zanna don't score

- PIANO-CONDUCTOR SCORE -

Book, Music, and Lyrics by TIM ACITO

Additional Book and Lyrics by ALEXANDER DINELARIS

Originally produced Off-Broadway by Jack M. Dalgleish In association with Stephanie Joel

Orchestrations by Edward G . Robillson Music Preparation by Bill Sherman

TheatriOaI Rights W O R 1 , D W I D E

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The materials contained herein are copyrighted by the authors, are not for sale, and may only be used for the single specifically licensed live theatrical production for which they were originally provided.

Any other use or duplication is strictly prohibited by law.

ZANNA, DON'T! PianoIConductor

OVERTURE

Sleepy Tempo

Waking Tempo

CUE: 2nd Wand I h

PianoIConduc tor - 2 - OVERTURE

TANK:"Good morning, Hcartsvillc. Medium Pop J = lta, This is Tank cornin' at ya"

Bass '

TANK: "It's 7AM on thc dot. And a pcrfcct 68 dcgrccs out thcrc"

y bt zo J J J J J ?I J J ~ J - ? , , J J J j J J J J 23 A "

- - - - Y

7. 7- -7 r r u P . '

TANK:"That mcans you got somc cxtla lovc on your hands." l Pnol

f i 8 ?X J J J J J - J J J J -J i m-1 J 1 J Y Y I - -

I. . . . I - - N - - _ uycu7r u y V U Y V u c u y i Y

G C F

OVERTURE

C I D I D


ZANNA:

WHO'S GOT EXTRA LOVE?

Colla Voce

I When the a - larm clock rings you know I've got-ta start to sing. Thin kin' 'bout the joy, the

I day is gon na bring. Love is all around it j u s t has to be found. My job is makin' sure it gets spread around.

With More Movement

I - 1 knew the day of my b i r t h t h a t I was put on this earth,-to make sure noone suffers ex-tra love.

WHO'S GOT EXTRA LOVE

-

So you can leave it to m e , it's my re - spon- si - bi - li - ty to pass i t

I -

Wand Cue

on to some - one with - out e - nough.- I

- Bright Pop

seek out the truth, I'm a l o v e sleuth. I'm go in' un dcr - cover for a lover who m i g h t n o t find a nother. So I'm


ZANNA: "Hcy, Cindy ... Who do wc havc on thc schcdulc for today? Stcvc Bookman? A quartcrback?

I b ! I Y .,

I 1 a - - J -- *. I .* p. .# I r r II

Bass f. ij r ' rr f l i / I

4 - WHO'S GOT EXTRA LOVE

ZANNA: "Hc must bc ncw... VAMP Wcll. I'm surc hc is fccling a bit lonclv. 1'11 scc what I can do."

Two by t w o , just like No - Last X Only - - - - - ,

ah had to do. The

I only trick to love is finding who belongs with you. So come on let's s t a r t the Ark's a - bout to depart. We'vegot to

KATE:

pick up some ex - tra love.- hey. Mor - nin'. Mor - nin'.

Mor - nin'.

Hel lo. Hel lo. Hi ya. Hi ya. ARVIN:

ci Mor nin'. Mor nin'. Hi ya. Hi va.


BOTH:

\.

Who's got ex - tra love? Hmm L spy.. Have a goodBOTH:

I I day of school. Hoo - ray! I I 1 STEVE:

Hel-lo. Hel-lo. Hey. AKVIN:

Mor nin'. Mor nin'. Hi ya. Hi ya.

PianoIConduc tor - 7 - WHO'S GOT EXTRA LOVE

ZANNA: "All in a dav's work."

I Yeah, I thought he might be.

My grd ti - tude to you 1 can't express.

54 55 5 0 57 1 I I

I 7 - a I

I I

Yeah,

u walkedthroughthepark,-holdinghands until d a r k s u c h a g u y I never thought I'd meet.

I life is so sweet-when extra love is complete.


fi D I A . WOMEN: KARLA: ROBERTA:

I Zan na! Hi! Zan na! Hi! Who's got ex - tra love? Not I! 'Cuz we've

Kar la! Ro-ber-ta! La dies. Hi! Who's got ex - tra love?

1 got s o m e g o o d n c w s . ~ You won't believe this.- Tell 'em, Karla. We'll be to

Uh huh. Yeah! I for - get what it is.-

geth er forev - er. Our love's here to stay. 1 can't be lieve we met on ly yes- ter - day._.

Oh, yeah. Uh-huh!


VAMP

PRINCIPAL C0OPER:"Good morning cvcryonc!"


ZANNA: "You'rc dam right 1 would ...."

> > > >

A l . 1 r KARLA:

Two by two,- just like No - ah had to do. The only trick to love is finding who bdongs with who. Oh, well,

I 1 bet ter g o , In - ga is waitting and so, 1'11 see you la-ter, la-ter,

I ROBERTA:

la-ter, She's so great. ZANNA:

la-ter. I know.


MIKE: 7 A N N A . ... hl .1 . . .- MIKE: . II

I Hi, Hi. Bye. bye. Who's got extra love? I don't. Well,therets this

ZANNA: KARLA: ROBERTA:

Hi, Hi. 1 Bye, bye. Bye bye. [ ( Mikedoes. I I 1 I ROBERTA: 1 1 1

Hi, Hi. Bye,


I new guy in town-pehapsyou've seen him around.- 1 don't. Okay, it'strue. But let mc

ROBERTA:

Mikehas a crushonhim.

ZANNA: n a li,, v Y U W U n n ~ - n Y - - C ( . 1 1 1 1 w 1

1w I l l - 8

Youdo?

rnaketh i sc lear ,2annadon' t inter fere . No. No. No. No. Here's whatI'mgonnado. No.

Oh,please? Please? Please? Please? Please?

- Please?


I Friday I'll walk by and say "hi!" Next week we'll start to speak and ... I ROBERTA:

Blah, blah, blah, blah just bc a man,-

MIKE:

I " 1 don't wan - na scare him a - way.

- for - get this stu - pid plan and quit the dc- lay. NO you'rc just a 7

I f , , 127 128 I1 Y b+ I \ A I - y I I -

I Ow! Ow! Quit it!

chic - ken. Chic - ken! Hey new guy! Ow!


ZANNA: "Good luck on your STEVE: f i h 129 chcss match today Mikc!" 130 131 , 131

I U Y I I m - I - 0 4 - 1 I - r r r C ~ D

I r I f 1 I I I l l S3 I I l I - I I I I I l l I I v - I

I Ex - cuse me please. But it s e e m s I've lost my way.

ZANNA: I I I

m ) ' - -

rm I I I

I .I How 'bout a

map'? I'll ex - plain- a - noth - er day. Hi, I'm

1 I'm Steve.- How'd you know?

Zan-na. New quar-ter - back I be - lieve. A little bir-die told me.-


Oh, I see. A mil - i - tar - y re-quest. My two dads-

are five star gen' - rals in the ar - my.

_-- I'm im - pressed.

moveplace toplace. Unpack the suitcase, try to make a fewfriends- andthen ,nackupandleave again.Where

h B t t . , 4 h i i l I I - Y 1 1 1 I - - -

I I - - I

Base to base.


I ev - er I've b e e n , I've nev - er seemed to fit in.

Ne - ver f e a r , it's clear you'll fit in here, so

I- I 5 2 ZANNA: "Scc

-- 151 yo11 in class."

keep up that chin. ISynthI

STEVE:"No. it's my fault." ZANNA:

I Hi Zanna. How are you? I can't I'm running late.


WAND CUE

I Break fast? Want some? What? Let mc find you a

I Sure. Yeah. A Pop Tart would be great. Thanks! Uh uh. Please don't.


Bright Pop

I girl. It will change your world

No thanks. I'm doing fine. It won't. Will not. I've got no time. I've got S - A - T ' s , A-C T's,-

A-P's amd G-P-A's and college applications with all thosc trib-u-la tions to get to U-ni ver si - ty. then a med

i-cal de gree ... So I just can't be distracted with love's triv-i - al - i - ty.

WHOS GOT EXTRA LOVE

girl yet. You can phi - 10s ophize and ration a l i z e , but they're just al- i-bis. Love's all you need- just take

_ it from me.

0- kay. You can set me up. When I'm thir - ty three.


Hey Mis - ter D - J! Won't you play this song for me?-

TANK:

From the way that you're bea - min' I s e e t h a t you're sche - mint to tun1 somebody's dream- to real-

- i - t y .

ZANNA:

Well it's not hard to tell.-You're always happy makingdreamscome truc.

I You know me so well.-

I I I L I I h I I

I I I I h I n 1 , r , I A I

I rid -

it' 3-3 it J. .J I I 1 -- I

4 4 -- st. 2-2 d d -


I But in - spite o f your list, there's always one guy you miss. You. 1 know you'v

h I ZANNA: 1 I I - - - 4 0 - 1 . 4 # -

I I 1 1 , \ I I 1 1 I 1 ' 1 Y Y

I do? Who?

LAST X-ZANNA: "Thc school musical, huh?

I

1 ad. fib. Blues~j Piano


seek out the truth, I'm a l o v e sleuth. I'm go-in' under - cover for a lover who might not find another. So I'm

lookin' forclues,-andtheymight point to you. So gimrnc your ex - tra love. Well you can

I cov-er your tracks, that's a fact Jack, but you ain't gon-na shake me, or fake me, or make me


I take a break from chas-in'. You can duck off the t r a i l , but I'm hot on your tail. So

I Oh. I'm- hot on your tail. So

I gim - me your ex tra love. Now ba - by!-

I gim - me your ex tra love.


i Don't try to run from the l o v e gun. Got the place surr - oun - ded and bound-ed and the hounds-

,, WOMEN: -

I i MEN:

1 - r r a A I I I

G GIB C 1 C ID CIG

0 0 r L.-. L L

I I From the love-

- # r r 2. L r r -

I Don't try to run.

1 - are all a - round it. You may be on the lam- from the love- car - a - van, but you ain't

-

- gun. car - a - van.-

PianoIConduc tor -25- WHO'S GOT EXTRA LOVE

ROBERTA:

gettin' away--with yourlove. Where I dream-of a l o v e t h a t w i l l stay.

~ h . _ ~ i t h yourlove! 1 'Causethis isHeartwilleHigh! -L

I I Pnol

KATE: MIKE:

- Where noth-ing's ev - er gon -na get in my way. Where I've a feel - ing love's a-

Hearts ville High! I


I bout to be - gin.

I hope that 1 this time, I'm gon - na f i t in! / Hey! 11

You over there-don't be ~ h ~ , ~ ~ - c o r n e o-ver here? I bet cha' got ex - t a love. What chat I

It' - MEN: - a r I

I I n,


hoard in' it for?-- Life's got I so much in store, for I some one with en - tra love. I

ZANNAIM I KE:

I I want love to s t a y , you got - ta give it a - w a y . You got - ta give up,

1 STEVE: hrr.

give up,


t give up, your ex - tra love!- -

i r --- - m- -F - 8 E R E , A r rwr m

Y ' Y

your ex - tra love!-

give up,- CANDI:

I give up,

- I ' Dr. Fill

Give up your ext - ra love!

I Come and give me that l o v e , come and give me that Give up your ext - ra love!


OPENING PLAYOFF

CUE: SCHOOL BELL RINGS!!!!!

Brite Rock

I S u a - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - ,

ud lib. ~ ~ 1 1 . VAMP ti1 Lights u p

ZANNA, DON'T!

SECOND PLAYOFF

CUE: TANK: "Scc you latcr."

Brite Rock

ZANNA, DON'T! Piano/Conductor

RADIO 1

CUE: TANK: " First victory, cvcr!" CUE: Mikc turns off intcrcorn.

Cut out at any bar VAMP sine wave1


RADIO 2

CUE: Sccond wand. CUE: Mikc turns off thc intcrcom

VAMP ISine wave] Cut out at any bar


I THINK WE GOT LOVE

CUE: Zanna's Wand

VAMP

I (I was) walkin' down the hall just be - ginning my day-when I see

I this guy, and he's com in' my way. My heart starts thump in' and my hands start to sweat; this is the

closest thing to heaven that I'm ev-er gon na get. I sit in class dreaming with a smile on my face. The

mP D G E m C

- -n..

r r r r r -

T T P Lr f inf

I THINK WE GOT LOVE

-? teach-er calls on me but I'm still floa-ting in space. And she hands- me back my quiz and I see

w w I

ail the things I've missed and she asks what the ex - pla - na - tion is. I say, well it looks

like love, and it s o u n d s like love, and it s e e m s , like love, and it f e e l s like love, and it walks

like love, and it talks like love, and it r u n s like love, and it skips like love. And it hurts

I THINK WE GOT LOVE

I

like love, dis-ap points like love; disa ap pears like love re - a ppears like love. And it shouts

like love and it s i n g s like l o v e so guess what, my friend- 1 think. I think 1 got

I THINK WE GOT LOVE

love. Yeah, I think I got love.- Yeah, it might be love.

I You think you got love? Yeah, you think you got love?-

1 think it could be love.

I looked up at the crowd and thought 1 saw this g u y w h o was loo - kin' at me,-though I could not i-ma gine why. My

I THlNK WE GOT LOVE

I head start - ed spin-nin' and it just kept get - tin' worse and so right af - ter the g a m e 1 head - ed -

I straight down to the nursc. She said, "You don't have a fev - er, you d o n ' t have the flu.

Em C

7 Y h J. *>

an

f - -

Gtr cont. f 7- r -7

- don't think you're preg-nant so 1 don't have a clue." But then she checked my heart; it was pur-

I - rin' like a cat. And she s m i l e d and said, "I think I know what cau- scs that." She said, "it > > >

C ~ r n ~ -- f~ > > >

r h I. f f f I L L L V -

I I > I I I I

I THTNK WE GOT LOVE

looks like love, and it s o u n d s like love, and it s e e m s like love, and it f e e l s like love. And it walks - 1

like love. and it talks like Iovc, and it n ~ n s like lovc, and it skips like love. And it hurts

like love, dis-a ppoints like love, dis-a ppears like love, re - a ppears likc love. And it shouts

\ ud lib. light counrn f i

Gtr cont. f

like love, and it s i n g s like l o v e , so guess what my f r i e n d " she said. "I think you got

I THINK WE GOT LOVE

STEVE: Ycah. 1 just camc from hcr a minutc ago and shc said i t was lovc.

I * She thought you got love? The nurse thought it was love?

She said it could be love.

7 - 3 7

You think i t could be love? Man, I hope you got love.

I I think i t could be love.

I THTNK WE GOT LOVE

STEVE: Oh, ycah, right. CUE: 1 ncvcr thought that somconc likc you would ... MIKE: Ditto. VAMP go for somconc likc mc.

1 Well i t looks like love, and it sounds

i , I - I

\\I1 U I

u 7 e m -

l r

Well it looks like love, and it sounds

like love, and it seems, like love, and it feels like love, and it walks like love, and it talks

PianoIConductor - 9 - I THINK WE GOT LOVE

I like love, and it runs like love, and it skips like love. And it hurts like love, dis - a-ppoint:

like love, and it runs like love, and it skips like love. And it hurts like love, dis - a-ppoints

Gtr cont.

I like love; disa-ap-pears like love re - a-ppears like love. And it shouts like love and it sings-

I - like love; disa-ap-pears like love re - appears like love. And it shouts like love and it sings- ?

1 - like l o v e so guess what, my f r i e n d I think. 1 think we got love.

/ - like love- so guess what, my friend- I think. I think we got love.

I THINK WE GOT LOVE

I think we got love. - I

I 1 think we got love.

I think we got love.

I think we got love.


I THINK WE GOT ZANNA

CUE: 2ANNA:"Scc you down thcrc!"

'I!

2 >

Slower a la "Zanna's Song"

XA - NA-DU!


ROBERTA JAM

CUE: ROBERTA: "An cmcrgcncy!"

VAMP CUE: Lights up on dincr.


I AIN'T GOT TIME

CUE: ROBERTA: "And you arc wasting my timc."

Tempo di Aretha ROBERTA:

And 1 ain't got time for noth in' but love, and it's that time. I ain't got

. . I

4;:; 4 m u r u u I u / - I U h h I Y h I h I

4 I I I I I I I I 1 I I 1 I I I I I 1

C

I time for nothin' but love, so don't be wastin' none of mine.-Oh, I ain't got time for nothin' but love, 'cause- you know

I life ain't got e - n o u g h of t i m c to be was-tin' time on a n - y - t h i n g but love.

I A N T GOT TIME

Lord, I know the Bi - ble s a y s w e should spread our love a round. But my woman was getting bib - lical with

ev'-ry girl in town.- For - give they say at Sun day m a s s , and I'm noth in' if not de vout. So, for

givc me Lord, this one trespass, but I kicked her ass right out. 'Cuz 1 ain't got time for noth in' but love, and it's that

PianoIConduc tor I AIN'T GOT TIME

I time. I ain't got time for nothin' but love so don't be wastin' none of mine.-Oh, I ain't got

Can I have my eof - fee now?- I Blue plate spec ial. Please. I I t ' DlNER #3: - - 4

r - ' 1 I

I Can I have my veg

I time for noth-in' but love, c a u s e you know life ain't got e n o u g h of t i m e to be -?

DINER#]- '. DINER # I :

I I I d I a4 I / I I I

-i rl - I --- - G r i l l e d Cheese Side of french fries.-

DlNER #2: r m r u o D 0

I Y W = r 0' '13

I I I I I 1" 1

DINER #3:

I gie bur-ger now?^ Ket - chup.

I AIN'T GOT TIME

was - tin' time on an - y - t h i n g but love. I

Cause ain't time.

I Don't waste my time.-

I B Blzresj, ad lib

I AIN'T GOT TIME

I dump me the next d a y ? I'm not ask-ing for perfec - tion o r a heavenly p a r - a - g o n . Just someon'

I strong enough to rip my head-off, but smart enough to sew it back on. 'Cuz I ain't got time for nothin' but love, and it's that-

I ATN'T GOT TIME

time. I ain't got time for noth-in' but love, so don't be I

wast - in' none of m i n e . Oh, I ain't got time for noth - in' but love, ' c a u s e you know

B7 ad l ib

I AIN'T GOT TIME

I life ain't got e - n o u g h of t i m e to be was-tin' time on any t h i n g but love.

I I luck's run out the clock. So don't / waste my- precious t i r n e . I I

R0BERTA:"Padrc' You and mc arc prctty tight now, right's0 I do hopc you can apprcciatc this in thc spirit in which i t is intcndcd."

Bltce? ad. lib I T I

E m B Em f >

A . , I

I - -

- -

- 0 -

- 0

- O

1 AIN'T GOT TIME

try to lead the g o o d life. 1 do pe-nance for my mis - deeds. But on i

I I Hoo! Hoo! Ooo! 1 Ow! Ooo! I

DINERS #I . #2. #3:

4 Sat - ur-day night when the moon is right, Lord 1 got wo-man-ly needs. So she ain't got

H - I Hoo

- 1 Hoo

- 9 - ROBERTA:

I AIN'T GOT TIME

I time for nothin' but love, and its that time. 1 ain't got time for nothing but love, so don't b

DINER #1: - \\ tl"

I I I Oh it's that time.- d o n ' t be

Y

l Pnol

I wastin' none ofmine.-Oh, 1 ain't got time for nothin' but love 'causc-you know life ain't got e-nough-of t i m e to be.-,

I I wasting none of mine. Tick tock, your I luck's run out the clock. So don't 1

1 AIN'T GOT TIME

was tin' time on any thing- but love. I'm not was tin' time on any t h i n g but

waste my-

CUE: "Thank you Jcsus!"

I love. I'm not was - tin' time on an - y- thing- but

I

- Don't waste my time.-

B 7 Cadenza ud lib. II

T ATN'T GOT TIME

Double Time-Revival Feel

I love.

Oh. it's that time!- Oh, it's that time!- Oh, it's that time!-

I I Oh, it's that time!- Don't be was-tin' none of my love,- 'cuz ho ncy 1 a i n ' t got time. I I

ZANNA, DON'T!

AIN'T GOT TIME-REPRISE

CUE: ZANNA: "Go, Girl, Go!"

VAMP Vox last x a I . 1 ZANNA: a

I 'Cause you ain't got time for nothin' but l o v e , and it's that time, child.- Love's a bull

- chom pin' at the gate, so you better jump on and ride it wild.- Time is short,-

- sport, you can't ea- vort the ball's in your court. There's noth - ing moreim - por - tantthan

AIN'T GOT TIME REPRISE

ROBERTA: "Zanna, I don't know how to ridc a mcchanical bull. - ZANNA: "Go! I'm right bchind you.!"

love. What YOU say? Love! What you say love!

f I? --

'Cuz you ain't got

- ' > - , m - # A A - -V

> f $ SEGUE


CUE: KATE: "It gocs somcthing likc this."

Heavy Country Four

, VAMP

RIDE 'EM

, KATE:

I Hey, Cow - girl, won't cha mo sey on in - ta m y world, where

(Last X) T:

I we can ride the o - pen plain,- wran-ga l i n ' our d a y s a - w a y . So canter, can - ter,-

I don't say that you can't ... e r I'm gon-na have ta gal - lop, be - cause there is a g a l up h e r e who's

RIDE 'EM

rustlin' up a herd of yer love. So saddle up! It's time to 1 . WOMEN:

I I

Yeah! Yeah!

I

Yeah!

I Ride 'em Ride 'em Ride 'em Come on ba - by now

1 I Big-Band Brass]

I

Yeah! Yeah!

I

Yeah!

I I

Yeah! Yeah!

I

Yeah!

I Ride 'em Ride 'em Ride 'em Come on ba - by now Ride 'em Ride 'em Ride 'em Come on ba - by now

I I I I I

n d I- 4- I I I I I I I I- I

I f d 3 2 d -. -.

(Bass) 3

RlDE 'EM

,, Ride 'em ba - by, ride em', ride 'em./ Yeah!- 1 I I I

f Last XI

ROBERTA:

I'm corn in' at - cha. Ya fin'-ly met yer m a t c h . I'm- trot-tin' o - ver h i l l and dale,-

- - - - - ri im- r r r * W Prrl (Bass)

1 kick-in' u p the dus - ty trail.- So, stand b a c k , y'all! Up a-gainst the w a l 1 , y'all. The

RIDE 'EM

I Sheriff has gone o u t of town and I'm the o n e w h o r u n s t h i n g s now. Stick 'em up! And hand o-ver yer heart

rt! It's time to

.- Ride 'em, Ride 'em, Ride 'em, come on ba - by now Ride 'em, Ride 'em, '.

I

Yeah!

I

Yeah!

I

Yeah!

I

Yeah!

I Ride 'em, come on ba - by now Ride 'em, Ride 'em, Ride 'em, Come on ba - by now-

RIDE 'EM

Ride 'em ride em', ride Yeah!

PianoIConduc tor RIDE 'EM

11 pede! Stam - pede! Can't ya 1 see what your love-is do - int to me? It's a stai I

)I pedc! Oh ba- by I please. Be s I good cow - girl and res-cue I me.

ud lib. I d

Piano/Conductor VAMP

RIDE 'EM

Durn. Dum. Durn. Durn. Durn.

Durn. Durn. Durn. Durn. Durn. Durn. Durn. Durn. Durn.-

54 5 5 ROBERTA:

Yip pee aye-ee!-

So, get a long, li'l dog - gies get a long. You've been cor ralled- - 1

RIDE 'EM

I Right here with me!- Yip pee aye o!

in love's ro de 0.-

DANCE BREAK

9 - RIDE 'EM

CUE: "Comc on ladics. 5,6,7,8!"

WOMEN: 73 74 75 I I I I I - - - L i m a u YII h I I I

I 1 I l I1 ' V

Y r Uh Huh!

I

Woo!

ALL: 84 I I , ?I - ., " " -

r - I I I I

r I

Yee - ha!

WOMEN: I I0 -

Be-cause it's time to

I Ride 'em Ride 'em

1 Pnnl I ~ 7 ( # 9 )

RlDE 'EM

Yeah! I1 1 Yeah! Yeah! Yeah! Yeah! /

I Ride 'em Come on ba - by now Ride 'em Ride 'em Ride 'em Come on ba - by now Ride 'em Kide 'em

11 Ride 'em ba - by, ride 'em, ride 'om, 1 Ooo, Yeah!

1 Ride 'em ba - by, ride 'em, ride ' e m , Ooo. Yeah!

SEGUE


RIDE 'EM PLAYOFF

VAMP

I ud lib. cozrnrq~$lls

ZANNA, DON'T! Piano/Conduc t or

ZANNA'S SONG

ZANNA:

Time to hit the hay- after working h a r d all day.- A - nother j o b w e l l done.- A-

I noth er bat - tle won.- Lea - ding the cru sade- for love, love, love. MY

- 2 - ZANNA'S SONG 3

I feet are aw-'fly s o r e , m y back's about to break.- But it's f o r l o v e , love, love.- So it's th,

I sac - ri f i c e 1 make.- Oh, great work to d a y my f r i e n d . 1 think we-

I J - found each lone ly s o u l and- paired it with an noth - er, mak ing emp ty h e a r t s now whole.-

Stevc and Mike. Check. Kate and Ro ber ta. Done.- Zan na and Wait.

ZANNA'S SONG

Now I've no interest in love, It's for ev'-ry- body else.--

I I

I Love i s my duty, And 1 could not do it well- If 1 my-self would get i n v o l v e d and

fall under its spell. Fai ry tales don't happen by magic there's gotta be some body waving that wand.- And

1 if 1 stopped for just-one day,- how would l i f e go O I I ? It's so great bringing people togeth - er there's

PianoIConduc tor ZANNA'S SONG

I nothing I ' d r a t her do.- I've got friends all around this won - derful town,-and best of a l l , I've got you.

ZANNA: "You wcrc mcant to fall in lovc, just likc cvcryonc clsc on this carth. Ycs. I' l l bc tinc. Now you go on.

n I 39 40 41 3

e!

I Fly, fly, fly..." Peo - plc were

I meant to build a h o m e , birds were meant to build a n e s t , and un - ti1 each creature's f o u n d i t s mate, the

ZANNA'S SONG

magic will never r e s t . Yes, o f course, I'll read you a stor-y. Which one will it be to night?-

I

, &ANNA: "Cindcrclla' again?" 4,) 50 L I -I I

!> I , 7 I -h - 1 a # - - 1 1 I I I r( I '

I I r, r r I I A I r I

I I Y

O h , all- right ... IHarpl

Once u-pon a time,- there

2ANNA:"Grcat shocs Cindcrclla."

I lived a mai den fair ...-

Rall. ZANNA: "And thcv all livc hanuilv cvcr aftcr."

May be I'll get a pair ...


I THINK WE GOT DRAMA

CUE: Aftcr thundcr.

Tempo di "I Think We Got Love" Melo& Kv6.

I I --

- -- -A- - - 1

\ Y n ,

I i

4 4 -j I I

>

PianoIConductor - 2 - I THINK WE GOT DRAMA

CUE: "Wctl, hcrc wc go!"

Tempo di "Zanna's Song"

[Harp1

TOSSING THE BALL

FADE AS ZANNA AND STE VE BEGIN DIALOGUE.


BE A MAN

CUE: "No such thing as too many sequins!"

Brite Disco

I

ZANNA:

Back in the time of an - cient Greece, the Spar- tans l i v e d a dream.- A

A 9 * 10 I I 12 f- A

m P A V I I -

I I I Yr #

1 I I IN

BE A MAN

I Thou sands of man - ly sol - diers- just as far as the eye could see.-

I I I

( I " u I

" u I " . I I

8 8 I 8 . I I

No one could d e - s t r o y them be - cause they all lived as one, Man- ly sol - diers sweat-ing

I man-ly in the sun. they would de - stroy all the e-ne my and when the day was done, they would A

BE A MAN

I ga - thcr in their tents for love.- -1 WOMEN:

I Love! Love! I

I I

MEN:

I Love! Lovc!

Military March Snare Fill 1 .. . f

I I I

7 Love!

That's how they won!

BE A MAN

1 Ar-my . Join the I Air-Force. Join the I Coast Guard. Join the ma I- rines. Work t

BE A MAN

an - der the Great, you can be sure he wasn't straight. He was a man. MIKE:

I That's right! got no

- - - d

I

Le - o - nar - do da Vin - ci, hc made such wick-ed kil ling ma - chines 'cuz he

h

I * --] " bus.;-ness with a wife!

was a man.

WOMEN:

Frederick the Great, you know hc made that Prussian state out of no

Way to go, Le-onar - do!

BE A MAN

ZANNA: "How'd hc do it?" -3- h 46 47 4 X f f f 49 I U I \ I I I 1 I

n I W D - I I I - D I t r m w 1 2 . ' I I -

Mi-shl-ma Will we

I e-vet see such men a - gai - n? Be a man.- Be a man.--

Yes. Sir! Join the Ar - my. Join the Air Force. - Join the

BE A MAN

I Be a man.- Be a ma - a-a-a - an. Be a man.- Be a man.-

-+ - Be a man.- Re a man!

I

A m G Military March Snare Fill b

I

f - -

- -

- -

f P 7

Piano/Conductor - 8 - BE A MAN

DANCE BREAK [Big-Band Brass]

VAMP I . IBig-Band Brass]

BE A MAN

ZANNA:

I don't know what you've-bcen told.- ALL:

Can't win a war with het - e ros.-

1 don't know whatyou've-been told.- Can't

JJ J Military March Snare Fill

El

XX

f

Hey.- Ho.- Hey. Ho.

( win a war with het - e-ros.- Hey.- 1-10.- Hey. Ho.

/ Disco Drum Solo

Oh. - Some-bo dy say Ho! Some-bo dy say Mo! Ho! Mo!

1 Ho! Mo! Ho! Mo!

BE A MAN

Ar - my.

cl

n A - r m

Join the I Air Force. Join the / Coast Guard.

-

Join the Ma- 1

Join the

- I. I -1 P - m

Piano/Conduc tor BE A MAN

I Be a man! Be a man.- Be a man.

Be a man.- Be a man. Oh be a man. Oh be a man.-

BE A MAN

Oh be a man. Oh be a man. Oh be a man.-

Be a man

I - uu 110.

Oh be a man. Oh be a man.

BE A MAN

i Oh be a man.

-4 - Oh be a man.

Be a man. Oh be a man.


DON'T TELL PT. 1

CUE: KATE: "Just a woman."

Overly Dramatic 4 XS Vocals Last X KATE:

Don't ask. Don't tell. Don't say any t h i n g , we

I ( Can I ) do this? Can I think this? Can 1 feel this?

I both know very well.- Don't ask. Don't tel I . Don'tsay anything,- we

But if 1 feel this, I want to tell you. 1 want to say to you- just whatthis

DON'T TELL PT. I

I both know very w e l l . If you par a chute in-to battle and you hap pen to get stuck in a tree, and 1

cut you loose,^-but then run a - w a y w i t h o u t telling you it was me, that is how 1'11 kiss you.

>! If we're ever in the same

-tank or s u b m a r i n e , and I re - fuse to share your per-i-scope, then you'll know what I mean. That is how l"I1 > > >

DON'T TELL PT. I

I Don't ask, don't Don't tell.

kiss you. Don't- tell-- don't- ask,- Don't tell. fp - - - , - - - >

ZANNA, DON'T!

DON'T TELL PT. 2

CUE: KATE: "l"vc got to gct to thc dincr."

With Feeling

I If 1 pass you in the hall,- and I turn my eyes a way- if I

I

I have to say he1 l o to y o u and 1 don't say your name, that is how I'll kiss you.-

1 f i STEVE: V I 1 - --

--

If I see you and I

I sit a c r o s s the room;-- - if I meet you in a group of f r i e n d s and turn my back on you, that is how I'll

DON'T TELL PT. 2

I wish our lives - could go on with - in the

I kiss you. That is how I'll kiss you.

% - - - . _ _ - - - - - - - - % ped. simile

con - fines of this song. for once it ends what will be

That is how 1'11 kiss you That is how 1'11 '->.

there on - ly the sil lence 1 can't bear Don't ask.

kiss you. Can 1 do this? can 1

DON'T TELL PT. 2

I Don't tell. Don't say a - n y - t h i n g ; we both know ve ry well.-

think this'? can I feel this? And if I

Don't ask. Don't tell. Don't say a-ny -thing; - we

U

feel this I

I want to tell you. I want to say to you- just what this

KATE: "Scc ya.

both know ve-ry well.

poco n t S1 EVE:Ycah. Scc ya." 26 27 28

I is.

I I -

-4, poco nt.

- - -

APPLAUSE SEGUE

I -- -- - 2. I I I


DAVE'S VARIETY

Vaudeville

PianoIConductor - 2 - DAVE'S VARIETY


FAST

CUE: BRONCO: "That's how lovc is cuz ..."

Accel. poco a poco I

A BRONCO:

I If it did-n't go fast, would r o c k 'n' roll make you wan - na twist? make you

I wanna shout, make you wan na dance? And if it didn't go fast, would a rol ler coaster make you wan na scream, make you

l wan-na gasp? make you wet your pants?

I And if it did-n't go fast, would f a s t food have ev-er caught on? You got-ta

FAST

I or-der fast, eat fast, leave. You can slow up for the drive through a lit-tle bit, but if you got-ta do, you got-ta

o BRONCOITEX:

'Cuz if it did -n't go fast, it would nev - er real - ly last, so it bet - ter go

or - der fast, eat fast, leave.

I I A LORETTA:

fast. And if it did-n't go fast, would Kit - ty - hawk have ev - er ta - ken off? Would a

FAST

I man have e-ver made it to the moon'? And if it did-n't go fast, could the En-ter prise en-ter hy-perspace? could Su.

I - per - man ev -er catch a goon?

1 Or h o w a - bout Bat - man, Thing, The F l a s h , or Flash Gor - don,

I Or h o w a - bout the X - Men, Mod Squad, Jo- sie and the Pus-sy-cats,

I Su -per-man, or Su - pe-rgirl, or Thor?

FAST

Scoo-by Doo, the Fan - tas- tic Four? I

They all went fast, 'cuz they had to go fast, if they want-ed to

last. fall in love fast.- so we can 1 take the rest- of life slow: ICUZ 1

BRONCO:

Piano/Conduc tor FAST

r i i -L

I I once you've gone to love, there ain't 1 no place left to go.-- So you I bet-ter fall in love fast, or I

27 BRONCO: I I - - - w I m m e m 1 I I Y I J I I I i p m

'Cuz if it didn't go

some one else just might. \

PianoIConductor

3 0 Faster

I fast, could a Ka - wa - sa - ki ev - er pop a wheel - y?

-

Could a jeep do do - nuts in the park-ing lot?

,- LORETTA:

Could a mo-tor-bike jump o -ver a mon-ster truck? BRONCO:

-1 - Could a mon-ster truck jump o - ver a mo-tor-bike?

... TEX:

l Could Ma - ry Lou have ev-er scored the per-fect tcn?

1 - LORETTA:

Could Mar-ti - na have ev-er won a Wim-ble-don?

Piano/Conductor BRONCO:

Could Gret - zky have ev - er won the Stan-ley Cup? Could T y Cobb have ev- er bat- ted

LORETTA' 0 I 1

I I I l l - -

three - six-ty-

TEX:

II " sev-en? No! They had to go fast, 'cuz they want-ed to last.

FAST

40 - . ti Faster

fast, would l i g h t ev - er reach us from the sun? or would the earth grow dark and freeze? I

And, if it did n't go

I * And if it did-n't go

-1 C' fast, could fi - ber op-tic ca-ble ev - er car-ry light a - cross the coun-try in-to our T Vs?

I 1 1 1 1 I I I I I I I I I I I I I l I I I l l / r r r r r d r r r r r m r m I r r r m r m r m r

fast, coiild I ev - er watch T N T or H B 0 or Nickel - o - de-on or M T V?

" ' L L - I ' - rm n "it I - - l I I I I I I I

w n o o m 4 0 I

And if it did-n't go

BRONCOITEXILORETTA:

But did-n't

fast, could 1 down-load porn? Just kid-ding 'bout the porn you'rc the on-ly porn for me.

fast, it would nev - er real - ly last, so it bet - ter go fast.

LORETTA: I I - - I I I 0

I

- TEX: '\

I I I

rJ - BRONCO:

FAST

fall in love f a s t , so we can ( take the rest- of life slow; 'cuz I

once you've gone to love, there ain't 1 no place left to go.- So you I

I I bet - ter fall in love fast, Or I some - one else just might.

FAST

-. Accel.

Buck-le your scat - belts tight!

Faster 58 , BRONCO:

I Well, if it did - n't go

I fast, would r o c k ' n ' roll make you wan na twist? make you wan na shout, make you wan na dancc? And if it didn't go

FAST

I fast, would a rol ler coaster make you wan na scream, make you wan na gasp? make you wet your pants?

TEX: n B I

I

I And if it didn't go

n u I

I 1 f I I I I I I:";" 1 1 I 1 I I 1 I f

fast, would f a s t food have ev-er caught on? You got-ta or-der fast, eat fast, leave. You can slow up for the

I Cuz if it did-n't go

I drive througha lit - tle bit, but if you got - ta do, you got - ta or-der fast, eat fast, leave.

FAST

The Fastest LORETTA:

I fast, it would nev - er real - ly last, so it bet - ter go fast. And if it did-n't go

I fast, would Kit-ty hawk have e v e r taken off? Would a man have e v e r made it to the moon? And if it did-n't go

fast. could the En - ter-prise en - ter hy - pespace? could Su - per - man ev-er catch a goon? TEX:

I Or how- a-bout

BRONCO:

FAST

Or how- a-bout the I

Bat -man, The or Flash Gor- don, Thor?

X - Men, Mod Squad, Jo - sie and the Pus-sy-cats, Scoo-by Doo, the Fan - tas - t ic Four?

They all went

PianoIConductor - 1 5 - FAST

7 2 LORETTA:

I I fast, 'cuz they had to go fast, if they wanted to( Nope! Nope! ( Ba by, it's just too fast!

I Don't bother runnin' When love's acorn in'


I COULD WRITE BOOKS

CUE: MIKE: "Huny, Go!"

Tenderly Rall. MIKE: 2

- - -- -- 3 I

-- 4 I - I I

I I - - - -- I -- - -- --

I could write books

Light Pop Ballad

'bout all the t h i n g s you don't know a bout me,- page- af-ter page- of a l l the

'bout all the t h i n g s you didn't do,- and then write

I COULD WRITE BOOKS

twice as m u c h a - bout h o w much I still love you.- I drop

I hints a b o u t m y birth - day. you for - get i t an y - w a y . I say pick me u p at sev - en, and you

I do, b u t the wrong day. 1s there some thing I should know a b o u t that's going o n in side?-

What is wrong with me . - that t h e r e ' s so much of you,-- you hide? 1 could write books,

I COULD WRITE BOOKS

'bout all the w a y s you hurt me,- all the ways you didn't ev - en know- could destroy-

+Gtr arpeggios ~ ( a d d 9 )

- a per son so. I could write books, 'bout all the t h i n g s you took from m e , and then write

1 Mmm.

PianoIConduc tor - 4 - I COULD WRITE BOOKS

I twice as m u c h about how-much you give back. I could fil l a l l t h e des - ert sands-with an - ciec

1 COULD WRITE BOOKS

un - d e r - s t a n d why I do all these things that d o n ' t make sense.- But

cresc

EID

/-q love it s e e m s has a lo - gic that de - fies a l l ev-i-dence.- 1 could write

1 COULD WRITE BOOKS

I books, 'bout all the t h i n g s I don't know a bout you.- Volumes one and t w o o f a l l th

doubt you put- me through.

PianoIConduc tor I COULD WRITE BOOKS

I do know 1'11 al - ways love you.- 'Cuz deep in - side-

I / Oh. 1'11 al - ways 1 love you._ I

47

U I think you love me too.

Hmm.

-- -


BEFORE CUPID

CUE: ZA NNA EX1 TS.. . THEN STEVE!

Fast Baroque


DON'T YOU WISH

Lite Baroque ROBERTA: I I - I - I I

I - They

But

Don't you

DON'T YOU WISH

- wish we c o u l d be in love?-

n u t., MIKE: I n L I L

I I i I n , A " I I Y - I I I I 1 1 I I ' I I 1 U # r m n '. ! + I - I ! I # I . . ~ I I ! A I J

I Don't you wish we had- a choice?-

Cu pid

- Just fol low the sound of my voice.-

PianolConductor DON'T YOU WISH

Bright Pop

aim, Cupid pull, Cupid shoot! Cupid come on wake up, babe, you got two lov - ers on the loose. Cup id

MIKE: I - - - - I 1 1

I

Cupid I

please, Cupid now, 1 beg I please 1 implore, can't 1 be-in lovewith him and not the / one that 1 love more? I

Sweet Country

DON'T YOU WISH

I So far so good; I'm pret ty fast.- But how much Ion ger can m y heart- last?--

1 Think how per - fect she is.- Why can't I be happy with this?

DON'T YOU WISH

I She's ev 'rything I coulddream.-- Tell me what's wrong with me. Please.

ROBERTA: I - I - I - - I I I A

Cupid /

Cu pid

A hi t f , , A - n w - rm n 8 '

J aim, Cupid pull, Cupid I shoot! Cupid come on wake up, 1 babe, you got two lov ( - ers on the loose. Cupid 1

aim, Cupid pull, Cu pid shoot! Cupid come on wake up, babe, you got two lov - ers on the loose. Cu pid

MIKE: - I I - 1 ' - - - -

DON'T YOU WISH

I I please, Cupid now, I beg 1 I please I implore, can't I be love with her and not the 1 one that I love more? II

I please, Cupid now, I beg I please I implore, can't I b e in love with her and not the one that I love more?

Heavy Rock

1 l o v e ; go a - w a y love.- Just pack your b a g s , you can't s t a y love.-

DON'T YOU WISH

Dramatic Baroaue

I La la la la la la I'm not lis'nin' to you. Ow! La la la Ow! Cut it out, or you and I are through.

I I'm sorry, pal, I know you want what's best for me. But he loves some one else so please just let me be.

1 KATE:

I've

I I learnedto ride a bull,- I and get straightA's.- I I've learned to win a thou - sand ways. I

I I'velcarnedto hide feelings in - side. I've got my pridc.

DON'T YOU WISH

ZANNA:

,.--- Just for

And so I'll learn- I how to for get._ Problem solved, no one's t up - set. I I

And so 1'11 learn how to for - get. Problem solved, no o n e ' s up - set.

Dramatic Baroque

I get it just for-get it. Just for - get it Just keep bu - sy just keep bu - sy just keep

1 Whycan't 1 stop think-ing of her?

I (pi r . i r j r i i l I - I l D ~ . O D O O ) 1 ) 1 1 1 I 1'

9- DON'T YOU WISH

bu - sy. So 1'11 just learn not to love him in time.

'cl - I I 1 I

1 want things the way they once were. -

I' l l learn not to

I I I

and then, ev - 'ry - thing - '11 be finc.

I I I

I 8 - I mi A I I

love her,

Piano/Conduc tor - 10- DON'T YOU WISH

I ain't gonna think 'bout l o v e no m o r e . O u t of sight, out of mind,- and o u t the door. I've got him.

I've got you. And that's e nough. Do 1 real ly n e e d to be-- in- love?- MIKE:

in love? Don't yo

DON'T YOU WISH

Don't you wish we c o u l d b e in love'?- Don't you I I KATE:

I I wish we c o u l d b e in love?/ I Don't you 1 wish we c o u l d b e in love? I I

STEVE: ZANNA: I

Don't you wish we c o u l d b e in love?- Don't yo11

STEVE: J I I 1 - - - 8 I I I A r r ,

I Don't you

wish we c o u l d be in love?^ Don't you wish we could be in love?

1 KATEIROBERTA:

wish we c o u l d be in love'?-- Don't you wish we could be in love?

wish we c o u l d be in love?- Don't you wish we could be in love?

,

- - - - - bT T T -

i i r -

L I O

3

12 - DON'T YOU WISH A Tempo

KATE: KATE: I \ I - - - I A I

I I

Yes. STEVE:

No. I've STEVE:

Yes.

Cu - pid

-. Heaw Rock

I learned to ride a bull,- and get straight A's.-- I've learned to win a thou-

I! La la la la la la I'm not / lisnin1 to you._ I La la la la la la 1 got 1 I

I love.- Go a - w a y love.- Just pack your b a g s , yo11 can't stay-

1 aim, Cu pid pull, Cu-pid shoot! Cu - pid come on wake up, babe, you got two lov-

$ Dirh Rock Piano

A

DON'T YOU WISH

I - sand ways.- And so 1'11 learn- how to for - get.-

I - love.- Boil, bub-ble You're- cau - sin' trou-ble. So

I ers on the loose. Cu-pid please, Cu- pid now, I beg I plead, I im-plore, can't I be

I Prob-lems solved, no one's- up - set.

and then ev - - t h i n g be fine. ain't gon-na think 'bout love WOMEN

pack your bags and just go a - way So 1 ain't gon-na think 'bout love

I in love with her and not the one that 1 love more?-

PianoIConduc tor DON'T YOU WISH

STEVE: I 1 I - - - - q r r m I I I

I 1 I I I eJ ,- -

I've got him. KATE:

I no m o r e . Out of sight, 1 out of mind,- and out thedoor.- I I've got her. I

I no m o r c . Out of sight, out of mind,- and o u t thedoor.- I'vc got you.

And that's e - nough. Do 1 real - l y need t o be in love?--

And that's e -nough. Do I - real - l y need to

I And that's e -nough. Do I real - l y need t o be in love?-

I And that's e -nough. Do I real - l y need t o be in love?-

Piano/Conduc tor -15- STEVE:

DON'T YOU WISH

I'm goii-na love him a n d that's that.-

12'9A & # KATEISTEVE: v r u n u J I I .

A " U I I - - - a I I -t +

I I ' m gon-na 1 KATE:

I'm gon-na love her a n d that's that.

CUE: "What was that for ... CUE: Kiss No rcason. "

- love you

1 ZANNA:

I I'm gon - na love you

DON'T YOU WISH

And that's that.

I And that's sva-----------------------, that. I I

ZANNA, DON'T!

CUPID PLAYOFF

VAMP (Cut out at any bar)


WHATCHA GOT?

CUE: STOP CUE: = Lights U P End of Michacl Singcr CUE:

VAMP ti1 Cue Thc hcck it is. Slao Funk ROBERTA:

I What cha got that's yum - may?-

I +Woodblock Cue

I What cha got that's sweet?- What cha got for my turnmay?- 'Cuz

TANK:-"Is this rcally an

A l l 5 h 7 X

A h 9 l o appropriatc chcss chc~r?"~ I - 3 12 I I \ I

A " U I - I l l I - I I I ? I I I I I I I I I I I I

I I I 1 I ' O I I 1 I d h* * * * 4 4 - - --I j I -

j V

\+ *"

-

-

tummay want some thin' to eat! What cha got that's pret - tay?- KATE: 7 3 -

I I 1. I . I I I I - I I I I : I rl - -1 - -1 I

I Move that Queen, move that

- - -

WHATCHA GOT?

What cha got that's fine?- What-cha got that you- ZANNA: 7 3 - +KATE:

knight! Rock with your rook, it's a1 - right. Oh.- - Pawn-

.. . . . ROBERTA:

I - can g i v e me? What -cha got that can't b e mine?- Is it yo'

'J - m e . Pawn- me. What -cha got that can't b e mine?-

D 7(#94 +Dm m m m n j j Fill

I boctay? Is thatwhat it is?- Is it that bootay of yours? l hope it is. Does it come-with

WHATCHA GOT?

u kisses? Doesit c o m e w i t h hugs? And a large fry, super size, val-ue meal of love?

ARVIN:

I What cha got that's nas - tay?- What cha got that's foul?

Whatcha got that's skan - kay?- 'Cuz what ever i t is, ya gotta give it to-menow!-

WOMEN:

. -

1s it your

11 14 MEN:

WHATCHA GOT?

Oh. Tell-me now.- I wan na know.- 1s is that boo - tay,- - I

boo tay? 1s that what it is?- Is it that boo tay of y o u r s , I hope it

that 1 love so'? Kiss me. Hug Me. Squeeze.__ And a

is. Does it come with kisses. Does it c o m e with hugs? And a

ROBERTA:

large fry, su-per size val-ue meal of love.

Piano/Conductor - 5 - WHATCHA GOT?

What-cha got ba-by yeah I know it's fine._ Got-ta I give it to me ba-by, ba-by all the time._ What- I

What - cha got'? What - cha got? Ow, Ba - by, what - cha Tell me.

I Ow so sweet.

11 - cha got baby yeah, 1 know it's sweet.-Give my / tumrnay somethin' yurnrnay yeah don't make me w a i t . What- (

What - cha got? What - chagot? Ow, Ba - by, what - cha Tell me.

tr-

WHATCHA GOT?

I Oh turn may!-

11 - cha got ba-by give it to rnc now,. you know- I'm gon na go and take it an-y - how._ 'Cur ( 1

1 What - cha got? What - cha got'? What - cha What - cha What-cha got? 'Cuz

TANK: "30 scconds Icft."

I t want some - thin' to eat.

- tum - may want some - thin' - to

tum - may want somc - thin' to eat.

WHATCHA GOT?

I Oh. So pret - tay.-

I I - Come on pret - ty bs by go 'round-the out - side, back+ that booty up and come and gimme a ride.- Come I

What - cha got? What - cha got? Ow. Ba - by what - cha got? Tell me

I " I r I Y - I --

Oh. so fine.

I I --on pret - ty baby got ta shake that t h a n g ; let me 1 show you all the happ-iaess a thang can brang.- Come I

T " What - cha got? What - chgot'? Ow.- Ba - by what - chgot? Tell me

WHATCHA GOT?

- r

8 A I

What can -I

you gim - may?

on pre - ty baby you know what to do.- I / got a little some thin' here that's just for you.

What - cha got? What cha got'? What-cha, what - cha, what - cha got?

011 I I I n I I h .I - e4 - I I A -I

I 2 I - d - -

'1 What - cha got? What - cha got?

What - cha got? What - cha got?

I What - cha got? What - cha got?

WHATCHA GOT? 1

I CHECK-MATE! 1

I What - cha got? That can be

l I What - cha got? That can be I

What - cha got? That can be

I I

I ad lib. vocal I / 1 hJ / 65 66 67 \ 68

I

E I - I I - I * a - - I - L I I I 4 I I W I

mine? -,

I

mine?

ZANNA, DON'T!

DO YOU KNOW WHAT?

Simply, with Feeling MIKE:

1 Do you

know what it's like, to be in love with you, to h a v c my heart still love you when my mind-

-knows it's not true? Do you know what it's like, to be in love with you, not to re mem-

DO YOU KNOW WHAT?

I - ber what my l i f e w a s like, b e f o r e I first met you? Do you know what it's like when I lie in bed, and

l one word missing and it come be fore love, and 1 think it doesn't matter, what we have is e nough. But what we

have isn't in, so I don't know what- to do. O h , do you know? Do you

DO YOU KNOW WHAT?

know what it's like not to be in love with you, not to h a v e my heart o b e y w h a t my mind-

- w a n t s to be true? Do you know what it's like not to be in love with you, but to like-

I -you, lovc you, cherish you, i d o l i z e y o u and p r o t e c t y o u ? Do you know what it's like to look into your eyes and to

see what I know you don't see in mine, though I'd pray it might be so- the w h o l e n i g h t through. Do you

DO YOU KNOW WHAT?

I know what it's like to have to let go of your hand and to start a-noth er life, a life I don't un der stand and live thi

I rest of my life knowing how much I've hurt you? O h , do you know? I

Country Coffee House

I know 1'11 never f i n d your lovin' in an - y one else, though I'll try. O h , a n d I'll

I try.- And 1 know 1'11 nev er f i n d your smile in an - y one else, though I'll try.

45 46 I I

- 2 ,-,, , , ,- , ,-, , , , I r r r r r r r 1 r r r r r r r r r

DO YOU KNOW WHAT?

1 O h , and I'll try.

ROBERTA:

I If some-one were to c o m c up to me and

say that they knew how- to love you better, I'd say "Buddy, step into the ring you're goin' d o w n . " I ' d - f i g h t a

DO YOU KNOW WHAT?

KATE:

thought it do an-y g o o d . O h , do you know? STEVE:

I Do you

1 know l'i1 never f i n d your lov-in' in an - y-one else. Though I'll try, ' I ROBERTA:

11 MIKE: In an-y-one else. I

Do you know what it's like to be in love with you?-

I know what it's like not to be in love with you,- not to have

ud lib. simile I I I

DO YOU KNOW WHAT?

I O h , and 1'11 And I

I when my mind knows it's not true.

I " I

- my heart o - bey when my mind knows it's,:"' not true? Do you

know I'll ne-ver t i n d your smile in an - y-one else. Though 1'11 try.

In an-y-one else.

Do you know what it's like to be in love with you. But to like-

I know what it's like not to be in love with you, but to like-

DO YOU KNOW WHAT'?

O h and I'll tW

I - and love. Do you

-- you, love you, che-rish you, i - do-lize you and p r o - t e c t you? Do you

1 If some one were to come,

some - one were to c o m e up to me and / say that they knew h o w to love you I

I know what it's like? Whcn I lie in bed, and I

1 * know what it's like to look in-to your eyes and to scc what I know you don't see in mine, though I'd

DO YOU KNOW WHAT?

I and Say they knew of love.

think of you and the things you've said. But there's

pray it might be so- the whole- night Do you

I I guy for you;- I ' d f i g h t a / girl for you;- ~ ' d tight my- I

one word not there, a n d i t comes be - fore love.- Does it

I know what it's like to have to let go of your hand and to start a noth - er life, a life 1 don't under stand and live the

DO YOU KNOW WHAT?

I N o one can- l o v e like you. Oh,-do you know?

I I self you know 1 would.- If I I thought it do any good.- Oh,-do you I know? 1

I mat ler?- Is what we have c - n o u g h ? O h , d o you know?

I rest of my life knowing how much I've h u r t you?- O h , d o you know?

KATE: 76

Rit. 77 78

How to look in-to your eyes. STEVE:

To let go of your hand.

DO YOU KNOW WHAT?

,,, MIKE: Rall. 79

L. X I 82 I I I I

I i I ;I I I I / I I I I I ' I I

I. --- 1 just don't under stand.-

start a noth - er life. -


TWINKIE PLAY ON

CUE: "To thc o ~ i c pcrson who might bc ablc to hclp us."

Fast Baroque


ZANNA'S REPRISE

Broadly IStringsj

With Movement ZANNA:

1 What h a v e 1 done? I thought that love was f u n , but with all that we've been through,- 1

now see it's not t r u e . And there's nothing like this in fair - ytales,-so I don't know what to d o . And I've

ZANNA'S REPRISE

Tempo di "Zanna's Song" n # 1 2

7 3 -

I I

I had it up to h e r e with you,- and all the games you play.- How you

? Colla Voce

I can'tseem to make my dreams -come t r u e , - yet you can't make them -go a way. Ev' ry one's- un happy,

1 all be - cause of you.- - So I real-ty have to won - der, is there any g o o d that you do?


'TIS A FAR, FAR BETTER THING I DO1 BLOW WINDS

CUE: ZANNA:"Nothing done out of lovc can cvcr do us harm."

ZANNA: Colla Voce

I 'Tis a far, far better thing 1 d o t h a n I have ever done. 'Tis a far, far betterworld- I make. Well,

different from this o n e . It might take ev' - ry ounce of ma-gic, ev' ry po-wer in my soul. And I

A 5 Anthem-Like 7 -

A I I I I I I I I r i I

I I d 3 Y r r S - 3 - i 4 3

- - -

Rit.

Tis' a FarIBlow Winds

brave new world will rise for us, and the

73 loco

House Dance Music

"BLOW WINDS"

- 'Tis a far, far bet - ter t h i n g than I have ev - er done.


I 'Tis a far, far bet-ter rest that my h e a r t will- get since the day we- met.

But can the heart ev-er take a rest from the thing- it loves- 1 d o n ' t know yet. -

Blow winds, from the city to the shore. Blow winds, from I WOMEN:

Y I I,, h.1 - # Y I> A I I I I

A

d 8- .& w #L'

- - -- Blow winds. Blow- winds.

MEN: I


I my heart to yours. Blow winds, from the mo~m-tains to the plains.

vocal ud. lib - - - - - - - - - - - - - - - - - - -

Make the strange fa - mil - iar, make fa - mil - iar things strange.

change. I I I


vocal ad. lib

I Go now, I want you t o go t o her.-

I ENS:

I Go- to her.

vocal ad. lib

.---, Stand now, I want you to s t a n d be - s i d e her.

I KATE:

V I

Stand- by him.--

Tis' a FariBlow Winds

Be now. I want you to b e in a w o r l d where you can be who you want to- be.

n I I I I I - r . . I

m * I, I I \' V 1 I c* 1 0

d - - Be.

I Love now. I want you to l o v e w h o you w a n t to l o v e if it c a n ' t be me.-

WOMEN:

MEN: I

I I Love. Blow I I I

Tis' a FarJBlow Winds

Blow winds, from the ci - ty to the shore. Blow winds, from my heart to yours.

' 'J Blow winds, from the mountains to the plains. Make the strange fa-miliar, makc fa - mil iar things strange.

I I winds. I Blow winds of

Tis' a Farmlow Winds

I I can't change you.

I But 1 can change the BUCK:

I Blow

world. WOMEN:

I winds. Blow- winds. Blow

Tis' a FariBlow Winds

B I ~ W I I winds. 2 1

winds. Blow winds of change.

I I can't. I 1 c a n ' t change I

Tis' a Far/Blow Winds

can change-

I I I

world. -\

world.

A I em am.

r3 D

I - L


STRAIGHT TO HEAVEN

CUE: TANK: "Straight to Hcavcn!"

at the guy a cross the floor. I can see him smi - lin' b a c k at you, so tell me

what are you wait - in' for? Hey, you, sit - tin' by yourself, I know ex

STRAIGHT TO HEAVEN

- come true, so go on and f a l l in love.- Yeah,

I girls, grab a guy, guys grab a girl:_. this song - is for lovers all a - round the w o r l d . Come on

STRAlGHT TO HEAVEN

ev - 'ry-bod - y and join the c r o w d , take a ride on the w i n d and come and - 1

I dance on a cloud,

--4 Ah. Be cause to - night we're gon na go- straight to hea - ven.-

TANK:

Love is go-in' ALL:

Love is go-in'

straight to my heart.- straight to my soul.-

STRAIGHT TO HEAVEN

Love is go-in' Love is go-in'

I straight to my mind.- striaght out of control.-

Love is go - in' straight to my b l o o d and- straight to my b r a i n and-

I straight to my b o n e s , 1 think I'm go - in' in-sane- be-cause to - night we're gon-na go-

STRAIGHT TO HEAVEN

I - straight to hea - ven.-

A 47 48 ALL: 49 I L 5 0 I > r - I r n r n I # 1 - ~ i l l t ? I' i f 1- 7 1-

I I I v'

I Love is go- in' straight to my heart.- Love is go - in'

1 straight to my soul. Love is go-in' straight to my mind.- Love is go- in'

1 striaght out of control. Love is go-in' straight to my b l o o d and straight to my brain and-

STRAIGHT TO HEAVEN

I straight to my boner,-- I think I'm go - inq in - s a n e be-cause to - night weic gon - na go-

I - straight to hea - ven.-


SOMEDAY YOU MIGHT LOVE ME

Relaxed Pop Ballad CUE: STEVE: "I ncvcr kncw that vou ... I mcan ..."

ZANNA: -

I Once, u - pon a t~me.- You'd all come t o me.-

I'd do an - y - thing for y o u what - ev - er- it might be.

Piano/Conductor - 2 - 1s. SOMEDAY YOU MIGHT LOVE ME

I N o w , you a l l point and laugh,- you s e e m so a - mused.

I B u t 1 don't know what I've done. Help me. I'm- con - fused.

21

e

Y o u clapped and cheered for me- the whole year through.

I And though- so much has changed. 1 haven't. Have you?

18. SOMEDAY YOU MIGHT LOVE ME

1 taught your hearts how to love, your s o u l s how to kiss. I

I I taught you a l l that I know.- I didn't teach you this.

A Temno

Some d a y you might love me.-- Some d a y you m i g h t care.-

Some d a y you might- come and f i n d me- and f i n d that I'm not there. We

PianoIConduc tor - 4 - 1s. SOMEDAY YOU MIGHT LOVE ME

I gathered for a mo - ment- and laughed and c r i e d a n d played.- But

I from now o n , the- mag - ic's- gone.- This i s what it made.

H o w can you look in - to me -3-

and not see your selves. How? I'm

man, worn - an, gay, straight. all be - tween.

18. SOMEDAY YOU MIGHT LOVE ME

1 leave no - one out. - I

S o m e d a y you might love me.- Some d a y you m i g h t care.-

Some d a y you m i g h t come and f i n d me.- And f i n d that I'm not there.

Heavier

18. SOMEDAY YOU MIGHT LOVE ME Rall.

+Gtr Solo

I Someday- you might- . come and f i n d me. and find- I'll still be there. h


STRAIGHT TO HEAVEN-REPRISE

CUE: STEVE: "Comc on."

Slowly and Simply

So, guys, grab a girl, girls grab a g u y . Or g i r l s grab a girl, and guys-

I I (Pi - I I

I l l I I I I 8

I I - I l l

v - - GL- e - - - -

/ - grab a guy. Just grab a hold of some body. what - ev-er feels right.-

I A MIKE:

I Join the ar-my of l o v e , we're go-in'

Pianofconductor - 2 - STRAIGHT TO HEAVEN-REPRISE

poco a poco accel. & cresc. n s ,) I I I 2

ROBERTAtCANDY: v I I - - - - - . 1

I 0 m I I r , - A I I , I I I I I I I A I

I I l l 1 4 I I A 3 r I I

I We can't afford to leave any one out of the game.-

dan cin' to night.- Love who you a r e a n d someone

A 1.3 ALL: 1-1 1 5 I 6 Y I m m - I - D m r m r l r 8 - 8 -

A I I I / I r A I I I I Y V I r v I I

d I I u

I And to - night we just might go- straight right to hea-

I else might do the same.-

I - ven. Love is go- in' right to my heart.- Love is go- in'


right to my soul. Love is go-in' right to my mind.- Love is go-in'

right out of con trol. Love is go-in' right to my blood- a n d right to my b r a i n and-

right to my bones,_ I think I'm go-in' in sane- be cause to - night we're gon na go- right to hea-


Oh. ven.- yeah!- to - night-

I I I

Reaeat and Fade

I - we just might go!- Straight to heav - en!- Oh, yeah! be cause to


CUE:

SOMETIME, DO YOU THINK WE COULD FALL IN LOVE?

1 Hold- on. The eve ning's not quite t h r o u g h . It secms you've-

I - lost- this. May I r e - t u r n it now to y o u . To night y o u r mu - sic meant much

I more than y o u c o u l d k n o w . So, I'd just like to s a y o n c thing to y o u , be - fore you go.

PianoIConductor - 2 - Sometime, Do You Think We Could Fall in Love?

ZANNA:"Tank, what arc Tempo di Jackson Five

I thought I'd spend my life a - l o n e be-cause my fee-lings felt so wrong. But now I've

got the s t r e n g t h to b e my - self since I heard you sing your song. I'm a

sort of char - ming, some - what hand - some not so "prince - ly" guy. Who wants

des p'rate l y to be- with you if you'd on-ly let me try. So tell me. Some - t i m e , do you think,

- 3 - Sometime, Do You Think We Could Fall in Love?

I we could fall in love? How 'bout this Sunday,- or is to mor - row soon e nough? How 'bout to night,

t h e n , a1 though I tell ya' I don't see h o w I'm gon-na last that l o n g if we don't fall in l o v e right

I now. I know your heart is in a mil - lion bro-ken pie-ces on the floor.-- 1'11 be

I hap py t o c o l l e c t them a l l . that's what friends are f o r . You've taken care of ev' - r y o n e , that's

Piano/Conductor - 4 - Sometime, Do You Think We Could Fall in Love?

a1 ways how it's b e e n . It's time someone took c a r e o f y o u , b u t you'll have to l e t them in. And may bi

some - t i m e , do you think, we could fall in love? How 'bout this Sun-day,- or is to mor-

I - row soon enough? How 'bout to-night, t h e n , al-though I tell ya' 1 don't see h o w I'm gon-na

last that l o n g if we don't fall in l o v e right now.

PianoIConductor 5 - Sometime, Do You Think We Could Fall in Love?

ZANNA:

There you were al-ways right in front of me.- So close to my heart, that I

simile

4X TANK:

sim - ply could-n't see.- There 1 was mak-in' all sorts of mis - takes.-

that's o - k a y . Some times that's just what it t a k e s . We've always played our s o n g s f o r ev' - ryone else-

Piano/Conductor - 6 - Sometime, Do You Think We Could Fall in Love?

- in their own key.-

e? How 'bout this

Sun-day,- or is to-mor - row soon e-nough? How 'bout to-night, t h e n , al-though I tell ya'

I 1 don't see h o w I'm gon - na last that l o n g if we don't fall in l o v e right

PianoIConductor - 7 - Sometime, Do You Think We Could Fall in Love?

I now. I'm gon - na last that l o n g 'cuz I'm fa1 - lin' in l o v e right

Slow Waltz in Three n I I 05 I hh 67 68

I 1 I I - -

0 - I 1 I

l now.

ZANNA: "I think I likc TANK:"Obviously, you'rc thc

Rall. ZANNA:"Shh. Just Rit.

n I I ,, p. thc othcr world bcttcr." 75 r'

73 , p' only onc who rcmcmbcrs."

76 I

I

I I I I

1

I


BOWS

BOWS

ALL:

I Some - t i m e , do you think, we could fall in l o v e ? How 'bout this

~b c I

1 I L I a I 1 1 I I L I

I ' I

i f I r w-- 0 - . GtrIBass Continue d- d ' d - -.

-.

T

I Sun-day?- Or is to-mor - row soon e nough? How 'bout to-night, t h e n , al-though I tell ya'

BOWS

I 1 don't see h o w , I'm gon-na last that l o n g if we don't fall in l o v e right now.

Stop Time

I Some-time, some - day,- could we fall in love?-- Sum-mer t i m e , win-ter-time,

could we fall in love?- ARVINITANK:

I Sun day, Monday, Tues-day, Wednesday, coi~ld we fall in l o v e ? Oh.-

BOWS

KATEIROBER'I'A:

1 just can't wait.- I

F a l l , Spring.- could wc fall in love?- Some - time, some - day,

Thurs day Fri day, Sat-ur day,- could we fall in l o v e ? Oh.- Sun day, Monday, Tues-day, Wednesday,

I just can't w

could we fall in love?- Summettime,- win- tertime,- could we fall in love?-

could we fall in love?- Oh.- Thursday Friday, Sat - ur day,- could we fall in love?- Oh.-

PianoIConductor - 5 - BOWS

CANDY:

i TO - to - to - to - mor - row.- How 'bout tonight? To - to - to - to - day.,

I 1 just can't wait. How 'bout tonight'! I just can't wait.

I Some - time, someday,- could we fall in love?- F a l l , Spring,

Sunday, Monday, Tuesday, Wedneday, could we fall in love?- Oh.- Thursday Friday, Sat - urday,-

n 4(, A 47 4x A

I A a - I -

I I

F

I How 'bout to-night? To - to to - to mor-

I I How 'bout to-night'? 1 1 just can't wait. I don't know how. I

I oh.- Love.

n I 1

I could we fall in love?- Some - time, some - day,-

I could wc fall in love?- Oh.- Sun - day, Mon - day, Tues - day, Wednes - day,

ZANNA:

c> . I.

Piano/Conduc tor BOWS

row._- How 'bout to-night? To - to to - to I

day.-

I'm gon-na last. How 'bout to-night? 1 want your love. 1 lieed i t I

could we fall in love? Fall, Spring,

could we fall in love?- Oh.- Thurs - day Fri - day, Sat - us-day,-


How 'bout to-night? TO - to to - to mor-

Oh help me please. How 'bout to-night?

I could we fall in love?- Some - time, some - day,-

I could we fall in love?- Oh.- Sun - day, Mon - day, Tues - day, Wednes - day,

BOWS

n 55 56 L L I V I -- I

F 0' ' r n 4 0 4 I ! I ! 04 I ( I 0 0 I 0

I I I d

row.- How 'bout to-night? To - to to - to day.- I

I I I'm gon-na last. How 'bout to-night? 1 I want your love. I need it now. I

I could we fall in love? Fall, Spring,

Piano/ Conductor BOWS

How 'bout to-night?

I I Oh help me please. How 'bout to-night? 1 To- I

How 'bout to-night?

I could we fall in love'! How 'bout to-night? To-

I could we fall in love? How 'bout to-night? To-

BOWS

I I night.- Woo! I I/

night. Woo!

Y

I night. Woo!

u I a 1

\' V d

I Woo!

A - 0' -m I I

I 11 4 I r .

I I1 r 4 I

\, J I '

I

night. Woo! To Svnth

Some - t i m e . do you think, we could fall in l o v e ? How 'bout this Sun day?- Or is to mor-


I - row soon enough? How 'bout to night, then,- al- though I tell ya' I don't see how,_ I'm gon-na

0

last that long.-

Come and give me that love. Come and give me that. Give up your ex - tra love!

I now.


EXIT MUSIC!

1What'cha Got Tempo)

EXIT MUSIC! 1

I I (Be A Man Tempo} 1

Ill

EXIT MUSIC!

[Ride 'Em Tempo)

EXIT MUSIC!