big data in the music industries, dagfinn bach, bach technology

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the evolution of music continues Big Data in the Music Industries MusicDNA From B2B data capturing to sophis3cated B2B2C Services The Norwegian Council of Research, October 16th, 2013 Dagfinn Bach

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VERDIKT conference

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Page 1: Big Data in the Music Industries, Dagfinn Bach, Bach Technology

the evolution of music continues

Big  Data  in  the  Music  Industries  -­‐  MusicDNA    From  B2B  data  capturing  to  sophis3cated  B2B2C  Services  The  Norwegian  Council  of  Research,  October  16th,  2013  

Dagfinn  Bach  

Page 2: Big Data in the Music Industries, Dagfinn Bach, Bach Technology

History  

•  Before  2007  (founders  background):  •  Online  MP3  scenarios  test-­‐cases  (1991-­‐1994)  (before  the  commercial  WWW)  

•  First  European  Music  Online  Service  (1995-­‐1997)  (6  countries)  

•  ConsulLng  Nokia  Ventures  (1998-­‐1999)  (feasibility  study  on  music  on  mobile)  

•  Music  aggregator  Artspages  (1999-­‐2007)    (Today  Phonofile)  

•  From  2007:  

•  Founding  Bach  Technology  AS  in  Bergen  and  Bach  Technology  GmbH  in  Ilmenau  in  the  building  of  Fraunhofer  Ins3tute  (2007)  

•  R&D  and  product  development  search/recommenda3on/metadata  (2007-­‐2010)  

•  R&D  and  product  development  audio  recogni3on  and  enhanced  players/plug-­‐ins  for  OEM  products;  smartphone,  tablets  etc..  (2010-­‐2012)  

•  Consolida3ng  into  two  business  areas:  Airplay  monitoring  (Radio/TV)  and  MetaData/BigData  powered  products  for  OEM  and  Automo3ve  industries  (in-­‐car  audio)  

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Page 3: Big Data in the Music Industries, Dagfinn Bach, Bach Technology

VERDIKT  Project  

•  “The  Future  of  P2P”  (Sustainable  and  green  solu3ons  for  online  media  in  enhanced  networks).    

•  Key  R&D  elements:  

•  Op3mized  large  scale  audio  recogni3on  

•  Audio  analysis  and  tagging  •  Legal  P2P  solu3ons  with  automa3c  metadata  updates  

•  Budget:  16  MNOK  (4,5  MNOK  from  NFR)  

•  Partners:  •  Bach  Technology  AS  (Bergen,  Norway)  •  University  of  Bergen,  Department  of  Informa3cs  (Bergen,  Norway)  

•  Fraunhofer  Ins3tute  for  Digital  Media  Technology  (Ilmenau,  Germany)  

•  Other  contributors:  •  Hewleb  Packard  Norge  AS  (HW  and  business  models)  SERIT/Fjordane  IT  (Data  Centre)  

•  MediArena,  Bergen  (match-­‐making  for  poten3al  product  partners)    

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Page 4: Big Data in the Music Industries, Dagfinn Bach, Bach Technology

MusicDNA  today  

MusicDNA  offers  today  a  method  for:    

•  Capturing  audio  •  Analysing  and  producing  metadata  (MusicDNA  descriptors)  

•  fingerprin3ng  and  capturing  more  data  

•  structuring  •  storing    

”Big  Data”  about  music  

for  creaIng:    

1.  Stand-­‐alone  B2B  services    2.  U3lizing  the  database  to  power  services  targeted  for  end  consumers  to  enhance  the  

user  experience  within  search,  sharing,  transfer  and  visualiza3on.  

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Page 5: Big Data in the Music Industries, Dagfinn Bach, Bach Technology

The  MusicDNA  Database  

Three  components:  

1.  A  powerful  database  containing  2  fingerprints  and  15  MPEG-­‐7  descriptors  of  each  segment  within  each  sound  tracks  within  a  collec3on  of  18  Million  tracks  is  one  of  the  most  extensive  opera3ve  meta  databases  for  music  in  the  market.  

2.  20.000  Radio  Channels  indexed  in  an  addi3onal  radio-­‐monitoring  database,  currently  running  a  real-­‐3me  monitoring  of  4.500  the  radio  channels  across  Europe,  and  another  1.500  channels  across  Canada,  Japan,  Australia.  

3.  Recognizing  audio  of  airplay  every  10  seconds  (fingerprin3ng  of  en3re  track)  and  matches  and  display  rights  data  and  other  associated  data,  and  creates  a  new  database  showing  the  history  of  airplays  across  the  world.  

All  databases  are  growing  incrementally  

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Page 6: Big Data in the Music Industries, Dagfinn Bach, Bach Technology

MusicDNA  Data  

•  Genre,  subgenre  •  Tempo-­‐/Beat  determina3on  

•  Aggressiveness  •  Mood  

•  Hardness  •  Speech-­‐/music  discrimina3on  

•  Music  color  

•  Segmenta3on  

•  Solo  Instrument  

•  Instrument  Density  

•  Percussiveness  

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•  Vocal  detec3on  •  Key  •  Synthe3city  •  Rhythm  pabern*  

•  Vocal  Detec3on;  singer  type  (male,  female,  child,  choir)*  

•  Vocal  style  (singing,  rap,  opera,  screaming  etc...)*  

•  Cover  Song  detec3on*  •   +  4-­‐6  new  descriptors  every  year  enabling  incrementally  more  advanced  recommenda3on  and  recogni3on;    

•  ID3  Data  •  Soundslike  Fingerprint  

*  to  be  launched  in  2014  

Page 7: Big Data in the Music Industries, Dagfinn Bach, Bach Technology

Radio  Airplay  Data  

•  For  each  airplay  recogni3on:    •  Track  Title  •  Ar3st  Name  

•  ISRC    (similar  as  ISBN)  

•  Channel  Name  

•  Country  of  Channel  •  AirPlay  (dd.mm.yyyy),  3me  and  dura3on  (from  hh.mm.ss  to  hh.mm.ss)  

•  City  of  channel  loca3on  (including  GPS  data)  •  More  fields  to  be  added  by  means  of  MusicDNA  tracking/matching  

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Page 8: Big Data in the Music Industries, Dagfinn Bach, Bach Technology

Big  Data  Basis  

•  18  million  tracks  

•  15  tags  •  Average  5  segments  per  song  

•  1,35  Billion  “data  points”  for  describing/classifying  music  

•  Can  be  matched  and  combined  with  6  to  7  data  fields  for  Radiomonitoring  

•  Over  6.000  channels      -­‐>  soon  increasing  to  20.000  channels  across  the  world  

•  Can  be  further  matched  and  combined  with  data  from  affiliated  par3es  

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Page 9: Big Data in the Music Industries, Dagfinn Bach, Bach Technology

Feasible  products  and  use  cases  

OEM/Automo3ve  plug-­‐ins:  

•  Radio-­‐monitoring  for  iden3fica3on  of  broadcast  airplays  

•  Radio  channel  profiler  (MusicDNA  Radio  profile)  for  smart  radio-­‐tuner  apps  

•  Linking  on-­‐demand  music  to  radio  channels  with  similar  profile  

•  “From  radio  music  to  on-­‐demand  music”  recommenda3on  

•  “From  radio  to  radio”  recommenda3on  

Other:  

•  Radio-­‐plugging  tools  for  pre-­‐selected  releases  

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Page 10: Big Data in the Music Industries, Dagfinn Bach, Bach Technology

Feasible  products  and  use  cases  

Charts  not  uIlising  MusicDNA  aSributes:  

•  Inter-­‐/na3onal/regional  (city)  airplay  charts:  I.E.:  Top  10,  20,  50,  100  songs  on  weekly,  monthly  basis  on  World,  Europe,  Country,  City  level.    

Premium:  

•  The  next  genera3on  of  charts:  real  3me  charts:  Top  10,  20,  50,  100  songs  constantly  on  World,  Europe,  Country,  City  level.    

•  specific  genre  charts  :  Combining  the  previous  one  with  MusicDNA  Abributes  

•  daily  charts:  last  day  (24  hours)    •  daily  chart  tendency  last  month,  year:  Visualised  by  graph  

•  daily  airplay  (24)  tendency  for  one  ar3st  during  one  month:  I.E:  visualizing  by  map  (one  per  day  put  together  as  an  anima3on  of  30  days)  

•  day3me/  nigh-­‐3me  charts,  preby  interes3ng  since  radios  have  a  format  where  they  only  play  interes3ng/indie  music  in  the  evening  or  at  night.    Otherwise  similar  as  4.  

•  independent  charts:  Indie  music    

•  newcomer  charts:  Charts  for  new  releases  (i.e.  last  week,  last  month)  

ConfidenIal  info  for  GVL   10

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Examples  on  charts  

•  most  played  in  big  city  charts:  combining  with  popula3on  numbers  to  sort  out  big  ci3es  only    

•  style/genre  tendency  in  different  countries  and  during  the  year:  display  difference  between  music  profile  (based  on  MusicDNA)  in  different  countries,  and  month  by  month  

•  trend  charts:  showing  trends  with  respect  to  geographical  spread  and  volumes  for  one  ar3sts,  one  genre,  etc..  in  one  defined  defined  territory  

Extended  with  genre/style  detecIon  uIlizing  the  MusicDNA  ASributes:  

•  up-­‐tempo  charts  

•  ballad  charts:    •  instrumental  charts  

•  vocal  charts  Even  possible  to  make  further  extension  with  the  following  MusicDNA  aSributes:  

•  dark/bright  •  hard/som  •  full/sparse  (size  of  the  ensemble)  

Significant  potenIal  for  VizualizaIon  

•     

 

ConfidenIal  info  for  GVL   11

Page 12: Big Data in the Music Industries, Dagfinn Bach, Bach Technology

Demos  

•  MusicDNA  Radio  monitor:  

•  Ar3st  Centric  (see  abached  screen-­‐dump)  

•  Chart    (see  abached  screen-­‐dump)  

•  Vizualisa3on  ideas:  •  Ylvis  Map  (from  screen  shots)  

•  Vizrt  vizualisa3on  sketches:  •  Ylvis  •  David  Gueba  •  Emmelie  de  Forrest  (Eurovision)  1  

•  Emmelie  de  Forrest  (Eurovision)  2  

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Page 13: Big Data in the Music Industries, Dagfinn Bach, Bach Technology

Social  media  scenarios  (in  progress)  

A:  IntegraIng  Apply  Magic  Sauce  with  the  MusicDNA  mobile  player  

•  Descrip3on:    •  Giving  users  the  op3on  to  connect  with  facebook,  get  their  personality  score  instantly,  see  which  performing  ar3sts  in  their  library  have  a  similar  psychological  profile,  see  links  to  discover  music  or  purchase  3ckets  for  other  ar3sts  which  they  may  not  know  about  but  which  also  share  their  profile.  Users  could  also  opt  in  to  submit  their  data  anonymously  for  academic  research.  

•  Usage  of  data:  •  Process  the  personal  informa3on  and  aggregate  it  before  sending  the  analy3cs  on  the  personality,  IQ,  life  sa3sfac3on,  etc.  of  the  users  who  connected  and  use  the  player.  We  can  then  use  these  insights  in  any  way  you  find  useful  informa3on,  whether  to  understand  the  users  beber,  i.e.  for  UI  personalisa3on,  or  presen3ng  this  informa3on  to  clients  

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Page 14: Big Data in the Music Industries, Dagfinn Bach, Bach Technology

B:  AddiIonal  dimensions  in  the  music  profiler  and  recommender  

•  Descrip3on:    •  A  huge  poten3al  to  add  an  addi3onal  personality  level  to  the  exis3ng  profiler  and  recommenda3on  plaporm.  We  could  analyse  the  profiles  and  listening  stats  of  different  radio  channels  and  online  plaporms  such  as  Mixcloud,  Soundcloud  and  Last.fm  to  target  recommenda3ons  more  accurately.  Combined  with  MusicDNA  this  informa3on  could  be  presented  not  only  as  channels  or  songs  that  the  user  would  like,  but  as  a  MusicDNA+personality  profile  of  a  user's  en3re  collec3on,  which  they  have  the  op3on  to  rec3fy  and  thus  tell  you  even  more  about  the  kind  of  music  they  want  to  listen  to.  

•  Usage  of  data:  •  It  would  then  be  very  easy  to  use  this  informa3on  to  suggest  concert  3ckets,  merchandise  and  other  products  to  the  user  as  we  would  have  a  far  more  detailed  understanding  of  what  they  are  likely  to  purchase  or  which  gig  they  are  likely  to  abend  

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Social  media  scenarios  (in  progress)  

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the evolution of music continues

Thank  You!  www.musicdna.com  

[email protected]  

Page 16: Big Data in the Music Industries, Dagfinn Bach, Bach Technology

ArIst  Centric  Radio  Monitor    -­‐    Screen-­‐dump  

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Page 17: Big Data in the Music Industries, Dagfinn Bach, Bach Technology

Chart  Radio  Monitor    -­‐    Screen-­‐dump  

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