,
œ
a - way, a -
Œ œœ
,
œ
.˙ œ
way,
œœœœ#
œœ
œœ
way down south
œ
œœ#
œ
œ œœ
œ
˙
Œ
œ#˙#
Œœ
in
˙
Œ
œ
˙ Œ œ
V
?
˙N˙#˙˙
Dix - - -
˙˙
˙˙
.˙
Œ.˙
Œ
ie,
œ˙b
Œœ
˙
Œ
œ
.˙
œ.˙#
way down
œ.˙
œ.˙
w
w
south.
w
w
Mo Rector, 1963Sung by the Imposters
w
w
w
w
V
?
b
b
b
b
4
4
4
4
117. When Nobody Else Wants You
œ
œ
When
œn
œ
˙ œ œ
˙œœ
no - bod - y
˙A œ œ
˙ œ œ
˙˙
˙˙
else wants
˙b˙
˙b˙
ww
you.
w
w
ww
w
w
V
?
b
b
4
4
4
4
118. I Will Sail No More (I Will Go Sailing No More)
œœ
œ œœœ œ
œ
œ
œœ
œ
œ
I will go sail - ing no
œ œœœ œ œ
œœœ
œ
œ
œ
œ
œœœbœœœbœbœ
more, I will sail no
w
more.
œœœbœœœœ
more, I will sail no
œ œœbœb
œ
w
more.
w
w
more.
w
- 36 -
Lou Perry, mid 1960sSung by the Four Statesmen
Rich Hasty, 2000
V
?
b
b
b
b
b
b
4
4
4
4
119. Tho’ I’m Gone For A Long, Long Time
œœ
œœ
Tho' I’m
œœ
œœ
˙ œ œ˙œœ
gone for a
˙n œ œ
˙œœ
œœœ œ#
.˙ œ
long, long
.˙œ
œœœ œn
Œ
œœ# œn
a long, long
w
time.
Œ
œbœ œb
a long, long
Œ
œœn œb
.˙
Œ
time
.˙
Œ
.˙
Œ
time
.˙Œ
V
?
#
#
4
3
4
3
120. London By Night
œ
œ#œ
œœ
œ
Most peo - ple
œœ
œb
œœ
œ
œb œ œ
œœ
œ
say they love
œ œ œ
œœ
œ
œ œ œ
œœ
œ
Lon - don by
œœ
œ
œ
œ œ
˙ œ˙b œ
day, but
˙b œ˙b œ
V
?
#
#
œ œœœN
œ
,
œ
lov - ers love
œ# œ
,
œœ
œ œ
œœ
œ
œœ
œ
Lon - don by
œN œ œ
œ œ
œ
.˙
night.
œœ
œ
Lon - don by
œœ
œb
˙
œ
night, by
.˙
.˙
night.
.˙
.˙
night.
V
?
b
b
b
b
4
4
4
4
121. Where The Southern Roses Grow
œ
œ
She’s
œb
œ
œ œ œ œ
œ œœb œ
wait - ing where the
œ œœb œ
œ œ œb œ
˙ œœ
˙ œ œ
sweet ros - es
˙œ œ
˙ œ œ
w
grow.
œ
‰
J
œbœœ
grow, sweet ros - es
œ
‰
j
œb œn œb
w
grow.
w
wN
grow.
w
w
- 37 -
George Peters, 1970sSung by Chords Unlimited
David Wright, 1993Sung by the Gas House Gang
V
?
b
b
b
b
b
b
4
4
4
4
122. If Happy Little Bluebirds Fly (Somewhere Over The Rainbow)
œ
If
∑
œ œœ œœ œ œ# œ
œœœœœœœœ
hap - py lit - tle blue - birds fly be -
œœœœœœœœ
œ œ
œ œ
œ œ œn œ
œ œœ# œ
œ œœœ
œœœœœœœœ
yond the rain - bow, why, oh why, can’t
œœœœœœ œn œb
œ œœn œ
œ œ œ
œ
˙b
j
œ.œ
I, why can’t
w
I?
˙b
j
œ.œ
I, why can’t
˙b
J
œ
.œ
w
I?
w
w
I?
w
V
?
b
b
b
b
4
4
4
4
123. The Gang That Sang Heart Of My Heart
œnœ#œ œ
œœ#œ#
œ#
To that gang that
œœœ œ
œœ#œ
œ
œA œ œn œb
œœœœ
sang "Heart Of My
œœ
œœ
œ œ œ
œ
w
hmm
Œ
œ œœœ
Heart Of My
w
w
hmm
w
ah
w
Heart".
w
w
ah
V
?
#
#
#
#
#
#
#
#
124. When I Was The Kid Next Door
w
door
∑
œ œ œ œ œ œ œ
Gee, we had lots of fun,
w
œ œ œœn œ œ œ
Gee, we had lots of fun,
œ œ œ
œ œ œ œ
œ œœœ œœœœ
I wase the on - ly one, when
w
œ œ œ œn œ œ œ œ
I wase the on - ly one, when
œ œœœ œœœœ
œ œb œœœ
I was the kid next
w
œœn œ œ# œn
I was the kid next
œ œn œœœ
w
door.
w
w
door.
w
V
?
b
b
125. When You’ve Wandered Alone (Just A Cottage Small)
œœ
When you’ve
∑
œ œ œ œ
œ œ œœ
wan-dered a-lone
œ œ œœb
œ œ œ
œ
˙œœ
˙œœ
on the
˙ œb œ
˙ œ œ
˙ ˙
˙˙
high - way,
˙˙
˙
˙
˙
Ó˙
œœ
with the
˙
Ó
˙
Ó
œœœ œ
œ œ œœ
wind and the rain
œ œœ œ
œœœœ
˙œbœ
˙œœ
in your
˙ œ œb
˙ œ œ
w
w
hair
w
w
˙
Ó˙Ó
˙Ó
˙
Ó
- 38 -
Lloyd SteinkampSung by Most Happy Fellows
Al Rehkop, early 1970sSung by Gentlemen”s Agreement
Lyle Pilcher/Bob Brock, early 1960sSung by the Imposters
After Today, #110, p. 34All By Myself Alone, #49, p. 15All Mine (Drop Me A Line, Say That You’re Fine), #104, p. 32All The Little Tin Soldiers (Now There’s No Time For Toys), #88, p. 27Although You’re Not Mine, For Now And All Time (I’ll Take Care Of Your Cares), #103, p. 32And Boys (Now There’s No Time For Toys), #88, p. 27And In Foggy London Town The Sun Was Shining (Foggy London Town), #90, p. 27And Left Me Lonely Nights, #86, p. 26And When I Die You Can Bury Me (Lone Prairie), #56, p. 17And When They Had It Finished (Sure, They Called It Ireland), #100, p. 31Annie Doesn’t Live Here Anymore, #36, p. 11Annie’s Gone Away (Annie Doesn’t Live Here Anymore), #36, p. 11Anymore (New York Ain’t New York Anymore), #66, p. 20As Time Goes By, #73, p. 22Autumn Leaves, #54, p. 17Away, Away, Away Down South (Dixie), #116, p. 36
Baby, You’re The One I Love, #99, p. 30Back In My Home Town, # 25, p. 8Back In The Old Routine, #50, p. 15Be It Ever So Humble (There’s No Place Like Home), #78, p. 24Begins (No More Hurryin’, Worryin’), #113, p. 35Behind (When I Leave The World Behind), #11, p. 4Bless You, Little Pal (Little Pal), #91, p. 28Boy I Used To Be, The (Where Is The Boy), #84, p. 26Brahms’ Lullabye (Lullabye And Goodnight), #32, p. 10Bright Was The Night, #83, p. 25Buddy, Can You Spare A Dime, #48, p. 15Bury Me Out On The Lone Prairie (Lone Prairie), #56, p. 17But Of All The Girls, The Many Girls (You’re The One Who Made Me Cry), #102, p. 31Bye Oh Bye Oh, #72, p. 22
Change Your Ways, Little Midnight Rose (Midnight Rose), #81, p. 25Cheer Up, Charlie, #111, p. 34Come Into My Arms, Bonnie Jean (Jean), #44, p. 13Cry, #14, p. 4
Danny Boy (Danny My Boy), #4, p. 2Danny My Boy, #4, p. 2Darkness On The Delta, #18, p. 6Darling, That Someone Is You, #42, p. 13Dear Old Pal, Pal Of Mine (While Sweet Dreams Rest You), #105, p. 33Diane (My Diane), #13, p. 4Dixie, #116, p. 36Do You Really Love Me (Drop Me A Line, Say That You’re Fine), #104, p. 32Don’t Be Blue When Raindrops Come Along, #80, p. 24Don’t Leave Me, Dear Old Mammy, #35, p. 11Door (When I Was The Kid Next Door), #124, p. 38Down Where The South Begins (No More Hurryin’, Worryin’), #113, p. 35Drink To Me Only With Thine Eyes, #28, p. 9Drop Me A Line, Say That You’re Fine, #104, p. 32
Each Time I Fall In Love (Foolish Over You), #23, p. 7Ev’ry Time I See You I Cry, #92, p. 28Ev’ryone Is Sailin’ On The Old Dominion Line (Old Dominion Line), #64, p. 20
Falling In Love Over Again (Foolish Over You), #23, p. 7First You Gotta Have Heart, #106, p. 33Flower From An Old Bouquet, #6, p. 2Foggy London Town, #90, p. 27Foolish Over You, #23, p. 7For I’m So Alone With The Crowd (I’m So Alone With The Crowd), #61, p. 19
INDEX OF TAGSby Title, First Line, and Common Reference
-39-
For Life Is Interwoven, #51, p. 16For Me And My Gal, #76, p. 23For My Old Kentucky Home Far Away (My Old Kentucky Home), #70, p. 21For Their Hearts Were Full Of Spring (Their Hearts Were Full Of Spring), #71, p. 22Friends, #47, p. 14Friendship And Love, #26, p. 8From The Dark And Dreary Skies (Snowflakes), #39, p. 12
Gang That Sang Heart Of My Heart, The, #123, p. 38Garland Of Old Fashioned Roses, A (Roses I Bring To You), #38, p. 12Gee, we had lot’s of fun (When I Was The Kid Next Door), #124, p. 38Gigi (What Miracle Has Made You The Way You Are), #68, p. 21Give Me Your Hand To Hold In Mine, #34, p. 10Goodbye Dixie, Dixie Goodbye (Bye Oh Bye Oh), #72, p. 22Goodbye Forever, It’s Over I Know, #30, p. 9Gone Are The Memories, #29, p. 9
Happy Days And Lonely Nights (And Left Me Lonely Nights), #86, p. 26Happy Trails To You, #108, p. 34Heart (First You Gotta Have Heart), #106, p. 33Heart Of A Clown, #15, p. 5Heart Of My Heart (Gang That Sang Heart Og My Heart, The), #123, p. 38Hey, Mom And Daddy, Thanks Again (For My Beautiful Lifelong Friends), #114, p. 35Hush, Little Baby, #96, p. 29
I Close My Eyes, #75, p. 23I Hate To Go Home Alone (Nobody’s Waiting There With A Smile), #23, p. 7I Heard You Singing (I Close My Eyes), #75, p. 23I Know We’ll Meet Again Someday, #58, p. 18I Lost The Gladness That Turned Into Sadness (When I Lost You), #16, p. 16I Love To Sing ’Em, #1, p. 1I Love You So, Sonny Boy (Sonny Boy), #67, p. 21I Made You Cry (Cry), #14, p. 4I Wanna Do It Again (Old Bones), #59, p. 18I Will Go Sailing No More (I Will Sail No More), #118, p. 36I Will Sail No More (I Will Go Sailing No More), #118, p. 36I’d Love To Be There, Just You And Me There (Back In The Old Routine), #50, p. 15If Happy Little Bluebirds Fly (Somewhere Over The Rainbow), #122, p. 38If We Can’t Be The Same Old Sweethearts (We’ll Just Be The Same Old Friends), #21, p. 6I’ll Be Looking At The Moon (I’ll Be Seeing You), #7, p. 3I’ll Be Seeing You, #7, p. 3I’ll Come To You Smiling Through The Years (Through The Years), #60, p. 19I’ll Take Care Of Your Cares, #103, p. 32I’m So Alone With The Crowd, #61, p. 19I’m Sorry I Made You Cry (Cry), #14, p. 4Impossible Dream, The (To Reach The Unreachable Star), #69, p. 21In A Gingham Gown (She Stole My Heart Away), #62, p. 19In Dixieland Where I Was Born, #63, p. 19In Dreams I’ll Be Mother’s Boy (Mother’s Boy), # 79, p. 24In Loveland For Me And My Gal (For Me And My Gal), #76, p. 23Ireland, My Ireland, #43, p. 13Irish Mother, #45, p. 14It Plays A Rhapsody (Rhapsody Of New York), #55, p. 17
Jean, #44, p. 13Johnny Doughboy Found A Rose, #57, p. 18Just A Cottage Small (When You’ve Wandered Alone), #125, p. 38Just Be Glad You’re You (Cheer Up, Charlie), #111, p. 34Just To Turn Back The Pages Of Time (Old Bones), #59, p. 18Just When I Thought I Was Through, #112, p. 35
Landmarks (I’m So Alone With The Crowd), #61, p. 19Last Night Was The End Of The World, #24, p. 7Let Me Linger In Shelter (Darkness On The Delta), #18, p. 6Lida Rose (Oh Lida Rose), #17, p. 5Life Is Interwoven (For Life Is Interwoven), #51, p. 16Lifetime’s Not Too Long, A (Friends), #47, p. 14Listen To The Patter (Don’t Be Blue When Raindrops Come Along), #80, p. 24Listen To The Whistle Blowin’, Ev’rything Is Fine (Old Dominion Line), #64, p. 20Little Boy, The (Where Is The Boy), #84, p. 26Little Midnight Rose (Midnight Rose), #81, p. 25
-40-
Little Pal, #91, p. 28London By Night, #120, p. 37Lone Prairie, #56, p. 17Lonely For You Am I, #2 p. 1Lonely, So Lonely For You Am I, #2, p.1Lonesome Rose, #9, p. 3Lord, You Made The Night Too Long, #98, p. 30Love Letters Straight From Your Heart, #52, p. 16Love Will Come Your Way (Lonesome Rose), #9, p. 3Lullabye And Goodnight, #32, p. 10
Mam’selle, #107, p. 33Melancholy Baby, #31, p. 10Mickey Mouse, #97, p. 30Midnight Rose, #81, p. 25Mom And Daddy, Thanks Again (For My Beautiful Lifelong Friends), #114, p. 35Most people say they love Londin by day (London By Night), #120, p. 37Mother’s Boy, # 79, p. 24My Diane, #13, p. 4My Dream Is O’er (Last Night Was The End Of The World), #24, p. 7My Eyes (I Close My Eyes), #75, p. 23My Heart Is Free, #5, p. 2My Heart Is Longing For Someone To Cling To (Darling, That Someone Is You), #42, p. 13My Love Is Your Love, #85, p. 26My Old Kentucky Home, #70, p. 21My Romance, #115, p. 35My World Forever (The Sunshine Of Your Smile), #10, p. 3
New York Ain’t New York Anymore, #66, p. 20No More Hurryin’, Worryin’, #113, p. 35Nobody’s Waiting There With A Smile, #23, p. 7Now There’s No Time For Toys, #88, p. 27
Of All The Girls, The Many Girls (You’re The One Who Made Me Cry), #102, p. 31Oh, Bury Me Out On The Lone Prairie (Lone Prairie), #56, p. 17Oh, How I Miss You, Pal Of My Dreams (Pal Of My Dreams), #74, p. 23Oh Lida Rose, #17, p. 5Oh, Let Me Linger In Shelter (Darkness On The Delta), #18, p. 6Oh, What Miracle (What Miracle Has Made You The Way You Are), #68, p. 21Old Bones (I Wanna do It Again), #59, p. 18Old Dominion Line, #64, p. 20Old Fashioned Girl In A Gingham Gown, An (She Stole My Heart Away), #62, p. 19Old Friends Seem To Be Total Strangers To Me (I’m So Alone With The Crowd), #61, p. 19On The Mississippi (In Dixieland Where I Was Born), #63, p. 19On The Old Dominion Line (Old Dominion Line), #64, p. 20Or Else I Shall Be Melancholy Too (Melancholy Baby), #31, p. 10Over Troubled Waters, #89, p. 27
Pal Of My Dreams, #74, p. 23Please Don’t Give My Daddy No More Wine, #16, p. 5Please Don’t Leave Me, Never Go Away, #77, p. 23Please Don’t Take My Sunshine Away, #109, p. 34
Rhapsody Of New York, #55, p. 17Roses I Bring To You, #38, p. 12Routine (Back In The Old Routine), #50, p. 15Run, Run, Run, #27, p. 8Run To The City Of Refuge (Run, Run, Run), #27, p. 8
Say, Don’t You Remember, I’m Your Pal (Buddy, Can You Spare A Dime), #48, p. 15Shadow Of Your Smile, #93, p. 29She Primised She Would Be My Bride (Bright Was The Night), #83, p. 25She Stole My Heart Away, #62, p. 19She’s waiting where the sweet rosaes grow (Where The Southern Roses Grow), #121, p. 37Show Me Where The Good Times Are, #94, p. 29Silvery Moonlight, #46, p. 14Sleepy Time Down South, #33, p. 10Smile, #13, p. 4Snowflakes, #39, p. 12So Don’t Leave Me, Dear Old Mammy (Don’t Leave Me, Dear Old Mammy), #35, p. 11So ’Til We Meet Again, Heaven Knows Where Or When (Little Pal), #91, p. 28
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So Tired Of Waiting For You, #41, p. 12So Who Am I To Say You’re Wrong (Lord, You Made The Night Too Long), #98, p. 30Somehow, Someday, Somewhere (Somewhere), #82, p. 25Somewhere, #82, p. 25Somewhere Over The Rainbow (If Happy Little Bluebirds Fly), # 122, p. 38Sonny Boy, #67, p. 21Spring Brought Me Flowers, #65, p. 20Summertime (Hush, Little Baby), #96, p. 29Sunshine Is Bidding The Day Goodbye, #21, p. 6Sunshine Of Your Smile, The, #10, p. 3Sure, If I Had The Heart Of A Clown (Heart Of A Clown), #15, p. 5Sure, They Called It Ireland, #100, p. 31Sweetheart I Bring To You (Roses I Bring To You), #38, p. 12
Tammy, #95, p. 29Thanks Again (To My Beautiful Lifelong Friends), #114, p. 35That Old Irish Mother Of Mine (Irish Mother), #45, p. 14That A Lifetime’s Not Too Long (Friends), #47, p. 14Their Hearts Were Full Of Spring, #71, p. 22Then Violins Will Cry And So Will I (Mam’selle), #107, p. 33There In Our Sweetheart Bower (Flower From An Old Bouquet), #6, p.2There’s No Place Like Home, #78, p. 24They Called It Ireland (Sure, They Called It Ireland), #100, p. 31Tho’ I’m Gone For A Long, Long Time, #119, p. 37Those Wedding Bells Are Breaking Up (Wedding Bells Are Breaking Up), #8, p. 3Through The Years, #60, p. 19Till Love Comes My Way, #101, p. 31To My Beautiful Lifelong Friends (Thanks Again), #114, p. 35To Reach The Unreachable Star, #69, p. 21To The End (Friendship And Love), #26, p. 8Town, It Plays A Rhapsody (Rhapsody Of New York), #55, p. 17
Violins Will Cry And So Will I (Mam’selle), #107, p. 33
Way Down Home (My Heart Is Free), #5, p. 2Way Down South, #3 p. 1Wedding Bells Are Breaking Up, #8, p. 3We’ll Build A Rainbow, #37, p. 11We’ll Just Be The Same Old Friends, #21, p. 6What Miracle Has Made You The Way You Are, #68, p. 21When Autumn Leaves Begin To Fall (Autumn Leaves), #54, p. 17When I Leave The World Behind, #11, p. 4When I Lost You, #16, p. 16When I Was The Kid Next Door, #124, p. 38When It’s Darkness On The Delta (Darkness On The Delta), #18, p. 6When It’s Sleepy Time Down South (Sleepy Time Down South), #33, p. 10When Nobody Else Wants You, #117, p. 36When The Raindrops Come Along (Don’t Be Blue When Raindrops Come Along), #80, p. 24When They Had It Finished (Sure, They Called It Ireland), #100, p. 31When You’ve Wandered Alone (Just A Cottage Small), #125, p. 38Where Is Love, #87, p. 27Where Is The Boy, #84, p. 26Where The Black-Eyed Susans Grow (Way Down South), #3 p. 1Where The Southern Roses Grow, #121, p. 37While Sweet Dreams Rest You, #105, p. 33Who’ll Dry Your Tears When You Cry, #40, p. 12Who’ll Take My Place When I’m Gone, #19, p. 6With you, Falling In Love Over Again (Foolish Over You), #23, p. 7World Will Always Welcome Lovers, The (As Time Goes By), #73, p. 22
You Are My Sunshine (Please Don’t Take My Sunshine Away), #109, p. 34You Gotta Have Heart (First You Gotta Have Heart), #106, p. 33Your Smile, My World Forever (The Sunshine Of Your Smile), #10, p. 3You’re The One Who Made Me Cry, #102, p. 31
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Acoustix, p. 34After Five Four, p, 2Ambiance, pp. 14, 17Auto Towners, p. 6
Backwell, Greg, pp. 14, 15, 15Basin Street Quartet, p. 31Beck, Brian, p. 4Benson, Peter, p. 35Bergman, Nancy, pp. 2, 16Bloebaum, Frank, p. 27Bluegrass Student Union, pp. 6, 25Bohn, Bob, pp. 2, 12, 21Brock, Bob, p. 7, 38Brown, Fraser, p. 27Buffalo Bills, pp. 9, 22Busby, Bill, p. 9
Chords Unlimited, p. 37Clause, Don, p. 8Cokeroft, Gene, pp. 13, 29Confederates, pp. 3, 29, 35Cracker Jills, pp. 1, 12, 17Craig, Renee, pp. 1, 12, 17, 30, 35
Dahlke, Carl, pp. 6, 24Dapper Dans of Disneyland, p. 8Dealer’s choice, p. 6Diekema, Bill, p. 3Dowma, Bb, p. 8
Easternaires, pp. 2, 12, 21
Four Freshmen, p. 22Four Pitchikers, p. 3Four Rascals, p. 28
Four Renegades, p. 7Four Statesmen, p. 36
Gas House Gang, p. 3, 25, 37Gentlemen’s Agreement, p. 38Giallombardo, Jay, pp. 20, 23, 27, 34Graham, Brent, pp. 26, 27, 29, 34Grandma’s Boys, pp. 23, 27Gray, Bobby, Jr., pp. 3, 4, 34Grundy, S. K., pp. 4, 7
Haeger, “Buzz”, p. 1Happiness Emporium, p. 8Harrington, Doug, p. 21Hasty, Rich, p. 36Hi-Lo’s, p. 19Hicks, Val, pp. 8, 18Hill, John, p. 9Huff, Mac, pp. 1, 28
Imposters, p. 36, 38Interstate Rivals, p. 25
King, Fred, pp. 16, 26
LaBar, Dave, p. 26, 31Latzko, Walter, p. 22Liles, Joe, pp. 13, 23Luboff, Norman, p. 17
Moon, Earl, pp. 11, 19, 20, 24, 26Morford, Gene, p. 22Most Happy Fellows, p. 11, 38
New Tradition, p. 4Nighthawks, pp. 14, 15, 15
Norman Luboff Choir, p. 17
Perry, Lou, pp. 10, 28, 36Peters, George, p. 37Pilcher, Lyle, p. 38Plaskoff, Lee, p. 18, 20Playtonics, p. 10, 15Poindexter, Jim, p. 4Pros and Cons, p. 16Puerling, Gene, pp. 19, 35
Randel, Willie, p. 12Rector, Mo, pp. 16, 36Reeve, Rex, pp. 15, 19Rehkop, Al, p. 38Rhea, Ruby, p. 32Roose, Kirk, p. 23
Second Edition, p. 21Side Street Ramblers, pp. 4, 13Sidewinders, pp. 20, 23Singers Unlimited, p. 35Staffen, Burt, p. 21Steinkamp, Lloyd, pp. 5, 11, 38Stevens, Dave, p. 2Sullivan, Joe, pp. 9, 10Sundowners, p. 7Suntones, pp. 13, 29Szabo, Burt, pp. 11, 12, 13, 19
Vocal Majority, p. 27
Waesche, Ed, pp. 3, 25, 31, 33Western Continentals, p. 5Wright, David, pp. 14, 17, 25, 31, 37
INDEX OF ARRANGERS and PERFORMERS
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