2000 symphony and metallica.pdf
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B5gffi134
,A.5 E5EffifI HH^
down 1/2 step: tt 134Eb @=cbAl O=BbDl O=Eb
Tune
@=@=@=
Moderately J = 128DmxGtr. II
Rhy. Fig. I (Gtr. I)
ryp(w/pick)let ring throughout
*Gtr. III(endRhy.ttr.t, 9L-T
*Orchestra m. for gtr.
THE CALL OF KTULU
D*S D5ffiii* iffifi'u
cs Bb5iffi+i"'ffi
Words and Music byJames Hetfield, Lars Ulrich,
Clifford Burton and David Mustaine
F5
ffi'"
w/Rhy. Fig. 1 (lst 7 bars only)
*Orchestra arr. for gtr.
Copyright @ 1984 Creeping Death Music (ASCAP)This Arrangement Copyright @ 2000 Creeping Death Music (ASCAP)
lntemational Copyright Secured All Rights Reserved
-
Amadd2/D#(Gtr. II out)
w/Rhy. Fig. 2 (3 times)Amadd2 Amadd2/DilGh. III
Rhy. Fig. 2 (end Rhy. Fig. 2)
F----.
-..--.-F'
10
Amadd2iDf Amadd2/D*
-
DmGtr. II
Dm($s)
Dm7
w/Rly. Fig. 3 (3 times)Dm Dm(il5) Dm6
Amadd2/Df(end Riff A)
dRiff A (3 times)Amadd2
Amadd2/D#Gtr. III
dRhy. Fig. 3 (4 times)Dm Dm($5)
Dm Dm(*5) Dm6-----\
}'iC}
Amadd2
w/Rhy. Fig. 2 (4 times)Amadd2Riff A
Amadd2/Df
w/RiffB (3 times)
Amadd2 Amadd2/D#
Dm Dm(#5)-----...--e
HH/-;"DmGtr. II
Dm(fs)Gtr.I I
r4
(end RiffB)Riff B 1xx6o. tU,
DmoHP HPH
Dm($5)H PH
11
Rhy. Fig. 3 (Gtr. I) (end Rhy. Fig. 3)
Dm7
pH PHPHPHPHPH fup pH P H P H J FI PH P H PHP
-
Half time feel
A5Gtr. II
---\
Rhy. Fie.4,A' (Gtr. D
Rhy. Fig.4 (Gtr. IV)
w/Rhy. Figs.4 & 4A (both 3 times)Ff5 45 E5 D$s Es F*s As
^ w/dist./ p.tr,t.--- P.M.-- ----- --- -- -- ---- r
(end Rhy. Fig. 4A')
lend Rhy. Fig. 4)
'--J-/sl.
Es F*5 DmDfi5 E5
L-3-----l ,3,
Dm(il5)
Rhy. Fig. 5A (Gtr. I) (end Rhy. Fig. 5A)
Rhy. Fig.5 (Gtr. w) (end Rhy. Fig. 5)
12
-
w/Rhy. Figs. 5 & 5A (both 3 tirnes)Dm Dm(f5) Dm6 Dm7Gff. II
ilRhy. Figs. 4 & 4,{ (both 4 times),{5 E5 Df5
D*sGtr. II
I j I t-3 | Gtr. III
Dm(#s)
w/Rhy. Fig. 4 (4 times) (Gtrs. I & N)A5 Es Dfs E5Ctr. II
---.,..'..'...-\ -,,-\re e.
Dm(*5)
E5 Fil5 As E5 D$SGtr. trI
E5 Fil5
GtI. II (Gtr. tr out)
dRhy. Figs. 5 & 5A (both 4 times)E5 Ff5 Dm Dm(#5) Dm6 Dm7
E5 Ffl5
Dm Dm(fs) Dm6 Dm7
Dm Dm(#s)
A.5 E5Gtr. trI
D$5
E5A5
r-J_____r(Gff. [out) Gff. m
'J----r r-J----
J JrJ JqJI r-J -:TJJ )
Dm7
F*sA5
e
A5
-o.
Es D$5----\
tctr. II to left of slash in TAB.
Ffls Es D#s E5 Fil5
t J ' t 3--)
13
-
'J',J,
w/Rhy. Fig. 5 (4 times) (Gtrs. I & IV)Dfs Es F$5 Dm
"2. D{ls)
Dm68va -
w/Rly. Fig. 4 (4 times) (Gffs. I & IV)As Es Df5 E5
Dm(#s) Dm($5)
Dm6Gtr. III
F*s As Dfs E5 F+s
14
E5 F$5 A.5 w/Rhy. Fig. 5 (4 times) (Gtrs. I & N)
E5 F*5 Dm "l Dm(fl5)
-
Dm(f5) Dm6,tl HH "rHH
-)
Dm7Pp
"l.HH ,/.HH---+\ ---,+\
RiffC(Gtrs. I&N)
P.M.------- ------- -- r
PP
*Orchestra m. for gtr
Dm Dm(#5)II.
Gtr. II
(Gtr. Itr out)
(Gtr. II out)9-
tChords are implied till Guitar solo.
-
dRiff C (Gtr. I) (2 times)A5IEGtr. IIIoco
Gtr. TV
F$o nrH
L-?J
C5lGGff. II
Riff Dl (Gtr. IV) "
Bbs
b
PPP
(end Riff Dl)H s/.
.!.a
HsL
16
Riff D (Gtr. I) (end RiffD)
-
w/Riffs D & D1C5lGGtr. II
Ab Bbs
Guitar solodRhy. Fig. 4 (4 times) (Gtr. I)A5Gtr. TI
E5 Dfl5 Es Ff5 FilsE5 D$5
8va--------------Gtr. IVFull Full Fullllr
_/))Full Full FullFull Full
))l1/2)
L3{
D#s
t3, ,3'
11/2l
P
P*
E5 F*5 As
IPIPIPIa+ 3-'r a+ /-'' .!+ :-t :.
17
8va -------------Full Full Full P
-
w/Rhy. Fig. 5 (4 times) (Gtr. I)F*5 Dm Drn(f 5)
>
Full
sl.
Dm(*5)
sl. .sI.
PP P ,-_: P
PPP
P
1B
-
A.H. pitches: G E
dRhy. Fig. 4 (4 times) (Gtr. I)A5
Gtr. IIIvJ
D#s
I
P
'tqi-
F*5(Gtr. Itr out)
8va -------------lll2 tt/2 tv2 tu2tllr-/1)'3'
t t/2 I 1t2 1 1.t2
Psl
sl.P
P lt 1t2_/l
19
-
w/Rhy. Fig. 5 (4 times) (Gtr. I)Dm Dm(f5)
Pp Pp P p Pp pp pp D- rP rP PPtE f;hij.i*r* rX,*{ .3{. l-I. j-{. lp -lP f+>fF)fi; Pp
w/wah as fiIterPP P P P P P P P P P P P P P P
Dm($5)
P P P P P P P P P P P P PP P P
slH--. RPP s/.'2n(/ +PPL_3J
PPsl.
sl.
L-3J t-JJ t-3J
PP PP PP
20
sl. H
-
P-bi-)^
P% PP
(end half time feel)A5
sl.
,.hr
Dm(S5)
Dm Dm(#5)
8va----------HP/:-\L3J
HP
(end Rhy. Fig. 6;
,--, \
Fulls/. sI.
dRhy. Fig. 6 (3 times)A5 E5 Dfs
w/Rhy. Fig. 5 (4 times) (Gtrs. I & N)Dm Dm(f5) Dm6 Dm7
Rhy.Fig.6(Gtrs. I&IV)loco
E5 Dil5
sl.sl.
A5F#5 E5 D*s
Dm6 Dm7t=
t3l ,3'
21
-
Dm(f;5) Dm6 Dm7w/Riff C (lst 2 bars only) (4 times)A5/E
Play 4 times Play 3 timesBs/F#Gtr. II
22
-
Rhv.45ris.z I I(ctis. Iol
-/'
E5
h/
(end Rly. Fig. 7)Df5
owlRhy. Fig. 7 (Gtr. I: 3 times; Grr. II: 7 times)A5 E5 Df5
w/Rhy. Fig.4A (4 times) (Gtr. I)A5 E.s Df .5
&IV)
Es Dfs
w/Rhy. Fig. 5,4 (372 times) (Gtr. I)Dm Dm(f 5) Dm6Gtr. II
Dm7
23
-
w/Rhy. Fill 1Dm6
G5 Fil5
A little slower J = ros
"J'=-.-.---=.--
Gtrs. I & IV (Gtr. IV cont. on upper staff)
(Gtr. II ou$
(end Rhy. Fig. 8A)Full
P^M. -------------------r
cs Ff5Rhy. Fig. 8A (Gtr. IV)
G5
Rhy. Fig. 8 (Gtr. I) (end Rhy. Fig. 8)
w/Rhy. Figs. 8 & 8A (both 3 times)G5 Fil5 G5 E5
24
-
c5 F*s
G5 F*5Gtr. II
RitrE1 (crr. IV)HP,.--\
LJJ
Riff E (Gtr. I)HP,..=\\
r_JJ
Gtr. fV substiture Fill 1E5
(Resume Rhy. Fig. 8A)c5 F*s
c5 F*5
HP^
L3J
HP
(Gtr. II out)
Fill 1 (Gtr. IV)
(end Riff El)
(end Riff E)
(-)
tr@
HP/--\.
dRiff E (2 times) & ElG5 F*s c5 E5
Gtr. ITIcs Ff5(Gft.m)
*Gtr. III to left of slash in TAB
25
-
Gs F$sGtr. II
L-rGrr. I
HPsl.
LJ --.r
_93{L
Grr.ryHPsl. HP s/.a-\A
Gs Ff5rj-
ctr. IV H P H p-J-r sL
-i- s1.
HP
L3J
H Ps/.
(Gtr. IV cont. in slashes)
FreelvB5
) ofro*o (Gtr. IV out)
*8yd refers to Gtr. IV only.
D5
ct.wrlll^!
26
-
A tempow/Rhy. Fig. 1 (1% times)DmGtr. II
xGrad. vol. swell
Bb/D
ft H **Gtr. II to left of slash in TAB.Dm (Gtr. IV out)@Gtr. IIdJ)1tt
Slower J = 92D5 C5 D5Gtrs, I I Ir&N) ) )
f dist. toneGtr. II
D5
i --;
D5 F5
))D5 C5
r r))1Bb5 D5 F5)))
A @ trem.pick
D5 B'5
))
+Played by Gtr. IV only; Gtr. I tacet.
A_--.--\-{}
/i.,
It:\
p grad. cresc.
*Clean tone
*While trem. picking, slowly slide up neck, past fretboard, reaching bridge pickup at last bar of song.
27
-
E5
ffi1
down 1/2 step:Eb @=Gbnb @=36Db @)=Eb
Fast RockE5*Gtr. III
Tune
@=@=@=
F5
rIEEi11
) =216
Gtrs. I & II
*Orchestra arr. for gtr.
D5 Db5 C5Gtr. trI
D5 Dbs C5
^t.-'4d st;*Gtr. rv
*Orchestra arr. for gtr.
w/Rhy. Fig. I (3 times)N.C.
Copyright @ 1986 Creeping Death Music (ASCAP)This Arrangement Copyright @ 2000 Creeping Death Music (ASCAP)
lnternational Copyright Secured All Rights Reserved
D5 Db5 C5) I J
MASTER OF PUPPETSA5
ffiI
E5vn D5i$i[i^ ifiifi*
C5
ifiili*B5
ffi13
Words and Music by James Hetfield,Lars Ulrich, Kirk Hammett and Cliff Burton
D#5 c5 Ffr5 E5(tvpe2)ifiiii"'Ei[H* ffi IE+EI
(end Rhy. Fig. 1)
28
-
Rhv. gsFig.2A
1
tctr.Il)/ Ido. rn
(end Rhy. Fig. 24)(cont. in notation)
N.C
sl.
Rhy. Fig.2 (Gtr. I) Gtrs. I & il (end Rhy. Fig. 2)
.;-
w/Rly. Figs.2 & 2,4E5
rt\ {--i
sl.
+\{--z=Ysl-
29
-
(Gtr. III)
w/Rhy. Fig. 3E5 N.C.
(Gtr. IV out)
Rhy. Fill 1 (Gtr. ry)
B5(Gtr. III out)
Gtrs. I, il & IV (end Rhy. Fig. 3)
85 N.CGtr. III I Gtr. UIt .e-.v-a-
-
r
Rhy.Fig.3(Gtrs. I&il)
(Gtrs. I &D
30
-
w/Rhy. Fill 1 (Gtrs. I & IV)E5 N.C.
sl.w/Rhy.Figs.4&4,A.(Es)Gtr. m
1st Versew/Rhy. Figs.4 & 4,A. (both 4 times)N.C.(Es)
Gff. ME5
(Gtr. III out) Rly. Fig. 4 (Gtr. I)
sl.sl..=
sl.
i-{sl.sl.
sl.
sl.
J--
s/.
sl.sl.
-l
(end Rhy. Fig. 4)
sl.(end Rhy. Fig. 4,{)sl. sl.
,_a
s/.),=
sl.
sI.
N.C.
sL
N.C.
Rhy. Fig.4A (Gtr. II)
*Omit note in pilentheses when recalled unlessotheruise indicated.
31
-
(Audience:) (l'm
Veins thal pump- with
Gr. m
Taste
Gtr. III
fear,-
o
it was suck - ing clear,-
N.C.
HH(end Rhy. Fig. 5)
(end Rhy. Fig. 5A')
--,--/H
you will see-
J----=..--J
is all- you need,
il' E_r r r'Rhy. Fig. 5 (Gtr. I)
*P.M,--- --- -- --- ---- ----- -- --- ----- -r
Rhy. Fig. 5A (Grr. II)
Lr r_r_r-r
s/. H
32
P.M.
xP.M. applies to Gtr. I only
----/H
-
w/Rhy. Figs.5 & 5AF$s
(Gtr. trI)
Rhy. Fig.64. (Gtr. II)
*P.M. appies to Gtr. I only.
w/Rhy. Figs. 6 & 6,4' (both 27e times)E5 D5 E5 N.C.
(cont. in notation)Rhy. Fill 2 (Gtr. II)-------------'
@ zrr.B
rTD TT71P.M.------------
**Gtr. III to left of slash.
D*s 85
(Audience:) (Come crawl
tffi|JJJxP.M--------------r
_--re- -+)-
(end Rhy. Fig. 6)
(end Rhy. Fig. 6A)
P.M.P.M.
*P.M. applies to Gtr. I only
33
-
fast - er.)
ffChorus(end half time feel)
F5 E5
o bey
(Gtr. trI)
Rhy. Fill 3A (Gff. II)
Rhy. Fill 3 (Gtr. I)P.M.---- -- -- --- - -- -- -- -- --- -- ----r
stnngs,-
(Audience:) (mas - ter).
(Gtr. ilI out)
Mas - ter of Pup-pets,
P.M.
pull - ing your
(end Rhy. Fill 3,A.) Gtrs. I & 11
=--/(end Rhy. Fill 3)
twist ing your mind-
P
34
=--/
-
A5_------.,..--
Gtr. IIo(cont. in notation)
(Gtr. II cont. in slashes) Gtrs. I & il
:--'----- _
thing.-
xGtr. III to left of slash
=.--/
35
-
2nd & 3rd times Gtrs. III & IV subsriture Riff A
a
scream._ (Audience:) (mas - ter)
j
J
znd time to Coda I 3rd time to Coda II
(Audience:) (mas - ter). (Spoken:) Hell, yeah.
(Gtr. III out)
(Gtr. IV out)
(2nd time Gff. I cont. in slashes)
(Gtr. IV out)
36
-
2nd VersedRhy. Figs. 4 & 4,A. (both 4 times)w/Rhy. Fill 1E5
(Gtr. III out)!5
"L N'c'
death- be - com - ing clear - er).
(Es)
w/last bar ofRhy. Fig. 3
sl.----\
Oo,
Gtr. UI
(Audience:) (hfe ofGtr. m
s/.Gff. IV
------/ ----\- I
Pain mo-nop - o - 1y,- ri-ri-ri-ri - rit - ualloco sl.
--''---5.-------
:e:)(chopGtr. In
-o
ror).
(Gtr. ry out)
-
w/Rhy. Figs.5 & 5A. (both 2 times)Ff5
Taste me, you will see_ more, that's
how I'm fuck-ing
you need,-
N.C./-:-a
N.C.
w/Rhy. Fill 2(Gtrs. I & D
@ruB
fe
ded-i - cal ed to_ you._sl.
Half time feelPre-choruswlRhy. Figs. 6 & 64. (both 33/ttimes)E5 D5 E5 N.C. (B5) D5 E5 N.C. (B5)
(Audience:) (Come crawl - ing o---\
---*\
D5 E5 N.C. D5 E5
Your life bums fast - er.)
'a r .O.
38
-
w/Rhy.Fills3&3.AN.C.
Gtr. III -)-a
I J I ' .J , Gtr. Iv lrt 'tl
D.S. al Coda I(end half time feel)
(Gtr. I ouoCoda IsGtr. I
FreelyJ = ca.96
Gfu. II
- -{}- -{}e6
=*-/-=--l _t--l
trem. pick
*dprocessed echo repeats.
(Gtr. II out)Fdbk. --------
(8va)
Rhy. Fig.7 (Gtr. I)
W letringFdbk. ----------- cleantone
HP,.--::\.
LjJ
HP
F5
I+ mas
- ter,
Gff. ITI
Fdbk. pitches: E
-
(end Rhy. Fig. 7)U2
*w/Rhy. Fig. 7Em
Gff. II
*Omit last note.**Vol. knob swells.
^f
*Riff B (Gtr. I)^fdist. tone
sl. *Play with slight vriations ad lib when recalled,*+Gtr. II to left of slash.
8va ------------' HP-.i-
s/.
H
40
(end Riff B)
-
w/Riffs B & B1(Em)Riff C (Gtr. trI)
(B7lD*)
Amsus2
(Cadd9) (Amsus2)
----\
*Omit note in prentheses when recalled.
Guitar solo Iw/Riff C (2 times)
*w/Rhy. Fig. 7 (2 times) (Gtr. II)EmD
(end Riff C) Gtr. I8va -------------
.r H H HP
Amsus2
(B7)(D)
B7 B7/D#Fu
)sl.
sl.
,3'P*
HP_.--':-\
L-3 t
HP
L3J
HP s/.
B7*w/Riffs B & 81 (both 2 times)N.C.(Em)
---\
(echo off)
*Clem tone w/chorus, 2nd time omit last note
HH
sResume dist. tone. Gtr. II chorus off
41
-
E5vII
ctr. II Idf
.f oi't
D*s
JB5
JA5
Jc5
o
D5
o
----.*\
t_r_r-t |JJJ (end Riff D)
HP,.=\.
*P.M. applies to ctr. IV only.
w/Riff DE5vtr
JGtr. TIT
LjJ
HP
B5
JA5
JC5
oI
D5
oI
HP
D*s
.l-----\
(cont. in slashes)1t1
+,/
LjJ
HP
42
-------------------------l
-
ffr fTll fT71 fT]1 STtl(cont. in notation)P.M. ----------- F*s
(Gtr. IID (Gtr. Itr out)
Gtr. IV (Gtr. IV ouo
G5 Ff5 F#s G5 Ffl5
Rhy.Fig.8(Gtrs. I&Q
dRhy. Fig.8F$5 G5 Ff5 c5 F*5 F#sG5F{sG5
w/Rhy. Fig. 8 (4 times)Gs c*s F*5 cs F#5
cs cf5
(erd Rhy. Fig. 8)
cs c*5
Ffl5:--.--:.
mas - ter,) prom-ised on Iy lies.- (Laugh-ter,
G5F*5G5 F$sCil5
laugh -
ter,)
*P.M. applies to domstem notes only
where's the dreams that I've- been
43
-
r-
G5c$sG5F#sG5 cs c#s
-
N.C.
-----^-._---\-^
trem. bar-Y'W
*Depress ba before striking note.
(Es) N.c.A.H.-------------(15ma).y
Pp;--.T--
PP---\
sl,
Ps/
(E5)A.H.---.(15ma)l%
rtltt!ltt
vib. w/bar
IAAAAA/IAA'I
A.H. pitches: Gf*Pull bar up.
N.C.
A.H. pitch: F{
45
-
w/Rhy. Fig. 5 (2 times)F#5 N.C. F$5
Fult Full Full *
N.C. Ffl5 N.C.
Full Full Full Full Full Full Full Full Full Full{ r,-t tL\)?\_1/^JJ
Fu1l FullA +A + Full Full
____ / s/.
sl.
Ffs N.C.
w/Rhy. Fill 2 (Gtr. I)@zt
B
1Y2
)Full Full Full Full Full
l
46
,---*\----\
-
l-
+P.M. applies to Gtrs. I & II only
B5(Gtr. trI out)
*P.M. applies to Gtrs. I & -tr
only
(end Rhy. Fig. 9)
47
-
f f rF i-i.g*P.M. --- ----- -- --- - - --l
*P.M. applies to Gtr. I only
w/Rhy.Figs.2&2AE5Gtr. III
GtI. IV
w/Rhy.Figs.2&2AE5
Gtr. I substitute last bar ofRhy. Fig.2,A. Resume Rhy. Fig. 2 w/last bar of Rhy. Fig. 2
-o.(:) -o Q)
(Gtr. IV out)
48
-
3rd Versew/Rhy. Figs. 4 & 4A (both 4 times)N.C.(E5)
(Es)
rhyme- with out_
w/Rhy. Figs. 5 & 5A (both 2 times)Fil5
(Gtr. III ouo
num -
bered days,-Nev-er - end
will oc help- you die,-
49
-
HaIf time feelPre-chorusw/Rhy. Figs. 6 & 64' (both 33l+ tirnes)E5 D5 E5 N.C.
w/Rhy. Fill 2 (Gtrs. I & [)@zt.
B
ib?.-trTii.iDHarm.
(Audience:)(Come crawl8va -------------
Gtr. III H3H
Gtr. IVHH
N.C. (B5)
,>J
(Gtr. IV ouO
"/. H*'
D5 E5E5 N,C
50
-
n'/Rh1'.Fills3&3AN.C.
'.J' lJ,
ter, (Audience:) (mass/',
-
bey
,----\_
tlst time Gtr. I plays E5 on beat 1 of lst bar
.----.,._.--
PN.C.
iI
Rhy. Fill 4 (Gtr. I)
Gtr. I substituteRhy. Fill 4N.C.
Outro*w/Rhy. Figs.4 & 4,A (both 4 times)
51
-
c"'lJ --\ & ---3
-J.-------)'r
v
-a-----\
o
w/last bar of Rhy . Frg. 2
Free timeF5
(type2) (Gtr. II cont. in notation)
iHi,g-o*c
Yeah.- yeah.- Thank you ver-y much.-
E5 VII
lt//
Gtr. II
IIu
52
trem. pick sl.-----/
-
NO LEAF CLOVERG5
ffiili*
P.M,-------------
C
!H+ri32 I
B7[ffiH+JIJ213 4
Am
EffiiC5 Em
ffi*ffi
Words and Music byJames Hetfield and Lars Ulrich
DE5IFIH lifilr
Tune down 1/2 step:rl
@=El @=cb@=Ab @=Bb@=Db O=Eb
SlowlyJ = 80
N.C.Intro *Gtr. I
*Orchestra m. for gtr
Pa\
Pa-\
PP
Rhy. Fig
nlpclean tonew/pick &.fingers
(end Rhy
Copyright @ t6ss creeping Death Music (ASCAP)This Arrangement Copyright O 2000 Creeping Death Music (ASCAp)
lntemational Copyright Secured Ail Rights Resenied 53
-
rEm*Gtr. III
Gtr. II
(Gtr. III out)
*Orchestra ar. for gtr.
Rhy. Fig.2
54
-
1st VerseA5
("g$y.Fig.2) Rhy. Fig. 3
P.M.
1. And it feels right_ this
\JP P.M. P.M.
on his crash course with the big_ time._ Pays no mind to the dis-tant
(end Rhy. Fig. 3)
55
-
new day fills- his head with
*B played by bass only.
2nd, 3rd Versesw/Rhy. Fig. 3A-5
HP
Tumed it 'round and found- the right- line.-All the piec - es fall- to his- wish.-
B5
HP-------:-\
2. Says it feels3. Don't it feel
time.-this?-
right- thisright- like
(Gtr. IV out)
"Good day to be a - live,- sir."Suck-er for that quick re
- ward,- boy.
Good day to be a - live," heSuck-er for that quick re-ward," they
fTn rTn
*Orchestra plays dvariations ad lib on repeat.
56
Yeah.- )Yeah.- |
-
Then it comes to be- that the sooth-ingGtr. I)Gtr. trl
was just a freight train com-in' your
(Gtr. III out)
at the end of your tun - nellight-
J t\-/-hey,-
J
PsLH H
HPH pH
ffirrs-= Am B7 AmSEffiTT TTMilHPHPHPH
xorchestra arr. for gtr.
Ps/.H
at the end of your tun-nelyeah.c
Then it comes to be- that the sooth-ingIT
U2 Full
57
-
Gtr. I tacetE,M
ll.B7 fuo (cont. in notation)fETT ffi )_T TTTTDI M NC
=----: /was just a freight train com-in way, yeah.-your
Rhy. Fill 1 (Gtrs. II & IV)----'
f (w/dist.)P.M.
sl-
12.
rT rTn ffi rT rT{n rTJ-hey,- your
Pa-.
FullP
yeah.-
58
sl.
-
-FA ^
-
B7rT rT{n rT rT s-Tfn s--Tlt's com-in' your way
P..-\
85 C5 B5 C5 B5 C5w/Rhy. Fill 1 (Gtr. II)N.C.
Guitar solow/Rhy. Fig. 2 (2 times) (Gtr. II)E5
Full Full Full
fTT TTT-------:-\
yeah.-
P
-
Full)Full)Fullt*
r-3---r
Full Full Full
59
-
PPP)Pi\Full pu1Full
) )*): sl P
FullsLP
Full 1112
sl.
Full
) sL sl.
Full
Fullt)sl.PP
-
8va -------------Full
)st. -lR
, Fullsl.P /1 )\
InterludeE5
Rhy. Fig. 4 (Gtrs. II & IV)loco
(end Rhy. Fig. 4)
w/Rhy. Fig. 4 (Gtrs. II & IV)E5 G5 E5Gtr. I
N.C, F5 N.C. F5
61
-
w/Rhy. Fig.4 (Grr. II)E5Gtr. I
@ op"oAB5
c'ir"J1) STrnf) D1 rnfnf) E5 A'5 85D] Snfnf)P.M.------------
(end Riff A)
Chorusw/Riff A (2 times)E5
N.C.F5 N.C.F5
@ op"n @ op"nAB5 AB5-. -.// //
P.M: P.M:
uus. i-iI&tvl J J J J {nn rTn {nnsooth-ing
Gtr. I
62
Yeah,- then it comes to be- that the light- at the end of your
-
A5(Gtr. III out)
(end Rhy. Fig. 5)
rTn [nn rfrn ITn
C5Knv-r l-lrrrii.s/ / / / / [n-) mn {Tn
w/Rhy. Fig. 5 (Gtrs. II & IV)E5
63
-
w/Rhy. Fig. 5 (2 times) (Gtr. tr)E5
Then
Gtr. IV
Then it comes to be,- yeah,
to be,- yeah, yeah.-
yeah.-lt
Then it comes to be,- yeah.-
OutroE5
Gtrs. II & IV
Then it comes to be,-
-
HERO OF THE DAY
l/2 srep:=cb=Bb=Eb
Moderately J = 112
*Orchestra arr. for gtr.
F#s/Gfr F$s/A Ffrs/BEiii ffioo ffiooH++ FH+H !t+++111 211 4tt
Words and Music by James Hetfield,Lars Ulrich and Kirk Hammett
E5/A 85m* lHii
(end Rhy. Fig. 1)
E/G#m$lt+311
F#s
Hlit34down
Eb@Ab@Dbo
@=@=@=
,rypclean tone
let ring throughout
Ma - ma, they try- and break- me.-
Copyright @ 1996 Creeping Death Music (ASCAP)This Arrangement Copyright @ 2000 Creeping Dealh Music (ASCAP)
lnternational Copyright Secured All Rights Reserved 65
-
lst Versew/Rhy. Fig. 1 (6 times) (Gtrs. I & m)
They're ofl to find-
where- they've gone
of- day.-Gtr. II
But what if they should
(Gff. II out) Grr. tV
*Orchestra ar. for gtr.
66
fall- wick - ed way?- Yeah._ Still the
-
win-dow
A5/Cf+l
of those flames,- can't you feel your names?- Can't you
w/Rhy. Fig. I (lst 3 bars only) (Gtr. Itr)w/Rhy. Fill 1 (Gtr. I)A5 A5/B A5lC$ A5/D
Ma-ma, they try- and break-
Gtr. II =--*-
Rhy. Fill 1 (Gtr. I) Rhy. Fill 2 (Gft. IU)
hear your-Gtr. II
bies cry
l-___+
Gtr. IV
w/Rhy. Fill 2 w/Rhy. Fig. 1,{5 A5/B
ing?- Yeah
(Gtr. IV out)
Still they try- and break-
67
-
Half time feel2nd Versew/Rhy. Fig. 1 (6 times) (Gtr. IID
Thesethings re-turn_ to me_ that still_ seem real
Grr. IIe-_
f.*(Gtr. Iout)
tL-
But theNow,Gtr. II
ly,-
-o.
68
de - serv this eas -
v
-
(end half time feel) O,
rock-ing wheels- of- de - spair
now the dreams-
Don't want your aid,- but the
I
m not all me,-
ev-ev-
(end Rhy. Fig. 2A)
fist I've made- for years- won't hold off fear.-
ChorusFfl5
thatthat
and wak - ing(But now the
screams_dreams-
A5ID
Rhy.Fig.2(Gtrs. I&ilI) (end Rhy. Fig. 2)Rhy. Fig. 2A
69
-
w/Rhy. Fig. 2A (3V2 times)F$s
erer
Gff. II
last-last-
N.C.
So build the wall- be - hind_ it, crawl_ and hide_night.-night.-
un
un- ril_- til_
light.-light.)
-
hear- your ba-
Guitar soloA5
now?
-
loco
70
-
I can't hear you!
(end Riy. Fig. 3)
w/Rhy. Fig. 3
9va - - - - - - - - - - - - - - - - - - - -
71
-
t-3rd Versew/Rhy. Fig. 3 (I3/ttimes)A5 A5/B
time so slow - ly(The win - dow tums._burns.-
some - one there- ls
Some - one there- is
sigh - ing.sigh - ing.
8va------------
Keep - ers of the can't youCan't you
-=-..---
sl.a-:-\
sL
72
sI. sl.
-
E.t)eslc$Jrr
ba - bies cry - ing?ba - bies cry - ing?Can't you hear yourCan't you hear your
feel yourfeel your
Chorusw/Rhy. Fig. 2 (Gtrs. I & ilI)F#5
now the
Gtr. II
w/Rhy. Fig. 2A (4Yz times)F$s
wak - ing(But now the screams_dreams- ererthatthat last- the-last- the-
build the wall- be - hind- it,So build the
crawl- andwall- and
hide- unhide- un
it's_ lighr._it's- light.)-
Rhy. Fill 3 (Gtr. IIf
wlFill2
73
-
OutroF*s Ff 5/cf
crrrT ))', )), ))', )), ))
they and break- me.
(Gtr. I cont. in slashes) Rhy. Fig. 4 (ctr. III)
Fill 2 (Gff. IV) (Gtr. IV ouO
74
-
F$s/A Ff5/B Ff51 n1 n1 nl D1 nl nl nl n1 nl n1 n1 nMa-ma, they try- and break- me Ma-ma, they try-
H/-\ ^
and break-
E/G$1 ))1
E5lA 85fit fit nt n1 n1 n1 n1 n1 n, n)Ma-ma, they try,- Ma-ma, they try.- Heyl
(end Rhy. Fig. 4)
75
-
rw/Rhy. Fig.4w/Fill 1 (8 times) (Gtr. I)F{5
Ma-ma, they try- and
-
me.
F$s/c$
break- me.(Ma-ma, they try-
break- me.Ma-ma, they try-
Ma-ma, theybreak- me.
Ma-ma, they try,-break- me.)
rC}
break- me.Ma-ma, they try-
F#s/B
E/Gffl
yeah
Ma-ma, they try
,__--..-.....=t i
-----\/i
Fulll_
Gtr. II
=::5
Free time
sh
*
Time.-
s/. (end Rhy. Fig. 2A)
si.
N.C
sI.-----\-z---- L,
----\
122
.------\ Rhy. Fig. 3 (Gtrs. II & m)
-
Take me with- you.
still shine?
Tell me, does_ your
8va----------s/.
Come squeeze the world and drip it down my
s/.C)
ga1n,_
(end Rhy. Fig. 3)
-
dRhy. Fig.2D5
gdn.- Oh,- whoa,- uh
H
You
sl.
*
'vegot to breathe,- man,- breathe.-8va -------------
P Pa--\
Com-in' up for...)Breathe,- man,-
(Com-in' up for air.
wiRhy. Figs.2 (Gtr. II) & 2,A'D5
124
-
N.C.
2nd Versew/Rhy. Fig. 3D5
Bare - ly breath - ing,
w/Rhy. Fig. 2D5
the world and drip it down my throat-
---..*\
N.C.
uh. Oo. down my throat a -
Pa-.
-
'=-\\
Oh, whoa,- whoa.-
loco
(Com-in' up
Chorusw/Rhy. Fig. I (2 times)N.C.
You've got to breathe,- man,-
breathe.-Breathe,- man,-for air. for...)
(Gtr. I out)
Half time feelGuitar soloD5
Gv \ ). )^)
Gtr. ItrHarm.-- --------- ----- --,(8va)
3
)--) ) ) )^) )-) )
rJ--l
3
Harm.--- ----- ---------
126
-
)^) ).-) ) t./ )-) )-) )
)-) I-) )
^r:,,.-\P
.-
127
-
Outro-Chorusw/Rhy. Fig. 1Gtr. III substitute Rhy. Fill 1N.C.
Breathe,*atu.)
(Gtr.D
breathe.- up
8va - - - - - - - - - - - - - - - - - - - -HHHH
HHHH
Gtrs. II & III
Gtr. m
Gtrs. II & Itr
Rhy. Fill 1 (Gtr. m)
128
-
THE OUTLAW TORNDg5/E E5'IIhtr t#'nl-t++N Ht?ll
vz "t |,1 r34
=Gb-sb=sb
SlowRockJ =60Df 5/E
*h.n))'t t^t
^f dist. tone P.M. -
**Orchestra m. for gtr.
Words and Music byJames Hetfield and Lars Ulrich
G5 E5 (type2)
ffi*ffi"'
(cont. in notation)@ t+tr
Bffin1-(wah off)
D5 Bs A'5 Es F5 F*5I Xl O XIX XXXm'offi ffi ffi ffi ffi
Tune down
@=Eb @@=Ab @@=Db o
PIay 3 times
n**Gtr
PIa,r 3 times
n1n'l
xDist. tone dwah as filter
Copyright @ 1996 Creeping Death Music (ASCAP)This Anangement Copyright @ 2000 Creeping Death Music (ASCAP)
lntemational Copyright Secured All Rights Reserved 129
-
xRhy.Fig. 1(Gtrs. I&[) lt2)l
l/2
(endRhy. Fig. 1)r/2
P.M.P.M.P.MP.M.
*Play w/slight variations ad lib when recalled throughout (2nd bm only).
w/Rhy. Fig. 1 (3 times)
E5 vII
Gtr. II 9
@ tor'.B)t (Gtr. II out)I):: N.c.
130
-
1st Verse*N.C.(E5)
And now-
And now- I
----/ v-my whole-wait- \tlife - time-
wait- my whole- life - time-
urrs. -i
rt&n/ l'-----..--'--..----.--.----.--4.
wFill 1 (Gtr. I)@ rzt.
EGtd.rr ) st. I
D5 E5vtr
f(Gtrs. I&ilout)
**Gtr. IV't'
Gtr- III
the dirt,-
(Gtr. IV out) Gtr. III
the tide-Gtr. IV
131
*Chords inplied by bass when gtrs. are tacet (throughout).
Gtr. ITI
-
*GtI. IV to left of slashes in TAB.
D5 85n.-).fwhat you- left me.-
a---l
the one who seeks so I- may- find.-
(Gtrs. I&trout)Gtrs.I&II
Youknow I'll al-ways
So on I wait my whole- life
to be-
(Gtr. tV out)
\__./o
-
HH HHS''
N.C.(A5)
132
*P.M. refers to Gtr. Itr only.
-
Chorusw/Rhy. Fig. I (4 times)
(85)
E5 VN
Gtrs.t&Il o-
-o
(Gtr. II out)
So on- I wait- my whole- life - time-v\/\!/
(Gtr. I out) 2nd VerseN.C.(Es)
133
-
-v-
So on- wait- my whole- life - time-
*ryp
The more-
(Gtr. IIDr>
D5 E5 vrr
ctr.rt.^Jf
vvvvvvv
ll2 lt2 lt2 1t2
--_jsearch,- the more- my need-
(Gtr. II out)@zzt'.
DIsL,I D5E5t-
\'\--l
-
you._(w/delay repeats)
w/delay --- -- -- --- -- --
(Gtr. I ouO
.-;you._
134
*Vol. swell
-
The more- I bless,- the more- I bleed-
@ opeoAB5D5 B5Gtrs.
-1 I
I &I J /-_d. n.-1.
-
you. You make me smash the clock- and feel.- be - hind-
A5
o
@gtGA5
n
Time was nev - er on- my so on I wait my
135
-
Gtr. III
Rhy. Fig.2 (Gtrs. I & il)
w/Rhy. Fig.2(Bs)
U2_)- U2)f
law of-
(end Rhy. Fig. 2)U2)-
1/2
----\
136
And I'm
-
Bridge2nd time Gtr. II substitute Rhy. Fill 2D5 E5
And if I
Rhy.Fig.3(Gtrs. I&il)
And if(See me.)
mind -
in
D5 45 G5 A.5
face- be comes* s1n
D5 A.5 G5 A5 G5 A5
G5 A.5
pen.-please pry ito
be - ware.
Rhy. Fill 2 (Gtr. II)8va ---------"
FullIJ sl- loco
(end Rhy. Fig. 3)
137
-
w/Rhy. Fig. 3D5 E5
And if you(Save me.)
D5 A5 G5 A5
G5 A5D5 A.5
see_ me
To Codn0
@op"nRhy. EFill 1(Gtrs. oI&D
G5 A5
re - mind- me of- what left- this
(end Rhy. FiIl 1)(Gtr. II out) .,'7Ut t
N.C.
,^----\-.
Full
-.-\^.
,_o.
--s/.
-
----\
FullFull
Gtr. III (Grr. III our)al) I )1'^1Gff. IV
(B5)Gtr. III
(Gtr' IV oul.) 8r'a--------------
P grad. cresc
-
(delay off)
Guitar solow/Rhy. Fig. 1 (2 times)N.C.(Es)8va --- -.
*Slide wom on pinky (not used till indicut"d)i*wuh indi.u,ions: +
= pedal closed (toe down); o = pedal open (toe up)
__)
140
-
dRhy. Fig. 2 (2times)(E5)
,-.-
*TAB numbers higher than 24 are imaginary fret positions locatedpast fretboard. Pitches shown are approximate (next 2 bars only).
(Es)P
.----\
D.S. aI Coda
sH,
-
Cods dRhy. Fill 1 (Gtr. I)
E5
Gtr. II o
Rhy. Fig. 4' -' -' - - - - - - - - - - -E5\-)-J' / ' w/Rhy. Fig.4 (4 times)
Gtr. III
** < ,rypw/delay
-
F5
G5
J
s/.
F$5
J{}
+Wah off
(end Rhy. Fig. 5)
(Gtr. III out)
w/Rhy. Fig.5 (5 times)E5
143
-
144
-
G5
r/.
Ffl5
sl. sl. \-/H
'*5 G5 (end Rhy. Fig. 6)mmmffiP.M.---, P.M. P.M.-. P.M.
P PsL*Throughout Rhy. Fig. 6, play only lowest note of chord
when P.M. is indicated.
dRhy. Fig.6 (5 times)E5 F5
Full)
145
-
H P sl. s/.
Pa-\P
FfsGtr. III P
a1P
A.H,(15ma)
lt2lFullIPi
F$5
146
-
Full Full Full)) )
sl.
Free time
Gtr. tr o(end double time feel).r/. Gtr. l oft
E5 (tYPe2)
) 1 )sr ,{ t/io
/i
147
J
-
ONE
148
Tune down 1/2 step:
@=Eb @=cb@=nl @=nu@=Db O=Eb
Moderately slow, freely
Intro (Banlefield roona enectsl E-[tlf2,
Rhy. Fig. 1 (Gtr. II)
nlplet ring throughoutclean tone
GmajT(no3rd) GmajT(no3rd)
'j,
GmajT(no3rd)w/Rhy. Fig. 1Bm
H
Copyright @ 1988 Creeping Death Music (ASCAP)This Arrangement Copyright @ 2000 Creeping Death Music (ASCAP)
lnternational Copyright Secured All Rights Reserved
Words and Music byJames Hetfield and Lars Ulrich
GmajT(no3rd)---\
(approx.23 sec.)
+Orchestra m. for gtr.
-
(Resume Rhy. Fig. 1)D/A
Gtr. tr subsritute Rhy. Fill 1GmajT(no3rd)
GmajT(no3rd)wRhy. Fig. 1Bm
-
Rhy. Fill 1 (ctr. ID
GmajT(no3rd)
8vaP
149
-
Grr. II substitute Rhy. Fill 1GmajT(no3rd) sl.-,
Gtr. II substitute Rhy. Fill 2N.C.
(Resume Rhy. Fig. 1)D/A
r-Jl
GmajT(no3rd) GmajT(no3rd)
Rhy. Fill 2 (Gtr. II)
150
-
GmajT(no3rd)
Gtr. II Riff A (Gtr. II)
let ring throughout
Riff A1 (Gtr. III)
HPHP
-
Fsus2L-----\
HPHP(end RiffA)
(end Riff A1)
let ring throughout -3Jq3-
P
HP
-3'
lst VerseBm
T can't re-mem- ber
GmajT(no3rd) GmajT(no3rd)
tell if this is
152
Rhy. Fig. 2 (Gtrs. II & ru)
-
Deep down in-side I
GmajT(no3rd)
this ter - ri-ble si - lence
wak-ing up,
GmaiT(no3rd)
Noth - ing is real but
(end Rhy. Fig. 2)
not_ see
w/Rhy. Fig.2Bm GmajT(no3rd)
Now that the war is through_ with
that there's not much
GmajT(no3rd)
me,_
me._
153
-
my breath as
P.M.-------------J
death.- Oh please,
GmaiT(no3rd)
(end Rhy. Fig. 3)Rhy. Fig. 3 (Gtrs. I &
P.M.-------------r
dRiffs A & A'1Dsus4
N.C.
2nd VersedRhy. Fig.2 (2 times)Bm
\t(real.
-
154
Back in the womb much too
-
to
xctr. IV
GtI. I
*Orchestra m. for gtr.**Gtr. IV to left of siash in TAB.
Bm
GmajT(no3rd)
GmajT(no3rd)
veal,-
\ I ctr. IVL',_rl,_t
live
(Gtr. I out)
Fed through the tube that sticks
(Gtr. IV out) Gtr. I
me,_ like a war-time
GmajT(no3rd)
155
-
dRhy. Fig. 3GmajT(no3rO
Gtr. III
Cut this shit off from- me! my breath as I wish for Oh please, God, wake
Please, God, wake- me.
8va -------------- sL
HP
L3!
HP
HP,._\
L3J
HP
L3J
HP
HP^
w/Riff A (lst 4 bars only) (2 times)Dsus4
156
P
-
s/.sl"r.
A
-
w/Riff A (lst 3 bars only)Dsus4
PPi--\HP:-T>
P p PPa--\ :-.-\
-
sL
the world is gone, I'M
Gtrs. II & IIIloco
at
f P,M.--------- ----- -- I(w/dist.)
A5 85 A.5 G5 Bs c+5 Bs 45 85 C#5
8va-----..r/.
"t27-L_-tr
sl.-L, sL
Oh God,
A5 B5 A.5 G5 Ff5
my breath as I- wish for death.-
158
-
Rhy. Fig.4 (Gtr. IID (end Rhy. Fig. 4)
*w/Rhy. Fig.4 (3 times)AmGtr. I
5tt H H H HPa..-\
*dslight vtriations ad lib
'159
-
P:--\HHc5
H
sl./.->
HHPPC5
PB5
H HHHH
PPHH
sl.
HHHB5
H
sL
-i
160
-
P.M.----------
\--aH PS1. HP
-
E5Gtrs. I & IV
(Gtr. IV out)
P sl.
lD l/2 U2 r/2 lt2
lJ' r-tl
r-3-r r3-r 13- r3--r
sl.
P.M.
Gtrs. II & ilIr--3-r r-3--
162
*Gtr. I to left of slash in TAB.
Gtr. I
r-3-r r-3-r
P.M.-------------r P.M.-------------{
-
t-- j
r- 3 -----1 t- .t ---1 1-3---1 f-J----
P.M.-----------
L-- 3 t-3
r-3--t r-j-l r-J-----.1 r-3--r
P.M.--------------- -- --r P.M.------------------r P.M.--"---'------'---'{
lm - pns-on-rng all that I ab - so-lute ror!
Rhy. Fig. 5r-3-r r-3--r r--J--r r-3--r r-3-- r-3--r r-3--r r-3--r
-
I can-not I can - not Trappedin my
r-3--r r-3--r r-3-r r-J--r r_3-_ r_3__r
hold - ing
(end Rhy. Fig. 5)r-j--r r-j-r
P.M.-- -----------' ---r P.M.----'-'--- ---'--i
7-3----1 r-3-_ r-3___ r_3__r r-.3--- r-J--r
164
r-3--r r-3---
P.M. --------- -- -- -- ----{ P.M.' -- -- --------------r P.M. --- --------'-------r>
.sl-
-
sl
P.M.------- ------'-- ---{
Gtr. IIIr-3--r r-3-r
P.M.--"'-'-'-'-'--'--'r
ilRhy. Fig.5E5
1-3---1 t-3'-'-1 >a r--3-r r-3---r r-3-r r-3--r
P.M.----- -- ---------- -- r
r-.3---r r-3---r r-3---r r-3---r r-3--- r-.3---
P.M.'-'--------'-------i P.M.--"--'-----------'{ P.M. ---'-" -'-------"-{
tak - en my sight, tak - en my speech, tak - en my hear - ing,
>\__tsl.
Land
Gtr. I
165
-
Rhy. Fig. 6 (Gtrs. II & III)
w/Rhy. Fig. 6 (3 times)E5
Rhy. Fig.7 (Gffs. II & ilD (end Rhy. Fig. 7)
166
-
Rhy. Fig. 8 (end Rhy. Fig. 8)
wiRhy. Fig. 6E5
PIay 4 timesF-5
w/Rhy. Fig.7N.C.(E5)
167
-
Guitar solow/Rhy. Fig. 6 (4 times) (cff. II)E5
*Tap w/edge of pick.
Gff. III8va -------------
*TP P T P H TP P TPH TP P TP P TPH TPH T PH TP Pt:\ i'-) f:\ i-.-> i:\ i:\ f--> i_> ;\ TP P5-\TP Ht\ PP;-\TPH T3 --: r*3 ---.: 3 r L-3 r LS- L-j-J i.l__,
TPH TPH
L-j--J L-jJ L-J-J L- j*J L-3--JTP H TP P TPH TPH T PH
;-\
3 ---.r
L- 3 ---.rL-3 ---.tL- J --J
TPP TP H TPP TP H TP P TP P TP H TPH TPP TPH TP P
E5-o.
TP P TPH TP P TPH TP P TPH TP P T PP T PP TPH TPP TP P TPP TPH TPP TPPi-.-\a-\
L-jJ L-jJ L*JJ L3- L-JJ L*3r L-3r 3r L-jJ L-*3r L-jJ t--3r L-jJ 3: r-3r L-JJ
TPP TPH TP P TPH TPP TPH TPP TPP TPP TPH TPP TPP TP P TP H TP P TPP
L-jJ L-j-J t-JJ L*jJ L-JJ L-jJ L-jJ L-jJTP P TP HTP HTP H TPH TPH TPH TP H
L-jJ L-jJ L-j--J t-jJ L-J--J L-jJ L-jJ L-jJTPP TP H TP P TPH TPP TPH TPH TPH
168
-
w/Rhy. Fig.7 (Gtr. II)N.C.(E5)
T.h'
:Ioco PH
--:\ T;PP-\
T-h'
=
PTlr
T}(P1',-r--
T TTT6P 4P LPH Pt^ +- +----1-l-----=-\
TP TP TP H P
L_r
TPH TP TP TP TP TP
dRhy. Fig.9E5
FullFull Full))
PFull)
----\ sl. HH/--:HHHH
PP
Pa--\ P HHP i)
3
HHHH
3
HH
3
HH
Rhy. Fig.9 (Gtr. II)
169
-/
-
Gtr. ItrPPPPPPPP
PP PP PPPP
w/Rhy. Fig. 10
PPPPPP Prl.PPt;> i-:-\ i->\ ;-. :--..-\
PP P P PP P P PsLPP
PPP--
PPPPPP---\ _---\ ---+\
PPP=_\ P P P
PP P P P P,-\ P P P _--\ P PP PPP
PP P----\
P PP
PPP
Ab5Pp--< P Bp
3
P PP PP
F5Pp 2=
Rhy. Fig. 10 (Gff. II)
Pp---\P
170
-
wRhy. Fig. 11G5
Gtr. Itr
H H H-gJg H .+- bi'_r--=-g
HHP-----\
3
HH HH
Full Fullttl,:/- /
8vaFull
Rhy. Fig. 11 (Gtr. II)
_.ll
171
-
'J't3,
8va - - - - - - - - - - - - - - -- -- -- - -- -- -- -- -t---- "
Gtrs. II & trIloco
P.M. -------------
4th time w/Fill 1E5
Play 4 timesF5 N.C.
N.C.Riff Bl (Gtr. IID
zuff B (Gtr. ID
P s/.t:: P s/. .L{ :-.....--PsL(end Riff Bl)
(end Riff B)PPslP s/. P sl.
3
Psl
Fill 1 (Gtr. I)
172
-
Gtr. I
dRiffs B & 81 (both 2 times)GtI. I
Gtr.mPsL
Please,
P s/.
Outrot---{5
God, help me._
(cont. on lower staff)
--J Fill2 (Gtr.I)
Hey!
(Gtr. I ouO
Hey!(end FilI 2)
(end Rhy. Fig. 12)
3P sl.
PPPP
FullU2 Ii-_______________
__________-_-__ )J Rhy. Fig. 12 (Gtrs. II & m)
Pp
173
-
w/Rhy. Fig. 12 and Fill 2 (both 3 times)E5 F5
174
-
*Gt. tr to left of slash in TAB.*+P.M. refen to Gtr. Itr only.
E_r_r I
-
ENTER SANDMAN
w/Riff A (10 times)Grr. I
Words and Music by James Hetfield,Lars Ulrich and Kirk Hammett
Em E5 A5o ooo xo xxtffiffiffi23tl
Tune down 1/2 step:
@=Eb O=cb@=Ab @=Bb@=rb @=eb
Moderately J = 126N.C.*Gff. I
---n Sl^f >-t/ ,=
*f ct .l Riff A ----------clean tone
si.
Gtr. I
^t-a_.
r*Gtr. III
"TIJ
*Orchesha m. for gft.
O+ I)_ o+o+o +0 o+Gtr.TVdist. tone *w/wah
*o = open (toe up);
+ = closed (toe down)
o
-ltt /'- l. h/no+o+o+ o+o+ o + o + o+o+o+o+o+o+ o + o
176Copyright @ 1991 Creeping Death Music (ASCAP)
This Arrangement Copyright @ 2000 Creeping Death Music (ASCAP)lnternational Copyright Secured All Rights Reserved
-
)^)^)
sl.
A5 E5)^)) A
E5
h/^A5
t./H
@r'Bb
)PP
E5
)-@u.Bb .A5ht.//
sl.l^br- I
@r'Bb A5
))s/.bi:>
@ ra.Bb A5
))sL| ^br- ).
l-))--)-)
PP PP H H
P.M.
-
@1f..Bb A5
))E5
)\-)@1ft.
Bb A'5
))E5
)--)E5
)\-)
(cont. in notation)E5
h/'-
@1ft.Bb A5
))@rfr.
Bb A5
))
;\-/
E5;---- (i-n^,-..-
Oh,- yeah Let loose.- man.
Gs F+5 E5
(end Rhy. Fig. 2)
178
Rhy.Fig.2(Gtrs.tr&IV)
P.M.-------------------'---r tv
-
lst VerseN.C.
Say your prayers,
nrry.hig. 3 (Gtrs. II & IV)
Don't for - get, my
P.M. --------------------------------1
Gs Fil5 E5
warm with - in, keep you free from
179
-
-llalf time feelPre-chorus
till the sand-man, he comes,- ah.
P_M.-------------------------------l
Gs F*5 N.C.
(end Rhy. Fig. 3)
>\--/
Sleep with
(end half time feel)
HP
(end Rhy. Fig.4)
grip-ping your pil
PPa---\ HP/--\-
180
-
HsL
Take-
hglt|- (Spoken:)What is it? (Audience:) (En
hand.-
s/.
HslxP.M. - ---'----- -- ------Rhy. Fig.58 (crr. IV)
(Gff. W cont. on upper staff)(end Rhy. Fig. 5) Rhy. Fig. 54. (ctr. tr)
We're off to nev - er - nev - er land._
E5
J J J 1J:'r.
l[-V
(end Rhy. Fig. 5B)
(end Rhy. Fig. 5,A')
j/-
sl.
+P.M. applies to Gtr. IV only.
*P.M. applies to Gtr. IV only.
-
w/Rhy. Fig. 2 (2 times)N.C. /->.
2nd Versew/Rhy. Fig. 3 (Gtr. II)
N.C.dRhy. Fig. 3 (last 7 bars only) (Gtr. IV)N.C. F5 N.C.
G5 Fils E5
G5
of Snow White.-
i--.-\-
Some-thing's wrong. Shut the light. Heav-y thoughtsto night,-
(Gtr. III out) Grr. I
Il2 u2 1t2 1/2Fill 1(Gtr. IV)
1/2 U2 1/2
(wah offlt/2U2
Full Full Full Full
P.M. -- -- -- -- -- ------ - -- --- -r
182
-
Dreams of war, dreams of
G5 FS5 N.C.
and the things that will
eye
s/.
grip - ping your pil
Sleep with
(end Riff B)sl. ,- ---'
Fill 2 (Gtr. IV)
(end half time feel)
183
-
F#s
light.- Come on.loco
(Audience:) (En
dRhy. Figs. 5A & 5B
Ff5 Es
land.-Take- We're off(end Riff C)(Gtr. I out)
nev
Lyric ad lib yeah.-
FullI-.L--)'J -t ?
FullIJ--
Guitar solow/Rhy. Fig. 2 (13/e times) (Gtr. II)
N.C.
A.H.---------.(lSma)HP
FullFull)
184
Rhy. Fig.6 (Gff. I) (end Rhy. Fig. 6)
-
w/Rhy. Fig.6 (3 times)Gft. IV
sl. N'c"L
Full Full
N.C
E5FfsG5
N.C. E5
sl.
t,*
sl.
E5Full Full))
Full
)N.C.HPFull Full Full Full Full)) ) ) ) HP
r_3J
HP
G5 Ff 5 N.C.
L3J
Full Full HP
8va- - - - - - - - - - - - - - - - - - i-'-
dlast bar of Rhy. Fig. 3 (ctr. tr)Fil5
PP ,, Tp T P pa dr i--\\
H TP TP P,--
P
Half time feeldRhy. Fig. 4 (lst 2 bars only) (Gtr. II)loco
lt2
P P.sL sI.
t%IPP
r-.3J
PPs/.
ltz
*Gtr. I to left of slashes.**P.M. applies to
Gtr. tr only.
18s
-
w/Rhy. Fig.5 (Gtr. II)F*s
FullB5
Full
(end half time feel)
= F-===/ LLLJ V
B5Full
N.C. E59va-------------
Full Full lV2
w/Rhy. Fig. 5A (lst 2 bars only)
loco P pa1..-.
L_JJ
FS5 85' 8va--------PP
P P
FullI1
PFull
Full+J- ^*+^*{{^-{ a\ -a\
tem. bar
99I I I
p HH.\ ,-->
r-3- uj--'lP HH
I I9V I/----g
99 V\-/ v
trem. bar9VFull l%)) P
Gtr. I
J.t
fr-'l
*P.M. applies to Gfr. II only.
186
(Gtr. II out)
-
Put your hands to - geth - er.
A.H. - - ---- -- -- ------,(8va)
v- v- v:
trem, bar H\rv vA.H. pitches: F$
Gtr. n
dRiff A (6 times)
(Spoken:) Now I lay me down to sleep.(Child:) Now I lay rne down to sleep.
(Gtr. I)
(Gft. rr)
I die before IPray the Lord my to keep.
I
Pray the Lord my soul
I die before
187
-
w/lst bar of Rhy.Fig.4 (4 times) (Gtr. tr)N.C.
pray tne
!1))
w/Rhy. Fig.4 (Gtr. tI)w/RiffB
It's just the beasts un - der- your
Chorus*w/Rhy. Fig.5w/RiffCF$s B5 Fil5
Ex - it:+Resume/md dist. tone.
:---
.-;bed,- ah, in your clos - et, in- your head.-
w/Rhy. Figs.5A' & 58(both 1st 3 bars only)
(Au.dience:) (En
dRhy. Fig.5Ff5 Bs F#s
Fil5
Come on.-
188
Grain- of sand,-
-
dRhy. Figs. 5,{ & 58
G5 F*5E5 ^ _Gtr. lI g Go
off to nev - er - nev - er land.
w/Rhy. Fig. 7 (7 times)F+5
^f Yt. Fig' 7 (Gtr. D--:
Gtr. IV
.II rl:rt:
Gtr. IV
o'--=-\o-=---\
(cont. on lower stafo
-
(Gtr. II out)^o-o N'c'
Grr. IO-----O--,-..-O--.-O
Outrow/Rhy. Fig. I (4 times) (Gtr. II) ctr. IVN,C. E5
Fdbk.(8va)+
w/Rhy. Fig. 1 (2 times) (Gtr. IV)N.C. E5
__z/-.--.- /--..-,--r} ie re
/:\ (Gtr. IV out)
rl\Gtr. II
;-\ t7
Oo!- Hey,- yeah.-RhY' Fig. 8 (end Rhy. Fig. 8)
o^t?2^bA1
ilRhy. Fig.2dRhy. Fig. 8 (2 times)
G5 F$5 E5
'A
190
Woh,- No,- whoa,-
-
F5 N.C.w/Rhy. Fig. 9 (10 times)
F5 N.C. F5
Gtrs. II & tV
N.C.
^t
Take-
Riff D (Gtr. I)
(We're off to nev - er - nev - er
off to
P.M.--l
F5 N.C. F5 N.C
my
dRiff DN.C.
dlast bar of Riff DN.C.
Rhy. Fig. 10 (Gtrs. tr & tV) ---------------.
w/Rhy. Fig. 10 (11 times)F5 N.C.
uh.-We're off to nev - er - nev - er
Gff. tr substitute Rhy. Fill 1F5 N.C.
nev-er-nev-er - land._(end RiffD)
Iand.)-
F5
.----\
F5 N.C.
F5 N.C.
Gtr. I Hb;D
Rhy. Fill 1 (Gtr. n)
191
)
Take- my
-
(Resume Rhy. Fig. 10)N.C.
(Resume Rhy. Fig. 10)F5 N.C. F5 N.C.
Gtr. tr substitute Rhy. Fill IF5 N.C.
Gtr. II substitute 1st bar of Rhy. Fill 1F5 N.C. F5
--+1 I rI J 4^4',IN.C.Gtr. I
h+' h^I
TJJJTJJJ f f (rrYf f (_IJJrJr |JJJGtr. IV rit.
Gtr. II
rit,
192
*P.M. applies to Gtr. IV only (next 5 brs).
-
Free tirneEm
Gtr. IV
trem. pick
,oFfs Gs Ffs
(Gtr. I cont. on lower staff)/i
C
r w/wahFull Full Full
PP
A.H.(8va)
A.H. pitch: B
P.M.- -- --'--------- -- -r
P.M.'------ -- ----- - ---r
(cont. in slashes)t:\
Gtr. I I Ii::4:-3
,
Full
) P,o--.-
PFull) Pa\)PPa\Full
)Pi-\Full
)PFull
)P-.
->7--'-L
cff.rol--= J -3
li
2o
193
-
oA.H.------------:-------------------.(8va)
Y- iYA.H.--- ---------"---'--------------l
A.H. pitches: Ff G* Ff HHsl.c* Ff cf F* cf
rC}
,-o
Full Full
)
In time J. = 140I I (cont. in notation)ol '--_ol '
^\r^v^v^v^v-.\2
trem. bar (wah ffi
+ 't 0 r}r} \i
.---._---\
P.M. --------------- -------l
194 *t.t. applies to Gtr. II only (till end). H
P.M.----------------------{
J
IGtr. II
XP.M.
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