choosing children's literature 2007 version

23
Le Bon Libre: The Good Book Choosing Children’s Literature Fall 2009 ELE 616 Research in Children’s Literature

Upload: johan-koren

Post on 21-Jan-2015

1.859 views

Category:

Education


0 download

DESCRIPTION

 

TRANSCRIPT

Page 1: Choosing Children's Literature 2007 version

Le Bon Libre:The Good Book

Choosing Children’s Literature

Fall 2009ELE 616 Research in Children’s Literature

Page 3: Choosing Children's Literature 2007 version

What Makes a Good Children’s Book?

literature for children A good book latches onto a child and won’t

let go. What a child needs is to be exposed to the pleasures of reading and to have access to a large collection of books from which to choose when the child is ready to read. What a child does not need is to be pushed into reading or to have an adult force a child to read a certain book by insisting that it is a good book.

• literature for children. Britannica Student Encyclopedia. Retrieved November 29, 2009, from Encyclopædia Britannica. <http://kids.britannica.com/comptons/article-203946/literature-for-children>

Page 4: Choosing Children's Literature 2007 version

What makes an effective children’s book?

Depends on the particular book in question A story picture book should have all the

elements of story, engaging writing, a hero who grows and changes, and the best fit art for the protagonist and tale.

A concept book should convey the concept (be it, say, alphabet, numbers, colors) in a clear and engaging manner, one that will engage young minds.

Humorous books should be funny. Adventure books suspenseful and exciting. Mysteries intriguing. Fantasies imaginative. Gothics scary.

• http://cynthialeitichsmith.blogspot.com/2004/11/effective-aspects.html

Children's author Cynthia Leitich Smith

Page 5: Choosing Children's Literature 2007 version

More from Cynthia Leitich Smith

A good book should be the best book it can be A children’s novel must do all that an adult novel

does, but the hero and sensibility is that of a younger person. They are generally a bit leaner, though, less self-indulgent on the part of the author. The audience tends to have a shorter attention span.

No kid reads a book because of what the New York Times has to say. To them, it must sing.

Basically, a good book should be the best book it can be, in whatever manifestation fits best for its unique nature.

• Effective aspects

Page 6: Choosing Children's Literature 2007 version

What Makes a Good Children’s Book?

A good children’s book: Stimulates the imagination Has fun language, rhythm, rhyme, and

patterns Has big, clear print, and pictures Is developmentally appropriate Keeps a child’s attention Gets children involved with the story Has sensory appeal

• http://www.kingstonliteracy.com/FamLit/goodbook.htm/

Page 7: Choosing Children's Literature 2007 version

What about books for young adults?

Former English professor Don Gallo: “Good young adult books deal honestly

and openly with teenage issues and problems”

The best novels for teens, he believes, are well written, yet less complex than the famous classics

Short stories, too, are successful at addressing popular themes such as multiculturalism and character development. • In the Interest of Teenagers

Page 8: Choosing Children's Literature 2007 version

What makes good children’s literature?

Bev Clark, Alcott Fan and Children’s Literature Expert: “In my mind, what makes good children’s

literature is the same as what makes great adult literature: The work must be excellent in its own right, never condescend to the reader and raise interesting questions.”

“It must speak to children and their parents -- and also to the editors, publishers and sellers who first make it available.”

Page 9: Choosing Children's Literature 2007 version

What is good children’s literature?

Good children's literature is good literature. Period. Good children's literature isn’t silly or

lightweight. Look closely at enduring classics such as Charlotte’s Web and you’ll find a complex work of art, every bit as interesting and rich as an adult novel. Even a children’s book as seemingly simple as Goodnight Moon is in reality a subtly beautiful poem that speaks to the deep longings and fears of both children and adults.

• Why Parents Should Read Harry Potterby Robert Needlman, M.D., F.A.A.P.

Page 10: Choosing Children's Literature 2007 version

Choosing Books for Young Readers

Too Easy? Too Hard ? Just Right? Not every book a child reads must be a challenge. Length and reading level are not everything when it

comes to good literature. Just because the stories are shorter and illustrations

have been used in a picture book does not make the writing any less powerful.

. . . children's series books are often looked down upon as “garbage” and not providing any educational opportunities.  Yet, these books are also important to a developing and even the gifted  reader.

Please allow your child to choose the books they want to read as long as it is not inappropriate material for children.

• Book Nuts’ Mom

Page 11: Choosing Children's Literature 2007 version

Classroom libraries

Why have a classroom library? One of the main tasks of a K-5 teacher is

to teach children to read. Reading is a skill that requires a great deal of practice. To practice, you need books. Thus, every elementary classroom needs its own library.• Build and Use A Classroom Library on

Page 12: Choosing Children's Literature 2007 version

Arguments against classroom libraries

Books become restricted in their availability . . . when we look at the big picture -- the needs of the

whole school -- it is obvious today's limited funds must be spent for the global good of all. A centralized collection is the most economically viable solution to the heavy demands for learning resources in today's classrooms.

Books are only inanimate objects until their potential for learning is utilized by a teacher or teacher-librarian. If a book is perceived to be of use with only one student, in a particular grade, at a certain time of the year, to meet a specific need, then the potential of that book is being wasted. I have seen teachers put books away in a box until next year when they do the same theme again.

• The classroom library: Are we returning to the 1950s, or developing better collaboration?

Page 13: Choosing Children's Literature 2007 version

Solution? Compromise!

Classroom libraries have undoubted advantages in promoting reading and love of reading By keeping track of your classroom

collection using a spreadsheet or database manager, and then share that list with others in the school

See Classroom Libraries on The School Library Handbook about how to organize your collection!

Page 14: Choosing Children's Literature 2007 version

Need for policies and procedures

What are policies and procedures? Policies explain why the collection exists

and what will be in it. A policy tends to address ideals and generalities.

Procedures explain how the policy will be implemented and who will be involved with the implementation. A procedure should be concrete and specific. • Information Access & Delivery: Policies and Procedure

s

Page 15: Choosing Children's Literature 2007 version

Do policies really make a difference?

Without a policy you may face some of the situations:

You are open to book censors. You may be cited on copyright

infringement lawsuits. You could be accused of being biased in

selection. • Information Access & Delivery: Policies and Procedure

s

Page 16: Choosing Children's Literature 2007 version

Importance of a Selection Policy

Why do I need a policy?

haphazard patterns of acquisition will result in waste because some—perhaps many—materials will overlap in content, or will be unrelated to changing patterns of instruction

when there are complaints about . . . fiction in the English class, the use of the “objectionable” item can be explained more easily • ALA Workbook for Selection Policy Writing

Page 17: Choosing Children's Literature 2007 version

Typical content

A good policy on the selection of instructional materials will include basic sections on objectives,

responsibility, criteria, procedures for selection, reconsideration of materials, and policies on controversial materials.

Your policy should state succinctly what your system is trying to accomplish in its educational program, and, in somewhat more detail, the objectives of selection.• ALA Workbook for Selection Policy Writing

Page 18: Choosing Children's Literature 2007 version

Word of warning

Know thyself! It is important that teachers and

administrators are able to recognize their own biases and also biases that appear in learning materials. When teachers and administrators are aware of their own biases, they can take the steps necessary to ensure that those biases do not influence their interactions with students.

• CRITERIA FOR SELECTION AND DEVELOPMENT OFTEACHING AND LEARNING MATERIALS [Website no longer available]

Page 19: Choosing Children's Literature 2007 version

Contents of a selection policy

selection criteria The set of standards used by librarians to

decide whether an item should be added to the collection, which normally includes a list of subjects or fields to be covered, levels of specialization, editions, currency, languages, and formats (large print, nonprint, abridgments, etc.). Selection criteria usually reflect the library’s mission and the information needs of its clientele, but selection decisions are also influenced by budgetary constraints and qualitative evaluation in the form of reviews, recommended core lists, and other selection tools.

Page 20: Choosing Children's Literature 2007 version

A Philosophical Question

Is Selection a Form of Censorship? Do public libraries attempt to supervise the

tastes of their readers by making it a fixed policy not to buy “objectionable” books? It is a simple expedient and has often been applied. The public librarian often has the plausible excuse that as the funds of a library are limited, he must pick and choose, and naturally the more “wholesome” books are to be preferred. He insists that he is exercising not censorship but the prerogative of free selection.

• Morris L. Ernst and William Seagle, To the Pure . . . A Study of Obscenity and the Censor cited in Lester Asheim, Not Censorship But Selection

Page 21: Choosing Children's Literature 2007 version

Challenged, like Harry Potter

Look Out, Harry Potter! – Book Banning Heats Up The Harry Potter series is keeping

company with such frequently banned classics as John Steinbeck's Of Mice and Men and J. D. Salinger's The Catcher in the Rye.

“Perhaps teachers are self-censored because they felt the chill [from the controversy],” said Charles Suhor, a field representative for the www.ncte.org National Council of Teachers of English (NCTE).

• Article by Diane Weaver Dunne Education World® 04/10/2000

Page 22: Choosing Children's Literature 2007 version

Or, My Weird School

Exchange on listserv LM_Net: Original Request Sun 11/29/2009 8:18 PM : Hello all, Has

anyone had a challenge or any parent complaints about the My Weird School series by Dan Gutman? I have the unusual situation of having one parent wanting the series removed and another parent wanting them to remain. Any help or comments would be appreciated. I'm in a K-3

school. Reply Sun 11/29/2009 8:57 PM: One idea to help ally the

fears of the parent wanting to remove the books, might be to show the author's web page: http://www.dangutman.com/ Perhaps if they knew a little more about the author and the award winning books they've done, it might give them a different perspective. Gutman mentions the series was inspired by his daughter and one of his goals as an author is to get kids to read. For reluctant readers, they are pretty engaging.

Page 23: Choosing Children's Literature 2007 version

FINIS