acoustics of concert halls and rooms some basics of architectural acoustics

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Acoustics of Concert Halls and Rooms SOME BASICS OF ARCHITECTURAL ACOUSTICS Auditorium Acoustics Handbook of Acoustics,Chapter 23 Principles of Vibration and Sound, Chapter 11 Kimmel Center

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Acoustics of Concert Halls and Rooms SOME BASICS OF ARCHITECTURAL ACOUSTICS. Auditorium Acoustics Handbook of Acoustics ,Chapter 23 Principles of Vibration and Sound , Chapter 11. Kimmel Center. p vs r. log p vs log r. SOUND FIELD. Free field. Reflections. Sound decay. - PowerPoint PPT Presentation

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Page 1: Acoustics of Concert Halls and Rooms SOME BASICS OF  ARCHITECTURAL ACOUSTICS

Acoustics of Concert Halls and Rooms

SOME BASICS OF ARCHITECTURAL ACOUSTICS

Auditorium Acoustics

Handbook of Acoustics,Chapter 23Principles of Vibration and Sound,

Chapter 11Kimmel Center

Page 2: Acoustics of Concert Halls and Rooms SOME BASICS OF  ARCHITECTURAL ACOUSTICS

Free field

Reflections

p vs r log p vs log r

SOUND FIELD

Page 3: Acoustics of Concert Halls and Rooms SOME BASICS OF  ARCHITECTURAL ACOUSTICS

Sound decay

Sound decay in a400 m3 classroom

Sound pressure level as a function of time for that room

Page 4: Acoustics of Concert Halls and Rooms SOME BASICS OF  ARCHITECTURAL ACOUSTICS

GROWTH AND DECAY OF REVERBERANT SOUND

RT = K (volume / area)RT = 0.161 V/A (V in m3; A in m2 )If room dimensions are given in feet, the formula may be written:RT= 0.049 V/A (V in ft.3 ; A in ft.2 )

Page 5: Acoustics of Concert Halls and Rooms SOME BASICS OF  ARCHITECTURAL ACOUSTICS

Decay of reverberant sound

(a) and (b) are decay curves of sound pressure and soundlevel in a room with uniform energy distribution(c) shows different initial and final reverberation times(d) shows peaks due to prominent standing waves or roomresonances

Page 6: Acoustics of Concert Halls and Rooms SOME BASICS OF  ARCHITECTURAL ACOUSTICS

CALCULATING REVERBERATION TIME

Page 7: Acoustics of Concert Halls and Rooms SOME BASICS OF  ARCHITECTURAL ACOUSTICS

CALCULATING REVERBERATION TIME

Page 8: Acoustics of Concert Halls and Rooms SOME BASICS OF  ARCHITECTURAL ACOUSTICS

Desirable reverberation times

for various sizes and functions

Variation of reverberation time with frequency in

good halls

Page 9: Acoustics of Concert Halls and Rooms SOME BASICS OF  ARCHITECTURAL ACOUSTICS

McDermottConcert

Hall(Dallas)

Page 10: Acoustics of Concert Halls and Rooms SOME BASICS OF  ARCHITECTURAL ACOUSTICS

Orchestra Hall

(Chicago)

Page 11: Acoustics of Concert Halls and Rooms SOME BASICS OF  ARCHITECTURAL ACOUSTICS

MeyerhofSymphony

Hall(Baltimore)

Page 12: Acoustics of Concert Halls and Rooms SOME BASICS OF  ARCHITECTURAL ACOUSTICS

Walt Disney Concert Hall

Page 13: Acoustics of Concert Halls and Rooms SOME BASICS OF  ARCHITECTURAL ACOUSTICS

Disney

Page 14: Acoustics of Concert Halls and Rooms SOME BASICS OF  ARCHITECTURAL ACOUSTICS
Page 16: Acoustics of Concert Halls and Rooms SOME BASICS OF  ARCHITECTURAL ACOUSTICS

Bing Concert Hall

Page 17: Acoustics of Concert Halls and Rooms SOME BASICS OF  ARCHITECTURAL ACOUSTICS

BACKGROUND NOISE CRITERIA

Page 18: Acoustics of Concert Halls and Rooms SOME BASICS OF  ARCHITECTURAL ACOUSTICS

• Spatial impression• Intimacy• Early decay time• Clarity• “Warmth”

Important criteria for concert halls:

Page 19: Acoustics of Concert Halls and Rooms SOME BASICS OF  ARCHITECTURAL ACOUSTICS

Concerthalls

throughoutthe

World