class 1: jenny adin-christie – england studies in white · including buttonhole shells, eyelets...

Orewa College, Riverside Road, OrewaFriday 27 - Sunday 29 March 2020

www.embroiderersgreatescape.com

Class 1: Jenny Adin-Christie – EnglandStudies in White

Whitework is an umbrella term which covers a very broad range of individual techniques, each with their own unique history, materials and stitches, linked by the use of neutral thread on a neutral ground. Whitework truly explores the inherent nature of embroidery, creating rich surface textures whilst also allowing the fabric to be pierced and its weave opened, giving a greater sense of depth and life. In this class, you will have a choice of two designs which explore fundamental stitches which traverse the whitework spectrum. Daisy Meadow Sampler: Is an excellent piece for those new to whitework or wishing to develop their skills and confidence. You will learn a broad range of stitches including: various forms of padded satin stitch, ladder stitch, various types of eyelets with lace fillings, and open cutwork, combined with a range of textured surface stitches. Those who wish to can expand the design with bands of drawn thread work. The piece is worked on fine Italian linen using a range of white threads. This design can be worked in a small slate frame or in a hoop. The Ulster Pocket: This design is based on the fabulous 18th C Ballyhosset Bedspread in the collection of the Ulster Folk Museum, Belfast. The design takes the form of an 18th C pocket, as worn at the waist of women in this period, to contain personal items or scented herbs. The design uses a range of stitches including: padded satin stitch, coral knotting, various interpretations of buttonhole including buttonhole shells, eyelets with lace fillings, counted satin stitch, fishbone, drawn thread work, ladder stitch and knots. The design is worked on Irish linen woven specially for the project by the weaver at the Ulster Folk Museum and is stitched using vintage linen threads and linen lace threads. The kit includes the fabrics required to make the design up as a pocket with grey linen lining. The wooden hanging handle can be ordered if required or you may wish to use a ribbon/tape.

You will not complete either design in two days but will experience the full range of stitches and will gain the confidence to complete at home with the support of the highly comprehensive instruction manual

Size: 18cm x 10cmClass Level: Daisy Meadow – Beginner to intermediate, Ulster pocket – IntermediateWorkshop Cost: $200.00Kit Cost: Daisy Meadow Sampler GBP£65 , Ulster Pocket GBP£90 (A New Zealand price will be with your needs list)

Daisy Sampler

Covers a broad range of key techniques which span the spectrum of whitework

£45.00

Class 2: Ro Bruhn - AustraliaFabric Art Quilt

I will show you how to adapt and create a layered fabric art quilt from a photo, magazine image or a sketch. We will use a range of fabrics including your scraps, old clothing, hand dyed fabrics, etc. These will be hand stitched down with a variety of simple stitches using a range of threads for colour and texture. I use some of my hand dyed threads, but you can use whatever you have available. I also like to include recycled elements including soft metal, washers, buttons, broken jewellery, electrical resistors, even metal from coffee pods. By the end of the workshop you will have completed sufficient of your quilt to be able to continue on your own after the weekend. The main stitches I use are running stitch, straight stitch and blanket stitch, but you can use whatever stitches you feel work best for you.

Class level: Suit All levels

Workshop Cost: $200.00

PHOTO EXAMPLE ONLY

Fabric and Mixed Media Wall Hanging - 2 days

In this class we take a photo, a picture from a magazine or a sketch and using our own interpretation, turn it into an art quilt that can be hung on the wall as is, or framed. You can also use my piece and create your own version of it.We start with a plain piece of background fabric, then build up our image with fabric layers. You can leave the edges raw or turn them under, which ever is your preference.These will be hand stitched down (or machined if you prefer, but you will need to bring your machine). I use lots of different threads and beads, buttons and found objects to embellish the piece and bring it to life. This is a fun class that will free you up to be creative, as in all of my workshops there are no rules.





Class 3: Jane Nicholas - AustraliaAmethyst Japanese Butterfly

Class 4: Heather Constantine - AucklandChristmas Crackers or Needle Roll

This goldwork butterfly was inspired by a Japanese family crest, known as a mon. The family crest, badge or emblem has been a Japanese tradition since the eleventh century, when they decorated the costumes and carriages of courtiers. Using goldwork and stumpwork techniques, and a variety of gold and silk threads, gold kid and beads, this small embroidered medallion may be worked on ivory silk or satin or the fabric of your choice. I used a scrap of vintage kimono silk. The finished panel may be framed or mounted into the lid of a box.

Design Size: 10x10cm

Class level: Intermediate/Experienced


Kit Cost: NZ $58

These hand embroidered Christmas Crackers are worked on 30 – 32 count linen fabric using a variety of counted techniques with a combination of gold thread and beads to enhance the design. A chance to try some new stitches in combination with some favourites. All stitches used will be taught, and full construction details given. If desired, the students can embroider these as needle rolls using their own colour choices.

Class level: Suit all levels

Workshop Cost: $180.00 Notes Cost: $6

Class 5: Fiona Crowther-Aker - TimaruLove that Thread and Something to Die For

Class 6: Jo Dixey - HelensvilleSolid Stitch

Inspired by Mountmellick – the worked area 22cm x 25cm on linen or denim weight fabric using mountmellick threads or perle 8 and 5 cottons. Students may select either pattern to work in class. Item can be finished as a thread compendium, canvas backpack or even a piece of clothing. Pre-class work involves working the trellis background, and class work will cover all other stitches used, varying between beginner to complicated. Full comprehensive instructions and pattern for both designs are provided in a booklet and ‘Stitch with Me’ DVD.

Design Size: 22cm x 25cm



Notes and DVD cost: $35

Why not create work that has no fabric visible, the surface being completely covered with stitch. Traditional surface stitches can be used in non traditional ways to create contemporary pieces of embroidery. Line stitches massed together to create a filling stitch or stitches placed in different directions to make use of the way light falls on the thread, cotton perle is perfect for this. Day 1 will be spent exploring the possibilities of common surface stitches. Day 2 will be the start of a piece of work using the ideas discovered during day 1



PHOTO EXAMPLE ONLY

Class 7 Trish Hill - CoromandelBlue Hussif

Class 8: Sarah Hooker - WellingtonHundertwasser

This is a compact pocket hussif, designed from old blue and white Portuguese tiles. Worked in counted Cross Stitch with Nun Stitch on the accessories, and stitched on 32 count even weave fabric. Threads used are The Gentle Art Sampler threads. During the weekend work will progress at student’s pace. Full notes are provided and construction will be discussed. A very small amount of pre-class preparation will be required.

Design Size: 20 x 15 cm

Class Level: Suit all levels


Kit Cost: $12.00

Open a window to the world of Friedrich Hundertwasser. In this class use a riot of colour to stitch a wild, quirky landscape. Start with felt embroidery and use simple linear stitches to create a tree or house. Cut out and apply this to coloured canvas then stitch a background that swirls, ebbs and flows around the applique. Canvas and embroidery stitches are mixed in a relaxed free form style where straight lines and accuracy are not required! Students will be shown quick easy ways to colour canvas, make design decisions, and stitches for felt and canvas embroidery. Experienced stitchers will enjoy the freedom of working without a pattern. Start a smaller project and you could finish in the weekend. At the end of class construction of panels, bags and cushions will be demonstrated. Students receive comprehensive notes showing all steps in the project, design ideas and all the stitches.

Design Size: 12.5cm x 20cm



Kit Cost: $25.00 Canvas, paint, needles and notes

PHOTO EXAMPLE ONLY

HUNDERTWASSER

Copyright © 2016 Sarah Hooker

Class 10: Fiona Mendel - AucklandCornpad Embroidery Cushion

This flower and its surrounding background are created using canvas work in three different ways. The threads are all from the same colour family but are from different companies and have different properties. Couple this with over 20 stitches and 3 sizes of canvas, worked together to create the flower and its background. To finish the piece I have attached my stitching to a petite Yazzii bag so that it may be used as an embroidery kit. You may choose to finish the piece as the bag or as you wish. During the class we will go through all of the stitches and finishing so you may complete your piece at home.

Design Size: 16cm x 13cm



Kit Cost: $25.00 Canvas, paint, needles and notes

Class 9: Sue Lucas – DunedinCanvas Flower Bag

An introduction to cornpad embroidery. Come and stitch a cushion, either cream, coloured or colourful. This is surface stitchery that you can’t get wrong! You won’t finish the cushion over the weekend but you will be well on the way.



Kit Cost: $40

PHOTO EXAMPLE ONLY

Class 12: Ailie Snow - AucklandSecrets of the Scroll

Scroll : a roll for writing a document, a message, a promise, or a list. : to progress, or be revealed, as a scroll unrolling. : a blend of rolle and scrowe ( = scrap ). Make your own scroll, elegant or funky, to keep, or to give away as a very special gift. Using small scraps of fabrics and papers and little embellishments, you will construct and decorate the fabric length for the scroll, and learn how to attach it to your reel. Come along with a theme in mind, or a collection of fabrics that will suggest a direction. Or just use all your most beautiful bits and pieces, in a fabulous conglomeration.

Size: 8 cm x 7 cm

Class Level: Suits all levels


Wooden Reels: $6 (no kit)

PHOTO EXAMPLE ONLY

Class 11: Shirley Pygott - AucklandElizabethan NZ Style Panel

This panel is stitched on black satin using silk and metallic thread. Techniques will involve Elizabethan braiding, needlelace and surface stitch. The main elements will be fixed, but there will be some flexibility to personalise the panel with a selection of similar elements. Design Size: 18cm x 9cm Class Level: AdvancedWorkshop Cost: $180.00Kit cost: Full $40 or Part $18

Class 21: Jenny Adin – Christie - EnglandBotanical Studies on Silk Organza

This course is inspired by the beautiful effects and subtly bleached colours resulting from the natural deterioration of textiles over time. Embroidery was often originally worked in strong, vibrant colours, set on firm weighty ground fabrics. However, these colours fade and age to dusky, light bleached hues, and the ground fabrics deteriorate leaving the embroidery skeleton supported on a delicate mesh. As an allied design theme, we will take the exquisite architectural forms which result as plants decay and become fragile skeletal silhouettes. You may choose between two designs: Honesty and Eryngium. Each includes a lovely selection of hand embroidery stitches which form a rich range of strong contrasting textures taken from the fields of crewel work, whitework, raised embroidery and needlelace (eryngium only). Working in wools, silks, metals and linens, the designs will be set on a ground of sheer silk organza, creating the impression of the embroidery being suspended. You may not complete the full design in the two days but will have experienced all techniques, allowing you to complete confidently at home using the very comprehensive illustrated instructions. The Eryngium design is the slightly simpler and quicker of the two to complete. Special box frames to fit the completed designs, with a double internal mount which traps and suspends the work above a backing board, can be pre-ordered.

Class Level: Intermediate to AdvancedWorkshop Cost: $150.00Kit Cost: GBP£75 includes all photo copying and additional materials. (A New Zealand price will be with your needs list)

Dates: Tuesday 31 March and Wednesday 1 April 2019Times: 9.30am – 4.00pm

Tea and Coffee provided – Please bring your lunch

Classes 21 and 22 at Onehunga Community House83 Selwyn Street, Onehunga, Auckland

Class 23 at Auckland Embroiderers’ Guild Rooms,25 Poronui Street, Mt Eden, Auckland

ADDITIONAL CLASSES: Please take special note of the dates and venues.

There are two different venues.

Botanical studies on Organza - ERYNGUIM (below) and HONESTY (top)

The design combines techniques taken from whitework, shadow work, raised embroidery and metal thread work. Some techniques are worked from behind the organza, others on top, enhancing the sense of depth. Kit £42.50

Botanical studies on Organza - ERYNGUIM (below) and HONESTY (top)

The design combines techniques taken from whitework, shadow work, raised embroidery and metal thread work. Some techniques are worked from behind the organza, others on top, enhancing the sense of depth. Kit £42.50

Class 22: Ro Bruhn - AustraliaFabric Journal Workshop

We will be making a journal made from fabric, using new and recycled fabrics, scraps, clothing labels, ephemera, sari silks, yarns, buttons, broken jewellery, found objects, you can also add paper pages too. This journal will become a place to keep all of your ‘don’t want to throw out’ treasures. At the end of two days you will have the cover made and at least four pages, attached into the spine of the cover, allowing you to complete the journal at home. Class Level: All levelsWorkshop Cost: $150.00

PHOTO EXAMPLE ONLY

2020 PROGRAMMEPLEASE DO NOT ARRIVE AT THE SCHOOL BEFORE 5.00 PM, this allows time for the school pupils and teachers to leave.• Exhibition Pieces may be delivered to the Events Centre from 5.00 – 5.15 pm.• Your name tag will be in your classroom. • And don’t forget your Raffle money...

Friday 27 March 5.15pm. Classrooms open at 5.15pm. - please do not enter classrooms before 5.15pm5.30 – 6.30pm. Class starts at 5.30 pm. – please make sure you bring all your class requirements that are on your needs list 6.30 - 7.00pm. Classes finish at 6.30pm, please make your way to the Events Centre. The evening’s programme will start at 7.00pm including wine and nibbles The traders will be open 7.00pm. Welcome and introduction of Tutors and Committee

Saturday 28 March and Sunday 29 March8.30am. - 3.30pm. Classes – There will be a 15 minute break for morning tea. 12.00 – 1.15pm. Lunch 3.30pm. Saturday Afternoon Tea 3.00pm. Sunday Afternoon Tea and Display of class work

Saturday Night Dinner 6.30pm• Dinner will be served at approximately 7.00 pm.• BYO – please feel free to bring your own wine. • There will be a small amount of fruit juice provided.• For those who are staying for dinner and are not in motel accommodation, one of the classrooms will remain open so that there is somewhere for you to perhaps sit and stitch (homework) until the Events Centre is open for dinner.

Traders Opening TimesTraders will be open during the weekendFriday 6.30pm – 8.00pm. Saturday 8.00am – 4.00pm.Sunday 8.00am – 1.45pm.

Exhibition Opening TimesSaturday 12.30pm – 4.00pm.Sunday 9.00am – 1.15pm.

Class 23: Jane Nicholas – AustraliaJapanese Lotus and Praying Mantis

This panel was inspired by a Japanese family crest showing a stylised lotus plant motif. It features the leaves, flowers and seed pods of the lotus plant, Nelumbo nucifera , and a Praying Mantis, Mantis religiosa , with detached wings and wrapped- wire legs. Using traditional stumpwork and surface embroidery techniques, and a variety of silk and metallic threads, this small circular embroidery may be worked on ivory silk or satin or the fabric of your choice. I used a small square of vintage kimono silk. The finished panel may be framed or mounted into the lid of a gilt bowl.

Design Size: 12x12cm

Class Level: Experienced


Kit Cost: NZ$46

TUTOR PROFILESJenny Adin-Christie is a freelance professional hand embroiderer and designer, with an innate passi on for creating individual work; for the study/repair of antique embroideries and for inspiring others through her enthusiastic teaching. Jenny is originally from Derbyshire, England and came from a family who greatly valued craftsmanship, therefore learning her love of embroidery from an early age. She trained on the Royal School of Needlework’s intensive Apprenticeship, graduating in 1999 with distinction. Jenny continued to work at the school for a further 10 years as a member of the Studio team and teaching staff, eventually becoming Assistant to the Head of Studio and playing a key role in a broad range of major commissions, (such as working fine embroidered monograms for the front cover of Sir Paul MacCartney’s classical album, Ecce Cor Meum, the Jubilee Woolsack for the Royal Hospital Chelsea, the Jubilee Banner for Buckingham Palace and the curtains and pelmet for the restored Royal Opera House) in the production of new product ranges and in creating individual work including desgning Lenten Altar Frontals for Canterbury Cathedral. Jenny was privileged to play a leading role in the RSN team which created the exquisite applied lace panels for the Royal Wedding Dress, designed by Sarah Burton for the Duchess of Cambridge. Jenny embarked on a freelance career in 2009. She now teaches widely throughout the UK and beyond, including France, USA, Australia and New Zealand. Jenny is now widely recognized as a specialist in the fields of whitework, metal thread and raised embroidery. She runs a professional embroidery studio from her home in Surrey, UK, offering tutoring and commission work. Jenny also designs, develops and sells a unique range of contemporary embroidery kits together with a broad range of specialist tools and materials.

Ro Bruhn is a graphic designer but gave up full time work seven years ago to concentrate on her art and teaching. She has been an artist, in one form or another, all of her life. Ro’s passion is painting in acrylic and pastels, working with fabrics, papers and jewellery. Colour plays a vital role in her work, it’s influence can be seen across all forms of her art. She has exhibited in numerous exhibitions and also sells her work on-line. Her work has also been published in magazines and books. She teaches workshops on a regular basis from her home in Victoria, Australia and across Australia and New Zealand.

Jane Nicholas has been researching and working in the field of embroidery for over twenty years. Specialising in stumpwork and goldwork embroidery, she has written nine books and has contributed widely to journals and magazines on the subject. In 1999 Jane was awarded a Churchill Fellowship to further her studies in stumpwork in the United Kingdom and in 2005 was awarded the Order of Australia Medal (OAM), for her “services to hand embroidery as an artist, teacher and author”. She teaches widely in Australia, New Zealand, Canada and the United States of America and continues to research and develop new techniques - particularly in stumpwork. A separate, but often related, area of her work is as a maker of artists books and boxes.

Heather Constantine has always had a passion for embroidery and in the last 10 years enjoyed furthering her knowledge with designing her own pieces. She trained as a home economics teacher and enjoys teaching people new skills. It gives her a great sense of pleasure to see embroiderers of all levels achieve a completed article. She likes to think her classes are light hearted even though we are producing a counted piece of embroidery.

Fiona Crowther-Aker is crazy about threads, stitching and designing and loves sharing what she does. her mind is always busy with ideas for new projects! She loves taking her son to mountain bike events and sitting at the bottom of the hill in her deck chair, a coffee in the holder and stitching in hand, the sun on the mountains or snow on the hills.

Jo Dixey is a member of Embroiderers and Lacemakers Guild and is a professional embroiderer and stitch artist. She trained at the Royal School of Needlework in the early 1990’s and then continue her studies to gain City and Guild’s Creative Embroidery, parts 1 and 2. Jo has been teaching, working commissions and exhibiting for more than 20 years in New Zealand and overseas.dixeysoul.blogspot.co.nz

Trish Hill has stitched and sewn for many years. Her knowledge of embroidery has broadened since becoming a member of the Coromandel Embroiderers’ Guild. She particularly enjoys counted work and cross stitch.

Sarah Hooker Many years retailing embroidery and patchwork supplies in Wellington gave Sarah the opportunity to explore all fields of contemporary and traditional hand and machine embroidery producing hundreds of samples of stitched work over the years. After selling the business in 2006 and deciding to continue teaching she has had the chance to really think about what she loved. It was teaching surface stitchery and canvas work with an emphasis on students creating their own original work using the simplest stitches creatively.

Sue Lucas loves to stitch. She has been seriously stitching for the last 10 years, and recently began designing her own work. She loves the challenge of exploring ideas - working through design, composition, colour, stitch and materials to bring these ideas out of her imagination so others can see them.

Fiona Mendel has been stitching all her life. Her grandmother stitched beautiful counted thread work, her mother stitches gorgeous three-dimensional work and she loves surface stitchery. She stitches almost everyday – it keeps her sane. And both her daughters also stitch! Win! Win!

Shirley Pygott prefers using traditional techniques and materials in new, innovative ways, and particularly enjoys interpreting New Zealand themes using metal thread, surface stitch and needle lace. She has tutored widely for more than 13 years in New Zealand and on 3 international cruises, and has been the travelling tutor for the NNI region in 2017 and nationally for ANZEG in 2019. Shirley has completed both the ANZEG Diploma of Embroidery and the Diploma of Embroidery Teaching.

Ailie Snow has been working with textiles for more than 30 years now, regularly exhibiting and teaching around New Zealand, and more recently in Australia, Britain and the United States. In her stitched work, which has gained a number of national awards, she combines a wide range of cloth, as well as paper, print, and found objects, to convey an idea or feeling. She is never happier than with a needle in her hand, and some sort of experimental work challenging her to find a new way to communicate. With heaps of enthusiasm and encouragement, Ailie hopes to convey this sense of discovery and enjoyment to everyone in her classes. http://www.ailiesnow.com/

OREWA COLLEGEOrewa College is situated in Riverside Road, Orewa. Leave the motorway at the Orewa turnoff and follow the road – Grand Drive to the Roundabout. At the Roundabout turn right into West Hoe Road, follow this road which becomes Hatton Road. At the T intersection turn left and Orewa College is on your right. • Please use Driveway Entry 1 – shown on the map – this leads to car parks 1 and 2

Orewa College and grounds are SMOKE FREE ZONES.

EXHIBITION

EXHIBITION FORM

The Exhibition is an integral part of the Embroiderers’ Great Escape and we encourage all participants to take part. We have set some criteria to avoid any confusion.

Traditional Work Counted work of any kind. This award, in memory of Elizabeth Ellett, recognises her passion and expertise in this style of embroidery. Entries can be original, from a workshop or kit.

Innovative Own design and work of any kind.

Theme for 2020 – “My View”Any kind of work in keeping with the Theme.

Each of these sections will be eligible for an award of $50.00 selected by one of the weekend’s tutors.

General Display – any work that does not fit into the above categories. This section will not be judged.

All four sections will be eligible for the Viewers’ Choice Award of $50

Registration Number:

Name:

Guild:

Traditional Innovative Theme General Display (Please tick)

Total Number of Pieces Submitted: 1 2 (Please tick)

When choosing your pieces, please be aware our Exhibition area is limited, so no large pieces please.A maximum of two pieces may be submitted.Please give a brief description of your work:

All stitched work and all packaging material - which includes all outside and inside packaging - MUST be clearly labelled with your name. Please do not use cellotape. It would be preferable if your work was contained within a padded fabric bag. Each item must be clearly labelled with your name, and a copy of the exhibition form attached securely to the outside of your bag or packaging. If your work is not labelled correctly The Great Escape Committee will take no responsibility for your work and reserves the right to not open the packaging and your work will not be exhibited.Work for the exhibition must have been finished within the last 12 months but may have been exhibited elsewhere.Exhibition pieces are to be handed in to the Exhibition area of the Events Centre Friday 27nd March 2020 between 5.00 – 5.15 pm or 6.30 – 7.00 pm.

Please be aware that your work may be photographed for the Embroiderers’ Great Escape Committee records and publicity only.

REGISTRATION PAGE

Please complete the Registration Form and post it, along with your cheque (if appropriate) and two stamped self-addressed envelopes to:The Registrar, The Great Escape, PO Box 11-926, Ellerslie, Auckland 1542(don’t forget to keep a copy for your own records)You may also download a Registration Form from our website: www.embroiderersgreatescape.comPlease provide a second and third choice in case your first choice is full or we have to withdraw any workshops from the programme.Once we receive your completed form we will process your deposit and reserve your place in your chosen class. You will then be sent a registration confirmation sheet and receipt.Class Needs Lists will be posted on 15 January 2020.Your Registration Fee covers the following• 1 x 2 day class plus 1 hour on Friday night• Friday Night Wine and Nibbles• Lunches Saturday and Sunday• Morning and Afternoon Teas Saturday and SundayPlease note that we are unable to cater for specific dietary needs.PAYMENT METHODS

Registrations will be opened on the 6 May 2019.You may pay in full on registration or pay a deposit of $50.00 with the balance due 1 September 2019. Your place in the class is not confirmed until full payment has been received. If you are attending the Saturday Night Gala Dinner you will need to add this amount to your total cost. Any registration received after 1 September 2019 must be paid in full. PAYMENT BY INTERNETPayment should be made to: ASB 12 3031 0270322 00Please use your full name when making your payment. If you pay by internet banking make your first payment before you post your Registration Form. At the same time you could set up the payment for the outstanding balance to be paid on or before 1 September 2019.PAYMENT BY CHEQUECheques should be made payable to ‘The Great Escape’.If you are paying by instalments send two cheques, one being the deposit of $50.00. The second cheque for the outstanding balance and dated no later than1 September 2019.

CANCELLATIONS

All cancellations are to be in writing.Cancellations received before the 1st January 2020 will be subject to a fee of $50.00There will be NO refunds for cancellations received after 1st January 2020.

CLASSES

All classes start on Friday Evening at 5.30 pm sharp. Please make sure you bring all your class requirements.Classrooms that are used for the weekend are in ‘D Block’, and in some instances A1 or A2 which are the Art Rooms and T2 which is the sewing room. Your room allocation will be with your needs list.

KIT COSTSAll money for kits is to be paid to the Tutor on Friday Evening.

WEEKEND ETIQUETTE

Orewa College and grounds are SMOKE FREE ZONES.Mobile phones must be turned off at all times in classrooms and the Events Centre areas.Children are not permitted in classrooms under any circumstances.

SPONSORSHIP

The Great Escape Committee would like to thank Lynnette Macdonald for her sponsorship of The Great Escape Brochure.

A few hints that could make your weekend even better!

• Please provide your own bottled water.

• Also any home comforts like a cushion or footstool and light, if you find these of help.

• A cover cloth or tea towel for your desk.DISCLAIMER

If any unforeseen circumstances occur, The Great Escape Committee reserve the right to replace tutors and will, if time allows, make every endeavour to advise students affected by the changes.Any class may be cancelled if insufficient registrations are received.

COPYRIGHTTHE CLASSES TAUGHT AT THE GREAT ESCAPE AND ALL MATERIAL ASSOCIATED WITH THEM ARE THE PROPERTY OF THE TUTORS AND MUST NOT BE COPIED IN ANY FORM.

REGISTRATION FORMRegistrations must be on this form – please photocopy for your own records.

Name:

Address:

Postcode:

Telephone:

Mobile:

Email:

Member of Guild:

1st Choice:

2nd Choice:

3rd Choice:

Class 21 – Jenny Adin-Christie

Class 22 – Ro Bruhn

Class 23 – Jane Nicholas

Class 1 – Jenny Adin-ChristieDaisy MeadowUlster Pocket

Class 21 – Jenny Adin-ChristieHonestyEryngium

Classes 1 – 3 .................................$200.00 $

Classes 4 – 12 .............................$180.00 $

Saturday Night Dinner .............$50.00 $

Class 21 – 23 ...............................$150.00 $

Total ................................................ $

Paid in Full .................................... Yes / No

Less Deposit Paid ....................... $

Balance to be paid (1 September 2019) $

Paid by internet banking Date Paid Use your full name as referenceInternet Payment must be made before Registration Form is posted

ASB 123031 0270322 00

Paid by cheque

Post dated Cheque Enclosed

Signature

Office use only

Booking No.

Registration No.

Receipt No/s.

$

CHECK LIST

List of choices

2 Stamped Self Addressed Envelopes (DLE Business size 22.5cm x 11.5cm)

Include payments

Cheques made payable to “The Great Escape”

Class needs lists will be sent mid January 2020

Send Registration form to: The RegistrarHelen MilbankP O Box 11-926 Ellerslie, Auckland 1542Phone 0 9 534 3537Email [email protected]

27 - 29 March 2020

Sender:P O Box 11-926 Ellerslie, Auckland 1542

24 - 26 March 2017Celebrating 25 Years

Sender:P O Box 11-926 Ellerslie, Auckland 1542

www.ribbonrose.co.nz email: [email protected] Now Bigger, Brighter and Better in our new location

The Ribbon Rose, 45B Mount Wellington HighwayMount Wellington Auckland, New Zealand 1060

The Ribbon Rose is a unique and inspiring shop providing quality supplies for customers who embroider, bead, patchwork and knit as well

as having an amazing range of other craft supplies.Knowledgeable and helpful staff are available to assist whether you are

visiting the shop, on the phone or making an enquiry by email.Their comprehensive product range includes supplies for most types of

embroidery, beading, feltwork, patchwork fabrics, knitting wools and cross-stitch. Also on offer are many Patterns, Kits and Books. Visit the website

and be amazed at the choice available. If an item is not on the website we may still have it in store or be able to source it for you.

Telephone: 09 580 2276 Int: (64) 9 580 2276

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class 1: jenny adin-christie – england studies in white · including buttonhole shells, eyelets...

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