black bag 2010 3
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Black Bag 2010TRANSCRIPT
The University of Bristol
Medical Students‘ Magazine
Black Bag the
1
The University of Bristol Medical Students‘ Magazine
VOL. II NO. 1 WINTER TERM, 2010
EDITORS: D. R. A. Cox & R. A. F. Pellatt
SUB EDITORS: P. K. Barnes & F. K. McCurdie
CONTRIBUTORS: Eoin Dinneen, Freddie Herbert,
Aisling Longworth, Carlson Oma,
Piers Osbourne, Annie Pellatt
‗Never trust a doctor whose office plants have died.‘
Erma Bombeck
Black Bag Winter 2010
the
Contents Page
Editorial . . . . . . . . . . 4
A Word from the Sub Editors . . . . . . 5
A Study of First Year . . . . . . . . 6
The X—Factor . . . . . . . . . 12
Face Cancer . . . . . . . . . 16
Going Home . . . . . . . . . 20
Freshers‘ Bar Crawl 2010 . . . . . . . 23
Life as an Ophthalmology F1 . . . . . . 25
Body Pump . . . . . . . . . 29
Personal Statement . . . . . . . . 35
Educational Crypticities . . . . . . . 38
Robot Wars in New York . . . . . . . 39
Coffee Break . . . . . . . . . 43
Reviews . . . . . . . . . . 45
Editorial
T ick follows tock follows tick follows tock… Our days
are numbered; our time‘s almost up. And we‘re not
just talking about the final exams less than a week away
(which we should really be studying for, rather than writing
this at 1.47am). With six raucous years of university under
our belts, it is not without a wince of panic that we find
ourselves on the brink of docterdom and old age.
It‘s been a ball. From that first slippery pull in Wedgies
to the last Jäger-Grenade on this year‘s pub crawl (featured
centrefold), we‘ve loved every minute. If this is your first
year at Bristol we‘d advise Camel Lights, unprotected sex
and Blast Billiards (Gold). Steer clear of Lizard Lounge.
For our final edition, we present advice on how to
make your way from Bristol to London, one man‘s dream
of appearing on The X-Factor, a particularly disturbing
medical drinking game and a junior doctor‘s view on his
ophthalmology rotation.
We will be leaving you in the capable hands of our sub-
editors, who will be steering The Black Bag‘s helm over
the coming year and have a word or two to say overleaf.
Eskimo tradition held that once a person reached a
great age, and was no longer useful, they would walk out
into the frozen desert, never to return. So we too must
close Microsoft Publisher, stop typing, and never grace
these pages again. Thanks for reading.
R. A. F. Pellatt & D. R. A. Cox
A Word from the Sub Editors
A s two pairs of eyes sparkled over whiskey on crushed
ice, the welcome was warm. Those faces that had
haunted fresher dreams since the spoof lecture had some-
what softened. Fears of an initiation involving a sacrificial
offering, a blood binding oath or at least a branding iron
began to subside as the pile of beer bottles grew higher.
We were being received into the Black Bag contingent,
a daunting charge that came with a 111 year legacy. Jack
Daniels, eased with brown sugar and lime, along with The
Strokes, accompanied us as we spiralled into a blurry
conversation of editing, scandal and gynaecology.
Several hours later and armed with cans of warm
cider, we journeyed into a realm rather unfamiliar to us; a
realm where legends are born. It was fitting that our
baptism into the medical school magazine should involve
the unceremonious bursting of our Lizard Lounge cherry.
Upon waking, with any feeling of dignity expelled (along
with whatever Mr Donervan had sold us) and still with
valuables in pocket (always a bonus), we knew it had been
a success. We knew we were ready: perhaps not functional,
not wearing trousers, and expected at anatomy dissections
in five minutes – but we were ready.
And so with this, knowing little about journalism and
even less about medicine, we begin our journey as editors
of the Black Bag. May God/Hippocrates have mercy on
our souls and youth have mercy on our livers.
P. K. Barnes & F. K. McCurdie
6
F ollowing the recent GMC inspection of Bristol
Medical School, a number of curriculum changes
have been enforced. As the medical school works hard to
try and ‗review, streamline and update the entire
curriculum‘ we at the Black Bag have felt it necessary to
run an inspection of our own.
We have sought to better understand the attitude,
behaviour and outlook of those arriving at Bristol Medical
School this term. We distributed feedback forms through-
out first year lectures and asked the baby-faced freshers‘
opinions on our fine institution...
A Study of First Year
7
F ollowing a recent GMC inspection of Bristol
Medical School, a number of curriculum
changes have been enforced. As the medical school
works hard to try and ‗review, streamline and update
the entire curriculum‘ we at the Black Bag have felt
it necessary to run an inspection of our own.
We have sought to better understand the attitude,
behaviour and outlook of those arriving at Bristol
Medical School. The first years…
8
9
10
Madame President instigates a
‗zero-tolerance‘ policy with the new
Galenicals Committee
F. K. McCurdie
12
The X – Factor
L et me tell you a story. A
story of childhood ambi-
tion, vivacious talent, invented
memories and shattered
dreams. It begins early one
sunny morning in Cardiff, the
largest city in the county of
Wales (N.B. that was not a
spelling mistake). I‘m stood
next to Dermot O‘Leary – his
pheromones fill the air. An
elderly man in the queue in
front of me turns, nodding at
O‘Leary, and remarks,
―He could shag all day if he
wanted, couldn‘t ‘e?‖
I nod.
I‘m not sure what exactly
prompted me to audition for
Britain‘s greatest singing con-
test, The X-factor. The prom-
ise of fame? An entertaining
mid-week jaunt? A foray into
investigative journalism?
Probably a mixture of the
above, but, having now stood
in the queue for an hour, the
latter seemed to describe my
situation most accurately. I felt
like Louis Theroux on acid.
Looking around, I soon
realised that I was encom-
passed by a menagerie of the
mentally ill and the tone deaf,
and yes, I was one of them.
After around two hours of
an exhausting swearing compe-
tition against a man with
Tourette‘s Syndrome in the
queue behind me, Dermot slid
in, like a 21st century version of
The Fonz, and shhhed the
crowd – silence fell immedi-
ately. I couldn‘t help but stand
in awe of this man, a modern
day Elvis whose charming
‗chap next door‘ demeanor
commanded the people as he
repeatedly mistook, misread
and mispronounced his ten
syllable lines from the auto-
cue. He was the ringmaster in
the centre of the freak circus.
Each time he tried to read a
link from the screen the crowd
would be forced to ‗silently
cheer‘ (the sounds of cheering
were to be added in the edit,
presumably from a crowd
whose cheering possessed
more of that je ne sais quoi…
more X-factor). We stood
13
there in the stiflingly early
morning air of that Cardiff car
park watching Dermot, with a
furrowed dyslexic brow,
squinting at the lines scrolling
past on the screen.
I was beginning to get
bored when a man standing
next to me turned and, grin-
ning manically, inquired… ‗So,
you like Doctor Who?‘ If I
learnt nothing from my nine
week psychiatry placement
(which I probably didn‘t) it‘s
that vulnerable adults such as
this gentleman should have
their anonymity persevered
when written about in a case
report such as this, so for the
purposes of this article I shall
refer to him as Mr. X.
Mr. X, as I previously
mentioned, had the grin of a
maniac the likes of which I
have never seen (on anyone
other than Nina Beck).
However, his smile, smeared
across a dysmorphic face, was
instantly likeable. ‗Here‘s a
man who likes life‘, I thought
to myself. Moments later my
preconceptions were validated
as I watched him smiling to the
point of exploding whilst he
recited the lines from a Doctor
Who episode from memory.
Mr. X was a happy man and
would become a… well yes I
suppose I should say it, a
friend for the remainder of the
day.
It was as a result of this
friendship that a new sense of
melancholy swam over me as
we entered our third hour in
the queue. For I knew what
fate had in store for Mr. X.
He, unlike others in his
situation before him (see S.
Boyle 2009), was not blessed
in the musical sense. This left
me with a bitter taste in my
mouth: Mr. X‘s destiny was to
be exploited by Cowell and
Co. for the amusement of the
general populous (much as I
am doing here) only to be
screwed up and thrown away
like yesterday‘s copy of The Black Bag. However, this cloud of
empathy was soon to dissipate
from my mind: I callously cal-
culated that I best stay with
Mr. X as he was sure to get
onto the television and proba-
bly provided my best chance
of becoming famous by proxy.
It was with a sense of over-
whelming relief therefore that
I saw Mr. X the next day in the
car park with a hundred other
hopeful idiots as he, like me,
had won a golden ticket into
the second round. By this
point, however, I thought it
best to break off my friendship
with Mr. X (he was becoming
a bit over friendly) and
decided to just ‗concentrate on
the music‘.
Sitting in the waiting room
(the one they always show you
in the early stages) with the rest
of the circus was a bizarre
experience for two reasons.
For one, the ratio of crazies to
normals had increased expo-
nentially, the producers having
hand-picked the most de-
ranged of applicants from the
previous day. Two: I was hung
-over, feeling fairly sick and
wearing yesterday‘s odourous
clothes (a clever ploy by the
producers to make the whole
thing seem like it happens on
one day). Like Dumbo watch-
ing the pink elephants dancing
in front of me, I was scared
but nonetheless enchanted.
The wait in this area was
but a moment compared to
that of the previous day.
Before I knew it, I had been
called to a small room where I
14
‗I‘ve only ever wanted two things in life: to
sing and to help myself and so many more,
just by… singing‘
stood in front of two executive
producers with a video cam-
era. I knew the routine: I
would employ yesterday‘s
fabricated story, stare straight
down the camera and lie.
Maybe even try and squeeze
out a tear. In the full knowl-
edge that this could be my
final showdown, I took a deep
breath and began the elaborate
sob story that I had invented
on the way to Cardiff the
previous day.
I regaled the producers
with the tale of a young boy
from a small (unspecified)
village who did fairly well at
the local school and was thrust
into the academic life, the one
true hope of a village where no
one before had even been to
sixth form, yet alone univer-
sity. I dropped my head to the
floor and elaborated on the
pressure I felt from home, my
dislike of the medical life and
my childhood dreams:
‗I‘ve only ever wanted two things in life: to sing and to help myself and so many more
just by… singing.‘ The producers both
smiled. Yes! I‘m in. All that
was left to do now was sing.
I have never seen a smile
drop from a person‘s face
quite so quickly. I can‘t imag-
ine the faces I pulled as I
heard less than a Leona Lewis
performance emanate from
my vocal chords. There was a
brief silence. The producers
had become altogether more
business like and stark. One of
them, looking through the
papers they had on me
glanced up and said,
‗It says here you‘re only a
year away from being a doctor,
is that true?‘
‗Erm…yes it is.‘
‗Well you‘re clearly not
going to quit to go to boot-
camp to have a 1 in 20 chance
of being famous, are you?
What do you want to do?‘
‗I want to be a surgeon.‘
‗Thank you for your time
Daniel, have a nice day.‘
The dream was over. As I
left I heard that Mr. X had got
through, I hope to see him on
television soon.
I didn‘t even get to see
Cheryl.
D. R. A. Cox
15
H ave you ever played
Face Cancer? If you are
a medical student at Bristol
University, the answer is
almost possibly yes.
Confused? I‘ll explain.
My housemate and co-
editor claims to have invented
Face Cancer with his thespian
friend some five years ago, as a
young first year student at
Bristol University. Such a
claim from said housemate
and co-editor I would nor-
mally approach with caution,
given other outlandish aspects
of his personal history, such
as:
My family are gypsies and my grandfather was left on the
doorstep of a bakery
I can run 400 metres faster than anyone else (including
Usain Bolt)
I‘m probably the cleverest person I know
On this occasion, however,
I think we can give him the
benefit of the doubt.
The story goes that these
dramatists were looking for a
way to practise keeping a
straight face while delivering
sobering and heartfelt lines on
stage. We‘ve all been there:
something is supposed to be a
moving, tear-inducing solilo-
quy, but one just can‘t help but
breakdown laughing as the
suspension of disbelief is, well,
suspended.
So they came up with Face
Cancer. One person plays the
part of the doctor. The other
is the patient. The patient has
the hideous imaginary disease
Face Cancer. The doctor has
to deliver the bad news:
‗I‘m sorry to say Sir/
Madam, but you‘ve been diag-
nosed with Face Cancer.
We‘ve run all the tests, and
there is nothing more we can
do for you.‘
As the diagnosis is made,
the person playing the part of
the patient must mould his/her
face into the most grotesque,
Face Cancer
16
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ugly, distorted image that their
muscles of mastication will
allow. The doctor has to
deliver his lines looking the
patient straight in the eye, with-
out laughing or hesitating and
with the utmost sincerity. If he
succeeds, he is the victor. If
he laughs, he loses.
‗Horrible!‘ many of you will
say. ‗What awful mockery!‘
And indeed, this would at first
glance appear to be the case.
A non-medical person might
quiver that future doctors
could be so callous, so uncar-
ing, could distort suffering into
entertainment.
Superficially, this is true.
And Face Cancer has become
something of a staple among
those medical students
inclined to indulge in the odd
drink; the more rambunctious
players have even been known
to include ‗sound effects‘ and
‗props‘.
The truth is more subtle.
While outwardly appalling,
Face Cancer is actually close to
the reality of doctoring life.
You‘ve all attended the ridicu-
lous communication skills
sessions, where one must enter
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into the realm of theatre and
make-believe and tell an
‗actor‘ (in the loosest sense of
the word) that they have diabe-
tes, or need to come back for a
chest x-ray because of some-
thing sinister. You all know
who I mean by ‗Big Boots
Lady‘. These deplorably false
scenarios are a subconscious
training for the days when we
really will have to tell people
that they‘re overweight, unwell,
or even dying. A friend, now
an F1, says that he finds most
of his time is spent delivering
bad news, talking to relatives
and counselling distressed
patients.
Face Cancer is really the
ultimate refinement of these
communication skills. I would
venture that it has made me
more adept at sincerity than
any half-hearted effort of the
medical school. So many of
our exams are about acting;
about putting on a show. If
you can turn up for the OSCE
with a smile on your face,
while inside cacking your
pants, the pass is already
yours.
Tired, bleary, flu-ridden
with sagging bags under the
eyes after a winter weekend on
call; at the end of the shift,
desperate for a bubble bath,
what will I do when Mrs C‘s
daughter asks me to sit with
her and discuss her mother‘s
condition? Because our inter-
actions can‘t all be real, no
matter how highly we aspire.
It is here, when all I want is
hot chocolate and X-Factor,
that I will turn, and put on my
mask, and forget about going
home and sit with Mrs C‘s
daughter and explain that her
mother is not at all well. It has
nothing to do with being a nice
person, or being a big bag of
cuddles and kisses; it is about
professionalism, about your
duty as a physician.
As future junior doctors,
our young lives will often
encounter death and unhappi-
ness, undoubtedly more so
than university companions
studying law, or engineering,
or history of art. One could
go mad, seeing so much suffer-
ing. Humour is one way of
dealing with this. The morbid
becomes the mockery; the fear
becomes the frivolity.
But the last laugh is inevita-
bly on us; for all our making-
light of clinical life, we are the
ones who must go to sleep at
night. And here the dreadful
and the depressing are ampli-
fied all the more so. A joke
shared with friends over tea
does nothing to ease the mind
in the small hours of the
morning‘s darkness, when all
one has is one‘s thoughts.
All rather sobering, really.
R. A. F. Pellatt
19
Oliver ‗Boo‘ Mclaren
20
Going Home
If I ever need to return home, there
are three options available to me...
1. The Humble Automobile
The first and cheapest option is my housemate and his car. He
lives close enough to have at least one mutual friend from home
on Facebook (although ‗friend‘ is a strong word, considering that
neither of us have spoken to that person for several years) When
coupled with amusing conversation and the ever potential trip to
the services for a Burger King (and a quick round of Time Crisis
2) it is generally the most pleasant way to travel.
However, it is inevitably ruined by the M4- which other than
the Bath-Bristol cycle path appears to be the only road route out
of this fine town. On a good day one can expect to spend three
hours in traffic desperately trying not to make eye contact with
that guy in the Porsche who you cut up for fun at Junction 19,
and on a bad day you just have to hope the car is stocked up with
enough water and Wine Gums to last the week.
If somehow, you make it unscathed, it is only to be met by
the joys of a fifty zone littered with orange cones in no particular
order, road work signs with no particular road workers and an
average speed check with no particular camera to slow down for.
21
2. The Humble Locomotive
My second option is the train. The train has the potential to be
very fast: there is no traffic on the railway and therefore nothing
(one would imagine) to stop the vehicle from moving as fast as
a...steaming freight train.
One would also postulate that given the online seat reserva-
tion service provided, there would be a nicely upholstered space
on which to comfortably park one‘s rear end. And given the
price of the tickets (unless you book seven months in advance
and bank with Natwest) one might even go as far as to expect a
clean, spacious ride full of upstanding members of society, and
even someone playing a grand piano in the corner.
Instead, I find myself sitting on my suitcase sandwiched
between the lavatory and the exit-door with somebody‘s
fold-down bicycle resting painfully on my shins. The reason for
my predicament: the gentleman in 17D quietly told me to ‗piss
off‘ when I suggested that he might be sitting in the seat I clearly
remember reserving.
To my immediate right, a fat adolescent shell-suited female
shares Alexandra Burke with the train through the tinny speaker
of her mobile phone. To my left, a male youth emerges from
the W.C. with the word ‗fuck‘ humorously rearranged in large
letters across the front of his t-shirt, accompanied by a smell
somewhere between a rotting corpse and a pilonidal sinus.
Far from rocketing along, we are at a standstill, probably just
outside Didcot Parkway (a station that I am sure only exists
because somebody high up in National Rail lives there). Failing
that, we are near Reading, a town that I would not want to visit
even if they annually hosted some kind of indie music shagfest
there. The reason we are trapped is, of course: ‗Leaves on the
track‘.
I supposed it could have been worse… and then it actually
was when the buffet car steward proudly confirmed that my
sandwich and coke did indeed cost £7.50.
3. The Humble Motor Coach
And so I am left with the coach. A late booking had made the
fares similar for both leading companies; National Express won,
having marginally more leg room. An astoundingly empty bus
meant that I did not have to sit next to somebody with dengue
fever or an annoying penchant for eating ‗cheese and onion‘
crisps loudly. Thankfully there was nobody behind me who liked
saying ‗literally‘ loudly and repeatedly. In fact, everything was
going handsomely until I saw this sign:
ATTENTION! All Drivers:
Before you reverse from the bay:
Close the vehicle doors and ensure all passengers are secure.
Depress foot brake and engage reverse gear.
Check mirrors and around the area before moving off slowly.
Keep a sharp lookout for moving vehicles. Seriously? The door was closed but I was not secure. Surely
before being allowed to talk into that cool handheld micro-
phone, a coach driver must be deemed competent enough to
notice if the goddamned door was flailing in the wind.
The door was not my only concern: ‗engage reverse gear‘?
Oh, because normally I just slam it into first and (if I remember
to release the brake which you also kindly pointed out I should
do) plough the coach initially into your incredibly helpful sign
and then into the waiting area, maiming or killing a few potential
passengers. I said a silent prayer. The reminder to ‗check the
mirrors‘ almost made me wish the driver didn‘t know how to
reverse - at least he would be looking in right direction.
I can only hope that this sign is some kind of red tape used to
cover the company‘s back - a tool created entirely for the phrase
‗I told you so‘. Because if National Express drivers have a
tendency to wildly ignore moving vehicles unless reminded to,
then screw the extra inch of leg room, I‘ll take one ticket for the
Megabus. Thanks.
P. K. Barnes
22
FRESHERS’ BAR CRAWL ‘10
FRESHERS’ BAR CRAWL ‘10
25
Life as an Ophthalmology F1
P eople feel a multitude of
emotions on their gradua-
tion day from medical school.
Pride, relief, excitement — to
name but a few.
I, however, felt only two.
Amazement and fear. Amaze-
ment that I had come to the
end of my student days with-
out having to repeat a year.
Fear because I knew the days
of playing Call of Duty 6 on a
casual Tuesday morning were
over and that I would now be
required to work for a living.
Yet for all this complaining,
I am one of the lucky ones. I
didn‘t head off to start on
MAU, care of the elderly or
colorectal surgery. No, I was
to start my medical career
working in ophthalmology.
The first order of the day is
to arrive at work on time. My
start time is 9am, so living a
ten-minute walk away from the
hospital means that you can
roll out of bed around 8.15 (or
8 if you‘re one of the few who
enjoys watching Chiles and
Bleakley‘s cheeky flirting on
Daybreak).
Arriving at 9, I immediately
show my face and see if there‘s
anything that needs doing
urgently. There never is. I
then dump my bag and settle
in to my first cup of tea.
Next I proceed to pre-op
assessment: an elderly Chinese
lady for surgery who speaks no
English. It brightens my day to
think the COMP 2 organisers
are patting themselves on the
back for having prepared us
Bristol grads for this kind of
event. That done, I have a
purposeful mosey up to the
ward to see if we have any
inpatients. Today (as usual)
there are none, so I sneak off
to the mess to hide and check
out holidays on the internet.
By now it‘s just about
approaching lunchtime. Be-
fore I head off for my statutory
one-hour, I go down to the
outpatients to check everything
is ok. I bump into the medical
photographer who asks if I
fancy doing a fluorescein
angiogram on a PP (secret
NHS lingo for ‗Private
Patient‘). Despite having very
borderline cannulation skills
(getting below 50% success on
Lovell‘s card in ACS), I agree.
The fluorescein angiogram,
in a nutshell, involves me
taking a four-minute medical
history, inserting a blue
cannula (in first time today),
injecting the fluorescein and
praying they don‘t have an
anaphylactic reaction.
If the patient did start feel-
ing unwell or became short of
breath, it‘s probably the time
where I‘d curse myself for only
remembering the infamous
prawn cracker joke from Dr A
Tim Lovell‘s STAN teaching
session. (Although I‘d take that
joke, and the others regarding
mobile phones and location of
vending machines, over the
dose, route and drugs used in
anaphylaxis anytime.) Never-
theless, the patient is fine, and
I get a £25 cheque in the post
for my ten minutes of
fumbling around.
Back to the doctor‘s mess,
now a second home. With
TV, newspapers and unlimited
tea, toast and cereal, it is a
perfect oasis away from real
medicine. Occasionally, there
is some banter going around
the mess, usually involving the
most recent F1 mistake, or
who did what at the last payday
party. We also have the
privilege of the mess balcony,
though I haven‘t worked up
the courage for a crafty
cigarette out there yet; perhaps
in F2.
This turns out to be a bad
lunch, as while being subjected
to the usual banter at my
expense about having a ridicu-
lously easy job, I‘m then given
two white card referrals by
other doctors who seem to
take the delight in shifting
work onto me.
At around 2.30pm, I stroll
back down to the ward to see
what‘s going on. Very unusu-
26
The first rule of ophthalmology is: ‗If in doubt, ship ‗em out.‘
ally, I encounter a nurse asking
what she should do about a
lady complaining of chest pain.
‗She‘s probably just whinging
and has indigestion‘. Even so,
I take a quick history. Her
words of heaviness, shortness
of breath, nausea and previous
operations mean that I‘m
lightening fast at fobbing her
off to A and E for another
Bristol grad to deal with. The
first rule of ophthalmology is:
‗If in doubt, ship ‗em out.‘
I go to see the referrals.
This is where the ophthal-
mologist‘s very own lightsaber,
the ophthalmoscope, comes
into play. You simply march
onto a ward, shine it around a
bit and pronounce that the
patient should be booked in as
an outpatient. Job done.
It‘s now 4, and my thoughts
are of going home, but there is
still plenty of time to flirt with
any medical students/nurses.
Never underestimate the
power of scrubs and a stetho-
scope. Frankly they can be em-
barrassingly successful at luring
women in (not that I‘d know,
it‘s just what I hear).
At 4.45, I pack up my
belongings, and start the short
walk home, safe in the knowl-
edge that, after tax, I‘ve
probably earned 50 quid.
*****
I n summary, it‘s easy to see
the attraction of ophthal-
mology. Few on-calls, few
emergencies and a long lunch.
The downsides are that
ophthalmologists seem to
forget all the medicine they
knew very quickly and every-
one seems to think you are a
complete joke. Also, the pay
on an unbanded job is such
that a McDonald‘s cashier with
two stars on their badge would
laugh if they saw your pay-
cheque.
At the end of the day
though, my colleagues will be
there till 7.30, about to finish
their fifth PR or tenth TTO.
I‘ll be the one cracking into his
first beer watching The
Inbetweeners on channel 4
OD. Oh, and I‘ve got to
cannulate two more private
patients next week… enough
cash for a good lap dance.
Lad.
Dr P. Osbourne
27
L ast night, friends con-
vinced me to go to one of
the ‗Body Pump‘ sessions held
at a Gloucester gym. There, I
was told, I would have a ‗really
good time‘. I would ‗feel
great‘ afterwards.
‗You‘ll probably want to go
every week!‘ said beaming
faces. Sophie, a Body Pump
veteran, literally wet herself at
the thought of it: ‗Oh! I just
can‘t wait! I‘m so excited! It‘s
so much fun! You really must
come!‘
I will offer the reader some
information to set this tale in
context. Never in my 23 years
of life have I entered a gym.
Quite frankly, I would rather
spend the evenings picking
fluff out of that curious place
at the top of my bum crack
than galumphing away on
some treadmill and inducing
early osteoarthritis by repeat-
edly lifting metal lumps
(reference pending).
Anyway, partly out of bore-
dom, partly from the lack of a
six-pack and partly out of
intrigue I went along that
evening, timidly trailing
Sophie, too afraid to venture
forth into the gym complex
alone. I was momentarily (and
regrettably) abandoned while
she attended to the female
changing room. We then en-
tered the large hall where the
‗main event‘ was to take place.
The clientele are not quite
as I expected: yes, a fair spat-
tering of lycra, head bands and
neon leggings; but also many
who don‘t fit the stereotype.
Several girls appear to have
had one too many a Dairy-Lea
Dunker, with pink podgy faces
and those irritating follicular
red spots on their upper arms.
A slim elderly woman waits
Body Pump
29
with hands on hips like an
expectant regular. Our eyes
meet for a second and I get the
distinct impression that she
wants to kung-fu-kick me in
the ghoolies. At the front, a
tall chap with a substantial beer
-belly is wearing a black
Slipknot T-shirt. Greasy neck-
length hair adheres to his pale,
blotchy face. He is already
sweating.
We take our places facing a
wall of mirrors, allowing me to
fully appreciate my physical
inferiority. Accusatory spot-
lights beam from above; at the
front large speakers from the
sound system.
From a side door our
instructor jogs up to the front,
informing us through his
microphone-headpiece that he
is ‗Graham‘, and ‗are we ready
to pump it up?‘ Graham is
wearing a tank-top and features
a tribal tattoo on his right arm.
His hair is a spiky gelled mess.
He winks after every sentence.
There is some banter
between Graham and the regu-
lars: the old girl who looked at
me menacingly gets a shout
out: ‗Good to see you‘re still
going, Denise!‘ She doesn‘t
smile, and Graham sheepishly
realises he‘s overstepped the
mark and concentrates on
someone else, the greasy Slip-
knot fan, named Karl, at the
front. Karl, we hear, has come
to Body Pump with a ‗raging
cold‘ that will no doubt ‗infect
everyone‘ through the air
conditioning unit. He turns
his sickly face to the rest of us
apologetically; we give him a
shared glare in return.
Graham pipes up: ‗Are you
ready to feel the heat?‘ The
first track kicks off, a dance
remix of Summer of ‗69 and
suddenly everyone is following
Graham as he lifts his weights
into a variety of poses. ‗One!
Two! Three! Four!‘ I clasp my
bar and mimic his actions:
‗Work those triceps! Down
slow for one…. two… three…
and four… and up fast!‘
Now I f ind myself
30
31
straddling the step-up box, the
bar of weights bearing down
like some beast from above. I
flex my arms up and away
from my chest to Graham‘s
camp calls, and the sweat trick-
les from my face, legs, back…
well, from everywhere. But I
begin to think that maybe, just
maybe, I‘m actually a pretty
butch bloke after all, and
maybe all this weight lifting
malarkey is a nonsense, as I
expected. I suppose you
could say I began to feel rather
good about myself. I even
stole a look at myself in the
floor-length mirrors and swore
I could see a bicep.
Then I look left and
Sophie, in real life a short
ginger girl, is lifting three times
the weight on my bar. She is
not sweating a drop. In com-
parison, my bar is like a stick
insect. The bicep in the
mirror disappears. Then a
sudden ‗clink‘ in my back and
a simultaneous acute pain; the
next few pumps are agonising.
My arms quiver with the
shudder that exercise beyond
one‘s limits induces.
As the (worryingly good)
dance remix of Summer of ‘69 comes to an end, I see Sophie
is smiling and chatting to a
muscular bloke about what a
good pump she‘s just had, ‗It‘s
just a shame the weights were
so small!‘
‗So that‘s the end, right?‘ I
say, between gasped breaths,
trying not to appear too eager
for the agony to conclude. I
try to put my hands on my
hips and thrust my chest
forwards like the rest of the
group, but this makes my back
hurt more so I end up looking
like a flamingo with a broken
leg. Denise, the old girl, is
looking at me and smiling for
the first time. I begin to
wonder if the country would
be a better place with euthana-
sia legalised.
‗No Pellatt, don‘t be stupid!
We‘re here for another hour!
Are you okay?‘
I‘m obviously not. I‘m a
human arrhythmia with life-
threatening asthma. I want
nothing more than to go home
and sit in front of a screen
shooting things on the PS3.
But God forbid appearing like
a pansy in front of a girl…
28
‗I‘m fine, it‘s just it was
going so fast and I was worried
it was already over! I‘m having
such a good time, you were
right about this! It‘s rather
easy really.‘ I manage to
squeeze a smile but inside I‘m
racked with palpitations. I‘m
already in pain. There may be
permanent damage.
‗Oh,‘ says Sophie, ‗well if
you‘re finding it easy then put
some of my weights on your
bar. I don‘t think you‘ve got
enough.‘ I try to hide the
look of horror on my face.
‗Yes, you‘re right,‘ I say,
and before I can make up
some excuse about a congeni-
tal back problem she‘s already
put the extra weights on.
Graham is at the front
again, skipping like some
nymph on crack. And as the
bass starts up through the
speakers:
‗You! That‘s right, the
lanky girl at the back! Bar up!
Let‘s go! This one‘s a dub-
step change-up of Paradise City. One! Two! Three! Go!‘
He‘s talking to me.
R. A. F. Pellatt
‗Postnatal Depression‘ by A. Longworth
visit outofourheads.net for a showcase of creative work by Bristol Medical students
My desire to become a doctor was sparked early on
by my fascination with the biological sciences. I
indulged my interest in anatomy and physiology by
several opportunistic learning routes. For example,
I made sure I tuned into every episode of House and
ER. Not only did I find the clinical and scientific
accuracy fascinating, but I wanted to become part of
a profession where everyone is clever, rich and
glamorous. The final realisation that medicine was
the vocation I was born to pursue came with my
completion of Theme Hospital: a complex task that
required initiative, instinct and a profound
understanding of the day to day running of Health
Services.
In order to consolidate my belief that I should
become a physician, I spent a month at the local GP
practice, where I grew to appreciate the multiple
roles interacting together to provide the best
patient care. I learnt the importance of spending
entire afternoons stapling together prescriptions
and came to understand the challenges of appearing
to be interested by receptionists answering phones,
drinking coffee, and attempting to find something
‘fun’ for the work experience student to do. The
most rewarding aspect of this particular placement
was discovering that it is possible to fall asleep
with both your eyes open, and standing up.
As a doctor, I would be keen to pursue academic
research avenues to enhance my clinical career.
From my background in science, I appreciate that
evidence based medicine and clinical research are
vital to inform and enhance modern medicine. I
suffer quite severely from post alcohol exposure,
and through much trial and experimentation, have
concluded that alka seltzer is in fact the best
hangover cure.
I am incredibly sociable and have fantastic inter-
personal skills, being able to talk to people of any
walk of life. I enhanced this particular quality dur-
ing my time at senior school. I managed to survive
my experience at this below par comprehensive with
no more then a bit of spit in my hair, and the corner
burnt off my English work book. Only someone pos-
sessing incredible powers of reasoning, empathy and
wit can manage to survive such a place unscathed.
As I was filtered through the social sieve of
University, I found myself at York. Here, I enhanced
my interpersonal skills further. In particular, I
learnt how to understand those severely intoxicated
and in turn, how to make myself understood when
severely intoxicated. Having a busy social life has
made me learn effective time management: I have
often had to attend more than two parties in one
evening.
Once more, I was passed through the university
filter, this time to the level of post-graduate
study. When I arrived at Bristol University, I was
shocked to discover the social de-evolution that
the majority of postgraduates undergo. This was the
most recent, and most challenging, test of my
interpersonal skills, from which I learnt a very
important lesson: there are some people you just do
not talk to.
I am a keen pianist, which is an essential skill of any
doctor. In addition, I am an accomplished sports-
man. I played hockey when I was eleven years old,
had a brief stint as a lacrosse player during GCSEs
and was forced to do cross country during PE
lessons. I watch Wimbledon every year and am
pretty sure I could win. Furthermore, I went on all
of the Duke of Edinburgh expeditions.
A career as a doctor can be extremely stressful and
challenging. I employ several effective methods of
dealing with stress, which include smoking, having a
cheeky pint and watching Americas Next Top Model.
Candidate 6079 Anon.
(drei
Educational_Crypticities_ Each set of pictures amounts to a medical
condition. Answers in Coffee Break.
example hash + emo + toes
= Hashimoto’s
ein
zwei
(
- )
- )
M edical journalism is a
dog eat dog world.
Smut, decay, destitution, poor
poetry and unforgivably large
P-values abound.
One of the few constants in
this dark, tumultuous sea of
literary backstabbing is that the
editors are invariably pricks,
but that they are also always
right. In light of this advice it
seems I would do well to listen
carefully to the instructions I
got from my honorable
colleagues on the editorial
board of The Black Bag.
They commissioned a
‗stylistically editorial, technol-
ogy-orientated piece on travel.‘
I decided on a brief descrip-
tion of my time spent on
attachment with the Robotic
Surgery Team at the New
York Presbyterian Hospital‘s
Department of Urology. In an
attempt to placate my demand-
ing editors and in the knowl-
edge that, at the time of asking,
this article was to form the
sum total of the Black Bag‘s
‗Travel Supplement‘ as well as
all of the journal‘s new
‗Innovation & Technology‘
section, I have decided to
divide the article into the
following helpful sub-headings.
Travel: New York
Despite its fame, Manhattan is,
in fact, a surprisingly small
place, a little smaller than the
fifth smallest country in the
world, San Marino. Whereas
little San Marino boasts a
population of 29,000 resi-
dents, ‗littler‘ Manhattan is
home to some 1.6 million
New Yorkers and receives an-
other 46 million visitors a year.
Amongst which there
happens to be enough space
for a staggering number of hos-
pitals. Uptown to downtown
and everywhere in between,
hospitals of all shapes and
sizes can be found in Manhat-
tan. Some that cover whole
blocks, others that occupy but
a single floor in an office.
Some that serve the uninsured,
huddled masses; others that
only look after the richest
patients on the planet.
Extremes are abound in
39
Robot Wars in
New York City
Barack Obama tries his hand on the da Vinci surgical system
New York. Homeless people
settle down for the night out-
side the guarded foyers of
multi-million dollar apart-
ments whilst obese smelly
women shuffle onto the metro
and stand next to worryingly
skinny, effeminate young men.
Such extremes exist in the
hospitals as well. Some are
colossal empires with recep-
tion areas which feel decid-
edly more like four star hotels.
Conversely, although I never
visited one of Manhattan‘s
public hospitals (tourists are
recommended not to) their
leaky, rain stained facades
afford a glimpse into the other
extreme of healthcare.
Robots: Expensive Toys for
Surgical Boys
For those of a science-fiction
incline, you will be gladdened
to hear that the development
of surgical robots was initially
the result of work carried out
by NASA scientists working on
Virtual Reality technologies for
unmanned planetary explora-
tion missions. By wearing a
pair of remote control gloves,
the viewer could direct the
camera and thus survey the
aliens on Mars, for instance.
Things progressed from
here via the American
Military, who fancied it as an
option for remote control
surgery on the battlefield, to
find its niche in laparoscopic
surgery. There has been some
resistance.
Commentators have felt
that such emphasis on all this
high-spec equipment will her-
ald a dangerous departure
from long-standing good surgi-
cal practices. Some of these
anxieties are not entirely with-
out foundation. One morning
during the attachment, quite
unexpectedly and unexplaina-
bly, the multi-million dollar
robot simply did not turn on.
Mercifully, no one had yet
gone under the robot. The
sole inconvenience was that
the patient had his operation
rescheduled (in impressively
American style, for the very
next day), but it does not take
a surgical maestro to realize
that the consequences would
be a trifle more serious if any
such technical mishap hap-
pened at a different time.
Initially thought to be
groundbreaking in delicate
cardiology operations such as
mitral valve replacements, the
robots aimed for the heart but
hit the prostate.
Instead, fame was found in
urology. About 95% of all
prostatectomies done in the
US are now done robotically
and the robots are becoming
increasingly popular in obs &
gynae procedures as well as
ENT surgery.
Back on this side of the
pond, when Southmead Hos-
pital got its robot four months
ago it was only the seventh in
the UK – a statistic made all
the more remarkable by the
fact that the newest robot – the
da Vinci SiR costs in the
region of £2 million with addi-
tional maintenance costs of
about £100,000 annually.
Healthcare is a different
beast in the US. The medical
staff work eye-wateringly hard.
There was a rule I was in-
formed of on my first day but
which I was never in any real
danger of violating, ‗Medical
students are not allowed to
come in to hospital before
4:15. Other than that, com-
pulsory academic meetings
begin at 5:30 or 6 o‘clock
every morning of the week ex-
cept Friday.‘
Despite this, for a long time
health has not been a right in
America, it is a product. Like
the TV or the fridge; you get
only what you pay for. This
means that the hospital phi-
losophy is not one of public
service but instead of business.
The New York Presbyterian
Hospital proudly boasts a
gross receipt for the fiscal year
2007 as $2.8billion. That‘s
greater than the GDP of some
lesser sized commonwealth
countries. When I asked an
attending ‗What are your
criteria for recommending this
procedure to your patients?‘
he replied, ‗Do they have a
prostate? And do they have a
cheque book?‘
Bloody Americans.
E. Dinneen
41
‗Much like the exam results,
Kat Whelton is unavailable
until next Tuesday‘
F. K. McCurdie
‗There is no curing a sick man who
believes himself to be in health. ‘
Henri Amiel
‗It is a good thing for a physician to
have prematurely grey hair and itching
piles. The first makes him appear to
know more than he does, and the
second gives him an expression of
concern which the patient interprets as
being on his behalf.‘
A. Benson Cannon
‗In the nineteenth century men lost
their fear of God and acquired a fear of
microbes. ‘
Anon
‗A smart mother often makes a better
diagnosis than a poor doctor.‘
August Bier
‗Treat the patient, not the X-Ray.‘
James M. Hunter
Bedside Banter
‗Patients usually feel better after
receiving hand transplants.‘
*****
‗Paediatricians are just doctors with
little patients‘
*****
‗They tried to save him with an
I.V. but it was all in vein.‘
*****
‗After a few days in hospital, I took
a turn for the nurse.‘
*****
Educational Crypticities answers: 1)Cholera: COLLAR + RAH
2) Asthma: ASS + (MARMITE - MITE) 3) Halitosis: HALLE + TOES +(KISS — K )
Website Review onexamination.com
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Scientist a little simplistic and too full of articles on the Large
Hadron Collider, this could be the site for you.
It offers a wide range of different, up to date articles on the
medical world as well as giving you the chance to upload any
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well as pretend to have an educated opinion on a current event
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onexamination.com/fresher contains an online self-assessment
tool from the same site, offering a range of questions aimed at
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questions at your own pace, or under examination timings. Once
answered, each question is expanded and analysed, generating an
average score for the user. Best of all: it‘s free.
P. K. Barnes
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