2009ARTISTS OF THE MOHAWKHUDSONREGION

U N I V E R S I T Y A R T M U S E U MU N I V E R S I T Y AT A L B A N YS TAT E U N I V E R S I T Y O F N E W YO R K

J U R O R : M AT T H E W H I G G S

J U N E ¤ ∞ – A U G U S T 8

2.

Exhibition SponsorsAccent Commercial Furniture, Inc.Matthew Bender IVThe Community Foundation for the Greater Capital Region’s Nancy Hyatt Liddle Fund for the Arts

Hudson-Fulton-Champlain QuadricentennialMayor Gerald D. JenningsThe M&T Charitable FoundationUniversity at Albany Alumni AssociationUniversity at Albany Auxiliary ServicesThe Andy Warhol Foundation for the Visual Arts

Juror’s Award SponsorsAlbany Center Gallery Board of Directorsarchitecture+Austin & Co., Inc.Carrie Haddad GalleryMarijo Dougherty and Norman BaumanMayor Gerald D. JenningsMetrolandPicotte CompaniesRenaissance Corporation of AlbanyRiverfront StudiosThe Swyer CompaniesTimes Union

Gift Certificate SponsorsA. Grindle Custom FramingArlene’s Artist MaterialsClement Frame Shop & Art GalleryMcGreevy Prolab

Purchase Award SponsorsAlbany Institute of History & ArtUniversity at Albany Alumni Association

In-Kind SupportGary David Gold PhotographyNew York Press & Graphics

ArtistsBob Augstell Justin Baker Sharon Bates David Bodhi Boylan Laura Cannamela Monica d. Church Brian Cirmo Marje Derrick Amanda Facchiano Raymond Felix Abraham Ferraro Jim Flosdorf Richard Garrison Taylor Gillis Kyle D. Greene Jared Handelsman Stephen Honicki Jennifer Hunold Peter Iannarelli J.C. Jogerst Kelly Jones John Knecht Gail KortMatt LaFleurHarold Lohner Melinda McDaniel Joan C. McKeon Wayne Montecalvo Tom NicolMark OlshanskyLori Lupe Pelish Dorene Quinn Barbara Todd Georgia WohnsenGregor Wynnyczuk

2009ARTISTS OF THE MOHAWKHUDSONREGION

JUNE 25 – AUGUST 8, 2009

JUROR: MATTHEW HIGGS

UNIVERSITY ART MUSEUMUNIVERSITY AT ALBANYSTATE UNIVERSITY OF NEW YORK

2.

PHOTOS: RICHARD MAX TREMBLAY

3.

about the juror

matthew Higgs is an artist, curator, and writer basedin New York. He is currently the director and chiefcurator of White Columns, New York's oldestalternative non-profit art space. Since his arrival atWhite Columns in fall 2004, he has organized morethan 100 individual exhibitions and projects, showingthe work of more than 400 international artists of allgenerations.

Over the past fifteen years he has also organizedmore than 200 exhibitions and projects in NorthAmerica and Europe, and his writings have appearedin more than fifty books, catalogs, and periodicals,including Artforum, Frieze, and Afterall. In the pasttwo years he has contributed to books about artistsJohn Baldessari, Ken Price, Kay Rosen, ElizabethPeyton, Marilyn Minter, John McCracken, ChristianMarclay, Oliver Payne & Nick Relph, and Uta Barth,among others.

Barbara Todd…all your troubles fall away, 2008Wool, appliquéd and quilted102 x 98 inches

The Swyer Companies $1000 Juror’s Award

Exhibition installation view

6.

acknowledgments

it is a pleasure to present 2009 Artists of the Mohawk-Hudson Region, one of the longest-running regional exhibitions in the country. The shared responsibility of the University atAlbany Art Museum and the Albany Institute of History & Art, the exhibition represents thedepth and vitality of art created within a 100-mile radius of Albany. So it is particularlyappropriate that this year’s exhibition has been designated part of the Hudson-Fulton-Champlain Quadricentennial celebration.

We are privileged to have had Matthew Higgs as our juror, who brought to bear hisinsights as artist and critic, as well as his experience as curator and director of WhiteColumns. With characteristic British aplomb, Matthew faced the daunting task ofreviewing the work of over 285 artists, who submitted over 1,200 images, videotapes, andinstallation proposals for his consideration. His particular interest in regional art, in workby artists of all generations, and in ideas that are sometimes thought to be outside therealm of contemporary art, were strong factors in my conviction that Matthew would be asuperb regional juror. He joins a distinguished roster of artists, critics, and curators whohave served in this capacity, among them Edward Hopper (1941), John Yau (1987), DanCameron (1997), Xu Bing (2000), Lilly Wei (2006), and Joel Shapiro (2008).

2009 Artists of the Mohawk-Hudson Region presents new work by thirty-five artists––both recognized artists and emerging talent. But our thanks go to every artist whosubmitted work for consideration. The strength of individual entries is critical to thedevelopment of a vibrant exhibition.

We are grateful for support of the exhibition and of this catalogue to AccentCommercial Furniture, Inc., Matthew Bender IV, Hudson-Fulton-Champlain Quadricentennial,Mayor Gerald D. Jennings, Charles M. Liddle III and The Community Foundation for theGreater Capital Region’s Nancy Hyatt Liddle Fund for the Arts, The M&T CharitableFoundation, University at Albany Alumni Association, University Auxiliary Services, and TheAndy Warhol Foundation for the Visual Arts; and for in-kind support to New York Press &Graphics, photographer Gary Gold. In addition, over a dozen businesses, individuals, and

7.

organizations contributed juror’s and purchase awards and gift certificates, demonstratingthat even in challenging economic times, area businesses and supporters recognize thecontribution made by the arts to the life of our community.

Thanks also go to our colleagues at the Albany Institute of History & Art—DirectorChristine M. Miles and Deputy Director for Collections and Exhibitions Tammis Kane Groft—as well as to Sarah Martinez, Director of Albany Center Gallery, where an invitationalexhibition drawn from the Regional will be presented later in the year. I also want to welcomeThe Hyde Collection in Glens Falls as a presenter of the exhibition in 2010.

Organizing any exhibition is a collaborative process of the highest order. Thanks go tomembers of the University Art Museum staff for their efforts: Corinna Ripps Schaming forcuratorial and administrative oversight; Zheng Hu for superb exhibition and catalogue design;preparator Jeffrey Wright-Sedam, aided by Darcie Abbatiello, for skillful installation; andNaomi Lewis for her efforts to secure artists’ awards and her oversight of the juryingprocess. All were assisted in their efforts by Joanne Lue and Patricia VanAlstyne. ArielWillmott, the Milton and Sally Avery Art Foundation intern, was tireless in organizing entriesfor the exhibition. Thanks also go to our collections staff Wren Panzella and Ryan Parr, and toJeanne Finley for editing the catalogue.

We are deeply grateful to UAlbany President George M. Philip and to Provost and VicePresident for Academic Affairs Susan D. Phillips for their ongoing support and firm belief inthe importance of the museum and its role on campus, and to Associate Vice President forAcademic Affairs William B. Hedberg for his guidance at countless points along the way.

The University at Albany, the exhibition and artists’ awards sponsors, the museum staff,and our colleagues at the Albany Institute of History & Art join me in congratulating all of theartists of the 2009 Artists of the Mohawk-Hudson Region!

Janet RikerDirectorJune 2009

8.

John KnechtThe Acquiescers, 2008Digital animation displayed on five iPod nanos6 x 24 inches

Picotte Companies $500 Juror’s Award

10.

11.

open call.

Since November 2004 I have been the director and chiefcurator of White Columns, New York’s oldest, not-for-profit,“alternative” art space. Founded in 1970 in New York’sSoHo by artists Jeffrey Lew and Gordon Matta Clark, andinitially know by its original street address—‘112 GreeneStreet’—White Columns has, for forty years, supported thework of literally thousands of artists. In the past fouryears alone White Columns has organized more than onehundred and fifty individual exhibitions and projects,working with more than four hundred artists of allgenerations. Central to White Columns programs in thepast four years has been a desire to expand the focus ofthe gallery, to establish a more engaged dialog with artistsoperating outside of the traditional metropolitan art ‘hubs’.Consequently we have initiated numerous projects withartists working in vital artistic communities in Milwaukee,Oakland, Philadelphia, Portland, Winnipeg, and elsewhere.Parallel to these initiatives we have also sought out artists

Dorene QuinnPortable Forest Floor, 2008Leaves, cotton muslin, thread, and acrylic medium135 x 114 inches

Renaissance Corporation of Albany$500 Juror’s Award

12.

whose practices might not conform to the typical definitionof what art might be: for example White Columns hascollaborated extensively with Creative Growth, a communityof developmentally and physically disabled artists based inOakland, California, introducing the work of thisextraordinary organization and its artists to national andinternational audiences. Similarly we have introduced thework of many self-taught artists including MichaelPatterson-Carver, who once sold his ‘protest’ drawings onthe streets of Portland, Oregon, and who would go on towin an Altoids Award in 2008 at New York’s New Museum.In trying to broaden the scope of what an art space mightactually present, and in trying to establish—and sustain—dialogs with artists working in communities across NorthAmerica and beyond, White Columns hopes to bothprivilege and reflect something of the genuine complexityof art: the goal being to create a platform for artists of allkinds, one that is more inclusive, more responsive, andultimately more open.

Central to this process is the ongoing activity of lookingat art. All of the recent departures at White Columns havebeen informed by our exposure to the ideas and initiativesof a wide range of artists. Engaging with artists’ ideas isfundamental to my practice as a curator. In addition to myown independent research, each year some 4,000 artistssubmit their work to White Columns for considerationthrough our ‘Curated Artists Registry’ program. Like theopen submission process for the ‘Artists of the Mohawk

13.

Gail Kort180° Seeing: Schenectady in a Dome, 2007Oil on papier-mâché4 x 4 x 4 feet

Marijo Dougherty and Norman Bauman $250Juror’s Award in memory of Nancy Hyatt Liddle

14.

Hudson Region’ exhibition, White Columns’ registry activelyencourages artists to send their work in for consideration.Any open submission process is, inevitably, both a ‘leap offaith’ and a ‘leap into the void’ for both artist andjuror/curator alike. Whilst an ostensibly democraticprocess I think it still requires a considerable degree ofself-confidence on the part of artists to subject one’sideas to this peculiar form of scrutiny. As a juror one istypically encountering an artist’s work for the first time,without any real sense of an individual artist’s circum-stances or the context in which the work has developedand evolved. (These personal histories and narratives canoften provide a compelling subtext to an individual’s work.)Likewise one is not actually encountering the work itselfrather one is seeing a digital manifestation of the work:i.e. a reproduction. This complex scenario brings its ownset of issues to the selection process, in that youconstantly have to make adjustments between what youare actually seeing—usually on a computer screen—andwhat you imagine the actual work to be like. In a way it islike learning a new (visual) language, a new way of lookingthat involves an unusual degree of ‘anticipation’ as towhat the physical experience of the actual work might be.However despite these potential limitations the opensubmission process remains a highly valuable resource,as it creates a focused situation in which to encounternew work that one typically might not have access to. It isalso a great way to become visually acquainted with an

15.

individual’s practice, to get a sense of the larger forces atplay in an individual’s work.

I approached the selection process for the ‘2009Artists of the Mohawk Hudson Region’ exhibition just as Iwould the process of curating White Columns’ ArtistsRegistry. I was curious, not only about what kinds ofartists would apply, but also if I would be able to identifyanything about a region I will happily admit to beingunfamiliar with. (This unfamiliarity with the MohawkHudson region was one of the things that attracted me tothe project in the first place, in that it presented me withan opportunity for unexpected encounters.) Ultimately Iwas looking for work that was idiosyncratic, for work thatdisplayed a strong sense of its own identity, for work thatspoke clearly on its own terms—whatever those termsmight be. I was not looking for work that was strikinglyoriginal or novel, rather I was interested in work that—often subtly—both revealed and reveled in a dialog with itsmany histories and influences. I was looking for differentperspectives, for individual and possibly even conflictingvoices. The writer and critic Dave Hickey once asserted ina talk at London’s Royal College of Art that: “The leastinteresting thing about two different artworks is what theyhave in common.” This seemed like a reasonable‘manifesto’ for my selection process. When sharedconcerns emerged: for example, a number of the selectedartists address the notion of ‘craft’, I was more intriguedby how these approaches distinguished themselves—often

16.

radically so—from what they might have in common. I wasimpressed not only by the collective ambition of the work,but also by its sheer diversity: a diversity I can onlysurmise is reflected in the individual artists’ backgrounds,histories, experience, and motivations.

Ultimately I don’t know if the resulting exhibition isreflective of the art produced in the Mohawk Hudsonregion, however I do know that it represents a broadconstituency and seen together it is a powerful argumentfor the continued vitality of art’s presence in this part ofthe country. It was a pleasure and an honor to haveaccess to the work of all the artists who were generousenough to submit it for my consideration, and it has beena wonderful experience working with everyone at theUniversity Art Museum in Albany, I can’t thank you allenough.

Matthew HiggsJune 2009

17.

18.

LEFT

Brian CirmoCamden, NJ, O Captain My Captain,2008Pen on paper13½ x 11 inches

Times Union $500 Juror’s AwardUniversity at Albany Alumni Association Purchase Award

RIGHT

Lori Lupe PelishBoy Dreams II, 2007Fiber38 x 41 inches

Austin & Co., Inc. $250 Juror’sAward in memory of Nancy Hyatt Liddle

19.

21.

Marje DerrickPopcorn 6, 2008Oil on canvas36 x 60 inches

Mayor Gerald D. Jennings $250 Juror’s Award

22.

J.C. JogerstIt takes a man to make theman, 2009C-print under yellow Plexiglas41 x 31 inches

Metroland $200 Juror’s Award

23.

Justin BakerFor Who We Are and What We Carry I, 2009C-print30 x 30 inches

For Who We Are and What We Carry III, 2009C-print30 x 30 inches

architecture+ $200 Juror’s Award

24.

David Bodhi BoylonGarbage Chair, 2008Paper, latex paint, glue, found objects, and steel26 x 50 x 44 inches

Carrie Haddad Gallery $100 Juror’s Award

25.

Joan C. McKeon

LEFT TO RIGHT

Woman Drying Child, 20089½ x 6 x 5½ inches

Wrinkles, 200810 x 5 x 5 inches

German Woman Feeding Birds, 200811½ x 6 x 6 inches

Baker, 200813 x 6 x 5½ inches

French Woman with Fish, 200812½ x 6 x 5 inchesAll works medium: clay

Albany Center Gallery Board of Directors$100 Juror’s Award in memory of Les Urbach

26.

Tom NicolRate (3), 2007Acrylic on canvas18 x 19� inches

Riverfront Studios $100 Juror’s Award

27.

Laura CannamelaImprisoned, 2008Paper relief 8¾ x 5¾ inches

Arlene’s Artist Materials $150 giftcertificate

Mark OlshanskyFugue #19, 2005-2006Persian wool18 x 7 inches

Clement Frame Shop & Art Gallery $100gift certificate

28.

Jim FlosdorfLewitt #1, 2009Photograph48 x 36 inches

McGreevy ProLab $150 gift certificate

29.

Raymond FelixUntitled: from Hieroglyphs, 2009 Photograph20 x 16 inches

A. Grindle Custom Framing $100 gift certificateAlbany Institute of History & Art Purchase Award

30.

Sharon Bates

Monica d. Church

Bob Augstell

Abraham Ferraro

Amanda Facchiano

31.

Taylor Gillis Jared Handelsman Stephen Honicki

Richard Garrison Kyle D. Greene

32.

Jennifer Hunold Peter Iannarelli

Harold Lohner Wayne Montecalvo Matt LaFleur

33.

Georgia Wohnsen Melinda McDaniel

Kelly Jones Gregor Wynnyczuk

34.

Bob AugstellLoudonville, NY

Obsolete, 2008Ceramic and mammoth ivoryDimensions variable

Justin BakerAlbany, NY

For Who We Are and What WeCarry I, 2009C-print30 x 30 inches

For Who We Are and What WeCarry III, 2009C-print30 x 30 inches

For Who We Are and What WeCarry IV, 2009C-print30 x 30 inches

Sharon BatesTroy, NY

A Delicate Balance, 2007Found metal structures, paint,and cable tiesDimensions variable

David Bodhi BoylanWoodstock, NY

Garbage Chair, 2008Paper, latex paint, glue, foundobjects, and steel26 x 50 x 44 inches

Riverpants, 2008Acrylic on inkjet print21 x 28 inches

Laura CannamelaValatie, NY

Direction, 2008 Paper relief8¾ x 5¾ inches

Imprisoned, 2008Paper relief 8¾ x 5¾ inches

Passing, 2008Paper relief8¾ x 5¾ inches

Patterns, 2008Paper relief 8¾ x 5¾ inches

Rising, 2008Paper relief8¾ x 5¾ inches

Monica d. ChurchPoughkeepsie, NY

For the Good of All Do NotDestroy the Birds, 2006Birdcage, poohan paper,baking soda cards, thread,acrylic, graphite, string, andclothespins58 x 82 x 41 inches

Brian CirmoAlbany, NY

Camden, NJ, O Captain MyCaptain, 2008Pen on paper13½ x 11 inches

DC Cherry Blossom, 2008Pen on paper13 x 11 inches

Wake Me When It’s Over, 2008Pen on paper9 x 12 inches

Marje DerrickTroy, NY

Popcorn 6, 2008Oil on canvas36 x 60 inches

Popcorn 8, 2008–2009Oil on canvas49 x 80 inches

Amanda FacchianoTroy, NY

Jesus’s Foot, 2008Stoneware and leather17 x 11 inches

Raymond FelixTroy, NY

Untitled: from Hieroglyphs,2009 Photograph20 x 16 inches

Untitled: from Hieroglyphs,2009 Photograph20 x 16 inches

Untitled: from Hieroglyphs,2009 Photograph20 x 16 inches

Abraham FerraroRensselaer, NY

One Morning I Awoke with aBright Idea, 2006Interactive installation2 x 6 x 8 feetCollection of Paul Hobart

Jim FlosdorfTroy, NY

Lewitt #1, 2009Photograph48 x 36 inches

Lewitt #2, 2009 Photograph48 x 36 inches

Richard GarrisonDelmar, NY

Spirograph No. 14, 2009Ballpoint on paper40 x 30 inches

Spirograph No. 16, 2009Ballpoint on paper40 x 30 inches

Taylor GillisClifton Park, NY

Untitled, 2009Black and white print20 x 20 inches

Untitled, 2009Black and white print20 x 20 inches

Untitled, 2009Black and white print20 x 20 inches

Untitled, 2009Black and white print20 x 20 inches

Kyle D. GreeneAlbany, NY

Buyer’s Market: 100Abandoned Buildings—AlbanyCity, 2009100 photographs48 x 38 inches

Jared HandelsmanCatskill, NY

Daisy (flashlight), 2006Silver gelatin print(photogram)42 x 42 inches

Poppy (flashlight), 2006Silver gelatin print(photogram)42 x 42 inches

Stephen HonickiMenands, NY

Freezing rain was in theforecast., 2009Chroma print5 x 7 inches

He thought he heard a horse.,2009Chroma print5 x 7 inches

Patience was a virtue., 2009Chroma print5 x 7 inches

The connection was sporadic.,2009Chroma print5 x 7 inches

The distance was beginning totake its toll., 2008Chroma print5 x 7 inches

Jennifer HunoldAlbany, NY

Dream Home Sweet Home (3 bedrooms, 2 full and 2 half-baths, 2 car garage, and studiowith wrap-around porches,patio and mature trees), 2009Embroidery floss on linen22 x 28 inches

exhibition checklist

35.

Peter IannarelliBeacon, NY

24 Ways to Be TogetherThroughout a Day, 2007Installation96 x 144 x 16 inches

J.C. JogerstColonie, NY

For all of us, 2009C-print, album covers12 x 36 inches

It takes a man to make theman, 2009C-print under yellow Plexiglas41 x 31 inches

Two filters same race, 2009Chemistry glass, relay baton,moonshine jugs, andblack/white urine18 x 16 x 10 inches

Kelly JonesCastleton, NY

Olive, 2009Installation with projectedanimation48 x 96 x 50 inches

John KnechtHubbardsville, NY

The Acquiescers, 2008Digital animation displayed onfive iPod nanos6 x 24 inches

The Vigilant, 2008Digital animation on DVDs forfive flatscreen/DVD players5½ x 10 feet

Gail KortNiskayuna, NY

180° Seeing: Schenectady ina Dome, 2007Oil on papier-mâché4 x 4 x 4 feet

Matt LaFleurSand Lake, NY

Heater, 2008Pencil and cut paper19½ x 23¾ inches

All Seasons, Come at Once,2007–2008Pencil and cut paper22¼ x 30 inches

Family Compound, 2007Pencil and cut paper14 x 17 inches

Harold LohnerAlbany, NY

Aura 2, 2009Monoprint30 x 22 inches

Aura 3, 2009Monoprint30 x 22 inches

Melinda McDanielTroy, NY

Seven Days 2009 (Troy, NY,Winter), 2009Unprocessed colorphotographic paper10 x 8 feet

Joan C. McKeonHannacroix, NY

Baker, 2008Clay13 x 6 x 5½ inches

French Woman with Fish,2008Clay12½ x 6 x 5 inches

German Woman Feeding Birds,2008Clay11½ x 6 x 6 inches

Woman Drying Child, 2008Clay9½ x 6 x 5½ inches

Wrinkles, 2008Clay10 x 5 x 5 inches

Wayne MontecalvoKingston, NY

Garage #3, 2007Cardboard and tape19 x 16 x 8 inches

Garage #4, 2007Cardboard and tape16 x 18 x 9 inches

Tom NicolMellenville, NY

Profile, 2007Acrylic on canvas17 x 18 inches

Rate (3), 2007Acrylic on canvas18 x 19 inches

Rate (2), 2007Acrylic on canvas16½ x 19⅞ inches

Decoy, 2006-2007Acrylic on canvas12 x 13½ inches

Label, 2006-2007Acrylic on canvas16¼ x 25¼ inches

Mark OlshanskyGreat Barrington, MA

Fugue #13, 2005-2006Persian wool18 x 7 inches

Fugue #17, 2005-2006Persian wool18 x 7 inches

Fugue #18, 2005-2006Persian wool18 x 7 inches

Fugue #19, 2005-2006Persian wool18 x 7 inches

From a series of 21 based onBach’s The Art of the Fugue

Lori Lupe PelishNiskayuna, NY

Boy Dreams II, 2007Fiber38 x 41 inches

Painting, 2007Fiber24 x 30 inches

Dorene QuinnUtica, NY

Knot Restoration Project, 2009Plywood48 x 96 x 1 inches

Portable Forest Floor, 2008Leaves, cotton muslin, thread,and acrylic medium135 x 114 inches

Barbara ToddTroy, NY

…all your troubles fall away,2008Wool, appliquéd and quilted102 x 98 inches

Hill, 2008Cut paper and mat Mylar,layered48 x 52 x 1 inches

Little Arp, 2008Mat Mylar and painted MDF11 x 8½ x 1 inches

House, 1990-2006Laserprint on mat Mylar andpainted MDF45 x 51 x ½ inches

Georgia WohnsenDolgeville, NY

Sachet, 2009Burlap, cedar sachet; cheesecloth, suntan oil sachet;taffeta, and batting7 x 4 x 1½ feet each

Gregor WynnyczukAlbany, NY

Don’t Go There, 2009Vinyl on found framed print28 x 52 inches

Look at Me, 2008Vinyl on found framed print17 x 17 inches

Not Now, 2008Vinyl on found framed print12 x 39 inches

2009 Artists of the Mohawk-Hudson RegionJune 25 – August 8, 2009

University Art MuseumUniversity at AlbanyState University of New York

Copyright 2009 by University at AlbanyISBN: 9780910763387

Catalogue Design: Zheng HuEditor: Jeanne FinleyPhotography: Gary David Gold PhotographyPrinter: New York Press & Graphics, Albany, New YorkEdition: 1000Text set in ITC Franklin Gothic® on Platinum Silk

100lb text and the cover on Mohawk Via Kraft 80lb cover recycled papers

Museum Staff:Darcie Abbatiello, Museum AssistantZheng Hu, Exhibition DesignerNaomi Lewis, Exhibition and Outreach CoordinatorJoanne Lue, Administrative AssistantWren Panzella, Art Collections ManagerRyan Parr, Collections AssistantJanet Riker, DirectorCorinna Ripps Schaming, Associate Director/CuratorPatricia VanAlstyne, Administrative AssistantAriel Willmott, Avery Arts Foundation InternJeffrey Wright-Sedam, Preparator

Special thanks to Accent Commercial Furniture, Inc., Matthew Bender IV, Hudson-Fulton-Champlain Quadricentennial, The Community Foundation for the GreaterCapital Region’s Nancy Hyatt Liddle Fund for the Arts, and the University at AlbanyAlumni Association for contributing to the publication of this catalogue.

38.

¤‚‚

·ARTISTS O

F THE M

OH

AWK-H

UDSO

N REG

ION

UN

IVERSITY ART MU

SEUM

.UN

IVERSITY AT ALBANY .STATE U

NIVERSITY O

F NEW

YORK