arts update 15 september 2017 - university of canterbury€¦ ·...
TRANSCRIPT
ARTS UPDATE
15 September 2017
News
UC Arts at the Arts Centre
This week has been a busy week of performances! On Sunday night we had the New Zealand premiere performance of the Oresteia Experience as part of the Christchurch Arts Festival 2017. The School of Music, Classics department and Teece Museum of Classical Antiquities came together to create a theatrical evening and a great achievement for UC College of Arts. It was a huge success with a full house and rave reviews; a credit to the team who were involved in bringing this vision to life. Check out a review at the link below: https://www.theatreview.org.nz/reviews/review.php?id=10541 We were thrilled to have the opportunity to hear Yoomia Sim and Hugo Zanker performing at our weekly New Music Central Concert on Monday night. An exciting and varied programme of contemporary works, using backing tracks and live looping.
Randall Scotting was the soloist in the Oresteia Experience and we were treated to a concert by him on Tuesday night. This recital featured a varied programme from early works through to folk songs and more modern compositions. He also presented a voice masterclass on Wednesday for our students which was open to the public. Professor Mark Menzies will be performing 2 concerts this weekend, as part of his concert series ‘4 in the time of 7’. You can see him at the Nut Point Centre at 7.30pm on Saturday 16, with door sales available. He will also be performing on Sunday 17 at 5pm as part of UC’s involvement with the Christchurch Arts Festival 2017, and the School of Music’s Virtuosity Series. Tickets for this can be bought at http://www.artsfestival.co.nz/virtuosity-‐series and there will be limited door sales. *Please note, this coming Monday (18 September) there is no New Music Central concert.
Oceanic Memory: Islands, Ecologies, Peoples – Postgraduate Masterclass The Oceanic Memory Conference organising committee is pleased to announce a Postgraduate Masterclass, “Oceanic Memory Research” to take place on 29 November 2017 at the UC Arts Centre campus in the central city. The Masterclass will consist of reading and discussion of essays related to the poetics, politics and ethics of memory and/in the Pacific, selected and led by the three keynote presenters at the Oceanic Memory Conference:
• Professor Ross Gibson (University of Canberra, Australia) • Professor Sudesh Mishra (University of the South Pacific, Fiji) • Associate Professor Elizabeth DeLoughrey (University of California, Los Angeles)
This Masterclass will provide a forum for exploring shared research interests in questions of memory and the Pacific across a range of Humanities and Social Sciences fields. It will give participants the opportunity for sustained engagement with the work of influential scholars whose research contributes to the burgeoning field of memory studies from a variety of perspectives and methodologies, such as the environmental humanities, postcoloniality and modernity, aesthetics and complexity theory. Students will receive copies of the essays by the presenters in advance. There will also be some opportunity for participants to discuss their own work with the group and lead presenters. There is no cost for the Masterclass itself; however there is a $50 registration fee for participants in the Masterclass who wish to attend the Oceanic Memory Conference, 30 November – 2 December, 2017. 9.00-‐10.30am: Session 1: led by Elizabeth Deloughrey 10.30-‐11.00am: Tea/Coffee 11.00-‐12.30pm: Session 2: led by Ross Gibson 12.30-‐2.00pm: Lunch 2.00-‐3.30pm: Session 3: led by Sudesh Mishra 3.30-‐4.00pm: Tea/Coffee 4.00-‐5.00pm: Discussion of student work Notes for participants: To preserve the level and quality of participant involvement, the number of participants is limited to fifteen. Registrations should include a short CV and the completed registration form (2 pages). Please submit your registration materials as soon as possible, and no later than 9th October 2017. Contact Alan Wright for further information about registration: [email protected] School of Fine Arts Highly Acclaimed Australian artist Jon Campbell’s exhibition ‘Afternoon Delight’ is now open in the Ilam Campus Gallery, Block 2, Fine Arts and runs until 5 October, all welcome.
(Image from opening event, Aaron Beehre and Jon Campbell on guitar) Classics On Sunday September 10th The Oresteia Experience -‐ Iannis Xenakis’ operatic reworking of Aeschylus’ tragic trilogy of 458 BC -‐ was performed at the Arts Centre by the School of Music with contributions from the UC Classics dept. and tours of the Teece Museum. Prof Mark Menzies (Music Performance) conducted and the soloist was leading US-‐born counter tenor Randall Scotting. The power and intensity of the piece really came across in everything from the superb singing to the musicianship of the ensemble and its maestro, to the haunting choreography (by Julia Harvey) and imaginative staging (by Stuart Lloyd-‐Harris). This NZ premiere was an extraordinarily ambitious undertaking and proved a great success thanks to a broad collaborative effort, including those who worked behind the scenes to make it all run smoothly. The performance was preceded by talks from Dr Patrick O’Sullivan (Head of Classics) who spoke on Aeschylus' original Oresteia and its reception over time, and by Mark Menzies who spoke on Xenakis’ take on the Aeschylean model. Both speakers also contributed written pieces to the programme, and audiences took tours of the Teece Museum where they heard Classics tutor Natalie Looyer talk on artefacts relevant to the story. The success of this overall project indicates that the shared presence of Classics and Music in town forms an ideal basis for future collaborations between two fields which have had such a long tradition of mutual influence and inspiration. Here is one review: https://www.theatreview.org.nz/reviews/review.php?id=10541 On Thursday Sept. 7th, in the lead up to The Oresteia Experience, Patrick, Mark and Randall appeared on Eva Radich’s Upbeat programme on RNZ Concert to discuss the performance, what audiences could expect and why a 2,500 year-‐old story set in ancient Greece can still speak so powerfully today in the 21st century. It can be heard here: http://www.radionz.co.nz/concert/programmes/upbeat/audio/201857631/the-‐greek-‐tragedy-‐told-‐in-‐song
Canterbury School for Continental Philosophy
Canterbury School for Continental Philosophy Seminar Series
Dr Rodrigo Gonsalves (Brazil, CSII) ‘Monstrosity and the Uncanny’
September 22nd, 11-‐12 -‐ Puaka James Hight, Room 210, Friday 11-‐12. Everyone is welcome. The fantastic narrative finds through horror a type of symbolic promise that its limits can reach different representations to the subject’s life experience. Almost as if we could find through horror, something more real than reality itself, allowing the extrapolations of the fantastic to take place on such narratives. And this is not necessarily a new stand-‐point, since we can already find such elements on Poe, Hawthorne, Lovecraft, Hoffmann, as well as in many other modern writers. But more interesting than that, is that this common element of the fantastic inviting the limits of the human conduct to reflect upon each other, seems actually much older than that. The transmutation of ancient civilization myths has gained through the historical development of the contemporary culture a new disguise, a new form and because of that, these elements live nowadays within the fantastic. Those ancient elements became symbols, sometimes fully absorbed and sometimes not, by the current culture, and those very own elements tend to (re)-‐appear when the current symbolical representations fail to grasp aspects of the human experience under a certain contingency. And basically, this is the reason that sometimes the horror and the narrative
of terror, seems crucial to be assimilated into the theoretical grounds of the human sciences. The ingredients derived from this particular genre can better formalise and assimilate some of the treacherous aspects of the human narrative of suffering, which we would like to consider in this seminar. With this line of thinking in mind, the other arguments sustained by this seminar hopefully, will elaborate on both the philosophical and psychoanalytic basis, aiming at how those fields can be benefited for taking such critical elements under their scope.
Human Services and Social Work Last week at the Australia New Zealand Social Work and Welfare Education and Research (ANZSWWER) conference at Auckland University Assoc. Professor Jane Maidment (Social Work) and Assoc. Professor Ronnie Egan (RMIT University, Melbourne) were presented with the award for Trans-‐Tasman Collaboration. The award was in recognition of their sustained collaboration in education and scholarship associated with social work practice skill development. Their edited volume Practice Skills for Social Work and Welfare (2016) now in its third edition has a particular focus on getting students engaged with authentic practice scenarios in preparation for practicum education.
Political Science and International Relations Prof Alex Tan participated at the 2017 Annual Meeting of the American Political Science Association in San Francisco, USA and presented a paper titled "Issue Structure of Voter Choice in Taiwan's 2016 Presidential Election" which he co-‐authored with Prof Cal Clark (Auburn University) and Dr Karl Ho (University of Texas at Dallas). He was also
discussant in an international research panel on "Comparative Party Organisations: Broadening the View" where he commented and reviewed papers presented by scholars from Yale University, University of Houston, Federal University of Sao Carlos (Brazil), University of Strathclyde (UK) and Okayama University (Japan). Three PhD scholars from the College of Arts working on sustainability and politics issues head to London this week to take part in a research workshop on Sustainable Prosperity. They are from left: Dr, Sylvia Nissen, Mehedi Hasan and Geoff Ford members of the Sustainable Civitizenship and Civic imagination research lab led by Assc Professor Bronwyn Hayward (right). With Bronwyn Hayward they will attend a UK Economic and Social Research Council post-‐graduate research workshop to discuss cutting edge approaches to living more sustainably while achieving community wellbeing.
Sylvia Nissen’s PhD was jointly supervised between politics and sociology with Hayward and Assc Prof Ruth McManus and examined levels of student debt and the implications for student political engagement, wellbeing and achievement Geoff Ford is a PhD scholar in linguistics and politics with Dr Kevin Watson and Assc Prof Hayward –Geoff has used his background in IT to digitise the Hansard debates and talk back radio to understand how people talk about the economy and the sustainability and other political implications of everyday language Mehedi Hasan is studying politics and geography with Drs Dombromski (Geog), Hatcher (Political Science and IR) and Hayward to understand how young people’s experience of wellbeing and physical security can be enhanced by access to green space in a rapidly urbanising context of Dhaka City Bangladesh All three students will participate in the Centre for Understanding Sustainable Prosperity Doctoral workshop on new research techniques and ideas, at the University of Surrey and take part in the launch of a new international study Hayward leads with CUSP, and seven international research teams in cities around the world examining how cities,
businesses and communities can make sustainable differences to the quality of young people’s lives and wellbeing. Professor Anne-‐Marie Brady, Department of Political Science and International Relations, was the keynote speaker at the Antarctic Frontier conference, September 13, 2017, hosted by the Australian Academy of Science, in Hobart, Australia, speaking on “Antarctic politics in an era of geopolitical change”.
Sociology and Anthropology Mike Grimshaw has a chapter “Hermeneutic Capitalism? Prologue-‐ the Death and the Challenge” in Making Communism Hermeneutical. Reading Vattimo & Zabala ed. Mazzini & Glynn-‐Williams (Springer 2017). The book is a series of invited responses to Vattimo & Zabala’s groundbreaking foundational Text Hermeneutic Communism 2011. It also includes responses by Vattimo & Zabala to each chapter and in response to Grimshaw’s chapter they declare they “consider this to be one of the most significant contributions of our book, because it invites other political theories to prevent falling back into metaphysics." National Centre for Research on Europe On August 24-‐27, the NCRE’s Natalia Chaban, Martin Holland, Iana Sabatovych and Rebecca Morgan participated in the “Crisis, Conflict and Critical Diplomacy: EU Perceptions in Ukraine and Israel/Palestine” (C3EU) in Kyiv, Ukraine. This fifth workshop meeting involved partners from 11 universities around the world and featured results of the third stage of this Jean Monnet Network -‐-‐ analysis of EU perceptions among youth -‐ as well as a new findings in media and elite opinion analysis. On the photo is the C3EU team with HE Luc Jacobs, Ambassador of Belgium to Ukraine – His Excellency gave a key note during the C3EU workshop. NCRE-‐led research project “EU Global Perceptions” presented its latest findings at the leading conferences in EU studies. Natalia Chaban gave a plenary talk at the UACES conference in Krakow (Poland) on external views on the EU’s global role, as well as two papers on EU perceptions in Ukraine, Israel and Palestine. At ECPR (European Political Consortium Research) conference in Oslo (Norway) and EISA (European International Studies Association) conference in Barcelona (Spain), Natalia presented three papers elaborating findings of the on-‐going project “EU Global Perceptions”. The papers were co-‐authored with Ole Elgström (Lund University), Michel Knodt (TU Darmstadt), and NCRE researchers Iana Sabatovych and Olga Gulyaeva.
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