chapter 6 troubadours & trouveres

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Chapter 6 Chapter 6 Troubadour Troubadour s & s & Trouv Trouv ères ères

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Page 1: Chapter 6   troubadours & trouveres

Chapter 6Chapter 6

TroubadouTroubadours & rs &

TrouvTrouvèresères

Page 2: Chapter 6   troubadours & trouveres

Troubadours & TrobairitzTroubadours & Trobairitz

• Poetry in French, German, Italian, & Spanish appear for the first time.– some meant to be recited, some sung

• Southern France was the center for this new courtly art.

• Poet-musicians who flourished at this art were known as troubadours (men) and trobairitz (women).– both terms derived from French verb “trobar” (to find)

Page 3: Chapter 6   troubadours & trouveres

TrouvTrouvèresères

• Spoke in the native language of southern France– langue d’oc.

• By early 13th century this art had spread to Northern France and now called trouvères (both male and female).

• Language of Northern France was langue d’oil.

• Social standing varied of these troubadours– Some were noblemen and noblewomen– Some were humble servants of aristocrats. – Not stereotypical carefree wandering minstrel.

Page 4: Chapter 6   troubadours & trouveres

Countess Beatriz de DiaCountess Beatriz de Dia

• Around 1175 she composed the sole song by a trobairitz to survive today: – Chantar m’er (I must sing).

• It conveys the sentiment of disappointment in love from the perspective of a woman.

• It also exhibits a repetitive formal plan

(ABABCDB).

Page 5: Chapter 6   troubadours & trouveres

Eleanor of AquitaineEleanor of Aquitaine (c1122-1204) (c1122-1204)

• Duchess of Aquitaine and successively queen of France and then England – most remarkable women of the high Middle Ages.

• More than any other place, the art of trouvères flourished at her court.

• Was both a powerful political figure and a great patroness of poets and musicians.

• Late in her life her court was centered at the castle of Chinon – in southwestern France.

Page 6: Chapter 6   troubadours & trouveres

The Angevin kingdom of which Eleanor of Aquitaine was queen

Page 7: Chapter 6   troubadours & trouveres

Bernart de VentadornBernart de Ventadorn • Bernart de Ventadorn (c1135-c1195)

– troubadour patronized by Eleanor at Chinon, who composed songs about her.

• Wrote Can vei la lauzeta (When I see the lark) as an embittered complaint against Eleanor, because she had betrayed him.

• Ultimately, withdrew from Chinon and entered a monastery.

• Similarly, Eleanor in her last years entered the convent at Fontevraud near Chinon, where she died and was buried.

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Tomb of Eleanor of Aquitaine Tomb of Eleanor of Aquitaine at Fontevraud Abbeyat Fontevraud Abbey

Notice that Eleanor holds a book to symbolize that she is a learned woman. Notice also that to her right is buried her son King Richard (Lionheart).

Page 9: Chapter 6   troubadours & trouveres

King Richard I of EnglandKing Richard I of England (1157-1199)

• A monarch and trouvère– he to set music poetry written in the langue d’oïl (of the north of

France).

• His beautiful chanson (French secular court song) Ja nus hons pris ne dira (Truly, a captive doesn’t speak his mind) – laments the fact that he was captured returning from a crusade

and that his friends have failed to pay his ransom.

• The chanson is composed in AAB form and in what later music theorists will call Aeolian mode.

Page 10: Chapter 6   troubadours & trouveres

• In addition to the troubadours and trouvères in France, comparable songsters could be found in Germany, where they were called Minnesingers.

• The court of Alfonso the Wise (king of Castile, Spain) was a center for the cultivation of the cantiga (a secular monophonic song in Spanish or Portugese).