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    ARCHITECTURE+ARCHITECTURE+ DESIGNNOVEMBER 2014 `175

    A N I N D I A N J O U R N A L O F A R C H I T E C T U R EA N I N D I A N J O U R N A L O F A R C H I T E C T U R E

    VOLUME 31 ISSUE 11 ARCHITECTUREAWARDS 2014

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    VOLXXXI NO11 NOVEMBER 2 14

    40

    100 54

    09 ABOUT THE ISSUE

    10 REFLECTIONS

    12 UPDATES

    20 ARCHITECTURE+DESIGN & CERA AWARDS 2014

    JURY OUTCOME

    26 The Golden Award for Global Contribution in Architecture

    28 The Golden Architect Award - India

    30 The Hall of Fame Award - India

    32 The Golden Emerging Architect Award - Malaysia

    34 The Golden Emerging Architect Award - Thailand

    36 The Golden Emerging Architect Award - Sri Lanka

    38 The Golden Emerging Architect Award - Singapore

    40 The Young Enthused Architect Award

    54 Award for Residence Design with a Difference

    66 The Innovative Award for Office/Commercial Interiors

    78 The Recreational Architecture Award

    88 The Innovative Award for Residence Interiors

    100 The Institutional Architecture Award

    112 Students Thesis Medal 2014

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    Fast Track Architecture

    Markthal Rotterdam, the first coveredfood market and housingdevelopment by Dutch architects MVRDV,

    recently opened after five years of

    construction. Located in the city centre ofRotterdam, the roof of the market hall is an

    arch accommodating 228 apartments,

    underneath the hall are 1,200 parking

    spaces and a supermarket. The housing

    development comprises 102 rental and

    126 freehold apartments among which 24

    penthouses. The apartments vary from 80

    to 300sq m, from two to five bedrooms.

    Every apartment has a view either towards

    the river Maas or the Laurens Church, and

    towards the market through windows or a

    glass floor made of sound and smell proof

    triple glazing.

    In order to attract a large number of

    visitors, the building is designed with an

    open character. The open sides had to be

    closed to prevent rain and cold from

    entering, but kept as transparent as

    possible by opting for a single glazed cable

    net faade. Comparable to a tennis racket,

    pre-stressed steel cables create a suspended

    net in-between which the glass panes arehung. The exterior facade is clad in grey

    natural stone; the same is used for the

    market floor and the surrounding public

    space, in this way the emphasis lays on the

    colourful interior.

    The design by MVRDV was realised in

    collaboration with INBO architects, Royal

    Haskoning DHV, Peutz and Techniplan.

    Contractor Mobilis and Martens en Van

    Oord realised the underground car park,

    contractor J P van Eesteren was responsible

    for the complete structure above ground.

    To know more, visit: www.mvrdv.com

    November 2 4 ARCHITECTURE+DESIGN12

    Updates

    Architecture Discipline, a multi-

    disciplinary design studio, recently

    introduced a project titled Art District XIII in

    New Delhi. Conceived as a reconfigurable

    space for art, with architectonic

    interventions, the project is an un-imposing

    urban insert in Delhis upcoming cultural

    hub. As one approaches the gallery, acolourful effervescent screen comes into view. Composed entirely

    of twisted metal flats placed at varying intervals, the screen

    announces an artistic presence on the street. Predominantly white

    and neon green, there are a few splashes of bold pink highlighting

    the brand colours, echoed in two bold

    lollipop signs that carry the name of the

    gallery. The partial transparency allows a

    glimpse of the interior space, which seems

    like an extension of the street outside, an

    illusion furthered by a single bold yellow line

    that starts outside the steps and leads one

    inwards into the space. Also visible fromoutside is the stark furniture in the reception space, consisting of a

    few carefully selected pieces in bold colours, emphasising and

    encouraging the inherent voyeuristic nature of the process of

    looking in to a private space from the street.

    Z aha Hadid has unveiled plans for theSleuk Rith Institute, a new institutionand genocide memorial, to be built in

    Phnom Penh, Cambodia. The project has

    been developed to embrace the countrys

    rich culture and redefines the traditionaldesign approach to commemorative

    architecture.

    The institutes design is organised as

    five wooden structures that are separate

    volumes at ground level, but interweave

    and link together as they rise upwards;

    connecting the different departments

    visitors, students and staff within a singular

    whole. With an overall footprint of

    80mx30m at the base and 88mx38m at

    roof level, the structures range between

    three to eight storeys.

    The institute will bring together a

    museum, research centre, graduate

    school and a research library. It will also

    house the documentation centre ofCambodias one million documents in its

    archives and, as the largest collection of

    genocide related material in Southeast

    Asia, it will become a global centre for

    education and research into the

    documentation, causes and prevention

    of genocide.

    Youk Chhang, a human rights activist

    and investigator of the Khmer Rouge

    atrocities, initiated the Sleuk Rith Institute

    as a focus for reflection, healing and

    reconciliation as well as an enlightening

    educational and research facility dedicated

    to commemorating the lives of the past by

    building a better future.

    For further information, visit:

    www.cambodiasri.org

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    November 2 4 ARCHITECTURE+DESIGN16

    Updates

    Conference

    S leep, Europes leading exhibition andconference for the hotel design,development and architectural community,

    has announced its conference programme

    for 2014. The event will provide an

    exclusive opportunity to meet and mix

    with world leaders in hotel design.

    George Yabu and Glenn Pushelberg,

    known for iconic and contemporary hotel

    design, will be speaking in the event. Alsospeaking is the Parisian duo Jouin and

    Sanjit Manku, designers of Mandarin

    Oriental and Plaza Athne in Paris and

    Fontevraud Lhtel in the Loire Valley.

    Other sessions new to the conference

    this year will be from leading hotel

    operators and developers, including Billy

    Skelli-Cohen of Greenbrook BD, the

    developers of the new Mondrian London,

    and Carlson Rezidors Eugene Staal about

    how they identify the parameters for

    realising a well-designed project; there will

    be a discussion about the triumphs and

    frustrations of working with heritage

    buildings and, in a session moderated byDavid Curtis-Brignell from Think

    Apartments, an exploration of the potential

    of design to differentiate long-stay lodging

    as it seeks to take on the hotel brands.

    Guy Dittrich, moderator of the event,

    said, The Sleep Conference is a unique

    event that offers access to a vast wealth of

    design knowledge, know-how and sheer

    talent. The hotel sector is very dynamic at

    the moment and design in the widest

    sense is now recognised as a driving force

    in the industrys success. This makes for a

    conference full of passion and new ideas

    as well as a great opportunity to catch up

    with colleagues from across Europe andfurther afield.

    The conference is complimentary for

    all pre-registered visitors, offering

    operators, developers, architects, designers

    and many other professionals.

    Initiative

    Ateam of students and teachers ofHissar-based Om Institute ofArchitecture and Design recently held

    an Archi Walk in an effort to createawareness and to educate public about

    architecture. The awareness programme

    along with humanity work was

    organised to celebrate the completion

    of 57 years of NASA India.

    The event mainly aimed at creating awareness among the students and other

    people about the fundamentals of architecture. The event was initiated by Ar

    Nagendra Narayan, vice-principal of Om Institute of Architecture and Design, Ar

    Gaurav Jangra and Ar Anurag Kumar, faculties of Om Institute of Architecture and

    Design. About one hundred students of the institution took part in the event.

    Award

    Indian architect Sanjay Puri has baggedthree coveted awards at the prestigiousWorld Architecture Festival and the World

    Festival of Interiors - the largest annualfestival and live awards programmes for the

    global architecture and design community.

    The three days festival highlighted

    Architects and the City as the primary

    theme for this year s main conference

    sessions. The festival discussed in depth the

    contributions an architect can make to cities

    and how they affect and are affected by

    politics, infrastructure, planning

    communities and technology.

    Trade news

    Oberoi Realty, one of Indias leading real estate development companies, hasbagged an award for Oberoi Exquisite at the fourth edition of ConstructionWeek India Awards 2014 held in Mumbai.

    Oberoi Exquisite is a residential project comprising three towers of up to 50

    storeys each, in three BHK (luxury/grande), duplexes and penthouses configuration,and spread across 32 acres of land. Part of an integrated development at Oberoi

    Garden City, Goregaon (E), Mumbai, it is anchored alongside a mall, an international

    school, a five star hotel and an office complex, which fulfils the customers live,

    work, play and other lifestyle needs, all in the same location. This project has been

    constructed by Larsen & Toubro using advanced Mivan technology with stringent

    quality process being followed right from the design to final execution stage.

    Oberoi Exquisite won this award in the High Rise Project of the Year 2014

    category for design excellence and construction innovation in the erection of

    buildings higher than 12 storeys. The awards are in recognition to the best in

    construction and infrastructure business.

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    Das gute Licht.

    For better architecture.

    LED surface-mounted ceiling downlights with rotationally symmetrical

    light distribution, protection class IP 65, 450 to 2685 lumen. Colour

    temperature optionally 3000 K or 4000 K. Available in three si zes. Available

    as classical downlights or with partially frosted crystal sealing glass

    an additional portion of vertical light produces multi-faceted light graphics.

    Regional Manager Asia Pacific International Projects Andr Ng

    10 Raeburn Park #02-08 Singapore 088702 Phone +65 6692 8029

    Fax +65 6692 8001 [email protected] www.bega.com

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    November 2 4 ARCHITECTURE+DESIGN18

    Advertorial

    Conceptualized and executedby ABEC Exhibitions &Conferences Pvt. Ltd, ET

    ACETECH is a class-apart

    platform and an effort designedto drive the building industry by

    bridging the consumer-supplier

    gap. The Economic Times

    ACETECH 2014 will be a perfect

    platform for the finest national

    and international brands to

    meet eminent architects, real

    estate developers, hoteliers,

    equity investors in

    infrastructure, builders,engineers and designers, from

    across the globe. Buyers, clients

    and suppliers will assemble at

    the show and share, witness and

    pick from a wide variety of

    options available for their

    respective businesses.

    This year, ET ACETECH will be

    hosted in Mumbai at Bombay

    Exhibition Centre from 6th-9thNovember 2014, followed by

    Bengaluru, Delhi, Kolkata and

    Ahmedabad. The show will be

    staged in and around a vast

    expanse of 2Mn sq. ft. gross

    spread over 4 months. ET

    ACETECH and Mosbuild

    Association will have more than

    1625 exhibitors from across the

    world. This year, ET ACETECH is

    staging eight Allied Events

    which includes ACETECH Design

    Wall, ACETECH Connect,

    ACETECH Felicitation and Gala

    Networking Night, Grand Stand

    Awards, The International

    Lighting Summit, The Design

    Mock Up Studio and the ET

    ACETECH Glass Intertech.

    In association with Roca

    Bathroom Products Pvt. Ltd., a

    leading bathroom products

    company with a celebrated

    legacy of over a 100 years,

    ACETECH Felicitation and Gala

    Networking Night will recognize

    and honor the best of the works

    in the field of Architecture,

    Construction and Design

    Industry on 6th November 2014

    at Hotel Sahara Star, Mumbai .

    Dignitaries such as Chris Bubb,

    Rajeev Piramal, Ar. Arunjot

    Singh Bhalla to name a few will

    grace the event. Ace Architects,

    Builders, Interior Designers,

    HNIs and Construction related

    brands (exteriors and interiors)

    will be present on the other side

    of the podium.

    ET ACETECH 2014 will

    fascinate, motivate and

    encourage personnel of

    architecture, construction and

    design industry and will

    consequently push the

    industries forward.

    THE ECONOMIC TIMESACETECH: THE MASTER OFTRADESHOWS DOES IT ONCE

    AGAIN, ONLY MOREBRILLIANTLY.

    Inaugural Panel 2013 , Mumbai

    ACETECH Felicitation & Gala Night 2013-Rajendra Varma, Omkar Realtor felicitating

    Ar. RO SHROFF PRINCIPAL ARCHITECT, CALLISON

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    Jury Outcome

    Architecture+Design and CERA take immense pleasure in announcing the jury outcome of the

    eleventh cycle of the Architecture+Design & CERA Awards 2014. A panel of thirty architects

    participated in the recently concluded jury meet. There was a group of five jurists respectively for

    each category. The jury panelists included eminent architects from all over the country as well as

    from South-East-Asia and Europe. This led the jury meets to acquire a wider perspective in gauging

    creativity. The jury conclusions were at times unanimous and at other times a healthy disagreement

    of opinions leading to debates and discussions for the final outcome.

    Sandeep J Late Vimal JainPraveen SBavadekar

    Hiren Patel

    Hiren Patel

    Deepak Guggari

    Award For Residence Design with a Difference

    Sandeep JArchitecture Paradigm,

    Bangalore

    Wilson Garden House

    Bysani Residence,

    Bangalore

    Manish Gulati Anupam BansalRajesh ShivaramSanjay Puri

    The Institutional Architecture Award for Design

    Development of Institutional/ Office Buildings

    Manish GulatiM:OFA Studios Pvt Ltd,

    New Delhi

    National Institute of

    Fashion Technology,

    Campus at Kangra,

    Himachal Pradesh

    Awardee Project

    Architecture+Design

    Jury

    Principal Awardee

    Awardee Project

    Principal Awardee

    The Hall of Fame Award:

    Shirish Beri

    The Golden Architect Award-India:

    Rahul Mehrotra

    The Golden Award for Global Contribution in Architecture: William J R Curtis

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    A MridulA Mridul Architect, Jodhpur

    Birkha Bawari, Jodhpur Namith VarmaGayathri & Namith Architects

    Pvt Ltd, Bengaluru

    Gorukana, BR Hills,

    Karnataka

    Akshat BhattArchitecture Discipline, New Delhi

    Hotel Mana, Ranakpur,

    Udaipur

    Ambrish AroraStudioLotus, New Delhi

    Gaurav Gupta,

    New Delhi Sanjay Puri

    Sanjay Puri Architects, Mumbai

    Auriga, Mumbai

    Madhav RamanAnagram Architects, New Delhi

    Anagram Office,

    New Delhi

    Mahesh RadhakrishnanTheMadrasOfficeforArchitectsand

    Designers MOAD), Chennai

    Book Building,

    Chennai

    st Jury Post Jury

    Awardee Project Awardee Project

    Commendation Special Mentions

    Awardee Project Awardee Project

    Commendation Special Mentions

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    Deepak GuggariVarsha & Deepak Guggari Associates,

    Pune

    Jadhav House, Pune Shilpa Gore-ShahS+PS Architects, Mumbai

    Liminal Living, Mum bai

    Prasanna ParvatikarCubism Architects & Interiors, Tirupur

    Mrs Uma Raja's Residence,Tamil Nad u

    Shruti Keshavamurt hy &Tushar V

    Ochre, Bangalore

    Shruti Tushar Ap artmentDesign, Bang alore

    Swapnil ValvatkarCollage Architecture Studio,

    Bangalore

    Marvel Domicilia, Bangalore& Cricket House, Bangalore

    Rajesh ShivaramTechnoarchitecture Inc,

    Bangalore

    M-House, Bangalore &Technoarchitecture Office

    Extension, Bangalore

    Lester RozarioKamat & Rozario Architecture,

    Bangalore

    Stack house, B angalore &Hanging House, Bangalore

    Sourabh GuptaArchohm Consults, Noida

    Dilli Haat, New Delhi &

    Yogananda Library, Solan

    Brinda Parth ShahBPS Architects, Rajkot

    Rajsamadhiyala House, Rajkot &Sanjeevani - Biodiversity

    Resource Co nservation A rea

    Awardee Project Awardee Project

    Commendation Special Mentions

    Awardee Project Awardee Project

    Commendation Special Mentions

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    November 2 4 ARCHITECTURE+ DESIGN2 6T

    heGoldenAwardf

    orGlobal

    Contribu

    tion

    in

    Architec

    ture

    Recipient:William

    JRCurtis About him...

    William J R Curtis (194 8) is a historian , crit ic, pa inter an d p ho tograp he r. He

    studied at the Courtauld Inst itu te, Lond on a nd Har vard University and has

    taught at many universi t ies, including Harvard and the Architectural Association.

    In 20 03 -4, he wa s Slade Professor of Fine Arts at the University of Cam bridge .

    Among his best known books are the classics Modern Architecture Since 1900

    (Phai don , 3 rd ed it ion , 19 96) and Le Corbu sier: Ide as an d Forms (Phaidon,

    19 86 ) (both t ranslated in to nu m erous langua ges) ; al so Balkrishna Dosh i: An

    Architecture for India (Mapin, Rizzoli , 1988) and Denys Lasdu n: Architecture,

    City, Lan dscap e (Phaidon , 19 94 ) . Curt is has writ ten over a d ozen othe r boo ks as

    wel l as texts on Indian architecture, ancient an d m od ern, including in t rod uct ions

    to m ono graphs on Raj Rewa l (19 86 ) and Anan t Raje Archi tect (201 2) .

    Curtis often si ts on juries, and has organised exhibit ions on subjects as diverse as Australian Aboriginal

    spear- throwers and the sketchb ooks of Le Corbusier (shown at Ha rvard, NY, Ahm ed ab ad and Chan digarh) .

    He contributes regularly to cri t ical journals, such as the Architectural Review and El Croquis (with numbers

    on Alvaro Siza, Rafael M on eo , Tad ao Ando , Miralles/Pino s, RCR Arqu itectes, etc). Curtis exhibits an d

    pub l ishes h is own pa int ings (Mental Land scap es, Ci rculo , Ma drid , 20 02 ) and pho tograph s (St ructures of

    Light , Alvar Aalto M useum , 2 00 7) . Amo ng h is num erous aw ards a re the CICA Crit ics Award (198 5) , a

    Nat iona l Hono rs Society Gold M ed al in Archi tecture and Al lied Arts, USA (19 99 ) and a M ed al of the

    Museu m of Finnish Architecture (20 06 ) . Curt i s i s current ly prepa r ing a n e xhibit of h is own work

    Abstract ion and Light for the Alham bra, Granad a (20 15 ) and ano ther o f h is pho tograph s of Le Corbusiers

    architecture for the CMAV, Tou louse (2 01 5).

    William J R Curtis

    Som e of the cover jackets of boo ks writte n/contribut ed t o by WJRC...

    His Views on Architecture...

    The word cr it icism come s from a Greek wo rd signi fying the separa t ion o f the good whe at f rom the b ad . It

    i s ab out ident i fy ing q ual i ty an d reject ing th e lack of i t . In m y op inion there are n o recipes for cr it icism.

    Architecture i s a com plex phen om eno n wh ich touche s peop le on m any d i fferent levels. Bui ld ings ma y fuse

    togethe r ide as and form s, im ages and m ater ial s, funct ion and st ructure, social myths and po et ic spaces.

    They occupy t im e in com plex wa ys, crystall is ing a present , t ransform ing diverse pa sts, a nt icipat ing

    1 Modern Architecture Since 1900, 3rd edition, London, Phaidon Press, 1996

    This book is generally considered t o be a ' classic' and has bee n translated into num erous languages. It examines the growth of a m odern

    tradition worldwide taking into account the ba lance betwee n the general and t he local. The book has won num erous international awards.

    2 Le Corbusier: Ideas and Forms, 2nd edition, London, Phaidon Press, publication date April 2015

    The 1st ed ition is often described as the best o verall study of Le Corbusier including of course a deta iled t reatm ent of his works in India.

    The 2nd edition has be en en tirely revised, rewritte n and redesigned with 50 0 images of high quality, including many of the aut hor's

    own p hotographs.

    3 Structures of Light, Photograp hs by William J R Curtis, Helsinki, Alvar Aalto Academy, 2007

    This book accompanied an exhibition of Curtis's photographs at the Alvar Aalto Museum, Jyvaskyala, Finland, in 2007. In it the

    photographer focuses upon light as a universal aspect of architecture, but reveals as well the sharp e ye of the world traveller for numerous

    cultures, architectures and landscapes.

    4 Ment al Land scapes/Paisajes Ment ales, Paintings and Drawings by William J R Curtis, Madrid, Circulo de Bellas Artes, 200 2

    This is the cata logue of one of Curtis's severa l internat ional exhibitions of paintings an d dra wings. Curtis explores visible an d invisible

    features of t he na tural world through a lyrical abstraction tha t somet imes takes on t he character of calligraphy. He intends to evoke a

    menta l space for meditation in his abstract works.

    5 Balkrishna Doshi, An Architecture for India, Ahmedab ad, Mapin and NY, Rizzoli, 198 8

    A penet rating study of one of India's major architects which explores the wa y that he has exte nded a modern t radition (via principles

    inherited from Le Corbusier and Louis Kahn) while exploring architectural traditions and roots in the Indian sub Continent.

    21 3 4 5

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    November 2 4 ARCHITECTURE+ DESIGN2 8

    TheGo

    ldenArch

    itectAward

    Recipient:RahulMe

    hrotra About him

    Architect, urbanist and educator Rahul Mehrotra was born in 1959. He is the

    found er p rincipal of RMA Architects and is a professor o f urban de sign an d

    planning and chair of the Department of Urban Planning and Design at Harvard

    Universitys Graduate School of Design. Mehrotra has designed projects thatrange from recycling urban land and master planning in Mumbai to the design

    of art spaces, bou tiques, wee kend hou ses, factories, social institutes an d office

    buildings across India thereby engaging diverse issues, multiple constituencies

    and varying scales from interior de sign an d a rchitecture to urb an d esign,

    conservation and planning.

    He studied at the School of Architecture, Ahmedabad, and graduated with a

    ma sters degree in Urban Design with distinction from the Gradu ate School of

    Design at Harvard (1987). Apart from his engagement with the design of

    buildings, Me hrotra ha s been actively involved in civic and urba n a ffairs in M um bai, ha ving served on

    comm issions for historic preservation an d e nvironm enta l issues, with various neighbourho od groups. He wa s

    the e xecutive director (199 4-20 04 ) of the Urban Design Research Institute (UDRI), whe re he is now a trustee

    and has taught at the University of Michigan (2003-2007) and at the School of Architecture and UrbanPlanning at MIT (2007-2010).

    Meh rotra has written and lectured extensively on issues to d o with architecture, conservation an d u rban

    planning in Mum ba i and India. His writings include co-autho ring the boo k Bom bayThe Cities Within,

    which covers the citys urban history from the 16 00 s to the present; Conserving an Ima ge CentreThe Fort

    Precinct in Bombay , which was a seminal study.

    Rahul Mehrotra

    Own Percep tion

    This tradition of cosmo politanism frees

    architects from conforming to any one

    cultural identity or regional identity.

    Mum bai guarantees a degree of

    conceptual freedom that pe rmits a

    mod ulat ion a nd response to part icular

    problems without the baggage of

    stylistic consistency.

    Visitor Cent re a t CSMVS, Mumba i (201 1)

    KMC Corporate Office,

    Hyderabad (2007)

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    His views on Architecture

    Architects and de signers working in India are confronted

    with an entire gamut of social, cultural and economic

    phenomenon that is moulding the built environment at

    phen om enally rapid rate s. In the process, the role of the

    professiona l architect ha s bee n m arginalised for within

    conventiona l praxis often o bsessed b y specialisation, th e

    professional does not en gage with this broad er landscape

    but ra ther cho oses to op erate with the spe cificity of a site

    or a pa rticular problem a nd in the p rocess often becom es

    disconnected with the context of practice. Thus, the

    ap proach of RMA architects to Working in Mu m ba i hasbeen to actually use the city and region of our op eration

    as a generator of practice a laboratory in which

    me thods are tested as a way for us to evolve an app roach

    and architectural vocabulary that draws its nourishment

    from a p articular context. Naturally in ord er to respon d to

    specific, but often shifting conditions involves a more

    elastic and critical de finition of the profession an d the

    very modes of practice and engagement. One that sees

    multiple disciplines as being simultaneously valid in

    engaging with this kinetic urban landscape of Indian cities

    and their peri-urban regions.

    Indian architect, Rahu l Mehrotra, is celebrated for the way he has be en a ble to reconcile trad ition a nd m ode rnity,

    reinterpreting vernacular forms and devices to meet contemporary needs.

    Mehrotra bridges dualities to create elegant design, rich materiality and nimble functionality. Clearly, his practice is also

    ab out designing p rojects that are socially as w ell as ecologically sustainab le. Inspired by M um bai, h is architecture is

    need ed in India and beyond .

    Mary N Woods

    Prominent Projects Shan ti, Alibag (199 7)

    House for a Film Maker, Chennai (2001)

    House in a Tea Garden. Conoor (2003)

    House in an Orchard , Ahmedabad , Ind ia (2004)

    Three Court House, Alibag (2014)

    Quotes on his work

    In Rahu l Mehrotras architecture, the lessons gained from history an d local material practices are invariab ly brought into

    elegant counterp oint with p rogressive techno logies.

    Philip Goad

    Three Court House, Alibag (2014)

    LMW Corporate Headqu arters,

    Coimbatore (1997)

    LMW Corporate Headq uarters,

    Coimbatore (1997)

    House in a Tea Garde n, Cono or (200 3)

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    November 2 4 ARCHITECTURE+ DESIGN3 0

    TheHallofFameAwa

    rd

    Recipient:Shiris

    h

    Beri About him

    Born in November 1950, Shirish Beri graduated in architecture from the School

    of Architecture (CEPT), Ahmedabad, in January 1974. Instead of pursuing higher

    s tudies in the US, he opted for living an d working in the mo untains near

    Kolhap ur (with his father an d b rother s architectural firm in Kolhap ur) from Jun e19 74 . He felt that a fter studying architecture for six years, i t was necessary to

    uncond it ion o neself and unlearn ra ther than spend two years learning for a

    ma sters degree abroad.

    Shirish Beris works, wh ich tend to reflect his values a nd concerns in life, h ave

    been bearing thei r dist inct ma rk on m ode rn Indian architecture s ince 1 97 5. They

    strive to address his concerns of man moving further away from nature, from his

    fellow human beings and from his own self. Through his work, Beri probes the

    mu lt isensory and the imm easurable dime nsion of space whi le t rying to evoke a

    reflective pa use am idst todays clutter and ba ckgroun d n oise. He feels that issues of sustainab ility can b e

    aptly addressed only through the right atti tudes and goals. His designs try to achieve an inherent sense of

    uni ty and h armo ny with various natural and ma n-ma de e leme nts and forces . He has des igned a num ber of

    campuses for national and regional level institutions for research, rehabilitation, healthcare and education,along with various other types of buildings.

    Shirish Beri

    His views on Architecture...

    For m e, i t is difficult to ima gine a ny a ctivity as u nrelated or cut off from the totality of l ife. Architecture

    too, in i t s greater vis ion, i s l i fe i t se l fthereby communicat ing, responding and belonging to the

    fascinat ingly interre la ted web of l ife . Thus , m y wo rk t r ies to be intensely respo ns ive to the s ite , the

    socio-cultural beh aviour values and life as a who le. This makes it mo re free an d spo ntan eou s, as i t is no t

    bo und by a ny cond i tioning and cons tra ints of a p art icular s tyle or i sm .

    In toda ys technocratic, consum erist , urba n lifestyle, I feel con cerned ab ou t variou s issues that are m aking

    our lives as hu m an b eings poo rer. My de signs try to add ress these concerns in life an d con tribu te towa rds

    a bet ter qu al ity of l ife .

    While designing, I always askCould we architects in a small way help reconnect, integrate man with

    this fascinating life? Can I design spaces that would help in connecting us to nature? Could the quality

    of our spa ces help in br inging us c loser to ea ch othe r? Can I des ign spaces wi th that p ause an d s i lence

    that would help connect us to ourselves when todays commercia l and materia l is t ic cul ture is on the

    verge of des t roying this s i lence? Can we des ign spaces that unify and bind ra ther than fragment ,

    compartmental ise and isola te us from this wonderful uni ty of l i fe? Can my des igns contr ibute to

    sus t a inab i l i t y by recogni s ing and reve r ing na ture , r educe the consumpt ion of end-use ene rgy and

    embodied energy in our des igns?

    Am ids t todays deter iorat ing values , I am t rying to ma ke a sm al l but s incere a t tem pt a t pract ising value-based architecture where the emphasis is shifted from saleability to sanctity, from glossy wrappings to

    inner conte nt, from overindu lgence to restraint. I am exploring wheth er this value-based architecture can

    act as an agent of socia l chan ge, wheth er our wo rk can seek joy and a sense of won der b y befr iend ing

    the s imp le , t he m unda ne and the o rd ina ry.

    I have s tar ted real is ing th e ful l mean ing of wha t Samuel M ockbee says , As architects, ou r good ness is

    more important than our greatness and our compass ion more eventful than our pass ion.

    My works are not des igned to create iconic , grand, exhibi t ionis t forms or graphic composi t ions that

    a t t ract the eye, b ut to create mo re hum ane, socia lly re levant , m ore natu ral and sus ta inab le spaces that

    nurture the human spir i t .

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    November 2 4 ARCHITECTURE+ DESIGN32

    TheGold

    enEmergingArchitect

    -Malaysia

    Recipient:RazinMahmood

    Abo ut Him an d His Views on Architectu re

    Architect Razin Mahmood FPAM, the principal and founder of Razin

    Architects, grad ua ted from Lou isiana State University, Baton Rou ge, USA, and

    interne d in Austin, Texas. For m ore th an 1 6 ye ars, Razin Architects ha s

    consistent ly st r ived and dem and ed for be t ter a rchitec ture in the socie ty. Sinceits inception, his practice has won nine PAM awards for various projects, and

    the m ost recen t wa s Gold for Sustainab ili ty, Arcasia Awa rds for Architecture

    20 14 , for his Surau N usa Idam an. A form er guest associa te professor a t the

    University Tekno logi Malaysia, Razin ha d given several talks at th e University

    and Sta te Governm ent d ia logues.

    Razin started with small renovations and individually designed bungalow

    projects . Though a ho use m ay have severa l typologies to serve as a hom e to m any d iverse individua ls or

    families of be ing a p lace for shelter, retreat, wo rk, sleep, a nd so on un til tod ay, Razin w ho is often

    inspired by architects wh o p ractice green a nd sustainability design stand s firm on his belief that as an

    architect, the fundamental responsibil i ty is to seek problems and solve problems for the people, instead

    of chasing after tren ds.

    Tod ay, he is actively involved in Iskand ar M alaysia Develop m en t, such as East Led ang, M ed ini andPuteri Harbour to name a few. His current scope of works ranges from high-end residences, low-rise

    repe titive h ou sing to high rise m ixed -use de velopm ent. Yet, d espite his flexibil ity in dea ling w ith variou s

    types of projects, his personal favourites have always been small projects - and Surau Nusa Idaman is

    another evidence of his continuing passion for sustainable architecture.

    Razin insists his team in be com ing respon sible d esigners. Sustainab ili ty is not just a techno logical que st

    which may b e m ore sui table as an engineer ing and technologica l pursui t , but a lso a design ende avour

    wh ich a ll architects should b e aim ing for. It also pu ts the focus ba ck on the architect the architect

    becomes the main facil i tator which brings all the various elements together to achieve the sustainable

    objectives.

    Sustainable architecture can be achieved through both high-tech and low-tech means. Some of the

    most effective strategies are the most low-tech or even no-tech. Probably the most important action is

    to go back to funda me nta l requirem ent o f living an d w orking, wh i le s t r iving tow ards op t imu m comfort .When the ne ed for space an d e nergy is redu ced, the consum pt ion wi ll na tura lly become m ore efficient .

    Razin Mahm ood

    Award Winning Projects

    Dena i House , Johor Bahru Johor (Shor t lis ted fo r PAM Award 2 010 )

    Surau Nusa Idam an, N usajaya (PAM Gold Award 20 11 Specia l Category); (ARCASIA Awards for

    Architecture 20 14 , Gold, Category F Sustainab ili ty)

    Denai SOHO, Joho r Bahru Johor (PAM Silver Award 2 01 2 - Adapt ive/Re-use Category)

    CIDB Office, Johor

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    Quotes on his work...

    His phi losoph y and not ions of a hou se are eviden t

    in his use of a com mo n an d simple bui lding

    typology believing that a building should be

    truthful to function, t ime and place; stressing upon

    the em pha sis on being responsible to th e c lient

    whi le e nsuring the functiona l, aesthet ic and bud get

    requ irem ents a re tran slated satisfactorily.

    Emme lyn Pei

    Razin Architects guard h ou se in th e residen tial

    developm ent o f East Ledan g in Nu sajaya Johor

    earne d a Me ntion for i ts clear exp ression consistent

    wi th the overa l l developm ents contemp orary look

    and fee l.

    E Jacqui Chan

    Surau Nusa Idaman, Nusajaya: A powerful space

    fo r t he com mu ni ty crea t ed w ith s imple de s ign

    and ma te r ia l s.

    PAM Award Jury 20 11

    Own Perception...

    When we first started, we didnt get interesting projects. The decision to make them interesting depends on you as the architect.

    You have to l ike what you are do ing and you h ave to w ork rea l hard. There are no short -cuts.

    We dont just design buildings. We hope to design spaces for people to feel good.

    Prominent Projects...

    BDO Clubhouse, Bandar DatoOnn Johor Bahru

    Pha se 6 Twin Villas, East Led an g, N usajaya

    Teega Residences, Pu teriHarbo ur, N usajaya (In

    collabo ration with Liu &Wo Architects, Singap ore )

    Med ini Mosqu e & Com m uni ty Centre ,

    Med ini , Nu sajaya

    Phase 6 Twin Villas, East Led ang, NusajayaPhase 6 Twin Villas, East Led ang, Nusajaya

    WA Mixed Development , Danga Bay

    Surau Nusa Idam an, Nusajaya

    Tee ga Residences, Pute ri Harbo ur, Nusajaya (In collab orat ion with

    Liu &Wo Architects, Singapore)

    Denai SOHO, Johor Bahru, Johor

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    November 2 4 ARCHITECTURE+ DESIGN34

    TheGoldenEmergingArchitect

    -Thailand

    Recipient:PatamaR

    oonrakwit Abo ut her...

    Architect, lecturer and

    community activist Patama

    Roon rakwit graduated from the

    Faculty o f Architecture ,

    Silpakorn University in 19 91 ,

    followed b y a m asters degreein Developm ent Practices from

    the Scho ol o f Architecture,

    Oxford Broo kes Un iversity, UK,

    in 199 6. She is the found er of

    Com m un ity Architects for

    Shelter an d Environ m ent (CASE)

    that has been involved in num erous com m uni ty

    de velopm ent p rojects for the last 10 years. CASE is a group

    of Thai architects forme d in 1 99 7 w ith central interests in

    alternate dw elling vision s. Its m ajor concern lies in th e

    relationship between dwelling and physical, cultural as well

    as socio-economic contexts. Both the physical environmentand the hum an e lem ents of the place are considered vita l

    to CASEs working m en tality.

    She is a recipient o f the awa rd You ng Architect with

    Outstanding Work 2004 from the Association of Siamese

    Architects (ASA). In 20 10 , she received the awa rd

    Silpatho rn, the b est contem po rary artist in Thailand by the

    Ministry of Art and Culture. Besides practising, she is also a

    visiting lecturer at several universities in Thailand. Currently,

    she is a globa l tutor for the Centre for Develop me nt an d

    Em ergency Planning, Dep artm ent o f Architecture, Scho ol of

    Built Environ m en t, Oxford Broo kes University, UK.

    Patama Roonrakwit

    Her views on Archite cture...

    Most of the t ime, archi tec ts think that

    wha t t heyve l ea rn t makes them an

    expe r t , t ha t t hey a lways know be t t e r .

    Tha t t hey know where and how p eople

    should l i ve , i n wha t o r where t hey

    should be , wha t i s t he good

    environment . I think this i s wrong

    becau se the architec t wi ll not a lways be

    the re . I mean , a f t e r you des ign , you

    leave. I have the sense that for so m any

    projects, a f ter they are bui l t , the owner

    has t o knock down or add some th ing ,

    change this, change that. This is a waste

    of money. And i t s not very heal thy

    working this way, and especia l ly when

    you w ork wi th the po or. They d ont have

    m on ey to fix the architects mistakes.

    So i t s bet ter to think and work in

    another way. The archi tec tura l

    knowledge and ski l l s I learnt are

    important , but they never taught me tha t

    the de sign process should be d one b y an

    archi tec t in par tnership wi th, and as a

    se rvan t o f, t he o wne r o f t he p lace , ye t

    this saves cost and a lso makes the

    building more efficient.

    Quotes on he r work...

    TEN House Project, Bangkok: TEN is a

    hou sing p roject tha t rede fines the not ion

    of com m un ity and ind ividuality. It offers

    a l ternat ive u nde rstanding to both

    hou sing d esign an d dw el ling concepts

    whi le explores the funda me ntal

    re la t ionship b etween the two aspects.

    Tonka o Panin

    Prominent Projects...

    TEN House Project, Bangkok

    U nd e rb r id g e Pe o p le C om m u n it y

    Relocation Project, Bangkok

    Minbur i Old Marke t Deve lopm ent Pro j ect ,

    Bangkok

    Baan Man Kong Pilo t Pro j ect s - Kaoseng

    & Pa t ta n i

    Minburi Old Market Project, Bangkok

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    Own perception...

    When you work wi th the

    poor , you are no t a l lowed

    to spend a lo t . And

    w h e n t h e p o o r h a v e t o

    s p e n d t h e i r o w n mo n e y ,

    i t s even more impor tan t

    be cause you (as an

    arch i t ec t ) canno t make

    mis takes , t hey canno t

    afford mistakes .

    ARCHITECTURE+ DESIGNNovember 2 4 35

    Shelter for old people in Minburi Old Market, Bangkok

    Kitchen at Minburi Old Market, Bangkok

    TEN House Project, Bangkok

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    No vembe r 2 4 ARCHITECTURE+ DESIGN3 6

    TheGoldenEmergingArchitect

    -SriLanka

    Recipient:Nare

    in

    Perera

    About him...

    Na rein Perera run s a sma ll practice, w hich p ride s itself in th e d egree o f inno vation

    and holistic applicability of its architectural solutions. Each project is approached

    as a specific set of social, climatic, contextual and technological nuances that

    create the b asis for a u nique outcom e. Place m aking is emp hasised with a

    conscious an d m eticulous exploration of m aterials and texture.

    A senior lecturer at the Depa rtme nt of Architecture, University of Mo ratuw a,with a teaching and research focus on climate sensit ive design at both building

    an d u rba n scales, Perera strives to ap ply lessons learnt in h is practice.

    The practice, now over ten years old, has been quite successful over the years,

    winning recogn ition for design, bo th locally and internationa lly. On the

    internationa l stage, h e w as awa rded the Architecture Asia Award for Eme rging

    Architects as a part of the Asian Congress of Architects sessions in Malaysia,

    20 14 . In his hom e cou ntry o f Sri Lanka, h e w as the recipien t of the You ng Architect of the Year in 2 01 0

    an d th e Sri Lanka Insti tute of Architects Award for d esign excellen ce in 20 07 an d 2 01 1 resp ectively.

    Narein Perera

    His views o n a rchitecture ...

    On architects and the role of architects.. .

    The tra ditional role of architect as m aster bu ilde r has b een long lost . With i t , the con cept o f a singu lar

    focus on a task from inception to completion is now fragmented. Lost is the art of crafting a habitable

    space, a place with a so ul. The cha llenge for architects in to da ys con text of mu lti-disciplinary te am s and

    technologica l intervent ion i s to re ta in the essence and puri ty of a big idea tha t t ranscends mere

    building, thus, creating architecture with meaning, spiri t and character.

    On tropical Asian cit ies and the need for climate sensit ive urban design.. .

    With the rapid development in tropical Asian cit ies and the negative effects l ike global warming that i t

    br ings wi th i t , i t i s impera t ive tha t the planning and pol icy for a t ropica l c i ty incorpora te c l imate

    considera tions into th e de cision -ma king process. The scale of the city, the the rma l com fort of the spaces

    between bui lding ( the commons) , and the bui ldings themselves ( in te rms of comfort and energy use)nee d in-dep th considera t ion to crea te a susta inable and h eal thy tomo rrow for our chi ldren.

    On b ui lding in warm hum id Sri Lanka. . .

    Sri Lanka has a r ich an d ancient t radi t ion in bu i lding, m ost impo rtant ly, b ui lding in w ays app ropria te

    for c limate and context . It i s imp ortant for con tem porary Sri Lankan architec ture to b ui ld app ropria te ly

    for this region, ad op t ing p roper te chnology and ma ter ia l ity, incorpora t ing pa ssive d esign st ra tegies for

    natura l l ight an d vent i la t ion, thus im bue each b ui lding w i th a p lace spe cif ic response a nd ident i ty.

    Estate Bungalow, Matuga ma, 20 10

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    ARCHITECTURE+ DESIGN N o vembe r 2 4 3 7

    Prominen t Projects...

    Colomb o Gymkhan a Club, Pool Com plex, Colomb o 07 (200 4)

    Furni ture Fac tory and Warehou se , Raux Brothers, Pil iyandala (200 7)

    Ea r thboun d , de Alwi s Re s ide nc e , P iliya nda l a (2002)

    Est a te Bu n g a lo w , M a t u ga m a ( 2 0 1 0 )

    En igm a , Vitha ra na Re s ide nc e , Co lom bo 0 8 (200 7)

    Bird Ca ge , Ra m a n a ya ke Re s ide nc e , Co lom bo 0 5 (201 3)

    Ga br ie l Re s ide nc e , Pa le wa t t e (20 14)

    Library, University of Mora tuw a Refurbishmen t , Mora tuw a

    Audi tor ium and Lecture H al ls , Faculty of Architec ture , University of Mo ra tuwa -

    Conceptua l Design, M ora tuwa

    Hostel Building, Sri Lanka Police Training Acade m y, Katan a

    Quotes on his work...

    Na rein Perera is amo ng the few wh o scien tifically app lies

    green techniques. His work dismisses the notion that the

    scientific ap proa ch to sustainabil ity p rodu ces bo ring l ifeless

    architecture. H is houses e voke richn ess in the ir interna lised

    op en sp aces. Working with a p alette of rustic ma terials, he

    crea tes sensuous b ui ldings tha t m anipula te l ight an d play of

    shadow on d if ferent m ater ia ls and textures, com pl ime nted b y

    a refined sense o f de ta i ling w i th s tee l and t imb er.

    Jenn ifer Henricus

    Own Percep tion...

    Architectural sp ace m aking sho uld

    ado pt a do wn-to-ear th s impl ic ity,

    to create a living-friendly

    a tmo sphere , one tha t i s t ime less,

    function al, stylist ic and affordab le.

    Sp a ce s t h at u se a m a t er ia lit y t ha t isnot m eant to b e rust ic , unf inished

    or unt rea ted , ra ther to conne ct with

    the rhythms of the na tura l

    environme nt , to ha ve ma ter ia ls

    im bue d wi th good vibra t ions and

    on a dee p leve l, m ater ia ls tha t

    nur ture and nou r ish the soul .

    Estate Bungalow, Matugama, 2010

    'Bird Cage', Ramanayake Residence,

    Colombo 05, 2013

    'Enigma' , Vitharana Residence, Colombo 0 8, 20 07

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    November 2 4 ARCHITECTURE+ DESIGN3 8

    TheGoldenEmer

    gingArch

    itect

    -Singapore

    Recipient:Chan

    g

    Yong

    Ter About CHANG Architects

    The projects that CHANG

    Architects are e ngage d in

    are m ainly pr ivate land ed

    residential dwellings. It is a

    niche m arket be cause the

    majority of Singaporeanslive in high-rise ap artm ents

    deve loped and d es igned by

    the larger corporate

    architectural practices with

    substan tial track records.

    Against this backdrop ,

    architect Chang developed a compelling vision of what

    sets his services apart when he began his practice.

    With an emphasis of quality over quantity, the architect

    eschewe d the tem pta t ion to quo te lower fees or accept

    run-of-the-m ill com m ission s. Instead , he consciou sly

    pursued an avant-gardist philosophy, taking effort to beexperime nta l wi th each com mission and custom ising

    ideas to th e spe cific need s of each site and client. His

    de signs are no t repe tit ive, and there is no hou se style,

    but they wi ll of ten bea r an e lemen t of surpr ise , of a

    refreshing take on a m und ane problem. Convent ions are

    que st ioned a t a very fund am enta l level, and w hen the

    unconvent ional solut ions are ado pted , i t requ ires both

    the c lient an d the archi tect to accept some degree o f

    risks that non-standard designs engender. His corporate

    etho s: A practice for a vant-garde architectural d esigns,

    which add s value to and enh ances living, wh i le co-

    exist ing h armon iously wi th nature a nd the e nvironme nt .The attributes o f his practice from its incep tion ti l l no w

    includ es the crisp po ints Always be hun gry for the

    next best workbelief that the best is yet to be; Be

    bo ld and da ring (to take risk); Design n ot just from the

    mind, b ut the h ear t as wel l; Each de sign do es not ge t

    repeated ; Stay avant-garde an d a t the fore ; Uphold the

    spirit of inn ovation a nd creativity; Com pe te with no

    one , i n o rde r t o be someo ne .

    Cha ng Yon g Ter

    His views on Architecture...

    Architecture is a manifestation of thoughts.

    Thought s a re shaped and in f luenced by

    bel iefs and value systems/cul tures. How a

    bu i ld ing , o r a c i t y , i s p l anned and shaped

    largely depends on the thoughts given to i t

    by the architect, or in a collective way when

    there are m ore de cision ma kers.

    The qual i ty of thoughts i s therefore of

    pa ram oun t significance. In essence, there a re

    ba sically two typ es of thou ghts, regardless of

    our respect ive cul tura l backgrounds and

    value system s that o f love o r fear.

    An architectural design that is derived from

    the thoughts of love is an expression of love

    i tse l f the love for service , the love for

    na tu re , t he l ove fo r t he env i ronment , t he

    love for pe op le , the hum an spi r it and of l ife

    itself. Success of a practice is measured not

    by f igures, but by the degree of love being

    expressed through the works of architec ture .

    Therefore , design from the hear t . This i s

    because archi tec ture i s for human beings,

    and as hum an b eings, we h ave fee lings. We

    are connected by fee l ings. Feel ings are far

    more power fu l t han words . In our

    re l a t i onsh ips wi th one ano the r , we may

    forge t wha t we have sa id and hea rd , bu t

    how we fe l t abou t each o the r wi l l a lways

    l inger on. I be l ieve this i s the same in our

    experiences with architecture. Great w orks of

    a rch i t ec tu re can neve r be adequa te ly

    described nor the orised, bu t i t can be readi ly

    felt . This is wh at I strive to a chieve in m y

    works, to design spaces tha t evoke

    experiences of po sit ive e mo t ions.

    Quotes on his work...

    Chang Yon g Ter s greate st contribution to the field

    of architecture is in th e expa nsion o f the architectural

    language re la ted to the typo logy of land ed

    reside ntial dwe llings in trop ical Singap ore. H e o ffers

    a unique vision on the forms and contents of each

    hou se he designs, of ten w ith rad ica l dep artures from

    local precedents and the no rms that prevai l on each

    type of d wel lings; be the y detached , semi-detached

    or terraced houses. And yet, their unconventionality

    is never inap prop riate to their context, bu t are l ike

    de lightful surprises that enlarges th e po ssibilit ies

    available to the art of house-dwelling.

    Ar Chu Lik Ren

    Namly House , Namly Drive, Singap ore

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    Category: Young Ent hu sed Archite ct

    CommendationAwardee: Swapnil Valvatkar, Collage Architecture Studio,

    Bangalore

    Project: Ma rvel Dom icilia, Bangalore & Cricket Ho use,

    Bangalore

    The expression of very simp le intentions d efine s this practices

    USP. A refreshing ap pro ach to m ass hou sing w ith a clea r

    definit ion of internal and external spaces. It showed a certain

    r igour and devot ion to wo rk.

    Special MentionsAwardee: Rajesh Shivaram , Techn oarchitecture Inc, Banga lore

    Project: M-Ho use, Banga lore & Techno architecture Office

    Extension, Banga lore

    Awardee: Sourab h Gupta , Archoh m Consul ts, N oida

    Project: Dilli Ha at, N ew Delhi & Yoga na nd a Library, Solan,

    Himanchal Pradesh

    Awardee: Brind a Parth Shah , BPS Architects, Rajkot

    Project: Rajsam ad hiyala Hou se, Rajkot, Gujrat & San jeevani -

    Biodiversity Resource Conservation Area

    A Collective Com me nt : The she er diversity of app roaches for

    all these awardees needs to be recognised. The difficult issues

    tha t these prac t ices grappled wi th are indeed commendable .

    From simple restructing of old building fabric of the 60s and

    70 s, to ne w uses of a ma ter ia l language tha t supp orts hope an d

    jo y. Th e ju ry was a lso h ap p y to se e so cia lly re leva n t a rch ite ctu re

    find place in this narrative of youn g pra ctices.

    Awardee: Lester Rozario, Kamat & Rozario Architecture,Bangalore

    Project: Stack House, Bangalore & Hanging House, Bangalore

    Celal Abdi Guzer

    Sharukh M istry(Moderator) Hiren Patel

    Stephane Paumier Prasanna Desai

    Principa l Awa rde e: Akshat Bhatt, ArchitectureDiscipline, N ew Delhi

    Project: The Discovery Centre, Bangalore & Ho tel Man a,

    Ranakpur, Udaipur

    The tw o p rojects evoked a n ew sp iri t , som e crisp de tailing,

    focused use of materials and a healthy respect for tradition.

    This pract ice c lear ly announ ced tha t the o ld and new can

    stand proudly shoulder to shoulder. Craft and high

    techno logy are used e loqu ently. Finally the jury foun d

    creativity with a fearless expression.

    In this category, the Jury preferred giving four Special Mentions...

    All participants sub m itted two projects for the process of adjud ication

    for the You ng Enthu sed Architect category. We carry one of the ir

    represen tative p rojects.

    Ju r y Co m m e n t s

    Novembe r 2 4 ARCHITECTURE+ DESIGN4 0

    JuryP

    anel

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    Akshat Bhatt

    As a studio that engage s in p rogressive a rchitectural practice

    with an inten t to m ake bu ildings last lon ger through the

    utility of lon ger life-spa n m ate rials, the project is en visage d

    as a n a rchitecture that e xhibits cultural con tinu ity an d crea tes b uilt

    form tha t ne ed not to be condi tione d and spruced up t im ely. A

    Gre e nf ie ld p ro je c t pu rpos e d to de m ons t ra t e the upc om ing

    progressive de velop m en t at the Bhartiya city, Bangalore, the brief

    was to create a flexible city town h all that wo uld also se rve as the

    site o ffice / sales o ffice to illustrate the urba n rea l e state initiatives

    of the Bhartiya Group.

    Spre a d a c ros s 12 5 a c re s , t he de ve lopme n t is p l a nne d a s a

    place-m aking e xercise to craft an e nvironm en t to attract pe op le.

    Awardee: Architecture Discipline, New Delhi

    Project: The Discovery Centre, Bangalore

    Also d ete rmined from the brief is the fact that the bu ilding is on ly

    placed for s ix years and pos t tha t , i t would be re loca ted and

    moved down the s i te prec inc t , and hence , the bui ld ing was

    conceived as an asse m blage of parts . The des ign ha d to be m ore

    than just a rudim en tary structure that wo uld estab lish an ide ntity

    even from the glim pse off the h ighway.

    While typically, a building of this nature is placed at the edge

    of the s ite as an op en flexible sh ell that is dress ed up , in o rder to

    enhance the spa t ia l connect wi th the vis i tors , the Discovery

    Centre is placed at the he art of the site to e ngage the visitor right

    through the de velop m en t. The bu ilding tells a story, the conce rns

    of the township and demonstrates the residential and commercial

    characteristics of the de velop m en t.

    Photo credit: Jeetin Sharma

    Category: Young Enthused Archite ct

    Principal Awardee

    Fact FileClient: Bhartiya City, Bhartiya Urban I Design tea m: Akshat Bhatt

    (Principal Architect), Aditya Togna tta, N ishan t Ma lhotra, Nidhi Khosla

    I Built-up area : 37,000sq ft I Yea r of com plet ion: 2 0 1 3

    Novembe r 2 4 ARCHITECTURE+ DESIGN42

    ACCESS LEVEL PLA N

    1. DROP OFF

    2. CEREMONIAL STAIRS

    3. PRIMARY ENTRY

    4. RECEPTION

    5. CAF

    6. SERVICE AREA

    7. RESTROOMS

    8. STRONG ROOM

    9. MEETING ROOMS

    10. TEMPORARY EXHIBITS

    11. AMPHITHEATRE

    N

    1

    2

    3

    4

    56 7

    8

    9

    10

    11

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    over landscaped courts create a pleasing play of l ight and

    shadow. Simpl ici ty abounds in the concept that has been

    carried througho ut from start to finish. Challenges that com e

    with the real isat ion of group dwel l ings have been overcome

    with a clean and simple design approach which incorporates

    sustainable features and a minimalist design that emphasises

    the form and facade.

    Novembe r 2 4 ARCHITECTURE+ DESIGN44

    Apartm ent com plexes to the citizens of Bangalore m ean

    suffocating, shut-in buildings with monotonous profiles

    that house people wh o rarely take the t ime out to be a

    part of the bigger schem e of th ings. It is this that the p roject

    strives to change. An abode of w holesom eness, this apartm ent

    com plex has been de signed to include interactive green spaces

    that call out landscaped po ckets that breathe life into everyday

    existence, and a unique customisation of individual units that

    is discrete and disparate, yet making one feel included in the

    larger schem e of thin gs.

    The north facing site is l inear with an FSI of 2 .25. M axim um

    usage of this has been achieved with eight f loors. Bui lding

    norms require the setback of 8m which wi l l serve as a f i re

    driveway. This challenge has been addressed with the

    introduct ion of a podium f loor and by el iminat ing the use of

    basem ent fo r parking altogether.

    The site being linear, the facade is concentrated to the

    longer surfaces - east and west. Projections of balconies and

    planes, recessed surfaces com e together to carve ou t facades

    with a unique character. These coupled with pergolas placed

    Awardee: Collage Architecture Studio, Bangalore

    Project: Ma rvel Dom icilia, Bangalore

    Swapn il Valvat kar

    Category: Young Enthused Archite ct

    C om m e nda t i on

    Fact File

    Client: Anji Mettu (M/S Marvel InfraBuild Pvt Ltd)

    I Design te am (a rchitecture): Swapnil, Chaitanya,

    Divya I Built-up area : 1 ,1 0 ,0 0 0s q f t I Cost o f

    project: Rs 22.00 crore I Yea r of comp letion: 2 0 1 3

    1. ENTRANCE

    2. GUEST PARKING

    3. CENTRAL PLAZA

    4. CHILDRENS PLAY AREA

    5. EXIT

    6. APARTMENT UNITS

    MASTER PLAN

    1

    2

    3344

    5

    666 6

    66 6 6

    SECTIONAL VIEW

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    ARCHITECTURE+ DESIGN N o vembe r 2 4 45

    CONCEPT DEVELOPMENT

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    Novembe r 2 4 ARCHITECTURE+ DESIGN4 6

    To rebe l with a caus e The big blank con crete cen t ra l library of

    the Shoolini University in Solan, overlooks a beautiful green valley.

    Sit ting in the land scape as an im pas s ive b ui lt p iece , pe ace ful ly

    posi t ioned, the bui lding s tands out ref lec t ing the nature of i t s

    fun ct ion an d p hysical ly m an ifes t s the ph iloso ph y of thi s

    b io t echno l ogy camp us .

    Conceptually, this four-floor structure is an intense

    interconn ected volum e o f voids and sol ids , conn ect ing the en t ire

    bu ilding as a large functiona l plate. It starts as a na rrow strip o f an

    extrover ted, yet shad ed space on the lowe r two f loo rs . The se are

    r e sea r ch ce l l s and d i s cus s i on a r eas o f s en i o r s t uden t s and

    facul ty. The up pe r two floo rs are m ade de ep er as the co ntou rs

    reced e and the front rem ains a ligne d. This a llows a large cen t ra l

    cou rtyard tha t po urs u niform ind irect light into al l the pa rts of the

    bu ilt floo rs. The cou rtyards con ne ct playfully in voids and volum e s

    as t hey b roade n up t o the t e rrace t o be com e a na t u ra l con t a ine r

    of light . This un res t r ic ted light b ut co nt rolled tem pe rature an d

    vie ws b ring th e req uire d cl im atic con trol within the bu ilding.

    Fun ction ally, the library boo ks stack up on the pe riph e ry, with

    a row of rea ding bays form ing an inn er r ing wi th a cen t re , be ing

    a br igh t g ree n i nsp ir ing spa ce . The t e r race is a l u sh g r ee n

    exten s ion of the cen t ra l cou r tyard. One cou ld b r ing b oo ks away

    Awardee: Archoh m Consults Pvt Ltd, N oida

    Project: Yogan an da Library, Solan, H ima ncha l Prad esh

    Sourab h Gupt a

    from the conf ine s o f a t rad it ion al library s tack and read on the

    refres hing grass, sun ba thing o n the se w inte r foo thills. The gree ns

    keep the la tent t emperatures of the s t ructure in check to add to

    com fort within. On e co uld casu ally clim b the sp acious stairs an d

    use the s teps to sur f for books . Seat ing on s teps , l ight ing f rom

    t op on t o t he b ooks and t he s t rong d ir ec tiona l vo lum e c r ea t ed

    aids in p ulling p e op le an d u plifting th e m , litera lly. The circu lation

    spa ce is thu s reinte rpreted as a b right yellow, clea n wh ite an d raw

    grey cont ras t . They work wel l agains t each other to give thi s

    re inven ted route , a ref resh ing look an d fee l.

    The fa ir faced conc re t e facade is a t w o-faced phe nom eno n .

    The inner face of concrete bears the load of the ent i re shelving

    system of the library an d i ts bo oks. The con crete wa ll is su pp orted

    by se em ingly intersect ing co ncrete co lum ns; an interpre ta t ion of

    the m ost fund am en tal e lem en t of biotechn ology and ref lec t ion o f the un ivers itys logo. The c lea n facade of concrete and recesse d

    glass br ings o ut the fun dam en tal fun ct ion of the bu ilding.

    Photo credit: Andre J Fanthome

    Spe cia l Men t ion

    Fact File

    Client: Vishal Anand/Atul Khosla, Foundation for Life Science

    and Business Management I Design tea m: Sourabh Gupta

    (Principal Architect), Sanjay Rawat, Bhoomika Singhal, Sanjay

    Bisht I Built-up area : 2 4 7 6 . 8 8 s q m I Yea r of comp letion :

    2 0 1 3

    Category: Young Ent hu sed Archite ct

    SECTION

    ECOND FLOOR PLAN

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    No vembe r 2 4 ARCHITECTURE+ DESIGN4 8

    The br ief given by the c l ient was to achieve a vastu

    com pliant conte m porary house . The 30 -year o ld Bangalore

    house with thick walls nearly hugged the plots boundary,

    and was so com pact with the ne ighbo uring hom es that it totally

    blocked na tural light inside. The aim was to de-clutter the existing

    living spaces by getting rid of its dark corners while being vastu

    com plian t. The architects took the vastu pre -req uisites a nd

    de cide d to turn it into a spatial asse t.

    Awardee: Kamat & Rozario Architecture, Bangalore

    Project: Hanging House, Bangalore

    Sp ecia l Me nt ion

    Fact File

    Client: Vinod Sharm a I Design tea m: Smruti Kamat, Lester Rozario

    I Built-up a rea: 2550sq f t I Cost: Rs 36 lakh I Yea r of comp letion : 2 0 1 0

    The new skin had two par ts the s ta ircase block and the

    han ging wall. The staircase was m oved to the no rthern side by

    de m olish ing th e first flight o f the e xisting staircas e . This, whe n

    adde d to the se tback outside, created a vibrant sunny spo t yet a

    pr ivate outdoo r space. The huge project ion abo ve the car park

    was converted into a study as its top was not accessible. As the

    slab could not take the load of a wall, the outer skin was hung

    from the roof. Add ition al volum es in b rick and co ncrete latch

    se am les sly on to the existing structure , expres se d in wh ite. All the

    door s and windows wer e r e - used . The new windows wer e

    im agine d to b e ton ally differen t from the ir olde r cousins.

    Phot o credit: Lester Rozario

    Lest er Rozario

    Category: Young Enthused Archite ct

    GROUND FLOOR PLAN

    1. LIVING

    2. COURTYARD

    3. DINING

    12

    3

    4

    5

    6

    7

    9

    8

    6

    N

    4. ENTERTAINMENT NOOK

    5. BEDROOM

    6. BATHROOM

    7. KITCHEN

    8. UTILITY

    9. GARAGE

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    No vembe r 2 4 ARCHITECTURE+ DESIGN5 0

    The project located in a north facing site nesting in one of

    the b usiest and con gested part of Bangalore was designed

    for a businessman family. The site itself posed a great

    challenge as the house had to be designed only in the vacant

    portion of an already existing house which was a three-storey

    structure in the rear end. Hence, the only available site of24'x27'(650sq ft) was a challenge to design a three bedroom

    unit with an additional requirement of an office space, a

    swimming pool and a provision for a lift (elevator).

    The idea was to create maximum space within its limited site.

    By minimising the use of interior walls as partitions, maximum

    open space w as delivered. Therefore, steel structure was used to

    build the main structure of the house. The entire main structure

    had been assembled before being fixed on site to ensure that all

    the steel joint details were designed and w orked perfectly. Hence,

    two I-sections were used to form a strong form star-shaped to

    highlight the joints for areas which are exposed.

    Awardee: Techno architecture Inc, Basavana gud i, Bangalore

    Project: M-House, Han um anthan agar, Bangalore

    Category: Young Enthused Archite ct

    Spe cia l Me nt ion

    Fact File

    Client: Mr Mahadevswamy I Design t eam (architecture & interiors): Rajesh

    Shivaram (Principal Architect), Sooraj C M (Senior Architect), Ankita (Interiors), B L

    Manjunath (Structure) I Built-up a rea: 2600sq ft I Cost of project: Rs 1 , 1 0 , 0 0, 0 0 0

    I Yea r of comp letion : 2 0 1 3

    When the zoning diagram was started, the first floor was the

    most comfortable level which houses the main activities, namely

    the living room (double height), dining, kitchen, puja, utility,

    powder room, etc. It was mostly designed as the vertical zoning.

    The ground floor hou ses the car park and an o ffice space with an

    external entry. The function o f the reflecting pond u nder the stairs

    was to decrease the room tem perature during the day and createa peaceful ambience by the sound of water.

    The second and the part third floor, where all the bedrooms

    are placed have a multi-functional space right beside the stairs

    thats been used as a corridor, entry to bedrooms. When all the

    connecting doors along the corridor are opened, the rooms unite

    into a bigger space overlooking into the doub le height of the living

    room. Laminated glass is applied for the corridors to provide larger

    range of light on the second f loor. The third floor has mu ch larger

    m aster bedroom and an attached toilet overlooking into an 8 'x15'

    (lap pool) smart pool above the roof of the living room,

    connected by a deck and a bar counter. The colour combination

    internally was also kept to white, grey and wood, which

    continued in all the floors.

    GROUND FLOOR PLAN

    1. PARKING

    2. FOYER

    3. WATER BODY

    4. WAITING AREA

    5. OFFICE

    6. TOILET

    7. EXISTING STAIRCASE

    Rajesh Shivaram

    N

    1

    2

    3

    3

    4 5

    6

    7

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    wine.liebherr.com

    Wine cabinets in the Vinidor range offer as many as three

    wine safes

    The zones are independently adjustable to temperatures

    ranging between + 5 C and + 20 C

    Ideal for storing red wine, white wine and champagne

    Customer Helpline: 1800 102 7757

    [email protected]

    Perfect for savouring

    w ine a t its b est

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    Category: Residence Design with a Difference

    Commendation

    Awardee: Dee pa k Gugg ari, Varsha & Dee p ak Gugga ri Associate s, Pun e

    Project: Jadh av House, Pune

    Tradi tion an d m oderni ty are well juxtaposed to animate each other. Rather than l iteral

    remake of the traditional, the house design does well to evolve contemporary feel. Nature and

    outd oors are well interspersed to d efine diverse spa tial experiences. Project ma nages to creatively

    blur indoors with outdoors. From a narrow linear space to the open pavilion, the house has much

    nee de d spatial variety. The play of light interacting with spatial elem ents livens up space.

    Special MentionsAwardee: Hiren Patel, Hiren Patel Architects, Ahme da ba d, Gujarat

    Project: The Courtyard Hou se, Ahm edab ad, Gujarat

    The h ouse poses paradoxical pos it ions of spat ia l ly cont iguous conglom erate versus

    sprawling free spaces. It bu ilds comp lex spatial m od ulation o ut of a sim ple grid mo du le. It do es

    well to integrate natu re in different spa ces from a light shaft to surround ed court to spraw ling

    garden . Light has been m od ulated interestingly through lattice and ja ali walls. Overall siting

    and engu lfing built mass create p arad oxical expe riences of construction an d release.

    Awardee: Praveen S Bavadekar, Third Space Architecture Studio, Belgaum

    Project: The H ou se with two Shee sham Trees, Belgaum

    Simple house form an d s imp ler geom etry has created fa i rly varied spat ia l experiences .

    Austerity in use of material and modesty of form is commended. The court emerging in

    response to the existing trees does well to remain point of reference and soul the of spatialorganisation. Sim ple spatial eleme nts and de tails of accessories in woo d juxtap ose we ll with

    austere w hite textured wall finishes.

    Awardee: Late Vimal Jain, Architecture Paradigm, Bangalore

    Project: Pt Ma n - Sheela Jain Reside nce, Gund lupet, Karnata ka

    The p roject uses sim ple geom etric form b oldly. Enveloping mon ol ith give m assivi ty to the

    scale and sense of enclosure while the pa rtially divided spaces within with thin p artit ion and

    extend ed views subscale the internal space withou t losing the feel of op enn ess. Light is

    modulated well through skylights, use of louvers in courtyard overhead plane and vertical

    wall planes of faade. Light has been modulated interestingly through lattice and ja a li

    screens. Overall siting a nd engu lfing bu ilt m assing create pa rado xical experiences of

    constriction with release.

    Sonal Sancheti

    Harsha W Fernando

    Vipul Patel

    Yatin Pandya (Moderator)

    Raman Sikka

    Principa l Awa rde e: Sand eep J, Architecture Parad igm, BangaloreProject: Wilson Garde n H ou se - Bysani Reside nce, Banga lore

    The project showed mature resolution of environmental, spatial and constructional

    attributes. The sp atial variety to integrate na ture in term s of light, view a nd vegetation is

    appreciable. The plan form is simple yet evolves diverse volumetric modulation.

    Environ m enta l elem ent as vertical fin is creativity p articipating in creating visual syntax and

    form de finition externally.

    Ju r y Co m m e n t s

    Novembe r 2 4 ARCHITECTURE+ DESIGN54

    JuryP

    anel

    In this cate gory, th e jury preferred giving t wo Comm end ation t rophies and

    two Special Mentions...

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    1. FOYER

    2. PUJA ROOM

    3. DINING

    4. WATER BODY

    5. MASTER BEDROOM

    UPPER GROUND FLOOR PLAN

    SECTION

    ARCHITECTURE+ DESIGN N o vembe r 2 4 57

    1 2

    34

    56

    7

    7

    8

    9

    1011

    12

    13

    14

    15

    6. DRESSER

    7. TOILET

    8. KITCHEN

    9. DECK

    10. UTILITY

    11. POWDER ROOM

    12. LIVING

    13. BEDROOM

    14. LANDSCAPE

    15. VERANDAH

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    No vembe r 2 4 ARCHITECTURE+ DESIGN5 8

    Th e p re s e n c e o f fu l l g ro wn t ro p ic a l t r e e s o n a g e n e r i c

    s u b u rb a n 5 0 x8 0 s it e b e c a m e th e g e n e ra to r o f th e d e s ig n .

    The s ite is loca te d in a su bu rb of the sm all c ity o f Be lgaum .

    Two ro s e w o o d ( sheesham) t re e s a n d a j a ck fru it t re e o c c u p ie d a

    la rge p ar t o f the s i te .

    A s tr a te g y w a s a d o p t e d t o le t t h e t re e s g e n e ra t e t h e h o u s e

    aroun d the m . In th is way , an L-shape d co urtyard is con ce ived as

    a n o p e n s p a c e . Th e p r iv a te a re a s c o a g u la te o n th e we s te rn s id e

    of the co urtyard in the form of a rec tangu la r box conta in ing the

    fou r be droom s , the k itchen and o the r se rv ice fac ilit ie s . The jack

    fru it t ree lie s in the fron t se t b ack and is n o t ion a l ly conn ec ted to

    the in te r io rs o f the h ou se by the l ine ar s ide of the cou rtyard . The

    pu bl ic a reas a rrange them se lves se c t ion a l ly on the ea s te rn s ide .

    In th is wa y, the firs t ac t o f the de s igne r was n o t wh ere to bu ild ,

    bu t ra the r whe re no t to b u i ld . The vo id o r the abse nce of bu i ld ing

    b e c o m e s t h e b e g in n in g .

    The pu bl ic a reas a re n o t s t r ic t ly d iv ide d in to roo m s , bu t ra the r

    a re an in te rconn ec ted se r ies o f overlooking spa ces . Here , the two

    d o m i n a n t sheesham t re e s a n d t h e c o u r t a ro u n d t h e m b e c o m e

    th e a rm a tu re o f th e in t e rio r s p a c e , h o u s in g th e m a in e n t ra n c e

    do or as w e l l a s the s ta ircase . The variega te d se c t ion of the pu bl ic

    area s s tand s in co ntrast with the s trict reg im en tation of the p rivate

    a re a s . Th e p u b lic a re a s a re c o u p le d w ith a g a rd e n s p a c e o n th e

    no rth-eas t tha t overlooks a sm all teak wo od p lan ta t ion . In th is

    m a n n e r, to c o n s e rve th e t re e s o n s it e a n d t a ke a d v a n ta ge o f th e

    Awardee: Thirdspace Architecture Studio, Belgaum

    Project: The House with Two Sheesham Trees, Belgaum

    v ie w o f th e t e a k wo o d t re e s b e c o m e s a s t ra t e g y to s a t is fy th e

    clients need for vastu shastra.

    Th e d e s ig n i s a n a m a lga m a t io n o f s e v e ra l d iv e r s e l a ye r s a n dn e e d s t h e c o n t e xt o f th e t re e s , th e z o n in g o f t h e p u b l ic a n d

    p r i v a t e s p a c e , a n d t h e c l i e n t s i n s i s t e n c e o n vastu shastra ,

    s u b t le c lim a to lo g ic a l in t e rve n t io n s a re a l l r e c o n c i le d in a

    s e a m le s s s p a c e .

    SECTIONAL VIEW

    Category: Residence Design with a Difference

    C om m e nda t i on

    Fact File

    Client: N Lokappa I Design te am (architecture & interiors):

    Praveen S Bavadekar I Built-up area : 3500sq ft I Cost o f

    project: Rs 60,00,000 I Yea r of comp letion : 2014

    GROUND FLOOR PLAN

    1. ENTRANCE

    2. FOYER

    3. LIVING ROOM

    4. POOJA ROOM

    5. DINING

    6. KITCHEN

    7. STORE/UTILITY

    8. SERVANTS ROOM

    9. TOILET

    10. BEDROOM

    11. DECK

    Praveen S Bavade kar

    1

    2

    3

    4

    5

    6

    78 9 9

    10

    11

    N

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    FIRST FLOOR PLAN

    1. LIVING ROOM

    2. FAMILY ROOM

    3. BALCONY

    4. BEDROOM

    5. MASTER BEDROOM

    12

    3

    44

    5

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    The architect has attem pted to give the d esign of the hou sea tradit ional Indian look with th e class and luxury that the

    highly travelled client has experienced. The entrance lobby

    of the hou se has a low h eight volum e w ith a series of skylights.

    It un folds into the do uble h eight living room . The foyer is adorned

    with landscaped e lem ents, and the o verhead pe rgolas cast

    excel lent shadows. The n orth-west entry to the hou se is marked

    by a traditional door, suggesting strong influences of vernacular

    architecture in the wh ole.

    Awardee: Varsha & Deepak Guggari Associates, Pune

    Project: Jad hav House, Pune

    A cozy s it -out which form s an in formal l iv ing observes the

    playful activities in the court. This court consists of a water-body

    and binds the hou se along both longitudinal and transverse axis.

    The semi-open Jacuzzi court of the ground f loor m aster bedroom

    opens in to the swimm ing pool deck accom m odated in the set-

    back of the ho use. The d ining open s into the east lawn, wh ich has

    been created o ver the parking slab o f the b asem ent. A gazebo is

    housed in th is garden w hich is a sem i-open space w i th in the

    garden. Furthe r, the d ining deck form s a covered verand ah. The

    growingfrang ipa n is and o ther tropical plants beautify this garden,

    wh ich remains verdant green throughout the year.

    A straight fl ight staircase rises from the w ater court and leads

    to the ope n corridor on the first floor. The first floo r passage wind s

    into a party terrace, visually connected to the dining, living and

    inform al si t-out on th e groun d f loor. The visual and ph ysical

    connectivity can be witnessed in the house dining open into the

    central court, wh ich further conn ects visually to the living roo m ,

    bind ing both the spaces in the info rm al sit-out. The staircase is

    adorne d w ith an 80 ft long skylight w ith pergolas and glass on to p.Passage leading to the room is screened off from the l iv ing room

    by means of wooden slats. The upper terrace also becomes a

    part of the landscape.

    C om m e nda t i on

    Fact File

    Client: Mr & Mrs Jadhav I Design tea m: Deep ak Guggari, Rashi Sanson,

    Niranjan Bhome I Built-up area : 1 5 0 0 0 sq f t I Cost of project: Rs 5crore

    I Yea r of comp letion : 2 0 1 3

    GROUND FLOOR PLAN

    1. PEDESTRIAL ENTRY

    2. ENTRANCE FOYER

    3. LOBBY

    4. LIVING ROOM

    5. WATER COURT

    6. SIT-OUT

    7. PUJA ROOM

    8. DINING

    9. KITCHEN

    10. UTILITY

    11. FAMILY ROOM

    12. POWDER ROOM

    13. MASTER BEDROOM

    14. TOILET

    15. WALK-IN WARDROBE

    16. JACUZZI

    17. BEDROOM

    18. SHAFT

    19. BACK COURT

    20. SWIMMING POOL21. DECK

    22. GAZEBO

    Category: Residence Design with a Difference

    Deepak Guggari

    N

    1

    2

    3

    45

    67

    8

    9

    10

    11

    12 1314

    14

    14

    15 16

    17

    18

    19

    19

    20

    22

    22

    21

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    ARCHITECTURE+ DESIGN N o vembe r 2 4 6 1

    FIRST FLOOR PLAN

    SECTION

    1. LANDSCAPED COURT

    2. MASTER BEDROOM

    3. BALCONY

    4. TOILET

    5. WALK-IN WARDROBE

    6. BEDROOM

    7. TERRACE

    8. LIVING ROOM BELOW

    9. PASSAGE

    10. NORTH-EAST TERRACE

    11. STUDY ROOM

    12. GYM

    1 2

    3

    3

    6

    6

    7

    7

    8

    9

    4

    4

    4

    5

    10

    11 12

    4

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    No vembe r 2 4 ARCHITECTURE+ DESIGN6 2

    Tr ied and t es t ed vernacula r bu ild ing tech nique s for therm al

    c o m fo r t a re r e c a s t in a c o n t e m p o r a ry fo r m in t h i s

    bu ngalow, se t on a 2 2 ,0 00 sq f t s it e , o f wh ich wate r bodies

    a n d g a r d e n s t a k e u p 1 1 , 0 0 0 s q f t . I n a d d i t i o n a l t o t h e p r i v a t e

    paradi se wi th in it s bou nd ar ies , on e is no t im m ed ia te ly cornered

    wi t h t h e u r b a n c h a o s wh e n h e / s h e s t e p s o u t .

    The cou r tyard ho use is d es igne d w ith a gr id o f 7x7 . The

    ho use has b ee n de s igne d in su ch a wa y tha t a l l the l iv ing spa ces

    a n d p a s s a g e s fa c e o p e n s p a c e s a n d g a r d e n s , wh ic h wa s a ls o t h e

    m ain d es ign conce pt s ince it s ince pt ion , thu s c rea t ing a cen t ra l

    cou rtyard w hich ho lds th e reflect ion po ol m aking i t a m ajor design

    e lem en t . Thi s a lso m akes the de s ign an in t rover t one , lea ving the

    garde n a t backs ide b ut s t ill vis ib le a nd acce ss ib le from a l l the

    ro o m s o f t h e h o u s e .

    Form al liv ing room com es f ir s t a long wi th two b e droo m s

    fol lowed by a 9 wide passage para l l e l to the cent ra l cour tyard

    a n d r e fle c t io n p o o l. Th e p a s s a g e e n d s a t t h e d in in g r o o m a n d

    fa m ily ro o m . Th i s is t h e m a x im u m u s e d a r e a , th u s h a s a b ig

    verandah, which adds va lue to the nor th s ide garden .

    Th e h o u s e h a s b ig o p e n in g s a n d s k y lig h t s t o a llo w a m p l e

    a m o u n t o f lig h t to b e e n t e r e d in t o t h e h o u s e t h ro u g h o u t t h e d a y.

    S c re e n s a n d d e e p v e r a n d a h s p r o t e c t t h e s e h u g e o p e n in g s fro m

    the harsh sun . Veranda hs a lso be com e wo nd er fu l outdo or spaces

    du ring relat ively coo l eve nings an d m ornings.

    Awardee: Hiren Patel Architects, Ahmedab ad, Gujarat

    Project: The Courtyard House, Ahmedabad, Gujarat

    Spe cia l Me nt ion

    Fact File

    Design tea m: Hiren Patel, HPA Design Team I Built-up a rea: 810sq m

    I Yea r of comp letion : 2012

    Du ring th e da y, the living a rea fills u p w ith n atu ral light floo ding

    in through la rge lam ina ted g lass p ane s , which a l so sho wcase s the

    g a r d e n o n o n e s i d e a n d c e n t r a l c o u r t y a r d o n t h e o t h e r . Th e

    c u s t o m -d e s i gn e d wo o d e n d o o rs a n d wi n d o ws h e lp t o c re a t e a

    v isua l ly unify ing the m e throu ghou t the ho m e, as d o i ts prom ine nt

    use of wood and m arble . In kee ping with the lush gree ne ry, the

    ho m e i s de cora ted u s ing a t ropica l pa le t t e o f br ight co lou rs to

    com plem en t the na tura l wo od tone s of furn iture a nd fixtures .

    Th e h o u s e is m a d e o f RC C ro o f s t ru c t u r e c o v e r e d w it h

    w o o d . Th e v e r a n d a h a n d u p p e r ro o m s a re c o v e r e d w it h w o o d .

    Flo o rs a r e c o v e r e d w i th n a t u ra l m a r b le