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XI ULUSLARARASI ANTİK MOZAİK SEMPOZYUMU16 991251 20 EKİM 2009 BURSA TUumlRKİYE

Tuumlrkiye Mozaikleri ve Antik Doumlnemden Ortaccedilağ DuumlnyasınaDiğer Mozaiklerle Paralel Gelişimi

Mozaiklerin Başlangıcından Geccedil Bizans Ccedilağına Kadar İkonografiStil ve Teknik Uumlzerine Sorular

S

11TH INTERNATIONAL COLLOQUIUMON ANCIENT MOSAICS

OCTOBER 16TH 991251 20TH 2009 BURSA TURKEY

Mosaics of Turkey and Parallel Developments in theRest of the Ancient and Medieval World

Questions of Iconography Style and Technique from theBeginnings of Mosaic until the Late Byzantine Era

AYRIBASIM OFFPRINT



Uludağ Uumlniversitesi Yayınları Uludağ University PressUludağ Uumlniversitesi Mozaik Araştırmaları Merkezi Yayınları Serisi - 1

Uludağ University Mosaic Research Center Series - 1Sempozyum Bildirileri 3 Symposium Papers 3




S





Editoumlr Edited by

Mustafa Şahin

copy Copyright 2011 Ege Yayınları

ISBN 978-605-5607-81-4

Yayıncı Sertifika No 14641

Baskı Printed by

BİLTUR Basım Yayın ve Hizmet AŞ

Dudullu Organize Sanayi Boumllgesi 1 Cadde No 16Uumlmraniye - İstanbulTuumlrkiye

Tel +90 (216) 444 44 03 Fax +90 (216) 327 15 44wwwbilnetnettr

Sertifika No 15690

Yapım ve Dağıtım Production and Distribution

Zero Produumlksiyon Kitap-Yayın-Dağıtım Ltd ŞtiAbdullah Sokak No 17 Taksim 34433 İstanbulTel +90 (212) 244 7521 Fax +90 (212) 244 3209

Eposta infozerobooksonlinecom wwwzerobooksonlinecom

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XI ULUSLARARASI ANTİK MOZAİK SEMPOZYUMU

16 991251 20 EKİM 2009 BURSA TUumlRKİYETuumlrkiye Mozaikleri ve Antik Doumlnemden Ortaccedilağ Duumlnyasına

Diğer Mozaiklerle Paralel GelişimiMozaiklerin Başlangıcından Geccedil Bizans Ccedilağına Kadar İkonografi

Stil ve Teknik Uumlzerine Sorular

S





Editoumlr Edited by

Mustafa ŞAHİN

Uludağ Uumlniversitesi Uludağ University

Mozaik Araştırmaları Uygulama ve Araştırma Merkezi Mosaic Research Center - AIEMA - TUumlRKİYE

İstanbul 2011



Bildiriler soyadı sırasına goumlre sıralanmıştır Bu kitapta yayınlanan bildirilerdeki bilimsel iccedilerik ve dil sorumluluğu yazarlarına aittir Kaynak goumlsterilerek alıntı yapılabilir

e papers are arranged in an ordered of surname e content and language responsibility are belong to the authorsIf you show the source you can be quoted e quoted can be showed with source

Bu kitap TUumlBİTAKrsquoın maddi desteği ile basılmıştır

is book was published by the financial support of TUBITAK

TC

KUumlLTUumlRVE TURİZM BAKANLIĞI



KURULLAR COMMITTEE

Organizasyon Komitesi Organizing Committee

Onursal Başkan Honorary President

Prof Dr Mete CengizRector of Uludag University Uludağ Uumlniversitesi Rektoumlruuml

Onur Kurulu Honorary CommitteeErtuğrul Guumlnay

Kuumlltuumlr ve Turizm Bakanı Minister of Culture and Tourism

Şahabettin HarputBursa Valisi Governor of Bursa

Recep AltepeBursa Buumlyuumlkşehir Belediye Başkanı Mayor of metropolitan municipality of Bursa

Sempozyum Başkanı Symposium PresidentProf Dr Mustafa Şahin

Başkan Yardımcısı Vice PresidentDr Derya Şahin

Sempozyum Sekreterleri Symposium SecretariesAli Altın - Başak Emir



Bilimsel Komite Scientific CommitteeProf Dr Mustafa ŞahinProf Dr Henri Lavagne

Prof Dr Catherine BalmelleProf Dr David ParrishProf Dr Werner Jobst

Prof Dr Michael Fuchs

Prof Dr Anne-Marie Guimier-SorbetsProf Dr Demetrios MichaelideProf Dr Giordana Trovabene

Prof Dr Janine Balty Prof Dr Federico Guidobaldi

Prof Dr Guadalupe Lopez MonteagudoProf Dr Asher OvadiahDoccedil Dr Guumlrcan PolatDoccedil Dr İ Hakan Mert

Dr Aiumlcha Ben-AbedDr Jean-Pierre Darmon

Dr Derya ŞahinDr Patricia Witts

Miguel Pessoa

Lokal Organizasyon Komitesi Local Organizing CommitteeProf Dr Zeren Tanındı

Prof Dr Selccediluk KırlıProf Dr İsmail Naci Canguumll

Ass Prof Hakan MertAss Prof Guumlrcan Polat



İCcedilİNDEKİLER TABLE OF CONTENTS

Bilimsel Program Scientific Programme xiii

Kısaltmalar Abreviations xix

Giriş xxiii

Foreword xxv

Komait Abdallah

Mosaiumlque drsquoHeacuteraclegraves deacutecouverte agrave Homs (Syrie centrale) 1

Maria Andaloro ndash Paola Pogliani

e 6 th Century Mosaic Floor of the Church of Kuumlccediluumlk Tavşan Adası (Bodrum) A Model for an Integrated Analysis between Knowledge Conservation and Documentation 15

Ayşe Aydın

Das Fussbodenmosaik des Annexbaus in der Kuppelkirche in Kaunos e Floor Mosaics at the Annex Building of the Domed Church 31

Paola Baldassarri

Archaeological Excavations at Palazzo Valentini A Residential Area in the Shade of the Trajanrsquos Forum 43

Catherine Balmelle ndash Aiumlcha Ben Abed-Ben Khader ndash Fathi Bejaoui La Maison des Deux Lions agrave Carthage 69

Claudia Barsanti

e Marble Floor of St John Studius in Constantinople A Neglected Masterpiece 87

Aiumlcha Ben Abed amp Roger Hanoune

Les pavements mosaiumlqueacutes des ermes agrave lrsquooctagone de Pupput (Hammamet Tunisie) 99

Jesuacutes Bermejo Tirado

e Social Construction of Gender Identities through the Ancient Mosaics from Antioch 107

Veacuteronique Blanc-Bijon ndash Fabienne Olmer avec la collaboration de Marie-Laure Courboulegraves

Une nouvelle mosaiumlque sur lrsquo oppidum de lrsquoErmitage agrave Alegraves (Gard France) 121

Joseacute Mariacutea Blaacutezquez

Mythology in Mosaics of Zeugma and Hispania Similarities and Differences 137

Roberto Bugini ndash Luisa Folli ndash Brunella Portulano ndash Elisabetta Roffia

e Analytical Approach to the Roman Mosaics A Case-Study in Northern Italy 163



İccedilindekiler Table of Contents viii

Marija Buzov

e Early Christian Mosaics with Inscription in Croatia 171

Javier Cabrero Piquero

A New Hispano-Roman Mosaic with the Story of Meleager 193

Maria Teresa Caetano ndash Caacutetia Mouratildeo A ldquoPortraitrdquo of Book XII of the AEligneid Mosaic from the laquo House of the Medusa raquo (Alter do Chatildeo Portugal) 205

Birol Can

Technical Stylistic Iconographic Evaluation and Dating of Mosaics of Altıntepe Church 225

Margherita Carucci

An Example of Visual Humour on a Romano-African Mosaic Putting Images in their Context 235

John R Clarke ndash Lea Cline

New Light on Mosaic Metrics Research at Villa A Torre Annunziata - Italy - 50 BC ndash AD 79 247

Neil Cookson

Orpheus Some Metaphors in Mosaic 259

Violeta Cvetkovska Ocokoljic ndash Jugoslav Ocokoljic

Parallel Research Fresco Painting of Chora and Sopocani 269

Jean-Pierre Darmon

Une eacutenigme enfin reacutesolue la fausse Iphigeacutenie drsquoAntioche eacutetait une Alceste 283

Carlos Tavares da Silva ndash Joaquina Soares ndash Liciacutenia Nunes Correia Wrench

Les premiegraveres mosaiumlques romaines deacutecouvertes agrave Caetobriga (Setuacutebal Portugal) 295

Anne-Sophie Decriaud

Les Saisons personnifieacutees sur les mosaiumlques romaines tardives (IV e

-VI e

siegravecles) de la partie orientaledu Bassin meacutediterraneacuteen (Turquie Syrie Liban Israeumll Jordanie) 309

Sophie Delbarre-Baumlrtschi

Les mosaiumlques romaines en Suisse 333

Lorella Maria de Matteis

e Mosaics of the Early Christian Basilicas on the Island of Kos 339

Maria de Jesus Duran Kremer

Les mosaiumlques geacuteomeacutetriques de la villa romaine de Abicada Leur rocircle dans le contexte desmosaiumlques romaines de lrsquoAlgarve 353

Mercedes Duraacuten Penedo Mosaicos con la iconografiacutea de etis madre de Aquiles en Turquiacutea y en otros enclaves del Imperio 363

Andreas M Foulias

e Basilica of Agioi Saranta Kırklar Tekke in Cyprus and its Mosaics 381

Zaraza Friedman

Ships Depicted in the Madaba Map Mosaic 391



İccedilindekiler Table of Contents ix

Michel E Fuchs ndash Sophie Delbarre-Baumlrtschi

Derecik Buumlyuumlkorhan Une eacuteglise pour deux mosaiumlques 405

Alessandra Guiglia Guidobaldi

e Marble Floor Decoration in Constantinople Prolegomena to a Corpus 413

Anne-Marie Guimier-Sorbets Les thegravemes dionysiaques sur les mosaiumlques helleacutenistiques drsquoAsie Mineure (Turquie) 437

Bertrand Houix ndash Veacuteronique Blanc-Bijon ndash Jean-Yves Breuil ndash Jean-Pierre Darmon ndashPascale Linant de Bellefonds

Mosaiumlques agrave thegravemes mythologiques reacutecemment deacutecouvertes sous lrsquoavenue Jean-Jaures agrave Nimes (France) 447

Işıl Rabia Işıklıkaya-Laubscher

Mosaics in Perge Preliminary Report on the Mosaics of the Macellum 467

Werner Jobst

Das Mosaikpaviment der fruumlhchristlichen Basilika von GoumlnenGerme in Mysien (Hellespont) 483

Lyudmila G KhrushkovaOpus Sectile Pavements in the Crimea and on the East Coast of the Black Sea 505

Ruth Kolarik

Mosaics from Antioch Chronological Implications for other Regions 519

Emine Koumlker

Antik Ccedilağ Mozaiklerinde At İkonografisi 531

Maja Kramer

Signs of Progression in the Personifications of the Seasons in Roman Mosaics e Artistic Approach Procedures and Tools Used by the Craftsmen to Relate the Viewer to the Experience of the Passing of Time 547

Delphine Lauritzen

Mosaiumlques drsquoOkeacuteanos et de alassa agrave Zurich Une proposition de mise en perspective 555

Filomena Limatildeo

e Vasersquos Representation (Cantharus Crater) on the Roman Mosaic in Portugal A Significant Formal and Iconographic Path from Classic Antiquity to Late Antiquity 565

Virgiacutelio Lopes

Late Antiquity in Portugal e Mosaics 585

Guadalupe Loacutepez Monteagudo

Opora through East and West Abundance Allegories in Mosaics of Spain and Turkey 597

Irene Mantildeas Romero

New Interpretations of Roman Mosaics of Italica Firmament Images 615

Luz Neira

e Sea iasos of Nereids and Tritons in the Roman Mosaics of Turkey 631

Marek Titien Olszewski

e Orpheus Funerary Mosaic from Jerusalem in the Archaeological Museum at Istanbul 655



İccedilindekiler Table of Contentsx

Marek Titien Olszewski ndash Piotr Zakrzewski

e Decoration of the Dining Rooms at Ptolemais in Cyrenaica (Libya) in the Light of the Last Researches 665

Elda Omari

e History and Development of Mosaics in Albania (4th 3rd Century BC ndash 6 th Century AD) 675

Asher OvadiahConservative Approaches in the Ancient Synagogue Mosaic Pavements in Israele Cases of lsquoEin Gedi and SepphorisZippori 693

Ali Kazım Oumlz

e Mosaics of Metropolis in Ionia 701

Muradiye Oumlztaşkın

Building with Mosaics of Olympos Mosaics of Late Ancient Era ndash Early Byzantine Period 709

David Parrish - Birte Poulsen

Late Antique Tombs with Mosaics in Ancient Halikarnassos 721

Bernard ParzyszUne grande famille de deacutecors geacuteomeacutetriques 735

Silvia Pedone

e Marble Omphalos of Saint Sophia in Constantinople An Analysis of an Opus Sectile Pavement of Middle Byzantine Age 749

Claudia Pelosi ndash Ulderico Santamaria

e 6 th Century AD Floor Mosaic of the Church of Kuumlccediluumlk Tavşan Adası (Bodrum)Characterization of the Constitutive Materials Finding of the Quarries of Origin 769

Miguel Pessoa

Stibadium with a Mosaic in the Roman Villa of Rabaccedilal Penela Portugal 779Vania Popova ndash Alexander Lirsch

Corpus of Late Antique and Early Christian Mosaics in Bulgaria 793

Manuel Romero ndash Sebastiaacuten Vargas

Mosaic Workshop Located in the Villa de la Estacioacuten de Antequera Maacutelaga (Espantildea) 823

Idit Sagiv-Hayik

e Hellenistic Mosaic of Dor ndash Figural Image or eatrical Mask 829

Barış Salman

Reflection of Some Cults and Rituels on Mosaics and Reliefs in Osroene and Other Syrian Cultures 843

M Pilar San Nicolaacutes Pedraz

On a Mosaic from Maacutelaga with the Depiction of ZeusJupiter and Antiope 853

Derya Şahin

Myndos Mosaics 865

Y Selccediluk Şener

Mozaiklerin Korunmasında Temel Kriterler 873



İccedilindekiler Table of Contents xi

Alessandro Taddei

Remarks on the Decorative Wall-mosaics of Saint Eirene at Constantinople 883

Giordana Trovabene

Knots of Lines like Weaves of reads A Corpus of Early Medieval Mosaics in ldquoVenetordquo 897

Fuumlsun Tuumlleke Bejewelled Lady of Sinope 921

Julia Valeva

Une riche domus de Stara Zagora ( Augusta Trajana-Beroe ) Publication preacuteliminaire 927

Zeev Weiss

Mosaic Art in Ancient Sepphoris Between East and West 941

Patricia Witts

Mosaic Studies and Souvenirs 953

Şehriguumll Yeşil-Erdek

Display of Ancient Mosaics Tourism as an Influential Factor Steering the Decision Making Process 963

Diklah Zohar

Application Procedures of Mosaics and the Division of Production Work Examples from Madaba Beth Alpha and Antioch 969

Hande Koumlkten

A Step Forward in the Mosaic Corpus of Turkey Condition Survey of Mosaics 975

Hande Koumlkten

Preventive Conservation of Mosaics as a Management Activity of Archaeological Sites 983





BİLİMSEL PROGRAM SCIENTIFIC PROGRAMME

16 October 2009 Fr983145day

0900 - 1040 Open983145ng Ceremony OumlRDEKLİ COMPLEX

HALL A HALL B

Panel 1Moderator Dav983145d Parr983145sh

Panel 2Moderator Werner Jobst

1040 - 1100

La Fausse Iph983145geacuten983145e Dant983145oche Une Eacuten983145gme Enf983145n

ReacutesolueJean - P983145erre Darmon

Les Personn983145f983145cat983145ons Des Sa983145sons Sur Les MosaiumlquesTard983145ves (983145ve-v983145e S983145egravecles) De La Part983145e Or983145entale Du

Bass983145n Meacuted983145terraneacuteen (Turqu983145e Syr983145e Jordan983145ePalest983145ne)Anne-Soph983145e Deacutecr983145aud

1100 - 1120 Intrecc983145 d983145 l983145nee come trame d983145 f983145l983145 Per un corpus de983145mosa983145c983145 altomed983145eval983145 del VenetoG983145ordana Trovabene

1120 - 1145 DISCUSSION

1145 - 1215 COFFEE BREAK

HALL A HALL B

Panel 3Moderator Jean - P983145erre Darmon

Panel 4Moderator Anne-Mar983145e Gu983145m983145er-Sorbets

1215 - 1235 Reflect983145on of Cults and R983145tuels on Mosa983145cs andRel983145efs 983145n Osroene and Other Syr983145an CulturesBarış Salman

Aspects Of Euerget983145sm And Soc983145o Econom983145c ForcesIn Byzant983145ne And Early Islam983145c Mosa983145cs In JordanBasema Hamarneh

1235 - 1255Les Pavements des Thermes Agraversquo octogone De PupputAiumlcha Ben Abed - Roger Hanoune

Mosa983145c Decorat983145on 983145n C983145v983145c Context Late ant983145quepavements from PergeIşıl R Işıklıkaya

1255 - 1315

Derec983145k Buumlyuumlkorhan Une eacutegl983145se pour deuxmosaiumlquesM983145chel E FuchsSoph983145e Delbarre-Baumlrtsch983145

Bursa Moza983145kler983145Recep Okccedilu


1330 - 1500 LUNCH

HALL A HALL B


Panel 6Moderator Aiumlcha Ben Abed

1500 - 1520The VI th century floor mosa983145c of the church ofKuumlccediluumlk Tavşan Adası (Bodrum)Mar983145a Andaloro - Paola Pogl983145an983145

Erz983145ncan - Altıntepe K983145l983145se Moza983145kler983145B983145rol Can

1520 - 1540The Bas983145l983145ca Of Ag983145o983145 Sarantak983145rklar Tekke In CyprusAnd Its Mosa983145csAndreas Foul983145as

D983145onysos et la mer les mosaiumlques agrave lrsquoeacutepoquehelleacuten983145st983145que et au deacutebut de lrsquoeacutepoque 983145mpeacuter983145aleAnne-Mar983145e Gu983145m983145er-Sorbets



Bilimsel Program Scientific Programmexiv

1540 - 1600Early Byzant983145ne Mosa983145cs W983145th Person983145f983145cat983145ons FromTurkey And Syr983145aChr983145st983145ne Kondoleon

El Mosa983145co Pav983145mental De La Basiacutel983145ca De L983145lla Del Re983145G983145sela R983145poll Catal983145na MasM983145guel Aacutengel Cau

1600 - 1620Corpus Of Late Ant983145que And Early Chr983145st983145an Mosa983145csIn Bulgar983145aAlexander L983145rsch

Mosa983145cs In Ant983145och A Morpholog983145cal Observat983145onD983145klah Zohar



HALL A HALL B

Panel 7Moderator Mar983145a Andaloro

Panel 8Moderator B983145rol Can

1640 - 1700Pompe983145opol983145s ( Taşkoumlpruuml )Lu983145sa Musso

La Produz983145one Pav983145mentale Pugl983145ese Tra Tardoant983145coE Med983145oevo Evoluz983145one Tecn983145ca E St983145l983145st983145caCarr983145no Rachele

1700 - 1720La ma983145son des deux l983145ons agrave CarthageAiumlcha Ben-AbedBen Khader - Cather983145ne Balmelle

Putt983145ng In Context Two Mosa983145cs Of Okeanos AndThalassaDelph983145ne Renaut

1720 - 1740


1900 - 2200 DINNER Mevlev983145 Presentat983145on

17 October 2009 Saturday

HALL A HALL B

Panel 9Moderator Luisa Musso

Panel 10Moderator Asuman Baldıran

0900 - 0920New Mosaics at the Colonia Patricia CordubaFrancesc Josep de Rueda Roigeacute

Parallel Research Fresco Painting Of Chora AndSopocani Violeta C OcokoljicJugoslav Ocokoljic

0920 - 0940Sailing in the Dead Sea - Madaba Map MosaicZaraza Friedman

Mosaique funeacuteraire drsquoOrpheacutee de Jerusalem auMuseacutee Archeacuteologique drsquoIstanbul CompleacutementdrsquoenquecircteMarek Titien Olszewski

0940 - 1000Literary References on Three Roman MosaicPanelsSarah E Cox

Mosaics from Antioch Chronological Implicationsfor Other RegionsRuth Kolarik

1000 - 1020I Mosaici delle Basiliche Paleocristianedellrsquoisola di CosLorella Maria De Matteis

The Marble Floor Decoration in ConstantinopleProlegomen to a Corpus Alessandra Guiglia

1020 - 1030 DISCUSSION1030 - 1040 COFFEE BREAK

HALL A HALL B

Panel 11Moderator Derya Şahin

Panel 12Moderator Zaraza Friedman

1040 - 1100

Conservative Approaches In The SynagogueMosaic Pavements In Israel The Cases Of lsquoeinGedi And Sepphoris Zippori Asher Ovadiah

Theatre and Art Mosaics as Evidence forDramatic PerformanceKatherine Dunbabin



Bilimsel Program Scientific Programme xv

1100 - 1020Late Antique Tombs With Mosaics In AncientHalikarnassosDavid Parrish - Birte Poulsen

A Propos Des Opus Sectile Deacutecouverts Dans LaMaison Du Cours Pourtoules (orange-vaucluse)Eric Morvillez



HALL A HALL B

Panel 13Moderator Birte Poulsen

Panel 14Moderator Asher Ovadiah

1215 - 1235The Mosaic Pavement of the Early ChristianBasilica At GoumlnenGerme In Mysia laquoHellespontraquoWerner Jobst

Oriental motifs and patterns in the mosaic art ofTarragonaRosario Navarro

1235 - 1255The Vith Century Floor Mosaic Of The Church OfKuumlccediluumlk Tavşan Adası (Bodrum) Ulderico Santamaria - Claudia Pelosi

The Marble Omphalos Of The St Sophia OfConstantinople Analysis Of An Opus SectilePavement Of The Middle Byzantine PeriodSilvia Pedone

1255 - 1315Torba Manastır Kompleksi Mozaikleri M Aykut Oumlzet

The Marble Floor Of St John Studius InConstantinople A Forgotten MasterpieceClaudia Barsanti

1315 - 1330Sardisrsquoteki Geccedil Roma-Erken Bizans DoumlnemiMozaikleriEmine Tok

Mylasa Mozaikleri Abuzer Kızıl


1400 - 2200 DERECİK ( BUumlYUumlKORHAN ) TOUR

DISENGAGED DINNER

18 October 2009 Sunday

HALL A HALL B

Panel 15Moderator Hakan Mert

Panel 16Moderator Michel E Fuchs

0900 - 0920Basic Criteria for the Preservation of Mosaics AGuide for Archaeologists ISelccediluk Şener

Mosaic Art in Ancient Sepphoris Between Eastand WestZeev Weiss

0920 - 0940

Preventive Conservation of Mosaics as aManagement Activity of Archaeological Sites AGuide for Archaeologists IIHande Koumlkten

Une Grande Famille de Deacutecors GeacuteomeacutetriquesBernard Parzysz

0940 - 1000

Display of Ancient Mosaics İn Situ Tourism as anInuential Factor Steering the Decision MakingProcessŞehriguumll Yeşil Erdek

Mosaicos Mitoloacutegicos de Zeugma Y de Hispania Joseacute Mariacutea Blaacutezquez

1000 - 1020 A Step Forward in the Mosaic Corpus of TurkeyCondition Survey of MosaicsHande Koumlkten

Remarks on the Decorative Wall-mosaics of SaintEirene at Constantinople Alessandro Taddei


1030 - 2200 IZNIK (NICEA) TOUR

DISENGAGED DINNER



Bilimsel Program Scientific Programmexvi

19 October 2009 Monday

HALL A HALL B

Panel 17Moderator Joseacute Mariacutea Blaacutezquez

Panel 18Moderator Veronika Scheibelreiter

0900 - 0920Signs of the Progression of Time in RomanMosaic ArtMaja Kramer

Une Nouvelle Mosaiumlque sur lrsquooppidum drsquoAlegraves(Gard France) Veacuteronique Blanc- BijonFabienne Olmer

0920 - 0940 Antikccedilağ Mozaiklerinde At Ikonograsi Emine Koumlker

The Latest Archaeological Discoveries about theMediana MosaicsGordana Jeremic

0940 - 1000New Light on Mosaic Metrics Research at Villa ATorre Annunziata ItalyJohn R Clarke - Lea Cline

Architekturdarstellungen auf roumlmischen MosaikenKleinasienHakan Mert

1000 - 1020Late Antiquity Mosaics in Portugal Virgilio Lopez

Orpheus Some Metaphors in MosaicNeil Cookson



HALL A HALL B

Panel 19Moderator Selccediluk Şener

Panel 20Moderator Patricia Witts

1040 - 1100Opus Sectile Pavements From Western AsiaMinor Veronika Scheibelreiter

The First Roman Mosaics Discovered in CetobrigaCarlos Tavares da Silva - Joaquina Soares -Liciacutenia Wrench

1100 - 1020

Indagini Archeologiche A Palazzo ValentiniunQuartiere Residenziale Ai Margini Del ForoTraianoPaola Baldassarri

Olympos Mozaikli YapıGeccedil Antik Ccedilağ - Erken Bizans DoumlnemiMozaiklerinin Teknik ve Stil Değerlendirmesi Muradiye Oumlztaşkın


HALL A HALL B

Panel 21Moderator Hande Koumlkten

Panel 22Moderator Liciacutenia Wrench

1215 - 1235Mosaic Studies And Souvenirs Leaving no StoneUnturnedPatricia Witts

The Mosaic of Leukippe and Theonoe in theKointos Villa in ZeugmaPaolo Vitellozzi

1235 - 1255Notice Mosaic of laquothe House of Medusaraquo(portugal Alter do Chatildeo)Maria Teresa Caetano

Metropolis Mozaikleri Ali Kazım Oumlz

1255 - 1315 Zeugma Danae Evinin MozaikleriMehmet Oumlnal

Mosaicos Con la Iconograa de Thethismadre

de Aquiles en Turquia Y en Otros Enclaves delImperio RomanoMercedes Duran Penedo

1315 - 1330 LUNCH

1330 - 1530 AIEMA MEETING

DISENGAGED DINNER



Bilimsel Program Scientific Programme xvii

20 October 2009 Tuesday

HALL A HALL B

Panel 23Moderator Mehmet Onal

Panel 24Moderator Paolo Vitellozzi

0900 - 0920De Que Hablamos Cuando Hablamos de TalleresMusivos Tardios en HispaniaMercedes Torres Carro

The Bejewelled Lady of SinopeFuumlsun Tuumllek

0920 - 0940 A new reading of the Dor mosaicIdit Sagiv-Hayik

Milli Azerbaycan Tarihi Muumlzesinde Hristyan AbideleriFariz Halilli

0940 - 1000Konya Tatkoumly ve Alibeykoumly Houmlyuumlğuuml Mozaikleri Asuman Baldıran- Osman Doğanay

Salamis Kenti Opus Sectile Taban Doumlşemeleri Aytaccedil Coşkun

1000 - 1020Il Mosaico di Metiochos E Parthenope da ZeugmaLucia Romizzi - Andrea Carini

Non-Destructive Investigations on Mosaic of theChurch of the Three HierarchsM Geba - N Vornicu - C Bibire



HALL A HALL B

Panel 25Moderator Işıl R Işıklıkaya

Panel 26Moderator Luz Neira

1040 - 1100

Late Antique Private Luxury The Mosaic FloorsOf The Urban Mansion Of Sagalassos (ağlasunBurdur)Inge Uytterhoeven - Hande Koumlkten - MarcWaelkens - Markku Corremans

The Role of Late Antique Art in Early ChristianWorship A Reconsideration of the Iconographyof The lsquostarry Skyrsquo in Mosaics of the Late 5th -Early 6th C AdEllen Swift - Anne Alwis

1100 - 1020The Early Christian Mosaics with the Inscriptionsin CroatiaMarija Buzov

La Construccioacuten de las identidades de geacutenero atraveacutes de los mosaicos antioquenosJesuacutes Bermejo Tirado



HALL A HALL B

Panel 27Moderator Marija Buzov

Panel 28Moderator Maja Kramer

1215 - 1235Kaunos Kubbeli Kilise Ek Yapısırsquondaki TabanMozaiği Ayşe Aydın

El Thiasos Marino en los Mosaicos Romanos deTurquiacuteaLuz Neira

1235 - 1255

The Analytical Approach to the Roman Mosaics Bugini RobertoFolli Luisa Portulano BrunellaRofa Elisabetta

A stibadium with a mosaic in the Roman Villa ofRabaccedilal Penela PortugalMiguel Pessoa

1255 - 1315

Les mosaiumlques geacuteomeacutetriques de la villa romainede Abicada Leur rocircle dans le contexte desmosaiumlques romaines de AlgarveMaria De Jesus Duran Kremer

Mosaiumlques mythologiques de Zeugma Originaliteacuteet Liens iconographiques avec la peinturepompeacuteienne et les mosaiumlques italiques etafricains du I-II siegravecleLucia Romizzi


1330 - 1500 LUNCH



Bilimsel Program Scientific Programmexviii

HALL A HALL B

Panel 29Moderator Maria Kremer

Panel 30Moderator Miguel Pessoa

1500 - 1520

The Vases Representation (cantharus Crater)on the Roman Mosaic in Portugal A Signicant

Formal and Iconographic Path from Classic Antiquity to Late AntiquityFilomena Limatildeo

The Rape of Hylas and the Spectacles of the Amphitheatre on a Floor Mosaic from Volubilis

(Morocco)Margherita Carucci

1520 - 1540The Herakles mosaic discovered in Homs (Syria)Komait Abdallah

Myndos MosaicsDerya Şahin

1540 - 1600Les Mosaiumlques Agrave Thegraveme MythologiqueReacutecemment Deacutecouvertes Agrave NicircmesJean-yves Breuil

A Late Antique Residence in Augusta TraianaProvince of ThraceJulia Valeva

1600 - 1620Floor mosaics from a Roman villa in NinJagoda Meder

New Interpretations of Roman Mosaics of ItalicaFirmament ImagesIrene Mantildeas Romero


1630FREE TIME- BURSA -



KISALTMALAR ABBREVIATIONS

AA Archaeologischer Anzeiger

Abulg Archaeologia Bulgarica

Acontia Acontia Revista de arqueologiacutea

ActaInstRomFin Acta Instituti Romani Finlandiae

AEspA Archivo espantildeol de arqueologiacutea

AISCOM LrsquoAssociazione Italiana per lo Studio e la Conservazione del Mosaico

AJA American Journal of Archaelology

AJug Archaeologia JugoslavicaAM Mitteilungen des Deutschen Archaumlologischen Instituts Athenische Abteilung

AMethTh Advances in Archaeological Method and Theory

AMS Asia Minor Studien

AnatoliaA Anatolia Antiqua

ANRW Aufstieg und Niedergang der roumlmischen Welt

AnSt Anatolian Studies

AntAfr Antiquiteacutes africaines

AntigCr Antiguumledad y Cristianismo Monografiacuteas histoacutericas sobre la antiguumledad tardiacutea

AntK Antike Kunst

AntTard Antiquiteacute tardive Revue internationale drsquohistoire et drsquoarcheacuteologie

APregl Arheološki pregled Arheološko društvo JugoslavijeAquilNost Aquileia nostra Bollettino dellrsquoAssociazione nazionale per Aquileia

ArchCl Archeologia classica

Archeologia Archaeologia or Miscellaneous Tracts Relating to Antiquity Published by the Society ofAntiquaries of London

ArtB The Art Bulletin

ASSAPH Assaph Studies in Art History

AST Araştırma Sonuccedilları Toplantısı

Atiqot Atiqot Journal of the Israel Department of Antiquities

AttiMemIstria Atti e memorie della Societagrave istriana di archeologia e storia patria

AW Antike Welt Zeitschrift fuumlr Archaumlologie und Kulturgeschichte

BAA Bulletin drsquoarcheologie algerienneBABesch Bulletin antieke beschaving Annual Papers on Classical Archaeology

BAcHist Boletiacuten de la Real academia de la historia

Baetica Baetica Estudios de arte geografiacutea e historia

BAR British Archaeological Reports British Series

BASOR Bulletin of the American Schools of Oriental Research

BCH Bulletin de correspondance helleacutenique

BCom Bullettino della Commissione Archeologica Comunale di Roma



Kısaltmalar Abbreviationsxx

BCTH Bulletin archeacuteologique du Comiteacute des travaux historiques et scientifiques Paris

BdA Bollettino drsquoarte

BEFAR Bibliothegraveque des Ecoles franccedilaises drsquoAthegravenes et de Rome

Belleten Belleten Tuumlrk Tarih Kurumu

BJb Bonner Jahrbuumlcher des Rheinischen Landesmuseums in Bonn

BMQ The British Museum Quarterly BMusBeyrouth Bulletin du Museacutee de Beyrouth

Boreas Boreas Muumlnstersche Beitraumlge zur Archaumlologie

BSA The British school of Archaeology at Athens

BSEAA Boletin del Seminario de estudios de arte y arqueologia

BSOAS Bulletin of the School of Oriental and African Studies

BT Babylonian Talmud

BullAIEMA Bulletin de lrsquoAssociation internationale pour lrsquoetude de la mosaique antique

BullMusBeyrouth Bulletin du Museacutee de Beyrouth

ByzZ Byzantinische Zeitschrift

CArch Cahiers archeacuteologiques

CEDAC CEDAC Bulletin Centre drsquoeacutetudes et de documentation archeacuteologique de la conservation deCartage

CEFR Collection de lrsquoEacutecole franccedilaise de Rome

Chiron Chiron Mitteilungen der Kommission fuumlr Alte Geschichte und Epigraphik des DeutschenArchaumlologischen Instituts

CIL Corpus Inscriptionum Latinarum

ClJ The Classical Journal

CMG Convegni di studi sulla Magna Grecia

CMGR I La Mosaiumlque greacuteco-romiane I H STERN - G Ch PICARD (eds) Paris 1965 (Actes du Iercolloque international pour lrsquoeacutetude de la mosaiumlque antique Paris 30 aoucirct-3 septembre 1963)

CMGR II La Mosaiumlque greacuteco-romiane II H STERN - M LE GAY (eds) Paris 1975 (Actes du IIe

colloque international pour lrsquoeacutetude de la mosaiumlque antique Vienne-Isegravere 30 aoucirct-4septembre 1971)

CMGR III III Colloquio internazionale sul mosaico antico R FARIOLI CAMPANATI (eacuted) Ravenna1983 (Actes du IIIe colloque international pour lrsquoeacutetude de la mosaiumlque antique Ravenna6-10 septembre 1980)

CMGR IV La Mosaiumlque greacuteco-romiane IV J -P DARMON - A REBOURG (eds) Paris 1994 (Actesdu IVe colloque international pour lrsquoeacutetude de la mosaiumlque antique TregravevesTrier 8-14 aoucirct1984)

CMGR V Fifth Interneational Colloquium on Ancient Mosaics 1 - 2 P Johnson R Ling D J Smith(eds) Ann Arbor M1 1994 and 1995 (Actes du V e colloque international pour lrsquoeacutetude de lamosaiumlque antique Bath 5-12 septembre 1987) (JRA supp9)

CMGR VI VI Col loquio internacional s obre mosaico ant iquo Palenc ia-Meacuterida Octubre 199 0D Fernandez GALIANO (ed) Guadalajara 1994 (Actes du VIe colloque international pour

lrsquoeacutetude de la mosaiumlque antique Palencia-Meacuterida octobre 1990)CMGR VII La Mosaiumlque greacuteco-romiane VII M ENNAIFER - A REBOURG (eds) Tunis 1999 (Actes

du VIIe colloque international pour lrsquoeacutetude de la mosaiumlque antique Tunis 3-7 octobre 1994)

CMGR VIII La Mosaiumlque greacuteco-romiane VIII D PAUNNIER - Chr SCHMIDT (eds) Lausanne 2001(Actes du VIIIe colloque international pour lrsquoeacutetude de la mosaiumlque antique et meacutedieacutevaleLausanne 6-11 octobre 1997) Cahiers drsquoArcheacuteologie Romande 85-86



Kısaltmalar Abbreviations xxi

CMGR IX La Mosaiumlque greacuteco-romaine IX Heacutelegravene MORLIER (eacuted) Rome 2005 (Actes du IXe colloqueinternational pour lrsquoeacutetude de la mosaiumlque antique et meacutedieacutevale Rome Eacutecole franccedilaisePalazzo Altemps 5 ndash 10 novembre 2001) (Coll EFR 352) (2 vol)

CMGR X La Mosaiumlque greacuteco-romaine X (in Publised)

CMGR XI XI ULUSLARARASI ANTİK MOZAİK SEMPOZYUMU Tuumlrkiye Mozaikleri ve AntikDoumlnemden Ortaccedilağ Duumlnyasına Diğer Mozaiklerle Paralel Gelişimi Mozaiklerin Başlan-gıcından Geccedil Bizans Ccedilağına Kadar İkonografi Stil ve Teknik uumlzerine Sorular 11TH INTERNATIONAL COLLOQUIUM ON ANCIENT MOSAICS Mosaics of Turkey andParallel Developments in the Rest of the Ancient and Medieval World Questions ofIconography Style and Technique from the Beginnings of Mosaic until the Late ByzantineEra Mustafa ŞAHİN (Ed) Bursa 2009 (İstanbul 2011)

DNP Der Neue Pauly Enzyklopaumldie der Antike

DOP Dumbarton Oaks Papers

Empuacuteries Empuacuteries Revista de prehistograveria arqueologia i etnologia

EPRO Etudes preacuteliminaires aux religions orientales dans lrsquoempire romain

ExcIsr Excavations and Surveys in Israel

Expedition Expedition The Magazine of Archaeology Anthropology

FiE Forschungen in EphesosForschungen I -III Forschungen in Salona I Oumlsterreichischen Archaumlologischen Institute

Gallia Gallia Fouilles et monuments archeacuteologiques en France metropolitaine

Habis Habis Universidad de Sevilla Arqueologiacutea filologiacutea claacutesica

Historia Historia Zeitschrift fuumlr Alte Geschichte

HistriaAnt Histria antiqua Casopis Međunarodnog Istraživačkog Centra za Arheologiju Journal of theInternational Research Centre for Archeology

IEJ Israel Exploration Journal

IJNA International Journal of Nautical Archaeology

Iliria Iliria Revisteuml arkeologjike

IMT Paul Gauckler Inventaire des mosaiumlques de la Gaule et de lrsquoAfrique tome II AfriqueProconsulaire (Tunisie) Paris 1910 Suppleacutement Alfred Merlin Paris 1915

IstForsch Istanbuler Forschungen

IstMitt Istanbuler Mitteilungen

IvE Inschriften griechischer Staumldte aus Kleinasien

JAOS Journal of the American Oriental Society

JAT Journal of Ancient Topography - Rivista di topografia antica

JbAC Jahrbuch fuumlr Antike und Christentum

JbOumlByz Jahrbuch der Oumlsterreichischen Byzantinistik

JdI Jahrbuch des Deutschen Archaumlologischen Instituts

JHS The Journal of Hellenic Studies

JMR Journal of Mosaic Research

JOumlAI Jahreshefte des Oumlsterreichischen Archaumlologischen Institutes in WienJOumlB Jahrbuch der Oumlsterreichischen Byzantinistik

JRA Journal of Roman Archaeology

JRS The Journal of Roman Studies

JSS Journal of Semitic Studies

Klio Klio Beitraumlge zur alten Geschichte

Kokalos Kώκαλος Studi pubblicati dallacuteIstituto di storia antica dellacuteUniversitagrave di Palermo

KST Kazı Sonuccedilları Toplantısı



Kısaltmalar Abbreviationsxxii

LA Liber Annuus Studium Biblicum Franciscanum Jeacuterusalem

Latomus Latomus Revue drsquoeacutetudes latines

Le Deacutecor I C BALMELLE M BLANCHARD-LEMEE J CHRISTOPHE J -P DARMON A-MGUIMIER-SORBETS H LAVAGNE R PRUDHOMME H STERN Le deacutecor geacuteomeacutetriquede la Mosaiumlque Romaine I Reacutepertoire graphique et descriptif des compositions lineacuteaires etisotropes Paris 1985

Le Deacutecor II C BALMELLE M BLANCHARD-LEMEE J-P DARMON S GOZLAN M-P RAYNAUDLe deacutecor geacuteomeacutetrique de la Mosaiumlque Romaine II Reacutepertoire graphique et descriptif desdeacutecors centreacutes Paris 2002

LIMC Lexikon iconographicum mythologiae classicaeLLAuml Lexikon der AumlgyptologieLRAC Reallexikon fuumlr Antike und Christentum

LRBK Reallexikon zur Byzantinischen KunstLRE Paulys Realencyclopaumldie der classischen Altertumswissenschaft

Mainake Mainake Estudios de arqueologiacutea Malaguentildea

MEFR Melanges de lrsquoEcole franccedilaise de Rome

MEFRA Meacutelanges de lrsquoEcole franccedilaise de Rome Antiquiteacute

MEFRM Meacutelanges de lrsquoEacutecole Franccedilaise de Rome Moyen Age

MitChrA Mitteilungen zur christlichen Archaumlologie

MKKS Muumlze Kurtarma Kazıları Sempozyumu

MM Madrider Mitteilungen

Museacuteon Le Museacuteon Revue drsquoeacutetudes orientales

OumlJh Jahreshefte des Oumlsterreichischen Archaumlologischen Institutes in Wien

OpArch Skrifter utgivna av Svenska institutet i Rom Opuscula archaeologica

PEQ Palestine Exploration Quarterly

Peristil Peristil Zbornik radova za povijest umjetnosti

PriloziZagreb Prilozi Instituta za arheologiju u Zagrebu

QDAP Quarterly of the Department of Antiquities in Palestine

RA Revue archeacuteologique

RACr Rivista di archeologia cristiana

RB Revue biblique

RBK Reallexikon zur Byzantinischen Kunst Begruumlndet von K Wessel und M Restle Herausgege-Herausgege-ben von M Restle (Stuttgart)

RCHM Royal Commission on Historical Monuments (England)

RHVaud Revue historique vaudoise

StudMisc Peter Johnson - Roger Ling - David J Smith (ed) Fifth International Colloquium on AncientMosaics held at Bath England on September 5 ndash 12 Ann Arbor Michigan 1994 et 1995(Actes du Ve colloque international pour lrsquoeacutetude de la mosaiumlque antique) (JRA SupplementarySeries 9) (2 vol)

TGV Catherine Balmelle Aiumlcha Ben Abed-Ben Khader Saiumlda Ben Mansour Wassila Ben OsmanJean-Pierre Darmon Mongi Ennaiumlfer Suzanne Gozlan Nabiha Jeddi Hedi Slim dessinsRichard Prudhomme Marie-Pat Raynaud Recherches franco-tunisiennes sur la mosaiumlquede lrsquoAfrique antique II Trames geacuteomeacutetriques veacutegeacutetaliseacutees Rome 2001 (Coll EFR 288)

Traditio Traditio Studies in Ancient and Medieval History Thought and Religion

TuumlrkAD Tuumlrk Arkeoloji Dergisi

WO Die Welt des Orients

ZDPV Zeitschrift des Deutschen Palaumlstina-Vereins



Marek Titien OLSZEWSKI

e Orpheus Funerary Mosaic from Jerusalem inthe Archaeological Museum at Istanbul

Abstracte late Antique mosaic of Orpheus decorated a small room approximately 18 m 2 in area connected with twoeven smaller ones in 4 m2 and the other 2 m2 in area belonging most likely to a small funerary chapel (or tomb)discovered in the ancient necropolis by the Damascene Gate in Jerusalem it was discovered in 1901 by H Vincente author proposes a new interpretation of the iconographic program of the Orpheus myth used by wealthyChristians in a sepulchral context (see Olszewski MT laquoOrpheacutee endeuilleacute de la mosaiumlque funeacuteraire de Jeacuterusalemraquoin Rey Mimoso-Ruiz B ed Actes du colloque laquoOrpheacutee entre Soleil et ombreraquo agrave lrsquoInstitut Catholique de Toulousedu 16 au 17 novembre 2007 Inter Lignes numeacuteros speacutecial ndash mars 2008 205-214 226) He also proposes a newinterpretation of the role Orpheus played in Roman funerary art concentrating on the importance of the play onwords and the visual and textual punning that was popular in ancient art and especially in funerary art He rejectsthe popular interpretation of Orpheus as Christ in the Roman catacombs and proposes to interpret the image asthat of Orpheus bard of the departed souls without any ahistorical connection with Christ e program of themosaic from Jerusalem is thus explained as a play on the words Orpheus-orphanos and Chiron (Chi-Rho) and Pan[ Παν(τοκράτωρ)] e frequently used Christian funerary formula of resting in peace Christ or the Lord corre-sponds perfectly with the mood created around the mythical bard Orpheusrsquo universal role as singer and musician

moving even the most stony of hearts extolling the beloved departed is absolutely justified in the context of a6th-century Christian tomb Orpheus is a popular and neutral figure meaning that in effect it does not constitute athreat to Christian theology and can be tolerated by the educated Christians of Jerusalem

Keywords funerary mosaic sundial Orpheus play on words (Orpheus-orphanos) Christogram (Chi-Rho)Christ Pantokrator

Department of the Archaeology of the Roman Provinces Institute of Archaeology University of Warsaw Ul KrakowskiePrzedmieście 2628 00-927 Warszawa Poland E-mail tycjanolszewskiyahoofr

e funerary mosaic was discovered in an extra

muros cemetery near the Damascene Gate in Je-rusalem and published by its discoverer H Vin-cent in two articles in the Revue Biblique one inthe year of its discovery in 1901 and the other in

1902 (Vincent 1901 436-444 Vincent 1902 100-103) It was subsequently moved to the Museumin Istanbul where it remains one of the most price-less pieces on exhibition in this rich collectione mosaic has been the object of discussion and

interpretation by troves of researchers in ancientart (Bliss 1901 46-49 Strzygowski 1901 139-165Begatti 1952 145-160 Avi-Yonah 1933 nr 133172-173 Mucznik et al 2004 193-208 = Ovadiah- Mucznik 1981 152-166 Friedman 1969 1-36

Jesnick 1997 nr 73 141 Tuumllek 1998) Despite thisit has proved difficult to interpret and to explainespecially the relationship between the pagantheme of the VIth century mosaic and his Chris-tian context (Olszewski 2008 205-214 226)



Marek Titien Olszewski656

e floor mosaic decorated a large rectangu-lar hall (570 m x 320 m) furnished with a smallapse (Cf Olszewski 2008 207 n 4) (085 m) inthe northeastern wall paved with a white mosaicin the center of which there is the sign of a cross

flanked by entrances to two small rooms (210 mx 190 m and 210 m x 105 m) with geometricpavements1 H Vincent identified the structure asa funerary chapel or tomb standing in a Christiannecropolis (Fig 1)

All the mosaic floors were executed in theopus tesselatum technique (Fig 2) e floor mo-saic in the main hall is composed of a central rec-tangular panel with figural (Mucznik et al 2004(1981) 198) decoration surrounded by a wideborder (375 m x 298 m Fig 3) e panel frameis formed of large acanthus leaves forming ldquoliverdquo

or ldquopeopledrdquo medallions with a black background(Fig 4a-d) Each medallion bears a zoomorphicrepresentation a still life or a female bust (Fig 4a)interpreted as Tyche (Jerusalem2) by A Ovadiahe corner medallions hold one head each twoof these images depict a bearded old man two a

youth (Fig 4a-d)e center panel (2 m x 124 m) shows a beard-

less young Orpheus in sitting position (Fig 5)His long and curling tresses escape from undera Phrygian cap He is dressed in the ldquoOrientalrdquo

fashion in a long-sleeved and richly embroideredtunic of light blue color and a mantle pinned onthe right shoulder with a golden fibula His feetare sandaled Orpheus plays the kitharos and athis feet there are depicted Pan and the centaurChiron leaning on a shepherdrsquos stick ( pedum)Among the animals represented around the sing-er an eagle or rather hunting falcon (Avi-Yonah

1 Another memorial chapel (tomb) with a Bird mosaicand Armenian inscription (second half of the 6th-7th c AD)was found about 100 m away from the Orpheus chapel Itis interesting that the room of this chapel also furnishedwith an apse at the east end was rectangular 630 m longand 390 m wide almost like that of the Orpheus chapel cfStone 2006 655-671 Taking into consideration the size ofthe building dimensions of the rooms their decoration andthe location of the structure it should be interepreted in thisauthorrsquos opinion as a tomb

2 See the personification of Madaba from the Hall ofHippolyte in Madaba Mosaiumlques byzantines de Jordanie1989 Fig VII

Fig 1

Plan of the building

identified as a burial

chapel (tomb) from

Jerusalm (Ovadiah

2004 194 fig 1)

Fig 2

The Orpheus mosaic in

the principal hall of a

burial chapel (tomb) from

Jerusalem (Cimok 1997149 fig 67)



The Orpheus Funerary Mosaic from Jerusalem in the Archaeological Museum at Istanbul 657

1933 37) is to be distinguished its neck decorat-ed with a stone pendant featuring a drawing of across (Friedman 1967) () there is also a chaineddomesticated mongoose with a collar round itsneck attempting to catch a viper a bear ramsmall bird hare and possibly a lizard

A small figural panel (070 m x 067 m) is foundto the northeast and on the line of symmetry ofthe central panel On either side of it there arerectangular blocks of stone (020 m x 060 m x034 m) of uncertain function (pilasters perhaps)both encircled by a geometric border (Fig 6) efigural panel depicts two standing females ap-parently young dressed in long and richly deco-rated tunics and mantles (Fig 7) ey have whatappears to be a halo () around the head one of

these haloes is obviously composed of a numberof different colors forming what looks like a cross(eodosia) e woman on the left is identifiedwith a vertical Greek legend naming her as eo-dosia she holds a rose or lily flower in her hand3

3 Avi Yonah 1933 173 n 2 identifies it as a scarf Bagatti 1952 151 n 2 as a palm leaf Mucznik Ovadiah andTurnhaim 2004 (1981) 199 as a lotus

Fig 3 The Orpheus pseudo-emblema with a border of

ldquopeopledrdquo scrolls (Cimok 1997 149 fig 67)

Fig 4 a-d Border composed of large acanthus leaves forming

ldquopeopledrdquo medallions on a black background

(Cimok 1997 149 fig 67)

Fig 5 Pseudo-emblema of the Orpheus mosaic

(Cimok 1997 149 fig 67)




e other woman has the name Georgia writtenwith cubes next to her figure and she holds a bird(dove ) Both the bird and the flower are in theAncient tradition attributes of charm and beautysweetness and female allure

Between the two figures there is a small col-umn with a fillet tied around the middle4 A mys-terious object is shown on top of it schematicallyrendered in the shape of a T it is observed to havea tiny projection on the top bar distinctly markedwith a color tessera is object resembles thesundials (hemicyclia) that were often erectedin the market squares of ancient towns to showtime ey were put up on columns or pedestalsso as to make them readily visible to passers-byoften of human height e small tessera at thetop of the column would be the gnomon in sucha case5

H Vincent believed and rightly so thesetwo figures to be a representation of the females

4 For Vincent 1901 439 n 1 it is a lamp-stand for Ova-diah 1981 199 a column for Avi-Yonah1933 173 n 2 bothpossibilities are acceptable

5 is new identification of the sundial on the columnon the Orpheus mosaic from Jerusalem will be presented bythe author in a separate paper cf Olszewski 2009

buried in the tomb6 Other theories which calledfor interpreting the two women as female person-ifications of abstract ideas (Friedman 1969 n 69Mucznik et al 2004 (1981) 201) seem much lessprobable

Further to the northeast there is a rectangu-lar band of four medallions two round ones andtwo square ones formed by a wide twisted cableRepresented in each are two almost naked hunt-ers in mantles blowing in the wind attacking twobig felines a panther and a lion

e first appearance of the theme of Orpheusin Greek art and its numerous representationsare well known and studied (Garezou 1992 81-105 (cf bibliography)) In Roman art the subjectof the lyre-playing musician encircled by animalsbecame extremely popular from the middle of

the 2nd century AD (Vieillefon 2003 22-24) etheme is much more seldom seen in funerary artmdash only 28 examples of such decoration have beenrecorded forming no more than 10 of all knownrepresentations of the scene7

e subject was represented on a few Romanstelae from Pannonia and Noricum (Vieillefon2003 185-186 R11-R16) It was shown also on afew sarcophagi (Vieillefon 2003 191-193 S1-S10)especially Italic ones of the 3rd and 4th century Sixtimes Orpheus was rendered in the catacombs

(Vieillefon 2003 193-194 P1-P6) of Rome reefunerary mosaics are known from tombs or chap-els found in North Africa (Vieillefon 2003 164A11-A12 (cf bibliography) Garezou 1992 92 ndeg114 Lazreg 2002 488-490) Two of these namelyone from Cherchel dated to 342 and another oneof the 4th century from Constantine have not sur-

vived e third discovered quite recently origi-nates from Leptimus and is dated to the end ofthe 4th or the beginning of the 5 th century Twoother funerary mosaics with the Orpheus theme(the whole set counts six pavements) are known

from the Near East (Segal 1959 150-157 Drijvers

6 Vincent 1901 441 Avi-Yonah 1933 37 Friedman1969 27 shares this opinion and considers it possible thatthe mosaic was commissioned by two women of high socialstatus the deceased eodosia and Georgia

7 Vieillefon 2003 165 sqq Garezou 1992 102 Jesnick1997 collected all representations of Orpheus in Roman mo-saic art

Fig 7

Small panel with

representation of

Theodosia and Georgiaseparated by the column

with sundial (Cimok

1997 149 fig 67)

Fig 6

Small panel with its

border (Cimok 1997

149 fig 67)




1980 189-192 pl XV Colledge 1994 191 Healey2006 313-327 fig p 315) both of them from theregion of Edessa (Urfa) one from AD 194 and theother from AD 228

e Jerusalem mosaic is the latest in a set of 17

mosaic pavements with the theme known fromthe Eastern Mediterranean8 e style of the geo-metric and figural motifs places the mosaic in themiddle or second half of the 6 th century 9 Stylis-tic parallels with other mosaics from the regionpoint to a local workshop Similarities in terms ofstyle can be drawn between the Jerusalem pave-ment and mosaic floors from Madaba and Gera-sa Suffice it to mention the acanthus leaf motifforming medallions on a black background andcompare it to a similar floral motif from the mid-dle of the 6th century in the Hall of Hippolytos in

Madaba (Mosaiumlques byzantines de Jordanie1989pl IX) en there is another motif of the kindfrom the ldquoPalazzo Bruciatordquo (Mosaiumlques byz-antines 1989 263-265) discovered on the samearchaeological site and finally one last examplefound in a church of the mid 6th century in Mas-suh (Mosaiumlques byzantines 1989 262) e headsin the corners of medallions formed by acanthusleaves resemble closely those from a church withthe chapel of Elijah Mary and Soreg in Gerasa(Mosaiumlques byzantines 1989 109 pl X) dated to

the first half of the 7th () centuryAn additional argument in favor of a late dat-ing of the mosaic pavement in question is the ar-rangement of the Greek legends accompanyingthe two female figures eodosia and GeorgiaEach name was written vertically from the bot-tom up in two rows e oldest examples of nameswritten vertically in either mosaics or wall paint-ings come from terminal Late Antiquity that isstarting with the 6th century e first time they

8 Viellefon 2003 178-182 Or1-Or17 the present au-thor rejects the identification of Oprheus on the mosaicsfrom Jenah (Or16) and Gaza (Or 15) because the connectionwith Orpheus is limited to a formal similarity only insteadthe author supplements the above catalogue with mosaicsfrom Sepphoris and Edessa cf Olszewski 2008 208 n 5 re-cently on the mosaics from Gaza and Jerusalem cf Elsner2009 34-45

9 Vincent 1901 443 cf Mucznik Ovadiah and Turn-haim 2004 (1981) 205 (he cites a differents opinions aboutthe datation of the mosaic)

are attested is on mosaic pavements from Cyprusfrom the churches of Panayia Kanakaria in Lyth-rankomi (Michaelides 1992 nr 67-68 115-118)and Panaya Angeloktistos in Kiti (Michaelides1992 nr 69 119-120) and from the monastery of

St Catherine in Sinai (Beckwith1986 104-105)Let us now consider the sense of the iconog-raphy of this mosaic in the context of a Christianfunerary chapel (tomb) Why would a wealthyChristian of the second half of the 6th century com-mission a representation of Orpheus Centaur andPan to decorate the floor of his funerary chapel

e Church Fathers like Clement of Alexan-dria Origen Eusebius of Caesarea Gregory ofNyssa and Augustine for example always con-trasted Orpheus with Christ Never is Christidentified with Orpheus as L Vieillefon pointsout correctly in his study of literary and icono-graphic sources concerning the character ofOrpheus in Late Antiquity (Vieillefon 2003 95-103) e completely false Orpheus-Christ iden-tification found in 20th-century scholarship hasweighed heavily on this issue e theologicaltexts of the Church Fathers speak of Orpheusas a singer capturing the attention of mindlesscreatures in opposition to Christ who exerts hisinfluence on rational beings At the same time itshould be emphasized that in the New Testament

and commentaries Christ is practically neverconnected with either music or wild animals10e figure of Orpheus-Christ is not described oreven mentioned in any ancient literature sourceis identification was borne of Orpheus beingrepresented in the Roman catacombs and onitems of Christian character It is however to mymind merely an overinterpretation in the field ofancient art history

It need not be reiterated that literary texts dif-fer among themselves and often fail to explain

the meaning of iconographic representationsEqually so ancient texts provide no answer as towhy in the first place Orpheus would have beendepicted in the Roman catacombs and on otherobjects with Christian connotations

10 Cleacutement drsquoAlexendrie ( Le protreptique) speaksof Christ laquo playing the lyreraquo to give people courageafter Vieillefon 2003 103




Clarification of the meaning of the Orpheusmosaic in the iconographic program of the funer-ary chapel (tomb) in Jerusalem needs to be soughtelsewhere In Greek orphanos means someonewho has lost his father mother or children while

Orpheus means Orpheus11

e ancient Greeksand Romans were enthusiasts of punning in eve-ryday language as well as in funerary inscrip-tions iconography and the like (Olszewski 2005866) ree kinds of puns were practiced textual

visual and combining text and images Let us recall the names of youths in Petroniusrsquo

Satyricon Cerdon (Benefit) Felicion (Felicity)and Lucron (Profit) (Barbet 2005 39) A similarplay on words is demonstrated by the names ofgladiators on a glass vessel from Chavagnes-en-Paillers in the district of Vendeacute in France but

found at Colchester in Great Britain (Cool 199661-62 figs 14-15) e fighting gladiators werecalled Spiculus (Sting) Calamus (Arrow) Co-lumbus (e Dove) Petraites (Rocky) Prudens(e Careful One) and Proculus (Hammer ) eRomans used puns in the names of living peopleas well as in inscriptions memorizing the deadA small child is called Melissus meaning bothbee and honey in a funerary inscription now heldin the Louvre Elaborate epithets like dulcis anddulcissimus are heaped on it which is naturally

a play on words (Baratte - Metzger 1985 303-304 nr 201) A pedestal erected for one VeturiaGrata has the name presented as an acrostic as awife she was grata ldquopleasantrdquo In another funeraryepitaph the deceased turns out to have borne thename Zelotos meaning ldquoEnviedrdquo and he is saidto have died because Death was ill disposed tohis name (Wolff 2000 104) On yet another fu-nerary tombstone a youth is depicted under theguise of a boar since his name (Aper) meant justthat (Wolff 2000 105) A large collection of ex-amples of puns is included by Artemidoros in

his dream book Onirocriticon He considers thesound and meaning of words like probata (sheep)and probainein (walk forward) onos (ass) and on-

osthai (profit from something) boes (buffalo) and

11 Liddel Scott 1940 sv laquoorphanosraquo Bailly 1960sv laquoorphanosraquo Greek orphanos ldquofatherless orphanrdquofrom which comes English laquoorphanraquo French laquoorphelinraquoand Italian laquoorfaniraquo by way of Latin

boai (commotion noise) and many others (Arte-midorus II 12) thus explaining the meaning ofhis clientsrsquo dreams

Let us now recall a famous mosaic floor depict-ing a gemmed wreath from a 4th-century pagan

building under the cathedral in Apamea e in-scription ldquoeu hrordquo inscribed into the wreath J-Chand J Balty (Balty 1974 267-304 Balty 1984 167-176 Balty 1977 88-89 nr 39) brilliantly explainedas a play on words connecting the formula euhro with the Christian eu hro is is an example ofa combined visual and textual pun the inscrip-tion referring to the famous representation of the

signa Christi ndash Alpha X OmegaIn order to better understand the climate in

which the Jerusalem mosaic was created let us

be transferred for a moment to the cathedralin Apamea and see the ldquomosaique aux riches

couleursrdquo of Bishop Paul executed in 533 (Balty1977 140-143 nr 65-66) It is yet another exam-ple of a play on images and words e programof this pavement encapsulates the internal con-flict of the Orthodox and Monophyiste Churcheswith regard to the nature of Christ

e depiction of Orpheus in the iconographicprogram of a funerary chapel in Jerusalem thatis in a sepulchral context 150 years after the

ban on pagan cults appears to have nothing todo with the so-called ldquoreacuteaction paiumlennerdquo Let usconsider for starters what was the reason for in-cluding representations of Orpheus in tomb dec-oration in previous ages To my mind the paganRomans saw in the image of Orpheus in funer-ary context an allusion to the grief and sorrow ofthose who have lost their loved ones thus refer-ring to the beloved Euridike forever lost to the liv-ing It was their way of rendering the emotions ofpeople in deep mourning illustrating the mourn-

ing cry expressing the suffering of people whohave lost a close one Orpheus sang in praise ofthe dead their goodness and wisdom beauty andintelligence It is not surprising therefore that themythical singer is depicted on tombstones sar-cophagi and funerary mosaic pavements for hissong is believed to attract the attention of pas-sers-by who will thus be made to stop by a grave




and remember the dead12 At the same time Or-pheusrsquo singing soothes the suffering of mournersIt is equally possible to imagine that the depictionof Orpheus on at least some of the funerary mon-uments actually represents the person who has

lost a beloved wife or husband father or brotheror irreplaceable friend (Wrede 1981 Olszewski2001 39-60)

It is clear from a recent study by E Rebillard(Rebillard 2003) of what the Church Fathers haveto say about the funerary ritual among Christiansthat song and music played an important role ac-companying the deceased right to the grave andfor a long time afterward because the dead werehonored in this manner among others by sing-ing the Psalms and Mourning Songs long afterthey had been entombed In a report from the fu-

neral of a woman called Macrina originating froma wealthy family in Cappadocia sister of two fa-mous bishops Gregory of Nysa who authored theldquoLife of Macrinardquo and Basil of Caesarea it is saidthat the night is spent on the singing of hymnsand melodious reciting of the Psalms e funeralrecalls a liturgical procession with lighted lampsand singing of the Psalms escorting the deceasedto the church where she will be buried13 In turnAugustine (Augustin Confession 9 12 29-31after Rebillard 2003 150) describes how when

death comes relatives sing Psalm 100 in honor ofthe deadSinging Psalms to honor God and the memory

of the deceased at their burial place was a naturaland habitual thing among the Christians justify-ing in full the appearance of images of the mythi-cal singer whose figure was anchored universallyin the common culture in sepulchral contexts(catacombs funerary chapels tombs)

In the Greek sphere the play on the words or-

phanos meaning someone who had lost a closerelative and Orpheus could have been quite

natural

12 In the authorrsquos opinion it is one of the possible in-terpretations of some of the Orpheus funerary mosaics forexemple the one from Edessa Colledge 1984 191 Drijvers1990 191-192

13 Gregory of Nyssa laquoLife of Macrineraquo 25-36 after Re-billard 2003 149

It follows then that the Orpheus from the Jeru-salem tomb could allude to someone who had losteither two beloved daughters or else a belovedwife eodosia and beloved daughter Georgia14the latterrsquos attribute in the form of a dove being

a frequent addition to compositions represent-ing children If it is indeed a lily in eodosiarsquoshands then the flower could signify a womanrsquosmost fruitful age as on a Hellenistic tombstone ofMonofilia from Sardes15 In this case the mythi-cal singer has been depicted trying to soothe thesuffering of those left behind who have come tothe tomb to remember the deceased women withtheir prayers

A play on words visual and textual at the sametime can also be detected in the images of themythical Pan and Centaur shown in this mosaic

e chrism ( ) is depicted frequently on Chris-tian tombs of Late Antiquity e name of Chiron(Χίρον) the Centaur can be read as ΧίΡο(ν) Chi-Rho (= Χριστός) one of the most popular chris-tograms16 and Pan (Πccedilν) as Παν(τοκράτωρ) thusleading us to believe that the two figures shouldbe understood as a graphic representation of theformula Χριστός ό Παντοκράτωρ (Christ the Al-mighty) And it is this Christian formula that ex-plains perfectly the mythological creatures in thepresence of the singer and the peaceful ambience

the effect of the musicianrsquos art which is in keep-ing with the wishes of peace (in the Lord or inChrist) for the dead which are common in tombepitaphs

In seeking justification for the choice of sucha theme for the decoration of a tomb I have at-tempted to reconstruct the mentality of thiswealthy Jerusalemite e first step however

14 About the mythological images in Roman art andtheir allusions to the life of Roman citizens see Olszewski1995 9-35 Olszewski 2000 37-46 pls IV-V Olszewski 2001(2002) 39-60 Olszewski 2001 (1998) 155-162 Olszewski2001 276-301 Olszewski 2005 18 Olszewski 2005 (2001)859-880 Olszewski 2006 381-390 Olszewski 2010 315-321

15 Archaeology Museum (Arkeoloji Muumlzesi) IstanbulInv nr 4033T

16 A play on words can also be seen in the Sepphorismosaic from the ldquoHouse of the Nilerdquo where the Centaur (Chi-Rho ) is associated with a Greek inscription eos boethos that can be comleted with the known formulas from 6th-century Constantinople ldquoin nomine Dei vivasrdquo and ldquobona vitaerdquo cf Jeffreys Haldon Cormack 2008 197




was understanding the etymological meaning ofthe word orpheus and discovering its connectionwith the popular practice of punning among theancient Greeks and Romans From this point of

view the mythological singer rsquos representation as

a visual and textual play on words expressing griefand sorrow appears well justified in the context ofa cemetery Christian as well as pagan in view ofthe universal character of the Orpheus myth inRoman and Late Antique society e theme ofthe orphanos singer must have been deeply root-ed in both culture and language It is also evidentthat the ties of this representation with paganreligion were rather neutral hence the universal-ity of the theme in Christian iconography and its

neutrality with regard to Christian religions andits dogmas

e mosaic pavement here discussed is an ex-ceptional exemplification of the high culture ofJerusalem urban elites in Late Antiquity and their

return to the models of Classical culture emythological and cultural elements introducedin the iconographic program of the decoration ofthe funerary chapel (tomb) are not aggressive andindeed neutral with regards to the prevailing reli-gious ideology e themes selected for Christiantomb iconography belong to a set tolerated by theChurch not aggressive with regard to Christianreligion and universal in character thus losingany even pagan connotations17

17 I am grateful to Iwona Zych for translating this paperinto English




Bibliography

Artemidorus Onirocriticon II 12

Augustin Confession 9 12 29-31

AVI-YONAH 1933

M Avi-Yonah ldquoMosaic Pavements in PalestinerdquoQuarterly of the Departament of Antiquities in Palestine 2 nr 133 172-173

BAILLY 1960 A Bailly Dictionnaire grec-franccedilais Paris

BALTY 1977 J Balty Mosaiumlques de Syrie Bruxelles

BALTY ndash BALTY 1974 J Balty - J-Ch Balty ldquoJulien et Apameacutee Aspects

de la restauration de lrsquoHelleacutenisme et de la politiqueantichreacutetienne de lrsquoemperreurrdquo Dialogue drsquoHistoireAncienne Annales Litteacuteraires de lrsquoUniversiteacute de

Besanccedilon 166 267-304BALTY ndash BALTY 1984 J Balty ndash J-Ch Balty laquoUn programme philosophique

sous la catheacutedrale drsquoApameacutee Lrsquoensemble neacuteoplatoni-cien de lrsquoempereur Julienraquo in Texte et image Actes duColloque de Chantilly 13-15 octobre 1982 Paris 167-176

BARATTE ndash METZGER 1985 F Baratte ndash C Metzger Catalogue des sarcophages en

pierre drsquoeacutepoques romaine et paleacuteochreacutetienne Paris

BARBET 2005 A Barbet (ed) Zeugma II Peintures murales romaines

Varia anatolica XVII ParisBECKWITH 1986 J Beckwith Early Christian and Byzantine Art London

BEGATTI 1952 P B Begatti ldquoIl mosaico dellrsquoOrfeo in Gerusalemmerdquo

RACr 283-4 145-160

BLISS 1901 FJ Bliss ldquoA Mosaic recently discovered at Jerusalemrdquo

Biblical World 18-1 46-49

CIMOK1997 F Cimok Mosaics in Istambul Istanbul

Cleacutement drsquoAlexendrie Le protreacuteptique

COLLEDGE 1994 MAR Colledge laquo Some remarks on the Edessa

Funerary Mosaics raquo CMGR IV Vienne 8-14 Aoucirct1994 Tregraveves Paris 189-197

COOL 1996 HEM Cool ldquoThe Boudican Uprising and the Glass

Vessels from Colchesterrdquo Expedition 382 52-62

DRIJVERS 1980 H J Drijvers Cults and Beliefs at Edessa Leiden

ELSNER 2009 J Elsner ldquoDouble Identity Orpheus as David Orpheus

as Christrdquo Biblical Archaeological Review MarchApril 352 34-45

FRIEDMAN 1967 J B Friedman ldquoSyncretism and Allegory in the

Jerusalem Orpheus Mosaicrdquo Traditio 23 1-13

FRIEDMAN 1969 J B Friedman ldquoOrpheus in the Middle Agesrdquo Orpheus-

Christus in the Art of Late Antiquity Cambridge 1-36

GAREZOU 1992 M-X Garezou laquo Orpheus raquo in Lexicon Iconograficum

Mitologiae Classicae VII1(-2) 81-105

Gregory of Nyssa laquo Vie de Macrine raquo

HEALEY 2006

J F Healey ldquoA New Syriac Mosaic Inscriptionrdquo JSSLI2 313-327

JEFFREYS et al 2008 E Jeffreys ndash J Haldon ndash R Cormack The Oxford

Handbook of Byzantine Studies Oxford

JESNICK 1997 I Jesnick The Image of Orpheus in Roman Mosaic An

Exploration of the Figure of Orpheus in Graeco-Roman

Art and Culture with Special Reference to its Expression

in the Medium of MosaIc in Late Antiquity OxfordBAR International Series 671 nr 73 141

LAZREG 2002

N B Lazreg Image de pierre La Tunisie en mosaiumlqueA ben Abed-ben Khader (ed) Paris 488-490

LIDDEL ndash SCOTT 1940 HG Liddel ndash R Scott Greek-English Lexicon

Oxford

MICHAELIDES 1992 D Michaelides Cypriot Mosaics Nicosia

Mosaiumlques byzantines de Jordanie 1989 Cataloguedrsquoexposition au Museacutee de la civilisation gallo-romainede Lyon Fevrier-Mai

MUCZNIK et al 2004 S Mucznik ndash A Ovadiah ndash Y Turnhaim Art in Eretz

Israel in Late Antiquity Collectanea Tel Aviv 193-208= OVADIAH A et MUCZNIK S 1981 ldquoOrpheus fromJerusalem ndash Pagan or Christian Imagerdquo The Jerusalem

Cathedra 1 Jerusalem 152-166

OLSZEWSKI 1995 M T Olszewski laquo Lrsquoimage et sa fonction dans la

mosaiumlque byzantine des premiegraveres basiliques en OrientLrsquoiconographie chreacutetienne expliqueacutee par Cyrille deJeacuterusalem (314-387) raquo CArch 43 9-35




OLSZEWSKI 2000 M T Olszewski laquo Eacutevocation allusive des maximes des

Sept Sages A propos de la ldquoColegravere drsquoAchilleldquo sur lamosaiumlque de Meacuterida raquo Archeologia (Warsaw) LI 37-46 pls IV-V

OLSZEWSKI 2001 MT Olszewski laquo Arteacutemidore mythologie et sym-

bolique funeacuteraire raquo Archeologia (Warsaw) LII 39-60pls XI-XV

OLSZEWSKI 2001 M T Olszewski laquo Le langage symbolique dans

la deacutecoration agrave scegravenes mythologiques et sonsens dans les tombes peintes de lrsquoOrient romainNouvelle approche raquoVIIe Colloque de lrsquoAssociation

Internationale pour lrsquoeacutetude de la peinture antiqueSt-Romain-en-Gal 1998 Paris 2001 155-162 plsXXVI-XXIX

OLSZEWSKI 2001

M T Olszewski laquo Mauvais œil et protection contrelrsquoenvie dans la mosaiumlque de Cheikh Zouegravede au Sinaiuml(IV-Ve siegravecle) raquo D Paunier - C Schmidt (eds) Actes du VIIIegraveme Colloque International pour lrsquo eacutetude

de la Mosaiumlque Antique 1-2 Lausanne Cahiersdrsquoarcheacuteologie romande 276-301

OLSZEWSKI 2005 M T Olszewski ldquoThe Historical Background of the

Zodiac Mosaic Calendar in the Lower Synagogue atHammath-Tiberias raquo Newsletter of American Schools

of Oriental Research 55 nr 3 18

OLSZEWSKI 2005

M T Olszewski laquo Le statut de lrsquoimage selonArteacutemidore et lrsquoart romain raquo H Morlier (ed) Actes du

IX e colloque international pour lrsquoeacutetude de la mosaiumlque

antique et meacutedieacutevale Rome novembre 2001 Rome Collection de lrsquoEacutecole franccedilaise de Rome-352 II859-880

OLSZEWSKI 2006 M T Olszewski laquo La mosaiumlque de la Fecircte Nocturne

Pannychis de Shahba-Philippopolis et le teacutemoignagedrsquoArteacutemidore de Daldis (Onirocriticon II 61) raquo inKalathos Studies in Honour of Asher Ovadiah TelAviv ASSAPH 2005-2006 Studies in Art History vols10-11 381-390

OLSZEWSKI 2010 M T Olszewski laquo Images allusives Dionysos et Ariane

dans lrsquoespace reacuteserveacute aux femmes (gyneacuteceacutee) Le cas dePtoleacutemaiumls et Cyregravene en Libye raquo in I Bragantini edActes du X Congresso Internazionale AssociationInternationale pour la Peinture Murale AntiqueNeapol 17-21 septembre 2007 Annali di Archeologiae storia antica 181 315 321

OLSZEWSKI 2008 M T Olszewski laquo Orpheacutee endeuilleacute de la mosaiumlque

funeacuteraire de Jeacuterusalem raquo Rey Mimoso-Ruiz BMimoso-Ruiz (ed) Actes du colloque laquo Orpheacutee entreSoleil et ombre raquo agrave lrsquoInstitut Catholique de Toulouse du16 au 17 novembre 2007 Inter Lignes numeacuteros speacutecial

ndash mars 2008 205-214 226OLSZEWSKI 2009 M T Olszewski laquo Identification de cadrans solaires

sur trois mosaiumlques byzantines au Proche-Orientagrave Tayibat al-Imam Jeacuterusalem et Umm al-Rassas(vignette de Sebastis) et quelques autres identificationshypothetiques de gnomons geants (vignettes de KastronMefad a Umm al-Rassas et de Jeacuterusalem agrave Madaba) raquoArcheologia (Warsaw) 60 2009 (in pression)

REBILLARD 2003 E Rebillard Religion et seacutepulture lrsquoEglise les vivants et

les morts dans lrsquoAntiquiteacute tardive EPHESS Collection

civilisations et socieacuteteacutes 115 ParisSEGAL 1959 J B Segal ldquoNew Mosaics from Edessardquo Archaeology

12 150-157

STONE 2006 M E Stone Apocrypha Pseudepigrapha and Armenian

Sudies Collected Papers Leuven

STRZYGOWSKI 1901 J Strzygowski ldquoDa Neuegefundene Orpheus Mosaik in

Jerusalemrdquo ZDPV 24 139-165

TUumlLEK 1998 F Tuumllek Efsuncu Orpheus ndash Orpheus the Magician

The Transition of Orpheus theme from Poganism toChristianity in late Roman-Early Byzantine MosaicsIstanbul

VIEILLEFON 2003 L Vieillefon La figure drsquoOrpheeacute dans lrsquoAntiquiteacute

tardive Les mutations drsquoun mythe du heacuteros paiumlen auchantre chreacutetien Paris De Boccard

VINCENT 1901 H Vincent laquo Une mosaiumlque byzantine agrave Jeacuterusalem raquo

RB 10 436-444

VINCENT 1902 H Vincent laquo La mosaiumlque drsquoOrpheacutee raquo RB 11

100-103

WOLFF 2000 E Wolff La poeacutesie funeacuteraire eacutepigraphique agrave Rome

Rennes

WREDE 1981 H Wrede Consecratio in formam deorumVergoumlttlich-

te Privatpersonen in der roumlmischen Kaiserzeit Mainz



Uludağ Uumlniversitesi Yayınları Uludağ University PressUludağ Uumlniversitesi Mozaik Araştırmaları Merkezi Yayınları Serisi - 1

Uludağ University Mosaic Research Center Series - 1Sempozyum Bildirileri 3 Symposium Papers 3




S





Editoumlr Edited by

Mustafa Şahin

copy Copyright 2011 Ege Yayınları

ISBN 978-605-5607-81-4

Yayıncı Sertifika No 14641

Baskı Printed by

BİLTUR Basım Yayın ve Hizmet AŞ

Dudullu Organize Sanayi Boumllgesi 1 Cadde No 16Uumlmraniye - İstanbulTuumlrkiye

Tel +90 (216) 444 44 03 Fax +90 (216) 327 15 44wwwbilnetnettr

Sertifika No 15690

Yapım ve Dağıtım Production and Distribution

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Eposta infozerobooksonlinecom wwwzerobooksonlinecom

wwwegeyayinlari com







S





Editoumlr Edited by

Mustafa ŞAHİN



İstanbul 2011







TC




KURULLAR COMMITTEE





















Miguel Pessoa









Giriş xxiii

Foreword xxv

Komait Abdallah




Ayşe Aydın


Paola Baldassarri



Claudia Barsanti















Marija Buzov





Birol Can


Margherita Carucci




Neil Cookson




Jean-Pierre Darmon






-VI e









Andreas M Foulias


Zaraza Friedman














Werner Jobst



Ruth Kolarik


Emine Koumlker


Maja Kramer


Delphine Lauritzen


Filomena Limatildeo


Virgiacutelio Lopes






Luz Neira









Elda Omari



Ali Kazım Oumlz







Silvia Pedone




Miguel Pessoa





Idit Sagiv-Hayik


Barış Salman




Derya Şahin

Myndos Mosaics 865






Alessandro Taddei


Giordana Trovabene



Julia Valeva


Zeev Weiss


Patricia Witts




Diklah Zohar


Hande Koumlkten


Hande Koumlkten









HALL A HALL B



1040 - 1100








HALL A HALL B







1255 - 1315




1330 - 1500 LUNCH

HALL A HALL B
















HALL A HALL B







1720 - 1740




HALL A HALL B












HALL A HALL B



1040 - 1100










HALL A HALL B













DISENGAGED DINNER


HALL A HALL B





0920 - 0940



0940 - 1000







DISENGAGED DINNER





HALL A HALL B













HALL A HALL B





1100 - 1020




HALL A HALL B










1315 - 1330 LUNCH


DISENGAGED DINNER





HALL A HALL B













HALL A HALL B



1040 - 1100







HALL A HALL B





1235 - 1255



1255 - 1315




1330 - 1500 LUNCH




HALL A HALL B



1500 - 1520































AntK Antike Kunst



















































































































RB Revue biblique



































Fig 1



chapel (tomb) from

Jerusalm (Ovadiah

2004 194 fig 1)

Fig 2
















(Cimok 1997 149 fig 67)


(Cimok 1997 149 fig 67)



















Fig 7

Small panel with

representation of


with sundial (Cimok

1997 149 fig 67)

Fig 6


border (Cimok 1997

149 fig 67)




















































natural

























Bibliography



AVI-YONAH 1933













RACr 283-4 145-160



















HEALEY 2006








LAZREG 2002



Oxford


















OLSZEWSKI 2001






OLSZEWSKI 2005















12 150-157










RB 10 436-444


100-103


Rennes









S





Editoumlr Edited by

Mustafa ŞAHİN



İstanbul 2011







TC




KURULLAR COMMITTEE





















Miguel Pessoa









Giriş xxiii

Foreword xxv

Komait Abdallah




Ayşe Aydın


Paola Baldassarri



Claudia Barsanti















Marija Buzov





Birol Can


Margherita Carucci




Neil Cookson




Jean-Pierre Darmon






-VI e









Andreas M Foulias


Zaraza Friedman














Werner Jobst



Ruth Kolarik


Emine Koumlker


Maja Kramer


Delphine Lauritzen


Filomena Limatildeo


Virgiacutelio Lopes






Luz Neira









Elda Omari



Ali Kazım Oumlz







Silvia Pedone




Miguel Pessoa





Idit Sagiv-Hayik


Barış Salman




Derya Şahin

Myndos Mosaics 865






Alessandro Taddei


Giordana Trovabene



Julia Valeva


Zeev Weiss


Patricia Witts




Diklah Zohar


Hande Koumlkten


Hande Koumlkten









HALL A HALL B



1040 - 1100








HALL A HALL B







1255 - 1315




1330 - 1500 LUNCH

HALL A HALL B
















HALL A HALL B







1720 - 1740




HALL A HALL B












HALL A HALL B



1040 - 1100










HALL A HALL B













DISENGAGED DINNER


HALL A HALL B





0920 - 0940



0940 - 1000







DISENGAGED DINNER





HALL A HALL B













HALL A HALL B





1100 - 1020




HALL A HALL B










1315 - 1330 LUNCH


DISENGAGED DINNER





HALL A HALL B













HALL A HALL B



1040 - 1100







HALL A HALL B





1235 - 1255



1255 - 1315




1330 - 1500 LUNCH




HALL A HALL B



1500 - 1520































AntK Antike Kunst



















































































































RB Revue biblique



































Fig 1



chapel (tomb) from

Jerusalm (Ovadiah

2004 194 fig 1)

Fig 2
















(Cimok 1997 149 fig 67)


(Cimok 1997 149 fig 67)



















Fig 7

Small panel with

representation of


with sundial (Cimok

1997 149 fig 67)

Fig 6


border (Cimok 1997

149 fig 67)




















































natural

























Bibliography



AVI-YONAH 1933













RACr 283-4 145-160



















HEALEY 2006








LAZREG 2002



Oxford


















OLSZEWSKI 2001






OLSZEWSKI 2005















12 150-157










RB 10 436-444


100-103


Rennes









TC




KURULLAR COMMITTEE





















Miguel Pessoa









Giriş xxiii

Foreword xxv

Komait Abdallah




Ayşe Aydın


Paola Baldassarri



Claudia Barsanti















Marija Buzov





Birol Can


Margherita Carucci




Neil Cookson




Jean-Pierre Darmon






-VI e









Andreas M Foulias


Zaraza Friedman














Werner Jobst



Ruth Kolarik


Emine Koumlker


Maja Kramer


Delphine Lauritzen


Filomena Limatildeo


Virgiacutelio Lopes






Luz Neira









Elda Omari



Ali Kazım Oumlz







Silvia Pedone




Miguel Pessoa





Idit Sagiv-Hayik


Barış Salman




Derya Şahin

Myndos Mosaics 865






Alessandro Taddei


Giordana Trovabene



Julia Valeva


Zeev Weiss


Patricia Witts




Diklah Zohar


Hande Koumlkten


Hande Koumlkten









HALL A HALL B



1040 - 1100








HALL A HALL B







1255 - 1315




1330 - 1500 LUNCH

HALL A HALL B
















HALL A HALL B







1720 - 1740




HALL A HALL B












HALL A HALL B



1040 - 1100










HALL A HALL B













DISENGAGED DINNER


HALL A HALL B





0920 - 0940



0940 - 1000







DISENGAGED DINNER





HALL A HALL B













HALL A HALL B





1100 - 1020




HALL A HALL B










1315 - 1330 LUNCH


DISENGAGED DINNER





HALL A HALL B













HALL A HALL B



1040 - 1100







HALL A HALL B





1235 - 1255



1255 - 1315




1330 - 1500 LUNCH




HALL A HALL B



1500 - 1520































AntK Antike Kunst



















































































































RB Revue biblique



































Fig 1



chapel (tomb) from

Jerusalm (Ovadiah

2004 194 fig 1)

Fig 2
















(Cimok 1997 149 fig 67)


(Cimok 1997 149 fig 67)



















Fig 7

Small panel with

representation of


with sundial (Cimok

1997 149 fig 67)

Fig 6


border (Cimok 1997

149 fig 67)




















































natural

























Bibliography



AVI-YONAH 1933













RACr 283-4 145-160



















HEALEY 2006








LAZREG 2002



Oxford


















OLSZEWSKI 2001






OLSZEWSKI 2005















12 150-157










RB 10 436-444


100-103


Rennes





KURULLAR COMMITTEE





















Miguel Pessoa









Giriş xxiii

Foreword xxv

Komait Abdallah




Ayşe Aydın


Paola Baldassarri



Claudia Barsanti















Marija Buzov





Birol Can


Margherita Carucci




Neil Cookson




Jean-Pierre Darmon






-VI e









Andreas M Foulias


Zaraza Friedman














Werner Jobst



Ruth Kolarik


Emine Koumlker


Maja Kramer


Delphine Lauritzen


Filomena Limatildeo


Virgiacutelio Lopes






Luz Neira









Elda Omari



Ali Kazım Oumlz







Silvia Pedone




Miguel Pessoa





Idit Sagiv-Hayik


Barış Salman




Derya Şahin

Myndos Mosaics 865






Alessandro Taddei


Giordana Trovabene



Julia Valeva


Zeev Weiss


Patricia Witts




Diklah Zohar


Hande Koumlkten


Hande Koumlkten









HALL A HALL B



1040 - 1100








HALL A HALL B







1255 - 1315




1330 - 1500 LUNCH

HALL A HALL B
















HALL A HALL B







1720 - 1740




HALL A HALL B












HALL A HALL B



1040 - 1100










HALL A HALL B













DISENGAGED DINNER


HALL A HALL B





0920 - 0940



0940 - 1000







DISENGAGED DINNER





HALL A HALL B













HALL A HALL B





1100 - 1020




HALL A HALL B










1315 - 1330 LUNCH


DISENGAGED DINNER





HALL A HALL B













HALL A HALL B



1040 - 1100







HALL A HALL B





1235 - 1255



1255 - 1315




1330 - 1500 LUNCH




HALL A HALL B



1500 - 1520































AntK Antike Kunst



















































































































RB Revue biblique



































Fig 1



chapel (tomb) from

Jerusalm (Ovadiah

2004 194 fig 1)

Fig 2
















(Cimok 1997 149 fig 67)


(Cimok 1997 149 fig 67)



















Fig 7

Small panel with

representation of


with sundial (Cimok

1997 149 fig 67)

Fig 6


border (Cimok 1997

149 fig 67)




















































natural

























Bibliography



AVI-YONAH 1933













RACr 283-4 145-160



















HEALEY 2006








LAZREG 2002



Oxford


















OLSZEWSKI 2001






OLSZEWSKI 2005















12 150-157










RB 10 436-444


100-103


Rennes













Miguel Pessoa









Giriş xxiii

Foreword xxv

Komait Abdallah




Ayşe Aydın


Paola Baldassarri



Claudia Barsanti















Marija Buzov





Birol Can


Margherita Carucci




Neil Cookson




Jean-Pierre Darmon






-VI e









Andreas M Foulias


Zaraza Friedman














Werner Jobst



Ruth Kolarik


Emine Koumlker


Maja Kramer


Delphine Lauritzen


Filomena Limatildeo


Virgiacutelio Lopes






Luz Neira









Elda Omari



Ali Kazım Oumlz







Silvia Pedone




Miguel Pessoa





Idit Sagiv-Hayik


Barış Salman




Derya Şahin

Myndos Mosaics 865






Alessandro Taddei


Giordana Trovabene



Julia Valeva


Zeev Weiss


Patricia Witts




Diklah Zohar


Hande Koumlkten


Hande Koumlkten









HALL A HALL B



1040 - 1100








HALL A HALL B







1255 - 1315




1330 - 1500 LUNCH

HALL A HALL B
















HALL A HALL B







1720 - 1740




HALL A HALL B












HALL A HALL B



1040 - 1100










HALL A HALL B













DISENGAGED DINNER


HALL A HALL B





0920 - 0940



0940 - 1000







DISENGAGED DINNER





HALL A HALL B













HALL A HALL B





1100 - 1020




HALL A HALL B










1315 - 1330 LUNCH


DISENGAGED DINNER





HALL A HALL B













HALL A HALL B



1040 - 1100







HALL A HALL B





1235 - 1255



1255 - 1315




1330 - 1500 LUNCH




HALL A HALL B



1500 - 1520































AntK Antike Kunst



















































































































RB Revue biblique



































Fig 1



chapel (tomb) from

Jerusalm (Ovadiah

2004 194 fig 1)

Fig 2
















(Cimok 1997 149 fig 67)


(Cimok 1997 149 fig 67)



















Fig 7

Small panel with

representation of


with sundial (Cimok

1997 149 fig 67)

Fig 6


border (Cimok 1997

149 fig 67)




















































natural

























Bibliography



AVI-YONAH 1933













RACr 283-4 145-160



















HEALEY 2006








LAZREG 2002



Oxford


















OLSZEWSKI 2001






OLSZEWSKI 2005















12 150-157










RB 10 436-444


100-103


Rennes








Giriş xxiii

Foreword xxv

Komait Abdallah




Ayşe Aydın


Paola Baldassarri



Claudia Barsanti















Marija Buzov





Birol Can


Margherita Carucci




Neil Cookson




Jean-Pierre Darmon






-VI e









Andreas M Foulias


Zaraza Friedman














Werner Jobst



Ruth Kolarik


Emine Koumlker


Maja Kramer


Delphine Lauritzen


Filomena Limatildeo


Virgiacutelio Lopes






Luz Neira









Elda Omari



Ali Kazım Oumlz







Silvia Pedone




Miguel Pessoa





Idit Sagiv-Hayik


Barış Salman




Derya Şahin

Myndos Mosaics 865






Alessandro Taddei


Giordana Trovabene



Julia Valeva


Zeev Weiss


Patricia Witts




Diklah Zohar


Hande Koumlkten


Hande Koumlkten









HALL A HALL B



1040 - 1100








HALL A HALL B







1255 - 1315




1330 - 1500 LUNCH

HALL A HALL B
















HALL A HALL B







1720 - 1740




HALL A HALL B












HALL A HALL B



1040 - 1100










HALL A HALL B













DISENGAGED DINNER


HALL A HALL B





0920 - 0940



0940 - 1000







DISENGAGED DINNER





HALL A HALL B













HALL A HALL B





1100 - 1020




HALL A HALL B










1315 - 1330 LUNCH


DISENGAGED DINNER





HALL A HALL B













HALL A HALL B



1040 - 1100







HALL A HALL B





1235 - 1255



1255 - 1315




1330 - 1500 LUNCH




HALL A HALL B



1500 - 1520































AntK Antike Kunst



















































































































RB Revue biblique



































Fig 1



chapel (tomb) from

Jerusalm (Ovadiah

2004 194 fig 1)

Fig 2
















(Cimok 1997 149 fig 67)


(Cimok 1997 149 fig 67)



















Fig 7

Small panel with

representation of


with sundial (Cimok

1997 149 fig 67)

Fig 6


border (Cimok 1997

149 fig 67)




















































natural

























Bibliography



AVI-YONAH 1933













RACr 283-4 145-160



















HEALEY 2006








LAZREG 2002



Oxford


















OLSZEWSKI 2001






OLSZEWSKI 2005















12 150-157










RB 10 436-444


100-103


Rennes






Marija Buzov





Birol Can


Margherita Carucci




Neil Cookson




Jean-Pierre Darmon






-VI e









Andreas M Foulias


Zaraza Friedman














Werner Jobst



Ruth Kolarik


Emine Koumlker


Maja Kramer


Delphine Lauritzen


Filomena Limatildeo


Virgiacutelio Lopes






Luz Neira









Elda Omari



Ali Kazım Oumlz







Silvia Pedone




Miguel Pessoa





Idit Sagiv-Hayik


Barış Salman




Derya Şahin

Myndos Mosaics 865






Alessandro Taddei


Giordana Trovabene



Julia Valeva


Zeev Weiss


Patricia Witts




Diklah Zohar


Hande Koumlkten


Hande Koumlkten









HALL A HALL B



1040 - 1100








HALL A HALL B







1255 - 1315




1330 - 1500 LUNCH

HALL A HALL B
















HALL A HALL B







1720 - 1740




HALL A HALL B












HALL A HALL B



1040 - 1100










HALL A HALL B













DISENGAGED DINNER


HALL A HALL B





0920 - 0940



0940 - 1000







DISENGAGED DINNER





HALL A HALL B













HALL A HALL B





1100 - 1020




HALL A HALL B










1315 - 1330 LUNCH


DISENGAGED DINNER





HALL A HALL B













HALL A HALL B



1040 - 1100







HALL A HALL B





1235 - 1255



1255 - 1315




1330 - 1500 LUNCH




HALL A HALL B



1500 - 1520































AntK Antike Kunst



















































































































RB Revue biblique



































Fig 1



chapel (tomb) from

Jerusalm (Ovadiah

2004 194 fig 1)

Fig 2
















(Cimok 1997 149 fig 67)


(Cimok 1997 149 fig 67)



















Fig 7

Small panel with

representation of


with sundial (Cimok

1997 149 fig 67)

Fig 6


border (Cimok 1997

149 fig 67)




















































natural

























Bibliography



AVI-YONAH 1933













RACr 283-4 145-160



















HEALEY 2006








LAZREG 2002



Oxford


















OLSZEWSKI 2001






OLSZEWSKI 2005















12 150-157










RB 10 436-444


100-103


Rennes















Werner Jobst



Ruth Kolarik


Emine Koumlker


Maja Kramer


Delphine Lauritzen


Filomena Limatildeo


Virgiacutelio Lopes






Luz Neira









Elda Omari



Ali Kazım Oumlz







Silvia Pedone




Miguel Pessoa





Idit Sagiv-Hayik


Barış Salman




Derya Şahin

Myndos Mosaics 865






Alessandro Taddei


Giordana Trovabene



Julia Valeva


Zeev Weiss


Patricia Witts




Diklah Zohar


Hande Koumlkten


Hande Koumlkten









HALL A HALL B



1040 - 1100








HALL A HALL B







1255 - 1315




1330 - 1500 LUNCH

HALL A HALL B
















HALL A HALL B







1720 - 1740




HALL A HALL B












HALL A HALL B



1040 - 1100










HALL A HALL B













DISENGAGED DINNER


HALL A HALL B





0920 - 0940



0940 - 1000







DISENGAGED DINNER





HALL A HALL B













HALL A HALL B





1100 - 1020




HALL A HALL B










1315 - 1330 LUNCH


DISENGAGED DINNER





HALL A HALL B













HALL A HALL B



1040 - 1100







HALL A HALL B





1235 - 1255



1255 - 1315




1330 - 1500 LUNCH




HALL A HALL B



1500 - 1520































AntK Antike Kunst



















































































































RB Revue biblique



































Fig 1



chapel (tomb) from

Jerusalm (Ovadiah

2004 194 fig 1)

Fig 2
















(Cimok 1997 149 fig 67)


(Cimok 1997 149 fig 67)



















Fig 7

Small panel with

representation of


with sundial (Cimok

1997 149 fig 67)

Fig 6


border (Cimok 1997

149 fig 67)




















































natural

























Bibliography



AVI-YONAH 1933













RACr 283-4 145-160



















HEALEY 2006








LAZREG 2002



Oxford


















OLSZEWSKI 2001






OLSZEWSKI 2005















12 150-157










RB 10 436-444


100-103


Rennes








Elda Omari



Ali Kazım Oumlz







Silvia Pedone




Miguel Pessoa





Idit Sagiv-Hayik


Barış Salman




Derya Şahin

Myndos Mosaics 865






Alessandro Taddei


Giordana Trovabene



Julia Valeva


Zeev Weiss


Patricia Witts




Diklah Zohar


Hande Koumlkten


Hande Koumlkten









HALL A HALL B



1040 - 1100








HALL A HALL B







1255 - 1315




1330 - 1500 LUNCH

HALL A HALL B
















HALL A HALL B







1720 - 1740




HALL A HALL B












HALL A HALL B



1040 - 1100










HALL A HALL B













DISENGAGED DINNER


HALL A HALL B





0920 - 0940



0940 - 1000







DISENGAGED DINNER





HALL A HALL B













HALL A HALL B





1100 - 1020




HALL A HALL B










1315 - 1330 LUNCH


DISENGAGED DINNER





HALL A HALL B













HALL A HALL B



1040 - 1100







HALL A HALL B





1235 - 1255



1255 - 1315




1330 - 1500 LUNCH




HALL A HALL B



1500 - 1520































AntK Antike Kunst



















































































































RB Revue biblique



































Fig 1



chapel (tomb) from

Jerusalm (Ovadiah

2004 194 fig 1)

Fig 2
















(Cimok 1997 149 fig 67)


(Cimok 1997 149 fig 67)



















Fig 7

Small panel with

representation of


with sundial (Cimok

1997 149 fig 67)

Fig 6


border (Cimok 1997

149 fig 67)




















































natural

























Bibliography



AVI-YONAH 1933













RACr 283-4 145-160



















HEALEY 2006








LAZREG 2002



Oxford


















OLSZEWSKI 2001






OLSZEWSKI 2005















12 150-157










RB 10 436-444


100-103


Rennes






Alessandro Taddei


Giordana Trovabene



Julia Valeva


Zeev Weiss


Patricia Witts




Diklah Zohar


Hande Koumlkten


Hande Koumlkten









HALL A HALL B



1040 - 1100








HALL A HALL B







1255 - 1315




1330 - 1500 LUNCH

HALL A HALL B
















HALL A HALL B







1720 - 1740




HALL A HALL B












HALL A HALL B



1040 - 1100










HALL A HALL B













DISENGAGED DINNER


HALL A HALL B





0920 - 0940



0940 - 1000







DISENGAGED DINNER





HALL A HALL B













HALL A HALL B





1100 - 1020




HALL A HALL B










1315 - 1330 LUNCH


DISENGAGED DINNER





HALL A HALL B













HALL A HALL B



1040 - 1100







HALL A HALL B





1235 - 1255



1255 - 1315




1330 - 1500 LUNCH




HALL A HALL B



1500 - 1520































AntK Antike Kunst



















































































































RB Revue biblique



































Fig 1



chapel (tomb) from

Jerusalm (Ovadiah

2004 194 fig 1)

Fig 2
















(Cimok 1997 149 fig 67)


(Cimok 1997 149 fig 67)



















Fig 7

Small panel with

representation of


with sundial (Cimok

1997 149 fig 67)

Fig 6


border (Cimok 1997

149 fig 67)




















































natural

























Bibliography



AVI-YONAH 1933













RACr 283-4 145-160



















HEALEY 2006








LAZREG 2002



Oxford


















OLSZEWSKI 2001






OLSZEWSKI 2005















12 150-157










RB 10 436-444


100-103


Rennes










HALL A HALL B



1040 - 1100








HALL A HALL B







1255 - 1315




1330 - 1500 LUNCH

HALL A HALL B
















HALL A HALL B







1720 - 1740




HALL A HALL B












HALL A HALL B



1040 - 1100










HALL A HALL B













DISENGAGED DINNER


HALL A HALL B





0920 - 0940



0940 - 1000







DISENGAGED DINNER





HALL A HALL B













HALL A HALL B





1100 - 1020




HALL A HALL B










1315 - 1330 LUNCH


DISENGAGED DINNER





HALL A HALL B













HALL A HALL B



1040 - 1100







HALL A HALL B





1235 - 1255



1255 - 1315




1330 - 1500 LUNCH




HALL A HALL B



1500 - 1520































AntK Antike Kunst



















































































































RB Revue biblique



































Fig 1



chapel (tomb) from

Jerusalm (Ovadiah

2004 194 fig 1)

Fig 2
















(Cimok 1997 149 fig 67)


(Cimok 1997 149 fig 67)



















Fig 7

Small panel with

representation of


with sundial (Cimok

1997 149 fig 67)

Fig 6


border (Cimok 1997

149 fig 67)




















































natural

























Bibliography



AVI-YONAH 1933













RACr 283-4 145-160



















HEALEY 2006








LAZREG 2002



Oxford


















OLSZEWSKI 2001






OLSZEWSKI 2005















12 150-157










RB 10 436-444


100-103


Rennes












HALL A HALL B







1720 - 1740




HALL A HALL B












HALL A HALL B



1040 - 1100










HALL A HALL B













DISENGAGED DINNER


HALL A HALL B





0920 - 0940



0940 - 1000







DISENGAGED DINNER





HALL A HALL B













HALL A HALL B





1100 - 1020




HALL A HALL B










1315 - 1330 LUNCH


DISENGAGED DINNER





HALL A HALL B













HALL A HALL B



1040 - 1100







HALL A HALL B





1235 - 1255



1255 - 1315




1330 - 1500 LUNCH




HALL A HALL B



1500 - 1520































AntK Antike Kunst



















































































































RB Revue biblique



































Fig 1



chapel (tomb) from

Jerusalm (Ovadiah

2004 194 fig 1)

Fig 2
















(Cimok 1997 149 fig 67)


(Cimok 1997 149 fig 67)



















Fig 7

Small panel with

representation of


with sundial (Cimok

1997 149 fig 67)

Fig 6


border (Cimok 1997

149 fig 67)




















































natural

























Bibliography



AVI-YONAH 1933













RACr 283-4 145-160



















HEALEY 2006








LAZREG 2002



Oxford


















OLSZEWSKI 2001






OLSZEWSKI 2005















12 150-157










RB 10 436-444


100-103


Rennes










HALL A HALL B













DISENGAGED DINNER


HALL A HALL B





0920 - 0940



0940 - 1000







DISENGAGED DINNER





HALL A HALL B













HALL A HALL B





1100 - 1020




HALL A HALL B










1315 - 1330 LUNCH


DISENGAGED DINNER





HALL A HALL B













HALL A HALL B



1040 - 1100







HALL A HALL B





1235 - 1255



1255 - 1315




1330 - 1500 LUNCH




HALL A HALL B



1500 - 1520































AntK Antike Kunst



















































































































RB Revue biblique



































Fig 1



chapel (tomb) from

Jerusalm (Ovadiah

2004 194 fig 1)

Fig 2
















(Cimok 1997 149 fig 67)


(Cimok 1997 149 fig 67)



















Fig 7

Small panel with

representation of


with sundial (Cimok

1997 149 fig 67)

Fig 6


border (Cimok 1997

149 fig 67)




















































natural

























Bibliography



AVI-YONAH 1933













RACr 283-4 145-160



















HEALEY 2006








LAZREG 2002



Oxford


















OLSZEWSKI 2001






OLSZEWSKI 2005















12 150-157










RB 10 436-444


100-103


Rennes







HALL A HALL B













HALL A HALL B





1100 - 1020




HALL A HALL B










1315 - 1330 LUNCH


DISENGAGED DINNER





HALL A HALL B













HALL A HALL B



1040 - 1100







HALL A HALL B





1235 - 1255



1255 - 1315




1330 - 1500 LUNCH




HALL A HALL B



1500 - 1520































AntK Antike Kunst



















































































































RB Revue biblique



































Fig 1



chapel (tomb) from

Jerusalm (Ovadiah

2004 194 fig 1)

Fig 2
















(Cimok 1997 149 fig 67)


(Cimok 1997 149 fig 67)



















Fig 7

Small panel with

representation of


with sundial (Cimok

1997 149 fig 67)

Fig 6


border (Cimok 1997

149 fig 67)




















































natural

























Bibliography



AVI-YONAH 1933













RACr 283-4 145-160



















HEALEY 2006








LAZREG 2002



Oxford


















OLSZEWSKI 2001






OLSZEWSKI 2005















12 150-157










RB 10 436-444


100-103


Rennes







HALL A HALL B













HALL A HALL B



1040 - 1100







HALL A HALL B





1235 - 1255



1255 - 1315




1330 - 1500 LUNCH




HALL A HALL B



1500 - 1520































AntK Antike Kunst



















































































































RB Revue biblique



































Fig 1



chapel (tomb) from

Jerusalm (Ovadiah

2004 194 fig 1)

Fig 2
















(Cimok 1997 149 fig 67)


(Cimok 1997 149 fig 67)



















Fig 7

Small panel with

representation of


with sundial (Cimok

1997 149 fig 67)

Fig 6


border (Cimok 1997

149 fig 67)




















































natural

























Bibliography



AVI-YONAH 1933













RACr 283-4 145-160



















HEALEY 2006








LAZREG 2002



Oxford


















OLSZEWSKI 2001






OLSZEWSKI 2005















12 150-157










RB 10 436-444


100-103


Rennes






HALL A HALL B



1500 - 1520































AntK Antike Kunst



















































































































RB Revue biblique



































Fig 1



chapel (tomb) from

Jerusalm (Ovadiah

2004 194 fig 1)

Fig 2
















(Cimok 1997 149 fig 67)


(Cimok 1997 149 fig 67)



















Fig 7

Small panel with

representation of


with sundial (Cimok

1997 149 fig 67)

Fig 6


border (Cimok 1997

149 fig 67)




















































natural

























Bibliography



AVI-YONAH 1933













RACr 283-4 145-160



















HEALEY 2006








LAZREG 2002



Oxford


















OLSZEWSKI 2001






OLSZEWSKI 2005















12 150-157










RB 10 436-444


100-103


Rennes





















AntK Antike Kunst



















































































































RB Revue biblique



































Fig 1



chapel (tomb) from

Jerusalm (Ovadiah

2004 194 fig 1)

Fig 2
















(Cimok 1997 149 fig 67)


(Cimok 1997 149 fig 67)



















Fig 7

Small panel with

representation of


with sundial (Cimok

1997 149 fig 67)

Fig 6


border (Cimok 1997

149 fig 67)




















































natural

























Bibliography



AVI-YONAH 1933













RACr 283-4 145-160



















HEALEY 2006








LAZREG 2002



Oxford


















OLSZEWSKI 2001






OLSZEWSKI 2005















12 150-157










RB 10 436-444


100-103


Rennes




































































































RB Revue biblique



































Fig 1



chapel (tomb) from

Jerusalm (Ovadiah

2004 194 fig 1)

Fig 2
















(Cimok 1997 149 fig 67)


(Cimok 1997 149 fig 67)



















Fig 7

Small panel with

representation of


with sundial (Cimok

1997 149 fig 67)

Fig 6


border (Cimok 1997

149 fig 67)




















































natural

























Bibliography



AVI-YONAH 1933













RACr 283-4 145-160



















HEALEY 2006








LAZREG 2002



Oxford


















OLSZEWSKI 2001






OLSZEWSKI 2005















12 150-157










RB 10 436-444


100-103


Rennes




























Fig 1



chapel (tomb) from

Jerusalm (Ovadiah

2004 194 fig 1)

Fig 2
















(Cimok 1997 149 fig 67)


(Cimok 1997 149 fig 67)



















Fig 7

Small panel with

representation of


with sundial (Cimok

1997 149 fig 67)

Fig 6


border (Cimok 1997

149 fig 67)




















































natural

























Bibliography



AVI-YONAH 1933













RACr 283-4 145-160



















HEALEY 2006








LAZREG 2002



Oxford


















OLSZEWSKI 2001






OLSZEWSKI 2005















12 150-157










RB 10 436-444


100-103


Rennes














(Cimok 1997 149 fig 67)


(Cimok 1997 149 fig 67)



















Fig 7

Small panel with

representation of


with sundial (Cimok

1997 149 fig 67)

Fig 6


border (Cimok 1997

149 fig 67)




















































natural

























Bibliography



AVI-YONAH 1933













RACr 283-4 145-160



















HEALEY 2006








LAZREG 2002



Oxford


















OLSZEWSKI 2001






OLSZEWSKI 2005















12 150-157










RB 10 436-444


100-103


Rennes





















Fig 7

Small panel with

representation of


with sundial (Cimok

1997 149 fig 67)

Fig 6


border (Cimok 1997

149 fig 67)




















































natural

























Bibliography



AVI-YONAH 1933













RACr 283-4 145-160



















HEALEY 2006








LAZREG 2002



Oxford


















OLSZEWSKI 2001






OLSZEWSKI 2005















12 150-157










RB 10 436-444


100-103


Rennes






















































natural

























Bibliography



AVI-YONAH 1933













RACr 283-4 145-160



















HEALEY 2006








LAZREG 2002



Oxford


















OLSZEWSKI 2001






OLSZEWSKI 2005















12 150-157










RB 10 436-444


100-103


Rennes
















Bibliography



AVI-YONAH 1933













RACr 283-4 145-160



















HEALEY 2006








LAZREG 2002



Oxford


















OLSZEWSKI 2001






OLSZEWSKI 2005















12 150-157










RB 10 436-444


100-103


Rennes













OLSZEWSKI 2001






OLSZEWSKI 2005















12 150-157










RB 10 436-444


100-103


Rennes



45 olszewski libre

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