early italian renaissance quattrocento 1400s. linear perspective arrives!
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Early Italian Renaissance
Quattrocento1400s
Linear Perspective Arrives!
ARCHITECTUREQuattrocento
Filippo BrunelleschiDome of Florence Cathedral(AKA Brunelleschi’s Dome) 1417–36;
Filippo BrunelleschiFoundling Hospital, Florence Designed 1419; built 1421-44
Andrea della RobbiaDetail of Terra-Cotta Medallion
Filippo BrunelleschiPazzi Chapel1442-65Florence, Italy
Filippo Brunelleschi; continued by Michelozzo di BartolomeoNave, Church of San Lorenzo, Florence, : c. 1421–28, 1442–70
Church of San Lorenzo, Florence.
Michelozzo di Bartolomeo,Façade, Palazzo Medici-Riccardi, Florence 1446
• Rusticated first level
Leon Battista AlbertiPalazzo Rucellai, Florence. 1455–58; never finished
• Stringcourse• Pilasters• Beveled stones
Leon Battista AlbertiChurch of Sant’Andrea, Mantua Designed 1470, begun 1472
• 1st use of triumphal arch since Ancient Rome
Leon Battista AlbertiNave, Church of Sant’Andrea, Mantua Vault width 60’Designed 1470
Contarini Palace1421–37
• Guess where?
SCULPTUREQuattrocento
Left: Brunelleschi Right: Ghiberti
Sacrifice of Isaac, 1401-1403, bronze
Lorenzo GhibertiGates of Paradise (East Doors), Baptistry of San Giovanni, Florence Gilt bronzeheight 15' (4.57 m)1425–52
Lorenzo GhibertiJacob and Esau , panel of the Gates of Paradise (East Doors), Baptistry of San Giovanni, Florence Gilt bronze1425–52
Sgraffito decorationPalazzo Medici-Riccardi
Nanni di BancoThe Four Crowned Martyrs Marbleheight of figures 6’c. 1409–17Orsanmichele, Florence (photographed before removal of figures to museum)
DonatelloEquestrian Monument of Erasmo Da Narni (Gattamelata) Bronzeheight approx. 12'2”1443–53Piazza del Santo, Padua
DonatelloDavid, bronze1420s-60sFlorence
• Meant for a Medici palace, not for public viewing
DonatelloMary Magdalen Polychromy and gold on woodheight 6'1" 1450s(?)Museo dell’Opera del Duomo, Florence
Andrea del Verrocchio. (Bronze cast by Alessandro Leopardi)Equestrian Monument of Bartolommeo Colleoni Campo Santi Giovanni e Paolo, Venice Bronzeheight approx. 13' Clay model 1486–88; cast after 1490; placed 1496
Antonio del PollaiuoloHercules and Antaeus Bronzeheight with base 18”c. 1475Museo Nazionale del Bargello, Florence
PAINTING & PRINTQuattrocento
Gentile da Fabriano, Adoration of the Magi (detail), tempura on panel, 1423
Int’l Gothic Style
MasaccioTrinity with the Virgin, Saint John the Evangelist, and Donors Fresco21' X 10"5”c. 1425–27/28Church of Santa Maria Novella, Florence
MasaccioThe Expulsion From ParadiseFresco7' X 2' 11”c. 1427Brancacci Chapel
Masaccio, The Tribute Money, Fresco8'1" X 19'7”c. 1427, Brancacci Chapel, Church of Santa Maria del Carmine, Florence
Paolo Uccello, The Battle of San Romano, Tempera on wood panel6' X 10" 7”1438–40 Commissioned for private Florentine Residence
Fra Angelico, Annunciation, Fresco, 7’½" X 19'6”, c. 1438–45, Monastery of San Marco, Florence
Andrea del CastagnoThe Last Supper Fresco16' x 32’, 1447, Refectory, Convent of Sant’Apollonia, Florence
Piero della FrancescaRecognition and Proving of the True Cross Fresco, 11'8" X 24'6”San Francesco, Arezzo
Piero della FrancescaResurrection fresco c.1463Palazzo Comunale, San Sepulcro, Italy
Piero della Francesca, Battista Sforza and Federico da Montefeltro, Oil on wood pane,leach 18 ½ X 13”, c. 1474, Galleria degli Uffizi, Florence
Andrea MantegnaRoom of the NewlywedsFrescoesDiameter of false oculus 8'9” room 62' 6" square1465–74Ducal Palace, Mantua
Perugino, The Delivery of the Keys to Saint Peter, Fresco11'5½" X 18' 8½”, 1481On the right wall of the Sistine Chapel, Vatican, Rome Linear
perspective
Sandro Botticelli, Birth of Venus, Tempera and gold on canvas5'8⅞" X 9' 1⅞" c. 1484–86, Uffizi, Florence
Sandro Botticelli, Primavera, Tempera on wood panel6’8” x 10’4”c. 1482 , Uffizi, Florence
Domenico Ghirlandaio, Birth of the Virgin, fresco, 1485, Santa Maria Novella, Florence
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Gentile BelliniVirgin and Child Enthroned with Saints Francis, John the Baptist, Job, Dominic, Sebastian, and Louis of Toulouse (Computer reconstruction) 15'4" X 8'4”c. 1478Commissioned for the Chapel of the Hospital of San Giobbe, Venice
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Antonio del Pollaiuolo, Battle of 10 Naked Men, Engraving, 15 ⅛ X 23¼“, c. 1465–70
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