1 apollonian and dionysian tendencies in the arts

64
1 Apollonian and Dionysian Tendencies in the Arts

Upload: megan-roy

Post on 26-Mar-2015

227 views

Category:

Documents


0 download

TRANSCRIPT

Page 1: 1 Apollonian and Dionysian Tendencies in the Arts

1

Apollonian and Dionysian Tendencies in the Arts

Page 2: 1 Apollonian and Dionysian Tendencies in the Arts

2

. Young Bacchus (Dionysus) by.Caravaggio. 1585.

Apollo. Temple of Zeus at Olympia, 468-460 BCE.

Apollonian Reason,Dionysian Intuition.

Meanad

Page 3: 1 Apollonian and Dionysian Tendencies in the Arts

3

Portrait of Friedrich Nietzsche(1844-1900) byEdward Munch.

Friedrich Nietzsche:Birth of Tragedy from theSpirit of Music (1872)

Theory: Tragedy is rooted instrong emotions thatarise from thestruggle betweentwo creative tendencies:emotion and reason.

Page 4: 1 Apollonian and Dionysian Tendencies in the Arts

4

Oedipus Rexby Sophocles

Oedipus supported by his daughters, Antigone and Ismene.

Performance, the Coliseum, Rome

Page 5: 1 Apollonian and Dionysian Tendencies in the Arts

5

Page 6: 1 Apollonian and Dionysian Tendencies in the Arts

6

Old Gods Live -- help us gain insight . . .

RoommatesChildrenA walk in the woodsWeekendsFoodSex and LoveInstitutions

ReligionEducation

How can the distinction be usedto explain these?

1. Ways to appreciate drama2. tendencies in human personality3. way people behave4. how social institutions operate5. guide to how we judge and

interact with others.

Romeo and Juliet

Page 7: 1 Apollonian and Dionysian Tendencies in the Arts

7

ROMEO [To JULIET] If I profane with my unworthiest hand This holy shrine, the

gentle fine is this: My lips, two blushing pilgrims, ready stand to smooth that rough touch with a tender kiss.JULIET Good pilgrim, you do wrong your hand too much, Which mannerly devotion shows in this; For saints have hands that pilgrims' hands do touch, And palm to palm is holy palmers' kiss.

ROMEO Have not saints lips, and holy palmers too? JULIET Ay, pilgrim, lips that they must use in prayer.ROMEO O, then, dear saint, let lips do what hands do;

They pray, grant thou, lest faith turn to despair.

JULIET Saints do not move, though grant for prayers' sake.ROMEO Then move not, while my prayer's effect I take. Thus from my lips, by yours, my sin is purged. JULIET Then have my lips the sin that they have took. ROMEO Sin from thy lips? O trespass sweetly urged! Give me my sin again. JULIET You kiss by the book.

ROMEO and JULIET. William Shakespeare. 1596.Act 1. Scene V. A hall in Capulet's house.

Page 8: 1 Apollonian and Dionysian Tendencies in the Arts

8

Institutions

Religion:

MythologyOld TestamentCatholicism Altruism - Heresy - European Reformation

ProtestantismPuritanismNathaniel Hawthorne, The Scarlet Letter (1850).

Apollonian and Dionysian elements

Page 9: 1 Apollonian and Dionysian Tendencies in the Arts

9

Marriage Ceremony

Shakespeare’s time

A Catholic ceremony today.

Page 10: 1 Apollonian and Dionysian Tendencies in the Arts

10

Gianlorenzo Bernini, Ecstasy of St. Teresa, Cornaro Chapel, 1647-52.

Page 11: 1 Apollonian and Dionysian Tendencies in the Arts

11

Hester Prynne portrayed1850s 2002.

The Scarlet LetterNathaniel Hawthorne

Page 12: 1 Apollonian and Dionysian Tendencies in the Arts

12

School

Page 13: 1 Apollonian and Dionysian Tendencies in the Arts

13

Jokes, Dreams and Slips

Page 14: 1 Apollonian and Dionysian Tendencies in the Arts

14

Jokes:Dionysian releaseJokes and theirRelation to the Unconscious.

Sigmund Freud:

“A Freudian slip is when you say one thing but you mean your mother.”

Page 15: 1 Apollonian and Dionysian Tendencies in the Arts

15

Salvador Dali. Metamorphosis of Narcissus. 1937.Freud commented: “I’ve never seen such a perfect example of Spanish man before, what a fanatic!” Dalí said that this work was all about the death and petrifaction of Narcissus.

Page 16: 1 Apollonian and Dionysian Tendencies in the Arts

16

Henri Matisse

Title: The Piano Lesson 1916

Apollonian/Dionysian?

Page 17: 1 Apollonian and Dionysian Tendencies in the Arts

17

Johann Sebastian Bach

Ludwig von Beethoven

Rock concert

Music-most Dionysian art?

Apollonian/Dionysian response?“I hated it because I didn’t know what it meant.”

Role of critical analysis . . .

What would be a Dionysian expectation for music?

Page 18: 1 Apollonian and Dionysian Tendencies in the Arts

18

“What is the sound-scape of your life?”

Music was meant to stir the emotions, notthought processes. Do you agree?

Page 19: 1 Apollonian and Dionysian Tendencies in the Arts

19

William Wordsworth"Poetry is the spontaneous overflow of powerful feelings;it takes its origin from emotion recollected in tranquility.".

--“Distanced emotion” “aesthetic distance”

Drama, literature, poetry--most Apollonian?

--Apollonian elements in drama, literature, poetry:

emphasis on moralityintentional communication of ideasgoal of improving societyorderly structuresdistanced emotions (aesthetic distance)

--Dionysian elements?

Page 20: 1 Apollonian and Dionysian Tendencies in the Arts

20

THE LAWS OF GOD, THE LAWS OF MAN

The laws of God, the laws of manHe may keep that will and can;Not I; let god and man decreeLaws for themselves and not for me;And if my ways are not as theirsLet them mind their own affairs.Their deeds I judge and much condemn,Yet when did I make laws for them?Please yourselves, say I, and theyNeed only look the other way.But no, they will not; they must stillWrest their neighbor to their will,And make me dance as they desireWith jail and gallows and hell-fire.

And how am I to face the oddsOf man’s bedevilment and God’s?I, a stranger and afraidIn a world I never made.They will be master, right or wrong;Though both are foolish, both are strong.And since, my soul, we cannot flyTo Saturn nor to Mercury,Keep we must, if keep we can,These foreign laws of God and man.

A.E. Housman. ABH, pp.. 33-34.

Page 21: 1 Apollonian and Dionysian Tendencies in the Arts

21

Clear

the children they move stand about roam freely

come rushing, their innocence

solemn their grace

have you seen them have you seen them

can you feel the Revolution

Clear as the sun that makes the morning blossom

Flowing and Brilliantthrough circles & meadows

& on into Streets . . .

from poem Clear, by Angelo John Lewis (b.1950).

Page 22: 1 Apollonian and Dionysian Tendencies in the Arts

22

Maurice Ravel (1875-1937), Bolero, 1928.

A Paradox . . .

Form:

Elements composed of basic elements : tone, scale, rhythm, melody . . .

Principles (music has them too):coherence and unity through

repetition, organization. -

Impulse/idea, content --> strict Form --> Dionysian effect.

Embedding.

.

Page 23: 1 Apollonian and Dionysian Tendencies in the Arts

23

Stages of Creativity

1. 2. 3.First Insight Saturation Incubation

*4. 5.Illumination Verification.(The Ah-Ha!)

See Betty Edwards, Drawing on the Artist Within, 1986.

Page 24: 1 Apollonian and Dionysian Tendencies in the Arts

24

Visual Arts

Basic Elements of Visual Art:

Line, shape, form, color, texture, space

CompositionUnity and variety

Likeness, alteration

Page 25: 1 Apollonian and Dionysian Tendencies in the Arts

25

Page 26: 1 Apollonian and Dionysian Tendencies in the Arts

26W. Kandinsky. Composition VII. 1913.

Page 27: 1 Apollonian and Dionysian Tendencies in the Arts

27

PersianMiniature1525-35.

Page 28: 1 Apollonian and Dionysian Tendencies in the Arts

28F. Goya. Shootings of the 3rd of May, 1808. 1814.

Page 29: 1 Apollonian and Dionysian Tendencies in the Arts

29

Donatello

Title: David

bronze.

ca. 1428-32.

Page 30: 1 Apollonian and Dionysian Tendencies in the Arts

30

Michelangelo

David.

marble

1504.

Page 31: 1 Apollonian and Dionysian Tendencies in the Arts

31

Drama

To providecatharsis orprovoke?

To entertain?

Page 32: 1 Apollonian and Dionysian Tendencies in the Arts

32

 

Plan of Versailles    

VersaillesPalace andGardens.

1668.

Page 33: 1 Apollonian and Dionysian Tendencies in the Arts

33

Dionysian/Apollonian?

Theory, structure:Practice: The flow of life:

Apollonian and Dionysian qualities have muchto do with personal decisions and responses to events.

-->Balance. Combine elements.

Page 34: 1 Apollonian and Dionysian Tendencies in the Arts

34

Raphael. School of Athens, 1509-11. The Vatican.

Page 35: 1 Apollonian and Dionysian Tendencies in the Arts

35

Question: Can a rebellious art form remain Dionysian in a museum setting?

I.M. Pei, Museumof Rock and Roll,Cleveland, Ohio.

Page 36: 1 Apollonian and Dionysian Tendencies in the Arts

36

Apollo and Daphne1622. Marble.

Gianlorenzo Bernini

Page 37: 1 Apollonian and Dionysian Tendencies in the Arts

37

Henry Matisse. The Joy of Life. 1905-6.

Page 38: 1 Apollonian and Dionysian Tendencies in the Arts

38Henri Matisse. The Music Lesson. 1917.

Page 39: 1 Apollonian and Dionysian Tendencies in the Arts

39

STUDY FOR APOLLONIAN and DIONYSIAN TENDENCIES. Be ready to identify

characteristics of an Apolloniancharacteristics of a Dionysian event, person, thing, idea

Remember the back and forth swing in peoplereligion, education: realized personMardi Gras infinite personAsh Wednesday l’uomo universaleVersailles literalist (?)St. Peter’s balance

Page 40: 1 Apollonian and Dionysian Tendencies in the Arts

40

Form and content of plays and writing:

Sophocles’ Oedipus Rex, Shakespeare’s Romeo and JulietNathaniel Hawthorne, Scarlet Letter

poetry of Angelo J Lewis and A.E. Housman, Nietzsche’s Birth of Tragedy from the Spirit of MusicVictor Hugo’s Les Miserables

W. Wordsworth’s “emotion recollected in tranquility”“aesthetic pleasure” “aesthetic distance” catharsisSigmund Freud’s theory of jokes

Page 41: 1 Apollonian and Dionysian Tendencies in the Arts

41

Embedding, comparisons, form and content in music and art

Michelangelo’s and Donatello’s David Bernini, St. TeresaGoya, 3rd of May

Raphael, School of AthensMatisse, Music LessonKandinsky, Composition VII

Rock concerts, museumsRavel’s BoleroVictorian Age

Page 42: 1 Apollonian and Dionysian Tendencies in the Arts

42

QUIZ. 4-C

CRITICAL THINKINGand APOLLONIAN and DIONYSIAN TENDENCIES

Page 43: 1 Apollonian and Dionysian Tendencies in the Arts

43

MATCHINGChoose the best term for these descriptions from the options below them.

1. ____said, the creative struggle between emotion and reason leads to powerful works of art.

2.  The author of a poem about someone with fifty more years to live, during which he intends to live seizing every opportunity to experience beautiful things

3. ____ who said, jokes and slips of the tongue release Dionysian impulses.

A) Beethoven B) Mozart C) Plato D) Freud E) Nietzsche AB) A.E. Housman.

Page 44: 1 Apollonian and Dionysian Tendencies in the Arts

44

MATCHING

4.  Persons with an objective approach to subjects.

5. Leonardo and Einstein are examples of this.

6. Persons whose knowledge of the past informs their present.

• The Greek god of the sun (hence of light and truth) is named:

A) Plato B) realized human beings C) ApolloD) literalists E) critical thinkers AB) uomo universale

Page 45: 1 Apollonian and Dionysian Tendencies in the Arts

45

MATCHING. 8. A framework of circumstances and relationships

around a subject.

9. A statement that is believed to contain a reasoned foundation for ethical behavior.

10. A process that describes, defines, and analyzes.

• Plausible but self-serving reasons for actions.

A) critical thinking B) principle C) rationalization D) context

E) buried assumptions

Page 46: 1 Apollonian and Dionysian Tendencies in the Arts

46

MULTIPLE CHOICE.

12. Which of the following would NOT be considered one of the disciplines to study in the humanities?  

A) music B) biology C) television D) philosophy

13 . Which of these items would NOT belong in the repertoire of a professional critic when assessing an artistic work?  

A) adding observations about the production, performers, or artist's technique.

B) not trusting one’s initial response.

C) noticing details in the work and in the presentation of the work.   D) using many adjectives that describe mostly one's personal feelings about the work.

Page 47: 1 Apollonian and Dionysian Tendencies in the Arts

47

14 . The Dionysian spirit is most applicable to which of the following artistic creations?

A) the improvisations of a jazz musician   B) the precise, fourteen-line structure of a sonnet   C) the balanced composition of a landscape painting   D) the structural design of St. Peter's cathedral in Rome

15 . The rigidly Apollonian Protestant sect that dominated New England in the 17th century (providing the basis for Hawthorne's The Scarlet Letter) is known as:

• Puritanism B) Roman Catholicism C) Protestantism D) Mysticism

Page 48: 1 Apollonian and Dionysian Tendencies in the Arts

48

MATCHING

16.  This artistic work shows the Dionysian side of religion. 17.  This play depicts the Apollonian authority of the family

squelching two Dionysian lovers.

A. Michelangelo's David B). Bernini's The Ecstasy of St. Teresa C. Miss Saigon D. Romeo and Juliet E) Oedipus Rex

TRUE (A) or FALSE (B)

18. Knowledge of historical context allows people to better understand the meaning of the artistic work, even though the style of the work may be out of date.

• “Clear” by Angelo John Lewis gives a Dionysian appearance to poetry.

20 . Dionysians trust in luck.

Page 49: 1 Apollonian and Dionysian Tendencies in the Arts

49

21. Educational theory is Apollonian; educational practice is more Dionysian.

22. Sigmund Freud wrote a famous essay attacking the belief that Greek myths contained psychological realities.

Would teach critical thinking (A) or Would NOT (B).

Which questions would help teach critical thinking? (A)Which would not? (B)23. At what temperature does water boil?

• What is the relationship of 17th century music

and the gardens of Versailles?

25. Who sculpted the statue of David found in Florence?

Page 50: 1 Apollonian and Dionysian Tendencies in the Arts

50

DISCUSSION. Explain outstanding Dionysian and Apollonian features of this work (3 pts).

Salvador Dali. Metamorphosis of Narcissus. 1937.

Page 51: 1 Apollonian and Dionysian Tendencies in the Arts

51

Page 52: 1 Apollonian and Dionysian Tendencies in the Arts

52

QUIZ. 4-D

CRITICAL THINKINGand APOLLONIAN and DIONYSIAN TENDENCIES

Page 53: 1 Apollonian and Dionysian Tendencies in the Arts

53

MATCHING

Choose the best term for each description from the options below them.

1.  The author of The Immortal Class: Bike Messengers and the Cult of Human Power.

2. ____who said that the creative struggle between emotion and reason leads to powerful works of art.

3. ____Don Campbell said, listening to this composer’s music may help us problem solve and create.

A) Ravel B) Mozart C) T. Culley D) Plato E) Freud AB) Nietzsche.

Page 54: 1 Apollonian and Dionysian Tendencies in the Arts

54

MATCHING

4 . The Greek god of the earth, spring, and renewal (hence whatever was natural and beyond rational analysis) is named

5. Leonardo and Einstein are examples of this.

6.  A person whose reality was only surface deep and who was not given to critical thought:

• Persons with an objective approach to subjects.

A) Plato B) critical thinkers C) uomo universale D) Dionysus

E) T. Culley AB) W. Tatlock.

Page 55: 1 Apollonian and Dionysian Tendencies in the Arts

55

MATCHING8. Poem with a clearly Dionysian theme, expressing distrust of

any laws, yet it is encased in Apollonian structure and language.

  9. This famous abstract painting may at first appear totally

Dionysian, but it includes some Apollonian overtones in the finishing.

  10. This sculpture depicts the Dionysian in religion.   11. This famous modern-day musical is based on a famous

novel that questions whether the Apollonian justice system can accommodate a Dionysian exception.

• Donatello's David B) Angelo J. Lewis's "Clear"

C) V. Hugo's Les Miserables D) V. Kandinsky's Black Lines

E) A.E. Housman's "The Laws of God, the Laws of Man"

Page 56: 1 Apollonian and Dionysian Tendencies in the Arts

56

TRUE (A) or FALSE (B)

12 . The word "cyber" was originally a Greek word meaning "helmsman," the person in command of the ship.

13.The critical thinker knows enough not to challenge people’s assumptions.

14.The Puritanism of 17th century New England tended to an Apollonian extreme.

15. Theory is Dionysian; trial and error is Apollonian.

Page 57: 1 Apollonian and Dionysian Tendencies in the Arts

57

TRUE (A) or FALSE (B).

16.Miss Saigon is an update of Mozart’s opera, The Marriage of Figaro.

17. Timeless Dionysian elements include uninhibited dance, repeated chants, mysticism, and emphasis on feeling and instinct.

18. Giving labels to historical periods is Apollonian.

19 . The extreme Apollonian is rigid and uncompromising—like Hester Prynne's vengeful husband in The Scarlet Letter.

Page 58: 1 Apollonian and Dionysian Tendencies in the Arts

58

MULTIPLE CHOICE

20 . Which one of the following would NOT be considered a gift of the humanities? The ability to:  A) find pleasure in the beautiful B) think criticallyC) understand how the concepts of the past affect the presentD) analyze various geologic structures within the earth's mass

21. Which one of these individuals—as both a lover of science as a lover of humanities— designed the first submarine, the first airplane, studied how the human circulatory system worked, invented the hydrometer (a machine that measure the specific gravity of liquids), and painted the Mona Lisa?

A) Orville Wright B) Galileo C) Michelangelo D) Leonardo da Vinci

22 . William Wordsworth defined poetry as what "recollected in tranquility"?

A) emotion B) memory C) despair D) beauty

Page 59: 1 Apollonian and Dionysian Tendencies in the Arts

59

Which questions would help teach critical thinking? (A)

-->Which would not? (B)

23.Who painted Matisse’s Piano Lesson ?

24. Which provides a better vacation, whitewater rafting or a cruise?

25. How much did Miss Saigon make at the box office?

Page 60: 1 Apollonian and Dionysian Tendencies in the Arts

60

Which questions would help teach critical thinking? (A)

-->Which would not? (B)

23.Who painted Matisse’s Piano Lesson ?

24. Which provides a better vacation, whitewater rafting or a cruise?

MULTIPLE CHOICE:25. According to Martha Graham, modern dance should • imitate nature around us B. show everyday actions • express human existenceD. portray exotic creatures.

Page 61: 1 Apollonian and Dionysian Tendencies in the Arts

61

DISCUSSION. Explain outstanding Dionysian and Apollonian features of this work (3 pts).

Henri MatisseThe Piano Lesson

Page 62: 1 Apollonian and Dionysian Tendencies in the Arts

62

In another moment Alice was through the glass*, and had jumped lightly down into the Looking-glass room. . . . Then she began looking about, and noticed that what could be seen from the old room was quite common and uninteresting, but that all the rest was as different as possible. . . . “They don’t keep this room so tidy as the other,” thought Alice to herself.

DISCUSSION. What are the Dionysian and Apollonian features of this work? (3 pts.)

Alice in Wonderland

*glass or looking glass = mirror

Page 63: 1 Apollonian and Dionysian Tendencies in the Arts

63

Isamu NoguchiWater Stone.1980s.

DISCUSSION. Explain outstanding Dionysian and Apollonian features of this work (3 pts).

Page 64: 1 Apollonian and Dionysian Tendencies in the Arts

64

G. L. Bernini,St. Teresa.

DISCUSSION. Explain outstanding Dionysian and Apollonian features of this work (3 pts).