ANTIPANICO#1001

per Heavy Metal Sax (Alex Sebastianutto, figlio mio!) & La Banda ANBIMA 2010

by © STEPHEN MELILLO IGNA 24 August 2010

Maurice Sebastianutto Stefano Alex Sebastianuttoin Piani di Luzza 25 August 2010.. “I miei figli!”

Alex Sebastianutto Alex in Concert in Lignanojust days later...

TECHNICAL

At measure 2, a number of things happen. First... there is no time. The wind players will deliver a cluster. It should remain very quiet! Here are the following sub-groups in the cluster.

1. Flute 1-2, Oboe & Bassoon2. Clarinet 1-2 & Bass Clarinet3. Saxophones4. Horns5. Trumpets6. Low Brass

Develop an indication for each of these sub-groups. Then through signaling, make each section swell and fade through the texture. Depending on how your band is set, you can also pass through the rows with dynamic swells. (A video of our rendering at Lignano may soon be available online as a guide to this aleatoric section.) You can also devise your own creative “playing” with the textures once you are familiar with the resultant colours and effects.

MUSICAL & “The Story!”

Alex was prepared to play the 2nd movement of ONCE MORE UNTO the BREACH... I SHALL HEAR in HEAVEN... with La Banda ANBIMA 2010. It was 24 August. The 1st concert was 2 days away. “Wouldn’t it be nice if we could take the forces of La Banda ANBIMA, and the talents of Alex Sebastianutto and create a 1st movement for I Shall Hear in Heaven, while at the same Time providing a great learning experience for the kids?”

On the doors in the hotel, you see “Don’t Panic” signs. In Italian, ANTIPANICO just sounds like it should be a piece. Earlier that day while working with Intonation on the 3rd day, and for the VERY FIRST TIME in 3 days producing a dominant 7th chord in the overtone series by playing only a unison, I spoke to the kids about how Beethoven could compose without physical hearing. Indeed, the kids were already “tuning” to the internalized Concert F that 3 days of rigor had provided them.

That night I decided to quickly ... and “silently...” compose, orchestrate using the system I employed for quick Stand charts in the late 70s and early 80s, and prepare parts for a 25 August rehearsal with Alex! Now that’s “fresh!” On the next night, we “premiered” it. Special thanks to Alex for “spiking up” the Sax part! The kids and audience loved it and as a result, here it is now.

The Band parts are relatively simple for quick sight-reading and producing. Indeed, in just 2 takes, we were concert-ready! The Tenor Sax Solo Part is for a guest artist or feature soloist with the ad-libbing skills and flare of an Alex Sebastianutto. This work is dedicated to Alex and to all of the Kids and Staff of ANBIMA 2010. Divertiti! Godspeed! Stefano!

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