canadian literature native

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CANADIAN LITERATURE Aboriginal Writing

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Page 1: Canadian Literature Native

CANADIAN LITERATURE

Aboriginal Writing

Page 2: Canadian Literature Native

A general understanding of some terms generally used by Aboriginal Affairs and Northern Development Canada (AANDC)

Aboriginal Peoples ( original inhabitants of North America)

Inuit Metis

Indians (Indian Act 1867) Status Non – status

Page 3: Canadian Literature Native

Kahkewaquonaby

Ojibway Credit River

Not a written text

Oral Tradition: according to the

government oral culture is successive

mutually exclusive stages in a single, unavoidable path of cultural evolution.

Page 4: Canadian Literature Native

Assimilation

For Natives oral tradition is two folded

Cultural Heritage

Source of their writings

Page 5: Canadian Literature Native

Aboriginal orature has been misunderstoodOral literature

For Natives:

Spiritual beliefs

Moral values

Preserve knowledge of history and culture

Framework

Certain common motifs

Page 6: Canadian Literature Native

Trickster: our attitude that things are funny even though horrible things happen (Daniel David Moses )

Page 7: Canadian Literature Native

Aboriginal writings

Own conventions

In European norms: risky

Generalization of both cultures

Page 8: Canadian Literature Native

Writing If it is a physical composition of text = Missionary teaching Natives approx. 1780

Text-making process (missionaries dictating their stories:1652)

Page 9: Canadian Literature Native

Pictographs of Stein River Valley British Columbia

Roman alphabet or co-evolutionary: diverse writing system in different places

Page 10: Canadian Literature Native

Mi'kmaq hieroglyphic writing

Micmac book culture

Cultural superiority

For Natives

Sacred objects

Or useless

Books and writing were (are) used as tools of deception, destruction

Page 11: Canadian Literature Native

In the 19th century native played the role of Noble

Savage

European fascination by primitives, disappearing race

Peter Jones – dual identity

Oratorical skills were more important – first

generation Natives, preachers, performers, lecturers

Page 12: Canadian Literature Native

Emily Pauline Johnson (Tekahionwake) Mohawk (1861 -1913)

Cry of an Indian WifeAs Red Men DieThe White Wampum (1895)

Later in the 20th century non aboriginal published Aboriginal stories Archibald Belaney

Page 13: Canadian Literature Native

A CRY FROM AN INDIAN WIFE 

MY Forest Brave, my Red-skin love, farewell;

We may not meet to-morrow; who can tell

What mighty ills befall our little band,

Or what you’ll suffer form the white man’s hand?

Page 14: Canadian Literature Native
Page 15: Canadian Literature Native

1968 – Trudeau „ a just society, participatory democracy

We must all be equal….We can’t recognize aboriginla rights

1969 – White paper

Indian status be abolished Native services be mainstreamed Just one element of multicultural society

Aboriginal writing mainly political

The only Indian is a non-Indian

Page 16: Canadian Literature Native

I write this for all of you, to tell you what is it like to be a Halfbreed woman in our country. I want to tell you about the joys and sorrows, the oppressing poverty, the frustrations and the dreams

Maria Campbell: Halfbreed (1973)

Rita Joe (1932 -2007) Song of Eskasoni

Tomson Highway: Kiss of the Fur Queen

Thomas king: Green Grass, Running Water

Page 17: Canadian Literature Native

Assimilation to western literary paradigms

Aboriginal writing still seen as:

Other Changeless Nothing to say to humanity on a larger scale

To fight for their own right they use a language and writing system that were forced upon them as weapons

Page 18: Canadian Literature Native

Meegwetch