audition

25
Audition December 3, 2008

Upload: sonora

Post on 25-Feb-2016

27 views

Category:

Documents


1 download

DESCRIPTION

Audition. December 3, 2008. The Rest of the Way. Production Exercise #4 due at 5 pm today Friday: review + practice spectrogram reading Production Exam: posted as soon as I grade PE #4 due on Friday (5 pm) of finals week Final Exam Reminder: Friday, December 12th 12 - 2 pm - PowerPoint PPT Presentation

TRANSCRIPT

Page 1: Audition

Audition

December 3, 2008

Page 2: Audition

The Rest of the Way• Production Exercise #4 due at 5 pm today

• Friday: review + practice spectrogram reading

• Production Exam:

• posted as soon as I grade PE #4

• due on Friday (5 pm) of finals week

• Final Exam Reminder: Friday, December 12th

• 12 - 2 pm

• SS 541

Page 3: Audition

How Do We Hear?• The ear is the organ of hearing. It converts sound waves into electrical signals in the brain.

• the process of “audition”

• The ear has three parts:

• The Outer Ear

• sound is represented acoustically (in the air)

• The Middle Ear

• sound is represented mechanically (in solid bone)

• The Inner Ear

• sound is represented in a liquid

Page 4: Audition

The Ear

Page 5: Audition

Outer Ear Fun Facts• The pinna, or auricle, is a bit more receptive to sounds from the front than sounds from the back.

• …but basically functions as an “earring holder”

• Sound travels down the ear canal, or auditory meatus.

• Sounds between 3000-4000 Hz resonate in the ear canal

• The tragus protects the opening to the ear canal.

• Optionally provides loudness protection.

• The outer ear dead ends at the eardrum, or tympanic membrane.

Page 6: Audition

The Middle Ear

eardrum

the hammer (malleus)

the anvil (incus)

the stirrup (stapes)

Page 7: Audition

The Middle Ear• The bones of the middle ear act as an amplifier

• the “ossicles”

• increase sound pressure by about 20-25 dB

• Works by focusing sound vibrations into a smaller area

• area of eardrum = .85 cm2

• area of footplate of stapes = .03 cm2

• Leverage also factors in…

• Like a crowbar.

Page 8: Audition

The Attenuation Reflex• For loud sounds (> 85-90 dB), a reflex kicks in to attenuate the vibrations of the middle ear.

• This helps prevent damage to the inner ear…

tensor tympani

stapedius

Page 9: Audition

The Attenuation Reflex• Requires 50-100 msec of reaction time.

• Poorly attenuates sudden loud noises

• Muscles fatigue after 15 minutes or so

• Also triggered by speaking

tensor tympani

stapedius

Page 10: Audition

The Inner Ear• The action of the stirrup at the oval window shoves fluid around in the inner ear, including the cochlea

• The fluid is electrically charged

• Inside the cochlea is the basilar membrane

• Different parts of the basilar membrane are maximally displaced by sounds of different frequencies.

Page 11: Audition

How does it work?• On top of the basilar membrane are thousands of tiny hair cells.

• Upward motion of the basilar membrane pushes these hairs into the tectorial membrane.

• The upward deflection of the hairs opens up channels in the hair cells.

• ...allowing the electrically charged fluid of the inner ear to flow in.

• This sends a neurochemical signal to the brain.

Page 12: Audition

Auditory Frequency Analysis• Individual hair cells in the cochlea respond best to particular frequencies.

• General limits:

20 Hz - 20,000 Hz

• Cells at the base respond to high frequencies;

• Cells at the apex respond to low.tonotopic organization of the

cochlea

Page 13: Audition

Frequency Perception• There are more hair cells that respond to lower frequencies…

• so we can distinguish those from each other more easily.

• The Mel scale test.

• Match this tone:

• To the tone that is twice its frequency:

• Now try it for a high frequency tone:

Page 14: Audition

The Mel Scale• Perceived pitch is expressed in units called mels.

• Note: 1000 Hz = 1000 mels

• Twice the number of mels = twice as high of a perceived pitch.

Page 15: Audition

Loudness• The perceived loudness of a sound is measured in units called sones.

• The sone scale also exhibits a non-linear relationship with respect to absolute pressure values.

Page 16: Audition

Equal Loudness Curves• Perceived loudness also depends on frequency.

Page 17: Audition

Audiograms• When an audiologist tests your hearing, they determine your hearing threshold at several different frequencies.

• They then chart how much your hearing threshold differs from that of a “normal” listener at those frequencies in an audiogram.

• Noise-induced hearing loss tends to affect higher frequencies first.

• (especially around 4000 Hz)

Page 18: Audition

Deafness• Deafness results when the hair cells of the cochlea die, or do not work properly.

• Presbycusis is a natural loss of auditory sensitivity to high frequencies due to age

• = loss of hair cells at the base of the cochlea

• Note: the “teen buzz”

• A hearing aid simply amplifies sounds entering the ear.

• (sometimes at particular frequencies)

• For those who are profoundly deaf, a device known as a cochlear implant can restore hearing.

Page 19: Audition

Cochlear Implants A Cochlear Implant artificially stimulates the nerves which are connected to the cochlea.

Page 20: Audition

Nuts and Bolts• The cochlear implant chain of events:

1. Microphone

2. Speech processor

3. Electrical stimulation

• What the CI user hears is entirely determined by the code in the speech processor

• Number of electrodes stimulating the cochlea ranges between 8 to 22.

• poorer frequency resolution

• Also: cochlear implants cannot stimulate the low frequency regions of the auditory nerve

Page 21: Audition

Nuts and Bolts• The speech processor divides up the frequency scale into 8 (or 22) bands and stimulates each electrode according to the average intensity in each band.

This results in what sounds (to us) like a highly degraded version of natural speech.

Page 22: Audition

What CIs Sound Like• Check out some nursery rhymes which have been processed through a CI simulator:

Page 23: Audition

Mitigating Factors• The amount of success with Cochlear Implants is highly variable.

• Works best for those who had hearing before they became deaf.

• Depends a lot on the person

• Possibly because of reorganization of the brain

• Works best for (in order):

• Environmental Sounds

• Speech

• Speaking on the telephone (bad)

• Music (really bad)

Page 24: Audition

Critical Period?• For congentially deaf users, the Cochlear Implant provides an unusual test of the “forbidden experiment”.

• The “critical period” is extremely early--

• They perform best, the earlier they receive the implant (12 months old is the lower limit)

• Steady drop-off in performance thereafter

• Difficult to achieve natural levels of fluency in speech.

• Depends on how much they use the implant.

• Partially due to early sensory deprivation.

• Also due to degraded auditory signal.

Page 25: Audition

Practical Considerations• It is largely unknown how well anyone will perform with a cochlear implant before they receive it.

• Possible predictors:

• lipreading ability

• rapid cues for place are largely obscured by the noise vocoding process

• fMRI scans of brain activity during presentation of auditory stimuli