chapter 2 ancient near east honey
TRANSCRIPT
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CHAPTER 2
THE ART OF THE ANCIENT NEAR EAST
Reported by: Jehanne S. Sajorda
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1. THE FERTILE CRESCENT
Also called The Neolithic Revolution.Between 4000-3000 BCE, a
revolutionary change in daily life
occurred in Mesopotamia.
Complex societies with a hierarchy of
priests and kings arose.
Urban(city-states) arose leading to
specialty professions.
Polytheistic temple complexes were
built.
All of this growth was based on
control of water and agriculture on the fertile plains of the Tigris and
Euphrates rivers, thus, the Fertile Crescent.
2. EARLY NEOLITHIC CITIES
Wood and stone were scarce. So
people turned to the earth
beneath their feet for construction
materials. They molded bricks out
of clay then hardened them in the
sun. These mud bricks were
quite durable in the dry climate and
provided sturdy well-insulated shelter.
They built their houses close together
that they did not have any streets to
walk on. So they traveled from one
place to another through the roofs of
their houses. Due to the lack of space, they buried
their death beneath the floor of their
houses.
They also had shrine rooms to worship their gods, like in the discovered
ruined city, Chatal Huyuk. They also used Obsidian Volcanic Glass to make sharp weapons for their
defense.
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3. SUMER
3500 to 2800 BCE
Invented the wagon wheel, the plow, casting objects in cooper
and bronze
Their greatest contribution to civilization was Cuneiform, thebeginning of writing, taking the form of wedge-shaped signs,
simplified from pictograph signs (simplified pictures) impressed
into clay tablets with a stylus. Ziggurats were also built at their time.
They were stepped pyramidal structures with a temple or shrine on
top. They functioned symbolically as lofty bridges between earth
and the heavens. The temples were known as waiting rooms
where the priests and priestesses waited for the gods and
goddesses to reveal themselves.
They also have what they called LOW RELIEF or
BAS RELIEF. This is when figures are carved to
project only slightly from a flat background.
The low relief carving on the following vase tells a
story. The story is told in bands or REGISTERS. It
is the story of a religious festival in honor of the
goddess, Inanna.
They had Votive Figures, which are statues made as an act of
worship to the gods. They are statues of individual worshippers that were
set up before the statue of the god. The wide open eyes reveal the
importance of fixing on a god with an attentive gaze
All the features are reduced to simple geometric shapes.
They used CylinderSeals to identify
documents & protect storage jars. A cylindrical
piece of stone engraved to produce a raisedimpression when rolled over clay.
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4. AKKAD
Enheduanna, the daughter of Sargon 1, was a
major public figure who combined the roles of princess,
priestess, politician, poet and prophet. She is the very first
known writer. Enheduannas well documented career is an
exception to the otherwise sparse information available
about the Akkadians.
The concept of imperial authority was literally
carved in stone in an Akkadian work, The Stela of Naramsin.
It might also be a symbolism of storming the mountain &
scaling the heavens.
5. LAGASH
One large Sumerian city-state remained independentduring the period of the Guti control. This was Lagash,
under the ruler Gudea. Gudea built and restored many
temples in which he placed votive statues
representing both himself as governor and the ideal of
good rule that he embodied. The statues are made of
diorite, a very hard stone that was difficult to work.
Twenty of them survived, all looking much alike,
making Gudeas face a familiar one in Ancient Near
Eastern Art.6. BABYLON AND MARI
The Amorites, a Semitic-speaking people from the Arabian
Dessert to the west, moved into the region and eventually reunited Sumer
under Hammurabi. The capital city was Babylon.
Among Hammurabis achievements was a written legal code
that listed the laws of his realm and the penalties for breaking them. This
was known asHammurabis Code. Examples of the laws are:
i. If any man puts out the eye of another man, his eye shall
be put out.ii. If he kills a mans slave he shall pay one-third of a mina.
iii. If someone steals property from a temple, he will be put
to death, as will the recipient of the stolen goods.
iv. If a mans wife is caught in bed with another man, both
will be tied up and thrown in the water.
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King Zimiri-Lin controlled a Neo-Sumerian city-
state of Mari during reign of Hammurabi.
Painting framents represents the investiture of
Zimiri-Lin, his right to rule granted by Ishtar
[formerly Inanna]
Painting symbolizes the benevolence of the
gods.
The kings throne was also flanked by guardian
figures, which also flanked the gates of the
citadel. They are winged human-headed bulls.
They guard against evil influences.
Sargon II tried to make a Citadel, a new
Assyrian capital, but left it unfinished
after his death. It exhibited both
confidence & fear. Covered 25 acres.
Had over 200 courtyards & rooms.
Represented Sargons
grandeur: Merciless & Forgiving.
Included a ziggurat and sanctuaries for
6 deities.
7. NEO-BABYLONIA
The Ishtar Gate is one of the main
entrances of the city. The walls on both
sides were faced with turquoise bricks
that were glazed and topped with
notches, or crenelation, Among the
brilliant turquoise bricks, specially
molded, gold-colored bricks form
images of lions striding along in honor
of the goddess, Ishtar.
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8. ANATOLIA
The Lion Gate is an early example of
protecting cities through sculptures
of wild beasts at the gate. The Hittite
stronghold of Hattushash sculpted
guardian figures out of the
foundational rock itself. This Lion
Gate harmonized the colossal scale
of the construction.
9. PERSIA
518 BCE
King Darius utilized influences
and materials from all over his
empire, which included Babylon,Egypt, Mesopotamian and
Greece.
At the height of the Persian
Empire, Persepolis, the capital,
stretched from India to Africa.
The city included extensive use
of columns.
Persia today is known as Iran.