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El Arte Clásico

El Arte Griego

Escultura

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El Arte Griego

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El Arte Griego

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Características generalesdel Arte Griego

Conceptos estéticospredominantes en lacultura occidental

El cuerpo humanoes el fundamentode toda belleza

Belleza en la armoníade las medidas, las

proporciones y la simetría

Belleza en la imitaciónde la naturaleza, pero es

un naturalismo idealizado

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Etapas delArte Griego

PeríodoArcaico

PeríodoClásico

PeríodoHelenístico

SiglosVII y VI a. C.

SiglosIV al II a. C.

SigloV a. C.

SigloIV a. C.

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2. La escultura griega

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Características de laEscultura Griega

AntropocentrismoAntropometrismo

CanonNaturalismo idealizado

Evolución desdela simplicidad arcaica

al barroquismo helenístico

Esculturas en madera,piedra, mármol, bronce

y crisoelefantinas

Esculturaspolicromadas,

salvo las de bronce

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2. La escultura griega

2.1. La escultura arcaica

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Exvotos y xoanasprearcaicas

Escultura ArcaicaSiglos VII y VI a. C.

Tipos Características

Korai / Kore

Kouroi / Kouros

Estelas funerarias

Escultura monumental

Hieratismo

Frontalidad

Geometrización

Modelado sencillo

Sonrisa eginética o arcaicay otros arcaísmos

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2. La escultura griega

2.1. La escultura arcaica

2.1.1. Las “korai”

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Dama de Auxerre (650 a.C.)Dama de Auxerre (650 a.C.)

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Hera de Samos(570-560 a.C.)

Hera de Samos(570-560 a.C.)

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Kore del peplo (530 a.C.)Kore del peplo (530 a.C.)

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Kore 675 (510 a.C.)Kore 675 (510 a.C.)

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Kore 674 (500 a.C.)Kore 674 (500 a.C.)

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2. La escultura griega

2.1. La escultura arcaica

2.1.2. Los “kouroi”

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Cleobis y Bitón(600 a.C.)

Cleobis y Bitón(600 a.C.)

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Moscóforo (570 a.C.)Moscóforo (570 a.C.)

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Jinete Rampín(560 a.C.)

Jinete Rampín(560 a.C.)

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Kourós de Anavyssos (530 a.C.)Kourós de Anavyssos (530 a.C.)

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Apolo del Piombino(520 a. C.)

Apolo del Piombino(520 a. C.)

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2. La escultura griega

2.1. La escultura arcaica

2.1.3. Las estelas funerarias

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Estela de Aristión(510-500 a. C.)

Estela de Aristión(510-500 a. C.)

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Estela de Hegeso(Período Clásico)

Estela de Hegeso(Período Clásico)

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2. La escultura griega

2.1. La escultura arcaica

2.1.4. La escultura monumental

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Frontón del Artemision de Corfú(580 a. C.)

Frontón del Artemision de Corfú(580 a. C.)

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Frontón del Artemision de Corfú (detalle)Frontón del Artemision de Corfú (detalle)

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Metopas de friso dórico arcaicoMetopas de friso dórico arcaico

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Tesoro de los Sifnios del Santuario de Delfos (525 a. C.)Tesoro de los Sifnios del Santuario de Delfos (525 a. C.)

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Frisos del Tesoro de los Sifnios (530-525 a. C.)Frisos del Tesoro de los Sifnios (530-525 a. C.)

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2. La escultura griega

2.2. La escultura clásica

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EsculturaClásica

Estilo Severo Siglo V a. C Siglo IV a. C.

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2. La escultura griega

2.2. La escultura clásica

2.2.1. El siglo V a.C.

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2. La escultura griega

2.2. La escultura clásica

2.2.1. El siglo V a.C.

A-1) Primera mitad del siglo, Estilo Severo

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Escultura Clásica

Estilo SeveroPrimera mitad del siglo V a. C.

Características Escultores

Transición al clasicismo

Aún arcaísmos

Critios

Otras obras

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Frontón occidental del Templo de Aphaia en Egina (500 -490 a. C.)Frontón occidental del Templo de Aphaia en Egina (500 -490 a. C.)

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Frontón oriental del Templo de Aphaia en Egina (500-4 90 a. C.)Frontón oriental del Templo de Aphaia en Egina (500-4 90 a. C.)

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Frontones del Templo de Zeus en Olimpia (450 a. C.)Frontones del Templo de Zeus en Olimpia (450 a. C.)

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Critios: Efebo atleta (490-480 a. C.)

Critios: Efebo atleta (490-480 a. C.)

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Critios: Los Tiranicidas Harmodios y Aristogeitón (480-470 a. C.)

Critios: Los Tiranicidas Harmodios y Aristogeitón (480-470 a. C.)

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Cabeza del efebo rubio (480 a. C.)Cabeza del efebo rubio (480 a. C.)

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Auriga de Delfos(478-474 a. C.)

Auriga de Delfos(478-474 a. C.)

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Guerrero de Riace(460 a. C.)

Guerrero de Riace(460 a. C.)

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Poseidón (450 a. C.)Poseidón (450 a. C.)

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Nacimiento de Afrodita del Trono Ludovisi (470-460 a . C.)Nacimiento de Afrodita del Trono Ludovisi (470-460 a . C.)

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2. La escultura griega

2.2. La escultura clásica2.2.1. El siglo V a.C.

A-2) Segunda mitad del siglo,Etapa Clásica

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Escultura Clásica

Etapa ClásicaSegunda mitad del siglo V a. C.

Características Escultores

Desaparición de arcaísmos

Dominio total de la anatomía

Naturalismo en actitudes

El objetivo es la belleza ideal

Mirón

Policleto

Fidias

Krésilas

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2. La escultura griega

2.2. La escultura clásica

2.2.1. El siglo V a.C.

B) Mirón

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Mirón: Discóbolo (450 a. C.)

Mirón: Discóbolo (450 a. C.)

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Mirón: Atenea y Marsias (440 a. C.)Mirón: Atenea y Marsias (440 a. C.)

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2. La escultura griega

2.2. La escultura clásica

2.2.1. El siglo V a.C.

C) Policleto

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Policleto: Doríforo(440-430 a.C.)

Policleto: Doríforo(440-430 a.C.)

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Policleto: Diadúmeno(430-420 a.C.)

Policleto: Diadúmeno(430-420 a.C.)

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Policleto: Amazona herida (c. 440 a.C.)

Policleto: Amazona herida (c. 440 a.C.)

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2. La escultura griega

2.2. La escultura clásica

2.2.1. El siglo V a.C.

D) Fidias y el Estilo Partenón

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Fidias: Atenea Lemnia (460 a.C.)

Fidias: Atenea Lemnia (460 a.C.)

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Fidias: Atenea Parthenos(Varvakeion) 438 a.C.

Fidias: Atenea Parthenos(Varvakeion) 438 a.C.

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Fidias: Amazona herida (c. 440 a.C.)

Fidias: Amazona herida (c. 440 a.C.)

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Decoración escultórica del Partenón (448-438 a.C.)Decoración escultórica del Partenón (448-438 a.C.)

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Metopa del PartenónMetopa del Partenón

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Friso de la naos del Partenón: Procesión de las Pana teneasFriso de la naos del Partenón: Procesión de las Pana teneas

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Frontón oriental del PartenónFrontón oriental del Partenón

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2. La escultura griega

2.2. La escultura clásica

2.2.1. El siglo V a.C.

E) Krésilas y otros escultores del Estilo Partenón o Bello

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Crésilas: Busto de Pericles (440 a.C.)Crésilas: Busto de Pericles (440 a.C.)

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Crésilas: Amazona herida (c. 440 a.C.)

Crésilas: Amazona herida (c. 440 a.C.)

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Kallimachos: Afrodita de Frejus(440-420 a.C.)

Kallimachos: Afrodita de Frejus(440-420 a.C.)

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Kallímachos: Niké Aptera(400 a.C.)

Kallímachos: Niké Aptera(400 a.C.)

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Paionios: Nike(420 a.C.)

Paionios: Nike(420 a.C.)

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Nióbide herida (430 a.C.)

Nióbide herida (430 a.C.)

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Hera Barberini(400 a.C.)

Hera Barberini(400 a.C.)

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2. La escultura griega

2.2. La escultura clásica

2.2.2. El siglo IV a.C.

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Escultura Clásica

El siglo IV a. C.

Características Escultores

Menor majestuosidad

Canon estético más estilizado

Se acentúa el naturalismo

Aparece el desnudo femenino

Praxiteles

Scopas

Lisipo

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2. La escultura griega

2.2. La escultura clásica

2.2.2. El siglo IV a.C.

A) Praxíteles

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Praxíteles: Hermes de Olimpia (360 a.C.)Praxíteles: Hermes de Olimpia (360 a.C.)

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Praxíteles: Apolo Sauróctonos(360 a.C.)

Praxíteles: Apolo Sauróctonos(360 a.C.)

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Praxíteles: Afrodita de Arlés(365 a.C.)

Praxíteles: Afrodita de Arlés(365 a.C.)

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Praxíteles: Afrodita de Cnido(360 a.C.)

Praxíteles: Afrodita de Cnido(360 a.C.)

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Praxíteles: Afrodita Capitolina (siglo IV a.C.)

Praxíteles: Afrodita Capitolina (siglo IV a.C.)

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2. La escultura griega

2.2. La escultura clásica

2.2.2. El siglo IV a.C.

B) Escopas

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Escopas: Ménade herida o Bacante danzante (340 a.C.)

Escopas: Ménade herida o Bacante danzante (340 a.C.)

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Escopas: Cabeza de Meleagro (340 a.C.)Escopas: Cabeza de Meleagro (340 a.C.)

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Escopas: Estatua de Mausolo(c. 340 a.C.)

Escopas: Estatua de Mausolo(c. 340 a.C.)

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Escopas: Relieves del Mausoleo de Halicarnaso (c. 34 0 a.C.)Escopas: Relieves del Mausoleo de Halicarnaso (c. 34 0 a.C.)

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2. La escultura griega

2.2. La escultura clásica

2.2.2. El siglo IV a.C.

C) Lisipo

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Lisipo: Apoxiomeno(325 a.C.)

Lisipo: Apoxiomeno(325 a.C.)

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Lisipo: Ares Ludovisi(320 a.C.)

Lisipo: Ares Ludovisi(320 a.C.)

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Lisipo: Heracles Farnesio(320 a.C.)

Lisipo: Heracles Farnesio(320 a.C.)

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2. La escultura griega

2.2. La escultura clásica

2.2.2. El siglo IV a.C.

D) Otros escultores

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Timoteo: Leda y el Cisne (365 a.C.)

Timoteo: Leda y el Cisne (365 a.C.)

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Leócares: Artemis de Versalles (340 a.C.)

Leócares: Artemis de Versalles (340 a.C.)

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Leócares: Apolo de Belvedere(340 a.C.)

Leócares: Apolo de Belvedere(340 a.C.)

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Bedas: Orante (siglo IV a.C.)

Bedas: Orante (siglo IV a.C.)

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2. La escultura griega

2.3. La escultura helenística

Changed with the DEMO VERSION of CAD-KAS PDF-Editor (http://www.cadkas.com).Changed with the DEMO VERSION of CAD-KAS PDF-Editor (http://www.cadkas.com).Changed with the DEMO VERSION of CAD-KAS PDF-Editor (http://www.cadkas.com).

Escultura Helenística

Siglos IV al II a. C.

Características Temas Escuelas

Realismo

Expresividad

Monumentalidad

Multiplicación depuntos de vista

Barroquización

Retrato

Desnudo femenino

Temas de género

Alejandría

Pérgamo

Rodas

Atenas

Alegorías

Grandescomposiciones

Colosalismoy movimiento

Extremorealismo

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2. La escultura griega

2.3. La escultura helenística

2.3.1. El retrato

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Retrato Antíoco III (300 a.C.)

Retrato Antíoco III (300 a.C.)

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Retrato helenístico (150 a.C.)

Retrato helenístico (150 a.C.)

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2. La escultura griega

2.3. La escultura helenística

2.3.2. El desnudo femenino

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Afrodita de Milo (110 a.C.)

Afrodita de Milo (110 a.C.)

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Afrodita de Cirene

(copia helenística de un original de Praxíteles del 315 a.C.)

Afrodita de Cirene

(copia helenística de un original de Praxíteles del 315 a.C.)

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Dedalses de Bitinia: Afrodita agachada (250 a.C.)Dedalses de Bitinia: Afrodita agachada (250 a.C.)

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Afrodita de Rodas (siglo I a.C.)

Afrodita de Rodas (siglo I a.C.)

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Afrodita y Pan (150 a.C.)

Afrodita y Pan (150 a.C.)

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2. La escultura griega

2.3. La escultura helenística

2.3.3. Los temas de género

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Boeto: Niño de la oca (200-150 a.C.)Boeto: Niño de la oca (200-150 a.C.)

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Espinario (200 a.C.)Espinario (200 a.C.)

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Hermafrodita (siglo II a.C.)Hermafrodita (siglo II a.C.)

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Los luchadores (siglo III a.C.)

Los luchadores (siglo III a.C.)

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Vieja ebria (siglo III a.C.)

Vieja ebria (siglo III a.C.)

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2. La escultura griega

2.3. La escultura helenística

2.3.4. La Escuela de Alejandría

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Alegoría del Nilo (siglo III a.C.)Alegoría del Nilo (siglo III a.C.)

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2. La escultura griega

2.3. La escultura helenística

2.3.5. La Escuela de Pérgamo

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Friso del Altar de Zeus en Pérgamo (180 a.C.)Friso del Altar de Zeus en Pérgamo (180 a.C.)

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Monumento de Atalo I: Gálata herido (230-220 a. C.)Monumento de Atalo I: Gálata herido (230-220 a. C.)

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Monumento de Atalo I: Gálata herido (230-220 a. C.)

Monumento de Atalo I: Gálata herido (230-220 a. C.)

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2. La escultura griega

2.3. La escultura helenística

2.3.6. La Escuela de rodas

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Fauno Barberini(siglo III a.C.)

Fauno Barberini(siglo III a.C.)

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Nike de Samotracia (190 a.C.)

Nike de Samotracia (190 a.C.)

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Atenedoro, Hagesandro y Polidoro: Laocoonte (50 d.C.)Atenedoro, Hagesandro y Polidoro: Laocoonte (50 d.C.)

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Apolonio y Taurisco: Toro Farnesio (130 a.C.)Apolonio y Taurisco: Toro Farnesio (130 a.C.)

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2. La escultura griega

2.3. La escultura helenística

2.3.7. Atenas

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Apolonio: Púgil de las Termas (siglo I a.C.)Apolonio: Púgil de las Termas (siglo I a.C.)

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Apolonio: Torso Belvedere (siglo I a.C.)Apolonio: Torso Belvedere (siglo I a.C.)

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