B5gffi134

,A.5 E5EffifI HH^

down 1/2 step: tt 134Eb @=cbAl O=BbDl O=Eb

Tune

@=@=@=

Moderately J = 128DmxGtr. II

Rhy. Fig. I (Gtr. I)

ryp(w/pick)let ring throughout

*Gtr. III(endRhy.ttr.t, 9L-T

*Orchestra m. for gtr.

THE CALL OF KTULU

D*S D5ffiii* iffifi'u

cs Bb5iffi+i"'ffi

Words and Music byJames Hetfield, Lars Ulrich,

Clifford Burton and David Mustaine

F5

ffi'"

w/Rhy. Fig. 1 (lst 7 bars only)

*Orchestra arr. for gtr.

Copyright @ 1984 Creeping Death Music (ASCAP)This Arrangement Copyright @ 2000 Creeping Death Music (ASCAP)

lntemational Copyright Secured All Rights Reserved

Amadd2/D#(Gtr. II out)

w/Rhy. Fig. 2 (3 times)Amadd2 Amadd2/DilGh. III

Rhy. Fig. 2 (end Rhy. Fig. 2)

F----.

-..--.-F'

10

Amadd2iDf Amadd2/D*

DmGtr. II

Dm($s)

Dm7

w/Rly. Fig. 3 (3 times)Dm Dm(il5) Dm6

Amadd2/Df(end Riff A)

dRiff A (3 times)Amadd2

Amadd2/D#Gtr. III

dRhy. Fig. 3 (4 times)Dm Dm($5)

Dm Dm(*5) Dm6-----\

}'iC}

Amadd2

w/Rhy. Fig. 2 (4 times)Amadd2Riff A

Amadd2/Df

w/RiffB (3 times)

Amadd2 Amadd2/D#

Dm Dm(#5)-----...--e

HH/-;"DmGtr. II

Dm(fs)Gtr.I I

r4

(end RiffB)Riff B 1xx6o. tU,

DmoHP HPH

Dm($5)H PH

11

Rhy. Fig. 3 (Gtr. I) (end Rhy. Fig. 3)

Dm7

pH PHPHPHPHPH fup pH P H P H J FI PH P H PHP

Half time feel

A5Gtr. II

---\

Rhy. Fie.4,A' (Gtr. D

Rhy. Fig.4 (Gtr. IV)

w/Rhy. Figs.4 & 4A (both 3 times)Ff5 45 E5 D$s Es F*s As

^ w/dist./ p.tr,t.--- P.M.-- ----- --- -- -- ---- r

(end Rhy. Fig. 4A')

lend Rhy. Fig. 4)

'--J-/sl.

Es F*5 DmDfi5 E5

L-3-----l ,3,

Dm(il5)

Rhy. Fig. 5A (Gtr. I) (end Rhy. Fig. 5A)

Rhy. Fig.5 (Gtr. w) (end Rhy. Fig. 5)

12

w/Rhy. Figs. 5 & 5A (both 3 tirnes)Dm Dm(f5) Dm6 Dm7Gff. II

ilRhy. Figs. 4 & 4,{ (both 4 times),{5 E5 Df5

D*sGtr. II

I j I t-3 | Gtr. III

Dm(#s)

w/Rhy. Fig. 4 (4 times) (Gtrs. I & N)A5 Es Dfs E5Ctr. II

---.,..'..'...-\ -,,-\re e.

Dm(*5)

E5 Fil5 As E5 D$SGtr. trI

E5 Fil5

GtI. II (Gtr. tr out)

dRhy. Figs. 5 & 5A (both 4 times)E5 Ff5 Dm Dm(#5) Dm6 Dm7

E5 Ffl5

Dm Dm(fs) Dm6 Dm7

Dm Dm(#s)

A.5 E5Gtr. trI

D$5

E5A5

r-J_____r(Gff. [out) Gff. m

'J----r r-J----

J JrJ JqJI r-J -:TJJ )

Dm7

F*sA5

e

A5

-o.

Es D$5----\

tctr. II to left of slash in TAB.

Ffls Es D#s E5 Fil5

t J ' t 3--)

13

'J',J,

w/Rhy. Fig. 5 (4 times) (Gtrs. I & IV)Dfs Es F$5 Dm

"2. D{ls)

Dm68va -

w/Rly. Fig. 4 (4 times) (Gffs. I & IV)As Es Df5 E5

Dm(#s) Dm($5)

Dm6Gtr. III

F*s As Dfs E5 F+s

14

E5 F$5 A.5 w/Rhy. Fig. 5 (4 times) (Gtrs. I & N)

E5 F*5 Dm "l Dm(fl5)

Dm(f5) Dm6,tl HH "rHH

-)

Dm7Pp

"l.HH ,/.HH---+\ ---,+\

RiffC(Gtrs. I&N)

P.M.------- ------- -- r

PP

*Orchestra m. for gtr

Dm Dm(#5)II.

Gtr. II

(Gtr. Itr out)

(Gtr. II out)9-

tChords are implied till Guitar solo.

dRiff C (Gtr. I) (2 times)A5IEGtr. IIIoco

Gtr. TV

F$o nrH

L-?J

C5lGGff. II

Riff Dl (Gtr. IV) "

Bbs

b

PPP

(end Riff Dl)H s/.

.!.a

HsL

16

Riff D (Gtr. I) (end RiffD)

w/Riffs D & D1C5lGGtr. II

Ab Bbs

Guitar solodRhy. Fig. 4 (4 times) (Gtr. I)A5Gtr. TI

E5 Dfl5 Es Ff5 FilsE5 D$5

8va--------------Gtr. IVFull Full Fullllr

_/))Full Full FullFull Full

))l1/2)

L3{

D#s

t3, ,3'

11/2l

P

P*

E5 F*5 As

IPIPIPIa+ 3-'r a+ /-'' .!+ :-t :.

17

8va -------------Full Full Full P

w/Rhy. Fig. 5 (4 times) (Gtr. I)F*5 Dm Drn(f 5)

>

Full

sl.

Dm(*5)

sl. .sI.

PP P ,-_: P

PPP

P

1B

A.H. pitches: G E

dRhy. Fig. 4 (4 times) (Gtr. I)A5

Gtr. IIIvJ

D#s

I

P

'tqi-

F*5(Gtr. Itr out)

8va -------------lll2 tt/2 tv2 tu2tllr-/1)'3'

t t/2 I 1t2 1 1.t2

Psl

sl.P

P lt 1t2_/l

19

w/Rhy. Fig. 5 (4 times) (Gtr. I)Dm Dm(f5)

Pp Pp P p Pp pp pp D- rP rP PPtE f;hij.i*r* rX,*{ .3{. l-I. j-{. lp -lP f+>fF)fi; Pp

w/wah as fiIterPP P P P P P P P P P P P P P P

Dm($5)

P P P P P P P P P P P P PP P P

slH--. RPP s/.'2n(/ +PPL_3J

PPsl.

sl.

L-3J t-JJ t-3J

PP PP PP

20

sl. H

P-bi-)^

P% PP

(end half time feel)A5

sl.

,.hr

Dm(S5)

Dm Dm(#5)

8va----------HP/:-\L3J

HP

(end Rhy. Fig. 6;

,--, \

Fulls/. sI.

dRhy. Fig. 6 (3 times)A5 E5 Dfs

w/Rhy. Fig. 5 (4 times) (Gtrs. I & N)Dm Dm(f5) Dm6 Dm7

Rhy.Fig.6(Gtrs. I&IV)loco

E5 Dil5

sl.sl.

A5F#5 E5 D*s

Dm6 Dm7t=

t3l ,3'

21

Dm(f;5) Dm6 Dm7w/Riff C (lst 2 bars only) (4 times)A5/E

Play 4 times Play 3 timesBs/F#Gtr. II

22

Rhv.45ris.z I I(ctis. Iol

-/'

E5

h/

(end Rly. Fig. 7)Df5

owlRhy. Fig. 7 (Gtr. I: 3 times; Grr. II: 7 times)A5 E5 Df5

w/Rhy. Fig.4A (4 times) (Gtr. I)A5 E.s Df .5

&IV)

Es Dfs

w/Rhy. Fig. 5,4 (372 times) (Gtr. I)Dm Dm(f 5) Dm6Gtr. II

Dm7

23

w/Rhy. Fill 1Dm6

G5 Fil5

A little slower J = ros

"J'=-.-.---=.--

Gtrs. I & IV (Gtr. IV cont. on upper staff)

(Gtr. II ou$

(end Rhy. Fig. 8A)Full

P^M. -------------------r

cs Ff5Rhy. Fig. 8A (Gtr. IV)

G5

Rhy. Fig. 8 (Gtr. I) (end Rhy. Fig. 8)

w/Rhy. Figs. 8 & 8A (both 3 times)G5 Fil5 G5 E5

24

c5 F*s

G5 F*5Gtr. II

RitrE1 (crr. IV)HP,.--\

LJJ

Riff E (Gtr. I)HP,..=\\

r_JJ

Gtr. fV substiture Fill 1E5

(Resume Rhy. Fig. 8A)c5 F*s

c5 F*5

HP^

L3J

HP

(Gtr. II out)

Fill 1 (Gtr. IV)

(end Riff El)

(end Riff E)

(-)

tr@

HP/--\.

dRiff E (2 times) & ElG5 F*s c5 E5

Gtr. ITIcs Ff5(Gft.m)

*Gtr. III to left of slash in TAB

25

Gs F$sGtr. II

L-rGrr. I

HPsl.

LJ --.r

_93{L

Grr.ryHPsl. HP s/.a-\A

Gs Ff5rj-

ctr. IV H P H p-J-r sL

-i- s1.

HP

L3J

H Ps/.

(Gtr. IV cont. in slashes)

FreelvB5

) ofro*o (Gtr. IV out)

*8yd refers to Gtr. IV only.

D5

ct.wrlll^!

26

A tempow/Rhy. Fig. 1 (1% times)DmGtr. II

xGrad. vol. swell

Bb/D

ft H **Gtr. II to left of slash in TAB.Dm (Gtr. IV out)@Gtr. IIdJ)1tt

Slower J = 92D5 C5 D5Gtrs, I I Ir&N) ) )

f dist. toneGtr. II

D5

i --;

D5 F5

))D5 C5

r r))1Bb5 D5 F5)))

A @ trem.pick

D5 B'5

))

+Played by Gtr. IV only; Gtr. I tacet.

A_--.--\-{}

/i.,

It:\

p grad. cresc.

*Clean tone

*While trem. picking, slowly slide up neck, past fretboard, reaching bridge pickup at last bar of song.

27

E5

ffi1

down 1/2 step:Eb @=Gbnb @=36Db @)=Eb

Fast RockE5*Gtr. III

Tune

@=@=@=

F5

rIEEi11

) =216

Gtrs. I & II

*Orchestra arr. for gtr.

D5 Db5 C5Gtr. trI

D5 Dbs C5

^t.-'4d st;*Gtr. rv

*Orchestra arr. for gtr.

w/Rhy. Fig. I (3 times)N.C.

Copyright @ 1986 Creeping Death Music (ASCAP)This Arrangement Copyright @ 2000 Creeping Death Music (ASCAP)

lnternational Copyright Secured All Rights Reserved

D5 Db5 C5) I J

MASTER OF PUPPETSA5

ffiI

E5vn D5i$i[i^ ifiifi*

C5

ifiili*B5

ffi13

Words and Music by James Hetfield,Lars Ulrich, Kirk Hammett and Cliff Burton

D#5 c5 Ffr5 E5(tvpe2)ifiiii"'Ei[H* ffi IE+EI

(end Rhy. Fig. 1)

28

Rhv. gsFig.2A

1

tctr.Il)/ Ido. rn

(end Rhy. Fig. 24)(cont. in notation)

N.C

sl.

Rhy. Fig.2 (Gtr. I) Gtrs. I & il (end Rhy. Fig. 2)

.;-

w/Rly. Figs.2 & 2,4E5

rt\ {--i

sl.

+\{--z=Ysl-

29

(Gtr. III)

w/Rhy. Fig. 3E5 N.C.

(Gtr. IV out)

Rhy. Fill 1 (Gtr. ry)

B5(Gtr. III out)

Gtrs. I, il & IV (end Rhy. Fig. 3)

85 N.CGtr. III I Gtr. UIt .e-.v-a-

-

r

Rhy.Fig.3(Gtrs. I&il)

(Gtrs. I &D

30

w/Rhy. Fill 1 (Gtrs. I & IV)E5 N.C.

sl.w/Rhy.Figs.4&4,A.(Es)Gtr. m

1st Versew/Rhy. Figs.4 & 4,A. (both 4 times)N.C.(Es)

Gff. ME5

(Gtr. III out) Rly. Fig. 4 (Gtr. I)

sl.sl..=

sl.

i-{sl.sl.

sl.

sl.

J--

s/.

sl.sl.

-l

(end Rhy. Fig. 4)

sl.(end Rhy. Fig. 4,{)sl. sl.

,_a

s/.),=

sl.

sI.

N.C.

sL

N.C.

Rhy. Fig.4A (Gtr. II)

*Omit note in pilentheses when recalled unlessotheruise indicated.

31

(Audience:) (l'm

Veins thal pump- with

Gr. m

Taste

Gtr. III

fear,-

o

it was suck - ing clear,-

N.C.

HH(end Rhy. Fig. 5)

(end Rhy. Fig. 5A')

--,--/H

you will see-

J----=..--J

is all- you need,

il' E_r r r'Rhy. Fig. 5 (Gtr. I)

*P.M,--- --- -- --- ---- ----- -- --- ----- -r

Rhy. Fig. 5A (Grr. II)

Lr r_r_r-r

s/. H

32

P.M.

xP.M. applies to Gtr. I only

----/H

w/Rhy. Figs.5 & 5AF$s

(Gtr. trI)

Rhy. Fig.64. (Gtr. II)

*P.M. appies to Gtr. I only.

w/Rhy. Figs. 6 & 6,4' (both 27e times)E5 D5 E5 N.C.

(cont. in notation)Rhy. Fill 2 (Gtr. II)-------------'

@ zrr.B

rTD TT71P.M.------------

**Gtr. III to left of slash.

D*s 85

(Audience:) (Come crawl

tffi|JJJxP.M--------------r

_--re- -+)-

(end Rhy. Fig. 6)

(end Rhy. Fig. 6A)

P.M.P.M.

*P.M. applies to Gtr. I only

33

fast - er.)

ffChorus(end half time feel)

F5 E5

o bey

(Gtr. trI)

Rhy. Fill 3A (Gff. II)

Rhy. Fill 3 (Gtr. I)P.M.---- -- -- --- - -- -- -- -- --- -- ----r

stnngs,-

(Audience:) (mas - ter).

(Gtr. ilI out)

Mas - ter of Pup-pets,

P.M.

pull - ing your

(end Rhy. Fill 3,A.) Gtrs. I & 11

=--/(end Rhy. Fill 3)

twist ing your mind-

P

34

=--/

A5_------.,..--

Gtr. IIo(cont. in notation)

(Gtr. II cont. in slashes) Gtrs. I & il

:--'----- _

thing.-

xGtr. III to left of slash

=.--/

35

2nd & 3rd times Gtrs. III & IV subsriture Riff A

a

scream._ (Audience:) (mas - ter)

j

J

znd time to Coda I 3rd time to Coda II

(Audience:) (mas - ter). (Spoken:) Hell, yeah.

(Gtr. III out)

(Gtr. IV out)

(2nd time Gff. I cont. in slashes)

(Gtr. IV out)

36

2nd VersedRhy. Figs. 4 & 4,A. (both 4 times)w/Rhy. Fill 1E5

(Gtr. III out)!5

"L N'c'

death- be - com - ing clear - er).

(Es)

w/last bar ofRhy. Fig. 3

sl.----\

Oo,

Gtr. UI

(Audience:) (hfe ofGtr. m

s/.Gff. IV

------/ ----\- I

Pain mo-nop - o - 1y,- ri-ri-ri-ri - rit - ualloco sl.

--''---5.-------

:e:)(chopGtr. In

-o

ror).

(Gtr. ry out)

w/Rhy. Figs.5 & 5A. (both 2 times)Ff5

Taste me, you will see_ more, that's

how I'm fuck-ing

you need,-

N.C./-:-a

N.C.

w/Rhy. Fill 2(Gtrs. I & D

@ruB

fe

ded-i - cal ed to_ you._sl.

Half time feelPre-choruswlRhy. Figs. 6 & 64. (both 33/ttimes)E5 D5 E5 N.C. (B5) D5 E5 N.C. (B5)

(Audience:) (Come crawl - ing o---\

---*\

D5 E5 N.C. D5 E5

Your life bums fast - er.)

'a r .O.

38

w/Rhy.Fills3&3.AN.C.

Gtr. III -)-a

I J I ' .J , Gtr. Iv lrt 'tl

D.S. al Coda I(end half time feel)

(Gtr. I ouoCoda IsGtr. I

FreelyJ = ca.96

Gfu. II

- -{}- -{}e6

=*-/-=--l _t--l

trem. pick

*dprocessed echo repeats.

(Gtr. II out)Fdbk. --------

(8va)

Rhy. Fig.7 (Gtr. I)

W letringFdbk. ----------- cleantone

HP,.--::\.

LjJ

HP

F5

I+ mas

- ter,

Gff. ITI

Fdbk. pitches: E

(end Rhy. Fig. 7)U2

*w/Rhy. Fig. 7Em

Gff. II

*Omit last note.**Vol. knob swells.

^f

*Riff B (Gtr. I)^fdist. tone

sl. *Play with slight vriations ad lib when recalled,*+Gtr. II to left of slash.

8va ------------' HP-.i-

s/.

H

40

(end Riff B)

w/Riffs B & B1(Em)Riff C (Gtr. trI)

(B7lD*)

Amsus2

(Cadd9) (Amsus2)

----\

*Omit note in prentheses when recalled.

Guitar solo Iw/Riff C (2 times)

*w/Rhy. Fig. 7 (2 times) (Gtr. II)EmD

(end Riff C) Gtr. I8va -------------

.r H H HP

Amsus2

(B7)(D)

B7 B7/D#Fu

)sl.

sl.

,3'P*

HP_.--':-\

L-3 t

HP

L3J

HP s/.

B7*w/Riffs B & 81 (both 2 times)N.C.(Em)

---\

(echo off)

*Clem tone w/chorus, 2nd time omit last note

HH

sResume dist. tone. Gtr. II chorus off

41

E5vII

ctr. II Idf

.f oi't

D*s

JB5

JA5

Jc5

o

D5

o

----.*\

t_r_r-t |JJJ (end Riff D)

HP,.=\.

*P.M. applies to ctr. IV only.

w/Riff DE5vtr

JGtr. TIT

LjJ

HP

B5

JA5

JC5

oI

D5

oI

HP

D*s

.l-----\

(cont. in slashes)1t1

+,/

LjJ

HP

42

-------------------------l

ffr fTll fT71 fT]1 STtl(cont. in notation)P.M. ----------- F*s

(Gtr. IID (Gtr. Itr out)

Gtr. IV (Gtr. IV ouo

G5 Ff5 F#s G5 Ffl5

Rhy.Fig.8(Gtrs. I&Q

dRhy. Fig.8F$5 G5 Ff5 c5 F*5 F#sG5F{sG5

w/Rhy. Fig. 8 (4 times)Gs c*s F*5 cs F#5

cs cf5

(erd Rhy. Fig. 8)

cs c*5

Ffl5:--.--:.

mas - ter,) prom-ised on Iy lies.- (Laugh-ter,

G5F*5G5 F$sCil5

laugh -

ter,)

*P.M. applies to domstem notes only

where's the dreams that I've- been

43

r-

G5c$sG5F#sG5 cs c#s

N.C.

-----^-._---\-^

trem. bar-Y'W

*Depress ba before striking note.

(Es) N.c.A.H.-------------(15ma).y

Pp;--.T--

PP---\

sl,

Ps/

(E5)A.H.---.(15ma)l%

rtltt!ltt

vib. w/bar

IAAAAA/IAA'I

A.H. pitches: Gf*Pull bar up.

N.C.

A.H. pitch: F{

45

w/Rhy. Fig. 5 (2 times)F#5 N.C. F$5

Fult Full Full *

N.C. Ffl5 N.C.

Full Full Full Full Full Full Full Full Full Full{ r,-t tL\)?\_1/^JJ

Fu1l FullA +A + Full Full

____ / s/.

sl.

Ffs N.C.

w/Rhy. Fill 2 (Gtr. I)@zt

B

1Y2

)Full Full Full Full Full

l

46

,---*\----\

l-

+P.M. applies to Gtrs. I & II only

B5(Gtr. trI out)

*P.M. applies to Gtrs. I & -tr

only

(end Rhy. Fig. 9)

47

f f rF i-i.g*P.M. --- ----- -- --- - - --l

*P.M. applies to Gtr. I only

w/Rhy.Figs.2&2AE5Gtr. III

GtI. IV

w/Rhy.Figs.2&2AE5

Gtr. I substitute last bar ofRhy. Fig.2,A. Resume Rhy. Fig. 2 w/last bar of Rhy. Fig. 2

-o.(:) -o Q)

(Gtr. IV out)

48

3rd Versew/Rhy. Figs. 4 & 4A (both 4 times)N.C.(E5)

(Es)

rhyme- with out_

w/Rhy. Figs. 5 & 5A (both 2 times)Fil5

(Gtr. III ouo

num -

bered days,-Nev-er - end

will oc help- you die,-

49

HaIf time feelPre-chorusw/Rhy. Figs. 6 & 64' (both 33l+ tirnes)E5 D5 E5 N.C.

w/Rhy. Fill 2 (Gtrs. I & [)@zt.

B

ib?.-trTii.iDHarm.

(Audience:)(Come crawl8va -------------

Gtr. III H3H

Gtr. IVHH

N.C. (B5)

,>J

(Gtr. IV ouO

"/. H*'

D5 E5E5 N,C

50

n'/Rh1'.Fills3&3AN.C.

'.J' lJ,

ter, (Audience:) (mass/',

-

bey

,----\_

tlst time Gtr. I plays E5 on beat 1 of lst bar

.----.,._.--

PN.C.

iI

Rhy. Fill 4 (Gtr. I)

Gtr. I substituteRhy. Fill 4N.C.

Outro*w/Rhy. Figs.4 & 4,A (both 4 times)

51

c"'lJ --\ & ---3

-J.-------)'r

v

-a-----\

o

w/last bar of Rhy . Frg. 2

Free timeF5

(type2) (Gtr. II cont. in notation)

iHi,g-o*c

Yeah.- yeah.- Thank you ver-y much.-

E5 VII

lt//

Gtr. II

IIu

52

trem. pick sl.-----/

NO LEAF CLOVERG5

ffiili*

P.M,-------------

C

!H+ri32 I

B7[ffiH+JIJ213 4

Am

EffiiC5 Em

ffi*ffi

Words and Music byJames Hetfield and Lars Ulrich

DE5IFIH lifilr

Tune down 1/2 step:rl

@=El @=cb@=Ab @=Bb@=Db O=Eb

SlowlyJ = 80

N.C.Intro *Gtr. I

*Orchestra m. for gtr

Pa\

Pa-\

PP

Rhy. Fig

nlpclean tonew/pick &.fingers

(end Rhy

Copyright @ t6ss creeping Death Music (ASCAP)This Arrangement Copyright O 2000 Creeping Death Music (ASCAp)

lntemational Copyright Secured Ail Rights Resenied 53

rEm*Gtr. III

Gtr. II

(Gtr. III out)

*Orchestra ar. for gtr.

Rhy. Fig.2

54

1st VerseA5

("g$y.Fig.2) Rhy. Fig. 3

P.M.

1. And it feels right_ this

\JP P.M. P.M.

on his crash course with the big_ time._ Pays no mind to the dis-tant

(end Rhy. Fig. 3)

55

new day fills- his head with

*B played by bass only.

2nd, 3rd Versesw/Rhy. Fig. 3A-5

HP

Tumed it 'round and found- the right- line.-All the piec - es fall- to his- wish.-

B5

HP-------:-\

2. Says it feels3. Don't it feel

time.-this?-

right- thisright- like

(Gtr. IV out)

"Good day to be a - live,- sir."Suck-er for that quick re

- ward,- boy.

Good day to be a - live," heSuck-er for that quick re-ward," they

fTn rTn

*Orchestra plays dvariations ad lib on repeat.

56

Yeah.- )Yeah.- |

Then it comes to be- that the sooth-ingGtr. I)Gtr. trl

was just a freight train com-in' your

(Gtr. III out)

at the end of your tun - nellight-

J t\-/-hey,-

J

PsLH H

HPH pH

ffirrs-= Am B7 AmSEffiTT TTMilHPHPHPH

xorchestra arr. for gtr.

Ps/.H

at the end of your tun-nelyeah.c

Then it comes to be- that the sooth-ingIT

U2 Full

57

Gtr. I tacetE,M

ll.B7 fuo (cont. in notation)fETT ffi )_T TTTTDI M NC

=----: /was just a freight train com-in way, yeah.-your

Rhy. Fill 1 (Gtrs. II & IV)----'

f (w/dist.)P.M.

sl-

12.

rT rTn ffi rT rT{n rTJ-hey,- your

Pa-.

FullP

yeah.-

58

sl.

-

-FA ^

B7rT rT{n rT rT s-Tfn s--Tlt's com-in' your way

P..-\

85 C5 B5 C5 B5 C5w/Rhy. Fill 1 (Gtr. II)N.C.

Guitar solow/Rhy. Fig. 2 (2 times) (Gtr. II)E5

Full Full Full

fTT TTT-------:-\

yeah.-

P

-

Full)Full)Fullt*

r-3---r

Full Full Full

59

PPP)Pi\Full pu1Full

) )*): sl P

FullsLP

Full 1112

sl.

Full

) sL sl.

Full

Fullt)sl.PP

8va -------------Full

)st. -lR

, Fullsl.P /1 )\

InterludeE5

Rhy. Fig. 4 (Gtrs. II & IV)loco

(end Rhy. Fig. 4)

w/Rhy. Fig. 4 (Gtrs. II & IV)E5 G5 E5Gtr. I

N.C, F5 N.C. F5

61

w/Rhy. Fig.4 (Grr. II)E5Gtr. I

@ op"oAB5

c'ir"J1) STrnf) D1 rnfnf) E5 A'5 85D] Snfnf)P.M.------------

(end Riff A)

Chorusw/Riff A (2 times)E5

N.C.F5 N.C.F5

@ op"n @ op"nAB5 AB5-. -.// //

P.M: P.M:

uus. i-iI&tvl J J J J {nn rTn {nnsooth-ing

Gtr. I

62

Yeah,- then it comes to be- that the light- at the end of your

A5(Gtr. III out)

(end Rhy. Fig. 5)

rTn [nn rfrn ITn

C5Knv-r l-lrrrii.s/ / / / / [n-) mn {Tn

w/Rhy. Fig. 5 (Gtrs. II & IV)E5

63

w/Rhy. Fig. 5 (2 times) (Gtr. tr)E5

Then

Gtr. IV

Then it comes to be,- yeah,

to be,- yeah, yeah.-

yeah.-lt

Then it comes to be,- yeah.-

OutroE5

Gtrs. II & IV

Then it comes to be,-

HERO OF THE DAY

l/2 srep:=cb=Bb=Eb

Moderately J = 112

*Orchestra arr. for gtr.

F#s/Gfr F$s/A Ffrs/BEiii ffioo ffiooH++ FH+H !t+++111 211 4tt

Words and Music by James Hetfield,Lars Ulrich and Kirk Hammett

E5/A 85m* lHii

(end Rhy. Fig. 1)

E/G#m$lt+311

F#s

Hlit34down

Eb@Ab@Dbo

@=@=@=

,rypclean tone

let ring throughout

Ma - ma, they try- and break- me.-

Copyright @ 1996 Creeping Death Music (ASCAP)This Arrangement Copyright @ 2000 Creeping Dealh Music (ASCAP)

lnternational Copyright Secured All Rights Reserved 65

lst Versew/Rhy. Fig. 1 (6 times) (Gtrs. I & m)

They're ofl to find-

where- they've gone

of- day.-Gtr. II

But what if they should

(Gff. II out) Grr. tV

*Orchestra ar. for gtr.

66

fall- wick - ed way?- Yeah._ Still the

win-dow

A5/Cf+l

of those flames,- can't you feel your names?- Can't you

w/Rhy. Fig. I (lst 3 bars only) (Gtr. Itr)w/Rhy. Fill 1 (Gtr. I)A5 A5/B A5lC$ A5/D

Ma-ma, they try- and break-

Gtr. II =--*-

Rhy. Fill 1 (Gtr. I) Rhy. Fill 2 (Gft. IU)

hear your-Gtr. II

bies cry

l-___+

Gtr. IV

w/Rhy. Fill 2 w/Rhy. Fig. 1,{5 A5/B

ing?- Yeah

(Gtr. IV out)

Still they try- and break-

67

Half time feel2nd Versew/Rhy. Fig. 1 (6 times) (Gtr. IID

Thesethings re-turn_ to me_ that still_ seem real

Grr. IIe-_

f.*(Gtr. Iout)

tL-

But theNow,Gtr. II

ly,-

-o.

68

de - serv this eas -

v

(end half time feel) O,

rock-ing wheels- of- de - spair

now the dreams-

Don't want your aid,- but the

I

m not all me,-

ev-ev-

(end Rhy. Fig. 2A)

fist I've made- for years- won't hold off fear.-

ChorusFfl5

thatthat

and wak - ing(But now the

screams_dreams-

A5ID

Rhy.Fig.2(Gtrs. I&ilI) (end Rhy. Fig. 2)Rhy. Fig. 2A

69

w/Rhy. Fig. 2A (3V2 times)F$s

erer

Gff. II

last-last-

N.C.

So build the wall- be - hind_ it, crawl_ and hide_night.-night.-

un

un- ril_- til_

light.-light.)

-

hear- your ba-

Guitar soloA5

now?

-

loco

70

I can't hear you!

(end Riy. Fig. 3)

w/Rhy. Fig. 3

9va - - - - - - - - - - - - - - - - - - - -

71

t-3rd Versew/Rhy. Fig. 3 (I3/ttimes)A5 A5/B

time so slow - ly(The win - dow tums._burns.-

some - one there- ls

Some - one there- is

sigh - ing.sigh - ing.

8va------------

Keep - ers of the can't youCan't you

-=-..---

sl.a-:-\

sL

72

sI. sl.

E.t)eslc$Jrr

ba - bies cry - ing?ba - bies cry - ing?Can't you hear yourCan't you hear your

feel yourfeel your

Chorusw/Rhy. Fig. 2 (Gtrs. I & ilI)F#5

now the

Gtr. II

w/Rhy. Fig. 2A (4Yz times)F$s

wak - ing(But now the screams_dreams- ererthatthat last- the-last- the-

build the wall- be - hind- it,So build the

crawl- andwall- and

hide- unhide- un

it's_ lighr._it's- light.)-

Rhy. Fill 3 (Gtr. IIf

wlFill2

73

OutroF*s Ff 5/cf

crrrT ))', )), ))', )), ))

they and break- me.

(Gtr. I cont. in slashes) Rhy. Fig. 4 (ctr. III)

Fill 2 (Gff. IV) (Gtr. IV ouO

74

F$s/A Ff5/B Ff51 n1 n1 nl D1 nl nl nl n1 nl n1 n1 nMa-ma, they try- and break- me Ma-ma, they try-

H/-\ ^

and break-

E/G$1 ))1

E5lA 85fit fit nt n1 n1 n1 n1 n1 n, n)Ma-ma, they try,- Ma-ma, they try.- Heyl

(end Rhy. Fig. 4)

75

rw/Rhy. Fig.4w/Fill 1 (8 times) (Gtr. I)F{5

Ma-ma, they try- and

-

me.

F$s/c$

break- me.(Ma-ma, they try-

break- me.Ma-ma, they try-

Ma-ma, theybreak- me.

Ma-ma, they try,-break- me.)

rC}

break- me.Ma-ma, they try-

F#s/B

E/Gffl

yeah

Ma-ma, they try

,__--..-.....=t i

-----\/i

Fulll_

Gtr. II

=::5

Free time

sh

*

Time.-

s/. (end Rhy. Fig. 2A)

si.

N.C

sI.-----\-z---- L,

----\

122

.------\ Rhy. Fig. 3 (Gtrs. II & m)

Take me with- you.

still shine?

Tell me, does_ your

8va----------s/.

Come squeeze the world and drip it down my

s/.C)

ga1n,_

(end Rhy. Fig. 3)

dRhy. Fig.2D5

gdn.- Oh,- whoa,- uh

H

You

sl.

*

'vegot to breathe,- man,- breathe.-8va -------------

P Pa--\

Com-in' up for...)Breathe,- man,-

(Com-in' up for air.

wiRhy. Figs.2 (Gtr. II) & 2,A'D5

124

N.C.

2nd Versew/Rhy. Fig. 3D5

Bare - ly breath - ing,

w/Rhy. Fig. 2D5

the world and drip it down my throat-

---..*\

N.C.

uh. Oo. down my throat a -

Pa-.

'=-\\

Oh, whoa,- whoa.-

loco

(Com-in' up

Chorusw/Rhy. Fig. I (2 times)N.C.

You've got to breathe,- man,-

breathe.-Breathe,- man,-for air. for...)

(Gtr. I out)

Half time feelGuitar soloD5

Gv \ ). )^)

Gtr. ItrHarm.-- --------- ----- --,(8va)

3

)--) ) ) )^) )-) )

rJ--l

3

Harm.--- ----- ---------

126

)^) ).-) ) t./ )-) )-) )

)-) I-) )

^r:,,.-\P

.-

127

Outro-Chorusw/Rhy. Fig. 1Gtr. III substitute Rhy. Fill 1N.C.

Breathe,*atu.)

(Gtr.D

breathe.- up

8va - - - - - - - - - - - - - - - - - - - -HHHH

HHHH

Gtrs. II & III

Gtr. m

Gtrs. II & Itr

Rhy. Fill 1 (Gtr. m)

128

THE OUTLAW TORNDg5/E E5'IIhtr t#'nl-t++N Ht?ll

vz "t |,1 r34

=Gb-sb=sb

SlowRockJ =60Df 5/E

*h.n))'t t^t

^f dist. tone P.M. -

**Orchestra m. for gtr.

Words and Music byJames Hetfield and Lars Ulrich

G5 E5 (type2)

ffi*ffi"'

(cont. in notation)@ t+tr

Bffin1-(wah off)

D5 Bs A'5 Es F5 F*5I Xl O XIX XXXm'offi ffi ffi ffi ffi

Tune down

@=Eb @@=Ab @@=Db o

PIay 3 times

n**Gtr

PIa,r 3 times

n1n'l

xDist. tone dwah as filter

Copyright @ 1996 Creeping Death Music (ASCAP)This Anangement Copyright @ 2000 Creeping Death Music (ASCAP)

lntemational Copyright Secured All Rights Reserved 129

xRhy.Fig. 1(Gtrs. I&[) lt2)l

l/2

(endRhy. Fig. 1)r/2

P.M.P.M.P.MP.M.

*Play w/slight variations ad lib when recalled throughout (2nd bm only).

w/Rhy. Fig. 1 (3 times)

E5 vII

Gtr. II 9

@ tor'.B)t (Gtr. II out)I):: N.c.

130

1st Verse*N.C.(E5)

And now-

And now- I

----/ v-my whole-wait- \tlife - time-

wait- my whole- life - time-

urrs. -i

rt&n/ l'-----..--'--..----.--.----.--4.

wFill 1 (Gtr. I)@ rzt.

EGtd.rr ) st. I

D5 E5vtr

f(Gtrs. I&ilout)

**Gtr. IV't'

Gtr- III

the dirt,-

(Gtr. IV out) Gtr. III

the tide-Gtr. IV

131

*Chords inplied by bass when gtrs. are tacet (throughout).

Gtr. ITI

*GtI. IV to left of slashes in TAB.

D5 85n.-).fwhat you- left me.-

a---l

the one who seeks so I- may- find.-

(Gtrs. I&trout)Gtrs.I&II

Youknow I'll al-ways

So on I wait my whole- life

to be-

(Gtr. tV out)

\__./o

-

HH HHS''

N.C.(A5)

132

*P.M. refers to Gtr. Itr only.

Chorusw/Rhy. Fig. I (4 times)

(85)

E5 VN

Gtrs.t&Il o-

-o

(Gtr. II out)

So on- I wait- my whole- life - time-v\/\!/

(Gtr. I out) 2nd VerseN.C.(Es)

133

-v-

So on- wait- my whole- life - time-

*ryp

The more-

(Gtr. IIDr>

D5 E5 vrr

ctr.rt.^Jf

vvvvvvv

ll2 lt2 lt2 1t2

--_jsearch,- the more- my need-

(Gtr. II out)@zzt'.

DIsL,I D5E5t-

\'\--l

-

you._(w/delay repeats)

w/delay --- -- -- --- -- --

(Gtr. I ouO

.-;you._

134

*Vol. swell

The more- I bless,- the more- I bleed-

@ opeoAB5D5 B5Gtrs.

-1 I

I &I J /-_d. n.-1.

-

you. You make me smash the clock- and feel.- be - hind-

A5

o

@gtGA5

n

Time was nev - er on- my so on I wait my

135

Gtr. III

Rhy. Fig.2 (Gtrs. I & il)

w/Rhy. Fig.2(Bs)

U2_)- U2)f

law of-

(end Rhy. Fig. 2)U2)-

1/2

----\

136

And I'm

Bridge2nd time Gtr. II substitute Rhy. Fill 2D5 E5

And if I

Rhy.Fig.3(Gtrs. I&il)

And if(See me.)

mind -

in

D5 45 G5 A.5

face- be comes* s1n

D5 A.5 G5 A5 G5 A5

G5 A.5

pen.-please pry ito

be - ware.

Rhy. Fill 2 (Gtr. II)8va ---------"

FullIJ sl- loco

(end Rhy. Fig. 3)

137

w/Rhy. Fig. 3D5 E5

And if you(Save me.)

D5 A5 G5 A5

G5 A5D5 A.5

see_ me

To Codn0

@op"nRhy. EFill 1(Gtrs. oI&D

G5 A5

re - mind- me of- what left- this

(end Rhy. FiIl 1)(Gtr. II out) .,'7Ut t

N.C.

,^----\-.

Full

-.-\^.

,_o.

--s/.

----\

FullFull

Gtr. III (Grr. III our)al) I )1'^1Gff. IV

(B5)Gtr. III

(Gtr' IV oul.) 8r'a--------------

P grad. cresc

(delay off)

Guitar solow/Rhy. Fig. 1 (2 times)N.C.(Es)8va --- -.

*Slide wom on pinky (not used till indicut"d)i*wuh indi.u,ions: +

= pedal closed (toe down); o = pedal open (toe up)

__)

140

dRhy. Fig. 2 (2times)(E5)

,-.-

*TAB numbers higher than 24 are imaginary fret positions locatedpast fretboard. Pitches shown are approximate (next 2 bars only).

(Es)P

.----\

D.S. aI Coda

sH,

Cods dRhy. Fill 1 (Gtr. I)

E5

Gtr. II o

Rhy. Fig. 4' -' -' - - - - - - - - - - -E5\-)-J' / ' w/Rhy. Fig.4 (4 times)

Gtr. III

** < ,rypw/delay

F5

G5

J

s/.

F$5

J{}

+Wah off

(end Rhy. Fig. 5)

(Gtr. III out)

w/Rhy. Fig.5 (5 times)E5

143

144

G5

r/.

Ffl5

sl. sl. \-/H

'*5 G5 (end Rhy. Fig. 6)mmmffiP.M.---, P.M. P.M.-. P.M.

P PsL*Throughout Rhy. Fig. 6, play only lowest note of chord

when P.M. is indicated.

dRhy. Fig.6 (5 times)E5 F5

Full)

145

H P sl. s/.

Pa-\P

FfsGtr. III P

a1P

A.H,(15ma)

lt2lFullIPi

F$5

146

Full Full Full)) )

sl.

Free time

Gtr. tr o(end double time feel).r/. Gtr. l oft

E5 (tYPe2)

) 1 )sr ,{ t/io

/i

147

J

ONE

148

Tune down 1/2 step:

@=Eb @=cb@=nl @=nu@=Db O=Eb

Moderately slow, freely

Intro (Banlefield roona enectsl E-[tlf2,

Rhy. Fig. 1 (Gtr. II)

nlplet ring throughoutclean tone

GmajT(no3rd) GmajT(no3rd)

'j,

GmajT(no3rd)w/Rhy. Fig. 1Bm

H

Copyright @ 1988 Creeping Death Music (ASCAP)This Arrangement Copyright @ 2000 Creeping Death Music (ASCAP)

lnternational Copyright Secured All Rights Reserved

Words and Music byJames Hetfield and Lars Ulrich

GmajT(no3rd)---\

(approx.23 sec.)

+Orchestra m. for gtr.

(Resume Rhy. Fig. 1)D/A

Gtr. tr subsritute Rhy. Fill 1GmajT(no3rd)

GmajT(no3rd)wRhy. Fig. 1Bm

-

Rhy. Fill 1 (ctr. ID

GmajT(no3rd)

8vaP

149

Grr. II substitute Rhy. Fill 1GmajT(no3rd) sl.-,

Gtr. II substitute Rhy. Fill 2N.C.

(Resume Rhy. Fig. 1)D/A

r-Jl

GmajT(no3rd) GmajT(no3rd)

Rhy. Fill 2 (Gtr. II)

150

GmajT(no3rd)

Gtr. II Riff A (Gtr. II)

let ring throughout

Riff A1 (Gtr. III)

HPHP

Fsus2L-----\

HPHP(end RiffA)

(end Riff A1)

let ring throughout -3Jq3-

P

HP

-3'

lst VerseBm

T can't re-mem- ber

GmajT(no3rd) GmajT(no3rd)

tell if this is

152

Rhy. Fig. 2 (Gtrs. II & ru)

Deep down in-side I

GmajT(no3rd)

this ter - ri-ble si - lence

wak-ing up,

GmaiT(no3rd)

Noth - ing is real but

(end Rhy. Fig. 2)

not_ see

w/Rhy. Fig.2Bm GmajT(no3rd)

Now that the war is through_ with

that there's not much

GmajT(no3rd)

me,_

me._

153

my breath as

P.M.-------------J

death.- Oh please,

GmaiT(no3rd)

(end Rhy. Fig. 3)Rhy. Fig. 3 (Gtrs. I &

P.M.-------------r

dRiffs A & A'1Dsus4

N.C.

2nd VersedRhy. Fig.2 (2 times)Bm

\t(real.

-

154

Back in the womb much too

to

xctr. IV

GtI. I

*Orchestra m. for gtr.**Gtr. IV to left of siash in TAB.

Bm

GmajT(no3rd)

GmajT(no3rd)

veal,-

\ I ctr. IVL',_rl,_t

live

(Gtr. I out)

Fed through the tube that sticks

(Gtr. IV out) Gtr. I

me,_ like a war-time

GmajT(no3rd)

155

dRhy. Fig. 3GmajT(no3rO

Gtr. III

Cut this shit off from- me! my breath as I wish for Oh please, God, wake

Please, God, wake- me.

8va -------------- sL

HP

L3!

HP

HP,._\

L3J

HP

L3J

HP

HP^

w/Riff A (lst 4 bars only) (2 times)Dsus4

156

P

-

s/.sl"r.

A

w/Riff A (lst 3 bars only)Dsus4

PPi--\HP:-T>

P p PPa--\ :-.-\

sL

the world is gone, I'M

Gtrs. II & IIIloco

at

f P,M.--------- ----- -- I(w/dist.)

A5 85 A.5 G5 Bs c+5 Bs 45 85 C#5

8va-----..r/.

"t27-L_-tr

sl.-L, sL

Oh God,

A5 B5 A.5 G5 Ff5

my breath as I- wish for death.-

158

Rhy. Fig.4 (Gtr. IID (end Rhy. Fig. 4)

*w/Rhy. Fig.4 (3 times)AmGtr. I

5tt H H H HPa..-\

*dslight vtriations ad lib

'159

P:--\HHc5

H

sl./.->

HHPPC5

PB5

H HHHH

PPHH

sl.

HHHB5

H

sL

-i

160

P.M.----------

\--aH PS1. HP

E5Gtrs. I & IV

(Gtr. IV out)

P sl.

lD l/2 U2 r/2 lt2

lJ' r-tl

r-3-r r3-r 13- r3--r

sl.

P.M.

Gtrs. II & ilIr--3-r r-3--

162

*Gtr. I to left of slash in TAB.

Gtr. I

r-3-r r-3-r

P.M.-------------r P.M.-------------{

t-- j

r- 3 -----1 t- .t ---1 1-3---1 f-J----

P.M.-----------

L-- 3 t-3

r-3--t r-j-l r-J-----.1 r-3--r

P.M.--------------- -- --r P.M.------------------r P.M.--"---'------'---'{

lm - pns-on-rng all that I ab - so-lute ror!

Rhy. Fig. 5r-3-r r-3--r r--J--r r-3--r r-3-- r-3--r r-3--r r-3--r

I can-not I can - not Trappedin my

r-3--r r-3--r r-3-r r-J--r r_3-_ r_3__r

hold - ing

(end Rhy. Fig. 5)r-j--r r-j-r

P.M.-- -----------' ---r P.M.----'-'--- ---'--i

7-3----1 r-3-_ r-3___ r_3__r r-.3--- r-J--r

164

r-3--r r-3---

P.M. --------- -- -- -- ----{ P.M.' -- -- --------------r P.M. --- --------'-------r>

.sl-

sl

P.M.------- ------'-- ---{

Gtr. IIIr-3--r r-3-r

P.M.--"'-'-'-'-'--'--'r

ilRhy. Fig.5E5

1-3---1 t-3'-'-1 >a r--3-r r-3---r r-3-r r-3--r

P.M.----- -- ---------- -- r

r-.3---r r-3---r r-3---r r-3---r r-3--- r-.3---

P.M.'-'--------'-------i P.M.--"--'-----------'{ P.M. ---'-" -'-------"-{

tak - en my sight, tak - en my speech, tak - en my hear - ing,

>\__tsl.

Land

Gtr. I

165

Rhy. Fig. 6 (Gtrs. II & III)

w/Rhy. Fig. 6 (3 times)E5

Rhy. Fig.7 (Gffs. II & ilD (end Rhy. Fig. 7)

166

Rhy. Fig. 8 (end Rhy. Fig. 8)

wiRhy. Fig. 6E5

PIay 4 timesF-5

w/Rhy. Fig.7N.C.(E5)

167

Guitar solow/Rhy. Fig. 6 (4 times) (cff. II)E5

*Tap w/edge of pick.

Gff. III8va -------------

*TP P T P H TP P TPH TP P TP P TPH TPH T PH TP Pt:\ i'-) f:\ i-.-> i:\ i:\ f--> i_> ;\ TP P5-\TP Ht\ PP;-\TPH T3 --: r*3 ---.: 3 r L-3 r LS- L-j-J i.l__,

TPH TPH

L-j--J L-jJ L-J-J L- j*J L-3--JTP H TP P TPH TPH T PH

;-\

3 ---.r

L- 3 ---.rL-3 ---.tL- J --J

TPP TP H TPP TP H TP P TP P TP H TPH TPP TPH TP P

E5-o.

TP P TPH TP P TPH TP P TPH TP P T PP T PP TPH TPP TP P TPP TPH TPP TPPi-.-\a-\

L-jJ L-jJ L*JJ L3- L-JJ L*3r L-3r 3r L-jJ L-*3r L-jJ t--3r L-jJ 3: r-3r L-JJ

TPP TPH TP P TPH TPP TPH TPP TPP TPP TPH TPP TPP TP P TP H TP P TPP

L-jJ L-j-J t-JJ L*jJ L-JJ L-jJ L-jJ L-jJTP P TP HTP HTP H TPH TPH TPH TP H

L-jJ L-jJ L-j--J t-jJ L-J--J L-jJ L-jJ L-jJTPP TP H TP P TPH TPP TPH TPH TPH

168

w/Rhy. Fig.7 (Gtr. II)N.C.(E5)

T.h'

:Ioco PH

--:\ T;PP-\

T-h'

=

PTlr

T}(P1',-r--

T TTT6P 4P LPH Pt^ +- +----1-l-----=-\

TP TP TP H P

L_r

TPH TP TP TP TP TP

dRhy. Fig.9E5

FullFull Full))

PFull)

----\ sl. HH/--:HHHH

PP

Pa--\ P HHP i)

3

HHHH

3

HH

3

HH

Rhy. Fig.9 (Gtr. II)

169

-/

Gtr. ItrPPPPPPPP

PP PP PPPP

w/Rhy. Fig. 10

PPPPPP Prl.PPt;> i-:-\ i->\ ;-. :--..-\

PP P P PP P P PsLPP

PPP--

PPPPPP---\ _---\ ---+\

PPP=_\ P P P

PP P P P P,-\ P P P _--\ P PP PPP

PP P----\

P PP

PPP

Ab5Pp--< P Bp

3

P PP PP

F5Pp 2=

Rhy. Fig. 10 (Gff. II)

Pp---\P

170

wRhy. Fig. 11G5

Gtr. Itr

H H H-gJg H .+- bi'_r--=-g

HHP-----\

3

HH HH

Full Fullttl,:/- /

8vaFull

Rhy. Fig. 11 (Gtr. II)

_.ll

171

'J't3,

8va - - - - - - - - - - - - - - -- -- -- - -- -- -- -- -t---- "

Gtrs. II & trIloco

P.M. -------------

4th time w/Fill 1E5

Play 4 timesF5 N.C.

N.C.Riff Bl (Gtr. IID

zuff B (Gtr. ID

P s/.t:: P s/. .L{ :-.....--PsL(end Riff Bl)

(end Riff B)PPslP s/. P sl.

3

Psl

Fill 1 (Gtr. I)

172

Gtr. I

dRiffs B & 81 (both 2 times)GtI. I

Gtr.mPsL

Please,

P s/.

Outrot---{5

God, help me._

(cont. on lower staff)

--J Fill2 (Gtr.I)

Hey!

(Gtr. I ouO

Hey!(end FilI 2)

(end Rhy. Fig. 12)

3P sl.

PPPP

FullU2 Ii-_______________

__________-_-__ )J Rhy. Fig. 12 (Gtrs. II & m)

Pp

173

w/Rhy. Fig. 12 and Fill 2 (both 3 times)E5 F5

174

*Gt. tr to left of slash in TAB.*+P.M. refen to Gtr. Itr only.

E_r_r I

ENTER SANDMAN

w/Riff A (10 times)Grr. I

Words and Music by James Hetfield,Lars Ulrich and Kirk Hammett

Em E5 A5o ooo xo xxtffiffiffi23tl

Tune down 1/2 step:

@=Eb O=cb@=Ab @=Bb@=rb @=eb

Moderately J = 126N.C.*Gff. I

---n Sl^f >-t/ ,=

*f ct .l Riff A ----------clean tone

si.

Gtr. I

^t-a_.

r*Gtr. III

"TIJ

*Orchesha m. for gft.

O+ I)_ o+o+o +0 o+Gtr.TVdist. tone *w/wah

*o = open (toe up);

+ = closed (toe down)

o

-ltt /'- l. h/no+o+o+ o+o+ o + o + o+o+o+o+o+o+ o + o

176Copyright @ 1991 Creeping Death Music (ASCAP)

This Arrangement Copyright @ 2000 Creeping Death Music (ASCAP)lnternational Copyright Secured All Rights Reserved

)^)^)

sl.

A5 E5)^)) A

E5

h/^A5

t./H

@r'Bb

)PP

E5

)-@u.Bb .A5ht.//

sl.l^br- I

@r'Bb A5

))s/.bi:>

@ ra.Bb A5

))sL| ^br- ).

l-))--)-)

PP PP H H

P.M.

@1f..Bb A5

))E5

)\-)@1ft.

Bb A'5

))E5

)--)E5

)\-)

(cont. in notation)E5

h/'-

@1ft.Bb A5

))@rfr.

Bb A5

))

;\-/

E5;---- (i-n^,-..-

Oh,- yeah Let loose.- man.

Gs F+5 E5

(end Rhy. Fig. 2)

178

Rhy.Fig.2(Gtrs.tr&IV)

P.M.-------------------'---r tv

lst VerseN.C.

Say your prayers,

nrry.hig. 3 (Gtrs. II & IV)

Don't for - get, my

P.M. --------------------------------1

Gs Fil5 E5

warm with - in, keep you free from

179

-llalf time feelPre-chorus

till the sand-man, he comes,- ah.

P_M.-------------------------------l

Gs F*5 N.C.

(end Rhy. Fig. 3)

>\--/

Sleep with

(end half time feel)

HP

(end Rhy. Fig.4)

grip-ping your pil

PPa---\ HP/--\-

180

HsL

Take-

hglt|- (Spoken:)What is it? (Audience:) (En

hand.-

s/.

HslxP.M. - ---'----- -- ------Rhy. Fig.58 (crr. IV)

(Gff. W cont. on upper staff)(end Rhy. Fig. 5) Rhy. Fig. 54. (ctr. tr)

We're off to nev - er - nev - er land._

E5

J J J 1J:'r.

l[-V

(end Rhy. Fig. 5B)

(end Rhy. Fig. 5,A')

j/-

sl.

+P.M. applies to Gtr. IV only.

*P.M. applies to Gtr. IV only.

w/Rhy. Fig. 2 (2 times)N.C. /->.

2nd Versew/Rhy. Fig. 3 (Gtr. II)

N.C.dRhy. Fig. 3 (last 7 bars only) (Gtr. IV)N.C. F5 N.C.

G5 Fils E5

G5

of Snow White.-

i--.-\-

Some-thing's wrong. Shut the light. Heav-y thoughtsto night,-

(Gtr. III out) Grr. I

Il2 u2 1t2 1/2Fill 1(Gtr. IV)

1/2 U2 1/2

(wah offlt/2U2

Full Full Full Full

P.M. -- -- -- -- -- ------ - -- --- -r

182

Dreams of war, dreams of

G5 FS5 N.C.

and the things that will

eye

s/.

grip - ping your pil

Sleep with

(end Riff B)sl. ,- ---'

Fill 2 (Gtr. IV)

(end half time feel)

183

F#s

light.- Come on.loco

(Audience:) (En

dRhy. Figs. 5A & 5B

Ff5 Es

land.-Take- We're off(end Riff C)(Gtr. I out)

nev

Lyric ad lib yeah.-

FullI-.L--)'J -t ?

FullIJ--

Guitar solow/Rhy. Fig. 2 (13/e times) (Gtr. II)

N.C.

A.H.---------.(lSma)HP

FullFull)

184

Rhy. Fig.6 (Gff. I) (end Rhy. Fig. 6)

w/Rhy. Fig.6 (3 times)Gft. IV

sl. N'c"L

Full Full

N.C

E5FfsG5

N.C. E5

sl.

t,*

sl.

E5Full Full))

Full

)N.C.HPFull Full Full Full Full)) ) ) ) HP

r_3J

HP

G5 Ff 5 N.C.

L3J

Full Full HP

8va- - - - - - - - - - - - - - - - - - i-'-

dlast bar of Rhy. Fig. 3 (ctr. tr)Fil5

PP ,, Tp T P pa dr i--\\

H TP TP P,--

P

Half time feeldRhy. Fig. 4 (lst 2 bars only) (Gtr. II)loco

lt2

P P.sL sI.

t%IPP

r-.3J

PPs/.

ltz

*Gtr. I to left of slashes.**P.M. applies to

Gtr. tr only.

18s

w/Rhy. Fig.5 (Gtr. II)F*s

FullB5

Full

(end half time feel)

= F-===/ LLLJ V

B5Full

N.C. E59va-------------

Full Full lV2

w/Rhy. Fig. 5A (lst 2 bars only)

loco P pa1..-.

L_JJ

FS5 85' 8va--------PP

P P

FullI1

PFull

Full+J- ^*+^*{{^-{ a\ -a\

tem. bar

99I I I

p HH.\ ,-->

r-3- uj--'lP HH

I I9V I/----g

99 V\-/ v

trem. bar9VFull l%)) P

Gtr. I

J.t

fr-'l

*P.M. applies to Gfr. II only.

186

(Gtr. II out)

Put your hands to - geth - er.

A.H. - - ---- -- -- ------,(8va)

v- v- v:

trem, bar H\rv vA.H. pitches: F$

Gtr. n

dRiff A (6 times)

(Spoken:) Now I lay me down to sleep.(Child:) Now I lay rne down to sleep.

(Gtr. I)

(Gft. rr)

I die before IPray the Lord my to keep.

I

Pray the Lord my soul

I die before

187

w/lst bar of Rhy.Fig.4 (4 times) (Gtr. tr)N.C.

pray tne

!1))

w/Rhy. Fig.4 (Gtr. tI)w/RiffB

It's just the beasts un - der- your

Chorus*w/Rhy. Fig.5w/RiffCF$s B5 Fil5

Ex - it:+Resume/md dist. tone.

:---

.-;bed,- ah, in your clos - et, in- your head.-

w/Rhy. Figs.5A' & 58(both 1st 3 bars only)

(Au.dience:) (En

dRhy. Fig.5Ff5 Bs F#s

Fil5

Come on.-

188

Grain- of sand,-

dRhy. Figs. 5,{ & 58

G5 F*5E5 ^ _Gtr. lI g Go

off to nev - er - nev - er land.

w/Rhy. Fig. 7 (7 times)F+5

^f Yt. Fig' 7 (Gtr. D--:

Gtr. IV

.II rl:rt:

Gtr. IV

o'--=-\o-=---\

(cont. on lower stafo

(Gtr. II out)^o-o N'c'

Grr. IO-----O--,-..-O--.-O

Outrow/Rhy. Fig. I (4 times) (Gtr. II) ctr. IVN,C. E5

Fdbk.(8va)+

w/Rhy. Fig. 1 (2 times) (Gtr. IV)N.C. E5

__z/-.--.- /--..-,--r} ie re

/:\ (Gtr. IV out)

rl\Gtr. II

;-\ t7

Oo!- Hey,- yeah.-RhY' Fig. 8 (end Rhy. Fig. 8)

o^t?2^bA1

ilRhy. Fig.2dRhy. Fig. 8 (2 times)

G5 F$5 E5

'A

190

Woh,- No,- whoa,-

F5 N.C.w/Rhy. Fig. 9 (10 times)

F5 N.C. F5

Gtrs. II & tV

N.C.

^t

Take-

Riff D (Gtr. I)

(We're off to nev - er - nev - er

off to

P.M.--l

F5 N.C. F5 N.C

my

dRiff DN.C.

dlast bar of Riff DN.C.

Rhy. Fig. 10 (Gtrs. tr & tV) ---------------.

w/Rhy. Fig. 10 (11 times)F5 N.C.

uh.-We're off to nev - er - nev - er

Gff. tr substitute Rhy. Fill 1F5 N.C.

nev-er-nev-er - land._(end RiffD)

Iand.)-

F5

.----\

F5 N.C.

F5 N.C.

Gtr. I Hb;D

Rhy. Fill 1 (Gtr. n)

191

)

Take- my

(Resume Rhy. Fig. 10)N.C.

(Resume Rhy. Fig. 10)F5 N.C. F5 N.C.

Gtr. tr substitute Rhy. Fill IF5 N.C.

Gtr. II substitute 1st bar of Rhy. Fill 1F5 N.C. F5

--+1 I rI J 4^4',IN.C.Gtr. I

h+' h^I

TJJJTJJJ f f (rrYf f (_IJJrJr |JJJGtr. IV rit.

Gtr. II

rit,

192

*P.M. applies to Gtr. IV only (next 5 brs).

Free tirneEm

Gtr. IV

trem. pick

,oFfs Gs Ffs

(Gtr. I cont. on lower staff)/i

C

r w/wahFull Full Full

PP

A.H.(8va)

A.H. pitch: B

P.M.- -- --'--------- -- -r

P.M.'------ -- ----- - ---r

(cont. in slashes)t:\

Gtr. I I Ii::4:-3

,

Full

) P,o--.-

PFull) Pa\)PPa\Full

)Pi-\Full

)PFull

)P-.

->7--'-L

cff.rol--= J -3

li

2o

193

oA.H.------------:-------------------.(8va)

Y- iYA.H.--- ---------"---'--------------l

A.H. pitches: Ff G* Ff HHsl.c* Ff cf F* cf

rC}

,-o

Full Full

)

In time J. = 140I I (cont. in notation)ol '--_ol '

^\r^v^v^v^v-.\2

trem. bar (wah ffi

+ 't 0 r}r} \i

.---._---\

P.M. --------------- -------l

194 *t.t. applies to Gtr. II only (till end). H

P.M.----------------------{

J

IGtr. II

XP.M.