an analysis of a passage from cormac mccarthy’s novel the crossing “the moon is rising and...
TRANSCRIPT
AN ANALYSIS OF A PASSAGE FROM CORMAC MCCARTHY’S NOVEL
THE CROSSING
“The moon is rising and I’ll never be
alone/Wolves will take me home”
- “Wolves” by The Good Natured
THEME STATEMENT
Through physical immersion
and embracing nature, the
main character is able to reach
spiritual enlightenment.
LITERARY ELEMENTS
Christian Imagery
Polysyndeton
Juxtaposition
Point of View
Tones
Repetition
Anaphora
CHRISTIAN IMAGERY AND POLYSYNDETON
“He got the fire going and lifted the wolf
from the sheet and took the sheet to the creek
and crouched in the dark and washed the
blood out of it and brought it back and he cut
forked sticks from a mountain hackberry and
drove them into the ground with a rock and
hung the sheet on a trestlepole…” (lines 15-20)
IMAGES OF CHRISTIAN DEATH RITUAL
“…took the sheet to the creek…”
“…crouched in the dark and washed the blood
out of it…”
Christian imagery foreshadows the main
character’s realization of the spiritual world.
This ritual of death and polysyndeton shows the
narrator’s restrained feelings towards death.
JUXTAPOSITION
“…and drove them into the ground with a rock and
hung the sheet on a trestlepole where it steamed in a
wilderness where celebrants of some sacred passion
had been carried off by rival sects or perhaps had
simply fled in the night at the fear of their own
doing.” (lines 19-24)
Juxtaposition is indicative of the main character’s
conflict between the physical and spiritual world.
POINT-OF-VIEW
“He pulled the blanket about his shoulders and sat
shivering in the cold and waiting for the dawn that
he could find the place where he would bury the
wolf” (lines 24-27)
“…put his hand upon her bloodied forehead and
closed his own eyes that he could see her running in
the mountains, running in the starlight…” (lines 42-
45)
CHANGING POINT OF VIEW
Point of view changes in line 40
from an impartial observer to a third
party limited, representing the main
character’s shift from the physical
world to the spiritual.
TONE
“He fell asleep with his hands palm up before him
like some dozing penitent” (lines 31-32) – repentant
Repentant tone emphasizes the fact that he feels
upset that he feels bad and guilty that the wolf died.
He is partially absolved of this when he realizes the
wolf is only dead in the physical world but is still
alive in the spiritual world.
TONE 2 : RETURN OF THE TONE
“He looked for the horse but could
not see it” (line 36) – literal
The literal tone stresses the main
character’s connection to the physical
world.
REPETITION
“…put his hand upon her bloodied forehead and
closed his own eyes that he could see her running
in the mountains, running in the starlight…” (lines
42-45)
Emphasizes the shift between the physical and
spiritual sensation of running, “running” from the
physical world to the spiritual world
TONE 3 :REVENGE OF THE TONE
“Where she ran the cries of the coyotes clapped
shut as if a door had closed them and all was fear
and marvel” (lines 51-53) – elegiac, reverent
The elegiac and reverent tone accentuates the
main character’s respect and admiration for the
wolf, and how he wants to give her a proper burial
because he knows that she’s in a “better place” now.
JUXTAPOSITION 2 :THE JUXTAPOSITION WARS
“He took up her stiff head…and held
it or he reached out to hold what
cannot be held…” (lines 53-55)
Contrasts the physical to the spiritual
ANAPHORA
“What blood and bone are made of but can
themselves not make on any altar nor by any wound
of war. What we may well believe has power to cut
and shape and hollow out the dark form of the world
surely if wind can, if rain can.” (lines 57-61)
Repeated use of “What” (capitalized) is the
narrator trying to capture the essence of how he
feels. He doesn’t have a name for it, but he is still
trying to capture it.
CONNECTION TO GARY SOTO’S SUMMER LIFE
Gary Soto’s Summer Life is a story of how
Soto changed from vaguely spiritual to
physical.
In contrast, the main character in The
Crossing transforms from having physical
mourning to spiritual joy.