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With Teri Lesesne (rhymes with insane) Sam Houston State University Department of Library Science @professornana

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With

Teri Lesesne (rhymes with insane)

Sam Houston State University

Department of Library Science

@professornana

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www.slideshare.net/professornana

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http://my.yapp.us/S2QMC3

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Edge time (Donalyn

Miller)

Priority time

Class time

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Reading on the fringes

o Appointments

o Bathroom books

o Car

o Purse or bookbag

o Phone books

• eBooks and audiobooks (more later about these)

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If it is not a priority for us, how can we expect it

to be a priority for them?

Take a moment to jot down one time you will set

aside daily (just 5 minutes) to read.

Make this commitment real by adding it to your

calendar.

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Picture books

Graphic novels

Quick reads

Poem or story a day

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“Once upon a time there were three dinosaurs: Papa Dinosaur,

Mama Dinosaur, and some other Dinosaur who happened to be

visiting from Norway.”

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– Setting

Main characters

Motif

Archetype

And…it’s going to be funny!

Plus it addresses this CCSS (anchor standard):

Write narratives to develop real or imagined experiences or events using effective technique, well-chosen details,

and well-structured event sequences

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infer the implicit theme of a work of fiction, distinguishing

theme from the topic;

analyze the function of stylistic elements (e.g., magic

helper, rule of three) in traditional and classical literature

from various cultures;

write imaginative stories that include:

o (i) a clearly defined focus, plot, and point of view;

o (ii) a specific, believable setting created through the use of

sensory details; and

o (iii) dialogue that develops the story (mentor texts)

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create multi-paragraph essays to convey information about a topic that:

(i) present effective introductions and concluding paragraphs;

(ii) guide and inform the reader's understanding of key ideas and evidence;

(iii) include specific facts, details, and examples in an appropriately organized structure; and

(iv) use a variety of sentence structures and transitions to link paragraphs;

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Students understand, make inferences and draw conclusions about how an author's sensory language creates imagery in literary text and provide evidence from text to support their understanding.

Students are expected to explain how authors create meaning through stylistic elements and figurative language emphasizing the use of personification, hyperbole, and refrains.

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(A) summarize the main ideas and supporting details in text, demonstrating an understanding that a summary does not include opinions;

(B) explain whether facts included in an argument are used for or against an issue;

(C) explain how different organizational patterns (e.g., proposition-and-support, problem-and-solution) develop the main idea and the author's viewpoint; and

(D) synthesize and make logical connections between ideas within a text and across two or three texts representing similar or different genres.

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How could this collection of poems be used in a lesson on informational text?

How could it be used as a Mentor Text?

What other use might it have?

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(A) analyze linear plot developments (e.g., conflict,

rising action, falling action, resolution, subplots) to

determine whether and how conflicts are resolved;

(B) analyze how the central characters' qualities

influence the theme of a fictional work and resolution of

the central conflict; and

(C) analyze different forms of point of view, including

limited versus omniscient, subjective versus objective.

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Scaffolding, Visual Literacy, and More

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Who is important in

this picture on the

cover?

What can we tell from

looking at him?

What do the other 2

on the cover think?

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Where are they?

Where would we like

them to head next?

What is our ultimate

goal?

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What do they like?

What will move them horizontally?

What will push them a bit?

What might be a diagonal move?

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#readadv

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Booktalks

Read Alouds

Displays

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New Books

Oldies but Goodies

Banned Books

Abandoned Books

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Mind the Gap

Crossing bridges

Challenging comfort

zones

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What HOLES are in your reading range?

What will you do to address them?

How can you help kids do the same?

Identify ONE genre, form, format you will read in the next

60 days.

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Titletalk

o Last Sunday of the month from 7-8 pm Central Time

o Hosted by @donalynbooks and @colbysharp

o Talk is archived as well

Centurions of 2013

o Resolved to read 113 books in 2013

Nerdbery Challenge

Caldecott Challenge

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Apps

eBooks

Audiobooks

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What is an app?

Why should I care?

How do I find recommendations of good ones?

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Tech Tools for Books and Reading

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My.yapp.us
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1. Use Vine of

ALL 8 ideas can be found at:

http://www.readinghorizons.com/blog/8-ways-to-use-

vine-for-reading-instruction-in-classroom

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Net Galley

Kindle Sales

Facebook promos

Free first chapters

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Start with award winners

o Odyssey www.ala.org/yalsa

o Amazing Audio www.ala.org/yalsa

o Notable Recordings www.ala.org/alsc

o Audies www.audiopub.org/audies

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New books

Old books

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Divergent Survey

1. Ad

2. Amazon

3. Browsing

4. Friend

5. Goodreads

6. Librarian

7. Teacher

8. Trailer

See if you can rank order these 8 as kids did. And then rank order them as YOU would find them useful.

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Kids

1. Teacher

2. Friend

3. Librarian

4. Browsing

5. Ad

6. Amazon

7. Goodreads

8. Trailer

YOU

And are there other

considerations for YOU?

o Twitter

o Facebook

o Book clubs

o ???

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Front List

The Mark of Athena (Heroes of Olympus #3). Rick Riordan. Disney-Hyperion (1,425,754).

The Third Wheel (Diary of a Wimpy Kid). Jeff Kinney. Abrams/Amulet (1,401,799).

The Serpent’s Shadow (Kane Chronicles #3). Rick Riordan. Disney-Hyperion (783,180)

Tales From a Not-So-Graceful Ice Princess (Dork Diaries #4). Rachel Renée Russell. S&S/Aladdin (727,660)

Insurgent. Veronica Roth. HarperCollins/Tegen (615,411)

Tales From a Not So Smart Miss Know-It-All (Dork Diaries #5). Rachel Renée Russell. S&S/Aladdin (607,929)

Back List

Catching Fire. Suzanne Collins. Scholastic Press, 2009 (4,431,869)

Mockingjay. Suzanne Collins. Scholastic Press, 2010 (3,427,354)

The Hunger Games. Suzanne Collins. Scholastic Press, 2008 (903,457)

Green Eggs and Ham. Dr Seuss. Random House, 1960

One Fish Two Fish Red Fish Blue Fish. Dr. Seuss. Random House, 1960

Goodnight Moon (board book). Margaret Wise Brown, illus. by Clement Hurd. HarperFestival, 1991 (605,779)

Cabin Fever. (Diary of a Wimpy Kid). Jeff Kinney. Abrams/Amulet, 2011 (584,234)

The Lorax. Dr. Seuss. Random House, 1971

The Cat in the Hat. Dr. Seuss. Random House, 1957

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Front

Middle School: Get Me Out of Here! James Patterson and Chris

Tebbetts. Little, Brown/Patterson Young Readers (498,894)

Junie B., First Grader: Turkeys We Have Loved and Eaten (and

Other Thankful Stuff.) (Junie B., First Grader #28). Barbara

Park, illus. by Denise Brunkus. Random House

Hidden. P.C. Cast and Kristin Cast. St. Martin’s Griffin (428,469)

“Who Could That Be at This Hour?” (All the Wrong Questions

#1). Lemony Snicket, illus. by Seth. Little, Brown (383,274)

Big Nate Goes for Broke. Lincoln Peirce. HarperCollins

(382,984)

Justin Bieber: Just Getting Started. Justin Bieber. HarperCollins

(340,088)

I Funny. James Patterson and Chris Grabenstein. Little,

Brown/Patterson Young Readers (327,315)

A Perfect Time for Pandas (Magic Tree House #48). Mary Pope

Osborne, illus. by Sal Murdocca. Random House

Lincoln’s Last Days. Bill O’Reilly and Dwight Jon Zimmerman.

Holt (316,696)

Disney Bedtime Favorites. Disney Press (310,838)

Nancy Clancy, Super Sleuth. Jane O’Connor, illus. by Robin

Preiss Glasser. HarperCollins (308,566)

Pete the Cat and His Four Groovy Buttons. Eric Litwin, illus. by

James Dean. HarperCollins (308,065)

Back

Oh, the Places You’ll Go! Dr. Seuss. Random House, 1990

The Wimpy Kid Do-It-Yourself Book. Jeff Kinney. Abrams/Amulet, 2011 (446,123)

Dr. Seuss’s ABC (board book). Dr. Seuss. Random House, 1996

Guess How Much I Love You (board book). Sam McBratney, illus. by Anita Jeram. Candlewick, 1995 (414,455)

Brown Bear, Brown Bear, What Do You See? (board book). Bill Martin Jr., illus. by Eric Carle. Holt, 1996 (385,126)

Little Blue Truck (board book). Alice Schertle, illus. by Jill McElmurry. HMH, 2008 (381,808)

The Very Hungry Caterpillar (board book). Eric Carle. Philomel, 1994 (369,560)

5-Minute Princess Stories. Disney Press, 2011 (354,797)

Mr. Brown Can Moo! Can You? (board book). Dr. Seuss. Random House, 1996

Princess Bedtime Stories. Disney Press, 2010 (314,104)

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Dust off some neglected books

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Fighting censorship

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Resources

Recommendations

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1. Someone with the heart of a reader is already a reader, enjoys reading, and turns to reading on a regular basis as an activity they prefer. 2. Someone with the heart of a reader does not need extrinsic motivation. No points, pizza, or other incentives are needed. 3. Someone with the heart of a reader tends to have friends who have reader hearts, too. They enjoy taking about books they have read, comparing notes. 4. Someone with the heart of a reader reads up and down and sideways. Sometimes they turn to books that are easy reads, and occasionally they challenge themselves, too. While they have comfort books, they read widely as well. 5. Someone with the heart of a reader recognizes that books entertain, inform, provoke, and touch them deep in those hearts. They know books can elicit laughter, tears, rage, and the full range of emotions.

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