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Chapter 16 Classical Humanism in the Age of the Renaissance

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Chapter 16. Classical Humanism in the Age of the Renaissance. Ambrogio Lorenzetti, The Effects of Good and Bad Government in the Town, 1337-39. Palazzo Pubblico, Siena http://www.all-art.org/history194-18.html. - PowerPoint PPT Presentation

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Page 1: Chapter 16

Chapter 16Classical Humanism

in the Age of the Renaissance

Page 2: Chapter 16

Ambrogio Lorenzetti, The Effects of Good and Bad Government in the Town, 1337-39. Palazzo Pubblico, Siena http://www.all-art.org/history194-18.html

Page 3: Chapter 16

Ambrogio Lorenzetti, Effects of Good Government in the City, from the Allegory of Good Government, Sala della Pace, Palazzo, Siena 1338-1339.

Page 4: Chapter 16

Ambrogio Lorenzetti, Effects of Good Government in the Country, from the Allegory of Good Government, Sala della Pace, Palazzo, Siena 1338-1339.

Page 5: Chapter 16

Bad Government by Ambrogio LorenzettiFresco, Palazzo Publico, Sienahttp://faculty.cua.edu/pennington/Religion402/Architecture/BadGovernment.htm

Page 6: Chapter 16

Renaissance•1300~1600

•= revival of classicism

= rebirth

Page 7: Chapter 16

Myths• 1. “Death” of classical learning in

the Middle Ages.

• 2. A medieval “age of faith” vs. “Renaissance paganism”

• 3. There exists one single Renaissance position.

Page 8: Chapter 16

Classical Humanism

• An elitist educational and cultural program based on the study of ancient Greek and Latin classics.

Page 9: Chapter 16

Food for thought• Where were Greco-Roman texts

preserved during the Middle Ages?

• How many times did classical revival take place during the Middle Ages?

• How did the Renaissance revival of humanism differ from that of its medieval counterparts?

Page 10: Chapter 16

• “Renaissance humanists discovered in the Greek and Latin classics a rational guide to the fulfillment of human potential” (Fiero 369).

Page 11: Chapter 16

Renaissance Classicism• 1. A greater quantity and variety of

classical texts were available.

• 2. Classical models were adopted in art, not to glorify God, but for their own sake—for its clear and graceful style and for its insight into human nature.

• 3. The culture was more worldly and overtly materialistic.

Page 12: Chapter 16

Individualism• In contrast to medieval thinker, who

emphasized the Christian belief in human sinfulness, Renaissance figures revived the classical confidence in human capacities to achieve excellence.

Page 13: Chapter 16

Influences• The ideal of the “universal man,” or

the “Renaissance man.”

• Emphasis on the pragmatic use of knowledge: rhetoric, science, and art

• A revolutionary view of history: the belief in progress

Page 14: Chapter 16

Food for thought• Why Italy?

Page 15: Chapter 16
Page 16: Chapter 16

Italy• South: Kingdom of Naples

• Middle: the Papal States

• North:

–Venice: merchant oligarchy

–Milan: dynastic despotism

–Florence: a republic in name only, actually ruled by the Medici

Page 17: Chapter 16

Florence

Page 18: Chapter 16

Europe's First Euro The Florin of Florence

http://www.umilta.net/wellesley.html

Page 19: Chapter 16

Cosimo de’ Medici

• 1434-1464• pater patriae

Page 20: Chapter 16

Lorenzo de’ Medici

• 1469-1492

• The Magnificent

Page 21: Chapter 16

Petrarch• 1304-1374

• Father of Humanism

• “When it comes to thinking or speaking of religion, that is, of the highest truth . . . I certainly am not a Ciceronian or a Platonist but a Christian.”

• Famous as a forerunner of Christian humanists and for his sonnets

poet laureate

Page 22: Chapter 16

Petrarchan Sonnet• An octave (8 lines) followed by a sestet (6

lines).

• Subject matter: the hopes and pains of an adoring male lover

• Conceit: a figure of speech which establishes a striking parallel, usually ingeniously elaborate, between two very dissimilar things or situations.

Page 23: Chapter 16

Ficino

• 1433-1499

• Translated the entire corpus of Plato’s writings from Greek into Latin

• Cosimo de’ Medici established the Platonic Academy in Florence.

• Renaissance Neoplatonism

• Platonic love: a major theme in art

Page 24: Chapter 16

Two Theories of Art• Da Vinci believed that "the most praiseworthy pa

inting [was that] which has the most conformity with the object imitated.“

• • Michelangelo believed that: "the greatest artist h

as no conception which a single block of marble does not potentially contain within its mass, but only a hand which obeys the intelleto [i.e. the deep knowing of reality] can accomplish that."

http://hercules.gcsu.edu/~dvess/micel.htm

Page 25: Chapter 16

Pico• 1463-1494

• Translated a lot of ancient literary works in Hebrew, Arabic, Latin, and Greek

• The manifesto of humanism: Oration on the Dignity of Man

Page 26: Chapter 16

•“What a great miracle is man” (Pico, Oration)

Page 27: Chapter 16

Alberti• 1404-1474

• On the Family

“Man can do anything he wants.”

• Virtù: “power,” describes the self-confident vitality of the self-made Renaissance individual

Page 28: Chapter 16

Alberti• “Only my books and records and those of

my ancestors did I determine to keep well sealed . . . . These my wife not only could not read, she could not even lay hands on them. I kept my records at all times . . . Locked up and arranged in order in my study . . . . I never gave my wife permission to enter that place, with me or alone . . . .”

Page 29: Chapter 16

Alberti• “[Husbands] who take counsel with

their wives are madmen if they think true prudence or good counsel lies in the female brain . . . .”

• “I made it a rule never to speak with [my wife] of anything but household matters or questions of conduct, or of the children.

Page 30: Chapter 16

Castiglione• 1478-1529

• The Book of the Courtier

• L’uomo universale: the Renaissance man; the well-rounded person

Page 31: Chapter 16

Female Humanists• Laura Cereta (1468-1499)

Defense of Liberal Instruction of Women

• Lucretia Marinella (1571-1653)

The Nobility and Excellence of Women and the Defects of Vices of Men

Page 32: Chapter 16

Female Humanists

• "Did Women Have a Renaissance?"

http://www.columbia.edu/cu/sister/Renaissance.html

Page 33: Chapter 16

Machiavelli• 1469-1527

• The Prince• politics divorced from ethics

• The pragmatic use of power for state management

• The end justifies the means.

Page 34: Chapter 16

•The End