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Risk Tolerance and its Effect on Majoring in Art
A Thesis Submitted in Partial Fulfillment of theRequirements of the Renée Crown University Honors Program at
Syracuse University
Austin Church
Candidate for Bachelor of Science in Economicsand Renée Crown University Honors
Spring 2020
Honors Thesis in Economics
Thesis Advisor: _______________________ Dr. Perry Singleton, Associate Professor
Thesis Reader: _______________________ Dr. William Osborne III, Honors Adjunct Professor
Honors Director: _______________________ Dr. Danielle Smith, Director
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© (Austin Church 2020)
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Abstract
This paper looks into risk attitudes of college students and how those attitudes affect the likelihood of majoring in art in college. The theory of human capital investment provides the baseline for the analysis. The financial prospects of art graduates make a degree in the arts risky relative to other majors1. Data from the National Longitudinal Survey of Youth 1997 was used to show that more risk tolerant individuals are more likely to major in art. The willingness to bend rules was used as a proxy for an individual's attitude towards risk; bending rules is a risky endeavor, and attitudes towards that risky activity serve to represent overall attitudes towards risk. To come to this conclusion, a logistic regression model was used to determine the effect of increased willingness to bend rules on the likelihood of majoring in art. Ultimately, the difference in the probability of majoring in art between a risk averse student and a risk tolerant student was shown to be roughly 3.5%. Risk-taking attitudes are also shown to have an effect on the likelihood of individuals majoring in the humanities. The effect of risk-taking attitudes on the likelihood of majoring in art also has implications for the structure of art classes and in art outreach efforts.
1 This comes from The Economic Value of College Majors by Carnevale et al.
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Executive Summary
This paper looks into the effect of students' risk-taking attitudes on the likelihood of
studying art in college. There is a large body of literature on the economic decision to attend
college or not; there has also been some research into what causes students to select their topic of
study. The research reported on in this paper was conducted by first finding sufficient data on
students; the National Longitudinal Survey of Youth 1997 provided this data. The survey
interviewed a population of young people once a year, and their current college major and risk
attitudes were among the topics asked about. The independent variable used was the students'
likelihood to bend rules. This variable is not exactly equivalent to risk-taking attitudes; the
likelihood to bend rules serves as a proxy for risk-taking attitudes because bending rules is a
risky endeavor and attitudes towards this instance of risk is telling of one's overall attitude
towards risk. The dependent variable was a binary variable that took the value of one if the
student majored in art, and it took the value of zero if the student majored in something else.
With the variables in place, the effect of risk-taking attitudes on studying art was measured
through a logistic regression. Regression analysis is the use of a function to estimate causal
relationships. After the regression was run, the coefficient on the independent variable was
generated; with the coefficients in place, the resulting function can be seen as an estimated line
of best fit that relates the independent to the dependent variable. A logistic regression is a form
of regression that is non-linear, which provides a more accurate estimate if the effect in question
is non-linear. The dependent variable is binary, either a student is majoring in art or they are not,
so the equation gives the probability that a student studies art; changes in the independent
variable change the probability of a student studying art. This effect is what the regression
captured.
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This regression analysis supported the overall argument this paper is presenting. The
argument is that art majors are some of the lowest earning majors on average (Carnevale et al.
12-18); this low level of earnings provides risk to the students who study art as their investment
in their education is more likely to not pay off. For any given cost of college, majoring in art has
a relatively higher likelihood of not recuperating that cost compared to higher earning majors.
Students who are more willing to take on risk would be more likely to take on this risk and study
art in college, holding interest and other relevant factors constant. The regression supports this.
Other results that were uncovered through the research process were also listed. Among
those results was the causal relationship between risk-taking attitudes and studying the
humanities, and the inconclusive causal relationships between risk-taking attitudes and majoring
in the social sciences, STEM, or professional fields. The standard errors here were too large to
either confirm or deny the causal relationship.
This result furthers economic understanding of what factors influence the subjects that
are studied in college. Knowing this could help schools target students who are more likely to
take to art and help art departments recruit students who would be more likely to excel in those
departments. This result could also help existing art departments structure classes to maximize
their effectiveness (especially at the elementary and high school levels).
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Table of Contents
Abstract……………………………………….……………….………….. iiiExecutive Summary………………………….……………….………….. iv
Chapter 1: Introduction ……………………………………………… 1
Chapter 2: Background ……………………………………………… 2Human Capital Investment …………………………………... 3Literature Review ……………………………………………... 5
Chapter 3: Empirical Strategy ……………………………………… 6
Chapter 4: Data ……………………………………………… 8
Chapter 5: Results ……………………………………………… 9Robustness ……………………………………………... 10Other Results ……………………………………………... 11
Chapter 6: Conclusion ……………………………………………… 12
Works Cited.……………………………………………………………… 14Appendices………………………………………………………………… 15
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1
Chapter 1: Introduction
One's educational goals are influenced in many ways. Personal interest, future employment
prospects, and familial background are just some of the relevant factors. Knowing what factors
influence these education decisions is important, since further education is expensive and has a
dramatic effect on lifetime earnings. The specific factor that was investigated in this paper is risk
aversion; this paper focused on art as a specific major of interest. The question this paper aims to
answer is as follows: what is the effect of risk-taking attitudes on the likelihood of studying art in
college? The theory of human capital investment was spelled out as was how major choice fits
into this broader framework. An overview of existing literature on the subject was also
conducted to provide a more complete grounding for the results.
A logit discrete choice model was used to uncover the effect of risk-taking attitudes on the
likelihood of majoring in art. Attitudes towards bending rules were used as a proxy for overall
attitudes towards risk. All data was collected from the National Longitudinal Survey of Youth 97
which was conducted by the US Bureau of Labor Statistics. The independent variable was
crafted from students’ responses to a survey question about their attitudes towards bending rules.
The individuals surveyed self-reported their majors (if in college) and the major variables were
created from that data.
The effect uncovered is that more risk loving students are more likely to study art in
college, and more risk averse students are less likely to study art in college. This effect was also
found to stand up to robustness checks which further support the veracity of the relationship. It
was also shown that risk-taking attitudes do have an effect on the likelihood of majoring in the
humanities. The effect of risk-taking attitudes on majoring in the social sciences, STEM fields,
and professionally oriented majors was shown to be inconclusive.
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This research also provides ideas for further research that would build upon this result. One
idea for future research in this area is whether risk-taking attitudes affect the percentage of
college grads who followed their art major with a career in art. Another idea is to see if risk
attitudes affect the likelihood of pursuing an art career without formal education instead of
pursuing a formal education in art.
Chapter 2: Background
The choice of whether to obtain higher education or not is a worthy topic of research in its
own right; however, there is another choice for the people who do decide to pursue higher
education: what to study while attending. Before getting into the theory behind this important
choice, an overview of the United States higher education system will be useful in clarifying
terms and will provide a sturdy ground to grow the theory out of.
Students who attend college first obtain an undergraduate degree, the two broad categories
of which are associate and bachelor’s degrees. Associate degrees are typically two-year
programs, and bachelor’s degrees are usually four-year programs. A bachelor’s degree is
required for most post-graduate degrees, which are masters and doctorate degrees. The focus of
this paper is undergraduate studies, so postgraduate degrees will not be discussed further.
An important distinction that needs to be fleshed out is the difference between a college
and a university. These terms are commonly used interchangeably, but there is a distinction in
the United States. While both are institutions that provide undergraduate degrees, universities
often contain multiple colleges and they also provide more extensive postgraduate programs. In
America, the distinction is not drastic, but there are differences (Wellman). The distinction is not
vital to the results, so "college" will be used to refer to both colleges and universities in this
paper unless specified otherwise.
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While at college, students are required to select a major; a major is a field that the student
specializes in. Some schools may call their specialization requirements different things,
concentration is a popular alternative name. Harvard University is an example of an institution
that uses concentrations instead of majors; however, the overall demand for a specialization is
the same. Different majors have different requirements that must be satisfied in addition to the
overall school requirements. These requirements are typically a certain number of courses in the
field, with some courses being mandatory. Majors can be broadly categorized into a few
categories: humanities, social sciences, professional, creative, and STEM, which is an acronym
for Science, Technology, Engineering, and Mathematics. Humanities majors are sometimes
called the liberal arts; a few examples of majors that fall into this category are philosophy,
history, English, and languages/linguistics. Social Sciences are majors that deal with social
interactions/the study of society; a few examples of such majors are economics, political science,
and sociology. Professional majors are majors that are designed to prepare the student for a
specific career; a few examples of majors in this category are business and nursing. Creative
majors are majors that focus on creative expression; a few examples of this type of major are the
arts and architecture. STEM majors are majors that fall under the four fields in the acronym.
There can be some overlap between these major groups, but these categories are helpful for a
rough picture. This paper will be focusing on art majors (which falls under the creative category)
and what factors influence students to choose those majors in college.
Human Capital Investment
Before diving into the college major decision, an overview of the economic theory
regarding attending college will be helpful. The predominant theory regarding the choice of
going to college for further education treats this decision as a financial investment. A person
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continues their education if they believe the investment is a good one. A good investment in this
instance is when the benefit of the additional education outweighs the monetary and opportunity
costs of that education. The opportunity costs of education are the lost wages that a person
forgoes when they enter an education program. Further education enhances an individual's
position in the labor market; this superior position allows the worker to command higher wages.
An important consequence of this is that the education must carry value; education that brings
lower wage premiums is less likely to make the expected utility of the investment positive. Other
important factors regarding the investment decision are the cost of borrowing money (interest
rate), the opportunity cost of entering the labor market with their current level of education, and
expected length of career. The intrinsic value of education to an individual also plays a role, but
these effects will not be delved into in this paper (Borjas 229-276). This model is making the
reasonable assumption that students are considering the costs and benefits of college when they
make the college and major choice decisions.
Not all of those factors have the same influence on the decision of which major to select
once in college. One factor that is important to this decision is the value of the major. Certain
majors have wildly variant average starting salaries. The majors that are associated with lower
incomes still have students enrolled in them. So, while this factor is important, it cannot be the
sole explanation. Personal interest is likely a large influence, but that is very hard to measure; it
will not be the focus of this paper. Since expected return plays a role in the overall college
decision, choosing a major to maximize this return is important. The majors that are lower
earning on average are riskier than other, more lucrative, majors. This measure of risk is the
focus of this paper. When looking at art majors, willingness to accept risk is what will be shown
to have an impact on the likelihood of selecting this major.
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Literature Review
A prior study by De Paola and Gioia looked into risk aversion and major choice and found
that risk aversion does have an effect on what majors are selected. This paper looked at general
fields and found that risk averse people are more likely to study any other field instead of the
social sciences. This research, which sampled students at a midsized Italian University, shows
there is a link between risk aversion and college major choice (de Paola and Gioia 1-19); this
link will be built upon in this paper.
In a study by Lisa Dickson, both race and gender were shown to affect college major
choice. She found a gap of 16 percentage points in the probability of white women studying
engineering and computer science compared to white males; white males are 16 percent more
likely to major in engineering or computer science than white women, even after adding control
variables. This study also found that women are more likely to major in the humanities and other
majors relative to the social sciences (Dickson 1-17). Her paper shows that race and gender have
an effect on the probability of studying different majors.
Research by Wiswall and Zafar looked into the determinants of college major choice. They
found that the expected earnings of each major affect the likelihood of selecting that major.
Interestingly, they also found that the individuals' beliefs about their future earning in each major
also has an effect. The individuals' beliefs about the likelihood of graduation in a given major is
also a causal factor. Personal taste is also identified as a causal factor (Wiswall and Zafar 791-
824). Their research helps provide a richer understanding of all of the factors that influence
college major choice. It also provides empirical evidence that students do take expected earnings
into effect when selecting a major. This lends support to the idea that students have some level of
understanding of the risk involved in each major. Risk tolerance has also been shown to have an
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effect on college major choice. Belzil and Leonardi found that risk aversion is a deterrent to
pursuing higher education. This means that more risk averse students are less likely to enter
college (Belzil and Leonardi 35-70). This paper looks into whether risk aversion has a further
effect on the likelihood of studying art in college.
In a Georgetown study on the economic value of college majors, art was shown to have
one of the lowest average starting salaries. The median salary of college graduates in art in the
21-24 year old age range was $28,000. This figure rose to $49,000 in the 25-49 year age range.
Both of these figures rank near the bottom of all college majors. Additionally, the 25th percentile
of art earnings in the later group is around $30,000; this is slightly below the median salary of
high school graduates. The data show how majoring in art is a financially risky proposition. Art
majors also have some of the lowest rates of graduate degree attainment, so additional wage
premiums from those degrees are also less risk reducing than for most majors (Carnevale et al.
12-18).
Chapter 3: Emprical Strategy
A proxy will be used in order to uncover the effect of risk tolerance on the choice to major
in art in college. This proxy is the subjects' attitude towards bending rules. This proxy is
effective because bending the rules without outright disregarding them is a risky endeavor; while
bending the rules is not a direct disobedience to the rules, it does show a willingness to walk the
line on what is acceptable, and that behavior is risky. The more likely the student is to tolerate
that risk, the more likely they are willing to tolerate other risks. The variable is a self-reporting of
the subjects' own attitudes. The question that generated the variable is "Even if I knew how to get
around the rules without breaking them, I would not do it." The survey respondents then selected
their answer on a scale from 1-7, with 1 being disagree strongly and 7 being agree strongly. An
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answer of disagree strongly means that they would act in a way to get around the rules without
breaking them if the opportunity arose. So, a person who answers 1 is most likely to bend rules,
and a person who answered 7 is least likely to bend rules. This variable is the independent
variable and will be denoted as X.
The variable of interest is FineArt, a binary variable that takes a value of one if the student
majored in the arts, and it takes the value zero if the student did not major in the arts. This
variable was generated through the following process. The raw data had the students report their
current major during multiple periods of each year from 1997 to 2017. A new variable was
created that started out as all missing observations, and then each term of each year was replaced
with the most recent major declared in the surveys. This was done in order to have one data point
that represented the final major that each student reported. The major that is associated with each
college going individual in the sample is the last major the individual reported to the interviewer.
With the majors variable in place, the dummy variable for arts majors was left to be created. The
way the majors were entered into the dataset changed in 2010, so there was a cross reference
between the majors before the switch and after the switch; this cross reference was done by
having a separate major variable for the two periods. The fine arts major was coded differently in
the two time periods (before 2010 and after 2010). The fine arts variable was crafted by looking
at the major variable and coding a value of one if the student had fine arts selected before and
nothing after, or nothing in the before period and fine arts in the after period, or fine arts selected
in both periods, or a non-fine arts major in the first period and fine arts in the later period.
The regression equation will look like the following:
Pr ( y=1|X )=1 /¿)
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This type of regression is a logit non-linear probability model. The coefficient measures
how much a unit change in the independent variable changes the z-score of the standard logistic
distribution function. The z-score here is equal to α +βX . For example, β= 0.5 means a unit
change in X increases the z-value by 0.5. It will be shown later that this model stands up to
robustness checks of two other probability models.
Chapter 4: Data
The data used in this paper come from the National Longitudinal Survey of Youth 1997.
This survey was ran by the US Bureau of Labor Statistics and it looks at students born between
1980 and 1984; there were yearly interviews with the subjects of the survey starting in 1997 and
ending in 2017/2018. The survey started with 8,984 children in 1997, and there were 6,734
responses in the latest round of interviews. There were two subsamples that comprised the
overall sample. The main subsample was a cross-sectional sample comprised of 6,748 children
who were meant to serve as a representative sample of the United States population during round
one of the surveys. The second subsample was a smaller sample of 2,236 children that
oversampled black and Hispanic or Latino people that were born in the same period as the first
subsample. The data covered a wide range of topics, from parental and environmental
information to attitudes, health, and crime information.
The interviews for the survey were conducted through a computer-assisted personal
interview instrument that was administered by an interviewer with a laptop. The interviews were
conducted in person if possible; in person interviews were preferred. An important result of this
is that the answers to all the survey questions are self-reported; this self-reporting allows the
people surveyed to decide their attitudes towards certain questions directly.
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In total, there were 4,955 students in the sample that had data relating to college major
choice. The gender split in the data was pretty even, with 3,714 students being male (50.34%)
and 3,664 students being female (49.66%).2
Chapter 5: Results
With the variables prepared and the regression model specified, a preliminary investigation
into the effect of a positive attitude towards bending rules on majoring in art was performed. A
two-way line graph was generated between the density of fine arts majors and the willingness to
bend rules. This graph (Figure 1) shows a distinct trend: as the willingness to bend rules
decreases, so does the likelihood of majoring in art. This preliminary result provided the impetus
for running the regression proper. After running the logit regression, the results were significant
at the 95% confidence level. The results of this regression and two other robustness regressions
are contained in Table 1. The coefficient of interest (β) is -0.1372 and the constant term (α ) is -
2.617. So, the likelihood of majoring in arts starts with a z-value of -2.7542 and
Pr ( y=1|X=1 )=1/¿)
is the model evaluated at X=1 with the estimated coefficients. This gives a probability of such a
student majoring in art of 0.0598 or 5.98%. As an individual's likelihood of bending rules
decreases, the likelihood of that person majoring in art also decreases. The likelihood bottoms
out at 2.71% for students with the highest disdain for bending rules. The overall change in the
likelihood of studying art predicted by the logit model is 3.27%.
These results show that the difference in the probability of studying art between a student
who has a disdain for bending rules and a student who has an affinity towards bending rules is
approximately 3.3%. Since the attitude towards bending rules is being viewed as a proxy for an
2 All data and information about NLSY97 were obtained from their website. Initial data download was November 26, 2019
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attitude towards risk, the gap should be similar between a risk loving and a risk averse person.
The higher likelihood of risk loving students majoring in art makes sense because majoring in art
is financially risky relative to other majors.
These results signify a link between risk-taking attitudes and the likelihood of majoring in
art in college. There is an important caveat to this data that bears explanation. Many artists never
study art in college; they start producing and selling their art without formal college education.
These artists are not included in this paper. While it is likely that these results would hold for
those artists also, further research is needed to confirm this point.
Robustness
The presence of this effect is also supported by the linear probability model (LPM). The
linear probability model predicts the change in probability that the binary dependent variable
takes the positive value through a linear means; the predicted probability is the y value once the
linear function is evaluated at a given value of the independent variable. The LPM has a
coefficient of -0.0053 which means that a unit change in the bend rules variable means a 0.53%
change in the likelihood of studying art in college. The t-value of the coefficient is -3.40 which is
well above the -1.96 threshold for the 95% confidence level; this means that this effect is
statistically significant. The model predicts a 3.71% total change. This is similar to the logit
model's prediction, and this supports the veracity of the models.
This effect is also supported by the probit model. This model differs from the logit model
in that it uses the standard normal distribution function. The expression α +βXgives the z-score
associated with the independent variable. When X=1, β= -0.0614 and α = -1.498. The initial z-
score is -1.559. This z-score means that the probability of such a student studying art is 6.06%.
When X=7, the z-score is -1.928. This z-score corresponds to the probability of such a student
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studying art of 2.68%. The total change in the probability of studying art is estimated to be
3.38%. This total change is very similar to the total change for the other two regression models
and provides further proof of the robustness of the results.
Other Results
At first, the dependent variable of interest was a group of creative majors. The two majors
that were selected in this group were arts and architecture. The group was restricted to only arts
majors since the financial risk associated with majoring in architecture is significantly lower than
majoring in art; therefore, architecture majors do not fit in the same group as art majors in the
model. Before the restriction, gender was also used as an independent variable; gender was
statistically significant. Men were more likely to major in one of these creative majors than
females. Once architecture was removed and art was looked at alone, gender's effect was no
longer statistically significant. Letting the gender variable be denoted as G, this regression
equation was the following:
Pr ( y=1|X )=1 /¿)
The standard error for gender's effect on majoring in art (Table 2) was very large, so
gender still may have a role in determining the likelihood of majoring in art, but further analysis
is needed to confirm this one way or the other.
Another result worth mentioning is the effect of risk-taking attitudes on majoring in the
humanities. This was done by taking a group of majors that fall under the umbrella of humanities
and running the same analysis as was performed for art. The group of humanities majors was
comprised of the following majors: foreign languages, education, English, history, and
philosophy/theology. The result was statistically significant at the 95% confidence level (Table
3); the overall shift in the likelihood of majoring in the humanities due to risk-taking attitudes
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was roughly 4.25%. The effect of risk-taking attitudes on studying the humanities has a different
direction than the effect on majoring in art; students who are more risk tolerant are less likely to
major in the humanities.
The following major groups were also explored: social sciences, STEM, and professional.
The social sciences group contained the following majors: area/ethnic studies, psychology, and
majors coded as ‘social sciences’ within the data. The STEM majors were the following:
biology, engineering, mathematics, and physical sciences. Lastly, the professional group was
comprised of the following majors: agriculture, business, communications, computer science,
and health related majors. There was no statistically significant effect of risk-taking attitudes on
selecting a major in any one of these categories. In all three cases, the estimated coefficients
were small with a large standard error (Tables 4-6). These results do not rule out the possibility
that the effect is present, but the size of the standard errors do not allow determination either
way.
Chapter 6: Conclusion
After looking into the National Longitudinal Survey of Youth 97, a link between the
willingness to bend rules and the likelihood of majoring in art in college was uncovered. The
willingness to bend rules can be seen as a proxy for risk-taking attitudes. This use of a proxy
means that this link can be seen as a relationship between risk-taking attitudes and the likelihood
of majoring in art in college. More risk loving individuals are more likely to major in art than
risk averse individuals, holding everything else constant.
This finding does not analyze everything about the selection of major choice and even the
choice to major in art; further research on this topic would be worthwhile. One potential further
topic of research would be if familial income has an effect on how sensitive students are to the
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risk that is associated with majoring in art; it is possible that higher familial incomes may
weaken the causal power of risk-taking attitudes on the likelihood of majoring in art. Another
potential further topic of research is whether risk-taking attitudes affect whether art majors
pursue a career in art. Many students' careers post-graduation are not directly related to their
major, so seeing the proportion of art graduates that pursue an art career and whether risk
tolerance has an effect on the decision to start a career in art would be valuable. A third potential
research topic involves the proportion of artists who pursue art in college versus the people who
forgo formal education to begin creating and selling art directly. Art is not a field that has college
as a prerequisite, so seeing whether risk tolerance affects the decision to pursue art without a
formal education or attain formal education would also be fruitful. Another topic that could be
looked into is if the different entrance requirements to certain majors influence the likelihood of
those majors being chosen. Some majors have higher entrance requirements than art does. Seeing
if these entrance requirements play a causal role in students’ major choice would be valuable.
This research also has the potential to manifest itself in future policy decisions. Knowing
what factors go into making major choice decisions would help high schools give better
education and advice in preparation of that choice. Additionally, this information could help
educators better structure art courses to be more informative and engaging for students,
especially the ones who are more likely to study art in college. With this in place, schools could
have a better idea of what a good structure would be. This could lower costs of running such
classes. Finally, this information can help college art departments in their outreach programs;
knowing more about prior art majors can allow them to target potential art majors more
efficiently and more cost effectively.
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Works Cited
Belzil, Christian, and Marco Leonardi. “Risk Aversion and Schooling Decisions.” Annals of
Economics and Statistics, 2013, pp. 35–70. JSTOR.
Borjas, George J. “Human Capital.” Labor Economics, by George J. Borjas, McGraw-Hill
Education, 2016, pp. 229–276.
Carnevale, Anthony P, et al. “The Economic Value of College Majors.” Georgetown University
Center on Education and the Workforce in the McCourt School of Public Policy, 2015,
pp. 12–18., cew.georgetown.edu/cew-reports/valueofcollegemajors.
De Paola, Maria, and Francesca Gioia. “Risk Aversion and Major Choice: Evidence From Italian
Students.” pp. 1–19. Research Gate, 2011,
www.researchgate.net/profile/Maria_De_Paola2/publication/254399124_RISK_AVERSI
ON_AND_MAJOR_CHOICE_EVIDENCE_FROM_ITALIAN_STUDENTS/links/
02e7e53ce5ad6e80f2000000/RISK-AVERSION-AND-MAJOR-CHOICE-EVIDENCE-
FROM-ITALIAN-STUDENTS.pdf.
Dickson, Lisa. “Race and Gender Differences in College Major Choice.” The Annals of the
American Academy of Political and Social Science, 2010, pp. 1–17.
Wellman, Mitchell. “What's the Difference between a 'College' and a 'University'?” USA Today,
2017, www.usatoday.com/story/college/2017/03/01/whats-the-difference- between-a-
college-and-a-university/37428407/.
Wiswall, Matthew, and Basit Zafar. “Determinants of College Major Choice: Identification
Using an Information Experiment.” The Review of Economic Studies, 2015, pp. 791–824.
JSTOR.
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Appendices
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