architecture portfolio 2007-2011

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PORTFOLIO 07-11 / GARY KU

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A selection of my architectural works.

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  • PORTFOLIO 07-11 / GARY KU

  • TYPE

    Figures in a Field

    Project Documentation / Modeling

    Field of Figures

    Design Development & Rendering

    Urban Design

    Fabrication / Installation

    Museum and Research Center

    Fabrication

    Project Documentation

    Two-Family House

    Low-Income Housing

    Miniscule Duplex

    Film Theater and Gallery Complex

    Business Hotel

    Architectural Representation

    GARY KU CONTENTS /

    ACADEMIC / PROFESSIONAL

  • TITLE

    / SCHOOL OF FIGURES IN A FIELD

    / VARIOUS / JOHNSTON MARKLEE

    / HOUSE IN A FIELD OF FIGURES

    / QINGDAO AUDIT BUREAU / SKIDMORE, OWINGS & MERRILL

    / SUBURBAN ESCALATION

    / A VARIATION ON CORRUGATION

    / YALE ARCHITECTURE ARCHIVE

    / YALE ARCHITECTURE ARCHIVE FAADE

    / VARIOUS / KILO ARCHITECTURES

    / BUILDING PROJECT HOUSE

    / MULTIFAMILY HOUSING

    / COHABITATION CUBE

    / TRIBECA CINECEUM

    / W STEAM HOTEL

    / ANALYSIS & REPRESENTATION OF ARCHITECTURE

    PAGE

    / 06

    / 26

    / 28

    / 42

    / 46

    / 64

    / 68

    / 78

    / 82

    / 84

    / 96

    / 104

    / 110

    / 120

    / 128

    INSTRUCTOR / PRINCIPAL

    / Prof. John Patkau

    / Sharon Johnston, Mark Lee

    / Prof. Hernan Diaz Alonso

    / Brian Lee, Timothy Poell

    / Prof. Ljiljana Blagojevic

    / Prof. Brennan Buck

    / Prof. Joel Sanders

    / Prof. Brennan Buck

    / Linna Choi

    / Prof. Alan Organschi

    / Prof. Deborah Gans

    / Prof. Deborah Gans

    / Prof. Martin Cox

    / Prof. Martin Cox

    / Prof. Sunil Bald

    YEARS 2007-2011SELECTED PROJECTS

  • EDUCATION

    Yale University School of Architecture, New Haven, CT / M.Arch I

    UC Berkeley College of Environmental Design, Berkeley, CA /B. A. in Architecture with Distinction, 3.57

    Kbenhavns Universitet, Copenhagen, Denmark / Denmark International Study Program / Summer Studio & Course in Scandinavian Architecture

    WORK EXPERIENCE

    Johnston Marklee & Associates, Los Angeles, CA/ Hut House, Hawaii / bid set documentation incl. landscape element design/ Execution of detailed 5x5 presentation model

    Dreamworks Animation SKG, Inc., Glendale, CA/ Consultant to the New Business Initiatives division for undisclosed project/ Performed competitive/market analysis, Interface design and mock-ups, presentation and video editing

    Skidmore, Owings and Merrill LLP, Chicago, IL/ Qingdao Audit Bureau Tower, China / developed primary option during schematic design, including massing, faade, spire, podium; presentation/ Ningbo Tower, China / developed podium-tower concept, faade options

    Kilo Architectures, Paris, France/ Berliet Showroom, Morocco / presentation plans and sections/ Montabo Hotel, French Guiana / presentation plans and sections/ Oualalou House, Morocco / working models

    Periphery Design, New Haven, CT/ Jensen House, USA / SD-DD for kitchen-bedroom addition

    Ong & Ong Architects, Singapore/ Wu Gallery, Singapore / solo SD through CA for a private gallery/ Singapore Tower, Dubai / SD-DD, conceived of and developed selected scheme, including facade, massing, and tower-podium relationship

    2011 MAY

    2006 MAY

    2005 SUMMER

    2011 JULY 2011 OCTOBER

    2011 JUNE 2011 JULY

    2010 SUMMER

    2009 SUMMER

    2008 SUMMER

    2006 AUGUST 2007 MAY

    GARY KU

    EMAIL / [email protected] / 00 1 714 206 0511

  • Stanley Saitowitz, San Francisco, CA/ schematic design for loft project / rendering and graphic design work

    AWARDS AND PUBLISHED WORK

    Retrospecta / Yale University Press/ project, Suburban Escalation (urban design)/ project, A Variation on Corrugation (installation)/ project, YAA/Facade (facade design)/ paper, Abstraction to Its Logical Conclusion, analysis of visual rhetoric in work by Mies and Sejima

    Teaching Assistantship / Religion & Modern Architecture/ funding & logistics for weeklong trip to Cairo, Alexandria, and Luxor, Egypt.

    Winning Team & Construction Intern2008 Yale Building Project/ designed winning house scheme together with six other students/ developed and built winning scheme, including DD/CD, framing, finishing, fixture installation, siding

    WinnerEisner Prize, UC Berkeley/ Berkeleys highest prize for architectural design, awarded after competitive portfolio review

    WinnerLibrary Prize, UC Berkeley/ Berkeleys highest prize for undergraduate research, awarded for analysis of the historiography and social purpose of Trajans Markets/ paper published in Clios Scroll, Berkeleys honors history journal

    SKILLS

    SoftwareRhinoceros, AutoCAD, ArchiCAD, 3DS Max, Maya, Mental Ray, V-Ray, MaxwellRender, Adobe Creative Suite, Adobe After Effects, ArcGIS

    FabricationLaser cutting, ABS Plastic and Powder 3D printing, 3- and 5-axis CNC milling

    2006 JANUARY -2006 APRIL

    2010201020102009

    2009 SPRING

    2008 APRIL 2008 AUGUST

    2006 MAY

    2004 APRIL

    LOCATION / LA CAADA FLINTRIDGE, CALIFORNIA, USA

  • MANY LITTLE MOVES /

  • SCHOOL OF FIGURES IN A FIELDYALE UNIVERSITY / 1115B ADVANCED DESIGN STUDIO / PROF JOHN PATKAU / SPRING 2011

  • This project is about loose programs nestled among figures, gently emerging from a field condition carved upon a hillside, that slowly condense into an alternative school for young makers and inventors.

    I sought a gentle space of ambiguous boundaries, the interstial space among elements rather than the rigidly defined space of geometric volumes.

    I started simply be visually the given program not as square footage, but as individual program elements, pieces of furniture, giving scale to a landscape and sensation to a topography. (DIAGRAM, RIGHT.)

    STAN ALLENS FIELD CONDITION DIAGRAMS*

    *STAN ALLEN, FIELD CONDITIONS, IN POINTS + LINES: DIAGRAMS AND PROJECTS FOR THE CITY. (PRINCETON, NJ: PRINCETON ARCHITECTURAL PRESS, 1999), 98.

    INVESTIGATION, A FIELD CONDITION ON A SLOPE

    10 / GARY KU / [email protected]

  • SCHOOL OF FIGURES IN A FIELD / PATKAU / SPRING 2011 / 11

  • INITIAL EXPLORATIONSThe first sketch models focused on the challenge of articulating the relationship between the members of a field and the slope. This initial series of sketches gradually developed more order and regularity until, unfortunately, the desired looseness seemed lost among deep carvings and strictly linear belt roof bands. After considering these models I refocused on the treatment of the topography itself as key to the project, as opposed to relying on field conditions which were applied to or floated above the landscape.

    1 / SKETCH MODEL / STICKS 2 / SKETCH MODEL / STICKS-HILL CUT

    12 / GARY KU / [email protected]

  • 3 / SKETCH MODEL / STICKS-BELT 4 / SKETCH MODEL / BELT-TROUGH

    SKETCH PLAN / SKIRT

    SCHOOL OF FIGURES IN A FIELD / PATKAU / SPRING 2011 / 13

  • FORM, THINLY SPREADThe final scheme focused on an obsessive accumulation of small moves over the larger, more singular moves of earlier studies, creating a loose, ambiguous spread of program, circulation, and boundaries. Programs requiring assembly or security (auditoria,library) are focused in more specific figures in the landscape, whereas more individual or dynamic programs (studio space, workshops, exhibition) are loosely spread over the landscape.

    KEY SKETCH MODEL / SHALLOW LANDSCAPE

    14 / GARY KU / [email protected]

  • FINAL MODEL

    SCHOOL OF FIGURES IN A FIELD / PATKAU / SPRING 2011 / 15

  • SITE

    PHOTO / SITE FROM ABOVE DAM, FACING EAST

    SITEThe site, a jutting hill with a 1:2 slope on its north side and a 1:1 slope on its south side, was chosen because it provided the opportunity to apply stress to the idea of a field condition. The inherent directionality of a slope, the challenge of creating usable terrain while preserving its original characteristics, the ability to differentiate programs by simply placing them on the other side of the hill, all were useful in the development of the basic field condition into a series of figures within a field.

    16 / GARY KU / [email protected]

  • SITE MAP

    SCHOOL OF FIGURES IN A FIELD / PATKAU / SPRING 2011 / 17

  • 18 / GARY KU / [email protected]

  • SCHOOL OF FIGURES IN A FIELD / PATKAU / SPRING 2011 / 19

  • ENCLOSURE, FIELD OF AFFECTThe enclosureessentially, the roof, the which wraps around the hillwas difficult in that, for pragmatic reasons, it had to be a relatively singular thing. The final solution was to hot slump glass over curved steel beams. Sunlight refracting through the glass would create a field of affect.

    ROOF SKETCH MODEL / FIELD OF AFFECT FORMED FROM REFRACTED LIGHT

    DETAIL MODEL / 1/4:1

    20 / GARY KU / [email protected]

  • DETAIL MODEL / 1/4:1

    SCHOOL OF FIGURES IN A FIELD / PATKAU / SPRING 2011 / 21

  • STRUCTURE, REGULAR UPON IRREGULARThe columns which support the roof are placed at the intersection between a regular x-axis 16-foot-interval column grid and every sixth topography line, creating a field from overlapping a regular and irregular systems.

    FINAL MODEL / SURVEYING

    22 / GARY KU / [email protected]

  • FINAL MODEL / SURVEYING

    DIAGRAM / ARROWS INDICATE COLUMNS PLACED AT THE INTERSECTION OF THE X-COLUMN GRID AND EVERY SIXTH TOPOGRAPHY LINE

    SCHOOL OF FIGURES IN A FIELD / PATKAU / SPRING 2011 / 23

  • FINAL MODEL / LIBRARY

    24 / GARY KU / [email protected]

  • FINAL MODEL / CLASS AREA

    FINAL MODEL / WORKSHOPS AND STUDIOS

    SCHOOL OF FIGURES IN A FIELD / PATKAU / SPRING 2011 / 25

  • RENDER & DOCUMENTATION / ENCLOSURE SYSTEM FOR KAUAI HUT HOUSE / EQUIPMENT FENCE APPLICATION

    RENDER / ENCLOSURE SYSTEM FOR KAUAI HUT HOUSE / FRONT GATE APPLICATION

    WORK / JOHNSTON MARKLEE / LOS ANGELES

    During Summer & Fall 2011 I worked on several projects for Johnston Marklee, notably a quarter-scale presentation model for the renovation of a series of art studios and an enclosure system for a house in Kauai, based on vernacular Hawaiian gates.

    1'-3

    "1'

    -3"

    1'-3

    "1'

    -3"

    3"

    1'-3

    "1'

    -3"

    3"

    83/4"

    6"

    6'-1

    1/2

    "

    10 1

    /2"6"

    WDF

    EL 205'-6"T.O. CONCRETE PAD

    CONCRETE PAD

    4'-1

    0 3/

    4"

    6'-1

    1/2

    "

    WDF

    EL 205'-6"T.O. CONCRETE PAD

    POOL EQUIPMENT LAYOUT T.B.D.

    CONCRETE PAD

    WDF

    RED CEDARPOST

    26 / GARY KU / [email protected]

  • PRESENTATION MODEL / GRAD ART STUDIOS RENOVATION PRESENTATION MODEL / GRAD ART STUDIOS RENOVATION

    PRESENTATION MODEL / GRAD ART STUDIOS RENOVATION W/ IAN CHRISTOPHER

    WORK / JOHNSTON MARKLEE / SUMMER-FALL 2011 / 27

  • ONCE UPON A HOUSE /

  • HOUSE IN A FIELD OF FIGURESYALE UNIVERSITY / 1107A ADVANCED DESIGN STUDIO / PROF HERNAN DIAZ ALONSO / FALL 2010

  • This project is about loose spaces among a series of figures, a field of gentle volumes that eventually becomes a house.

    Typically, classical volumetric space is formed by hard, binary divisions, accessed through binary mechanismsa door is either open or closed, and a house so divided functions accordingly. This creates a rigid hierarchy among programs.

    DOOR,

    HARD (BINARY) DIVISION

    RIGID SPACE

    30 / GARY KU / [email protected]

  • LIFTED WALL,

    SOFT (VARIABLE) DIVISION

    A loose space is one formed from soft, variable divisions. Activities occur in areas of greater or lesser privacy, more or less formal density. Programs settle within a web of local relationships, dynamically formed, without explicit boundaries.

    LOOSE SPACE

    HOUSE IN A FIELD OF FIGURES / DIAz ALONSO / FALL 2010 / 31

  • Loose space may be formed in plan by a single line curving back upon, but never actually contacting itself. This curving loosely defines spaces within relatively stronger and weaker lobe figures. When combined with several other such lines, a field of figures begins to emerge.

    1 /

    2 /

    3 /

    (SPACE)

    (SPACE)

    (SPACE)

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    (SPACE)

    (SPACE)

    (SPACE)

    ARTICULATION IN PLAN

    32 / GARY KU / [email protected]

  • PHOTO / CLOUDS OFF THE ALEUTIAN ISLANDS (SOURCE: NASA GODDARD SPACE FLIGHT CENTER)

    (SPACE)

    (SPACE)

    (SPACE)

    (SPACE)

    (SPACE)

    (SPACE)

    (SPACE)

    (SPACE)

    (SPACE)

    (SPACE)

    (SPACE)

    (SPACE)

    (SPACE)

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    (SPACE)

    (SPACE)

    (SPACE)

    (SPACE)

    (SPACE)

    (SPACE)

    HOUSE IN A FIELD OF FIGURES / DIAz ALONSO / FALL 2010 / 33

  • Volume is created by applying the curves to two guide surfaces, representing the inner (interior) and outer (exterior) surfaces of the building. Curves are then individually adjusted to form additional interior spatial variety and more comfortably accomodate different programs.

    ARTICULATION IN SECTION

    1 / CURVES TAKEN FROM PLAN 2 / CURVES APPLIED TO OUTER AND INNER GUIDE SURFACES

    34 / GARY KU / [email protected]

  • 3 / INNER CURVES ADJUSTED TO FORM MORE COMPLETE ENCLOSURE 4 / WALLS FORMED BY LOFTING BETWEEN INNER & OUTER CURVES

    HOUSE IN A FIELD OF FIGURES / DIAz ALONSO / FALL 2010 / 35

  • COMPOSITE PHOTO / HOUSE ON SITE IN SILVERLAKE, LOS ANGELES, CA

    36 / GARY KU / [email protected]

  • HOUSE IN A FIELD OF FIGURES / DIAz ALONSO / FALL 2010 / 37

  • SECTION / LONGITUDINAL (EAST-WEST)

    38 / GARY KU / [email protected]

  • HOUSE IN A FIELD OF FIGURES / DIAz ALONSO / FALL 2010 / 39

  • MODEL / INTERIOR HALLWAY TOWARDS LIVING ROOM

    40 / GARY KU / [email protected]

  • KITCHEN

    LIVING

    STUDY

    MASTER BED

    BED

    BATH

    BATH BED

    FOYER

    PLAN / GROUND FLOOR

    RENDER / ROOF

    HOUSE IN A FIELD OF FIGURES / DIAz ALONSO / FALL 2010 / 41

  • RENDER / SHOWER & VERANDA

    RENDER / STUDY

    42 / GARY KU / [email protected]

  • RENDER / HALLWAY

    RENDER / MASTER BEDROOM

    HOUSE IN A FIELD OF FIGURES / DIAz ALONSO / FALL 2010 / 43

  • RENDER / LIVING ROOM

    44 / GARY KU / [email protected]

  • HOUSE IN A FIELD OF FIGURES / DIAz ALONSO / FALL 2010 / 45

  • WORK / SKIDMORE, OWINGS & MERRILL / CHICAGO

    During my internship at Skidmore, Owings & Merrill I was involved with the schematic design of the Qingdao Audit Bureau, a office-residential-retail development in Qingdao, China. I aided in the development of the massing, faade, spire, and podium; presentation layout, rendering, and the final presentation model.

    DIAGRAM / TOWER SPIRE OPTIONS SECTION DETAIL / OVERLAPPING SOUTH FACADE W/TIM POELL, ETC

    DIAGRAM / QINGDAO TOWER / SPIRE OPTIONS

    46 / GARY KU / [email protected]

  • RENDER / QINGDAO TOWER / WEST ELEVATION

    PRESENTATION MODEL / QINGDAO TOWER W/ PAVLO KRYVOZUB, ETC

    RENDER / QINGDAO TOWER / ATRIUM

    WORK / SKIDMORE, OWINGS & MERRILL / SUMMER 2010 / 47

  • URBANISM /

  • SUBURBAN ESCALATIONYALE UNIVERSITY / 1022B URBAN DESIGN / PROF LJILJANA BLAGOJEVIC / SPRING 2010

  • 0 0.125 0.25 0.5 1 mi

    N

    DOWNTOWN

    UPPERSOUTHPROVIDENCE

    FEDERAL HILL

    VALLEY

    SMITH HILL

    WAYLAND

    COLLEGE HILL

    FOX POINT

    JEWELRY

    LOWERSOUTHPROVIDENCE

    WEST END

    CENTRAL HIGH SCHOOLPublic Secondary School

    W. HISPANIC SENIOR CENTERGeriatric Care

    R. I. MEDICIAL SOCIETYR. I. NEIGHBORHOOD HEA LTH PLANFOUNDRY SPORTS MEDICINEHEALTH & WELLNESS INSTITUTER. I. BLOOD CENTER

    DIOCESE OF P ROVIDENCEHISPANIC MINISTRY DEPT

    CHEATERSADULT VIDEO & NEWSMEGA-PLEX

    RHODE ISLAND HOSPI TALHASBRO CHILDRENS HOSPI TALWOMEN & INFANTS HOSPI TAL

    SPRAGUE ENERGY TERMINAL

    PETES TIRE BARN

    ST JOSEPH SPECIA LTY CARE

    MARY E. FOGARTY ELEM. SCHOOL

    GILBERT STUART MIDDLE SCHOOLWEST END COMMUNITY CENTERKNIGHT MEMORIAL LIBRA RYALFRED LIMA ELEM . SCHOOL

    LIFESPAN CORPOR ATIONHospital System

    St. Patricks Church Hispanic Ministry

    Our Lady of Mt. Carmel

    R. I. Hispanic Min.

    Cathedral of SS. Peter & Paul

    St. Charles Borromeo

    St. Michaels

    Holy Rosary Rectory

    St Josephs Church

    HISPANIC DOMINANT AREAS

    ROMAN CATHOLIC PARISHES

    Providences most marginalized ethnic groups are also its fastest growing, yet the city has largely failed to integrate its periphery with its economic and cultural center. A highway starkly divides Downtown Providence from its surrounding suburbs.

    This project proposes the unification of Providence by water and by architectural form.

    POOR / HISPANIC

    PROVIDENCE DIVIDED

    50 / GARY KU / [email protected]

  • 0 0.125 0.25 0.5 1 mi

    N

    DOWNTOWN

    UPPERSOUTHPROVIDENCE

    FEDERAL HILL

    VALLEY

    SMITH HILL

    WAYLAND

    COLLEGE HILL

    FOX POINT

    JEWELRY

    LOWERSOUTHPROVIDENCE

    WEST END

    MOSES BROWN SCHOOLQuaker Friends Day SchoolEst. 1784

    BROWN UNIVERSITYIvy League UniversityEst. 1764

    R.I. SCHOOL OF DESIGNArt SchoolEst. 1877

    23% of color77% white

    32% other8% Hispanic60% white

    13% other7% Hispanic81% white

    31% other30% Hispanic39% white

    JOHNSON & WALESPrivate UniversityEst. 1914

    CLASSICAL HIGH SCHOOLMagnet Secondary SchoolEst. 1843

    WATERFIR

    E

    WHITE DOMINANT AREAS

    SITE

    WEALTHY / CAUCASIAN

    URBAN DESIGN / BLAGOJEVIC / SPRING 2010 / 51

  • RHODE ISLAND IS 30% WATER

    (PROVIDENCE)

    CONNECTION / LINKED LAND-WATER NETWORKS

    52 / GARY KU / [email protected]

  • LEFT / STACK BUS AND FERRY TERMINALS

    RIGHT / MULTIMODAL TERMINAL

    A PREVIOUSLY UNKNOWN PROVIDENCE BY KAYAK

    BOAT

    BOAT

    BUS

    BOAT

    BOATBUS

    URBAN DESIGN / BLAGOJEVIC / SPRING 2010 / 53

  • The proposed canal will cut deep into Providence, activating a series of water-based transportation and recreational areas that constitute Providences other side.

    1 / SUBURBAN BRIDGE 2 / MULTIMODAL BUS-MARINA-WATER TAXI TERMINAL 3 / ESCALATED SUBURBANITY

    5

    4

    3

    2

    1

    1

    *SECTION BY TYLER SURVANT

    54 / GARY KU / [email protected]

  • 4 / TIDAL PARK 5 / LIDO 6 / FERRY TERMINAL 7 / CUT-AND-FILL RECREATIONAL ISLAND 8 / MARINA

    6

    7

    8

    URBAN DESIGN / BLAGOJEVIC / SPRING 2010 / 55

  • Suburban Hills Downtown Valley25

    0

    150

    98

    HOUSES PARK / TERMINAL CANAL

    HEIGHT ZONING

    RIVERDOWNTOWN HOUSES

    Height of 3rd tallestdowntown tower

    Highway I-95

    A highway starkly divides Downtown Providence from its surrounding suburbs. Instead of trying to resolve mutually incompatible urban and suburban typologies, the latters forms are escalated over the formers fabric: one lifestyle raised to the densities of another.

    DENSITY RELATED TO ELEVATION / CUT AT 50 ft

    DENSITY ESCALATION RELATED TO DOWNTOWN SECTION

    ESCALATED AGGLOMERATION AT DOWNTOWN END

    CONNECTION / SUBURBAN ESCALATION

    56 / GARY KU / [email protected]

  • FAUX

    GROU

    ND

    TRUE

    GROU

    ND

    HIGHWAY

    UNIFIE

    D URBA

    N FACA

    DES

    CONNEC

    TIVE D

    ISCRET

    E SUB

    URBAN

    UNIT

    S

    CONNEC

    TIVE PA

    RK

    SUBURB

    S

    SPARSE

    DOWNTO

    WN

    DENSE

    BRIDGI

    NG UNI

    TS

    A

    B

    C

    D

    E

    F

    G

    H

    URBAN DESIGN / BLAGOJEVIC / SPRING 2010 / 57

  • The suburban agglomeration is cropped at the edges of the urban mass below to create a unified facade that reads at an urban scale from the true street level. Meanwhile, within the faux level the agglomeration reads as many discrete units, maintaining an escalated suburban lifestyle at increasingly urban densities.

    FINAL MODEL / SEGMENT OF SUBURBAN ESCALATION

    58 / GARY KU / [email protected]

  • 0 / Camouflaged big box retail among storefront retail A1 / Units placement from agglomeration algorithmA2 / Units cropped to edge of urban mass to unify urban facadeA3 / Passageways cut where units touchA4 / Back yards cut where passageways meet urban facade

    B1 / Second level of units from agglomeration algorithmB2 / Units cropped to edge of urban mass to unify urban facadeB3 / Where units intersect shared yards are cutB4 / Additional yards cut to create evenly discrete unitsB5 / Passageways connect yards

    0+A+B / Final suburban-urban agglomeration

    *Repeat for C, D, etc. levels as density accumulates

    SHORT SECTION / FACING EAST

    A1

    B1

    0

    B2

    B3

    B4

    B5

    0+ A+B

    A2

    A3

    A4

    URBAN DESIGN / BLAGOJEVIC / SPRING 2010 / 59

  • PLAN GROUND LEVEL: RETAIL, OFFICES, MECHANICAL PARKING ACCESS

    PLAN LEVEL 3: TIER 2 DISCRETE HOUSING, COURTYARDS

    For overlap to occur the faux suburban fabric must be continued at a constant elevation from the original suburban fabric, such that urban programs can utilize the space underneath. Suburban commercial programs such as big box stores and supermarkets are camouflaged by placement among typical mixed-use urban retail programs. Vehicular access and storage between the faux and true levels is achieved by compact, vertical mechanical parking systems installed in-between.

    60 / GARY KU / [email protected]

  • PLAN LEVEL 2 (FAUX GROUND LEVEL): YARDS, MECHANICAL PARKING ACCESS

    ROOF PLAN

    URBAN DESIGN / BLAGOJEVIC / SPRING 2010 / 61

  • MODEL / SHORT SECTION / FACING WEST

    62 / GARY KU / [email protected]

  • MODEL / UNIFIED URBAN ELEVATION

    URBAN DESIGN / BLAGOJEVIC / SPRING 2010 / 63

  • INSTALLATION / A VARIATION ON CORRUGATION

    The Art & Architecture Buildings famous corrugated concrete is continued into a stairwell niche and then warped to articulate difference. The 1.5-0.5 corrugated rhythm is then cut into the warped form, with the cuts signified by a reflective coating.

    1215B INNER WORLDS / PROF BRENNAN BUCK / TEAM WITH JUAN ASTASIO / SPRING 2010

    64 / GARY KU / [email protected]

  • DETAIL PHOTO / MILLED FOAM AND CHROME MYLAR SURFACE

    INNER WORLDS / BUCK / FALL 2009 / 65

  • PHOTO OF INSTALLATION IN BUILDING

    66 / GARY KU / [email protected]

  • DETAIL PHOTO / MILLED FOAM AND CHROME MYLAR SURFACE

    INNER WORLDS / BUCK / FALL 2009 / 67

  • INSTITUTIONAL BUILDING /

  • YALE ARCHITECTURE ARCHIVEYALE UNIVERSITY / 1021A INTEGRATED BUILDING STUDIO / PROF JOEL SANDERS / FALL 2009

  • A center for the exhibition, research, and storage of architectural artifacts. Researchers spiral up into the light, visitors spiral down into the gallery, the public has a sunny space inbetween.

    64'

    1 / CONTEXTUAL MASSING 2 / PUBLIC PLAZA CUT-OUT 3 / SCALE INTERLOCK

    70 / GARY KU / [email protected]

  • RESEARCH

    ADMIN

    LOBBY

    AUD

    GALLERY

    ARCHIVES

    SCHO

    LAR

    PUBL

    IC

    CIRCULATIONPROGRAM

    YALE ARCHITECTURAL ARCHIVE / SANDERS / FALL 2009 / 71

  • OFFICES

    OFFICES

    ISSUING GROUP STUDY

    DIGITAL RM

    GALLERY CLASSROOMS

    MECHANICAL

    LOADING/PROCESSING

    RESTROOMS LOBBY

    ARCHIVES

    AUDITORIUM

    GALLERY

    GALLERY

    ARCHIVES

    GALLERY CLASSROOMS

    LOADING

    MECHANICAL

    DIGITAL MEDIA

    DIGITAL MEDIA

    +0'

    B1-12'

    B2-30'

    B3-42'

    2+12'

    3+24'

    4+36'

    5+51'

    ROOF+69'

    2 4 80 16 32 64

    SECTION / NORTHERN EDGESECTION / EASTERN EDGE

    MODEL / NORTH ELEVATION MODEL / WEST ELEVATION

    72 / GARY KU / [email protected]

  • OFFICES

    OFFICES

    ISSUING GROUP STUDY

    DIGITAL RM

    GALLERY CLASSROOMS

    MECHANICAL

    LOADING/PROCESSING

    RESTROOMS LOBBY

    ARCHIVES

    AUDITORIUM

    GALLERY

    GALLERY

    ARCHIVES

    GALLERY CLASSROOMS

    LOADING

    MECHANICAL

    DIGITAL MEDIA

    DIGITAL MEDIA

    +0'

    B1-12'

    B2-30'

    B3-42'

    2+12'

    3+24'

    4+36'

    5+51'

    ROOF+69'

    2 4 80 16 32 64

    SECTION / WESTERN EDGE

    MODEL / EAST ELEVATIONMODEL / SOUTH ELEVATION

    SECTION / SOUTHERN EDGE

    YALE ARCHITECTURAL ARCHIVE / SANDERS / FALL 2009 / 73

  • DIGITALRESEARCH

    ROOM

    REF AREA

    OPEN OFFICE

    (UPPER DIGITALRESEARCH ROOM)

    MATERIALSRESEARCH

    MATERIALSRESEARCHOPEN TO

    BELOW

    MATERIALSRESEARCH

    ISSUING DESK

    REF AREA

    REF AREA

    EXEC OFFICES

    REF AREA

    AUDITORIUM

    CLASS

    SEMINAR

    GALLERY

    (OPEN TO ARCHIVE)

    SEMINAR

    GALLERY

    MECHANICAL

    COMPACT ARCHIVE

    MECHANICAL

    STORAGE

    ARCHIVISTOFFICES

    DIGITAL ARCHIVE

    MODEL PREP/STORAGE

    ARCHIVE

    ENTRANCE PLAZA

    LOBBY

    RECEPTION

    MENS WC

    WOMEN WC(OPEN TO GALLERY)

    AUDITORIUM

    (OPEN TOGALLERY)

    PLAN LVL 2 (UPPER PLAZA)

    B3 B2

    LVL 3

    74 / GARY KU / [email protected]

  • DIGITALRESEARCH

    ROOM

    REF AREA

    OPEN OFFICE

    (UPPER DIGITALRESEARCH ROOM)

    MATERIALSRESEARCH

    MATERIALSRESEARCHOPEN TO

    BELOW

    MATERIALSRESEARCH

    ISSUING DESK

    REF AREA

    REF AREA

    EXEC OFFICES

    REF AREA

    AUDITORIUM

    CLASS

    SEMINAR

    GALLERY

    (OPEN TO ARCHIVE)

    SEMINAR

    GALLERY

    MECHANICAL

    COMPACT ARCHIVE

    MECHANICAL

    STORAGE

    ARCHIVISTOFFICES

    DIGITAL ARCHIVE

    MODEL PREP/STORAGE

    ARCHIVE

    ENTRANCE PLAZA

    LOBBY

    RECEPTION

    MENS WC

    WOMEN WC(OPEN TO GALLERY)

    AUDITORIUM

    (OPEN TOGALLERY)

    B1 GROUND FLOOR / PLAZA

    LVL 4 LVL 5

    YALE ARCHITECTURAL ARCHIVE / SANDERS / FALL 2009 / 75

  • READING ROOM

    AUDITORIUM

    GALLERY STAIR

    GALLERY

    76 / GARY KU / [email protected]

  • YALE ARCHITECTURAL ARCHIVE / SANDERS / FALL 2009 / 77

  • FABRICATION / YALE ARCHITECTURAL ARCHIVE FACADE

    An ccrylic full-scale model of Yale Architectural Archive faade. A multitude of translucent colored fins creates a striated, all-over effect. The fins are inserted into a bracket which fixes their positions; the brackets are attached to vertical supports.

    1220A ON THE FACE OF IT / PROF BRENNAN BUCK / FALL 2009

    FINAL FULL-SCALE MODEL

    UNFOLDED FAADE FROM THE YALE ARCHITECTURAL ARCHIVE

    78 / GARY KU / [email protected]

  • 1/16:1 MODEL OF THE ORIGINAL PROJECT, THE YALE ARCHITECTURAL ARCHIVE

    ON THE FACE OF IT / BUCK / FALL 2009 / 79

  • EACH SET OF FIVE FINS HAS ONE

    CHROME FIN (RED) IN A DIFFERENT

    POSITION TO CREATE VARIANCE IN THE

    COLOR FIELD

    80 / GARY KU / [email protected]

  • FULL-SCALE MODEL DETAIL

    FULL-SCALE MODEL

    ON THE FACE OF IT / BUCK / FALL 2009 / 81

  • WORK / KILO ARCHITECTURES / PARIS, FRANCE

    During Summer of 2009 I interned at the Paris firm of a Yale/GSD graduate, Linna Choi. I was asked to develop a spare, simple office style for presentation graphics, with which I reintrepreted several key projects.

    PLACE PIETRI / SECTION / COMPOSITION FORMATTING SHADING

    PLACE PIETRI / FORMAL DIAGRAMS

    MULSANNE / ELEVATION

    82 / GARY KU / [email protected]

  • MUSEUM IN MOROCCO / GROUND PLAN

    MULSANNE / SECTION

    0 1 2 4 8m

    WORK / KILO ARCHITECTURES / SUMMER 2009 / 83

  • DOMESTIC ARCHITECTURE /

  • YALE BUILDING PROJECTYALE UNIVERSITY / 506B BUILDING PROJECT / ELEVEN PERSON TEAM / PROF ALAN ORGANSCHI / SPRING 2008

  • A duplex for two veterans located in New Havens Hill Neighborhood. One veteran is part of a family of five and partially disabled, while the other veteran is single and fully able. The house has a square footprint divided into a large ground floor unit for the disabled veteran and a smaller second level loft unit for the single veteran. (Group project.)

    1/16:1 MODEL IN NEIGHBORHOOD CONTEXT

    86 / GARY KU / [email protected]

  • BUILDING PROJECT / SPRING 2008 / 87

  • ELEVATION / SOUTHELEVATION / WEST

    DIAGRAM / PROGRAM IN SECTION AND GROUND PLAN

    FAMILY

    TENANT

    SOC

    IAL

    PO

    CH

    E

    PR

    IVATE

    88 / GARY KU / [email protected]

  • ELEVATION / EAST ELEVATION / NORTH

    SECTION (WITH TOMEK SMIERZCHALSKI)

    BUILDING PROJECT / SPRING 2008 / 89

  • PLAN / GROUND LEVEL

    90 / GARY KU / [email protected]

  • FINAL MODEL / FRONT AND SOUTH ELEVATIONS

    FINAL MODEL / ROOF REMOVED TO SHOW TENANT SPACE

    BUILDING PROJECT / SPRING 2008 / 91

  • PHOTO / BUILDING PROJECT HOUSE FRAMING

    Construction during Spring-Summer 2008, including framing, glazing, siding, fixture installation, cabinetry, interior finishing.(Photos courtesy Susan Surface)

    92 / GARY KU / [email protected]

  • PHOTO / CONSTRUCTION

    BUILDING PROJECT / SPRING 2008 / 93

  • PHOTOS / CONSTRUCTION

    94 / GARY KU / [email protected]

  • PHOTO / BUILDING PROJECT HOUSE NEARING COMPLETION

    BUILDING PROJECT / SPRING 2008 / 95

  • DOMESTIC ARCHITECTURE /

  • SINGLE-PARENT COMMUNITY HOUSINGYALE UNIVERSITY / 502B DOMESTIC ARCHITECTURE / PROF DEBORAH GANS / SPRING 2008

  • SOLUTIONPrioritize parenting/family over individual privacywrap individual programs around group programs,creating an immediate connection.

    IMPLEMENTATION1 / Draw axis between Master Bedroom A and Main Living Space B.2 / Offset to create volume.3 / Offset perimeter shelving/storage.4 / Attach individual/private programs to primary axis.5 / Program niches are created by the attachment of the individual programs.

    The location of the kitchen and the parents bedroom at extremities allows for easy outdoor surveillance.

    PROBLEMThe traditional corridor house prioritizes individual privacy over family community, making it more difficult for a single parent to manage a household and increasing maintance, etc.

    Solo

    Solo

    Social

    Social

    Solo

    Solo

    corridor

    SocialCore

    Individual Programs

    1 2 3 4 5

    The rooms of each apartment are arranged on a spine of social space, which extends between the parents bedroom and the kitchen. A series of interlocking balconies and courtyards allows a community to form around raising the kids.

    98 / GARY KU / [email protected]

  • KING P

    LACE

    TRUMAN STREET

    SINGLE-PARENT COMMUNITY HOUSING / GANS / SPRING 2008 / 99

  • LONGITUDINAL SECTION / SITE A

    PLAN / LVL 1 SITE A

    100 / GARY KU / [email protected]

  • PLAN / LVL 2 SITE A

    SINGLE-PARENT COMMUNITY HOUSING / GANS / SPRING 2008 / 101

  • SITE MODEL

    MODEL / CLOSE-UP

    102 / GARY KU / [email protected]

  • MODEL / CLOSE-UP OF INTERSTITIAL SPACES

    MODEL / STREET ELEVATION

    SINGLE-PARENT COMMUNITY HOUSING / GANS / SPRING 2008 / 103

  • DOMESTIC ARCHITECTURE /

  • COHABITATIONYALE UNIVERSITY / 502B DOMESTIC ARCHITECTURE / PROF DEBORAH GANS / SPRING 2008

  • There exists a 16 ft by 16 ft house for two people, one of an infinite series of cubical plots, accessed from below. One is a reclusive blogger, the other an extroverted dancer. The space for the latter spirals around the box of the former. The blogger and the dancer never meet, yet are tacitly aware of each othera bump here, a tap there, an overheard conversationthrough the wrapping of one space around another. They consciously own their respective spaces, yet subconsciously it is never entirely theirs.

    CUBICAL SITE

    106 / GARY KU / [email protected]

  • SECTION

    COHABITATION / GANS / SPRING 2008 / 107

  • LVL 0 PLAN

    LVL 1 PLAN

    LVL 2 PLAN

    108 / GARY KU / [email protected]

  • COHABITATION / GANS / SPRING 2008 / 109

  • FILM RESEARCH CENTER /

  • TRIBECA CINECEUMYALE UNIVERSITY / 501A ARCHITECTURAL DESIGN / PROF MARTIN COX / FALL 2007

  • 1 / ANONYMOUS DOOR 2 / INFORMATION 3 / DISLOCATION 4 / INSTALLATION

    ANALOGY TO DE MARIAS EARTH ROOM INSTALLATION

    DISLOCATION AND REINTRODUCTION SEQUENCE

    1 / THEATER, ENTRANCES. THE POSTERS

    CORRESPOND TO THE FILM PLAYING IN EACH

    THEATER. EACH THEATER HAS ITS OWN ENTRANCE.

    2 / THEATER, ENTRY PASSAGEWAY. AS THE VIEWER

    NEARS THE THEATER SPACE, PIECES OF LIGHT AND

    SOUND BEGIN TO RESOLVE AN INDIVIDUAL FILMIC

    EXPERIENCE.

    3 / THEATER, BENCH SEATING.

    112 / GARY KU / [email protected]

    The TriBeCa Cineceum is a film exhibition, and teaching complex associated with the TriBeCa Film Festival. This project proposes an architectural analogue for to the dislocation of place central to cinema. Each theater is treated like an individual installation, with its own entrance. The user enters from a nondescript door andthrough the use of pocheis dislocated from the outside world. However, all audience members end in the same place, a post-function space of galleries, seminar rooms, and a cafe.

  • MODEL / REAR YARD

    5 / EXIT TO GALLERY PROMENADE ON 3RD LEVEL. 6 / ROOFTOP INSTALLATION GARDEN4 / THEATER, PROJECTION SCREEN.

    TRIBECA CINECEUM / COX / FALL 2007 / 113

  • 1 / AN OBSERVER WOULD

    EXPECT THE VISIBLE

    THEATER VOLUMES TO BE

    CONTINUOUS, AS VISIBLE

    THROUGH THE GALLER

    GLAZING AND THE EXTERIOR

    PORTIONS.

    2 / HOWEVER, THE ACTUAL

    THEATERS WITHIN THE BOX

    OF THE MAIN MASS ARE

    SIMPLY EXTRUDED VOLUMES.

    3 / THE REAL RELATIONSHIP

    IS OF THE VOLUMES

    AS SIMPLE SIGNS OF A

    THEATER, NOT THE REALITY.

    4 / THE ACTUAL FORM VISIBLE

    ON DIFFERENT FLOORS AS

    APPARENTLY CONTINUOUS IS

    EXCLUSIVE OF THE THEATER

    VOLUMES.

    5 / THE INTERIOR OF THE

    VISIBLE VOLUMES IS A

    CROPPED VERSION OF THE

    ENTIRE VOLUME.

    FORMAL DISLODGING FROM THE OUTSIDE WORLD

    MODEL / GROUND FLOOR OF THE CINECEUM, INDIVIDUAL THEATER ENTRANCES CARVED THROUGH POCHE

    114 / GARY KU / [email protected]

  • theater 1 theater 2 elevator

    GALLERY

    ROOF

    stairs

    theater 3 theater 4

    TRIBECA CINECEUM / COX / FALL 2007 / 115

  • LVL B1 / BLOCKBUSTER THEATER

    LVL 1 / ENTRANCE

    116 / GARY KU / [email protected]

  • LVL 3 / POST-FUNCTION PROMENADE

    LVL 2 / UPPER THEATER LEVEL

    TRIBECA CINECEUM / COX / FALL 2007 / 117

  • LVL 5 / ROOF & INSTALLATION ROOMS

    LVL 4 / GALLERY

    118 / GARY KU / [email protected]

  • MODEL / STREETSIDE ELEVATION

    MODEL / ROOF CLOSE-UP

    TRIBECA CINECEUM / COX / FALL 2007 / 119

  • BUSINESS HOTEL /

  • W STEAM HOTELYALE UNIVERSITY / 501A ARCHITECTURAL DESIGN / PROF MARTIN COX / FALL 2007

  • LOCKERS/LAP POOL

    LOBBY, CAF, LOUNGE, CONFERENCE

    ROOMS)

    CONDENSATION POOL

    LEVEL 4, TYPICAL CONFIGURATION

    LEVELS 5-7

    STEAM LEVELS

    EVERYONE IN ROBES

    AUXILLARY PROGRAM

    STREET CLOTHES

    122 / GARY KU / [email protected]

    A proposal for a specialized W Hotel in New Haven based upon the social precedent of Russian, Finnish, and Japanese saunas and bathhouses. The hotel creates a sanctuary from the outside world. Guests leave the baggage of their lives behind and change into identical robes. Freed of markers of status and identity, each guest gains an aura of anonymity. Meanwhile, each room is a miniature sanctuary of its own, heightening ones senses through an invigorating play of temperature and touch otherwise unfamiliar in a largely hermetic, air-conditioned world.

  • W STEAM HOTEL / COX / FALL 2007 / 123

  • 1 / LOBBY

    PLANS / INDIVIDUAL ROOM

    SECTIONS / INDIVIDUAL ROOMwarm air

    cool exterior air

    cool exterior air

    bed

    bed

    warm air

    2 / LOCKERS / CHANGING 3 /CANTILEVERED POOL

    124 / GARY KU / [email protected]

  • 4 / STAIRWAY TO HOTEL 5 / PROMENADE 6 / VIEW THROUGH HOTEL ATRIUM

    W STEAM HOTEL / COX / FALL 2007 / 125

  • TIER 4 LOWER UNITS

    LVL 1 LOBBY

    LVL 2 LOCKERS / POOL

    TIER 4 PROMENADE TIER 4 UPPER UNITS

    126 / GARY KU / [email protected]

  • TIER 5 PROMENADE

    RENDER / ENTRANCE

    TIER 6 PROMENADE TIER 7 PROMENADE

    W STEAM HOTEL / COX / FALL 2007 / 127

  • DRAWING / REPRESENTATION OF BUILT FORM 810B ANALYSIS & REPRESENTATION OF ARCHITECTURE AS BUILT FORM / PROFS SUNIL BALD & KYLE DUGDALE / SPRING 2009

    Work completed for 810b, Analysis and Representation of Architecture as Built Form, including the documentation of Rudolph Hall, the interpretation of a sectional fragment as a plan and model, and analysis of the Yale Center for British Art stair drum .

    PENCIL ON BRISTOL / CENTER FOR BRITISH ART STAIR DRUM ANALYSIS

    128 / GARY KU / [email protected]

  • PENCIL ON BRISTOL / PLAN / RUDOLPH HALL LVL 3

    MODEL / SECTIONAL FRAGMENT AS SPACE

    REPRESENTATION OF BUILT FORM / BALD & DUGDALE / SPRING 2009 / 129

  • ELEVATION LOWER PLAN

    130 / GARY KU / [email protected]

  • UPPER PLAN AXONOMETRIC

    REPRESENTATION OF BUILT FORM / BALD & DUGDALE / SPRING 2009 / 131