chapter 2 ancient near east honey

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    CHAPTER 2

    THE ART OF THE ANCIENT NEAR EAST

    Reported by: Jehanne S. Sajorda

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    1. THE FERTILE CRESCENT

    Also called The Neolithic Revolution.Between 4000-3000 BCE, a

    revolutionary change in daily life

    occurred in Mesopotamia.

    Complex societies with a hierarchy of

    priests and kings arose.

    Urban(city-states) arose leading to

    specialty professions.

    Polytheistic temple complexes were

    built.

    All of this growth was based on

    control of water and agriculture on the fertile plains of the Tigris and

    Euphrates rivers, thus, the Fertile Crescent.

    2. EARLY NEOLITHIC CITIES

    Wood and stone were scarce. So

    people turned to the earth

    beneath their feet for construction

    materials. They molded bricks out

    of clay then hardened them in the

    sun. These mud bricks were

    quite durable in the dry climate and

    provided sturdy well-insulated shelter.

    They built their houses close together

    that they did not have any streets to

    walk on. So they traveled from one

    place to another through the roofs of

    their houses. Due to the lack of space, they buried

    their death beneath the floor of their

    houses.

    They also had shrine rooms to worship their gods, like in the discovered

    ruined city, Chatal Huyuk. They also used Obsidian Volcanic Glass to make sharp weapons for their

    defense.

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    3. SUMER

    3500 to 2800 BCE

    Invented the wagon wheel, the plow, casting objects in cooper

    and bronze

    Their greatest contribution to civilization was Cuneiform, thebeginning of writing, taking the form of wedge-shaped signs,

    simplified from pictograph signs (simplified pictures) impressed

    into clay tablets with a stylus. Ziggurats were also built at their time.

    They were stepped pyramidal structures with a temple or shrine on

    top. They functioned symbolically as lofty bridges between earth

    and the heavens. The temples were known as waiting rooms

    where the priests and priestesses waited for the gods and

    goddesses to reveal themselves.

    They also have what they called LOW RELIEF or

    BAS RELIEF. This is when figures are carved to

    project only slightly from a flat background.

    The low relief carving on the following vase tells a

    story. The story is told in bands or REGISTERS. It

    is the story of a religious festival in honor of the

    goddess, Inanna.

    They had Votive Figures, which are statues made as an act of

    worship to the gods. They are statues of individual worshippers that were

    set up before the statue of the god. The wide open eyes reveal the

    importance of fixing on a god with an attentive gaze

    All the features are reduced to simple geometric shapes.

    They used CylinderSeals to identify

    documents & protect storage jars. A cylindrical

    piece of stone engraved to produce a raisedimpression when rolled over clay.

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    4. AKKAD

    Enheduanna, the daughter of Sargon 1, was a

    major public figure who combined the roles of princess,

    priestess, politician, poet and prophet. She is the very first

    known writer. Enheduannas well documented career is an

    exception to the otherwise sparse information available

    about the Akkadians.

    The concept of imperial authority was literally

    carved in stone in an Akkadian work, The Stela of Naramsin.

    It might also be a symbolism of storming the mountain &

    scaling the heavens.

    5. LAGASH

    One large Sumerian city-state remained independentduring the period of the Guti control. This was Lagash,

    under the ruler Gudea. Gudea built and restored many

    temples in which he placed votive statues

    representing both himself as governor and the ideal of

    good rule that he embodied. The statues are made of

    diorite, a very hard stone that was difficult to work.

    Twenty of them survived, all looking much alike,

    making Gudeas face a familiar one in Ancient Near

    Eastern Art.6. BABYLON AND MARI

    The Amorites, a Semitic-speaking people from the Arabian

    Dessert to the west, moved into the region and eventually reunited Sumer

    under Hammurabi. The capital city was Babylon.

    Among Hammurabis achievements was a written legal code

    that listed the laws of his realm and the penalties for breaking them. This

    was known asHammurabis Code. Examples of the laws are:

    i. If any man puts out the eye of another man, his eye shall

    be put out.ii. If he kills a mans slave he shall pay one-third of a mina.

    iii. If someone steals property from a temple, he will be put

    to death, as will the recipient of the stolen goods.

    iv. If a mans wife is caught in bed with another man, both

    will be tied up and thrown in the water.

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    King Zimiri-Lin controlled a Neo-Sumerian city-

    state of Mari during reign of Hammurabi.

    Painting framents represents the investiture of

    Zimiri-Lin, his right to rule granted by Ishtar

    [formerly Inanna]

    Painting symbolizes the benevolence of the

    gods.

    The kings throne was also flanked by guardian

    figures, which also flanked the gates of the

    citadel. They are winged human-headed bulls.

    They guard against evil influences.

    Sargon II tried to make a Citadel, a new

    Assyrian capital, but left it unfinished

    after his death. It exhibited both

    confidence & fear. Covered 25 acres.

    Had over 200 courtyards & rooms.

    Represented Sargons

    grandeur: Merciless & Forgiving.

    Included a ziggurat and sanctuaries for

    6 deities.

    7. NEO-BABYLONIA

    The Ishtar Gate is one of the main

    entrances of the city. The walls on both

    sides were faced with turquoise bricks

    that were glazed and topped with

    notches, or crenelation, Among the

    brilliant turquoise bricks, specially

    molded, gold-colored bricks form

    images of lions striding along in honor

    of the goddess, Ishtar.

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    8. ANATOLIA

    The Lion Gate is an early example of

    protecting cities through sculptures

    of wild beasts at the gate. The Hittite

    stronghold of Hattushash sculpted

    guardian figures out of the

    foundational rock itself. This Lion

    Gate harmonized the colossal scale

    of the construction.

    9. PERSIA

    518 BCE

    King Darius utilized influences

    and materials from all over his

    empire, which included Babylon,Egypt, Mesopotamian and

    Greece.

    At the height of the Persian

    Empire, Persepolis, the capital,

    stretched from India to Africa.

    The city included extensive use

    of columns.

    Persia today is known as Iran.