an introduction to: the aeneid and “augustus and the principate”

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Page 1: An Introduction to: The  Aeneid and  “Augustus and the Principate”

An Introduction to:The Aeneid

and “Augustus and the Principate”

T. Tiemermsa

LVV-4U1

Takes most of the period.

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Page 2: An Introduction to: The  Aeneid and  “Augustus and the Principate”
Page 3: An Introduction to: The  Aeneid and  “Augustus and the Principate”

Publius Vergilius Maro

Studied rhetoric, medicine, and astronomy at early age

Abandoned those pursuits to study philosophy

Spellings and variations of names

a. Virgilb. Vergilc. Virgilius

Page 4: An Introduction to: The  Aeneid and  “Augustus and the Principate”
Page 5: An Introduction to: The  Aeneid and  “Augustus and the Principate”

Livius Codex

Page 6: An Introduction to: The  Aeneid and  “Augustus and the Principate”

Augustus & the Principate

Another Level to the Aeneid

(Some background information)

You do not have to copy all of

this information.

Page 7: An Introduction to: The  Aeneid and  “Augustus and the Principate”

A National Poem• Written at a time of optimism, to represent a new and

exciting time.• It gave the Romans an equivalent to Homer and

explored what they were like, what they should be like and what they could achieve.

• The majority of Virgil’s life, Rome was in a period of civil war, or civil war was around the corner.

• The Aeneid combines the Homeric age, with the Augustan period, merging myth with historical fact.

IMPORTANT:• Virgil manages to include the past, present, and

future, in a way that we do not see in Homer, through the use of prophecy, myth, Roman legends, and finally, Stoic (“virtue is sufficient for happiness”) philosophy used by the humans and gods in the poem

Page 8: An Introduction to: The  Aeneid and  “Augustus and the Principate”

A Brief History of Rome…

• After the founding of Rome, there were seven kings – most were Etruscan

• The last king was ousted by Brutus and the Republic was created in 509 B.C.

• The Romans were very proud of the way Rome was run and feared those who sought absolute power.

This was the problem with Caesar.

Page 9: An Introduction to: The  Aeneid and  “Augustus and the Principate”

Social Unrest and Revolt:Before the Death of Caesar

Emergence of the

First Triumvirate: Julius Caesar, Crassus, Pompey Crassus killed by Parthians 53

BCE Senate support of Pompey versus

Caesar Crossing the Rubicon – civil war

b/t Pompey and Caesar Defeat of Pompey Caesar made dictator 47 BCE

Julius Caesar

Page 10: An Introduction to: The  Aeneid and  “Augustus and the Principate”

Julius Caesar Initiates Reforms

• Adopts Egyptian solar calendar – Julian Calendar with 365 days (July)

• Libraries, Theatres, Public Works• Citizenship to people in Gaul and Spain

Page 11: An Introduction to: The  Aeneid and  “Augustus and the Principate”

Assassination– Killed by senatorial

opponents (led by Brutus and Cassius – hailed as saviours of the Republic)

– Instigated by his usurpation of power and their fear that he would become emperor

– Died March 15, 44 BC• Stabbed by 20 senators• Brutus and Cassius

Page 12: An Introduction to: The  Aeneid and  “Augustus and the Principate”

After Caesar dies:• At this point Octavian (Caesar’s nephew)

returned to Rome to claim his inheritance

• Octavian returns with Marc Antony and fights a civil war against Brutus and Cassius.

Brutus and Cassius are defeated!

Suetonius wrote: “Octavian showed no mercy to his beaten enemies. He sent Brutus’ head to Rome to be thrown at the feet of Caesar’s statue.”

Page 13: An Introduction to: The  Aeneid and  “Augustus and the Principate”

The Second Triumvirate

• There is another possibility of civil war with Antony over leadership, but Octavian splits the empire three ways between himself, Antony, and Lepidus -

OCTAVIAN

ANTONY

LEPIDUS

Page 14: An Introduction to: The  Aeneid and  “Augustus and the Principate”

Tension between Octavian and Antony

• Tension rises with Antony and Octavian but Antony marries Octavian’s sister

• Lepidus and Octavian fall out – Octavian now has complete power over the west, whilst Antony has the East.

• Antony had been living in the East with Cleopatra, who had an illegitimate son with Caesar called Caesarion, Antony called him “King of Kings” – direct attack on Octavian’s inheritance.

• Octavian used this to portray Antony as a defector from Rome, who had created an independent Eastern Empire.

Page 15: An Introduction to: The  Aeneid and  “Augustus and the Principate”

• When senators loyal to Antony attack Augustus in the senate, Augustus reacts so strongly that they flee to Egypt.

• Augustus then claimed that they were setting up their own senate in Egypt.

• Octavian then seized Antony’s will and published it – within it Antony stated he wanted to be buried next to Cleopatra in Egypt

• Octavian showed this to be a betrayal of Rome and his sister, and waged war against Cleopatra – not another civil war.

Page 16: An Introduction to: The  Aeneid and  “Augustus and the Principate”

Battle of Actium• Cleopatra and Antony were easily defeated in Egypt.• They both committed suicide and their son and

Caesarion were killed by Octavian.• Octavian had now become the single most powerful

man in the Roman world and had to protect his position.• Aware of the Romans’ feelings about dictatorship

Octavian did everything he could to show he did not want absolute power.

• If he was ever bestowed with honours, he made it appear as though it was the senate’s idea and often refused.

• He even claimed he would resign at one point, and the senate fearing another civil war (by those who sought his position) begged him to stay.

Page 17: An Introduction to: The  Aeneid and  “Augustus and the Principate”
Page 18: An Introduction to: The  Aeneid and  “Augustus and the Principate”

Empire

• Octavian “restores” power to the Senate

• Awarded titles of Augustus and imperator

• Expands into Balkans, Germany

• Establishes Praetorian Guard

Caesar Augustus (Octavian)

Page 19: An Introduction to: The  Aeneid and  “Augustus and the Principate”

The Customs of the Ancestors• More power than any other citizen, yet no one

could claim he wanted to be king or dictator.• Augustus - return to the golden age, or

returning to the mos maiorum, customs of the ancestors.

• Long period of civil war, the Romans were optimistic and believed Augustus could save them.

• Augustus promoted piety, marriage, proper behaviour, peace, family life and started a building regime.

Page 20: An Introduction to: The  Aeneid and  “Augustus and the Principate”

Augustan Propaganda

• Augustus presented himself as the ideal Roman citizen – pietas, auctoritas (like Aeneas)

• He wanted to be viewed as a father to the Roman people and under Maecenas, his friend, many poets were encouraged to write pro – Augustan literature.

• Maecenas supported and influenced struggling poets.

• This literature highlighted and praised Augustus’ ideals, e.g. Horace’s ode on the battle of Actium.

Page 21: An Introduction to: The  Aeneid and  “Augustus and the Principate”

The Aeneid

• Virgil attempted to write an epic both showing the greatness of the Roman race (and what they could become) and linking the hero with their hero – Augustus.

• The legend was developed, made more well known and used to highlight a link between Augustus and both Aeneas and the gods.

• Augustus is represented as the culmination of years of history and his rule is made to appear fated.

• He would make Rome glorious again.

Page 22: An Introduction to: The  Aeneid and  “Augustus and the Principate”

I. The Aeneid:

• written in 12 books in Homeric fashion (it is an EPIC)• not like the Iliad (an inherited part of Greek national

consciousness)– it was a deliberate attempt to glorify the nation and to

elaborate on the ideals and achievements of the Roman state under its first emperor, Augustus

– it was a work of Imperial PROPAGANDA– all events of the Roman past (esp. the civil wars) found their

fulfillment in the peaceful and prosperous age of Augustus– it is a legendary narrative – a story about the imagined

origin of the Roman nation in times long before the foundation of Rome itself

Refer to theFill-in-the-blank

section.

Page 23: An Introduction to: The  Aeneid and  “Augustus and the Principate”

Virgil’s Masterpiece

• Virgil spent 11 years on this poem, but unfortunately died before he was finished (20-22 unfinished lines)

• He wanted the poem to be burnt, but the emperor Augustus would not allow this and had it published after his death.

• The poem is now over 2000 years old and is still considered to be one of the greatest poems ever written…

Page 24: An Introduction to: The  Aeneid and  “Augustus and the Principate”

II. Opening Lines:

“ARMA VIRUMQUE CANO”“I sing of arms and the hero”

The first 6 books, roughly, of the Aeneid relate Aeneas's-- 'the man's'-- wanderings after the fall of Troy, just as Homer's Odyssey narrates Odysseus's various peregrinations on his return voyage home. The last six books, concern the bloodshed and battle-- 'weapons'-- which greet Aeneas in his quest to found a new city on the coast of Italy.

Page 25: An Introduction to: The  Aeneid and  “Augustus and the Principate”

• Next, Virgil invokes the muse. “I pray for inspiration…”.

• Vergil enlists the muse of Epic, Calliope, as a companion in the enterprise of recalling Aeneas' story. Vergil singles out Juno, queen of the gods, as the impetus for the events leading to both Aeneas' fantastic voyage and subsequent warfare; it is her wounded numen, her injured sense of self as a goddess and supernatural being, that spurs her vendetta against the mortal Aeneas, and which turns the wheels of the divine machinery omnipresent in the epic.

Page 26: An Introduction to: The  Aeneid and  “Augustus and the Principate”

First 11 Lines, Dactylic Hexameter Scanned

Page 27: An Introduction to: The  Aeneid and  “Augustus and the Principate”

After which, he poses an epic question.

“Is it in a god’s nature to nurse an abiding fury?”

In other words…

“Can divine beings have such enormous wrath?”

The final line-- "can immortal souls indeed harbor such terrible wrath?"-- is a novel twist to a prologue, a sudden anxious query on the part of the narrator about the ramifications of the story which he causing to be told. It is true enough that the story of Aeneas may be seen as a triumphant tale: Aeneas founds the city that shall, in time, become the most powerful in the western world. But throughout his journey Aeneas encounters so much wrath, ira, both from mortals [Dido, Turnus, Mezentius] and immortals [Juno, Aeolus' winds, Allecto] that this violent, intemperate force threatens to color darkly our view of the poem.

Page 28: An Introduction to: The  Aeneid and  “Augustus and the Principate”

III. Characters:

AENEAS:

• son of Venus and Anchises

• husband of Creusa

• father of Ascanius

• leader of the Trojan quest for a new homeland

• Trojan prince, allied to, but not descended from Priam

TROY

Page 29: An Introduction to: The  Aeneid and  “Augustus and the Principate”
Page 30: An Introduction to: The  Aeneid and  “Augustus and the Principate”

ASCANIUS:• son of Aeneas and Creusa• founder of Alba Longa• also called IULIUS – to relate him to the

Julian family of Julius Caesar and Augustus

DIDO:• daughter of Belus, King of Tyre (Phoenicia)• her husband, Sychaeus, was murdered by

her brother, Pygmalion• she was warned in a dream by Sychaeus to

escape (went to Libya) and founded Carthage

Page 31: An Introduction to: The  Aeneid and  “Augustus and the Principate”

IV. Stock Epithets

• Aeneas, the great of heart• steadfast, Aeneas• Aeneas, the true• Aeneas, son of a goddess• Juno, the generous• Juno, Queen of all the divine• Venus, the kind life giver• Venus, the Cytherean (Cythera – island near

Greece where she was worshipped)

Page 32: An Introduction to: The  Aeneid and  “Augustus and the Principate”

V. Epic Similies

• picture of Neptune calming a storm – Neptune is like a statesman calming a noisy assembly

• when Aeneas comes to Carthage, he compares the workmen to bees

• Queen Dido is likened to Diana• When the mist around Aeneas

dissolved, he is likened to a work of art in ivory or in gold and silver

Page 33: An Introduction to: The  Aeneid and  “Augustus and the Principate”

VI. Rules of Conduct

• “Avoid Excess” – the Aeneid depicts many examples of thoughtless excess leading to disaster (esp. when someone is carried too far by an exclusive love for some person or thing)

• “Be True” – loyal to the gods, to the homeland, and to family, friends, and dependents [i.e., Aeneas, the True]

Page 34: An Introduction to: The  Aeneid and  “Augustus and the Principate”
Page 35: An Introduction to: The  Aeneid and  “Augustus and the Principate”
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Page 38: An Introduction to: The  Aeneid and  “Augustus and the Principate”
Page 39: An Introduction to: The  Aeneid and  “Augustus and the Principate”

Aeneas arrives at Carthage

Page 40: An Introduction to: The  Aeneid and  “Augustus and the Principate”

Banquet with Dido at her Palace

Page 41: An Introduction to: The  Aeneid and  “Augustus and the Principate”

Venus sends Cupid to Dido

Page 42: An Introduction to: The  Aeneid and  “Augustus and the Principate”

Dido Meets Ascanius

Page 43: An Introduction to: The  Aeneid and  “Augustus and the Principate”

Aeneas Relates his Story to Dido

Page 44: An Introduction to: The  Aeneid and  “Augustus and the Principate”

Hector Appears to Aeneas in a Dream: “Save Yourself!”

Page 45: An Introduction to: The  Aeneid and  “Augustus and the Principate”

Close-up

Page 46: An Introduction to: The  Aeneid and  “Augustus and the Principate”

Creusa tries to Restrain Aeneas

Page 47: An Introduction to: The  Aeneid and  “Augustus and the Principate”

Aeneas Gets his Family

Page 48: An Introduction to: The  Aeneid and  “Augustus and the Principate”

Anchises holds the

household gods

Page 49: An Introduction to: The  Aeneid and  “Augustus and the Principate”
Page 50: An Introduction to: The  Aeneid and  “Augustus and the Principate”

You follow behind, Woman

Page 51: An Introduction to: The  Aeneid and  “Augustus and the Principate”

“Creusa, if you

keep on dancing, you’re

going to get lost!”

Page 52: An Introduction to: The  Aeneid and  “Augustus and the Principate”

“Hey, where are

you Creusa?Gee, she was right behind me!”

Page 53: An Introduction to: The  Aeneid and  “Augustus and the Principate”

Trojan Refugees at the Shore

Page 54: An Introduction to: The  Aeneid and  “Augustus and the Principate”

Penates to Aeneas“Leave Crete, It’s not the Destined Land!”

Page 55: An Introduction to: The  Aeneid and  “Augustus and the Principate”

The Cyclopes at Sicily

Page 56: An Introduction to: The  Aeneid and  “Augustus and the Principate”

Aeneas and Followers Flee Cyclopes

Page 57: An Introduction to: The  Aeneid and  “Augustus and the Principate”

Dido Shows Carthage to Aeneas

Page 58: An Introduction to: The  Aeneid and  “Augustus and the Principate”

Scenes from the Year spent with Dido

Page 59: An Introduction to: The  Aeneid and  “Augustus and the Principate”

Aeneas and Achates Building Carthage

Page 60: An Introduction to: The  Aeneid and  “Augustus and the Principate”

Aeneas and Dido in their “Marriage Cave”

Page 61: An Introduction to: The  Aeneid and  “Augustus and the Principate”

A False Marriage

Page 62: An Introduction to: The  Aeneid and  “Augustus and the Principate”

Dido Burns with Love for Aeneas

Page 63: An Introduction to: The  Aeneid and  “Augustus and the Principate”

Mercury Calls on Aeneas

Page 64: An Introduction to: The  Aeneid and  “Augustus and the Principate”

Dido confronts Aeneas and Begs Him to Stay

Page 65: An Introduction to: The  Aeneid and  “Augustus and the Principate”

Aeneas sails from

Carthage

Page 66: An Introduction to: The  Aeneid and  “Augustus and the Principate”

Dido Watching Aeneas Leave

Page 67: An Introduction to: The  Aeneid and  “Augustus and the Principate”

Dido Abandoned

Page 68: An Introduction to: The  Aeneid and  “Augustus and the Principate”

Dido Prepares for Suicide

Page 69: An Introduction to: The  Aeneid and  “Augustus and the Principate”

Dido Commits Suicide

Page 70: An Introduction to: The  Aeneid and  “Augustus and the Principate”

The Funeral

Pyre

Page 71: An Introduction to: The  Aeneid and  “Augustus and the Principate”

The People of Carthage

Lament the Death of Dido

Page 72: An Introduction to: The  Aeneid and  “Augustus and the Principate”

Farewell to Dido

Page 73: An Introduction to: The  Aeneid and  “Augustus and the Principate”

Aeneas has Left Carthage

Page 74: An Introduction to: The  Aeneid and  “Augustus and the Principate”

Funeral Games for Anchises at

Drepanum, Sicily

Page 75: An Introduction to: The  Aeneid and  “Augustus and the Principate”

The Boxing Contest

Page 76: An Introduction to: The  Aeneid and  “Augustus and the Principate”

Aeneas and Men Sail Past Scylla and Charybdis

Page 77: An Introduction to: The  Aeneid and  “Augustus and the Principate”

Passage to the Sibyl’s Cave

Page 78: An Introduction to: The  Aeneid and  “Augustus and the Principate”

Descent to the Underworld

Page 79: An Introduction to: The  Aeneid and  “Augustus and the Principate”

Venus Disguised as Huntress

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Page 81: An Introduction to: The  Aeneid and  “Augustus and the Principate”

“These people work like bees!”

Page 82: An Introduction to: The  Aeneid and  “Augustus and the Principate”

1. Primarily, story is fictiona. No Trojans or Greeks settled in Latium in 12th Century BCb. First signs of civilization are from much laterc. Ethnically, Romans a are blend of Etruscans and local peoples in the Italian region (not Greek or Trojan)

Historical Accuracy

Page 83: An Introduction to: The  Aeneid and  “Augustus and the Principate”

2. Influenced heavily by Homer’s Iliad (which is based on at least some fact) and Odyssey (but Aeneid is still distinct; more to come on that later)3. References to events and people from centuries just preceding composition are accurate4. Although difficult to determine for certain, seems that Romans saw as a fictionalized account of true events

Aeneas and Sibyl sacrificing

to gods of the underworld.

Page 84: An Introduction to: The  Aeneid and  “Augustus and the Principate”

Shared Characteristics with Homeric epics1. Considered literary or secondary epic (to set apart from primitive or primary epics, like Homer’s)

a. Shows that Homer’s works were oral, improvisationalb. Virgil’s created in the epic tradition but written

and designed to be read rather than recited

Circe transforms Aeneas and men into beasts. Aeneid 8.10.

Page 85: An Introduction to: The  Aeneid and  “Augustus and the Principate”

2. No repetition of formulas (as in Homeric works) but imitation of Homeric language 3. Similar heroic characteristics, though they do differ in some ways

a. Homer celebrates individualism (i.e. Achilles)

b. Virgil celebrates working within society and sophistication

Trojans crown Latinus king. Detail. Aeneid 7.195ff.

Page 86: An Introduction to: The  Aeneid and  “Augustus and the Principate”

4. Book 12

5. Recurring and Descriptive Language

i. Iliad (swift for Achilles, etc.)

ii. Aeneid (furor and furere [verb form]--also symbolic)

6. Recurring images

i. Iliad (fire, gods speaking directly to humans, gore)

ii. Aeneid (snakes, wounds, fire, hunting, storms)

Venus and Neptune. Aeneid 5.216.

Page 87: An Introduction to: The  Aeneid and  “Augustus and the Principate”

1. Symbolism is not as evident in Homeric works

2. Symbolism and symbolic meaning important in Aeneid (especially in reference to Roman history and current events)

Differences from Homeric epics

Trojan Horse. Aeneid 2.67ff.

Page 88: An Introduction to: The  Aeneid and  “Augustus and the Principate”

a. Aeneas’ journey to found Rome follows to link with Octavian/Augustus

b. Destruction of Troy and wanderings of Aeneas = history of Rome in 1st century B.C. (collapse of the Republic, creation of peace/order by Augustus via creation of the Empire)

Aeneas' voyage from Delos to Naxos. Aeneid

3.124ff.

Page 89: An Introduction to: The  Aeneid and  “Augustus and the Principate”

c. “Civil war” between Trojans and Italian allies = Roman civil wars (Brutus and Cassius v. Mark Antony, Octavian/Augustus, and Lepidus and Mark Antony v. Octavian/Augustus)

d. Aeneas’ relationship with Dido = Mark Antony’s relationship with Cleopatra

Dido reproaches Aeneas. Detail. Aeneid 4.305.

Horrible History – clipMA and C

Page 90: An Introduction to: The  Aeneid and  “Augustus and the Principate”

3. Philosophical basis in Aeneid is not present in Homeric epics

a. Use of stoicismi. School of thought teaching that self-

control, moral/emotional strength, and detachment from distracting emotions would make one a clear thinker, unemotional, and unbiased

ii. Developed in Hellenistic period

Penates appear to

Aeneas in a dream. Detail.

Aeneid 3.147.

Page 91: An Introduction to: The  Aeneid and  “Augustus and the Principate”

iii. Very popular among educated elite at the time

iv. Relies on jus naturale (“natural law”) [some things are just because they are—i.e. “All men are created equal…” based on “We hold these truths to be self-evident…”], which would be included and influential on Christianity Latinus' farewell to Trojan

ambasssadors. Aeneid 7.274.

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b. Examples:i. Connection between fate and founding of Rome (Book 1)ii. Preference by Zeus for Roman race (Book 1)iii. Anchises’ discussion of nature and human existence (Book 6)

Sow with 30 pigs. Detail. Aeneid 8.68.

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Assigned Task:

Read “The Adventures of Aeneas”

in

Edith Hamilton’s Mythology

and

answer the accompanying questions.

Watch Video Clip Located on the Class website:

Aeneas Narration