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BERLIN D A I L Y

HR.COMBERLIN

F E B . ,

Czech Films in Official Selection

I, Olga Hepnarova

by Tom Weinreb & Petr Kazda

We Are Never Alone

by Petr Vaclav

In Your Dreams!

by Petr Oukropec

Meet us at MGB, Stand No. 139


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BERLINWEATHERAND HIGH

TEMPS

TODAY TOMORROW

THE HOLLYWOOD REPORTER 1

B E R L I N

F C F C

i i i .i

FEBRUARY , THR.COMBERLIN

French art house icon Isabelle Huppert arrives for the premiere of her new drama directed by Mia Hansen-Love.Read THRs review of the Berlinale competition title on page .

The Face of Things to Come

Rudd, CooganSay I Do for

AnIdeal HomeBy Rebecca Ford

Paul Ruddand SteveCooganwill coupleup for the dramedy

An Ideal Home, written anddirected by Andrew Fleming.

Rudd and Coogan, whoworked together on 2011sOur Idiot Brother, will play atroubled married couple withan extravagant lifestyle, withCoogan a celebrity and Ruddhis more hesitant partnerand sidekick. But when the

The day aer the pre-miere for his latestfilm,Midnight Special,

Jeff Nichols next project,Loving, was picked up byFocus for North America andfor several other internationalterritories including the U.K.,Germany and Latin America.

The film, based on a truestory, stars Joel

Edgerton(whoalso stars inMidnight Special)

as RichardLoving, whose

interracial marriage toMildred Loving (Ruth Negga)caused them to be sentenced

Focus Falls forNicholsLoving

By Rebecca Ford

China Warms Up to Indie Titles

Chinas booming box office the countryis on pace to pass North America tobecome the worlds largest theatrical

market sometime next year has independentfilmmakers around the globe wondering howthey can get a piece.

Until now, however, the China boom has been

fueled by, and benefited, Chinese and Hollywoodblockbusters, with few indie or alternative filmseven getting into the country, much less makingany money.

But the Chinese film sector is changing fast, andthere are signs that a niche market for art house

films could be emerging. Chinese auteur Jia Zhangkehad his first-ever local release last year withMountains May Depart, which grossed a healthy$5 million. Diao Yinans noir thrillerBlack Coal, ThinIce, winner of the Berlin Festivals Silver Bear in2014, grossed a stunning $16.5 million in China.

Theres a younger generation growing up in

China, and while, right now, they might want bigblockbusters and broad local comedies, their tastesare changing. An audience for films outside theHollywood mold is starting to emerge, says RikkeEnnis of Danish art house specialists Zentropa,

CO N TIN UE D O N P A G E

C O N TIN UED O N PA G E C O N TIN UED O N PAG E

An emerging niche market for mid-budget releases could be a game-changer for independentproducers hoping to get a slice of the Chinese movie boom By Patrick Brzeski and Scott Roxborough

Nichols


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theREPORT

home to Lars von Trier,whichhas set up a Chinese division todevelop co-productions with, andfor, the Middle Kingdom.

There is no doubt that astrong desire for quality inde-pendent films does exist in themarket, seconds Elizabeth Yang,managing director of Chinafilm sales group DDDreamInternational Media, which spe-cializes in indie productions.

What still doesnt exist inChina, however, is an art houseinfrastructure. China has justone dedicated art house cin-ema in the entire country: theBroadway Cinematheque

MOMA in Beijing. From theperspective of indie films, Chinais all flyover country.

But a source close to SAPPRFT,Chinas state authority that reg-ulates the countrys film sector,tells THRthat there are plans todevelop just such an indie theaternetwork in Chinas so-called firsttier cities Beijing, Shanghai,Guangzhou and Shenzhen. Theproject, expected to roll out inthe first half of 2016, would bringtogether private and public cin-emas in a network totaling some50 screens. THRs sources say thatSAPPRFT will provide the ChinaFilm Archive with a distribution

permit to exhibit imported for-eign titles on this network, withan initial 70-30 programmingsplit between Chinese and inter-national art-house titles.

Wang Yu, whose Ray Productionproduced Berlin competition titleCrosscurrent, is spearheading aneven larger art house circuit, withplans to link up existing collegemovie theaters into an indieexhibition network of 200 screensspanning the country.

The understanding in theindustry is that there will be ahuge change to the quota systemat the start of 2017, which will

HEAT INDEX

M I C H A E L S H A N N O N

The actor is receiving rave reviews forhis performance as a father trying to

protect his young son with superpowers inMidnight Special, his fourth collaboration

with director Jeff Nichols.

A R I A N N E F R A S E R

FOUNDING PARTNER & CEO,

HIGHLAND FILM GROUP

Fraser unveiled Margot Robbies hotnew project Terminal, which HFG will

finance and sell in Berlin, and brought theSuicide Squadstar to town to meet withbuyers. Plus, shes selling Scott Manns

thriller Final Score, The TrustwithNicolas Cageand BlinkwithJamie Foxx.

T H E W E I N S T E I N C O .

Harveyand BobWeinsteins salesteam, usually a festival staple, pulledout of this years Berlin market at the

th hour, canceling rooms at theGrand Hyatt days before the start amid

a lack of big projects to sell.

Michael B. Jordan, Patricia

Arquette, Eddie Redmayne

and Commonhave joined the

list of presenters at the Oscars

ceremony on Feb. .

NBC picked up Maya and Marty

in Manhattan, a variety show

starring Maya Rudolphand

Martin Short. It will be executive

produced by Lorne Michaels.

Stephen ChowsMermaidhas

grossed . million, becoming

the fastest film to cross the

million mark in China.

MEANWHILE,IN THE REAL WORLD

grandson who Coogans character never knew hehad shows up at their home with nowhere else togo, the couple reluctantly decides to take him in.

Remstar Studios and National Bank of Canadaare co-financingAn Ideal Home, which FortitudeInternational is selling in Berlin. UTA Independent

Film Group is handling domestic rights.Gabriella Tana, Maria Theresa

Arida, Maxime RemillardandAaron Ryderare producing, andClark Petersonand Lisa Wolofskywill executive produce.

Comedy stalwarts PaulRudd and Steve Coogan arereuniting on the big screen as asquabbling married couplein Andrews endearing and hilar-ious script about modernfamily, and we are delighted topresent this charming film to

buyers at EFM, said FortitudesNadine De Barros.

to prison in Virginia in 1958. They were laterbanished from the state, but the couple took theircase,Loving v. Virginia, all the way to the SupremeCourt, which reaffirmed their right to marry.

The film, inspired by Nancy Buirskis documen-tary The Loving Story, also stars Nichols longtime

collaborator Michael Shannonand Nick Kroll.Lovingwas financed by Big Beach and developedby Raindog Films.

CAA repped domestic rights and showed footageto buyers Friday.

Loving, now in postproduction, is producedby Buirski, Ged Dohertyand Colin Firth, SarahGreenand Marc Turtletauband Peter Saraf. BrianKavanaugh-Jonesis executive producing.

Lovingmarks Focus first big buy aer the Feb. 4reshuffle that saw Peter Schlesselousted and Focusmerged with Universal International PicturesProductions. The company is undergoing anothercourse correction and once again will concentrate

on the sort of specialty films that were itshallmark when it was run by James Schamus.

Ideal HomeCONTINUED FROM PAGE

ChinaCONTINUED FROM PAGE

NicholsCONTINUED FROM PAGE

YES, THERE IS A MARKET FOR INDIE FILM IN CHINA

make it easier to import smallerfilms into China, Wang says.[Then] we should be able to showmore foreign arthouse movies as long as they pass censorship.

And the sheer size of Chinameans even incremental changecan have a major impact on theindie market.

Says Italian director CristianoBortone, co-founder of European/Chinese film association Bridgingthe Dragon, Even if the nichemarket gets a very thin layer [oftotal screens], it can still amountto substantial box office for inde-pendent films.

MOUNTAINS MAY

DEPART

MILLIONAfter years of foreign festival

acclaim his Touch ofSinwon the Cannes best

screenplay award in but zero theatrical exposureback home, Chinese auteurJia Zhangkefinally scored

a domestic release withthis feature, which earnedan estimated $ million.

BLACK COAL,

THIN ICE

. MILLIONDirector Diao Yinans

art house thriller achievedthe impossible: It won over

foreign critics with its noirishtake on contemporary

China, passed the test atBeijings censorship

bureau and received amainstream embrace from

domestic moviegoers.

MR. SIX

MILLIONAlthough backed by

Chinas leading studio,Huayi Brothers, Guan Husdramedy was positionedmore like a festival titleafter it made its world

premiere at Venice. A starturn from Feng Xiaogang

helped confer blockbusterstatus on this thematically

nuanced movie.

Rudd

Coogan


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EFM OFFICE Martin-Gropius-Bau / Stand Number 27 / Phone +49 30 400425 404

HEAD OFFICE Gruenwalder Weg 28d / D-82041 Oberhaching / Phone +49 89 673469 - 828 / [email protected] / www.betacinema.com

SCREENINGS

TODAY / Feb 14th / 12:00 pm / Berlinale Palast / PRESS

TODAY / Feb 14th / 7:00 pm / Berlinale Palast / PREMIERE

TOMORROW / Feb 15th / 10:00 am / Haus der Berliner Festspiele

TOMORROW / Feb 15th / 11:30 am / CinemaxX 10

TOMORROW / Feb 15th / 12:15 pm / Friedrichstadt-Palast

TOMORROW / Feb 15th / 6:00 pm / Zoo Palast 1

SUNDAY / Feb 21st / 10:00 pm / Haus der Berliner Festspiele


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theREPORT


There may be plenty of dramas being sold inBerlin this year, but its the slew of buzzycomedies with A-list talent that have buyers

clamoring for lighter, funny fare.The first big sale of the festival was for a comedy

the George Clooney-helmedSuburbicon, abouta quiet neighborhood that gets caught up in aweb of betrayal and paranoia, was scooped up byParamount in a big $10 million deal for U.S. rights.With stars Matt Damonand Julianne Mooreattached,the package is expected to do strong sales interna-tionally as well, with Bloom already fielding plentyof interest.

At a time when this business is getting much

tougher and were all looking for things that willdraw an audience to come to the cinema, humor isone of the things that is still a shared experience,says Mister Smith CEO David Garrett, whos sellingBroad Greens dance comedyAint No Half Steppingat the market. If you want to get people tocome and watch something, its about sharingemotions onscreen.

Among the high-profile comedies attractingbuyers isDrunk Parents, starringSalma Hayekand

Alec Baldwin. Fortitude International has sold theFred Wolf-helmed film to eOne for Canada andDutch FilmWorks for Benelux, and more saleshave quickly followed. LikeDrunk Parents, otherhot properties come with notable comedic talentattached, like the just-announcedAn Ideal Home,which stars Paul Ruddand Steve Cooganas a troubledmarried couple.

Its hard to package independent comediesbecause most big comedies get done at the studioswhere the actors are paid big bucks, says Fortitudeco-founder Nadine de Barros, but many of theseprojects have an edge or are a little darker, so thatcan be fun for actors.

Other buzzy packages with notable talentinclude The Brits Are Comingwith Uma ThurmanandSofia Vergara, The Clapper with Ed Helms, Toms Dadwith Will Ferrelland The Big Sick, which is writtenby and will starSilicon Valleys Kumail Nanjianiand isproduced byJudd Apatow.

Internationally, comedies also have the advantage

of working well across multiple platforms, includingtelevision and VOD, so buyers can essentially getmore bang for their buck.

Its becoming harder and harder for buyers tomake money on movies, and TV is one of the fewsources of revenue le. Comedies play well ontelevision, especially in Europe, adds de Barros,who notes that in countries like France, women areknown as the main audience for VOD and are alsothe most interested in comedies. THR

By Rebecca FordHayek

Neesons KoreanWar Pic Sells toGermany, Taiwan

By Patrick Brzeski

Big-budget South Koreanwar film OperationChromite, in which Liam

Neeson stars as Gen. DouglasMacArthur, has notched

a few quick sales at thestart of the EuropeanFilm Market in Berlin.

Seoul-based salescompany Finecut closed

deals for Germany, Austria,

Benelux, Yugoslavia and Taiwanfor the title.

Directed by John H. Lee(The Third Way of Love),Operation Chromiteis producedby Chung Tae-won(The Blob,Three Kingdoms) at TaewonEntertainment. It is aiming fora wide domestic release in Julyfrom CJ E&M.

The film tells the dramaticstory of the unsung heroeswho were sacrificed during theIncheon Landing Operation led

by MacArthur during the KoreanWar in 1950. THR

Neeson

Oscar winner J.K. Simmons plays a workaholic father who, after his daughter (Analeigh Tipton) goes missing,begrudgingly teams up with her ex-boyfriend (Emile Hirsch) to find her. The Solution is selling Gavin Wiesens comedy in Berlin.

The Runaround

ExclusiveFirst Look


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theREPORT

A

mid a recent surge indocs that emerge from the

discovery of once-thought-lost film footage, few can claim tohave a history as eye-catching asAaron Brookners touching UncleHoward, made possible thanks toan archive stash buried in WilliamS. Burroughs near-mythicalNew York residence, located in aconverted YMCA swimming poollocker room and affectionatelydubbed The Bunker.

It was in this near-window-less Lower East Side apartment featuring two large marbleurinals in the bathroom, spiceson the spice rack dated 1978 andBurroughs own handgun in thedresser draw where Aaronfound five years worth of footagestored by his uncle, the late film-maker Howard Brookner.

Howard died of AIDS at age34 in 1989, shortly before therelease of what would have been

his breakout featureBloodhoundsof Broadway(featuring the fresh

faces of Madonnaand Matt Dillon).Worried that the memory of theman who inspired him to getinto filmmaking was being lostand that he might die a seconddeath, Aaron set out to discovermore about his uncle.

His first route was a wildgoose chase for anything con-nected to Howards 1983 filmBurroughs: The Movie, the onlydoc to be made with full partic-ipation of the legendary writer.This eventually led to stacks andstacks and stacks of [film] rollshe uncovered in The Bunker thatrevealed more about Howardthan they did about Burroughs.

It was like Howard and hisstory had been frozen in 89 andsuddenly it was reawakened justby the act of looking for thisBurroughs film, says Aaron.

From these stories, a life

Director Aaron Brookner set out to make a doc about his filmmaker uncle and,thanks to William S. Burroughs, discovered a man he never knewBy Alex Ritman

unraveled that Aaron had no ideahis uncle had ever lived.

As a film student, Howardworked as an usher at theMetropolitan Opera House,while at the same time he wasscoring dope on the Lower EastSide, while at the same time hewas working for a big Italianland-owning family in Little Italyrenting out apartments, he said.

It was through this work thatHoward landed indie filmmakerJim Jarmuschhis first apartment,on Elizabeth Street.

Meanwhile, he was helping out

a friend who was writing pornobooks, and, actually, he andBurroughs co-authored a pornobook, says Aaron, who says hisuncles adventures extendedoutside the U.S. I go into abookstore and start reading thememoir of Frederic Mitterrand,the French culture minister, andtheres a chapter called HowardBrookner about Howard in Pariswith the Burroughs film. Therewere all these incredible differentsides to the guy.

The very first discovery Aaronmade before developing thefilm was a letter to Howards par-ents, written when he was ill andexclaiming that he had done morewith his life than most peoplewho lived to be in their 80s.

Says Aaron, When I startedto find out what he did, I realizedit was absolutely true.

Howard Brookner(right) with Burroughs

in the s.

A Hidden Life UnearthedHidd

en

GEMS

SUSANNE BIER

The filmmaker is in Berlin

with The Ink Factorys TV spy

drama The Night Manager.

Only in Berlin moment

I was on the competition

jury a couple of years ago

when Wong Kar-waiwas

jury head. The festival

coincided with the Chinese

New Year, so Wong took

us all out to a Chinese

restaurant in Berlin. It was

a really wild evening

and definitely one that could

only happen in Berlin.

Place to avoid during

the fest

If you want to make it out

of the hotel where everyone

is staying, dont cross the

lobby between 5-7 p.m.

because everyone youve

ever known in the movie

industry will be there and

youll never get to where you

need to go on time.

Best place to get away

from the fest

If you immerse yourself in the

films, you forget about where

you are, and thats the best

way to get away from the

festival.

Strangest late-night

experience in Berlin

One evening I was walking

home in uncomfortable

high heels and a gown very

late at night, and we

decided to get some fresh

air and walk through the

memorial to World War II,

which is really very

striking. Theres a severe

juxtaposition between

past and present its sort

of surreal, actually.

THE DIRECTOR...

Cumberbatch to NarrateNaples DocumentaryBenedict Cumberbatchhas signed

on to narrate a documentary detail-

ing the underbelly of life in Naples

following the liberation of the Italian

city from Nazi occu-

pation after World

War II. Francesco

Patiernowill write

and direct the film

based on Norman

Lewis war diary Naples . The

documentary will be a combination

of archive and feature footage from

famous films set in the city.

SachsLittle Men

Sells to U.K.s AltitudeSundance crowd-pleaser Little

Men which Magnolia pounced

on for domestic rights this week

has been nabbed by Altitude

Film Distribution for the U.K. The

deal marks the second partnership

between directorIra Sachsand

the British banner, which released

Love Is Strangelast year. The com-

ing-of-age drama, starring Greg

Kinnear, had its international bow

at the Berlinale on Friday.

Schamus NamedQatari Qumra MasterFresh off the recent Sundance

bow of his directorial debut

Indignation, former Focus Features

CEO James Schamushas been

added to the lineup of Masters

offering their expertise to film-

makers at the Qumra Film Festival,

to be held in Qatar in March. The

prolific producer joins Oscar-

nominated director Joshua

Oppenheimer(The Look of Silence)

and previously announced names

Naomi Kawase, Nuri Bilge Ceylan

and Aleksandr Sokurov.

Rampling Boards Sci-FiValley of the GodsBest actress Oscar hopeful

Charlotte Ramplinghas

come aboard Lech

MajewskisValley

of the Gods. The

star of Yearswill

star alongside

Josh Hartnettand

John Rhys-Davies in

the sci-fi fantasy about three char-

acters whose supernatural visions

clash with reality.

BERLINALE IN BRIEF

Cumberbatch

Rampling


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SOLA MEDIA GMBH www.sola-media.com STAND EFM: Martin-Gropius-Bau, Stand #09 Contact: Solveig Langeland/Managing Director

Mobile: +49 177 278 1625 [email protected] Tania Pinto Da Cunha/Sales Associate Mobile: +34 629 459 075 [email protected]

ATCH THE TRAILER:


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SPECIAL FEATURE

Productions must satisfy minimum

expenditure and cultural tests. The

incentives have been in place for five

years, and this year, million is

available. The Czechs have rebated

$ million to more than projects.

We have the kind of expertise foreign

producers look for, says Ludmila

Claussova, the Czech Republics film

commissioner. You can find every-

thing here crews, set builders and

designers, English-speaking crews,great studios and locations. We offer

value for money the exchange

rate is positive for dollar-denomi-

nated productions and we are

still cheaper than Berlin, London and

other European locations. Other

recent international shoots include

The Zookeepers Wifeand Underworld:

Next Generation.

TALENT TO WATCH

A graduate of Pragues FAMU

famous film school, Petr Vaclavhas

developed a reputation for versatility.

His first feature, Marian(), won

awards in Locarno; his second, Parallel

Worlds, was selected for the San

Sebastian New Directors Competition.

In , Vaclav, who

has lived in Paris since

, saw his The Way

Outscreen as the first

Czech film at Cannes

in years.

IN BERLIN

Three Czech films are in selection:Vaclavs We Are Never Alone(Forum),

an existential drama set in mod-

ern-day Europe; Tomas Weinreb

and Petr Kazdas I, Olga Hepnarova

(Panorama), the story of the last

woman put to death in Czechoslovakia

(and a co-production with Poland);

and Petr Oukropecs childrens film

In Your Dreams(Generation plus).

Michal Hogenauers Outsideis at

the Co-Production Market, and EFM

screenings include Devils Mistress,

Filip Rencs drama about Czech actress

Lida Baarova, who was Joseph

Goebbels mistress.

Pol and

Hu nga ry

Li th uan ia

Es to ni a

CzechRep ub li c

WANT TOSAVE MONEY

ON YOURNEXT FILM?HEAD EASTIncentives, tax rebates, versatile locations andexperienced crews theres never been a better

time to shoot in Eastern Europe (even if yourmovie is set on Mars) BY NICK HOLDSWORTH

WHEN A GROUP OFLITHUANIA N AND POLISH FILMproducers set out to sail from one Baltic seaport toanother in September, it was not simply a nauticaljaunt. The two-day voyage, aboard the 120-foot-long

twin-mast schooner Brabander, brought together a dozen film profes-sionals with a ra of potential joint projects to discuss.

The voyage from Klaipeda in Lithuania to Gdynia in Poland, thebrainchild of Liana Ruokyte-Jonsson, head of film promotion, informa-tion and heritage at the Lithuanian Film Center, was designed tofocus attention on a small filmmaking nation that is competing withothers in Eastern Europe to attract international co-productions.

C Z E C H R E P U B L I C

CASE STUDY: ANTHROPOID

Shooting on location in Prague was

a natural choice for the producers

ofAnthropoid, British director Sean

Ellis new wartime thriller that stars

Jamie Dornanand is based on the

true story of the assassination of

Reinhard Heydrich, the SS general

who was the author of the Nazis Final

Solution meant to eradicate the Jews

in Europe. The British plan involved

parachuting Czech agents into the

German-occupied country to carry

out the killing. The exact location of

Heydrichs assassination has changed

beyond recognition, but many of the

original sites,

including a church

where the secret

agents were

trapped and killed

by the Germans,

still exist, lending

authenticity to

the film. Daria

Spackova, man-

aging director of

local co-producers Lucky Many Films,says the Czech Republic system could

not have worked better. The incen-

tives system is clearly arranged and

simple, she says. Lucky Many used

the rebates for its previous film, Lost

in Munich, and plans to apply again

for its next project, Zatopek, both from

Czech directors.

INCENTIVES

A cash rebate system features per-

cent available for qualifying Czech

spending and percent for interna-

tional spending that applies to film and

TV, including all postproduction work.

Where once Hollywood and international producers could picklow-cost territories to shoot in the region based on currency value,location and crew availability, the expansion of the European Union,economic growth and globalization have now combined to create amore level playing field.

Attempts to gain an advantage by introducing tax incentivesprompted a race to offer 20 percent to 30 percent cash or tax rebatesthat rapidly produced near-identical offers. Even tiny Estonia, with apopulation of about 1.3 million, offers rebates worth up to 30 percent.Now the rivals are emphasizing their unique attractions as well asfinancial incentives as outlined here:

Anthropoid


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SPECIAL FEATURE

CASE STUDY: THE MARTIAN

Ridley Scottchose Hungarys Korda Studios to film The Martianbecause it has some of the

largest and tallest soundstages in Europe. The films production team took over the studios,

located miles west of Budapest, and built the Mars plain using , tons of local soil

on a massive ,-square-foot soundstage where Matt Damons astronaut character

battles the Red Planets elements. Other sets, including a NASA Mission Control Room, were

constructed on the studios five other stages. Korda boasts a total of nearly , square

feet of soundstages, with the tallest reaching feet, and has a -acre empty backlot and acres of ready-built medieval, renaissance and New York City sets. Producer Howard

Ellisof Budapest-based Mid Atlantic Films, which he runs with co-founder Adam Goodman,

notes that Hungarys long-established and generous incentives system was instrumental

in bringing yet another Hollywood production to the country. Right now, Hungary has a

rare combination that is not found in any other location outside of the U.S., Canada and the

U.K., he says. The talent and maturity of crew, deep infrastructure for film and very reliable

and attractive tax incentives create the perfect storm in a good way for filmmakers.

Ellis adds that his company in the past year has worked on such Hollywood productions as

UniversalsEmerald City, Foxs Tyrantand NBC/Universal The Last Carnival.

INCENTIVES

Hungary is an experienced player in Europes movie incentives game. One of the first

former Eastern Bloc countries (in ) to introduce generous tax incentives, it has

progressively increased the amount available to up to percent or eligible productions.

Officially recognized by the European Audiovisual Observatory for the boost its incentives

give to film production between and , movie spending in Hungary accounted

for on average . percent of GDP, double that of the U.K. and France national film

fund managers are expecting million in incoming production spending this year alone.

A new statutory commitment by the government to maintain a billion forints (about

million) deposit account to ensure money is available to be paid out for approved

tax rebates is the latest tool to keep Hungarian studios, crews and locations busy with

international productions. There is confidence and trust toward the Hungarian film

industry and its representatives from filmmakers and producers worldwide, says Agnes

Havas, CEO of the Hungarian Film Fund.

TALENT TO WATCH

Karoly Uij Meszaros, with a track record as a director and producer of com-

mercials, short films and a stage play, has made his feature debut with Liza

the Fox-Fairy, a quirky romantic comedy set in Hungary in the late s. Thefilm, inspired by the work of the Kaurismaki Brothersand Wes Anderson,

has become a box-office hit, with more than , admissions in Hungary.

IN BERLIN

Bence Fliegaufreturns to Berlinales Forum where his debut feature, Rengeteg, screened

in with Lily Lane(Liliom osveny), the story of a mother and her young son whose

relationship

is inextricably

linked to stories

and fantasy. And

Reka Bucsis

animated Love

will screen in the

festivals shorts

competition.

E S T O N I

H U N G RY

CASE STUDY: THE FENCER

Klaus Haros Cold War period piece The Fencer Estonias

second minority co-production to be submitted for Oscar consider-

ation (the first was last years Tangerinesby Georgian director

Zaza Urushadze, whichlanded a foreign-language nom) is

based on a true story by Finnish writer Anna Heinamaa, penned

while she studied screenwriting at Salford University in England. Itsset in Soviet-occupied Estonia in the early s, when a champion

fencer with a dark, wartime secret goes on the run from Stalins

secret police and finds refuge in a remote school. The film, Haro

says, was his most challenging yet, involving children and two lan-

guages [Russian and Estonian] I have not mastered. While

incentives which only were introduced this year were not a

factor in attracting the film to the northern Baltic state, a policy of

seeking to support co-productions to boost the small number of

features produced in the tiny country should ensure Estonia con-

tinues to punch above its weight. Rebates worth , euros

(,) this year, and rising to more than million next year,

should make it more attractive to foreign shoots. We have been

concentrating on minority co-production and quite successfully,

says Edith Sepp, CEO of the Estonian Film Institute. Estonia has

all the prerequisites to succeed in the film business: years of

filmmaking experience and international visibility.

The Fencer

The Martian

INCENTIVES

Called Film Estonia, the countrys new system of cash rebates

introduced in with the first of four annual submission deadlines

in early February is designed to encourage better cooperation

between local and foreign film producers to shoot in Estonia. By

providing rebates worth up to percent of in-country production

costs, the incentives, though small, are among Europes most gener-

ous and cover features, telefilms, documentaries and animation.

TALENT TO WATCH

Martti Helde, , has already won international

recognition for his debut feature, In the Crosswind,

which screened in competition at Toronto in and has won many other awards, including the

best director prize in Beijing last year. A graduate

of Tallinn Universitys Baltic Film, Media, Arts and Communication

School and the Estonian Academy of Music and Theatre, he also is

trained in painting and composition. In the Crosswind, about the

harsh choices forced upon young Estonians torn between the Soviet

invasion and Nazi support during World War II reflects Heldes

innovative approach to form and film language.

IN BERLIN

Estonia has no films in official selection, but for the first time, its

presenting a project, Comrade Child, directed by Moonika Siimets,

at the Co-Production Market. EFM titles include Family Lies,

directed by Manfred Vainokiviand Valentin Kuik; The Polar Boy;

Ghost Mountaineer;and Mother.

Lily Lane


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EFP is supported byEuropean Shooting StarsMain Partner Third Partner Special ThanksWith the support of

medienboardBerlin-BrandenburgGmbH

Event PartnersCo-Partner

Reinout Scholten van AschatThe Netherlands

Kacey Mottet KleinSwitzerland

Atli skar FjalarssonIceland

Lou de LageFrance

Martha Canga AntonioBelgium

Sara SerraioccoItaly

Daphn PatakiaGreece

Mara ValverdeSpain

Tihana Lazovi

Croatia

Shooting Stars areEuropes bestup-and-coming actors,selected annuallyby an internationaljury.

Introduced at theBerlin InternationalFilm FestivalFebruary 12 15

Honoured withthe European ShootingStars Award donatedby TESIRO.

www.shooting-stars.euberlinale.shooting-stars.eu

Participating EFPmembersCroatian Audiovisual Centre,EY EInternational/TheNetherlands, Flanders Image/Belgium, German Films,Greek Film Centre, ICAA/Spain, Icelandic Film Centre,Istituto Luce Cinecitt/Italy,Swiss Films, UniFrance films.

European Film [email protected]

Jella HaaseGermany

shareyour personalimpressions#Berlinale

ShootingStars

FilipVanRoe

DeboraBrune

FedericoFerrantini

JanitaSassen

EricGuillemain

OnaPinkus

A

naMihali

MagnsReynirJnsson

RubenVega

SarahRobine


14/44


SPECIAL FEATURE

His debut feature, In a Bedroom,

about a dishonest but beautiful

Warsaw prostitute, had its world

premiere at Karlovy Vary in and

toured the festival circuit. Floating

Skyscrapers, which

bowed at Tribeca in

, won the East of

the West debut com-

petition at Karlovy Vary

the same year.United

States of Love, the story of

four unhappy women whose decisions

to change their lives coincide withthe collapse of communism in Poland

in , was presented at Berlins

Co-Production Market last year.

IN BERLIN

Official selection titles also include

I, Olga Hepnarova(Panorama),

the Czech co-production; Marta

MinorowiczsZud(Generation Kplus);

Adrian Sitarus Illegitimate(Forum),

produced with France and Romania;

and Joaquin del PasosPanAmerican

Machinery(Forum), a co-production

with Mexico.Agnus Deiis on offer at

EFM via Films Distribution.

TALENT TO WATCH

Director Mantas Kvedaravicius

brings an intellectualism and

philosophical angle to his newest

documentary, Mariupolis, which

examines the stress of living in a

frontline town during the civil war in Ukraine. An

academic who teaches visual culture and critical

theory at Vilnius University, he holds a masters from

Oxford and a Ph.D. from Cambridge.

IN BERLIN

Mariupolishas its world premiere in the Berlinales

Panorama Documentary section. At the EFM, Wide

is repping Mikko Kuparinens Nights Till Morning,

about a French woman architect and Finnish DJ

who meet while on business trips in Vilnius and end

up spending the night together. When a volcanic

ash cloud grounds their flights, their one-night

stand is extended.

P O L N D

CASE STUDY:AGNUS DEI

The French-Polish co-production,

directed by Frenchwoman Anne

Fontaine(Coco Before Chanel), was

among a range of foreign shoots in

Poland in . Shot in the northern

province of Warmia, the film, which

just premiered at Sundance, addresses

the repercussions of evil when a French

doctor comes across a convent where

the nuns are pregnant after being

repeatedly and brutally raped by Red

Army stages in the closing days of

World War II. The suitable loca-tions that came up to the producers

L I T H U N I

CASE STUDY: WAR AND PEACE

The BBCs six-part adaptation of War and Peace,

which premiered in January, used Lithuania as its

main base as well as Russia and Latvia. A co-pro-

duction among BBC Cymru Wales, The Weinstein

Co. and BBC Worldwide/Lookout Point, it is the first

British TV adaptation of the Leo Tolstoyepic sincethe BBCs -part series starring Anthony Hopkins

screened in -. The new production, unlike

the previous one that was filmed in Yugoslavia, was

able to take advantage of genuine locations that

then were part of the Soviet Union and off-limits to

Western filmmakers. Producer Julia Stanndard

said during production that filming had gone

extremely well in Vilnius. Everyone was really

helpful and supportive, and we were made to feel so

welcome in this beautiful city. Added local producer

Lineta Miseikyteof Baltic Film Service, The scale

and length of the production was challenging, but

we were able to provide the necessary resources

locally and met the demands of the show. And

director Tom Harper, speaking when the series

screened in Vilnius for the Lithuanian cast and crew,

said There were a number of reasons [we filmed

here]. It was the tax credit, it was the [locations]. It

was the combined effect of it all.Jurate Pazikaite,

head of the Vilnius Film Office, says the project was

the biggest shot in the capital city last year.

INCENTIVES

Under a plan introduced in January , productions

that spend up to one-fifth of their budget in Lithuania

can quality for a percent tax rebate via a local pro-

duction partner, which may use the rebate to reduce

local corporate income tax liability. The incentive is

available to feature films, telefilms, documentaries

and animated movies. Domestic films, co-produced

or commissioned films can take advantage of the

incentive, which is managed by the Lithuanian Film

Center. Ruokyte-Jonsson says that in the current

European environment, standing out from the crowd

is what matters. Its a very tough competition to

attract foreign productions when it comes to tax

incentives, she says. Twenty percent today maybe

is not a sky-high benefit, but combining this with a

super effective, highly professional multilingual local

crew makes the whole package attractive and valu-

able. Everything is possible in Lithuania. Last year,

in addition to the two-day co-production networking

event on the schooner, Ruokyte-Jonsson promoted

Lithuanian film by setting up a -seat theater in the

departure lounge of Vilnius International Airport.

expectations, the Polish talent and the

financial support from the Polish Film

Institute were the main factors that

attractedAgnus Deito Poland, says

Anna Dziedzicof Film Commission

Poland. Other recent international

shoots included True Crimes, which

stars Jim Carrey, and the French black

comedy Les Affaires Reprennes, a

debut feature by Gerard Pautonnier.

Both shot in the city of Krakow.

INCENTIVES

The countrys system of film supportdiffers from the rest of the region. The

Polish Film Institute uses a revolving

door system of grants, rather than

tax incentives. Chiefly designed to

support local productions in one of

the few Eastern European markets

with a big enough domestic exhibition

market to offer commercial potential

to local producers, it also is available

for co-productions. The PISF subsi-

dizes up to features a year as well

as documentary and animated

projects. Changes being introduced

this year under new institute head

Magdalena Srokawill ring-fence fund-ing for minority co-productions.

There will be a separate commission

only for minority co-productions, so

they wont compete with national

films, PFI exec Robert Balinski says.

We plan to double the number of

minority co-productions this year

from three or four to approximately

eight and spend about million euros

($. million) for them.

TALENT TO WATCH

Tomasz Wasilewskihas taken a well-

trod path to his Berlinale competition

screening slot for United States of Love.

War and Peace

Agnus Dei


15/44

Development

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16/44


17/44


18/44


SPECIAL FEATURE

THE SOUTH KOREAN FIL M

industry had another banneryear in 2015, with the local boxoffice reaching record heights and

international sales. Revenue hit $1.42 billion(1.72 trillion won) last year, up 3.1 percentfrom 2014 and setting a record for the sixthconsecutive year, according to the KoreanFilm Council. The number of exported

domestic films, meanwhile, shot up to650 titles the most ever.

Last years three biggest movies localtitles Veteran($88.7 million) andAssassination($83.1 million), followed byAvengers: Age ofUltron($74.7 million) now rank among thetop 15 films of all time at the Korean box office.

But industry figures say the large numbersbelie a more complicated picture of internalstrife. Much like in Hollywood, the headline-making box-office records have come at thecost of intense polarization within the Koreantheatrical market, with huge-budget block-busters dominating screen counts and leaving

increasingly low-budget indies to pick up thescraps. The result: mid-budget dramas and

genre pictures have virtually vacated the field.On a given weekend, the top three box-

office hits take up about three-quarters of thescreens across Korea. This doesnt give audi-ences much of a choice, says film critic JeongJi-ouk. The situation is compounded by thefact that top investor-distributors such as CJEntertainment and Lotte Entertainment alsoown the countrys largest exhibitors. [Veteran

andAssassination] were very well-made filmsin and of themselves, but we also need to takethis unfair market structure into consider-ation, Jeong adds.

Though more films are beingmade and released than ever before,fewer new titles are actually reach-ing viewers. In 2015, a record 1,208movies were released in SouthKorea, of which 538, or 41 percent,were shown on just one screen (Age of Ultron,by comparison, opened on 1,843 Koreanscreens). And half of these single-screenreleases played in the cinema just once before

hitting VOD channels. The number of suchsingle-screen films has been on the rise in

recent years: 91 titles in 2011, 172 in 2012, 246in 2012 and 359 last year.

So, even though a record number of filmswere released in 2015, only 47 titles or1.37 percent managed to secure 500 ormore screens, and those accounted for 81 per-cent of the annual admissions.

Five to 10 films open every week, which istoo many considering the size of the domestic

market. If films dont have a big debut, theyget pulled immediately, and then cinemas willallot more screens to the bigger blockbust-ers, says a staff member at a major multiplex

who asked not to be named.As polarization within the

industry deepens between bothbig-budget and indie filmmak-ing as well as younger and olderaudiences insiders say Koreas

oligarchic entertainment conglomeratesare only becoming more conservative aboutthe projects they greenlight.

And much like in Hollywood, its the stars

who are stepping up and throwing their weightbehind inspiring, indie-spirited projects.

THE SCRAPPY VS.

THE SUITS IN KOREAWith mid-budget releases becoming virtually nonexistent in the countrys increasingly corporatefilm sector, independent-minded talents are taking matters into their own handsBY LEE HYOWON

ILLUSTRATION BY

Rafael

Alvarez


19/44


20/44


SPECIAL FEATURE

The Five Biggest South KoreanReleases to Hit Theaters in 2016

THE SOUTH

Korean film

industry is boom-

ing more than

ever, with box-office revenue

and theater admissions in

hitting all-time highs for the

sixth consecutive year. With

a diverse range of big-budget

movies slated for , THR

spotlights five titles already

generating buzz.

Operation Chromite

CJ ENTERTAINMENT EFM SALES

HANDLED BY FINECUT

Liam Neesonis sure to gener-

ate interest in his role as Gen.

Douglas MacArthurin this

Korean War epic. Director JohnH. Leeand writer Lee Man-hee,

who collaborated on another

Korean War actioner, : Into

the Fire, reunited for this film.

Finecut has already closed

deals for the title in Germany,

Austria, Benelux, Yugoslavia

and Taiwan at the EFM.

Mil-jeong

WARNER BROS.

Director Kim Jee-woon(The

Last Standstarring Arnold

Schwarzenegger) helms

Warner Bros. first local

production. The action-packed

period film, set for release in

the second half of this year,

marks Kims fourth collabora-

tion with veteran Korean star

Song Kang-ho(The Throne).

Set in Japan-occupied Korea

and China during the s, the

movie features independence

fighters facing off with Japanese

police and secret agents while

attempting to smuggle explo-

sives across the border.

Train to Busan

NEXT ENTERTAINMENT WORLD

Yeon Sang-ho, creator of

the critically acclaimed noir

animations for adults The King

of Pigsand The Fake, makeshis live-action film debut with

the thriller Train to Busan.

The film chronicles the chaos

that ensues as a deadly virus

sweeps through Korea, and

passengers on a bullet train

from Seoul to the southern port

city of Busan must fight for their

survival. The project has gar-

nered strong early buzz thanks

to the fact that there have

|been few local disaster movies

since the enormous success

of the tsunami block-

busterHaeundae.

The Tunnel

SHOWBOXMEDIAPLEX

Kim Sung-hoon, the director

of s hit crime actionerA

Hard Day, helms this story of

a man who is trapped inside

a collapsed tunnel and the

dramatic events surrounding

his rescue. Highly sought-af-

ter star Ha Jung-woo

(Assassination) plays the lead

role alongside actress Bae

Doo-na, who has returned to

mainstream Korean cinema

after a stint in Hollywood

(Sense,Jupiter Ascending).

Gosanja,

Daedongyeojido

CJ ENTERTAINMENT

Master filmmaker and producer

Kang Woo-suktackles a histor-

ical epic for the first time for his

th film. Based on the novel of

the same name by Park Bum-

shin, it traces th-century

mountaineer, geographer and

cartographer Kim Jeong-hos

extensive efforts to create his

renowned map of the Joseon

Kingdom (-). Cha

Seung-wonplays the legend

who is known to have walked the

entire breadth and length of the

Korean Peninsula for the project.

Aer Lee Jung-hyunappeared inRoaringCurrents, the 2014 maritime epic that isKoreas highest-grossing film of all time, thesinger/actress was expected to follow that upwith another high-profile, mainstream pro-duction. Instead, Lee surprised the industryby choosing to star in Gooc-jin Ahns dark indiecomedyAlice in Earnestland.

My agency wanted me to choose a biggerproject, but female characters [in main-stream movies] are extremely limited. I feltvery frustrated while choosing pieces aerRoaring Currents, butAlicecaught my eye forits novel subject matter, and more impor-

tantly, because Iwanted a meaning-ful, female-drivenstory, says the36-year-oldactress. Lee wenton to be namedbest actress at the2015 Blue Dragon

Film Awards, oneof the Koreasmost prestigiousfilm events.

Similarly, actorKang Ha-neulalsoforewent finan-cial gain to starinDongju: ThePortrait of a Poet,a biopic about afamous Korean

poet and independence fighter. Lee Joon-ik,the star director of such pricey blockbustersas Koreas 2016 Oscar submission The Throne,turned to a more independent style of film-making forDongju.

I did not want to commercially exploitthe life story of Yun Dongju, says the director.In order to retain full visual control of thefeature, Lee used product placement andother advertising incentives while operatingon a micro budget of about $413,000.

Cho Jae-hyun(Kim Ki-duksMoebius), one ofSouth Koreas most well-established actors,also insists on appearing in indie films eventhough he has become a household namethanks to his appearances in smash-hitTV soaps and big-budget action movies.A

Korean in Paris, a quirky indie that premieredlast fall at the Busan Film Festival, marksthe 50-year-olds second collaboration withVenice-winning auteur Jeon Soo-il, followingEl Condor Pasa(2013).

I take part in smaller projects because myparticipation helps budget issues, Cho says.Independent movies must be made, becausetheir unique vision and diverse subject mattercan inspire and provoke mainstream cinema.But sadly, indie filmmaking is dying out.

Nevertheless, the actor, who also debutedas an indie filmmaker in 2015 withA BreakAlone, says he would continue to direct and act

in art films. Chos frequent collaborator, arthouse auteur Kim Ki-duk, on the other hand,

announced that he would no longer show hisfilms in Korea outside of film festivals. He isnow working on his Chinese film debut, WhoIs God(working title), aer having releasingthe Japanese-language projectStoplast year.

I feel uneasy whenever small films hitscreens because it is so tough for them toreach audiences, says Cho. Its true thatnot all small films have mainstream appeal.Theyre sought out by audiences with aparticular taste. But it is a problem that such

viewers dont even get the chance to seekthem out.

Insiders point out, however, that sucha polarization is not limited to the indie-versus-mainstream discourse.

Commercial films are also suffering.There is an obsession with blockbusters thathit 10 million admissions, and mid-budgetcommercial films are being neglected, addsCho. Market analysts share this view, anda 2015 report compiled by the Korean FilmCouncil states that genre films have virtuallydisappeared.

Jung Woo Sung, one of Koreas most pop-ular actors, debuted as a producer for the

Alice inEarnestland

OperationChromite


21/44


22/44

SPECIAL FEATURE

upcoming unconventional mystery romanceRemember Youbecause established producersseemed unwilling to try something different.The 42-year-old actor attempted to introducerookie writer-director Lee Yoon-jungto studios,but older producers kept trying to alter thescript, he said, adding, I decided to step inbecause they would have compromised whatmade the story so unique.

Much like Robert SimondsSTXEntertainment stateside, Lee believes mid-budget features offer both creative value anda market opportunity. Not everyone canmake big movies on a big budget, he says.Its more important to have a diverse rangeof mid-budget films that will present lowerrisks and help build a stronger market.

Jung also plays the lead role in the mysteryromance, which cost less than $4 million, amedium-sized project with a break-even pointof roughly 3 million admissions.

Bong Joon Hos $40 millionSnowpiercerremains the priciest Korean production of

all time. Films made for more than $10million must target at least 10 million admis-sions, or roughly a fih of Koreas populationof 50 million.

Mid-budget films make up the core ofthe industry, and things look a bit shakyeven though there is growing number of

Studios Find a Place for Interesting Female Personas

THOUGH LOCAL

films have

been booming

at the South

Korean box office, there have

been relatively few parts for

actresses amid the domi-

nance of testosterone-fueled

actioners. Lee Jung-hyun,

for example, turned to indie

cinema because she could

not find interesting women

to play after appearing in a

minor role in the box-office

smash Roaring Currents.

This year, however, major

studios are spinning out

female-driven titles featuring

top talent in a range of roles,

from tragic historical figures to

egotistical divas.

Its been rather tough for

Korean actresses as their roles

have been largely limited to

supporting characters, like the

lover or mother. But things are

changing little by little, said

film critic Youn Sung-eun.

The positive reception for

Hollywood films centered on

women does influence local

filmmakers, and the success

of indie films such asAlice in

Earnestlandalso seems to be

having an effect. Korean audi-

ences always want something

new, and this includes stories

featuring interesting female

personas.

Kim Min-hee (Hong

Sang-soosRight Now, Wrong

Then) will star opposite

budding star Kim Tae-riinThe

Handmaiden, a new lesbian

thriller by celebrated director

Park Chan-wookinspired by

the British novel Fingersmith.

Set in the Japanese colonial

period (-), the film

follows the plight of an orphan

girl who is hired by a con man

to win the trust of a wealthy

heiress, only to end up falling

for her. It is on offer at the EFM

via CJ Entertainment.

Cannes winner Jeon

Do-yeon(SecretSunshine) was

one of the few actresses who

had a memorable presence in

Korean cinema through

The Shamelessand the martial

arts epic Memories of the

Sword. She will return withA

Man and a Woman, about a

mother who heads to Finland

to send her autistic son to a

special camp and becomes

passionately drawn to a fellow

parent. This is Jeons second

time working on a melodrama

directed byLee Yoon-gi,fol-

lowing s One Fine Day.

Kim Hye-soo, Koreasbiggest sex symbol, stood

out last year in Coin Locker

Girl, a female buddy film that

debuted at Cannes. In the

second quarter of , art will

imitate life as the -year-old

takes on the role of a superstar

in Familyhood. In this drama

directed by Kim Tae-gon, the

actress flirts with the idea of

becoming a single mother

as she realizes that her star

wattage is fading.

A-listerSon Ye-jin(The

Pirates) will take the lead in

The Last Princess, a big-

budget historical drama from

directorHur Jin-ho. The

film follows the true story of

Princess Deokhye, one of

the last royals of the Joseon

Kingdom (-); she was

famous for having been forced

into a marriage with a Japanese

aristocrat and then confined to

a mental institution.

Popular actress Han

Hyo-joohas stood out in two

unconventional female-driven

titles, the crime actioner Cold

Eyesand the rom-com The

Beauty Inside. This year, she

will trade in her sweet, inno-

cent image to play a seductivecourtesan-artist of the Joseon

Kingdom in Haeohwa. Park

Heung-sik, who directed

Memories of the Sword, will

helm the period drama.

Superstar Ha Ji-won,

known for playing everything

from rom-com sweethearts

to action heroines, will

star in Life Risking Romance.

Directed by Song Min-kyu,

the genre-bending title mixes

romance with thriller elements

as a couple becomes entangled

in a serial murder case. H.L.

blockbusters, says Lee Seung-won, head ofthe CGV Research Center. In the mid-2000s,quirky sleeper hits such asScandal Makers(2008, $41.7 million grossed in Korea) were

credited with pulling the Korean film indus-try out of a recession that set in aer studiosinvested heavily in big-budget, star-studdedfilms that did not live up to expectations.

But can that happen again? Director-producer JK Younhas vowed to make a morediverse range of mid-budget films via his

company JK Films. Though he is best knownfor such mega-hits asHaeundaeand Ode toMy Father, each of which crossed 10 millionadmissions, his extensive filmography also

includes smaller comedies and crime dramas.Says Youn: The Korean film market is

severely polarized, and I hope I can help thesituation by presenting more colorful filmson a reasonable budget. If we succeed, thenI am sure this will inspire more filmmakers todo the same.

A Korean in Paris

Kim Hae-soo

Ha Ji-won

Son Ye-jin

Han Hyo-joo


23/44


24/44


Q&A DIRECTOR

Where you surprised thatGoing

Clearwasnt nominated for an Oscar

after the Church of Scientology

actively campaigned against it?

I dont want to comment on therecord about that. There defi-nitely was a campaign against[the film], but I have no evidencethat was responsible for influenc-ing Academy voters. They didntvote for it and thats that Ivebeen inundated with litigiousletters [from the Church ofScientology] threatening law-suits as has every venue where weexhibited this film, in this countryand abroad. They havent sued,but they threatened a lot. Theresbeen a high cost to releasingthe film. I get accosted fromtime to time you can see a fewexchanges on YouTube but thepeople who really

took it on the chinare the people whospoke to me for themovie. Theyve beenshadowed by privateinvestigators andin ways that areintended to intimi-date woman havebeen threatened,people have hadtheir lives destroyedeconomically,their houses taken

away. Its been thug-gish intimidation.

The church has lived up to itsreputation.

Has there been any professional

repercussions for you, working in

Hollywood?

Not really. I cant say theres beenany impact there. But in termsof the Hollywood element, Ifound it somewhat disturbingthat Tom Cruisecontinues tomanage to elude any responsibil-ity for the ongoing human-rightsabuses that are basically con-ducted in his name. He is themost visible and most vocal pro-ponent of the religion. This isntabout the creed of the church, itsabout the deed. By not investi-gating human-rights abuses inthe church, hes tacitly giving hisapproval to them.

Youve explored aneven more clandestine

world in Zero Days

the world of

cyber-espionage and

malware hacking.

What surprised

you most in your

investigation into the

Stuxnet attack?

That this is a muchbigger story thanmost people haverealized. It was the

first known attackin which malware

crossed from the world of cyberto the world of physical theStuxnet worm took control ofmachines in an Iranian nuclearplant and made them spinwidely out of control. And it wasantonymous. Nobody presseda button, it attacked on its ownwhen it felt the time was right,a little like the doomsday deviceinDr. Strangelove. The Stuxnetstory showed the ability of acomputer program to manipulateor destroy critical infrastruc-ture: water treatment plants,electricity grids, transportationsystems, everything essential to

normal life. It shows the potentialfor cyber-war is both terrifyingand comical, and I think it issomething people have not paidsufficient attention to at all.

Did you discover anything in your

research that shocked you?

Yes. The level of secrecy shockedme. Because this is a big deal we are talking about a potentialglobal cyber-war and our lead-ers arent even talking about this.The launch of cyber-weapons, in

the same way as nuclear weapons,need a presidential signoff. But

theres been no official recogni-tion (of the Stuxnet attack). Itsas if aer 1945 the U.S. govern-ment were to have said, Whatbomb? This isnt just a com-puter story, its a story of globalespionage and war. Its very muchin the news now, that espionageplayed a role in the recent,controversial nuclear agreementwith Iran. We are living with theconsequences.

How great a threat does the film

represent for you and your team?

Angry hackers can wreak even

more havoc that Scientologists.

I took as many precautions as Icould. I have no idea how effec-tive they were. This is very scaryterrain. The possibility of anattack is ever-present. We live ina world of extraordinary vul-nerability. The Sony hack madepeople aware of the possibility ofsomething like this, but Stuxnetgoes way beyond that. We haveto demand more from ourgovernment in terms of transpar-ency and protection. This filmattempts to raise the questions of

what the government is keepingsecret and why.

We live in aworld of

extraordinaryvulnerability,

Gibney says.

Alex GibneyThe Oscar-winning documentarian on the toll from Going Clear,Tom Cruises approval of human-rights abuses and

the U.S. mysterious silence on cyber-war By Scott Roxborough

ITS NOT EASY MAKING A LIVING GORING SACRED COWS, SAYSdocumentarian Alex Gibney. Still, the 62-year-old filmmaker haskept at it, toppling societys golden calves with his exposs of cor-porate America (Enron: The Smartest Guys in the Room), pedophilia

in the Catholic Church (Mea Maxina Culpa: Silence in the House ofGod), the U.S. military (Taxi to the Dark Side) and Scientology (GoingClear: Scientology and the Prison of Belief). Along the way, hes collectedan Oscar and five Emmys while attracting the ire of the entrenchedinterests who would rather their secrets be kept hidden. For his latestfeature,Zero Days on the dangers of cyber-espionage revealed by theStuxnet computer hack of 2010 Gibney has swapped Scientologys

litigious legal team for the dark hats of government-backed hackers.Speaking to The Hollywood Reporterwhile finishing the mix forZeroDays, Gibney reflected on the hidden doomsday threat of cyber-warand Scientologys ongoing campaign against him and many othersinvolved with Going Clear.

22Number of feature

documentaries Gibney hasdirected, including Zero Days

8Emmy wins for Gibney docs(three each for Going Clear

and Mea Maximaand two forTaxi to the Dark Side)

23Number of videos onfreedommag.org, a

Scientology site, attacking

Gibney and others whoparticipated in Going Clear

BY THE NUMBERS


25/44

WHO SAYS ITS A MANS WORLD?

photoMathiasBothor/Majestic

Panorama Special

FUKUSHIMA, MON AMOUR by Doris DrrieProducers: Olga Film, Rolize, Constantin FilmWorld Sales: The Match Factory

Forum Special

CHAMISSOS SHADOW by Ulrike OttingerProducer: Ulrike Ottinger Filmproduktion

Generation 14plus

ZHALEIKA by Eliza PetkovaProducer: DFFB

Perspektive Deutsches Kino/Generation

METEOR STREET by Aline FischerProducers: credo:film, Film University Babelsberg

Perspektive Deutsches Kino

WHO IS ODA JAUNE? by Kamilla PfefferProducer: gebrder beetz filmproduktionWorld Sales: Wide House

Berlinale Special

NATIONAL BIRD by Sonia KennebeckGerman Producer: Ten Forward Films (DE/US)

Panorama Dokumente

ZONA NORTE by Monika TreutProducer: Hyena Films

Generation Kplus

ZUD by Marta MinorowiczGerman Producer: zero one film (DE/PL)World Sales: Slingshot Films


LIEBMANN by Jules HerrmannCo-Producer: Ester.Reglin.FilmWorld Sales: Patra Spanou Film Marketing & Consult ing

photoU

lrikeOttinger

photoConstanzeSchmitt

Forum Special

RUDOLF THOME FLOWERS EVERYWHEREby Serpil TurhanProducer: Luzid Film

photoLuzidFilm

photocredo:film/MauriceWilkerling


FOUR CORNERS OF A CIRCLEby Katarina StankoviProducers: ZAK Film/Film University Babelsberg (DE/RS)

photoG

iorgosKarvelas

photoMagdalenaHutter

photo

TenForwardFilms/JasonLam

Panorama Special

ALL OF A SUDDEN by Asl zgeGerman Producer: EEE-Productions (DE/NL/FR)World Sales: Memento Films International

photo

EmreErkmen

IN COMPETITION

24 WEEKS by Anne Zohra BerrachedProducers: zero one film, Filmakademie Baden-WrttembergWorld Sales: Beta Cinema

photo

FriedeClausz/zeroonefilm

photoHyenaFilms

photozeroonefilm

photoSebastianEgert

N E W F I L M SFROM GERMANY


26/44


BERLIN HITS THE RED CARPET

About Ton

From left: War onEveryoneproducerChris Clarkwith thefilms stars MichaelPenaand Alexander

Skarsgardat the filmspremiere on Feb. .

Tilda SwintonandDieter Kosslickattended a screening ofThe Man Who Fell toEarthas part of theBerlinales tribute toDavid Bowieon Feb. .Swinton appeared inthe video for Bowies single The Stars(Are Out Tonight).

Actors JaedenLieberherand KirstenDunst(in Gucci) attendthe photo call for JeffNichols competitionentry Midnight Specialon Feb. .

Jury membersClive Owenand Alba

Rohrwacher(in MiuMiu) share a laugh onstage during theBerlinale openingceremony Feb. .

Channing Tatum(in Dolce & Gabbana)walked the red carpetfor the opening-nightscreening of Hail,Caesar! on Feb. .

From left: Hail,Caesar! writer-directorsEthanand JoelCoenflank the legendary BenBarenholtz. Barenholtz,who produced severalof the brothers titles,including their secondfeature, sRaising Arizona, wasawarded an honoraryBerlinale Camera Award

at the Mar tin-Gropius-Bau on Feb. .

C H A D B U C H A N A N G E T

T Y I M A G E S M A T T H I A S N A R E Y E K G E T T Y I M A G E S P A S C A L L E S E G R E T A I N G E T T Y I M A G E S I S A F

O L T I N W I R E I M A G E C L E M E N S B I L A N G E T T Y I M A G E S


27/44

CONTACTS IN BERLIN: MARTIN GROPIUS BAU - 1ST FLOOR, BOOTH Nr. 138

[email protected] // WWW.ICA-IP.PT

PORTUGAL8 MOVIES

3 MOVIES IN COMPETITION

RIOC

ORGO

/DIRECTOR:Maya

KosaandSrgiodaCosta

/PRODUCTION:OS

ome

aFria


28/44


EXECUTIVE SUITE

Were a younger company,were growing and emergingand were continually doingbigger projects, says Moring,who was photographed Jan.

at his office in Toronto.

WHEN JASON MORING, PRESIDENT

and CEO of Double DutchInternational, takes stock of theglobal sales market for indepen-

dent film, he doesnt see crisis he seesopportunity. Thats even aer Canadianrival Entertainment One in Januaryinvested in Sierra Pictures and closed eOne

International, its London-based internationalsales and distribution arm. Judging cast-driven theatrical releases as safe ground, DDIis pushing into production via a deal withAwesometown Entertainment (Get Squirrely)to co-produce two or three animated featuresbudgeted in the $10 million to $15 millionrange each year. Moring also has made mov-ies that he reps for worldwide sales rights apotentially safer bet for foreign buyers by lin-ing up a $50 million P&A fund from privatewealth management firm Fleet-Fairhavento ensure a wide U.S. release. Plus, he hasexecutive produced such movies as TerenceDaviesA Quiet Passion, which stars CynthiaNixon and Jennifer Ehle and will receive agala screening in Berlin, andA.R.C.H.I.E., afamily film voiced by Michael J. Fox. Moring,36, sat down with THRin his Toronto officeto discuss the state of the world film salesmarket, his push into production and hisdesire to cherry-pick some new executives.

There arent many Canadian sales companies,

and with Entertainment One closing its

international sales division, the sector has

shrunk. And yet youre growing?The Sierra acquisition was to help [eOne]get involved with bigger content. For us,

that only benefits DDI. Were definitelytrying to take advantage of eOne shutter-ing its international division to see whethertheres an opportunity to pick up some oftheir people as well.

How are film sales?

For us, theyre great. We have had a good runsince fall 2014, where each market is seem-ingly better than the last one. Were a youngercompany, were growing and emerging andwere continually doing bigger projects. Iknow there are people out there saying partsof the market are in a downturn. But I really

think you either have theatrical films or youhave the other pool of films. If youre not

theatrical, youre in a big, competitive pool,where theres a lot of content out there, andthat only drives prices down because buyershave options. For us, we made a decision twoyears ago to focus more on theatricals, so wewerent cluttered up in that competition.

Besides selling, you have expanded DDIs portfolio

to include the development and financing of new

features. Why the push into production?

The world looks to the U.S. to see what theU.S. will do with a film, and that will reallydictate how [foreign buyers] feel about themarketability and commerciality of a film.If it gets a wide theatrical release in the U.S.,the world will respond. If the U.S. just does aday-and-date release, the world will responddifferently. So, to help keep that control inter-nally, were trying to venture more intoa production role and a co-producer role.We need to figure out ways to bring certainpieces to the puzzle early, whether thatbe financing or production talent, to giveus an advantage. And with Canada being solucrative when it comes to bringing produc-tion here, I see a role for us.

Does that mean getting more involved at thescript or packaging stages for indie titles that

end up on your international sales slate?

Independent producers trying to make adecent film budgeted in the $8 million to$15 million range sometimes make wrongdecisions based on cast, and that eventuallymakes their film less attractive internation-ally. If we can get involved earlier, we can helpguide producers in making casting decisionsthat will financially benefit their film.

Big names are expensive, especially now with

the collapsing Canadian dollar and the fact that

top Hollywood talent is paid in U.S. dollars.

The agents are certainly out for the benefit

of their clients. Theres always seemingly atop-20 or a top-30. Its a supply and demandfunction. Here, with the way the Canadiandollar is going, luckily our business is majorityU.S. funds. That will benefit the industry as awhole. Youll see over the next 12 to 24 monthsa huge influx of U.S. and international pro-ductions coming to Canada. They not onlywill get the same quality of work, theyll get itat a significant discount when factoring in (thelow Canadian dollar and) film incentives. Itslike doubling up.

You have lined up a $ million P&A fund to help

ensure a wider U.S. release for films to give comfort

to foreign buyers. What was the strategy there?

We started talking in early 2015 to Fleet-Fairhaven, and were evolving to a revolvingfund to support P&A. That ties into help-ing make sure the U.S. was fitting a certainrelease model that foreign buyers coulddepend on and be confident in. And the P&Afund allows us to ensure at least 800 screensand up to 2,000.

The falling Canadian dollar also has you eyeing

making more movies with U.S. partners, right?

During the past six to eight months,there has been a handful of requests everyweek from producers asking if we can helpthem co-produce out of Canada. So we havea roster of producers weve worked withbefore that we are trying to bring into proj-ects. And were looking at setting up ourproduction shell here domestically so we canhelp with that. In todays market, you haveto be flexible. If you are just a sales company,thats one thing. But were trying to be alittle more, to bring financing, to help withproduction, to have the P&A financing.These are items that only a handful of sales

companies are doing, and they are usually thebigger guys.

PRESIDENT AND CEO,

DOUBLE DUTCH INTERNATIONAL

Jason MoringThe Toronto-based exec on expandinginto producing and financing and why

hes on the lookout for U.S. partnersBy Etan Vlessing

PHOTOGRAPHED BY Jennifer Roberts


29/44

PORTRAITOF AGARDENby Rosie Stapel

Screenings:

Sun Feb 14 22:00 MGB

Wed Feb 17 17:00 MGB

PORTRAITOF AGARDENby Rosie Stapel

Screenings:

Sun Feb 14 22:00 MGB

Wed Feb 17 17:00 MGB

STRIKE APOSEby Ester Gould &Reijer Zwaan

Screenings:

Mon Feb 15 17:00 International

Tue Feb 16 12:00 CineStar 7

Wed Feb 17 17:45 Cubix 8

Fri Feb 19 14:30 Colosseum 1

Sun Feb 21 17:30 Cubix 7

STRIKE APOSEby Ester Gould &Reijer Zwaan

Screenings:

Mon Feb 15 17:00 International

Tue Feb 16 12:00 CineStar 7

Wed Feb 17 17:45 Cubix 8

Fri Feb 19 14:30 Colosseum 1

Sun Feb 21 17:30 Cubix 7


30/44


FEB.

: Dofus Book I: Julith,

CinemaxX , mins.,

France, Indie Sales

: One for All, Kino

Arsenal , mins., Italy,

Minerva Pictures Group

Youll Never Be Alone,

CinemaxX , mins.,

Chile, Wide

The Snow Queen : Fire and

Ice, CinemaxX , mins.,

Russia, China, Wizart

Nights, d-Kino,

mins., Lebanon, France,

Intramovies

Stranded, CineStar ,

mins., Spain, Filmax

International

Accabadora, MGB-Kino, mins., Italy, Rai Com

:, Food & Shelter,

CinemaxX , mins., Spain,

Latido Films

The Bounce Back, EFM

Cinemobile, mins., USA,

Double Dutch International

: Parisienne, CinemaxX

Studio , mins., France,

Films Boutique

To Steal From a Thief,

CinemaxX , mins., Spain,

Argentina, Film Factory

Entertainment

Hunt for the Wilderpeople,

CineStar , mins., New

Zealand, Protagonist Pictures

One Kiss, CineStar ,

mins., Italy, True Colours

The Bosss Daughter,

CinemaxX , mins., France,

Wild Bunch

My Revolution, CinemaxX ,

mins., France, Visit Films

: Olympic Pride,

American Prejudice,CinemaxX , mins., USA,

Autlook Filmsales

: The Sun, CinemaxX

Studio , mins., Japan,

Kadokawa Corporation

WAX: We Are the X,

Marriott , mins., Italy,

Filmexport Group

All of a Sudden, CinemaxX ,

mins., Germany, France,

Netherlands, Memento Films

International

Sniper: Special Ops, Zoo

Palast , mins., USA,

Picture Tree

Internationals

LenaLove

Voltage Pictures

Heavenly Nomadic,

CinemaxX , mins.,

Kyrgyzstan, Pluto Film

Combativo (rough cut),

Zoo Palast Club B, mins.,

Pakistan, Shah Productions

Bon Bini Holland, CinemaxX

, mins., Netherlands,

Dutch Features Global

Entertainment

Sand Storm, CineStar ,

mins., Israel, Beta Cinema

The Carer, CinemaxX ,

mins., Hungary, United

Kingdom, The Yellow Affair

: Other Girls, Parliament,

mins., Finland, Eastwest

Filmdistribution

Blue Bicycle, CinemaxX , mins., Turkey, Germany,

Drama Film Production Umit

Koreken

:Am Koelnberg, Zoo

Palast , mins., Germany,

Real Fiction Filme

: Rosalie Blum, Kino

Arsenal , mins., France,

SND Groupe M

Dont Call Me Son, CinemaxX

, mins., Brazil, Loco Films

: Halal Love (and Sex),

Kino Arsenal , mins.,

Germany, Films Distribution

: Dad Hold My Hand,


India, Wet Grass Films

Scratch, CineStar ,

mins., Canada, Filmoption

International

: Very Big Shot,

CinemaxX , mins.,

Lebanon, Be for Films

Viva, MGB-Kino, mins.,Ireland, Mongrel International

The Kind Words, CinemaxX

, mins., Israel, Canada,

Beta Cinema

:A Conspiracy of Faith,

CinemaxX , mins.,

Denmark, Germany, Norway,

TrustNordisk

Between Sea and Land,

CinemaxX , mins.,

Colombia, USA, Global Screen

All These Sleepless Nights,

CinemaxX , mins.,

Poland, HanWay Films

Monsieur Chocolat, CineStarIMAX, mins., France,

Gaumont

LenaLove, d-Kino,

mins., Germany, Picture

Tree International

Fast Convoy, EFM Cinemobile,

mins., France, Indie Sales

A Mighty Team, CinemaxX ,

mins., France, Other Angle

Pictures

La vache, CinemaxX ,

mins., France, Path

International

:, Loev, CinemaxX ,

mins., India, Wide

: Do You Believe?,

Parliament, mins., USA,

Pure Flix/Quality Flix

Highway To Hellas,

CineStar , mins., Germany,

ARRI Media

Endorphine, CinemaxX ,

mins., Canada, Seville

International

The Bride, CinemaxX ,

mins., Spain, Fortissimo Films

Gamba, CineStar , mins.,Japan, SC Films International

Chronically Metropolitan

By Invitation Only, Zoo Palast

Club A, mins., USA, Films

:A Good Wife, CinemaxX

Studio , mins., Serbia,

Films Boutique

: These Daughters of

Mine, CinemaxX , mins.,

Poland, Media Move

Rara, CinemaxX , mins.,

Chile, Argentina, Latido Films

Fire at Sea, CineStar ,

mins., Italy, France, Doc &Film International

: Shepherds and

Butchers, CinemaxX ,

mins., USA, South Africa,

WestEnd Films

: London Heist,

CinemaxX Studio , mins.,

United Kingdom, Cinema

Management Group (CMG)

: Morris From America,

Kino Arsenal , mins.,

Germany, USA, Visit Films

: The Bunker, Zoo


Film Republic

Robinson Crusoe,

CinemaxX , mins.,

Belgium, Studiocanal

: Under the Pyramid,


Sweden, Netherlands, Idyll

: Spanish Affair , MGB-

Kino, mins., Spain, FilmFactory Entertainment

: Wedding Doll, d-

Kino, mins., Israel, Gilady

Nitzan Films

The Crew, CineStar , mins.,

France, SND Groupe M

:A Decent Man,

CinemaxX , mins.,

France, Bac Films

Vicky Banjo, CinemaxX ,

mins., France, Gaumont

Arianna, CinemaxX ,

mins., Italy, Rai Com

Par accident, CinemaxX , mins., France, Be for Films

: The Inerasable,

CineStar , mins., Japan,

Shochiku

Them Who?, EFM Cinemobile,

mins., Italy, True Colours

Agnes, CinemaxX ,

mins., Germany, Pluto Film

: The Stare, CinemaxX ,

mins., Japan, Kadokawa

Corp.

Do Mixers Go to Heaven?,

CinemaxX , mins.,

Germany, Clip Film- und

Fernsehproduktion

Heartless, Marriott ,

mins., Germany, USA, Wind

Child Entertainment

Lolo, CinemaxX , mins.,

France, Wild Bunch

Parched, CineStar ,

mins., USA, India, United

Kingdom, Seville International

: Sophies Misfortunes,

CineStar IMAX, mins.,

France, Gaumont

:A Melody to Remember,

CinemaxX , mins., South

Korea, Contents Panda (Next

Entertainment World)

Worlds Apart, Zoo Palast ,

mins., Greece, Films

Molly Monster, Ted Siegers,

CinemaxX , mins.,

Germany, Switzerland,

Sweden, Global Screen

: Kivalina, CinemaxX

Studio , mins., USA, Savor

Terra Films

SCREENING GUIDEEFM


31/44


32/44


:Only for the Weekend,

Zoo Palast , mins., Italy,

Summerside International

War on Everyone, CineStar ,

mins., United Kingdom,

Bankside Films

A Hundred Streets,

Parliament, mins.,

United Kingdom, Umedia

International

The Black Hen, CinemaxX

Studio , mins., Nepal,

Germany, Wide

Bang Gang (A Modern

Love Story), Kino Arsenal ,

mins., France, Films

Distribution

:Rupture, Zoo Palast

Club B, mins., USA,

Luxembourg, Canada, AmbiDistribution

: Der Nachtmahr, Zoo


K Mediagroup

: Katabui In the

Heart of Okinawa, d-Kino,

mins., Japan, Switzerland,

Kukuru Vision

:Koudelka Shooting

Holy Land, CinemaxX ,

mins., Germany, Czech

Republic, Israel, Wide House

: Kidnap Capital, MGB-

Kino, mins., Canada, The

Annex Entertainment

Josephine, Pregnant &

Fabulous, CinemaxX ,

mins., France, TF

International

Nights Till Morning,

CinemaxX , mins.,

Finland, Lithuania, Wide

: Land of the

Enlightened, CinemaxX ,

mins., Belgium, Ireland,

Germany, Films Boutique

The Master, CineStar ,

mins., Hong Kong, China,

Golden Network Asia

:Young Wrestlers,

CinemaxX , mins., Turkey,

Netherlands, Kaliber Film

The Church of Karadima,

EFM Cinemobile, mins.,

Chile, Ocio Films

:Timeswings

Hanne Darboven Revisited,

Marriott , mins., Germany,

Moonlightmovies

While the Women Are

Sleeping, CinemaxX ,

mins., Japan, Toei Co.

:Mr. Pig, CineStar ,

mins., USA, Mundial

The Ardennes, CinemaxX

, mins., Belgium,

Netherlands, Attraction

Distribution

Happy Birthday, CinemaxX ,

mins., USA, Arclight Films

:Nick Off Duty,

CineStar IMAX, mins.,

Germany, Global Screen

Agnus Dei, CineStar ,

mins., France, Poland,

Films Distribution

What a Wonderful Family!,

CineStar , mins., Japan,

Shochiku

: Summertime,

CinemaxX , mins., Italy,

Rai Com

: Kids in Love, Zoo Palast

, mins., United Kingdom,

Carnaby International

Sales & Distribution

This Summer Feeling,

CinemaxX Studio , mins.,

France, Pyramide International

:A Woman, a Part,

Zoo Palast , mins., USA,

Infinitum Productions

Magnus, Kino Arsenal ,

mins., Norway, TrustNordisk

:Requirements to Be a

Normal Person, Parliament,

mins., Spain, Latido Films

Song of Lahore, CinemaxX ,

mins., USA, Autlook

Filmsales

Inside the Chinese Closet,

CinemaxX , mins.,

Netherlands, Films Transit

International

:The Shell Collector,Marriott , mins., USA,

Japan, Shell Collector

The Mine, CinemaxX ,

mins., Finland, The Yellow

Affair

: The Lady in the Car

With Glasses and a Gun,

CinemaxX , mins., France,

Wild Bunch

In Front of Others, MGB-Kino,

mins., Iceland, Truenorth

: Fire Song, CinemaxX ,

mins., Canada, MCE

Young Light, Zoo Palast ,

mins., Germany, France,

Weltkino Filmverleih

: Wild, CinemaxX ,

mins., Germany, The Match

Factory

: Tickled, EFM

Cinemobile, mins., New

Zealand, Magnolia Pictures

Fade The Tales About the

Last Days, Zoo Palast Club B,

mins., Italy, New World

Cinemas

: The Fits, CineStar ,

mins., USA, Mongrel

International

: Richard Linklater:

Dream Is Destiny, CinemaxX

, mins., USA, Dogwoof

:Man Falling, CinemaxX

, mins., Denmark, Wide

House

Anna, CinemaxX , mins.,

Italy, Rai Com

The Linda Vista Project,

CinemaxX , mins., USA,

XVIII Entertainment

: Cheer Up, CinemaxX

Studio , mins., Finland,

Canada, Wide House

:A Sunday Kind of

Love, CinemaxX , mins.,

Canada, Princ Films

: Pursuit, Zoo Palast Club

A, mins., Ireland, An Pointe

Productions

: Suntan, Kino Arsenal ,

mins., Greece, Visit Films

The Childhood of

a Leader, CineStar ,

mins., United Kingdom,

Hungary, France, ProtagonistPictures

Valley of Knights Miras

Magical Christmas,

CinemaxX , mins.,

Norway, Sola Media

California, CinemaxX

Studio , mins., Brazil,

Films Boutique

Welcome to Norway,

CineStar , mins., Norway,

Sweden, Beta Cinema

Chasing Niagara,

CinemaxX , mins., Austria,

Red Bull Media House

: Lets Talk, Marriott ,

mins., Italy, Filmexport Group

:On My Mothers Side,

CinemaxX , mins.,

Canada, Seville International

The Girl in the Book,

CineStar IMAX, mins., USA,

Myriad Pictures

Fack Ju Goehte , Parliament,

mins., Germany, Picture

Tree International

House for Mermaids,

MGB-Kino, mins., Estonia,Russia, Korela Film

Things to Come, CinemaxX ,

mins., France, Germany,

Les Films du Losange

Becoming Zlatan, CinemaxX

, mins., Sweden, Autlook

Filmsales

If Cats Disappeared

From the World, CineStar ,

mins., Japan, Toho

:Hedi, CinemaxX ,

mins., Tunisia, Belgium,

France, Luxbox

:Mother, EFM

Cinemobile, mins.,

Slovenia, Slovenian Film

Centre

:Jonathan, CinemaxX ,

mins., Germany, m-appeal

Raspberry & Cream

: Rosehill, CinemaxX ,

mins., USA, Germany,

ManifestoFilm

: From a House on

Willow Street,CinemaxX

Studio , mins., South

Africa, The Exchange

:Humidity, CinemaxX ,

mins., Serbia, Netherlands,

Greece, Soul Food Films

Dont Be Bad, CinemaxX , mins., Italy, Rai Com

:Last of the Elephant

Men, CineStar , mins.,

Canada, France, Filmoption

International

After Eden, CinemaxX Studio

, mins., Canada, Wide

Team Spirit, CinemaxX ,

mins., France, Le Pacte

: The Rift, CineStar ,

mins., South Korea, Serbia,

Slovenia, More In Group

Farewell My Teacher,

CineStar , mins., France,

Studiocanal

: Scream Week,

CinemaxX , mins.,

Netherlands, Belgium,

Incredible Fil

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