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A ghost town; an abandoned city; a desolate space.

A location that has become vacant due to a failed economy,

natural or human-caused disaster; floods, government action, war,

lawlessness or nuclear disaster.

13 x 30 minute factual series shot in 4K.

$2.3 million

Intuitive Content

5009 Excelsior Blvd Suite 116

Minneapolis, MN 55416

www.intuitivecontent.com

Final delivery May 2018

Thousands of deserted towns, cities and spaces can be found

around the world. Some are tourist attractions; others sit in ruins

in secret and not-so-secret corners of the globe.

The visible remains are sometimes not enough to tell us the story.

Who lived here? What moments in history occurred here? Where

did everyone go? Why?

We may be aware of key events surrounding why a once thriving

community is now a graveyard of architectural bones, rusting

relics and lost stories swirling in ashes and dust. But, what more

can be discovered about some of the world’s most intriguing

abandoned places?

Join us on a discovery of famous and infamous forgotten locations.

Nick Saxon.

A natural born Australian adventurer. This guy is passionate and

has packed in a lot of culture and experience into 30 years. When

he’s not taking a break surfing, he is somehow connecting people

- from reaching out to audiences all around the world with his

musical narratives to travelling the globe while hosting TV shows

such as World Traveller, on National Geographic International

Channel. He is wise beyond his years and will engage and inspire

audiences of all ages. Nick is inquisitive, thoughtful, and has a

thirst for discovery. He brings to the series his personal journey

across the forgotten globe.

STAT U S : VACA N T

FO R M AT

P R O D U CT I O N B U D G E T

P R O D U CT I O N C O M PA N Y

P R O D U CT I O N S C H E D U L E

I N T R O D U CT I O N

G U I D E

The cast will consist of International archaeologists, historians and

anthropologists. Local ‘extras’ will be engaged where available.

CA ST

SY N O P S I S Status: Vacant is a stylised factual documentary series. Each

episode will take the audience on a mysterious journey through

abandoned locations across the globe – an Argentinian village

swallowed by floodwaters; a Chinese city built for a growing

population yet lying bare of human existence; the French town of

Oradour-sur-Glane the setting of unspeakable war-time horror or

the Western Australian mining town of Wittenoom destroyed by the

very substance mined beneath its desert earth.

Through visual investigation and integral conversation our Guide

becomes the conduit of the series. local historians, archeologists,

anthropologists and former occupants recount historical, political,

cultural and personal stories behind the abandonment of each

dramatic location. A solemn yet beautiful story unfolds within each

episode.

Status: Vacant is a visual feast; an adventure, a history lesson and

a tale of humanity.

Our Guide enters the frame embarking on a compelling journey;

an adventure in the discovery of a lost location, a desolate town.

Geographically hidden and often forbidden, the viewer will follow

and engage with the physical journey of arriving at each location

and exploring its rich history.

A silent, dramatic beauty exists within each location. Beyond the

veil of cultural and structural destruction lie stories of loss, anguish

and sorrow. Personal heartache for those lost and ill-affected

from the worst natural disasters the world has seen; feelings of

deep regret and economic abandonment that have befallen many

towns, leaving inhabitants with no other choice but to move on and

start again. What are their stories? How have they survived such

torturous situations and who of them have returned? We meet real

people and hear real stories.

The show will feature animated and illustrated maps with archival

footage and photographs of significant historical events throughout

each story. Dynamic CGI graphics will be used throughout the

series taking the viewer on a visual recreation. A landscape and

architectural walk-through of these silent, abandoned locations will

be created, rendering them as they once were or as they could be

today if disaster had never struck.

The series will use an encompassing model of investigation,

artefact analysis, history research and human storytelling upon

which these stories can be told.

The arched sign reading HISTORIC DOWNTOWN CAIRO

might as well be a tombstone stretched across this dead

neighborhood.

The business district is boarded, crumbling or razed...a

dystopian wasteland of abandoned buildings reclaimed by

weeds and vines. Many of life’s basics - the hospital, gas station

and grocery store - all closed.

Once touted as the “Gateway to the South,” and the freedom

destination for Jim - a runaway slave sidekick in “The

Adventures of Huckleberry Finn,” Cairo’s claim to fame now is

that of losing its population faster than any town in the United

States - down 85 percent since its hey day of 15,203 citizens

nearly a century ago.

The story of Cairo starts at the confluence of the Mississippi

and Ohio Rivers, where you can stand with one foot in

each current and imagine the economic importance of this

location when America relied on barges and steamboats for

transportation.

It had strategic value as well. In the early years of the Civil War,

Cairo was General Ulysses S. Grant’s home base. The town’s

address may be Illinois, but you can see Missouri and Kentucky

on the other side of the water.

So how is it a once prosperous and storied port city stands on

the verge of extinction?

The answer for its abandonment is more complicated than in

cases where mines run out or plagues hit. As the economic

advantages of rivers diminished, first giving way to railroads,

then to cars, Cairo became irrelevant. The easiest answer for

its demise is economic desperation.

But the town has a dark history of racial turbulence. The brutal

lynching in 1909 of Will James was a defining moment in mob

violence. When the rope broke, James was shot and beheaded,

C a i r o I L L I N O I S

E P I S O D E 1

S E R I ES 1

his body burned, his head put on a stake. Half a century later,

Cairo was the scene of some of the ugliest racial clashes in the

north during the Civil Rights Movement.

Cairo is under the persistent threat of floods. At 279 feet

above sea level, Cairo, is the lowest elevation point in Illinois.

Things got nasty in 2011 when Missouri went to court to allow

the blighted town to flood and preserve 200 square miles of

rich farmland. Ends up, the law was on Cairo’s side and in an

apocalyptic moment, the Army Corps of Engineers blasted the

levee to spare Cairo. Farmers across the river in Missouri are

still fuming over the decision.

Now what’s left of Cairo is facing another crisis: public housing

units are to be torn down this summer. Nearly 400 residents

relocated to other towns. A domino effect could result in the

last school closing, accelerating the population decline because

the school is the town’s largest employer.

Is there still opportunity in the ruins of this living ghost town?

Is it reasonable to dream of economic development in a place

where no new houses have been built in 50 years? Could

the end be nearer than the 2020 census? As buildings are

being demolished, pieces of Cairo - bricks, beams, stained

glass windows - are being exported for rehabs in affluent

communities far from this river bottom.

STATUS: VACANT will explore decaying mansions as well as

remaining landmarks of Cairo. Abandoned but still standing:

the movie theater, hospital, factory, churches, and ironically, the

Chamber of Commerce. We’ll also take a peak inside one of

the few buildings in downtown Cairo still functioning - the Cairo

Customs House Museum - because 160 years of history is all

that Cairo has left, and even that is in jeopardy.

A picturesque holiday resort boasting ‘eternal springs’

of magical properties was once bustling with wealthy

European tourists season upon season, until a dramatic

storm hit. Epecuen is the town that drowned.

E p e c u e n A R G E N T I N A

E P I S O D E 2

B h a n g a r h Fo r t I N D I A

E P I S O D E 4

A soviet ghost town in the Arctic Circle, the coal

mining town of Pyramiden stands stoic and alone. The

collapse of the Soviet Union in 1991 saw Pyramiden slip

into financial disrepair, the town was abandoned as if

overnight. A glimpse of Soviet culture, architecure and

political history are all that remain.

P y r a m i d e n N O RWAY

E P I S O D E 3

The mystical temple city of Bhangarh Fort built in the

17th Century by order of King Madho Singh is rich in

legend and myth. Long told stories of black magic and

curses cast ensured complete human abandonment

from the most haunted place in India.

The small French village of Oradour-Sur-Glane became

the setting of unspeakable horror. During WWII in a case

of mistaken identity all 642 residents were massacred

by German soldiers, the village left burnt and blood

stained. A silent and desolate ruin stands still in time.

This medieval stone village perched atop the

mountainous coastline of southern Italy was once an

important defensive outpost, religious and agricultural

town left desolate and crumbling, plagued by recurring

earthquakes and landslides. Craco is now nothing but a

ghost town.

O r a d o u r - S u r - G l a n e

F R A N C E

C r a c o I TA LY

E P I S O D E 6

E P I S O D E 5

G u n k a n j i m a I s l a n

JA PA N

Fordlandia was Henry Ford’s short-lived dream of

creating the largest rubber plantation in the world

in servicing the booming motorvehicle industry. Now

abandoned and at the mercy of nature, its buildings

remain testament to his bizarre attempt to transplant

a vision of American culture and lifestyle into the

Amazonian jungle.

Fo r d l a n d i a B R A Z I L

E P I S O D E 8

E P I S O D E 7

Known as Battleship Island, Gunkanjima was populated

from 1887 to 1974 as a coal mining facility during

the industrialization of Japan. The rise of petroleum

during the 1960’s saw the closure of coal mines leaving

Battleship Island an abandoned, silent and decaying

concrete ruin.

An eerie ghost town once thriving on the excavation

of diamond mining in the southern Namib desert. On

exhaustion of excavation and the global effects of WWI,

the wealth that drove Kolmanskop declined dramatically

driving its predominantly German population to flee.

Arid desert sands are its only survivors, slowly creeping

into every corner of this silent, deserted town.

Ko l m a n s ko p N a m i b i a

S O U T H A F R I CA

S h i C h e n g - U n d e r wa t e r C i t y

C H I N A

E P I S O D E 1 0

E P I S O D E 9

A Chinese city left to ruin after a dam flooded the valley

it lay in. Shi Cheng has been buried beneath the waters

of Thousand Island Lake for the past 53 years, lost

in a watery grave. This underwater time-capsule lies

undisturbed and frozen in time.

Le t c h w o r t hV i l l a g e A s y l u m

N e w Yo r k U N I T E D STAT ES

Nestled by the Hudson River amongst leafy forest,

the Letchworth Village Asylum has fallen silent, now

soulless bar the lingering ghosts of residents who’ve

passed. Forced to close its doors because of vulgar

mistreatment and experimentation of its ‘feeble-minded’

patients, its buildings are now abandoned, decaying and

desolate. A sad history remains.

Once a thriving blue asbestos mining town of the 1950’s

and 60’s, Wittenoom is still regarded a continued health

risk long after mining ceased. The threat of falling victim

to mesothelioma, lung cancer and the asbestosis that

claimed the lives of hundreds of former miners remains

present danger. Enter at your own risk.

W i t t e n o o m AU ST R A L I A

E P I S O D E 1 2

E P I S O D E 1 1

This nuclear ghost town was deserted in 2011 caused

by a devastating earthquake and tsunami with the

subsequent nuclear catastrophe. The town is frozen

in time with empty streets and buildings making it a

scene from a horror film. The nuclear reactor, which

exploded, is still leaking radiation and is only a few

kilometres from the town centre. While the radiation is

low enough for short visits it is still unsafe for anymore

to return home.

E P I S O D E 1 3

Fu k u s h i m aJA PA N

E p e c u e n A R G E N T I N A

E X A M P L E E P

E X A M P L E E P I S O D E : E P EC U E N , A R G E N T I N A

[Episode opens with vision shot through the eyes of our Guide viewing

an eerie, desolate, silent, soulless and alien location – slowly panning

new surroundings. Where are they? What is this place? How did it

come to be this way?]

[Camera pan comes full circle resting on our Guide]

It’s a bright, cold day; the middle of winter. The sun sits high in the

pale sky filtered by a sea of scattered white cloud. Ghost-like trees

twisted and drained of life scatter the landscape; rusted, broken,

corrosive streetlights and crumbling staircases descend the water but

lead nowhere. A white crust covers every surface exposed. Our host is

blanketed in blinding white.

Guide speaks to camera – placing us geographically in the fertile

lowlands of South America, The Pampas, in the former glamorous

Lakeside Resort, Epecuen – now the post-apocalyptic landscape of an

Argentinian town that drowned.

[graphics: 3D map of Argentina zoning in on The Pampas, closer still

pinpointing Lake Epecuen]

Resting between fertile farmland and Mountain Lake, Epecuen boasted

natural salt baths with saline levels second to that of the Dead Sea.

[Moving vision: soft sunlight filtering through grain fields / aerial view

of lush mountain landscapes basking in scattered cloud]

Due to this natural phenomenon, train carriages that once carried

grain to the outside world now brought tourist upon tourist to their

streets. Thousands of European bodies floated buoyantly, bathing and

rejuvenating in its ‘healing baths’. This was Argentina’s ‘Golden Age’.

[Archival footage: Epecuen train station bustling with tourists/

Europeans lolling in the baths, flooding the town boardwalk with life

and energy]

V i l l a E p e c u e n , A r g e n t i n a

E P I S O D E 1

K E Y C R E W

t o b e a d v i s e d

P R O D U CT I O N B U D G E T

The budget for

Status: Vacant is currently

being constructed.

Guide explains how this desolate landscape can be found – buy your way

onto a leaky fishing boat from Buenos Aires, strap yourself onto a wind

car and let the brisk Argentinian breeze El Conchabado race you across

ancient luminous salt lakes or sneak yourself and your rucksack into a

train car full of grain while the authorities are looking the other way.

[Cut to footage of our Guide on their chosen path to Epecuen]

Once a village resort bursting with 20,000 tourists per season, Epecuen

has been left vacant, silent and soulless. Why?

[Juxtapose archival stills: tourists, landmarks – train station,

businesses, playgrounds etc. with drone vision of those same

landmarks as they are now – visually appear war-torn, destroyed,

a forsaken waste-land]

Enter Local Expert

Walking the eerie, motionless streets, the bright sunlight ricocheting off

the blinding white salt-laden rubble of destroyed buildings that once

stood proud, Local Expert explains, this lake named Epecuen by the

Mapuche tribes who once populated the surrounding lowlands of central

Argentina, has 10 times more salt for every cubic centimetre than in any

of the oceans across the world. Hotels, shops and restaurants were built

along the shore during the 1920s to cater for the wealthy visitors from

Buenos Aires and beyond.

[Archival stills: tourists rambling along the colourful main streets of

town, past businesses, hotels, gelato shops etc. juxtaposed with Guide

1 walking the same now deserted, crumbling streets coated in

white salt]

Visitors spent summer after summer submerged in the “eternal

springs”, soaking up the therapeutic powers of these magical waters.

[Guide locates what was the large, decadent Villa pool; climbing

the stairs of the eroding slippery slide descending into a corrosive

concrete pit / cut to archival stills of the same aerial view – the

pool glossy, bright blue water, full of life] [Sound effects: children

laughing, squealing, splashing water]

E p e c u e n A R G E N T I N A

E X A M P L E E P

Epecuen had been experiencing multi-decadal weather variations

through the 70s and 80s resulting in wetter than average winters, with

no canal system these continual wet winters caused the lake to swell.

[3D weather graphics]

On November 10, 1985 a severe storm hit, blustery winds created a

seiche beyond the dam walls.

[Aerial footage of storm clouds rolling quickly, rain pouring, lightning

striking the sky, aerial mountainous landscapes]

This wave burst through the rock and earthen dam inundating much of

the town that very day. Over a number of years this slow creeping flood

eventually emerged victorious leaving the town, its buildings, vehicles,

trees, tourism and future dead in its tracks standing 10 metres under

highly corrosive saltwater.

[Archival stock footage of town landmarks - the Azul Hotel,

Matadero slaughterhouse, the cemetery, Avenida de Mayo (main

street) overwhelmed by floodwater]

The 5,000 townspeople fled – men, women and children walked with

what belongings they could carry to the neighbouring town of Carhue,

their devastated lives would have to begin again.

[Stock footage of citizens fleeing]

Guide and Local Expert walk silently, emotively inhaling the

devastation of their surroundings – peering into crushed and rusted hull

of cars, stepping over strewn bricks, collapsed corrosive metal frames,

demolished walls of buildings and homes where lives were once lived.

Every avenue running south still vanishes into the water, three flamingos

(local bird of the area) drift down the Avenida de Mayo past half sunken

ruins, their vibrant pink feathers glowing against the stark, white crust

covering every exposed surface.

[Music: Eerie, melodic, emotive music plays evoking a sense of

desolation, loss, despair]

V i l l a E p e c u e n , A r g e n t i n a

E P I S O D E 1

K E Y C R E W

t o b e a d v i s e d

P R O D U CT I O N B U D G E T

The budget for

Status: Vacant is currently

being constructed.

Local Expert speaks in depth to our Guide regarding cultural heritage

and historical landmarks throughout the now derelict town from the

perspective of a thriving ‘Golden Age’ – a time when the economy

was booming and immigrants poured into Buenos Aires from Spain,

Italy, Germany and Eastern Europe to live and work on the port.

Music, frequenting smoky nightclubs and brothels were rife amongst

immigrants giving rise to the famous dance – the tango. The government

pushed for further growth, extending railway lines and encouraging

agriculture of the fertile southern lands. During this period the magic of

Epecuen was discovered, quickly becoming a famous ‘spa village’ and

tourist destination.

[Archival footage/stills: people dancing the tango in a smoky club,

tourists enjoying the ‘salt baths’ of Epecuen] [Music and sound

effects reflecting dancing and life]

This glory would not last, climatic change would see to that. The

floodwaters took hold slowly enough for evacuation and no loss of life

but too quickly to defend against. Epecuen has spent the past quarter

of a century lost; only now emerging from its watery grave, thanks to a

reverse in the multi-decadal weather variations, as if a curse was lifted.

[Archival footage: aerial shots of the town re-emerging]

The town largely destroyed, but in part preserved providing an insight of

its past, its people and their lives within it.

[Key architecture – cemetery, barren stark white streets lined with

rubble, stair cases leading nowhere, twisted trees emerging from

their salt bath]

Local Expert exits

[Guide engages 2 locals in making an emotional re-connection with

the town. One has not set foot on the streets of Epecuen for 25

years. How will she react? Will she be able to locate her family home

amongst the rubble?]

E p e c u e n A R G E N T I N A

E X A M P L E E P

The other is the sole inhabitant of this ghost town. What stories of

despair and loss will he tell? What memories will be recounted?]

[Sound effects and music will be used to recreate a sense of

desertion, loss and isolation with use of archival stock footage in

recreating lives that once were]

Enter Local 1

Malena was just a girl when the floodwaters descended upon her family

home, she recalls an immense panic in the streets as the waters broke

the earthen dam walls, racing toward them, inundating everything in

its path – bicycles, vehicles, playgrounds, homes, forcing its way into

their lives. The waters steadily rose and rose again. “We believed it

would subside, but it never did, it only grew worse – we carried in our

arms what we could and led our horses, cows and pigs to Carhue, our

neighbouring town. We had to start again.”

[Archival stills: floodwaters inundating the town landmarks, washing

over vehicles left stationary in the streets]

Walking past the rusted metal gates of the town cemetery, Malena

stops, gazes across the field of wild grass strangling broken, toppled and

crumpling tombstones. Physically shaking, she remembers the horror of

the floodwaters ravishing the graveyard with such ferocity that residents

did not have a chance to salvage the remains of their loved ones, coffins

amongst other debris simply floating away. She takes deliberate,

respectful steps over the rubble, searching the debris with her eyes and

hands. “My grandfather is buried here”, she whispers, “I wonder if he still

remains?”

“These relatives buried here in this graveyard built our town. They have

been drowned for 25 years, their tombs reduced to rubble,” Malena

explains. “They now deserve our respect more than ever, if nothing else

we must return to visit them.”

[Tight camera shot of Malena brushing a thick layer of salt from a

corroded headstone revealing letters beneath]

V i l l a E p e c u e n , A r g e n t i n a

E P I S O D E 1

K E Y C R E W

t o b e a d v i s e d

P R O D U CT I O N B U D G E T

The budget for

Status: Vacant is currently

being constructed.

Enter Local 2

Guide finds 83 year old Pablo Novak, the only resident of current day

Epecuen, wheeling his rusted bicycle through the vacant streets littered

with debris. He stops beneath the corrosive, twisted metal frame and

demolished brick walls of the church that once stood proud.

[Moving stock footage: a church – its congregation in celebration;

Argentinian hymn playing]

He tells the story of the day within this sacred structure his father

turned to him as a young boy and said, “There was once water resting

high here in this Church. Cycles repeat themselves my son – if there was

water before, there will be again.”

[Archival stills: water bursting through dam wall, aerial shots of

Epecuen being flooded, the church being swallowed by this

creeping flood]

Pablo remembers fondly the ‘Golden Age’ – the wealthy tourists, the

bathing bodies, music filling the air of the boulevard, music he had never

heard before. “There was dancing, laughing, singing”, he says, “many

beautiful women, but no more, now there is only me.”

[Music: tango] [Sound effects: people chatting, singing, laughing,

dancing… fades out to silence]

Pablo walks our Guide through the silent debris of his partially

destroyed farmhouse. Stepping through gaping brick walls, the kitchen

is nothing but a cavenous space – furnished with a small table, single

chair and brick stove. The bedroom stands vacant, nothing but a single

mattress lying solemnly on the cold, white, salted floor.

[Drone follows Pablo entering his home in this unconventional way –

the viewer seeing it as he does, panning the empty, quiet rooms]

Clambering atop of broken rubble; this mess was once Pablo’s lounge

room. His faded leather armchair is no longer recognisable; memories

of being enveloped in its comfort and telling fairytales to his young

E p e c u e n A R G E N T I N A

E X A M P L E E P

children cuddling close to his chest are all he has. He picks up brick after

brick from the piles swimming around his ankles, pointing to markings

inscribed he explains, “these bricks, like so many lying throughout the

town in their new resting places, were made with my bare hands, as

my father had done before me.” “We built this town together.” Speaking

emotively to camera, “I dreamed it would be rebuilt, I dreamed I would

see it again. I have lost hope, but I will never leave – this is my home, it

will always be my home.”

[Tight shot of Pablo’s emotive face; camera frame moves capturing

his still hand resting in silence] [Sound effects/audio: throughout

dialogue create Pablo’s former life – sounds of children playing,

laughing, kitchen – cutlery clinking etc.]

Episode ends with our Guide recounting key historical, cultural and

anthropological facts discovered on this journey and the heart warming

encounters with locals forced to leave the home they loved. This is the

story of one towns demise, a tragic natural disaster claiming the homes

and existence of its people.

Memories are all that remain.

Our Guide traverses the deathly silent streets of this vacant, eerie town.

Before our very eyes Epecuen begins to come alive once again. Colour

breathes into this soulless village with every step; the streets fill with

people; shop fronts burst with activity; lush playgrounds are abound

with giggling children bathed in golden light. A snapshot of what could

have been. Could it be a place of economic wealth and flourishing

human existence once more?

[CGI: recreation of this lost town in present tense – our Guide walks

through a simulated version of what Epecuen could be today if

natural disaster had never struck; businesses flourishing; tourists

flocking to its ‘healing baths’; a return to the ‘Golden Age’. What could

Epecuen have become?]

[A vision of hope is recreated]

A s i a , A u st r a l i a , N e w Ze a l a n d ,

Eu r o p e , Ea st e r n Eu r o p e ,

U n i t e d St a t e s & G l o b a l D e a l s

N a t a l i e L aw l e yM A N AG I N G D I R ECTO R

n a t a l i e @ e s c a p a d e m e d i a . c o m . a u

A f r i c a , S c a n d i n a v i a & L a t i n A m e r i c a

H a m i s h Le w i sS A L ES & B U S I N ESS D E V E LO P M E N T

h a m i s h @ e s c a p a d e m e d i a . c o m . a u

U S A & U K

J e s s i c a St o n e h o u s eHEAD OF SALES, PARTNERSHIPS AND BUSINESS

DEVELOPMENT – UK & US

j e ss i c a @ e s c a p a d e m e d i a . c o m . a u

Fr e n c h S p e a k i n g Te r r i t o r i e s ,

T h e N e t h e r l a n d s a n d B e n e l u x

To r q u i l M c n e a lCONSULTANT

t o r q u i l @ m i n t a k a . c o m . a u

A l l R i g h t s a va i l a b l e i n c l u d i n g Fo r m a t

C O N TACT

MEDIA