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August: Osage County

By Tracy LettsDirected by Roy S. Fluhrer

Time: August, 2007Place: Pawhuska, Oklahoma, Osage County, 60 miles Northwest of Tulsa

Prologue: A rambling Country HouseAct I, Scene 1: 2 weeks laterAct I, Scene 2: An hour laterAct I, Scene 3: Later that eveningAct I, Scene 4: 5:45 in the morning

10 minute intermission

Act II, Scene 1: 2:00 pm the day of Beverley Weston's Funeral

10 minute intermission

Act III, Scene 1: Evening of the funeralAct III, Scene 2: Later, after midnightAct III, Scene 3: 1 week after funeralAct III, Scene 4: 2 weeks after funeralAct III, Scene 5: Later, dinner time

Production Crew

Director Roy S. FluhrerScene Designer Shannon RobertScene Co-designer Henry WilkinsonLighting Designer Paul CollinsCostume Designer Kendra JohnsonProps Master Paul FeraldiSound Designer David SimsProduction Manager, Fight Choreographer Bill MuñozTechnical Director John KennanStage Manager Jaime KeegstraAssistant Stage Manager Katie HalstensgardPaint Charge Erika WhatelySet Crew Dalton Cole, Terry Brennen, Alex Brady, Montana Kern, Chris Kelly, Erica Franks, Christian OehringRunning Crew Emily Kelly, Erika Whately, Alex Brady

Cast

David Johnston Beverly WestonJessica Peterson* Violet WestonAnne Tromsness Barbara FordhamPaul Savas* Bill FordhamSara Tolson Jean FordhamKerrie Seymour Ivy WestonMary Freeman Karen WestonKelly Wallace Mattie Fay AikenChip Egan Charlie AikenBrock Koonce Little Charles AikenDebra Capps Johnna MonevataBill Muñoz* Steve HeidebrechtChris Evans Sherif Deon Gilbeau

*Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.

Actors’ Equity Association (AEA) was founded in 1913 as the irst of the American actor unions. Equity’s mission is to advance, promote and foster the art of live theatre as an essential component of our society. Today, Equity represents more than 40,000 actors, singers, dancers and stage managers working in hundreds of theatres across the United States. Equity members are dedicated to working in the theatre as a profession, upholding the highest artistic standards.

Equity negotiates wages and working conditions and provides a wide range of beneits including health and pension plans for its members. hrough its agreement with Equity, this theatre has committed to the fair treatment of the actors and stage managers employed in this production.

AEA is a member of the AFL-CIO and is ailiated with FIA, an international organization of performing arts unions. For more information, visit www.actorsequity.org.

Mailing address: Website address: he Warehouse heatre www.warehousetheatre.com37 Augusta St. Email:Greenville, SC 29601 [email protected] Latecomers: Latecomers will be seated at the discretion of management and in seats that avoid disrupting other patrons and the performance. Refunds are not available except in the case of performance cancellation. If you cannot attend, we can accept your unused ticket as a donation. Please return your ticket to the box oice to obtain a tax receipt.

Smoking: Smoking is NOT PERMITTED anywhere in the building. hose who must smoke should do so on the public sidewalk away from the building, so as not to bother other patrons. Please do not smoke just outside the doors as the smoke drifts back inside; instead, go to the end of the ramp to the “patio” area.

Cameras and recording devices: It is ILLEGAL to record a performance, with any media, in whole or in part. If you record a performance in whole or in part we will ask you to stop recording during the live performance. You will be embarrassed.he videotaping or other video or audio recording of this production is strictly prohibited.

Cell Phones, Beepers & Alarm Watches: Please turn them of BEFORE the performance begins. Please do not use the vibrate option but, instead, turn them completely of.

Lost and Found: Found items should be given to the House Manager. Queries regarding lost items may be made by calling 235-6948.

Recycling & Trash: Please help us keep the theatre clean by discarding trash in the lobby trash cans or by handing it to us for recycling. hank you!

Your Image: Attendance at he Warehouse heatre is your tacit permission for us to use your still image for marketing and/or fundraising purposes. Attendance at he Warehouse heatre is your tacit permission for us to use your moving image and recorded comments for marketing and/or fundraising purposes.

Attending he heatre:

• When coming to the theatre, at he Warehouse or anywhere else, you are taking part in a 2500+ year old tradition that engages you with the community in which you live. With this in mind, please be courteous to the other audience members. You are part of their experience and they are part of yours.

• Watching a play requires you to think. Enjoy yourself with your brain ON. You can’t go back if you miss something – this is live and in the lesh.

• here are many diferent types and styles of plays. We ofer you the opportunity to attend a pre-show talk before our Sunday matinees which will put the play you are about to watch into context, and we also have information about our production available to you in our lower lobby, but do your own homework. You will enjoy the experience more if you do a little bit of research into the play and the playwright. he Internet is your friend!

• Don’t be afraid to laugh...there are laughs even in tragedies. Go ahead...it’s ok!

The Warehouse Theatre is sponsored in part by a grant from the Metropolitan Arts Council, which receives funding from the City of Greenville, SEW Eurodrive, BMW Manufacturing Company, LLC, Michelin North America, Inc., and the South Carolina Arts Commission with sup-port from the National Endowment for the Arts.

A Note From The Executive & Artistic Director

Happy 40th Anniversary Season to he Warehouse heatre. It is a great pleasure to be at the helm of he Warehouse heatre during this exciting time. We have accomplished so much over the course of the last 40 years and there would be no way for me to thank everyone who has had a part in the rich community that we have built, but together we have created a theatre of which Greenville is proud.

his year we look back at all of our success but we also look forward to the next 40 years, and I am happy to lay out the business model that will launch us into the future! It’s a business model built for longevity, addresses all mission directives and will provide the highest professional and artistic quality theatre possible. It has three integral parts that could stand on their own but together create a unique business model for a small market professional theatre.

During our 2015-2016 season we’ll kick of our new Warehouse heatre Conservatory, a tuition based 40+ week program drawing from the most talented early career theatre professionals from across the state and nation. It bridges the gap between the educational and the professional world. Too many young theatre artists receive little to no training about the business of their discipline; we will ill that gap and prepare them for their irst professional move.

In fact, we’ll provide their irst professional move. Our touring program grows every year and will reach throughout South Carolina and the near reaches of North Carolina and Georgia. he tours not only further the reach of our educational programming but will also hire the graduates of our conservatory the season after they graduate. Tell your representatives: we are creating an educational program that provably leads to tax paying jobs in the ield, in the state!

If excellent professional preparation, networking while working with our guest artists on the Main Stage and then a job when they graduate are not carrots enough to ensure we attract the best, brightest we have something else. In 1989 he Warehouse heatre became the irst professional theatre in South Carolina when it entered into a Small Professional heatre agreement with Actors Equity Association. his year we have once again entered into a Small Professional heatre agreement with Actors’ Equity Association. his agreement helps us increase the professional and artistic quality of what you see at he Warehouse but it also, and almost more importantly, will allow us to ofer to our Conservatory students measurable movement towards the professional credentials they wish to acquire.

We’ll still be doing all of the other programs that you have come to know and love, a vibrant summer season with he Distracted Globe and our Upstate Shakespeare Festival; our exciting and impactful educational programming including his Wooden O, he Healthy Living Program; our Community Engagement activities which include our Talk Backs, Pre-Show Talks, and our Warehouse heatre Forums and more.

he Warehouse is your Intense Intimate and Unexpected alternative for theatre of the highest quality! hank you for being a part of our world and we hope you’ll be a big part of the next 40!

hank you for coming to he heatre. Without you, we’d be an empty room.

Special Thanks

Clemson University Performing Arts Department

South Carolina Governor’s School for the Arts & Humanities

Productions Unlimited

Matt Leckenbusch

Clemson University

Justin Neil Ames

Jayce Tromsness

Ruth Mansure

J.C. Rose & Associates, Inc.

Habitat for Humanity

Mimi Wyche

Ezekial Ring

Fine Arts Center

Cecily Mango & Harry Wilkinson

Paul Flint

Staf

Executive/Artistic Director Paul Savas

Director of Development Katie Leckenbusch

Director of Education Anne Kelly Tromsness

Associate Artistic Director Shannon Robert

Production Manager Bill Muñoz

Technical Director John F. Keenan

Operations/Front of House Manager Andy Croston

Administrative Assistant Jaime Keegstra

The Medici Society

Your gift to he Medici Society, he Warehouse heatre’s annual fund, is an altruistic act which supports our annual operations. he Medici Family of 15th century Florence was largely responsible for the lowering of arts during the height of Florentine and European Renaissance. he Medicis gave ample patronage to the arts and literature in order to encourage a prosperous city.

When you give to he Medici Society, you join a rich history of giving to the arts which was born in ancient Greece, revived through the Medicis, and is ours to perfect.

For more information please contact:Katie LeckenbuschDirector of [email protected]

Chairman’s Circle ($10,000+)

Lobby space donated to a charity of your choice for a reception(some restrictions apply).

Producer’s Circle ($7,500 - $9,999)

(20) Tickets: Pick a show, or shows, invite your friends OR WHT will donate tickets in your name to the charity of your choice.

Director’s Circle ($5,000 - $7,499)

Invitation for (2) to WHT 40th Anniversary Gala! Saturday, January 18, 2014

Playwright’s Circle ($2,500 - $4,999)Reserved seating for you and a guest for the whole season!(reservations required)

Grand Benefactors ($1,000 - $2,499)

Invitation to a design presentation and rehearsal of your choice.

Benefactors ($500 - $999)

Invitation for (2) to he Warehouse 4th of July Party.

Patrons ($250 - $499) Invitation to heatre Appreciation Events.Please check the website for dates and topics!

Partners ($100 – $249)

Recognition in the 2012-2013 season playbill and WHT website.

Generous Support From:he Harriet Wyche Endowment

Fund for Professional Artistic Excellence at he Warehouse

Alliance for Full Acceptance Bank of Americahe Derrick Family FoundationElbert W. Rogers Foundationhe Graham FoundationHollingsworth Funds, Inc.he Jolley Foundationhe Metropolitan Arts CouncilJean T. and Heyward G. Pelham

Foundationhe Shubert Foundationhe South Carolina Arts

Commissionhe TD Charitable Foundation

Chairman’s Circle $10,000+BMW Manufacturing Co., LLCTom and Debra StrangeJackie and John WarnerMimi Wyche and Davis Enloe

Producer’s Circle ($7,500-$9,999)Wyche, P.A.

Director’s Circle ($5,000-$7,499)AnonymousSusan and Steve BichelCurrent Tools, Inc.Danielle Fontaine and Bill McLendonGreenville Hospital System

Children’s HospitalBeth Lee and Chip LeeNorthwestern Mutual, GreenvilleEthel and John PiperHarry Wilkinson and Cecily MangoCrissy and George F. Maynard, IIISusan and Russell Stall

Playwright’s Circle ($2,500-4,999)Claire and Joe BlakeElliott Davis, LLCDesign Strategies, LLCDon Faircloth and Mark BlonsteinHaynsworth Sinkler Boyd, P.A.Marsha and Wallace LightseyRuth and John Mansurehe Priester FoundationShannon Robert and Paul SavasRogers Financial Group (Jeanette

and Jon Rogers)Sharon and Adrian SteinmannVidiStar, LLCBianca and Craig WalkerEllen and Alan Weinberg

Grand Benefactors ($1,000-$2,499)Helen and Neil AmesLinda ArcherElizabeth Barwick and Roy S. FluhrerMary BiebelKen BetschVicki and Craig BrownSue and Jim BurfordCertusBankAnn and Mike ChengrianSusan and Randy ClarkAmy and Mark ClaryKathi and Joel DanielHarriet and Jerry DempseyDiane and Chip EganAndrew ElashFrances and David EllisonIngrid and Rick ErwinExxonMobil FoundationJack Ashton and John FaganLara and Eric FarnsworthSarah and George FletcherSharron and Norman GlickmanChristine and Eric Harrellhe Hasert Memorial TrustBev and Bob Howard

The Medici Society Listing relects gifts received prior to January 5th, 2014

Pat DilgerRosa EisenstadtJ. Michael EvansKeller and David FreemanMary and Caleb FreemanMark FernandezNita FinleyPatricia and William FullerDonna and Steve GraddickSusie and Jim GrowNancy and Bruce HalversonKay and Monte HartGary Hester InteriorsTrude Heller and FamilyBlake KingsburyBJ and Don KoonceBrock and Staci KoonceAlice and Jerry LenzBilly Long Mary Louise MimsDolly and Louis PardiDiane PerlmutterHeather and John PetrusickPiedmont Arthritis ClinicNicole and Trevor ReamSherm RoundsvilleRosenfeld EinsteinDavid RyderGlenn SawickiBob and Pat ShufeldtDiane Smock and Brad WycheGraham and Greta SomervilleDiana and Mike StafordMae and Dennis TavernettiSydney and Ed TaylorJill and Lou ValesHarriet and Philip Van Halehea and Ruud VeltmanSteve VonFangeKelly WallaceJeanette Wilcox and Craig StineAlex and Philip WhitleyWade Wilson

Andrea and Carson JohnsonSteve JohnsonMary and Jef LawsonDavid E. Maguire Foundation, Inc.Basia and Paul McHughBeth and Scott McMillanHeidie and Keith MillerTeri and Jorge PenaGinger and Brian PhillipsJane and Donald PilzerSue Priesterhe Honorable Richard C. RileyVernell and Kenneth Rogers, MDShirley SarlinCarol and Andrew SavasDianna and Eric SchmidJudson Suber, West End Dental SuperCutsTD Bank, N.A.Emilie and Nick heodorehink Up ConsultingDr. Tom and Lucy TillerKelli and John TripoliLiz and Fabian UnterzaucherBobbi and Bill WhelessMarsha and Knox WhiteSusie and Andrew WhiteBeverly and James S. WhittenMaxim WilliamsLorraine and Robert Wooten

Benefactors ($500-$999)ADG Preferred Payroll, Inc.Paul C. Aughtry, IIIDan Belbey and Tom DonnellyJoseph BlalockLaura BlumeAnne and John CrabtreeJudith L. CoeMary Anne and Bob CooperCrawford Strategy, LLCFannie I. CromwellJane DavenportKathleen Davis

The Medici Society Listing relects gifts received prior to January 5th, 2014

Patrons ($250-$499)Melinda AudMaegan and homas AzarAnn Bible and Tom BatsonSigne and Ron CannMark CernigliaJP Morgan Chase BankDavid and Carolyn ChildsSusan ClarkBillie Cleveland and Carroll RushingWade Cleveland and Travis SewardStanley CroweEileen CulbrethIn Memory of Dale DavisBetty FarrDr. Jerry and Natalina Ferlauto David and Jackie FirstenbergBelinda and Gary GerrackJulie and Berry GarrettTerry and Mark GordonGreenville Army Navy Store, Jef

ZaglinLaura and Jim GossettNicolette and Allen GrumbinePriscilla and Johnny HaginsMarcy and Dexter HagyFrank B. HalterKathryn and Geofrey HardawayPriscilla and Knox HaynsworthDarrell and Georgia HarrisonAnna Kate and Hayne HippJamie and Henry HorowitzJean and Ken JohnsonEugene JohnsonMary and Ellis JohnstonMarilyn and Paul JonesMr. and Mrs. Hurdle LeaFred LefertHelen B. MaishGenevieve and Basil ManlyMcCallum Sweeney Consulting, INCSarah and Tim McHenrySandy and Tom MillsEllie and John MioduskiSue and Brian OnkenWilliam H. OrdersWilliam PageAnne Parker

Margaret Ellis PearceC. Niles RayDonna Reiss and Arthur YoungAmy and Martial RobichaudLucy and Roger RollinMichelle and Michael ShainMinor and Hal ShawChristian and David SimsCarol and James SmeatonDelores and Barney SmithElizabeth P. StallNancy B. StantonCindy and Stan StarnesCarolyn G. StirmSydney and Ed TaylorLubov and Edvard TchivzhelSherri and Chuck TimmonsChristine and Dudley TowerJo and Harry UsseryDiana and Greg ValenteLeslie and Eddie VannMarilyn Vanvick and Bill PageJudy and Eric VerhoevenEleanor and Irv WellingJeannette Wilcox

Partners ($100-$249)Steve AcresRobin and Michael AleksinasTraysie AmickKaren and Ralph BaehrTim BaidenDonnie and Ed BarnesDorothy BelingDeborah BellBernice BloomPat and David BorensteinAndrea and Tomas BurrissRobert CancelliereCapehart DentistrySapho and Mark CharneyKenneth ChristyElvin and Connie ClarkAlice and John ClaggettPeggy and Roger ClinkscalesKerstin and Adrian CravenHarry CurtisSusan Cyr and Mark Johnston

The Medici Society Listing relects gifts received prior to January 5th, 2014

At TD Bank we strive

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Thank you to all of our donors! Please let us know if you ind an error in your information - we want to represent your support correctly!

The Medici Society Listing relects gifts received prior to January 5th, 2014

Elizabeth Daly-KorybskiDebbie DaileyJames DavisSteve and Peggy DavisDebby and Joe DeRosaDoug DormanGladys DykeSally and John EastmanDot and Alan ElmoreCarol EstepValerie and Timothy EstesIldiko and Rich EverlyAlice Anne and Ben FarleyCaroline FratturoRebecca and homas FaulknerPamela FjeldElizabeth FoxworthKathryn FreedmanIrene and Lee FriedmanWilliam GarrenPat GarrettAnnette GarverPaul GilbertHeather HaleyDavid HamesMireille and Viktor HanuskaJoe HaynesPeter HelwigRichard HeuselElizabeth HicksCarol and Walter HintonFrank S. HollemanStephen HumphreySue and Sam InmanGeorge Michael JamraMargaret L. JenkinsDon KambCherie KeeseVickie KroegerSandra LambersonLinda and Harry LawDiane L. LawrenceLinda and Howard LevyHeather LyndonGlenda Manwaring

Sharon and Charles MartinDr. and Mrs. Fleming MattoxJackson and Pamela McCarterMcPhail Animal HospitalWilliam MebaneLaura MillerLynda MorrisonMary Lee and Warren MowryBob and Valerie MullerLaura and Miles NasonBarbara and James NealRaja NeuhausGrady PattersonSally and Peter PotoskyMary PrincipeSusan and Tim ReedTJ SaadSandra SandersonHarvey SandersPat ScalesSusan SchneckenbergDavid T. ScottGail and Bruce SchoonmakerSteven ShrumJohn SissonDonna SmithAllison SteadmanMaris and Neil SteinbergWilliam StephensonTod TappertCheri and Dennis TesolowskiJoni and Larry hompsonTracy TiddyFrankie and Monty TuckerValda and Donald VanderslootWilliam VolzLeigh WalkerEmmie WatsonWest End SpiritsBarbara and Don WilloughbyShelby and Michael WirtPhyllis WilkesCharles Woford & Nancy B. homasDr. and Mrs. Richard ZanderMary Lou Zill

We proudly support the Warehouse Theatre

and celebrate its 40th Anniversary. Bravo!

ghschildrens.org

Advancing Health Care for Generations. For more than a century, Greenville

Health System (GHS) has been making curtain calls as the Upstate’s premier

healthcare resource. We lead the way in medical education and clinical

research, transform patient care through integrated programs and

interconnected teams, and ofer area residents the right care in the right

place at the right time—right from birth (and even before).

Like you, GHS Children’s Hospital strives to perform at the highest level every

day and plays a dynamic role in supporting the betterment of our community.

To learn more about our wide-ranging services and stellar physicians, visit

ghschildrens.org.

Our Role Supports You

131046

Shedding Light on Dysfunctional Family Dynamics

In their book, Forgiving Our Parents, Forgiving Ourselves: Healing Adult Children of Dysfunctional Families, David Stoop and James Masteller deine a “dysfunctional family” as one in which “conlict, misbehavior, and often child neglect or abuse on the part of individual parents occur continually and regularly, leading other members to accommodate such actions. Children sometimes grow up in such families with the understanding that such an arrangement is normal. Dysfunctional families are primarily a result of co-dependent adults, and may also be afected by addictions, such as substance abuse (alcohol, drugs, etc.), or sometimes an untreated mental illness. Dysfunctional parents may emulate or over-correct from their own dysfunctional parents.” Playwrights from time immemorial have dealt with this theme to one extent or another. From Oedipus Rex to Hamlet to Long Day’s Journey Into Night to August: Osage County, the theme of family conlict makes for compelling drama.

here are a number of common elements that surface in most dysfunctional families that can be seen popping up like prairie dogs in August: Osage County. he matriarch, Violet Weston, appears to singlehandedly exhibit at least three of these features --- lack of empathy, inadequate or missing boundaries for self, and extreme rage. In addition, Violet is partial to her eldest daughter, Barbara, while constantly berating or ignoring her other two daughters, Ivy and Karen. Violet herself is a product of a dysfunctional family where the vicious cycle seems to be perpetuated from generation to generation. Another key behavior of dysfunctional families is extreme conlict often brought about by change or stress. Coincidentally, most family brouhahas take place across the same battleield --- the dining room table. In Act II’s charged family dinner scene, the Westons step up to their respective plates loaded for bear. he late comedian, George Carlin, once quipped, “he other night I ate at a real nice family restaurant. Every table had an argument going.”

It is the Weston‘s youngest daughter, Karen, who evidences yet another common dysfunctional family behavior --- denial. Barbara accuses her sister of enabling their mother’s pill-popping habit by blocking out the past. In addition to overlooking her mother’s addiction, Karen denies her iancé is a miscreant even when faced with blatant evidence --- caught with his hand literally in her niece’s “cookie jar.” Often denial is used as a protection device because the vulnerable party cannot risk being hurt again. As Karen dons her protective armor, her sister Ivy retreats altogether. Noted family psychiatrist, Murray Bowen, theorized that a two-person emotional system is unstable in that it forms itself into a three-person system or triangle under stress. his triangulation is often commonly exhibited in dysfunctional families where substance abuse is prevalent. When her two sisters move away and leave Ivy as the chief go-between for her feuding parents, she characteristically retreats into her own secretive world where her parents have no say. Upon Beverly’s death, this triangular house of cards collapses leaving Ivy in her mother’s ungrateful clutches. With dysfunctional families, there are no winners, only battle-scarred warriors yearning to be healed.

Elisa M. Golden

Dramaturg

Laurenda Norris

Owner & Operator

300 South Line Street

Greer, SC 29651

Phone: 864.848.3012

www.laurendascatering.com

Altruism and Angels: A Community in Conversation

he Warehouse heatre, Year of Altruism, Gender Benders, AID Upstate, and sponsors Tom and Debra Strange, and George and Crissy Maynard are partnering to present a series of events in anticipation of the theatre’s spring productions of Tony Kushner’s Angels in America: A Gay Fantasia on National hemes. Both Part One: Millennium Approaches and Part Two: Perestroika, will be presented by he Warehouse heatre in May and June, 2014. At the center of both plays are issues which range from the personal to the political, from the human to the celestial. hese events are designed to engage our community in discussion and relection around issues of concern not only to the LGBTQI community, but allies and the community at large. It is our aim to promote education, increase awareness, and encourage constructive, compassionate conversation.

All events are free except performances of Angels in America.For more information on any of these events,

please contact [email protected].

 Moving Forward - Looking Back Monday, February 17 6:30 pm at he Warehouse heatre

Who’s Been Sleeping in Your Bed?: McCarthyism, the Cold War, and the Politics of Sexual Orientation Wednesday, April 9, 7:00 pm, at he Warehouse heatre

Season Tickets

A season subscription gives the lexibility to choose from ANY Main Stage performance that its your schedule. For example: you can use one ticket on each of our Main Stage shows –or- attend a single show and treat 6 of your friends!

Please call the box oice, 864.235.6948, 11:00am-4:00pm Tuesday-Friday, or visit our website for more information. www.warehousetheatre.com

13-14 Adult Season Subscription $195.00 7 lexible tickets to use how you like for mainstage shows in the 2013-2014 season

13-14 Adult Season Subscription with Reserved Seats $230.00 7 lexible tickets to use how you like for mainstage shows in the 2013-2014 seasonhis Subscription includes Reserved Seats for the season! Tell us where you like to sit and we’ll have your name on the seat for you when you arrive.

13-14 Loyalty Discount (Renewals only) $175.00 7 lexible tickets to use how you like for mainstage shows in the 2013-2014 season.

13-14 Loyalty Discount with Reserved Seats $210.00 7 lexible tickets to use how you like for mainstage shows in the 2013-2014 seasonhis Subscription includes Reserved Seats for the season!

www.SaffronsCafe.com or [email protected]: 864-241-0401 Catering: 864-525-0080

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For the irst i e i ears, the South Caroli a Go er or’s S hool for the Arts a d Hu a iies ill ha e a i porta t addiio to its a pus. A e Visitor’s Ce ter ill house Ad issio s, E roll e t, Outrea h a d Fou daio oi es, a d ill sho ase the s hool to prospe i e stude ts a d pare ts. The GSA

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Proud to support the arts.As one of the largest employers in South Carolina, BMW Manufacturing is helping push the state forward — not only by contributing billions of dollars to the economy, but by playing a positive role in the community. That’s why we are engaged in many cultural partnerships throughout South Carolina. Our platform of commitment ranges from support of the performing arts to architecture and design. Together, we are helping to make South Carolina a better place to work and live. To learn more about our cultural commitments, please visit bmwusfactory.com.

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David Johnston (Beverly Weston). his is David’s second production with the WHT. Previously he appeared in Six Degrees of Separation. David’s other performances in Greenville include, Our Town, Inherit the Wind, he Rainmaker, Little Foxes, and Ten Little Indians at GLT and he Uncurled Hand at CS. He spent ten years in Los Angeles working in the theatre, movies, television and commercials. David earned his BA in theatre at Lynchburg College in Lynchburg, VA.

Bill Muñoz (Steve Heidebrecht, Production Manager, Fight Choreographer) is elated to be a part of WHT! Professional career spans over 25 years, working as Actor, Stage Manager and Fight Choreographer as well. He has worked in theatres including Flat Rock Playhouse, NC Stage Company, Mill Mountain heatre, Alabama Shakespeare Festival, heatre Virginia, and Charlotte Repertory heatre. Favorite acting roles include, Richard et all (Love Child), Macduf (Macbeth), Marc (Art), Passpartout (Around the World in 80 Days), Payaso and others (Stalking the Boogeyman – World Premiere) and One-Man Shows: Fully Committed and Mambo Mouth. Fight Choreography credits include, Peter Pan, hree Musketeers, Miracle Worker, August Osage County, Taming of the Shrew, Macbeth, Lion, Witch and the Wardrobe, and Romeo and Juliet. Bill resides in Hendersonville, NC, with lovely wife and daughter.

Kelly Wallace (Mattie Faye Aiken) feels quite blessed to be a part of this company. She most recently appeared at he Warehouse as the Nurse in Romeo and Juliet and also was seen at WHT in Elvis People and Lost in Yonkers. Locally, Kelly also has worked with Centre Stage South Carolina, he Distracted Globe, South Carolina Children’s heatre, and Studio 444.

Kerrie Seymour (Ivy Weston) is happy to return to he Warehouse where she has appeared onstage in a number of productions including Reckless, Season’s Greetings and Lost in Yonkers and directed Laughter on the 23rd Floor. Later, she will appear in Angels in America. Kerrie earned an MFA in Acting from Trinity Rep in Providence, RI, and is an Assistant Professor of Acting at Clemson University. here aren’t enough words to express her thanks and love to hom and Liam.

Katie Halstensgard (Asst. Stage Manager) graduated with a BA in heatre from Winthrop University in 2011. After stage managing he Tempest, she has come to love working in this theatre! She is in her third year of teaching theatre at Berea High, where she has directed numerous productions, including I Never Saw Another Butterly, Step on a Crack, and Antigone. She most recently appeared onstage in Easley Foothills Playhouse’s production of See How hey Run.

Mary Freeman (Karen Weston) received her BM from Columbia College. Over the past thirty-ive years she has performed in over seventy stage, commercial, and musical productions. Greenville audiences have seen her in Annie Get Your Gun, My Fair Lady, and Noises Of at GLT; Next to Normal, Sweeney Todd, and Sherlock Holmes: he Final Adventure at Centre Stage; and Peter Pan at SCCT. Mary last performed at WHT in Charlie’s Aunt and Book of Liz. She is thrilled to be returning.

Chip Egan (Charlie Aiken) is dean emeritus of the College of Architecture, Arts and Humanities at Clemson University. He received his BA from Hanover College and his MFA from Northwestern University. His irst directing credit at WHT was Kennedy’s Children in 1980. Recent credits include A Little Night Music, he 39 Steps, Something More han a Game, Almost Maine and Cat on a Hot Tin Roof. He also played George in Who’s Afraid of Virginia Woolf?

Jessica K Peterson (Violet Weston) is delighted to be back at WHT after many moons. She worked with Roy on Blood Wedding and Talking With, and Our Country’s Good with Jack Young . Based in Florida, she’s worked across the country. Multiple South Florida Carbonell Award nominee and winner for Best Actress in he

Who’s Who

  

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August, Osage County

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$10 O� Admission and a free drink 7 pm refreshments, 8pm Show

February 13th

April 13th

Who’s Who

Music Lesson at Florida Stage, she’s a member of AEA, SAG/AFTRA. She’s also a photographer www.jesspetersonphotos.com, audio-book narrator and ilm dubbing artist.

Sara Tolson (Jean Fordham) is a junior at Clemson University pursuing a BA in Production Studies in Performing Arts. his is Sara’s second role at WHT (following Laughter on the 23rd Floor) and she is thrilled to be working with this team of artists. Other credits include Medea and he Children’s Hour at Clemson, Hairspray and A Funny hing Happened on the Way to the Forum at Centre Stage, and Psycho Beach Party with he Distracted Globe.

Kendra Johnson (Costume Designer) see Artists in Residence Bios

Debra Capps (Johnna Monevata) has been seen most recently in Laughter on the 23rd Floor (Carol), A Little Night Music(Charlotte), 39 Steps, Who’s Afraid of Virginia Woolf? (Honey).  Other theatrical credits include:  he Clean House (Lane), 13th of Paris (Jessica),Macbeth (Lady Macbeth), Sight Unseen (Patricia), Turn of the Screw(Governess), Cat on a Hot Tin Roof (Maggie), Mauritius (Jackie), Sylvia(Sylvia.)  Debra would like to thank her beautiful parents, Sonny & Nancy Capps, for the lifetime of love they gave her.

Paul Feraldi (Props Design) is a native western New Yorker with degrees in horticulture, interior design and art history and a passion for making something out of nothing. he challenges of dressing a set or building an unusual prop, keep him busy. Paul enjoys working on his lawn and renovating houses. “here is nothing better than creating all day at your job…..I love that!” hanks to the staf at he Warehouse heatre for allowing him to play.

Christopher M. Evans (Sherif Deon Gilbeau) is eager to return to he Warehouse heatre’s stage this season. Recent roles of Christopher’s include Antonio in he Tempest and Friar Lawrence in Romeo and Juliet here at he Warehouse, as well as Claudius in the Upstate Shakespeare Festival’s Hamlet last summer. Christopher would like to thank his family and friends for not trying too hard to talk him out of being an actor, and especially his beautiful wife, Susan, for her enduring love and support.

Roy S. Fluhrer (Director), Director of Greenville County School District’s Fine Arts Center since 1989, received his BA degree from Northwestern University and his Master’s and Ph.D. degrees from Bowling Green State University in Ohio. He served as Managing/Artistic Director of he Toledo Repertoire heatre from 1966 to 1978. From 1978 to 1988 he was on the faculty at the University of Idaho, serving as Chair of heatre, president of Faculty Senate, founder of Idaho Repertoire heatre and, from 1985 to 1988, as assistant to the University President. In 1988, he was named Vice Chancellor for Arts and Academics at North Carolina School of the Arts. In 1989, he became Director of he Fine Arts Center, South Carolina’s irst school for the gifted and talented in the literary, visual and performing arts. He has served as president of the South Carolina Arts Alliance, where he continues as an emeritus board member. Dr. Fluhrer was awarded the Elizabeth O’Neill Verner Award in 2008, South Carolina’s highest arts award, the 2006 Winthrop University Medal of Honor in the Arts, the 2006 South Carolina Dance Association Advocacy Award, the 2004 Metropolitan Arts Council Visionary Award, and the Arts Advocate of the Year by South Carolina Art Education Association in 2000. A board member and past president of Arts Schools NETWORK, the national organization for specialized arts schools, he received the Jef rey Lawrence Award, their highest award given for an arts administrator. He is pleased to return to he Warehouse where he last directed Who’s Afraid of Virginia Woolf?.

Henry Wilkinson (Scenic Co-Design) is proud to have assisted in the summoning and constituting of this immense, ‘damned’ house. He has been working with Shannon since he Tempest and, together, they have been wading through this ‘octopus tank’ of a set for nearly as long. Prior to that, Henry served as assistant to he Warehouse’s technical director, helping to construct all of last season’s sets as well as working extensively behind the scenes of every production. Over the summer, Henry worked as a carpenter for the Utah Shakespeare Festival, building the sets for King John, Love’s Labour’s Lost, and he Tempest. He has also worked for he Governor’s School and as the assistant technical director and master carpenter for GLOW’s productions of he Pirates of Penzance and Jesus Christ Superstar. Henry holds a degree in Architecture from Clemson University.

Jaime Keegstra (Stage Manager) graduated from Kalamazoo College with a BA in Anthropology/Sociology and is now in the process of earning an MA in Arts Administration at Winthrop University. She has been Stage Manager for many of the productions at WHT in the past few years, including Eurydice, Cabaret, Merchant of Venice, and he Rocky Horror Show.

Brock Koonce (Little Charles Aiken) grew up in he Warehouse, his irst show being almost 25 years ago. Since then, he’s seen great artists provide irst class theatre. He’s always treasured this place and what it stands for. hank you for supporting professional theatre in Greenville! He desperately loves his wife, Staci, and thanks her for her support. He dedicates this performance to Louise Bellamy Koonce and Wilfred Berry Jr., who passed along their creative spirit to him long ago.

Paul Collins (Lighting Design) has designed lighting and scenery professionally for many theatre and dance companies in Iowa, Michigan and Maine including Iowa Summer Rep (Iowa City, IA), Riverside heatre (Iowa City, IA), he Public heatre (Lewiston, Maine), and many others.  He has also acted as assistant designer to Bryon Winn for he 39 Steps at Portland Stage Company, (Portland, Maine), and as Associate Lighting Designer to Christopher Akerlind on In the Night, a new work by Martha Clarke (Iowa Partnership for the Arts). Paul is the faculty lighting designer for the College of Charleston Department of heatre and Dance. Recent designs include Bad Seed for Iowa Summer Rep and he Who’s Tommy and Spring Awakening for the College of Charleston. Paul’s work can be seen at www.pmcdesign.com.

Erika Whatley (Paint Charge) is thrilled to have helped bring this set to life. She is a recent graduate of Coastal Carolina University with a BA in theatre arts and is also a teaching artist with he Warehouse heatre’s education program. Other shows she has charged include A Servant of Two Masters at CCU and he Kitchen at Christ Church Episcopal School. She would like to thank Shannon Robert and Dr. Fluhrer for this wonderful opportunity.

Anne Kelly Tromsness (Barbara Fordham) serves as Director of Education for WHT. Past roles at WHT include: Clarice Bernstein (November), Philadelphia (Something More han A Game), Titania / Helena (A Midsummer Night’s Dream), Ana (he Clean House), Edith Frank (he Diary of Anne Frank), Polina (he Seagull), and Hecate / Lady Macduf (Macbeth). She will appear later this season in Angels in America: A Gay Fantasia on National hemes. For Pauline and Alice.

Paul Savas (Bill Fordham) is he WHT’s Executive & Artistic Director. In addition to producing all shows at he WHT, Savas has played Macbeth, Salieri, Shylock, Harold in K2, Charles in he Clean House, Bottom and President Smith in November. He also directed Sight Unseen, he Diary of Anne Frank, Hamlet, Sada and Screwtape. He is honored to be leading he Warehouse heatre into the next 40 years and thanks you for all of your support.  [email protected]

Who’s Who

Playwright Biography

Tracy Letts was born July 4, 1965 in Tulsa, Oklahoma to best-selling author Billie Letts (née Gipson) and the late college professor and actor Dennis Letts. His brother Shawn is a jazz musician and composer. He also has a brother Dana. Letts was raised in Durant, Oklahoma and graduated from Durant High School in the early 1980s. He moved to Dallas, where he waited tables and worked in telemarketing while starting as an actor. He acted in Jerry Flemmons’ O Dammit!, which was part of a new playwrights series sponsored by Southern Methodist University.

Letts moved to Chicago at the age of 20, and worked for the next eleven years at Steppenwolf heatre Company and Famous Door. He is still an active member of Steppenwolf. He was a founding member of Bang Bang Spontaneous heatre. In 1991, Letts wrote the play Killer Joe. Two years later, the play premiered at the Next Lab heater in Chicago, followed by the 29th Street Rep in NYC.

His mother Billie Letts, also a writer, has said of his work, “I try to be upbeat and funny. Everybody in Tracy’s stories gets naked or dead.” Letts’ plays have been about people struggling with moral and spiritual questions. He says he was inspired by the plays of Tennessee Williams and the novels of William Faulkner and Jim hompson.

In 2004, Letts was nominated for a Pulitzer Prize for Drama for his play, Man from Nebraska. In 2008, Letts won a Tony Award, a Drama Desk Award, and the Pulitzer Prize for Drama for August: Osage County.

For his screenplay of Killer Joe, Letts was nominated for a Saturn Award for “Best Writing” and also nominated for a Chlotrudis Award for “Best Adapted Screenplay.”

In 2012-2013, Letts appeared in the 50th Anniversary Broadway revival of Edward Albee’s Who’s Afraid of Virginia Woolf?. On June 9, 2013, he received the Tony Award for Best Actor in a Play (Best Performance by a Leading Actor in a Play) for his performance as George in Who’s Afraid of Virginia Woolf?.

In 2013, Letts (in recurring role as Sen. Andrew Lockhart) was nominated, along with the rest of the cast of Showtime’s Homeland, for an “Outstanding Performance by an Ensemble in a Drama Series” Screen Actors Guild Award.

He also wrote the screenplays of three ilms adapted from his own plays: Bug and Killer Joe, both directed by William Friedkin, and August: Osage County, directed by John Wells. August: Osage County has been nominated for several 2014 Golden Globe Awards.

Letts married actress Carrie Coon, his costar in Who’s Afraid of Virginia Woolf?, in September of 2013.

Ar tists in Residence

Tony Penna - Lighting Designer in ResidenceTony Penna’s lighting credits at he Warehouse include he Rocky Horror Show, Who’s Afraid of Virginia Woolf?, Amadeus, he 13th of Paris, he Diary of Anne Frank, Tru and Topdog/Underdog. Other regional theatre credits include Centre Stage SC, Cincinnati Playhouse, Huntington heatre Company, Berkshire heatre Festival and four seasons as resident lighting designer at Actors heatre of Louisville. Mr. Penna is a member of United Scenic Artists, the theatre faculty at Clemson University, and the resident design stafs of he Warehouse heatre, South Carolina Repertory Company and the Eleventh Hour heatre Company in New York.

Shannon Robert - Set Designer in ResidenceShannon received an M.F.A. in scene design from FSU and studied design at the Moscow Art heatre Conservatory. A painter, designer, and teacher, she was Director of heatre at William Carey University. She has designed internationally for venues in Edinburgh, Nairobi, Bratislava and Moscow. She worked with KCACTF as Region IV design chair and vice chair and served on the board of SETC. Shannon managed he Spoon Group Productions in NJ/NY and worked on the Broadway productions of he Grinch, Grease, Xanadu, Legally Blonde, Inherit the Wind, he Pirate Queen, Coram Boy, Jersey Boys, Spamalot, Hairspray and he Color Purple. Shannon is a member of the Clemson University Faculty.

Elisa Golden - Dramaturg in ResidenceElisa is a native New Jerseyan, attended Kean University, graduating with a BA in Visual Arts. She moved to Greenville in 1990, and received an MA in Education from Furman University. Elisa continues to pursue her art (mostly watercolor and drawing), and has had her paintings on display at a number of Artisphere Juried Exhibits. She has recently had her poetry published in the Emrys Foundation’s Book of Haiku. Her love of literature and theater brought her to he Warehouse heatre in 1999. his year marks her “lucky thirteenth” season as resident dramaturg. Elisa is often asked, “What is a dramaturg?,” to which she replies, “A dramaturg, or literary manager functions a lot like a theater’s own Sherlock Holmes—always searching for answers, turning up new evidence, and drawing conclusions—in hopes of uncovering the secret to a killer play.”

Jayce T. Tromsness - Playwright in ResidenceA native of Tacoma, Washington, Jayce is a director and playwright. He earned a BA in theatre from Western Washington University and received minor degrees in art history and linguistics. He moved to South Carolina to attend USC, where he earned his MFA in acting. Jayce has been a staf and company member of Trustus heatre in Columbia, as well as resident voice coach for the SC Shakespeare Festival, Sewanee: he University of the South and he Warehouse heatre. He was an associate professor of theatre at USC, and Midlands Technical College. At USC he began writing plays for young audiences as well as one-act plays for Trustus heatre. His plays have been produced by USC, USC Aiken, Trustus heatre, he South Carolina Children’s heatre, he Pennsylvania Shakespeare Festival, Easley Foothills Playhouse, he Warehouse heatre and he Distracted Globe. He is a faculty member of the drama department at the South Carolina Governor’s School for the Arts and Humanities.

Kendra Johnson - Costume Designer in Residence Kendra Johnson is the resident costume designer at he Warehouse heatre and an associate professor of theatre specializing in costume design at Clemson University. Laughter on the 23rd Floor marks her ninth season as a costume designer for he Warehouse theatre. Her work at WHT includes A Little Night Music, Eurydice, Elephant Man, A Lesson Before Dying, Macbeth, Reckless, and he Subject Was Roses. She received her BA in theatre from James Madison University and her MFA in Costume Design from the University of Tennessee-Knoxville.

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Wishlist

he Warehouse heatre appreciates all of our donors – we could not do it without you!

When the urge strikes to bring goods for donation (such as furniture, books,paint, clothing) – please give us a call. Due to storage limitations and restrictions we cannot accept ALL donations of goods. To save you valuable time and efort please call the theatre to speak with our Technical Director or Director of Development regarding your donation.

Education at The Warehouse Theatre

Education plays an important role in he Warehouse heatre’s service to the community, and it is endlessly inspiring to work for an organization with leaders who encourage exploration of the educational potential in every aspect of our operations. Valuing education, living in the questions, nurturing mentoring relationships - all of these attributes make for a vibrant organization - lexible and viable - an organization with an outward focus towards contributing to the community in as many ways as possible.

In 2012-13, Warehouse heatre teaching artists worked with over 3000 students, in over 40 schools, and over 120 classrooms in the upstate (and one in the midlands, as well!). WHT touring productions reached an audience of 3200 students and teachers. Community engagement events accompanied each mainstage - and with the Forum Series alone, we welcomed just over 270 people - from students  to senior citizens-  to the theatre to discuss issues of importance to our community. WHT continues to serve as a resource for theatre practitioners, and our 2nd annual Shakespeare Boot Camp brought 43 actors together - from high schoolers to veteran professionals to learn more about communicating the works of the world’s most renowned playwright. We partnered with community organizations such as Bridges to a Brighter Future and the Sterling Community Center, and with programs such as Greenville Health Systems’ New Impact, using theatrical techniques and experiential learning to encourage youth to explore issues of concern to them and to envision solutions.

It was a busy year, and we are proud of our work, and thankful for those who have invested in education at WHT and have helped us build dynamic and relevant programming which contributes to community dialogue, supports teachers in their classrooms, raises the bar of artistic excellence for local actors, and encourages young people to develop their imaginations, critical thinking skills, and collaborative capacities.  

his year, with such a rich range of plays commemorating our 40th season, we are challenging ourselves to deepen our commitment to our educational mission - to reach out to more schools and organizations, to widen our reach with touring productions, to provide ongoing opportunities for theatre practitioners to hone their skills, and to encourage meaningful dialogue around complex issues. Education as a lifelong pursuit, as a transformative force, rather than a ixed goal, frames our mission at he Warehouse heatre. We hope you will take the opportunity to experience the questions with us! Visit the education section of our website for updates on programs for students, educators, AND community members. Please feel free to contact me with questions or for more information!

Anne TromsnessEducation [email protected]

Because of generous grants from he Metropolitan Arts Council, he South Carolina Arts Commission and he Wachovia Foundation, he Warehouse heatre proudly supplies its audience with assistive listening devices free of charge. If you would like to use a device please return to the box oice and check one out. Just leave your ID and listen to theatre afresh! We have hearing aid loop devices, ear buds and headphones! We give you a choice so you can be comfortable!

Mission Statement

he Warehouse heatre is a professional live theatre dedicated to theatre as a serious art form; to high-quality, diverse and challenging productions; to training theatre professionals; to community outreach; and to student education.

he Warehouse heatre chooses plays that stretch the imagination of Upstate audiences, energize and excite the community with Intense, Intimate and Unexpected performances that explore and celebrate the complexities of our time. he Warehouse heatre does this to encourage an adventurousness of spirit, and to develop a hunger for the visceral impact of theatre, in the mind, heart, and soul.

From corsets to cloaks, collars to caps,

The Warehouse Theatre constructs its costumes

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864.282.1900 fine fabrics and trims

presented by

Upstate Shakespeare Festival

he Upstate Shakespeare Festival is a thriving part of he Warehouse heatre’s summer programming and community outreach. USF presents the magic of Shakespeare and other classic plays to the Upstate community in an outdoor setting. Using actors from all around the Upstate community, USF presents entertaining, inclusive, and family-friendly productions that enhance Greenville’s calling card as a summer destination.

Making their home at he Warehouse heatre, he Distracted Globe works with he Warehouse to present entertaining and afordable productions of classic comedies and comedy improv, workshops and other community-oriented programs, seeking to renew the vital connection between a theatre and its community. DG presents at least one play during

the summer programming. During the regular season, you can catch a DG performance of improv comedy after the main stage show on select nights of the run.

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Board of Directors

Oicers

President Tom Strange Senior Director R&D, St. Jude Medical

Vice President Maxim Williams Director of Community Relationship Building, Bon Secours St. Francis

Treasurer Susan Bichel Health Care Consultant

Secretary Ingrid Erwin Attorney

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Immediate Past PresidentBianca Walker Prg. Manager, Global Visitors Center, Furman

Board Members

Linda Archer Controller, BMW Manufacturing CompanyRandy Bell Senior VP, Bank of Travelers Rest Mary Biebel Owner, Biebel Carolina Salons Claire Blake Community VolunteerLaura Blume Creative Director, Crawford Strategy Charles Brewer Operations Manager, he Poinsett ClubDonnell Drummond Branch Manager, CertusBANKStinson Ferguson Associate, Haynsworth Sinkler Boyd, P.A.Roy Fluhrer Director, he Fine Arts Center Norman Glickman Attorney and Counselor of LawWallace Lightsey Associate and Member, Wyche, PA George Maynard VP, Greenville Health System Scott McMillan Owner, F. Scott McMillan Design, LLC Heidie Miller Community Volunteer Teri Pena Artist & Development Consultant Diane Perlmutter Non-Proit Organization Management ProfessionalJohn Petrusick Vice President, Commercial Portfolio Manager, TD Bank Jon Rogers Owner, Rogers Financial Group, LLC Ken Rogers Chairman, Department of Psychiatry, Greenville Health SystemGlenn Sawicki Owner, Safron’s Sidewalk Cafe and he Cafe at TCMU Eric Schmid Shareholder, Elliott Davis, LLCDavid Sims Director of Arts, Christ Church Episcopal School Russell Stall Executive Director, Greenville ForwardFabian Unterzaucher General Manager & Partner at he Westin Poinsett HotelPat Victory Owner, Tenth Planet Advertising Jackie Warner Community Volunteer Alan Weinberg Community Volunteer Marsha White Community Volunteer Susie White Managing Member, Susie White Consulting, LLCJim Whitten VP Operations, Fluor Corporation (Retired)

1974-75 J. Lake Williams, Jr.1975-76 Jourdan Jones Newton1976-77 Aubrey Bowie1977-78 Tom Brodnax1978-79 Keller Freeman1979-80 Bill Wheless1980-81 Jane Mattson1981-82 Don Koonce1982-83 Brad Wyche1983-84 John Huebner1984-85 George Corell1985-86 Rita McKinney1986-87 George Fletcher1987-88 Nancy Muller1988-89 Bob Cooper1989-90 Tom Bruce1990-91 Rob Wagner1991-92 Jackie Warner

Past Presidents

1992-93 Karen Lawton, Bond Isaacson, Warren Mowry

1993-94 Warren Mowry1994-95 Jan Bruning1995-96 Susan Reynolds1996-98 Brad Parham1998-99 BJ Koonce1999-00 Brad Parham2000-01 Kelle Corvin2001-02 Bill Pelham2002-03 Sherm Rounsville2003-04 Tami McKnew2004-05 John Rose2005-07 Wade Cleveland2007-09 Travis Seward2009-11 Nicole Pascoe-Ream2011-13 Bianca Walker

Pomp & Circumstancenew play by Randall David Cook

November 13-23

These Shining Livesby Melanie Marnich

February 12-22

The Imaginary Invalidby Moliere

April 2-12

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2013-2014 SEASONThe Winter’s Tale 2013

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