amy tsai time: 1960s place: one traditional village in southern taiwan adapted from one of the...

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Page 1: Amy Tsai  Time: 1960s  Place: One traditional village in southern Taiwan  Adapted from one of the director’s friends’ life  Main Scene: Under America’s
Page 2: Amy Tsai  Time: 1960s  Place: One traditional village in southern Taiwan  Adapted from one of the director’s friends’ life  Main Scene: Under America’s

Amy Tsai

Page 3: Amy Tsai  Time: 1960s  Place: One traditional village in southern Taiwan  Adapted from one of the director’s friends’ life  Main Scene: Under America’s

Time: 1960s Place: One traditional village in

southern Taiwan Adapted from one of the director’s

friends’ life Main Scene: Under America’s great

political, economic and cultural influence, how did Taiwanese react to the power? And how deep the influence is on Taiwan society at that time.

Page 4: Amy Tsai  Time: 1960s  Place: One traditional village in southern Taiwan  Adapted from one of the director’s friends’ life  Main Scene: Under America’s

Time: 1980sDefinition: The social, political,

economic, and cultural practices which arise in response and resistance to colonialism.

Page 5: Amy Tsai  Time: 1960s  Place: One traditional village in southern Taiwan  Adapted from one of the director’s friends’ life  Main Scene: Under America’s

Time: After 1940sThe Longman Dictionary of

Contemporary English (2000 edition) defines “Neo-colonialism” as “the economic and political influence which a powerful country uses to control another country.”

Page 6: Amy Tsai  Time: 1960s  Place: One traditional village in southern Taiwan  Adapted from one of the director’s friends’ life  Main Scene: Under America’s

The obstacles between the powerful and the powerless

The acceptance and resistance shown by different positions in the film

American & KMT government’s attitude

Symbolic images and scenes

Page 7: Amy Tsai  Time: 1960s  Place: One traditional village in southern Taiwan  Adapted from one of the director’s friends’ life  Main Scene: Under America’s

Amy Tsai

Page 8: Amy Tsai  Time: 1960s  Place: One traditional village in southern Taiwan  Adapted from one of the director’s friends’ life  Main Scene: Under America’s

Obstacles/Miscommunication: Reason-Unequal status1. Space2. Language3. Beliefs/Values of life

Page 9: Amy Tsai  Time: 1960s  Place: One traditional village in southern Taiwan  Adapted from one of the director’s friends’ life  Main Scene: Under America’s

Americantroops

Villagers Effects

Language English Taiwanese, Mandarin a. Mimicryb. Miscommunicationc. Hoodwinked by ill-

interpretation-Threatened

Space Camp,The bar

School,Village

a. Curiosityb. Imbalance- Grabbing,

Restricted (area), Marginalization

Values &beliefs oflife

Science,Medicine,National superiority

Tombstones- idea of home,

Farmlands- way of living

a. Unrealistic expectationb. Discontentedness, offendedc. Reaction (fighting, thief)d. Victimization, Punishment

Page 10: Amy Tsai  Time: 1960s  Place: One traditional village in southern Taiwan  Adapted from one of the director’s friends’ life  Main Scene: Under America’s

Amy Tsai

Page 11: Amy Tsai  Time: 1960s  Place: One traditional village in southern Taiwan  Adapted from one of the director’s friends’ life  Main Scene: Under America’s

1. Unconsciously accept the influence from America

2. Cultural colonization > Military Control

(unconsciously) (consciously)

Page 12: Amy Tsai  Time: 1960s  Place: One traditional village in southern Taiwan  Adapted from one of the director’s friends’ life  Main Scene: Under America’s

1. 國家機密

2. Hello! 哈囉 !--- unify the way for greeting

3. Hey you! --- the U.S. military ↓ Hey you 啦你 ! ---Children

Page 13: Amy Tsai  Time: 1960s  Place: One traditional village in southern Taiwan  Adapted from one of the director’s friends’ life  Main Scene: Under America’s

1. Protagonist 仙仔 a. Intellectual b. Objective viewpoint the high-tech and medical technology

2. Military Translator a. Speaks English b. flatterer

3. Prostitute a. Realistic- money

Page 14: Amy Tsai  Time: 1960s  Place: One traditional village in southern Taiwan  Adapted from one of the director’s friends’ life  Main Scene: Under America’s

1. Music: broadcast of American music

2. Food: peach can, cigarette

3. Style: -Stolen clothes - 阿憲’ s western style- hair and

clothes -Western interior style in Bar -Western style of dancing -Playboy magazine

Page 15: Amy Tsai  Time: 1960s  Place: One traditional village in southern Taiwan  Adapted from one of the director’s friends’ life  Main Scene: Under America’s

Amy Tsai

Page 16: Amy Tsai  Time: 1960s  Place: One traditional village in southern Taiwan  Adapted from one of the director’s friends’ life  Main Scene: Under America’s

Went to the field to find shell casesMilitary drill

Page 17: Amy Tsai  Time: 1960s  Place: One traditional village in southern Taiwan  Adapted from one of the director’s friends’ life  Main Scene: Under America’s
Page 18: Amy Tsai  Time: 1960s  Place: One traditional village in southern Taiwan  Adapted from one of the director’s friends’ life  Main Scene: Under America’s

Cinerary urn ran over by tanksCrops ruined

Page 19: Amy Tsai  Time: 1960s  Place: One traditional village in southern Taiwan  Adapted from one of the director’s friends’ life  Main Scene: Under America’s
Page 20: Amy Tsai  Time: 1960s  Place: One traditional village in southern Taiwan  Adapted from one of the director’s friends’ life  Main Scene: Under America’s
Page 21: Amy Tsai  Time: 1960s  Place: One traditional village in southern Taiwan  Adapted from one of the director’s friends’ life  Main Scene: Under America’s
Page 22: Amy Tsai  Time: 1960s  Place: One traditional village in southern Taiwan  Adapted from one of the director’s friends’ life  Main Scene: Under America’s

Villagers stole canned food and other resources from the U.S. Army

Page 23: Amy Tsai  Time: 1960s  Place: One traditional village in southern Taiwan  Adapted from one of the director’s friends’ life  Main Scene: Under America’s

Amy Tsai

Page 24: Amy Tsai  Time: 1960s  Place: One traditional village in southern Taiwan  Adapted from one of the director’s friends’ life  Main Scene: Under America’s

Ruin of the tomb( 阿婆‘ s husband)– which symbolizes American’s disrespect and ignorance toward Taiwanese tradition and culture.

Troops on the farm– they do whatever they want on the land=their football field.

Easy come, easy go— Taiwanese land as their gym, after the training they just left.

Page 25: Amy Tsai  Time: 1960s  Place: One traditional village in southern Taiwan  Adapted from one of the director’s friends’ life  Main Scene: Under America’s

“ 政府支持人民 , 人民就該支持政府”– however, KMT government is “using” the village people instead of “supporting” them.

Page 26: Amy Tsai  Time: 1960s  Place: One traditional village in southern Taiwan  Adapted from one of the director’s friends’ life  Main Scene: Under America’s

Amy Tsai

Page 27: Amy Tsai  Time: 1960s  Place: One traditional village in southern Taiwan  Adapted from one of the director’s friends’ life  Main Scene: Under America’s

阿婆’ s dream of her husband who has passed away

Sexual hint

SuperstitionVitality and lust

Page 28: Amy Tsai  Time: 1960s  Place: One traditional village in southern Taiwan  Adapted from one of the director’s friends’ life  Main Scene: Under America’s

WELCOME EMOCLEWVillagers’ assumption of Western

culture Irony: They do Not welcome

Americans!!!

Page 29: Amy Tsai  Time: 1960s  Place: One traditional village in southern Taiwan  Adapted from one of the director’s friends’ life  Main Scene: Under America’s

His fingers are broken while he is working in the Japanese factory.

There’s no well indemnification or medical protection for the native labors.

“At least you won’t serve as a solider.” Most Taiwanese accept their own fate

Page 30: Amy Tsai  Time: 1960s  Place: One traditional village in southern Taiwan  Adapted from one of the director’s friends’ life  Main Scene: Under America’s

The kid is in the “restricted” area, leaning on the black soldier.

Benefit exchange (?)Paedophilia (?)

Page 31: Amy Tsai  Time: 1960s  Place: One traditional village in southern Taiwan  Adapted from one of the director’s friends’ life  Main Scene: Under America’s

Kids’ throwing stones at kids: Taiwanese Taiwanese

Split in the group

Page 32: Amy Tsai  Time: 1960s  Place: One traditional village in southern Taiwan  Adapted from one of the director’s friends’ life  Main Scene: Under America’s

Coffin Dead soldiers Advanced technology and medical

development in America? Peaceful America?

Page 33: Amy Tsai  Time: 1960s  Place: One traditional village in southern Taiwan  Adapted from one of the director’s friends’ life  Main Scene: Under America’s

Army left a coin on the road after they retreat.

Western culture is left.

Page 34: Amy Tsai  Time: 1960s  Place: One traditional village in southern Taiwan  Adapted from one of the director’s friends’ life  Main Scene: Under America’s

Vertical bamboo flute (28:24-29:14)

“Crying in a Storm” (1:47:17)-Singer: Emy Jackson (Japanese

American)-Background

Page 35: Amy Tsai  Time: 1960s  Place: One traditional village in southern Taiwan  Adapted from one of the director’s friends’ life  Main Scene: Under America’s

Take me, take me, take my heart and all I was born to be yours.

Love me, love me, get me hold me tight Now I'm crying in a storm

I know that You've got a crazy sports car Kitty Cris and Ronnie Jully, Nancy and Patsy. Why, why, not me

Page 36: Amy Tsai  Time: 1960s  Place: One traditional village in southern Taiwan  Adapted from one of the director’s friends’ life  Main Scene: Under America’s

Amy Tsai

Page 37: Amy Tsai  Time: 1960s  Place: One traditional village in southern Taiwan  Adapted from one of the director’s friends’ life  Main Scene: Under America’s

The tomb scenes appear at the beginning and toward the end.

Page 38: Amy Tsai  Time: 1960s  Place: One traditional village in southern Taiwan  Adapted from one of the director’s friends’ life  Main Scene: Under America’s

The helicopter flies across the sky. Tradition modern Invasion

Page 39: Amy Tsai  Time: 1960s  Place: One traditional village in southern Taiwan  Adapted from one of the director’s friends’ life  Main Scene: Under America’s

Tradition: tomb, cart

Modern: helicopter, combat aircraft

Page 40: Amy Tsai  Time: 1960s  Place: One traditional village in southern Taiwan  Adapted from one of the director’s friends’ life  Main Scene: Under America’s

Prostrate

Scared

Page 41: Amy Tsai  Time: 1960s  Place: One traditional village in southern Taiwan  Adapted from one of the director’s friends’ life  Main Scene: Under America’s

Bar vs. villagers’ accommodation

Page 42: Amy Tsai  Time: 1960s  Place: One traditional village in southern Taiwan  Adapted from one of the director’s friends’ life  Main Scene: Under America’s

Huge tanks vs. small children and 阿婆

Page 43: Amy Tsai  Time: 1960s  Place: One traditional village in southern Taiwan  Adapted from one of the director’s friends’ life  Main Scene: Under America’s
Page 44: Amy Tsai  Time: 1960s  Place: One traditional village in southern Taiwan  Adapted from one of the director’s friends’ life  Main Scene: Under America’s
Page 45: Amy Tsai  Time: 1960s  Place: One traditional village in southern Taiwan  Adapted from one of the director’s friends’ life  Main Scene: Under America’s

阿憲 flights with some villagers. Blurred

Page 46: Amy Tsai  Time: 1960s  Place: One traditional village in southern Taiwan  Adapted from one of the director’s friends’ life  Main Scene: Under America’s

仙仔’ s reaction…

Page 47: Amy Tsai  Time: 1960s  Place: One traditional village in southern Taiwan  Adapted from one of the director’s friends’ life  Main Scene: Under America’s

Friendship?

Page 48: Amy Tsai  Time: 1960s  Place: One traditional village in southern Taiwan  Adapted from one of the director’s friends’ life  Main Scene: Under America’s

1:35:36~1:36:40

Page 49: Amy Tsai  Time: 1960s  Place: One traditional village in southern Taiwan  Adapted from one of the director’s friends’ life  Main Scene: Under America’s
Page 50: Amy Tsai  Time: 1960s  Place: One traditional village in southern Taiwan  Adapted from one of the director’s friends’ life  Main Scene: Under America’s

NarratorThe use of comical handwriting

common people with low level education more delighted

Page 51: Amy Tsai  Time: 1960s  Place: One traditional village in southern Taiwan  Adapted from one of the director’s friends’ life  Main Scene: Under America’s

1. Did the US Army really leave Taiwan? What do you think?

2. Do you think American culture or other western cultures and globalization inevitably affects us?

3. How can we preserve our own culture and learn others' culture at the same time?

Page 52: Amy Tsai  Time: 1960s  Place: One traditional village in southern Taiwan  Adapted from one of the director’s friends’ life  Main Scene: Under America’s
Page 53: Amy Tsai  Time: 1960s  Place: One traditional village in southern Taiwan  Adapted from one of the director’s friends’ life  Main Scene: Under America’s

Thanks for listening!