canterbury tales prologue

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Canterbury Tales Prologue The character’s and their stereotypes: revelations and perceptions* Summaries borrowed from www.sparknotes.com

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Canterbury Tales Prologue. The character’s and their stereotypes: revelations and perceptions* Summaries borrowed from www.sparknotes.com. Noble in battle—enjoys adventure The epitome of chivalry - PowerPoint PPT Presentation

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Page 1: Canterbury Tales Prologue

Canterbury TalesPrologueThe character’s and their stereotypes: revelations and perceptions*

Summaries borrowed from www.sparknotes.com

Page 2: Canterbury Tales Prologue

The Knight (lines 43-80) Noble in battle—enjoys

adventure The epitome of chivalry Strong and brave

(especially to have survived so many battles—15 plus jousts—always killed his man)

Wise Modest “a true and

perfect gentle knight”

Has fine horses Dresses in natural

clothing with smudges Realistic/humanized

Going on the Pilgrimage to show thanks to God for his talents

Chaucer/the narrator admires the Knight despite the decline of chivalry. Most of his battles are religious leading us to believe he is a crusader.

Page 3: Canterbury Tales Prologue

Gossip! You have 2 minutes to gossip with your

table mates about the traveler. Consider discussing... Your opinion of the traveler If you would like to “get to know” them better How you feel about them Symbols that might represent them

REMEMBER TO STAY IN CHARACTER!

The most interesting table conversation will receive a prize at the end of our presentation time!

Page 4: Canterbury Tales Prologue

The Knight (lines 43-80) Noble in battle—enjoys

adventure The epitome of chivalry Strong and brave

(especially to have survived so many battles—15 plus jousts—always killed his man)

Wise Modest “a true and

perfect gentle knight”

Has fine horses Dresses in natural

clothing with smudges Realistic/humanized

Going on the Pilgrimage to show thanks to God for his talents

Chaucer/the narrator admires the Knight despite the decline of chivalry. Most of his battles are religious leading us to believe he is a crusader.

Page 5: Canterbury Tales Prologue
Page 6: Canterbury Tales Prologue

The Squire (lines 81-102) The Knight’s son—youthful (20 years old); “lover” and

“cadet” Curly hair (as if pressed)

Suggests he’s a dandy—concerned with his looks Served in the cavalry and done valiantly Likes to sing and write songs

Does everything with a passion

Destined to become just like his father

Contrasts with his father—the religious chivalric knight—the squire is very “romantic.” His dress is fancy and there is a lot of social desire. Always out to win his lady’s favor in the cavalry. Chaucer is accepting of the squire, but not admiring. He has growing up to do, but will make a good knight

Page 7: Canterbury Tales Prologue
Page 8: Canterbury Tales Prologue

The Yeoman (lines103-121)

An attendant of the Squire Dressed in green; carries peacock

arrows and a bow and wears a bracelet to protect his arm; a sword; a shield; and a dagger

Head like a nut w/brown face

A hunter and woodworker—attends the Squire but has his own personality

St. Christopher’s medal Patron Saint of Travelers

Chaucer looks at the Yeoman positively and uses no irony in the description; Suggests that like the Knight and the Squire, the Yeoman is a worthy occupation

Page 9: Canterbury Tales Prologue
Page 10: Canterbury Tales Prologue

Prioress (Nun)—(lines122-168) Eglentyen/sweetbriar Exceptionally mannerly

when eating Animal rights activist—

should be concerned with? PEOPLE!

Sentimental and tender & speaks elegant French

Smile is “simple and coy”; “elegant” nose; “glass gray eyes,”; small, soft, red mouth suggests… Perfect beauty

Coral trinket on her arm, green prayer beads, “Love Conquers all” on her golden brooch suggests… Rich tastes; worldliness

Irony of Chaucer: charity should be for needy people, but it is for animals; love is very worldly rather than Amor Dei, godly; expresses a desire to show courtly manners, rather than follow rules of simplicity; expensive jewelry suggests worldliness instead of poverty.

Page 11: Canterbury Tales Prologue
Page 12: Canterbury Tales Prologue

The Monk (lines 169-211) A Manly Man, fat, prominent eyeballs, supple boots,

not pale, Loves hunting & fine food Bridle “jingles”; garnished sleeves; fine tunic; owns

many horses and greyhounds; suggests… Wealth he should not have

Ignores the rules of the monastery

The Monk it Chaucer’s prologue is corrupt; Loves good food, expensive clothing and hunting violate the monastic views of poverty and simplicity and displays no guilt. Hunting was a big no-no for Monks.• Irony: “finest sort”, suitable to

be an abbot, agrees with point of view, “fair prelaat”

Page 13: Canterbury Tales Prologue
Page 14: Canterbury Tales Prologue

The Friar (lines 212-279) Brother Hubert has a white

neck Supports himself through

begging—well rehearsed and spoken

Loved among the rich land owners; Only deals with the rich; avoids the poor beggars and lepers…suggests… He is corrupt and only cares about

worldly things Sings and plays hurdy-gurdy

and lisps to attract women Fixes up many young women…

after giving them lovely gifts…suggests… He has seduced them first

Knows the taverns and the barmaids well suggests…

Took confessions—and pardons them…for a “gift”…suggests… He manipulates people’s

desire to be good Arbitrates disputes for a

fee

Chaucer paints a picture of the corrupt clergy• Irony: “strong pillar of the

church”, calls him merry, sweet, pleasant and worthy

Page 15: Canterbury Tales Prologue
Page 16: Canterbury Tales Prologue

Merchant (lines 280-294) Split beard, assorted dress, Flemish

beaver hat, buckled boots. An expert with money and exchanging

money In debt but no one knows because he

“cooks the books”

Representative of the middle class; is in debt but pretends not to be an hides it cleverly; Chaucer says he is a worthy man—respects the middle class despite the deception

Page 17: Canterbury Tales Prologue
Page 18: Canterbury Tales Prologue

The Oxford Cleric (lines 295-318)

Still a student Thin horse; thin, hollow, sober staring man; thread bare

coat Prefers books to clothes “philosopher’s stone” reference—myth of philosophy Formal and extremely respectful—gladly learn and

teach

Idealized character- a serious student who cars for little but studying and is so poor he cant even keep clothes on his back or books on his tables; When he speaks, he speaks with a purpose and he always prays for others. Forfeits worldly pleasure for knowledge.

Page 19: Canterbury Tales Prologue
Page 20: Canterbury Tales Prologue

The Lawyer (lines 319-341)

Expert lawyer with great import Offers himself as a judge Discreet and cautious Homely parti-colored coat, girt with a

silken belt of pin-stripe stuff

Irony: Chaucer makes a point to comment on pretending as a part of human nature and the Lawyer believes he is much more important than society really views him.

Page 21: Canterbury Tales Prologue
Page 22: Canterbury Tales Prologue

The Franklin (lines 341-379)

Daisy white beard, cheerful Always has food and drink ready at his house Parliamentary representative for the country Had a dagger and a little purse of silk—white as

morning milk Sheriff he checked every entry

The Franklin as a social climber and spends most of his time pretending he is better than he is. He is a hedonist (pleasure is all important). He loves happy people who will eat and drink with him.

Page 23: Canterbury Tales Prologue
Page 24: Canterbury Tales Prologue

The Craftsmen (lines 371-388)

Carpenter, haberdasher, dyer, weaver, tapestry maker Dressed more mightily than their rank suggests Wives follow behind with and insist on being called

“Madam” while their mantles are carried like royalty

The craftsmen are treated as a group and none is given of single. Chaucer again is making the point that people like to pretend they are better than they truly are and he seems to satirize them through their wives.

Page 25: Canterbury Tales Prologue
Page 26: Canterbury Tales Prologue

The Cook (lines 389-397) Good cook who makes thick soup—had

an ulcer on his knee (a crusty sore) Travels with the guildsman

Page 27: Canterbury Tales Prologue
Page 28: Canterbury Tales Prologue

The Skipper (lines 498-420)

Very good at his job Rides well Wears a dagger on his neck Tanned from the summer heat Steals wine from the captain while the captain sleeps Owned the Maudelayne

Page 29: Canterbury Tales Prologue
Page 30: Canterbury Tales Prologue

The Doctor (lines 421-454)

Talks really well about medicine as related to astronomy

Practice magic and medicine according to the stars

Did not read the Bible but knew all about Greek mythology

Wore blood-red garments with bluish-gray lines

Had a special love for gold

The doctor knew his art well, which he used to his advantage by making sure he could make a profit by manipulating the facts in cahoots with the apothecaries. Suggests he is very greedy, but is very stereotypical of the doctors of the time.

Page 31: Canterbury Tales Prologue
Page 32: Canterbury Tales Prologue

The Wife of Bath (lines 455-486)

Somewhat deaf Makes wool Gets married a lot (5 times already) Wore scarlet red hose and tight garter; bold,

handsome, red face with a gap in her teeth Been on many pilgrimages Knows everything about love

Thinks of herself as the best person and dresses boldly. Gap toothed person in the Middle Ages is very lucky and travels far and wide. She knows how to enjoy herself and brags about knowing the cure for loves. Character appeals for the liberation of women—but she can be offensiveIrony: “Amor Remedia” rather than “Ars Amatoria” (remedy over art)

Page 33: Canterbury Tales Prologue
Page 34: Canterbury Tales Prologue

The Parson (lines 487-438)

Rich in spirit, but monetarily poor Gives his own goods to his people and

calls on people no mater what Always fair and wise Always follows what is right

Idealized figure: devoid of any irony or satire. The most virtuous of all the pilgrims but serves as a criticism of the priests in the Middle Ages. Opposed to excommunicating poor parishioners who could not pay their tithes to the church and sometimes gives his own money to the poor even though he has very little. Chaucer uses the imagery of a shepherd tending his flock because of his virtue. An ideal stereotype of what priesthood should be—contrast to other religious figures

Page 35: Canterbury Tales Prologue
Page 36: Canterbury Tales Prologue

The Plowman ( lines 539-555)

The Parson’s brother, works hard and honestly for his living

Wears a tabard (loose jacket) smock and rode a mare

Idealized character—industrious and a hard worker who lives in peace and always helps out his neighbors. He loves God and always pays his tithes. Chaucer admires his pride and is calling.

Page 37: Canterbury Tales Prologue
Page 38: Canterbury Tales Prologue

The Miller (lines 561-584) Robin weighs 224 lbs,

very strong and wins at wrestling because he broad, knotty and short-shouldered; can heave a door off its hinges

Wart on his nose; nostrils were black and wide; mouth like a furnace door

Carries a sword and buckler; wears a hood of blue and a white coat and plays bagpipes (Irish descent)

Representation of a dishonest man; he is a rich and makes as much of his own profits as he can; physical description is representative of his personality: shameless, wordy, quarrelsome, deceitful and lecherous. He steals grain and yet has a golden thumbIrony: “golden thumb” increases his own profits only

Page 39: Canterbury Tales Prologue
Page 40: Canterbury Tales Prologue

Manciple (lines 585-604) Buyer of provisions for a college or court Watches the market precisely Illiterate but outwits the educated

As dishonest as the Miller and always makes a profit on his purchasesIrony: praise of financial wisdom that enables him to trick the wise of the country—professional malpractice

Page 41: Canterbury Tales Prologue
Page 42: Canterbury Tales Prologue

The Reeve (lines 605-640)

Oswald—slender and choleric; closely shaven beard; shorn hair abruptly stops above his ears; docked on top like a priest; chicken legs;

Wears an overcoat of blue; has a rusty blade at his side

Manages the estates of wealthy land owners Steals from the estate Learned carpentry

Choleric temper and slender legs indicate a lecherous character; inferior position indicated by facial hair; he is deceitful because he cheats his lord and blackmails the others in the county and everyone fears him as a result. He is richer than his lord and lends him money.

Page 43: Canterbury Tales Prologue
Page 44: Canterbury Tales Prologue

The Summoner (lines 641-688) Fire0red cherubinnish face with

pus-filled boils all over; has narrow eyes and is lecherous; black scabby brows and a thin beard and his appearance scares small kids

Loves garlic, onions and leeks as well as strong wine and only speaks in Latin when he is drunk

Blackmails everyone he can Wore garland on his head Allows sinners to keep mistresses

for a year in return for wine—likely he commits the same sin

illiterate

Responsible for summoning sinners before the church courts but Chaucer shows extreme loathing for the character; grouped with the pardoner—also hated by Chaucer; physical deformities represent an awful soul

Sarcasm: approval of the summoner “friendlier rascal”

Page 45: Canterbury Tales Prologue
Page 46: Canterbury Tales Prologue

The Pardoner (lines 689-734)

Compared to Summoner—together they sing a song about lustful love

Has yellow waxy hair hanging down on his head thin like rat-tails; has bulging eyeballs; small voice like a goat; no beard

Wore a little cap

Personification of evil; sells holy relics and favors to pardon people form all their sins to ensure purgatory; extorts money from people by preaching against having money; has repulsive physical features; special skill is singing at the offertory to extract money.

Sarcastic tone rather than subtle irony

Page 47: Canterbury Tales Prologue
Page 48: Canterbury Tales Prologue

The Host (lines767-803) Harry Bailey is

friendly, agreeable, and sensible

very warm and inviting

Offers the story telling contest to the pilgrims

Joins them on the quest to serve as a mediator

Page 49: Canterbury Tales Prologue

Chaucer Author and appears as a pilgrim through

the narrative Functions as a naïve narrator and the

guide on the way to Canterbury and we learn about his society through the irony and sarcasm he relates through the tales and stories. His tone requires careful reflection

Page 50: Canterbury Tales Prologue

Good Guys Knight Squire Yeoman Merchant Oxford Cleric Parson Plowman Host

Bad Guys Nun Monk Friar Lawyer Franklin Craftsmen Cook Skipper Doctor Wife of Bath Miller Manciple Reeve Summoner Pardoner

Page 51: Canterbury Tales Prologue

“The Ship of Fools”

Page 52: Canterbury Tales Prologue

Good Guys Knight Squire Yeoman Merchant Oxford Cleric Parson Plowman Host

Bad Guys Nun Monk Friar Lawyer Franklin Craftsmen Cook Skipper Doctor Wife of Bath Miller Manciple Reeve Summoner Pardoner

Page 53: Canterbury Tales Prologue

How can Chaucer’s Pilgrims be seen as a “ship of fools”?

Give examples.

Page 54: Canterbury Tales Prologue

Feudalism

Page 55: Canterbury Tales Prologue
Page 56: Canterbury Tales Prologue

Chaucer’s society is…How does this compare to our own? Explain your response by using specific comparisons between our stereotypes and Chaucer’s