Arthurian LegendI INTRODUCTION

King Arthur

Legend and lore surround the life of Arthur, a medieval king of the Britons. According to legend, Arthur was raisedunaware of his royal ancestry and became king by pulling a sword from a stone. He is depicted here in a painting byEleanor Brickdale.

Hulton Deutsch Collection Limited/Woodfin Camp and Associates, Inc.

Arthurian Legend, group of tales in several languages that concern the legendary King Arthur of the Britons, his realm, and the knights of his inner circle. The legend is

one of the most enduring tales in recorded history. It first appeared in the 5th or 6th century AD and took its basic form between the 12th and 15th centuries. It

continues as a popular subject in modern times.

Morgan le Fay

In Arthurian legend, the enchantress Morgan le Fay is King Arthur’s half sister. She rules the island of Avalon, where shetakes Arthur after he is seriously wounded in a battle on Salisbury Plain.

Art Resource, NY

The legend presents Arthur as a leader in ancient times who defeats the Saxons and other enemies. He thereby unites the people of Britain in peace and harmony.

Eventually his kingdom weakens from within—in part because of the illicit love between Arthur’s queen, Guinevere, and the knight Lancelot—and Arthur himself is struck

down by his own illegitimate son, Mordred. Many stories then say that Arthur is taken to the island of Avalon for his wounds to be healed. The legend tells that he will

return in the hour of Britain's greatest need.

II THE LEGEND

Merlin and Arthur

In the tales of Arthurian legend, Merlin is an aged magician who helps bring King Arthur to power. Some authors alsodescribe Merlin as the young king’s tutor.

Corbis

Arthur is conceived when King Uther Pendragon falls in love with a married woman, Ygraine, and arranges for the magician Merlin to transform him into the likeness of

Ygraine's husband. The husband, Gorlois, dies in battle, and Arthur's parents marry soon thereafter.

Arthur Receiving Excalibur

According to legend, soon after King Arthur became ruler of Britain, he received his magnificent sword Excalibur from ahand that rose mysteriously from a lake. With Excalibur, Arthur led his armies to many victories over Britain’s enemies.

Corbis

But Merlin exacts a price for his assistance. Uther and Ygraine must give to him the child who will be born. When Arthur is born, Merlin delivers him to Hector (also

called Antor), who raises Arthur alongside his own son, Kay, and trains him to be a squire to Kay once Kay becomes a knight. When King Uther dies, the land is left

without a leader, so one must be chosen. Ensuing events take different forms from text to text, but virtually all include the story of the Sword in the Stone.

King Arthur and His Knights

Legend tells that once Arthur became king of Britain, he embarked on a series of wars to guarantee Britain’sindependence and security. Early texts state that he defeated the Saxons, Picts, and Scots, as well as overrunning Irelandand Iceland. Later, he battled the Romans.

Culver Pictures

According to legend, Merlin announces to the assembled barons that God has established a test to identify the chosen successor to Uther. Before the cathedral they find

a great stone, topped by an anvil in which a sword is embedded. Merlin informs them that no one other than the intended king will be able to draw the sword. All those

present try and fail the test. Meanwhile, Arthur is sent to find Kay's sword. Unable to do so, he sees the sword in the stone and easily draws it. The barons make him

repeat the test a number of times because they do not want to be ruled by a young commoner, but they eventually recognize his claim to the throne.

Round Table

In Arthurian legend, the Round Table at Camelot served as a gathering place for King Arthur’s knights. The table’s shapeensured that all who sat around it were equals. This replica of the Round Table can be seen at Winchester Castle inEngland.

Jonathan Elderfield/Liaison Agency

With Merlin as his adviser, Arthur begins his reign. He first fights Britain's enemies, and early texts describe him defeating the Saxons, Picts, and Scots and overrunning

Ireland and Iceland. His conquests are made easier because of his marvelous sword, first called Caliburn and later known as Excalibur. He receives the sword from a

hand that emerges from a lake. (In some versions of the story, Excalibur is the Sword in the Stone.)

Lancelot

In Arthurian legend, Lancelot, left, is one of King Arthur’s fiercest warriors. But when Arthur discovers that his wife,Queen Guinevere, has been having a love affair with Lancelot, the king and the knight become bitter enemies.

Bibliotheque Nationale, Paris, France/Bridgeman Art Library, London/New York

Arthur rules his land from Camelot, his favorite castle, and he meets, courts, and marries a beautiful young woman named Guinevere. Following his initial wars, he and

his followers enjoy a period of peace, during which he founds a fellowship of knights known as the society of the Round Table. The shape of the table that serves as the

group’s meeting place ensures that all who sit around it are equal in status.

Galahad

In Arthurian legend, the knight Galahad completes the quest for the Holy Grail, the sacred cup used by Jesus Christ at theLast Supper. Galahad was the son of the knight Lancelot.

Corbis

Men come from every land to be knighted by Arthur and to seek fame as members of the Round Table fellowship. One of the finest knights is a young Frenchman

named Lancelot. He quickly becomes one of Arthur's favorites, but he also falls in love with Queen Guinevere, and she with him. Their illicit love is one of the major

causes for the eventual destruction of Arthur's kingdom. But Arthur’s own flaws contribute to his downfall as well. Despite his valor and wisdom, he fathers a son named

Mordred with his half sister Morgause. (Some versions present Mordred as Arthur's nephew rather than as his illegitimate son.)

The Passing of Arthur

According to legend, King Arthur was seriously wounded in battle by his illegitimate son, Mordred. Arthur’s half sisterMorgan le Fay and a group of women then took him away to the island of Avalon to heal. English photographer JuliaMargaret Cameron portrayed the scene in her 1875 image The Passing of Arthur.

Hulton-Deutsch Collection/Corbis

Adventures and quests are an essential element of chivalry, and eventually most of Arthur’s knights embark on the greatest quest of all, the quest for the Holy Grail,

which is understood to be the chalice that Jesus Christ used at the Last Supper. All the finest knights at the court swear to seek the Grail, however long the search

might take. Arthur is displeased by these events, because he knows that the quest means the end of Camelot. Indeed, many of his best knights die in the quest, some

of them even killing one another.

Percival Questions Sir Owen

According to Arthurian legend, Percival grows up ignorant of war and weapons by his mother’s choice after her husbandand six older sons die in warfare. In this 1911 book illustration by British artist Walter Crane, Percival meets Sir Owen, aknight who explains battle and arms. As a result of their meeting, Percival vows to become a knight, much to his mother’sdismay. Percival embarks on a quest for the Holy Grail in early versions of the legend, and in some versions, he finds andretrieves this sacred cup used by Jesus at the Last Supper.

Russell-Cotes Art Gallery and Museum, Bournemouth, UK/Bridgeman Art Library, London/New York

As Arthur fathers an illegitimate son, so too does Lancelot, although he does so while under a spell that makes him think the woman (named Elaine) is actually

Guinevere. Lancelot's son, Galahad, is entirely free of sin and weakness, and thus he alone is ultimately qualified to complete the quest and find the Holy Grail. (Sir Bors

and Sir Percival accompany him, but they are excluded from the final holy vision that appears to Galahad as he reaches the Grail.)

Once the quest is ended, peace does not last, and eventually Arthur's armies are embroiled in new wars, including one with the Romans, who demand tribute from

Arthur and provoke a battle. Not all the conflicts involve foreign enemies, however. When Arthur discovers Lancelot and Guinevere's love affair, his system of justice

requires that Guinevere be arrested and condemned to death. Lancelot flees but then returns to rescue her. During the ensuing battle, Lancelot kills the brothers of Sir

Gawain, who remain loyal to Arthur. As a consequence, Gawain and Lancelot, formerly the closest of friends, become enemies.

Arthur’s absence from court while battling the Romans and pursuing Lancelot offers Mordred the opportunity to seize the throne. He attempts to do so by buying the

allegiance of Arthur's barons, and some texts say that he either marries Guinevere or attempts to do so after lying to her and telling her that Arthur is dead. The king

learns of Mordred's treason and returns to reclaim his rights.

During a great battle on Salisbury Plain, Arthur kills Mordred, but before dying the young man strikes Arthur a grievous blow. Arthur orders that his sword be thrown

into the lake to prevent it from falling into unworthy hands. Twice his orders are disobeyed. The third time they are followed, and as Excalibur nears the water, a hand

mysteriously rises from beneath the surface to grasp it and disappear.

Arthur's ultimate fate is uncertain. Some tales say that he dies, and that his body is either buried or taken away, never to be seen again. Most stories, however,

preserve the idea of Arthur's immortality. They tell that, although gravely wounded, Arthur does not die. A group of women (usually including Arthur’s half sister

Morgan le Fay) takes him and they sail away to the island of Avalon. There his wounds will be healed, and eventually he will return to Britain.

III LITERARY TREATMENT OF THE LEGEND

Between the 6th and 12th centuries, a number of documents appeared that mention Arthur briefly or allude to some events that would later be associated with him.

They do not prove that a historical Arthur existed, but they do provide evidence of a legend forming around the idea of a great king who saved the Britons from their

Saxon enemies. These texts include the poem Y Gododdin by 6th-century Welsh bard Aneirin, the mid-9th century Historia Britonum by Welsh historian Nennius, and

the Mabinogion, a collection of Welsh tales that first started appearing in the 11th century.

In about 1136 Welsh writer Geoffrey of Monmouth produced his Historia Regum Britanniae (History of the Kings of Britain), which describes King Arthur leading the

Britons to victory and then presiding over a period of peace. Geoffrey’s work is a combination of history, legend, and imagination, and it launched widespread retellings

of the Arthurian legend.

In 1155 the Anglo-Norman chronicler Wace translated Geoffrey's work into French as the Roman de Brut (Story of Brutus). Wace was the first to write of the Round

Table. Within a few years, French writer Chrétien de Troyes created a new fictional form known as Arthurian romance. Chrétien focused primarily on the characters

surrounding the king. He emphasized chivalric adventure, although he also suggested that chivalry can be a vain pursuit as much as an ennobling ideal. Chrétien first

mentioned Camelot, and he also introduced Lancelot. In his final romance, Perceval, ou le conte du graal (1190?; Percival, or the Story of the Grail), Chrétien

introduced the theme of the Grail, which was for him a holy object, although not yet the chalice from which Jesus Christ drank at the Last Supper (an identification that

would be made soon after Chrétien's death).

Chrétien’s themes became the principal subjects of Arthurian texts composed in virtually every European language. In Germany, for example, Wolfram von Eschenbach

wrote the epic poem Parzival (1210?). Chrétien's two major innovations—the love between Lancelot and Guinevere and the quest for the Grail—became the core of the

massive 13th-century Lancelot-Grail Cycle, also known as the Vulgate Cycle. This cycle of five romances, running to thousands of pages, depicts the history of the Grail

going as far back as the biblical figures of David, Solomon, and Joseph of Arimathea before telling of Merlin, Arthur, the quest for the Holy Grail, and the destruction of

the Round Table fellowship.

Sir Thomas Malory

English writer Sir Thomas Malory’s Le morte d’Arthur (1469-1470; The Death of Arthur) is a prose rendition of the KingArthur legends. Although Malory probably wrote the Arthurian saga as eight distinct romances, English printer WilliamCaxton arranged Malory’s work into a single narrative in 1485. An actor recites this selection, which foretells the return ofthe fallen king.

© Microsoft Corporation. All Rights Reserved./(p) 1994 Microsoft Corporation. All Rights Reserved.

The Vulgate Cycle was translated or adapted even more widely than were Chrétien's romances. In English it was one of the major sources for Le morte d’Arthur (1469-

1470; The Death of Arthur) by Sir Thomas Malory. Malory drew together Arthurian stories from a variety of French and English sources, beginning before Arthur's

conception and extending past his departure to Avalon. Malory's work thus traces the full rise and fall of the Arthurian world.

Malory's influence was immense but not immediate. From the 16th century through the 18th century, the popularity of the Arthurian legend waned throughout Europe.

But once Malory's work was rediscovered early in the 19th century, it led to an explosion of Arthurian literature that has continued to contemporary times.

Nineteenth-century English poet Alfred, Lord Tennyson wrote a series of poems called Idylls of the King (1859-1885). Tennyson used the Arthurian past as a model

against which he could measure the ugliness he found in the increasingly industrialized society of his century. Yet instead of idealizing the Arthurian reign as an enduring

golden age, he emphasized that its glory was transitory and suggested that sin eventually led to the ruin of the Arthurian world. In one of the Idylls, “The Holy Grail,”

Tennyson moves away from the traditional depiction of the quest as a noble venture, suggesting instead that the loss of the Grail is a consequence of sin and that the

search for it distracts knights from more appropriate chivalric activities.

Despite Tennyson's pessimism, his poetry, along with Malory's work, fired the imagination of hundreds of poets, dramatists, and novelists. Many of them assumed that

Arthur had lived or that, at least, his legend evoked a glorious past in which ideals and heroism flourished. A few authors took King Arthur less seriously, seeing an

opportunity for humor and satire in the legend's marvels, magic, and exaggerated exploits.

Alfred, Lord Tennyson

English poet Alfred, Lord Tennyson’s idyllic poetry is noted for its masterful range of literary technique. Tennysoncontributed his interpretations of the King Arthur legend to the body of Arthurian literature in Idylls of the King (1859-1885), in which he concentrated on Lancelot’s love for Guinevere.

Culver Pictures

The best-known use of humor in an Arthurian creation is A Connecticut Yankee in King Arthur's Court (1889) by American author Mark Twain. By having a modern man

travel back to Arthur's time, Twain contrasted medieval and modern customs. The ingenuity and the technological superiority of the Connecticut Yankee make him a

success in Arthur’s world, and he shows up Merlin as a foolish fraud. Arthur himself is portrayed as goodhearted but simple and buffoonish. Eventually, the novel

becomes more grim, and Twain suggests that technological advances, such as guns, have not made people more civilized, just more efficient.

One of the most popular modern Arthurian authors is Englishman T. H. White. He wrote four novels—The Sword in the Stone (1938), The Witch in the Wood (1939),

The Ill-Made Knight (1940), and The Candle in the Wind (1958)—that appeared together in 1958 in the single volume The Once and Future King. (A fifth work, The

Book of Merlyn, was published in 1977, a number of years after White's death.) The Once and Future King begins on a light and playful tone, as Merlyn (White’s

spelling) educates Arthur on how to be king. As the work progresses, it becomes pessimistic and cynical, offering observations about cruelty, war, and death. At the

end, Arthur realizes that his vision of a strong and united England will survive even though Camelot has crumbled.

British writer Mary Stewart wrote several Arthurian novels, three of them forming a trilogy about Merlin: The Crystal Cave (1970), The Hollow Hills (1973), and The Last

Enchantment (1979). These novels tell the whole life of the magician, from his youth to the assistance he gives Arthur and on to his final disappearance from the world.

American writer Marion Zimmer Bradley's work The Mists of Avalon (1982) is one of a number of modern novels written about Arthurian women. It tells the traditional

Arthurian story, but through the eyes and perspectives of the female characters—Guinevere, Morgan le Fay, the lady Viviane, and others—some of whom are stronger

and more independent than they are in earlier accounts.

In addition to the titles discussed in this article, there are several thousand other Arthurian works, written from the Middle Ages (5th century to 15th century) up to

present times. The Arthurian story is not only retold and reinterpreted, it is also regularly recast in science fiction and fantasy, in political tracts and social satire, and in

light comedies and serious efforts to depict the sometimes dark realities of the medieval world.

IV THE LEGEND IN ART, MUSIC, AND MOTION PICTURES

A Medieval King Arthur

This manuscript illustration shows a medieval conception of the legendary King Arthur, supposedly once ruler of Britain.Arthur is a mysterious figure: There is some evidence of a great leader of the Britons in the 6th century, but even ifArthur existed, he must have been nothing like the chivalrous king depicted in the many Arthurian legends and insubsequent literature and art. Yet the Arthurian myth has endured: Arthur is probably the most famous legendary Britishhero, and elements of the fable, such as his Round Table, his castle at Camelot, his queen Guinevere, and his knightsLancelot and Galahad, have become part of European culture.

The British Museum

Arthurian themes have appealed to people working in many branches of the arts. Arthurian subjects frequently appeared in medieval illuminated manuscripts, and

medieval artists also interpreted the legend through drawings, carvings, sculpture, and mural painting.

Guinevere and Isolde

This stained glass window designed by 19th-century British artist William Morris depicts two characters from Arthurianlegend: Queen Guinevere, left, and the lady Isolde, right. Guinevere was the wife of King Arthur. Isolde had a love affairwith an adventurer named Tristan.

William Morris/Bradford Art Galleries and Museums, West Yorkshire, UK/Bridgeman Art Library, London/New York

Arthurian art, like the literature devoted to the legend, became less popular after the Middle Ages ended in the 15th century, but, again like the literature, it

experienced a dramatic rebirth in the 19th century and has flourished ever since. Particularly prominent was a group of artists known as Pre-Raphaelites. The group was

organized in 1848 by English poet and painter Dante Gabriel Rossetti and joined by other artists and writers, including Sir Edward Coley Burne-Jones and William Morris.

The Pre-Raphaelite group used Arthurian themes in paintings, murals, tapestries, stained glass, and other media.

Composers have interpreted the Arthurian legend through music since the times of medieval troubadours. From the post-medieval period, the most substantial early

musical adaptation was King Arthur, or the British Worthy (1691), a vocal and instrumental work by English composer Henry Purcell written to accompany a text by

English poet John Dryden. It combines heroic themes and mysterious rites with moments of lighter music. From the late 1600s on, and especially since the early 19th

century, composers have created oratorios, instrumental pieces, ballets, and at least 50 operas based on the legend. The most famous operas are Tristan und Isolde

(1865) and Parsifal (1882) by German composer Richard Wagner; these works concern characters closely identified with the Arthurian story. Tristan und Isolde tells of

two characters united in a tragic and irresistible love. Parsifal presents Percival's spiritual awakening during his quest for the Holy Grail.

Scene from Camelot

Arthurian legend has inspired writers, artists, and performers for centuries. One of the most famous adaptations was the1960 musical Camelot, starring Julie Andrews as Guinevere and Richard Burton as Arthur.

Corbis

Throughout the 20th century, beginning with a 1904 production of Parsifal by American director Edwin Porter, filmmakers have been drawn to the story of King

Arthur—for example, A Connecticut Yankee in King Arthur's Court has been filmed repeatedly. In English, the most prominent Arthurian motion pictures are Monty

Python and the Holy Grail (1975) and Excalibur (1981), the latter directed by English filmmaker John Boorman. Monty Python and the Holy Grail is a comic masterpiece

that captures both the idealism and the absurdity of an endless adventure. Excalibur, a more serious work, tells the entire Arthurian story as Sir Thomas Malory

presents it, from Arthur's birth and the Sword in the Stone to Lancelot and Guinevere's love, and on to the king's final grievous wound.

Other prominent films include the animated picture The Sword in the Stone (1963), about the education of the young Arthur, and Camelot (1967), based on the

Broadway musical of the same name. T. H. White’s work inspired both films. Some movies recast Arthurian motifs in modern form, as in The Fisher King (1991), a story

of personal redemption by characters involved with a modern Grail. Others, including Indiana Jones and the Last Crusade (1989), use the Grail as an impetus for

swashbuckling adventure.

Arthurian films in other languages are less numerous, but in some cases these films are outstanding. In France, Robert Bresson directed Lancelot of the Lake (1974), a

story of Lancelot’s adventures, and Eric Rohmer directed a rendering of Chrétien de Troyes's medieval Grail story in Perceval le Gallois (Perceval the Welshman, 1978).

German films include Richard Blank's Parzival (1980) and Hans-Jürgen Syberberg's Parsifal (1982).

Contributed By:Norris J. LacyMicrosoft ® Encarta ® 2009. © 1993-2008 Microsoft Corporation. All rights reserved.