aksay sharma,b.sc-fashion technology ,+ 2 years diploma
TRANSCRIPT
I am deeply thankful to all those who help me to complete my project.
I am thankful to our mentors been the part of my hard work to complete the project.
AKSHAY SHARMA
B.Sc. Fashion technology +
2yrs. Advanced Diploma in Fashion technology
AKNOWLEDGEMENT
Surface Design Technique
Once fabric has been constructed. It can be altered with the application of different kind of surface treatment. Patterns ,color and texture can be added to fabric through such treatment. Techniques include print, embroidery, fabric manipulation, smocking, quilting , patchwork etc.
It is important to consider the type of techniques that best suits the fabric you are working with .a loose woven fabric would be suitable for drawn work, whereas a tight woven fabric with no pile is the easiest to print on , it is important to consider the function & properties of fabric.
Foe ex. Some techniques might be interesting as a sample but might not be applicable to fashion garment deconstructing its structure perhaps through drawn and heavy as a resulting of too much embellishment, whether the fabric can be successfully worn again, whether it can be washed or dry-cleaned, it is good idea to test a sample of the fabric you are creating by finding a dry- cleaner who is willing to trial small sample for you.
Print can be applied to a fabric through the technique of screen, block, roller, mono, hand or digital printing, pattern, color and texture can be achieved by printing with a variety of media, including pigment, dye, fock or glitter.
Block printing
Block printing is one of the earliest form of painting.A design is applied to a hard material. E.g. wood,lino or rubber. Via embossing or by cutting intosurface, this block than be coated with ink andapplied to the fabric with pressure to form an imprint.In 1834 Louis Jerome Perrot invented themechanization of woodblock printing allowingmulticolored design to be printed
Hand Painting
Hand painting is made directly on to the fabric usingone of a no. of tools, such as brushes and spongeshand painting gives a hand made feel to a piece ofFabric, but can be slow process for producing a longlength fabric.
Printing
Roller printing
The flat copperplate printing process was introducedin 1770’s making the printing at large repeat with fineengraved details possible. They were mainly one colorwith extra color introduced through hand- blockprinting or hand coloring.
Flock, gliter or foil
Fabric can also be printed with glue then heat-pressed with flock paper. The flock, adheres tothe glue ,creating a raised “felt effect, gliter andfoil can be similarly applied to produce special
effect.
Printing
Screen Printing
Screen printing requires a design, ink and a’silkscreen’ that is ,a piece of silk stretched evenlyacross a frame . The first step is to make a stencil ofthe design, which is applied to the screen, blockingthe silk so the ink can only pass through the positivearea of the design. The screen is placed on the fabricand the ink is pulled through the screen evenly withthe squeegee, leaving a printing image on the fabric.The print is then fixed on to the fabric with heat sothat it will not wash off. The silk- screen process wasused far back as 17th century. Nowadays the silkscreen is made from tougher, nylon, polyester meshand the stencil is processed using photographicemulsion
Puff
When printed & heated the ink expand on thesurface of the fabric Expantex is a brand of achemical that produced on embossed effecton fabric and has a rather rubbery texture 3Dqualities can be achieved by printing puff onthe back of fabric that are light or drape well .The puff distort the fabric creating 3
Printing
Tie & Dye
Tie-dye is a modern term invented in the
mid-1960s in the United States for a set of
ancient resist-dyeing techniques, and for the
products of these processes.
The process of tie-dye typically consists of
folding, twisting, pleating, or crumpling fabric
or a garment and binding with string or
rubber bands, followed by application of
dye. The manipulations of the fabric prior to
application of dye are called resists, as they
partially or completely prevent the applied
dye from coloring the fabric.
More sophisticated tie-dyes involve
additional steps, including an initial
application of dye prior to the resist, multiple
sequential dye and resist steps, and the use
of other types of resists (stitching, stencils)
and discharge.
FASHION SHOW
KALEIDOSCOPE - 2016
An another project based on surface designtechniques was undertaken during our studyprogram to learnt the method of Tie & Dye a lots ofways of tying was master and based on this learning.We created a collection using techniques Shibori.The collection Showcased at kaleidoscope-2016