analysis of visual arts

67
ANALYSIS OF VISUAL ARTS GROUP 3 Cambaliza, Jhoanna Marie B. Gan, Edward Christian R.E. Palencia, Alfred Foster M. Pascual, Karl Alexis M. Radam, Edzel D. April 15, 2014

Upload: koleenpaderes

Post on 20-May-2017

219 views

Category:

Documents


0 download

TRANSCRIPT

Page 1: Analysis of Visual Arts

ANALYSIS OF VISUAL ARTS

GROUP 3

Cambaliza, Jhoanna Marie B.Gan, Edward Christian R.E.Palencia, Alfred Foster M.

Pascual, Karl Alexis M.Radam, Edzel D.

April 15, 2014

Page 2: Analysis of Visual Arts

ANALYSIS OF VISUAL ARTS

Form

Page 3: Analysis of Visual Arts

ANALYSIS OF VISUAL ARTS

FormMedium

Page 4: Analysis of Visual Arts

ANALYSIS OF VISUAL ARTS

FormMediumSubject Matter

Page 5: Analysis of Visual Arts

ANALYSIS OF VISUAL ARTS

FormMediumSubject MatterStyle

Page 6: Analysis of Visual Arts

FORM

Page 7: Analysis of Visual Arts

FORM

- It refers to the physical aesthetic qualities of the image.

- Encompasses the ELEMENTS OF ART and PRINCIPLES OF ORGANIZATION that guide the artists in art-making.

Page 8: Analysis of Visual Arts

FORM

Elements of Art Principles of Organization

Page 9: Analysis of Visual Arts

ELEMENTS OF ART

Page 10: Analysis of Visual Arts

PRINCIPLES OF ORGANIZATION

Page 11: Analysis of Visual Arts

Guideline questions for the viewer in describing, interpreting, and analyzing the form:

1. What are the dominant elements in the artwork?2. How are these used?3. How is the main subject matter treated in

relation to the background?4. How is space used within the frame?5. How does dominant element affect you?6. Is there a balance of forms or do some objects

cover most the frame?

Page 12: Analysis of Visual Arts

MEDIUM

Page 13: Analysis of Visual Arts

MEDIUM It Refers to the materials used by artist. It may vary in different forms Painting uses oil, watercolor, acyrilic,

poster paint, fresco or tempera.Sculpture uses wood, plaster, marble, clay and other tactile materials.

Page 14: Analysis of Visual Arts

DRAWING• CHALK

Allows you to have a variety of tonal areas. Through the use of tonal areas.

Page 15: Analysis of Visual Arts

• CHARCOALIt is a burnt woos and therefore create a

smudge easily on paper

Page 16: Analysis of Visual Arts

EXAMPLE

Page 17: Analysis of Visual Arts

• PASTELA light and pale color color chalks. The

dust it creates on paper can remain in place through the use of fixative spray

Page 18: Analysis of Visual Arts

EXAMPLE

Page 19: Analysis of Visual Arts

PAINTING IN OIL• It is the most popular medium in two dimensional expession because it offers a wide variety of coloes. It is used on canvas and the pigments are mixed with oil.• It dry up slowly, retouching and reworking are possible.• Texture can also be created through a variety of brush strokes and several layers of paint,

Page 20: Analysis of Visual Arts
Page 21: Analysis of Visual Arts
Page 22: Analysis of Visual Arts

WATER COLOR PAINT• Artist enable to do a transparent painting on paper. • It dries up easily• Once a colors overlap, it can create other color tones.

Page 23: Analysis of Visual Arts

• EXAMPLE

Page 24: Analysis of Visual Arts
Page 25: Analysis of Visual Arts

POPULAR MEDIUMS

Page 26: Analysis of Visual Arts

ACRYLIC

Dissolves in water and uses acrylic polymer as a binding agent.

Dry fast, thin and resistant to cracking under temperature and humidity extremes.

Page 27: Analysis of Visual Arts

ACRYLIC PAINTINGS

Page 28: Analysis of Visual Arts

PRINTS

Prints are made with several different types of media, including metal, wood, stone, and silkscreen, each with a distinct look and feel. 

All prints fall under one of three general categories, which depend on their method of reproduction: relief, intaglio, and planographic. 

Page 29: Analysis of Visual Arts

RELIEF PRINTINGWoodcuts

Wood Engraving

Page 30: Analysis of Visual Arts

INTAGLIOEtching Aquatint

• printed from a recessed design into paper

Page 31: Analysis of Visual Arts

PLANOGRAPHIC PROCESS• involves an image printed from a flat surface.

Serigraphy (Silk screen) Lithography

Page 32: Analysis of Visual Arts

PHOTOGRAPHY• A Photography is done using camera. An image is captured

through the lens of a camera and is printed on a photographic paper through a chemical process. The material used in photography has evolved from film to digital.

Page 33: Analysis of Visual Arts

CLAY• Medium used in sculpture. It comes in three forms: Earthenware, which can

be sunbaked; stoneware, hard pottery made from siliceous paste, fired at high temperature to vitrify the body; and Porcelain, which imparts a smooth, color and decorative effects.

Page 34: Analysis of Visual Arts

METAL AND BRONZE• Require casting which involves making a mold of terracotta and then plaster of paris,

inserting a core and pouring in the molten metal or bronze. METAL BRONZE

Can be shaped by hammering or melted, cast, molded or pressed into predetermined shapes. (Ductility)

Can be cut, welded, cast, molded, polished, producing durable and permanent results.

Page 35: Analysis of Visual Arts

WOOD

• Commonly used in Philippines.

• Some examples of wood used for sculpture are narra, batikuling, kamagong, langka, santol, marang and molave.

Page 36: Analysis of Visual Arts

OTHER MEDIUMS

Page 37: Analysis of Visual Arts

Sculpture

PaperDiscarded junk

Driftwood Shell

Rubber Tires

Page 38: Analysis of Visual Arts

Eric Joisel•He took up origami in 1983, and just four years later had his first exhibition, in Pari•October 10, 2010, from lung cancer. He was just 53 years old

Paper (origami)

Page 39: Analysis of Visual Arts

Mario Mallari Jr.

"KNUCKLEHEAD is a HARLEY model introduced in 1931

• made of 100% recycled meta• the turning wheels came from a broken

bonsai tool cart and the rest , bits and pieces collected from old metal junks, bolts, nuts and screws.

• This piece has at least 5 layers of clear coat to prevent rust and corrosion.

• It stands 12"L x 4"W 8"H and weighs 4.2 kilos.

• It comes with a Certificate of Authenticity and is signed and dated."

Discarded junk

Page 40: Analysis of Visual Arts

Driftwood

By : James Doran Webb

Page 41: Analysis of Visual Arts

CAPIZ SHELL

Page 42: Analysis of Visual Arts

RUBBER TIRES

By: Yong Ho Ji

Page 43: Analysis of Visual Arts

ARCHITECTURESTONE AND BRICKGLASSFIBERGLASSPLASTIC

Page 44: Analysis of Visual Arts

STONE AND BRICK

Bahay na bato in Batanes

Page 45: Analysis of Visual Arts

GLASS

Water/Glass House, Atami, Shizuoka Prefecture, 1995

Page 46: Analysis of Visual Arts

FIBERGLASS AND PLASTIC

Zhu Pei worked with a manufacturer of fiberglass-reinforced plastic to develop a translucent fiberglass block for his Blur Hotel in Beijing. The architect wanted the building, which will sit near the East Gate of the Forbidden City, to glow like a Chinese lantern.

Page 47: Analysis of Visual Arts

PHOTOGRAPHY

FILMS

Page 48: Analysis of Visual Arts

FILMSUSED FOR ANALOG CAMERA

Page 49: Analysis of Visual Arts

Installation artsIron bars, metal sheets, bottles,

glasses, light bulbs and many other form are put together

Page 50: Analysis of Visual Arts

 Installation art titled ‘Chairs’, made of wooden chairs by Japanese artist Tadashi Kawamata, during Abu Dhabi Art at Saadiyat island, off the coast of Abu Dhabi, United Arab Emirates.

Page 51: Analysis of Visual Arts

OTHER SAMPLES

Colored pencils Post-it notes

Page 52: Analysis of Visual Arts

Cassette tapesTrash

Page 53: Analysis of Visual Arts

Record Dirt on car

Page 54: Analysis of Visual Arts

Cake

Page 55: Analysis of Visual Arts

GUIDE QUESTIONS IN DESCRIBING, ANALYZING AND

INTERPRETING THE FORM• What is the medium used by the artist?• Does the maedium enhance the beauty of

the image?• How well does the medium selected show

the artistic representation?• If the artist chose another medium, do

you think the same effect will be achieved? Why and how?

Page 56: Analysis of Visual Arts

SUBJECT MATTER

Page 57: Analysis of Visual Arts

• What an art is all about• May be human figure, landscape,

commemoration of an event, etc.

SUBJECT MATTER

Page 58: Analysis of Visual Arts

GUIDE QUESTIONS IN DESCRIBING, ANALYZING AND INTERPRETING THE

FORM• What is the main figure of the artwork?

• How do the other figures in the artwork affects the main figure?

• What is the significance of the figure/s to you in terms of personal, historical, social, or political value?

Page 59: Analysis of Visual Arts

STYLE

Page 60: Analysis of Visual Arts

HISTORICAL PERIOD

Page 61: Analysis of Visual Arts

SCHOOL OF ARTIST

Page 62: Analysis of Visual Arts

REALISM

Page 63: Analysis of Visual Arts

EXPRESSIONISM

Page 64: Analysis of Visual Arts

ABSTRACT

Page 65: Analysis of Visual Arts

GUIDE QUESTIONS IN DESCRIBING, ANALYZING AND

INTERPRETING THE FORM

• What particular characteristics does this artwork have that are also present in other works by the same artist?

• Describe the use of elements of art and principles of design that identify the artwork with other works done in the same era or movement.

Page 66: Analysis of Visual Arts

THE GUIDE QUESTIONS CAN LEAD TO AN APPRECIATION OF THE AESTHETICS QUALITY OF

ART.

a) Form (the elements and principles of organization)

b) Mediumc) Subject matter

-Style of an artwork gives us a ready outline through to begin a formal

analysis of an artwork.

Page 67: Analysis of Visual Arts

THANK YOU!

PPT by: E.C.Gan