about the artist€¦ · e phillips fox / australia 1865–1945 / captain james cook (copy of...

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PRIMARY STUDENT WORKSHEET ARCHIBALD PRIZE In 2011, Ben Quilty won the prestigious Archibald Prize for his portrait of the much-loved Australian artist Margaret Olley. The Archibald Prize is a major prize for portraiture in Australia and is awarded each year to the best portrait painted by an Australian artist. From its very beginning, the Archibald Prize has caused debate over what is and what isn’t a portrait. WHAT IS A PORTRAIT? Discuss in small groups what you think a portrait is. What about a self-portrait? What isn’t a portrait? ABOUT THE ARTIST ‘I like people — really like them — and I think we “unlike” each other too much. I’m even interested in the people I know I shouldn’t like. I want to know why I might not like them.’ 1 —Ben Quilty As an artist, Ben Quilty is interested in people and their experiences. He challenges the traditional idea of what a portrait is and uses colour and texture to give each painting its own personality. Quilty often plays with different forms of art in his work, moving from figurative to abstract and back again. Margaret Olley 2011 1

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Page 1: ABOUT THE ARTIST€¦ · E Phillips Fox / Australia 1865–1945 / Captain James Cook (copy of Nathaniel Dance original in the Greenwich Hospital) 1891 / Oil on canvas / 128.6 x 102.8cm

PRIMARY STUDENT WORKSHEET

ARCHIBALD PRIZE

In 2011, Ben Quilty won the prestigious Archibald Prize for his portrait of the much-loved Australian

artist Margaret Olley. The Archibald Prize is a major prize for portraiture in Australia and is awarded each year to the best portrait painted by an Australian artist. From its very beginning, the Archibald Prize has caused debate over what is and what isn’t a portrait.

WHAT IS A PORTRAIT?

Discuss in small groups what you think a portrait is. What about a self-portrait? What isn’t a portrait?

ABOUT THE ARTIST

‘I like people — really like them — and

I think we “unlike” each other too much.

I’m even interested in the people I know

I shouldn’t like. I want to know why I might

not like them.’1 —Ben Quilty

As an artist, Ben Quilty is interested in people and their experiences. He challenges the traditional idea of what a portrait is and uses colour and texture to give each painting its own personality. Quilty often plays with different forms of art in his work, moving from figurative to abstract and back again.

Margaret Olley 2011

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Page 2: ABOUT THE ARTIST€¦ · E Phillips Fox / Australia 1865–1945 / Captain James Cook (copy of Nathaniel Dance original in the Greenwich Hospital) 1891 / Oil on canvas / 128.6 x 102.8cm

Cook Rorschach 2009

Do you recognise who Quilty has painted here? What do you notice when you first look at this work? How do you think Quilty made this painting? (Hint: Sometimes these types of paintings are called inkblot paintings, butterfly paintings or squishies.)

ABSTRACT

Abstract art does not attempt to accurately

represent the real world, but uses a variety of shapes,

colours, forms and lines.

EXPRESSIONISM

Expressionism is an artistic style that emphasises the

feelings and emotions of the artist rather than reality.

FIGURATIVE

Figurative style refers to any form of art that resembles

something that exists in the real world. The term is often

applied to human figures.

E Phillips Fox / Captain James Cook (copy of Nathaniel Dance original in the Greenwich Hospital) 1891

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Page 3: ABOUT THE ARTIST€¦ · E Phillips Fox / Australia 1865–1945 / Captain James Cook (copy of Nathaniel Dance original in the Greenwich Hospital) 1891 / Oil on canvas / 128.6 x 102.8cm

Straight white male, nose self-portrait 2014How has the artist exaggerated his own features to draw your attention? What does a long nose represent? Can you think of another character who has a long nose?

Joe Burger 2006Is this a painting of a burger or a baby? Look closely. What colours and textures can you see? What elements in the painting remind you of a burger? Write a list of words you would use to describe the surface of the painting.

CAPTIONS

Ben Quilty Australia b.1973

Margaret Olley 2011 / Oil on linen / 170 x 150cm / Private collection / Photograph: Mim Stirling

Cook Rorschach 2009 / Oil on linen / 2 panels, 140 x 190cm (overall) / Private collection

Straight white male, nose self-portrait 2014 / Oil on linen / 130 x 110cm / Private collection

Joe Burger 2006 / Oil on canvas / 150 x 160cm / Private collection

All works © Ben Quilty Courtesy: The artist, Jan Murphy Gallery and Tolarno Galleries

Other artists

Ben Quilty installing Sketches for Margaret 2019 in GOMA Gallery 1.2 Photograph: Chloë Callistemon

E Phillips Fox / Australia 1865–1945 / Captain James Cook (copy of Nathaniel Dance original in the Greenwich Hospital) 1891 / Oil on canvas / 128.6 x 102.8cm / Felton Bequest, 1906 / Collection: National Gallery of Victoria, Melbourne

ENDNOTES

1 Ben Quilty, quoted in Brook Turner, ‘Ben Quilty on the burden of being Australia’s artist from central casting’, Sydney Morning Herald, 23 February 2019, < https://www.smh.com.au/entertainment/art-and-design/ben-quilty-on-the-burden-of-being-australia-s-artist-from-central-casting-20190219-p50ypb.html>, viewed May 2019.

PUBLISHER

Queensland Art Gallery | Gallery of Modern Art Stanley Place, South Bank, Brisbane PO Box 3686, South Brisbane Queensland 4101 Australia W: qagoma.qld.gov.au

Published in association with ‘Quilty’, organised by the Art Gallery of South Australia and held at GOMA, Brisbane, Australia, 29 June – 13 October 2019.

© Queensland Art Gallery Board of Trustees, 2019

This work is copyright. Apart from any use as permitted under the Copyright Act 1968, no part may be reproduced without prior written permission of the copyright owners.

Requests and inquiries concerning reproduction and rights should be addressed to the publisher. Copyright for texts in this publication is held by the Queensland Art Gallery | Gallery of Modern Art.

This resource has been developed by QAGOMA Learning staff.

ACKNOWLEDGMENT OF COUNTRY

The Queensland Art Gallery | Gallery of Modern Art (QAGOMA) acknowledges the Turrbal and Yugara (Jagera) peoples who are the traditional custodians of the land upon which the Gallery stands in Brisbane. We pay respect to Aboriginal and Torres Strait Islander elders past and present and, in the spirit of reconciliation, acknowledge the immense creative contribution Indigenous people make to the art and culture of this country.

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