area of study 2 • music in the 20th century of study 2 • music in the 20th century arnold...

11
Area of Study 2 Music in the 20th century Arnold Schoenberg 'Peripetie' from Five Orchestra' Pieces o CD1 • track 4 This score is 'at concert pitch'; all instruments sound as shown, except the piccolo, which sounds an octave higher, and the contrabassoon and double bass, which sound an octave lower. Piccolo Flutes 1-3 Oboes 1-3 Cor anglais in F ClarinetinD Clarinets in B flat 1-3 Bass clarinet in B flat Bassoons 1-3 Contrabassoon Horns in F 1-6 Trumpets in B flat 1-3 Trombones 1-4 Tuba Xylophone Cymbals Tlin tam and B:l.ssdrum Violin I Violin II Viola Violoncello Double bass 48 Sehr rasch (very quick) ~ . ~ <J ffL---- 6-------' ~ '3~g I I <J ff -------' ~ L---:3~e <J ff~ ~ R~' oJ ff~ 6-------' ~ Pi --A==u. oJ ff '* # -------' L..----, ~ ~3 ..---r- ~ 03~ oJ f~ V ff '* # -------' L----6 / e~ ~ : f~ ~ ~J~ : . f~----- : ~ a6 tor muted J 3 , oJ ff -- -- - '* \~ # '*\~ # '*q:;!• ~q~[ =~ ~ mutt:d -------=--l.lo I. ~. ,. ;T;,..: J ,b# # <J ff==== -=== jJJ' '~~;d hqi",~, II- ~II- # h. ~~ 03 ",r,,r-,l : ff gliss -=== ff'I.-FH- : ,~ ~ ... " jJJ' •• :l : I 4 p;"if ~ Sehr rasch (very quick) divisi "'"~~~~ oJ I I jJJ' I jJJ' , I divisi p;nqG# "'o~~~! oJ j jJJ' I jJJ' I divisi area ee pIZZ. ~jJJ' jJJ' divisi > : : • ttf' I divisi >.- : : : ~ jJJ' ____ -----~-----Ih-r-m--~-~--

Upload: hatu

Post on 14-Mar-2018

219 views

Category:

Documents


0 download

TRANSCRIPT

Page 1: Area of Study 2 • Music in the 20th century of Study 2 • Music in the 20th century Arnold Schoenberg ... Fanfare like FORTISSIMO Horn motif which is marked 'principal voice' (Haupstimme)

Area of Study 2 • Music in the 20th century

Arnold Schoenberg'Peripetie' from Five Orchestra' Pieceso CD1 • track 4

This score is 'at concert pitch'; all instruments sound as shown, except the piccolo, which sounds an octavehigher, and the contrabassoon and double bass, which sound an octave lower.

Piccolo

Flutes 1-3

Oboes 1-3

Cor anglais in F

ClarinetinD

Clarinets in B flat 1-3

Bass clarinet in B flat

Bassoons 1-3

Contrabassoon

Horns in F 1-6

Trumpets in B flat 1-3

Trombones 1-4

Tuba

Xylophone

Cymbals

Tlin tam andB:l.ssdrum

Violin I

Violin II

Viola

Violoncello

Double bass

48

Sehr rasch (very quick)~. ~

<J ffL----6-------'

~ '3~g I I

<J ff -------'~ L---:3~e

<J ff~

~ R~'oJ ff~ 6-------'

~ Pi --A==u.oJ ff '* # -------'L..----,~ ~3

..---r- ~ 03~

oJ

f~ V ff '* # -------'L----6

/ e~ ~:

f~~~J~

:. f~-----

:

~ a 6 tor muted J 3 ,oJ ff -- -- - '* \~ # '*\~ # '*q:;!• ~q~[ = ~~ mutt:d -------=--l.lo I . ~.,. ;T;,..: J

,b# #

<J ff==== -=== jJJ''~~;dhqi",~, II- ~II- # h. ~~ 03 ",r,,r-,l

:

ff gliss -=== ff'I.-FH-:

,~ ~...

" jJJ'•• :l: I4

p;"if~ Sehr rasch (very quick) divisi "'"~~~~

oJ

I I jJJ'

IjJJ'

, I divisi p;nqG# "'o~~~!oJ j jJJ'

IjJJ'

I divisiarea eepIZZ.

~jJJ' jJJ'divisi >: :

• ttf' Idivisi >.-: ::~

jJJ'

____ -----~-----Ih-r-m--~-~--

Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Clarinets and flutes state two hexachords (bars 1 & 2)
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Fanfare like FORTISSIMO Horn motif which is marked 'principal voice' (Haupstimme)
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Bassoons also play the clarinet hexachord from bar 1, which is the same as the horn hexachord from bar 8 but transposed up 4 semitones.
Daniel Farrugia
Daniel Farrugia
Section A (Bars 1-18)
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Opening contains mostly short triplet and sextuplet (group of six) bursts.
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Played in triplet quavers
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Brass dominate texture until Bar 8
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Piece begins loudly, becoming louder with sudden bursts from the instrumental groups.
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Trumpets and Trombones perform muted which is usually used to play quieter - Schoenberg uses the mute for the extremes of dynamics, which it was not originally designed for.
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
There is no sense of key - an atonal piece throughout that is mostly built on hexachords.
Daniel Farrugia
Daniel Farrugia
Page 2: Area of Study 2 • Music in the 20th century of Study 2 • Music in the 20th century Arnold Schoenberg ... Fanfare like FORTISSIMO Horn motif which is marked 'principal voice' (Haupstimme)

Area of Study 2 Music in the 20th century

p

, ,

31; I ~,~

I=:t=

f >pppp

.' ."-,- ." ,.~:;t.#ft.PI' ----=~- f ~---'l.,

__ -., en\'3s ruhiger (somewhal calmer)~;>:p}7fi -=--~~5~+:-=~f~-=E~~~-:-~=~'E=-~'":~~;:=:-~==-=~,

rit.

I II I-- ~f~cc1: I

i~

__~-=J _n__--~nti C=~

~~_.~-_.. ~r~ :1;C=CC~£-~~..~" ..~.-~:t~~~~~~l~~~c=oc~L~j~:_J

/1')

p;u rt= ~, .~

CA

Bsn 3

Fll-,;

Basse!

~Hn 1,2

""

,Hn3,4

""

"Hn5,6

""

",.. ,.. ,.. ,.. ,..

Tpt 1,2OJ = P

Bsn 1,2

Tpt 3

Tbn J, 4

Tbn 1,2

Cl in 11fLu J

Cl in H tl.ll1.2

49

111 111

Daniel Farrugia
Daniel Farrugia
Clarinet melody (Bar 10 ) is expressive and almost gentle but very angular including dissonant leaps of a minor ninth and major seventh/ diminished octave used to accentuate the dissonance and create tension.
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Woodwind take charge with the low bassoon, bass clarinet ostinato and silky clarinet line.
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Dynamics die away to pianissimo (very quiet).
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Hexachord (Bar 8) in horns
Page 3: Area of Study 2 • Music in the 20th century of Study 2 • Music in the 20th century Arnold Schoenberg ... Fanfare like FORTISSIMO Horn motif which is marked 'principal voice' (Haupstimme)

Area of study 2 Music in the 20th century

Tempo!,

" 2,3

3 lEtt l~OJ

Iq'~ -~ ~-

I ~-I i Ip I= ~ i, ~--,I rJ-=l

.J I ,!

,3, ppI, r-3_

OJ pp ,, ,2

, 2 r-J~ ci' tf,-6---,-

oJ pp~:f ~:;j~ ~~ ~<if~pp

~,2, tf~6_,

oJf~

r-r; ~~l r-~l ~ri~,1r-•• r-3~

~.. --~:

mf------

:

pp :::::::: ==-- -====-., a2iJ-----]

oJ ff *JqcJ *~., ,2

,3--]

oJ ff* <i'qcJ*~.unmuted

:

p~ tf, unmuted~,

oJ f q7J' ~. -, ,2 muted J 3oJ ff*q<i'qcJ * ~

2

:

:;--t--J-==muted

r-J~ 3:

fH ~~

, r-J~ r:-3i

oJ p, stacc. r-:-~~ r-3r- tf ,,-3 1

oJ P - * ......,f --===

tf".~ ~ ----- > --- , tf,- J--'~. ~ ~,:

p -==:: f~ ~ •••-==:: ~ f ••••••.

I S((/~ 3--, i'l~ Jtt~rJ,

- r-J~ ,.k~:

•.....•

Via

Vln II

V,

DB

CA

Tpt 1

FI J-

Bsn 3

Ob 1,2

Hn 1,2

HnS,6

Hn3,4

Bsn 1,2

Tpt2,3

Tbn 1,2

Tbn 3, 4

Cl inBflat3

Clin Bflat 1,2

pp

50

Daniel Farrugia
Daniel Farrugia
Section B (Bars 18-34)
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Cello in the Section B takes over the role of the 'prinicipal' voice from the clarinet, ahnding over the baton to the trumpet after two bars. Intense cello line, played high in its register.
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Tempo returns to the original marking, with the short durations creating the illusion that them tempo has increased much more than is actually the case.
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Section B begins quite quietly but there is an immediate crescendo. The dynamics are varied from instrument to instrument with the principal and secondary voice parts allways f-fff.
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Page 4: Area of Study 2 • Music in the 20th century of Study 2 • Music in the 20th century Arnold Schoenberg ... Fanfare like FORTISSIMO Horn motif which is marked 'principal voice' (Haupstimme)

Area of Study 2 Music in the 20th century

---..1

jf

fL. -:::-__~_~ __" _ .'. _L:~ __~_:-:-----:- .. -----:-_~_~i~---=-~-_-~_·-=---=-~ ~_~_-:-_~ __-:-=-_~ __~ __::_:-:- ,-

1·1

Ob 1,

ClinU

\n1\fbt j

in B fLu 3

13S111,

BSll j

J-lnJ,2

Hn3,4

Hn5,6

Tpt J

Tpt 2, 3

Tlml,

VillI

II

l ) I.~

,.

fp,c

!.~)

=...-

51

Daniel Farrugia
Daniel Farrugia
Bars 24-28: Hauptstimme or 'principal' voice bounces from one brass instrument to another, demonstrating the idea of KLANGFARBENMELODIE
Page 5: Area of Study 2 • Music in the 20th century of Study 2 • Music in the 20th century Arnold Schoenberg ... Fanfare like FORTISSIMO Horn motif which is marked 'principal voice' (Haupstimme)

._-~~. l.fp

Area of Study 2

BSI1 1,2

Bsn}

Ctf;1 bsn

Hn 1,2

Hn 3,4

fin 5, 6

Tpt 1

fpt 2, 5

Tlm!,2

T'bn J.-t

Vln r

\!11 11

IHi

52

Music in the 20th century

j

.fp

.fp

-----

.fpa2> > >

.fp

> > >

.fp

fp

.fp

Daniel Farrugia
Daniel Farrugia
Climatic point (Bars 30-34) but during the busyness and volume going on in the wind and percussion, Schoenberg has written a soft line for the first violins and cellos.
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Secondary Voice (Nebenstimme) springs up in the section for its only appearance in the piece (Bars 28 in Trumpet 1 and Bar 29 in Flutes, Piccolo, Clarinet)
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Page 6: Area of Study 2 • Music in the 20th century of Study 2 • Music in the 20th century Arnold Schoenberg ... Fanfare like FORTISSIMO Horn motif which is marked 'principal voice' (Haupstimme)

Area of Study 2 Music in the 20th century

---ffJ-, 1-,

-. !

J

I

~j~--r~-;~ !

."

.--

r ."

,

.1'- •.-

q;Si

."

---iT

.tT

.---

.II

--q~ -~.~---

..~ .

~ ,~-

:--'>~- ~" ,.,~-

. =~At='::.~~.=t·F'=-::'=i~;'=----

"""~"'#!'.-- j

.... ~_ ... _. =::::=::::i::::f

--_-r-------: -,----- --:=-----:~_-.:..=---_*.-;-~'---~-_._-~---- -

"

- ~---

-~~d~-~;-'...--_n -=--- _

.ff(; 'lUll!!

~I~-~-~-~~~~-~~~~~R:;--~~~:~=-~-~---:-~~-~L-_-~~~~==~~~~.-~~~,; ~ ~

p

G~.Bc=-~~

11'.2 .6.:1.:.

UilllJ

I

~j;C;~isiilt~·~rcL~11Ei~i~#,ij~fJ~[;',I rP~"=~--~·~~ -I .. ! _.. ".:~ "I ~ a FI"1' f'lFF! Fi1"Fi FrFi' r-"! FF1 ..--J>o":, ~~-__ ~ <l3~____ I /~---- ~~ I

B,nI·' r~-=1~=-::-=c?tt~;7-f~~~~~F-f=Y~f11E;-El~~=1~~~-I.:c::.==~~2=~c~=~~E---c.I P -~·~~~~~·=-~=~==~==-==C.= ..c:".:=:.=c·-::.c:::.:.:c::.:=_,,=··

,::I[-~~:~~~~fW-¥fflt-- !~ilf~FY; i-'}~--- ¥cc1-'

""~~~rc-;;~.~~.~~==~~~~~=~-~~~c=I '.....v .. ... .~~ ... ~_ i

'",~F~-,~~=-:~l~~~~;;WE~,};'Ji~;'is~~~~'l"I 3 ':, -' I

"'"l~ ~.=~s9,~~~~~~fffY~t=o~ccc~tU~" I-f ".1 ' 'I' ,1,

Fct~=~=t~~~~Si.~~~t~~1~=~~~-=,-=1I2=~2*===:=c;::.4E~!c::::=':="'.-,==c:3c=:===~::.=_",'r:

•. "_F:€' r-

jj

...•fppu/

~~::~:~~c~c~_i~~E~~...•"~~C:: _ce:;":;:.;",,-~ -.P

~::::::::~::C_:=c::C:=

53

11,

Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Schoenberg has written a soft line for the first violins and cellos. There parts are all but inaudible, but they do add to the effect and texture, and display Schoenberg's attention to detail. Texture is POLYPHONIC throughout this section.
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Section A1 (Bars 35-43)
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Page 7: Area of Study 2 • Music in the 20th century of Study 2 • Music in the 20th century Arnold Schoenberg ... Fanfare like FORTISSIMO Horn motif which is marked 'principal voice' (Haupstimme)

Area of Study 2 • Music in the 20th century

I~p

II

-1-

36

Bass cJ

Bsn 1,2

etCl bsn

Hn1,2

Hn3,4

Hn5,6

Tp'1-3

Tba

VlnI

VlnI!

Via

Vo

DB

- ---'-- ,------.-- I~-~··I

0) •.... ~,,' ~~. _.~. q~ ~4' i ~ ."t. !j~ -"f -==.fPp I PI~I I!- ,

0) •.... ~,,'. ."t I p: -" ~;~' • '."t: ~ "~ ~t ~. ~f~fpp

I P -== ==-- I- > r h}.> J ~J£" -j£" ~J •• (6)

: :0) ~ ~ y I '- -J I

ppP

~ 2espre~

0) pp

leicht (light! '):

~~.q"_v~pp

~/ !;'-. 1 ruhiger (calmer)

o)~ IP==- !

~~ !;'-. 1

o)~ IP==-

1~# ''< .~

~- IP~= ::::==

1 Ii~- ,~ ~" "" I solo espresso

0) .~ •. = IIP~--i ':-- I p~1 ~. .I I dellilich (c~(/r) \

! soloareo I I

:u

pp

54

Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Return to the flourish of horns and the hexachord of bar 8
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Section C (Bars 44-58)
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Fourth section (Section C) marked by the bassoon as the 'principal' voice and passing it immediately to the a solo cello.
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Principal voice passed on from bassoon in Section C to cello.
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Dynamics of this section range from pp (bars 44/45) to fff (bars 53-55)
Daniel Farrugia
Daniel Farrugia
Page 8: Area of Study 2 • Music in the 20th century of Study 2 • Music in the 20th century Arnold Schoenberg ... Fanfare like FORTISSIMO Horn motif which is marked 'principal voice' (Haupstimme)

Area of Study 2 • Music in the 20th century

heftig (passionate)

-fJ-CJ in B flat 1,2 -FiIK--

U

FII-3 !~ I! ,

I i

Ohl,2] ~ - I"

I'

oh314 - i~ I

CA ~~ _ --:$====(U ~

1

I

vp

ruhiger (calmer)

IiI!

ii 1i

I!--

crin B flat 3

-

,l f---- r ~~. V r~fP4

~ ~ ~. 'Pqr~fffbJ.--J --t--} -==

6 qqf".-----

f P ~ ~. f ~

• 1 P"..., ,-.= ,,>

f.ffJ

-I.....,P

I

espress,..-~#P

,...f 3

~'

Ba.%c1

"'¥'Bsn 1, 2 :

Bsn 3 :

~Hn 1,2

oj

~Hn 3,4

U

HnS,6 :I

~~Tpt 1-3

, oj • ·T ~ 7 '1' sf

Tbn 1,2

Tbo 3,4 -~f

Tb ~_?1: • '

,~

heftig (passionate)

Yin Ioj

IrtVln II ~=d= ~-==r=-

Vb b- i-

iii

I , !

ruhiger (calmer)EIZZ.

f

-===pI]

I

heftig (passionntc )arco

~.•-j<lrc(' .....t:.-...- '

--===f=!? ~jJf

!

Vc-+-- .

U ~I 'p--rl-I -----==-=-==- I

I, J , Ii - 12 -DB -J I' 1 1u =

f.ff

55

Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Tempo Marking - alternates between ruhiger (calmer) and heftig (passionate)
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Bars 53-55: Fortissimo (fff) dynamics.
Daniel Farrugia
Page 9: Area of Study 2 • Music in the 20th century of Study 2 • Music in the 20th century Arnold Schoenberg ... Fanfare like FORTISSIMO Horn motif which is marked 'principal voice' (Haupstimme)

Area of Study 2 Music in the 20th century

(8

(8in tempo

if =--==- PP

~~~ .. ~',.,. i i ! i

u '1 I i Ti ~----

---+---- I I i~ .---- '. ~. '---:----", •• ~n.,

~ I II

I- . ~.~ .•. -::::b~.

oj --='---------~--~

~.-::- ,.:-:--~..-:;:::. t=n, ,J"-' -!.- .-J-- .;......,oj -~---_--.:_--- ~ ~ .•

L.'

pp

:

"--Jpp

[#( ~.:

pp

~ .-- ,.......,

tJ_~ 7 7' V qj ~q~ p

~ - -=== if"';'

oj_~ 7

7' '~j ~ ~-=== if >-. qq~ ,. ,;; >:

-== if'"

..d::::ib,... J [

:

if ":...---' ....if

~~ :7'"===- pp pp

~b. --:

if -...--

.~~b~~ruhiger (calmer) in tempo

tJ fp ---========~.~, ..~..-:;:::. t=n r-J----O 3 slacc.r-J~

tJ fp ~--- ~~ ~~ 'Jpp

'(:----e ~ef'~e e e-Ie: Ie I solt) #.\ - tulli. divisist1J!:N~~

fp ---- pp :.==-- pp~ ,

Ii

tJ~

iJP _~=c,_~ I I

I i

kJ= (uttl ~ -- I

oJ ,'.:- ___ 0

ruhiger (calmer)

~, ~~ ..--- ===-------.. [ ~, .-~', - , ------, .--n~dS=- bJ q~ '------...I' ~ b£r g£r I I __ 10, l , Ig. Br7S77frj i ~----~ --- 'I P i[ I.· I

Via

Vln II

VillI

OhJ

Vc

DB

FI [-3

Bass c!

Ob 1,2

Hn 5, 6

Hn 1,2

Hn 3, 4

Bsn 1,2

Tbn 3, 4

Tlml,2

Cl tn B flat 3

CI tilB fbt 1,2

56

Daniel Farrugia
Daniel Farrugia
Section A2: Bars 59-66
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Crescendos quite quickly from pp at the beginning of bar 59 to fff in bar 64.
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
The beginning of the final section is marked by speeding up to the original tempo and a triplet figure in the clarinets and second violins.
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Starting with the clarinets and strings only, the instruments are introduced one by one in quick succession (layering the repeated rhythmic motifs) until the orchestra comes together for the final climatic chord in bar 64.
Daniel Farrugia
Daniel Farrugia
Page 10: Area of Study 2 • Music in the 20th century of Study 2 • Music in the 20th century Arnold Schoenberg ... Fanfare like FORTISSIMO Horn motif which is marked 'principal voice' (Haupstimme)

ab3

ab 1,2

F11-314I

I,i

I'

Area of Study 2 . Music in the 20th century

j

ibtttiEbI p c~esc, -I-+ #], \t7J,

~ ... ~.

CA

ClinD

ClinB flat 1, 2

p cres,', _

Cl inB fJat 3

Vln I

Vlnl!

l"laCe.

pp

ViaslaC(

57

Daniel Farrugia
Daniel Farrugia
Some of the rhythmic motifs from the opening bars return in the last section. Trumpets (Bars 61-63) and Clarinets (Bars 59-61)
Daniel Farrugia
Page 11: Area of Study 2 • Music in the 20th century of Study 2 • Music in the 20th century Arnold Schoenberg ... Fanfare like FORTISSIMO Horn motif which is marked 'principal voice' (Haupstimme)

,2

+pp

+pp

pp

sehr r(Jvh {I)el}' '//lick),---, ------,

ppp~.

fff~E .~J!

fff

fff

ffffL ~~

fff

fff

fff

fff .••.

.ff

.ff,---J---,,2

>

~>

Music in the 20th century

~.

.ff

cresco _

Iunmuted

um1nuted 1,2

f

Tba

DB

Vc

Via

Cym

VlnI

Viol!

58

ClinD

Basscl

CA

Obl-)

FII-J

Ho 1,2

Area of Study 2

Pice

Hn3,4

Hn5,6

Bsn 1-3

Tptl-J

Tbo 1-4

Ctrabsn

TT&BD

ClinBflat3

Cl in B flat 1,2

Daniel Farrugia
Daniel Farrugia
(Bar 64) Climatic chord is a hexachord (C,D,Eb, Fsharp, G, Gsharp) in most of the orchestra except double bass and cor anglais.
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Daniel Farrugia
Double basses playing a tremolo chord (very high in the register), which sustains after the rest of the orchestra subside to conclude the piece
Daniel Farrugia
Daniel Farrugia