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LIDO at the Yale Center for British Art From data exchange and scholarly cataloging to Linked Open Data Thomas Rowlandson, 1756-1827, A Gentleman's Art Gallery (detail), undated, watercolor, with pen and gray and red-brown ink, over graphite, Yale Center for British Art, Paul Mellon Collection Emmanuelle Delmas-Glass Collection Data Manager Yale Center for British Art Using LIDO in the Real World: Emerging Practice in Museum Metadata Sharing | @edgartdata #MCN2014

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Page 1: Yale Center for British Art · •COPE: Create Once, Publish Everywhere •Multiple aggregators to contribute to: –Yale-wide Cross-Collection Discovery Service – Google Art Project/Cultural

LIDO at the Yale Center for British Art From data exchange and scholarly cataloging to

Linked Open Data

Thomas Rowlandson, 1756-1827, A Gentleman's Art Gallery (detail), undated, watercolor, with pen and gray and red-brown ink, over graphite, Yale Center for British

Art, Paul Mellon Collection

Emmanuelle Delmas-Glass Collection Data Manager Yale Center for British Art

Using LIDO in the Real World: Emerging Practice in Museum Metadata Sharing | @edgartdata #MCN2014

Page 2: Yale Center for British Art · •COPE: Create Once, Publish Everywhere •Multiple aggregators to contribute to: –Yale-wide Cross-Collection Discovery Service – Google Art Project/Cultural

Yale Center for British Art

• public museum and a university research institute

• largest and most comprehensive collection of British art outside the United Kingdom

• 2,000 paintings, 200 sculptures, 40, 000 prints and drawings, 2,000 frames, 30, 000 rare books and manuscripts and 30,000 reference library materials

Using LIDO in the Real World: Emerging Practice in Museum Metadata Sharing | @edgartdata #MCN2014

Page 3: Yale Center for British Art · •COPE: Create Once, Publish Everywhere •Multiple aggregators to contribute to: –Yale-wide Cross-Collection Discovery Service – Google Art Project/Cultural

Roles of LIDO at the YCBA

• Support in depth cataloging

• Data exchange standard

• Cross-collection discovery tool

• Support Linked Open Data

John Frederick Lewis, 1804-1876, British, A Frank Encampment in the Desert of Mount Sinai. 1842 - The Convent of St. Catherine in the Distance, 1856, watercolor, gouache and graphite on slightly textured, beige wove paper mounted on board, Yale Center for British Art, Paul Mellon Collection

Using LIDO in the Real World: Emerging Practice in Museum Metadata Sharing | @edgartdata #MCN2014

Page 4: Yale Center for British Art · •COPE: Create Once, Publish Everywhere •Multiple aggregators to contribute to: –Yale-wide Cross-Collection Discovery Service – Google Art Project/Cultural

YCBA architecture

Using LIDO in the Real World: Emerging Practice in Museum Metadata Sharing | @edgartdata #MCN2014

Reuse OCLC Research Museum Data Exchange tools: • COBOAT • OAICatMuseum OAI-PMH repository software

Page 5: Yale Center for British Art · •COPE: Create Once, Publish Everywhere •Multiple aggregators to contribute to: –Yale-wide Cross-Collection Discovery Service – Google Art Project/Cultural

Information architecture

• LIDO has been YCBA’s XML schema since 2012

• LIDO is the successor to CDWA Lite

• YCBA used CDWA Lite XML schema since 2010

Using LIDO in the Real World: Emerging Practice in Museum Metadata Sharing | @edgartdata #MCN2014

Page 6: Yale Center for British Art · •COPE: Create Once, Publish Everywhere •Multiple aggregators to contribute to: –Yale-wide Cross-Collection Discovery Service – Google Art Project/Cultural

Scholarly cataloguing

Basic tombstone cataloguing

LIDO as support for scholarly cataloging

Using LIDO in the Real World: Emerging Practice in Museum Metadata Sharing | @edgartdata #MCN2014

Page 7: Yale Center for British Art · •COPE: Create Once, Publish Everywhere •Multiple aggregators to contribute to: –Yale-wide Cross-Collection Discovery Service – Google Art Project/Cultural

LIDO event types

•Part addition •Part removal •Performance •Planning •Production •Provenance •Publication •Restoration •Transformation •Type assignment •Type creation •Use

•Acquisition •Collecting •Commissioning •Creation •Designing •Destruction •Excavation •Exhibition •Finding •Loss •Modification •Move •Order Lionel Constable, 1828-1887, British, A Grey Day, ca. 1845,

oil on canvas, Yale Center for British Art, Paul Mellon Collection

Using LIDO in the Real World: Emerging Practice in Museum Metadata Sharing | @edgartdata #MCN2014

Page 8: Yale Center for British Art · •COPE: Create Once, Publish Everywhere •Multiple aggregators to contribute to: –Yale-wide Cross-Collection Discovery Service – Google Art Project/Cultural

exhibition event

Using LIDO in the Real World: Emerging Practice in Museum Metadata Sharing | @edgartdata #MCN2014

Page 9: Yale Center for British Art · •COPE: Create Once, Publish Everywhere •Multiple aggregators to contribute to: –Yale-wide Cross-Collection Discovery Service – Google Art Project/Cultural

bibliographic citation: related work

<lido:objectID lido:type="local" lido:source="OCLC Number">3447120</lido:objectID>

<lido:objectID lido:type="local" lido:source="YCBA">191</lido:objectID>

Using LIDO in the Real World: Emerging Practice in Museum Metadata Sharing | @edgartdata #MCN2014

Page 10: Yale Center for British Art · •COPE: Create Once, Publish Everywhere •Multiple aggregators to contribute to: –Yale-wide Cross-Collection Discovery Service – Google Art Project/Cultural

bibliographic citation: related work

Using LIDO in the Real World: Emerging Practice in Museum Metadata Sharing | @edgartdata #MCN2014

Page 11: Yale Center for British Art · •COPE: Create Once, Publish Everywhere •Multiple aggregators to contribute to: –Yale-wide Cross-Collection Discovery Service – Google Art Project/Cultural

OCLC Linked Data

Using LIDO in the Real World: Emerging Practice in Museum Metadata Sharing | @edgartdata #MCN2014

Page 12: Yale Center for British Art · •COPE: Create Once, Publish Everywhere •Multiple aggregators to contribute to: –Yale-wide Cross-Collection Discovery Service – Google Art Project/Cultural

bibliographic citation: related work <lido:relatedWorksWrap>

<lido:relatedWorkSet>

<lido:relatedWork>

<lido:displayObject>J. H. Plumb, /The pursuit of happiness, a view of life in Georgian England : an exhibition selected from the Paul Mellon collection, /Yale Center for British Art, New Haven, 1977, pp. 45, 97, no. 67, N6766 Y34 1977 (YCBA) </lido:displayObject>

<lido:object>

<lido:objectWebResource/>

<lido:objectID lido:type="local" lido:source="OCLC Number">3447120</lido:objectID>

<lido:objectID lido:type="local" lido:source="LC Call Number">N6766 Y34 1977 (YCBA)</lido:objectID>

<lido:objectID lido:type="local" lido:source="YCBA">191</lido:objectID>

</lido:objectNote>

</lido:object>

</lido:relatedWork>

<lido:relatedWorkRelType>

<lido:conceptID lido:type="local" lido:source="publication"></lido:conceptID>

<lido:term>related to</lido:term>

</lido:relatedWorkRelType>

</lido:relatedWorkSet>

Using LIDO in the Real World: Emerging Practice in Museum Metadata Sharing | @edgartdata #MCN2014

Page 13: Yale Center for British Art · •COPE: Create Once, Publish Everywhere •Multiple aggregators to contribute to: –Yale-wide Cross-Collection Discovery Service – Google Art Project/Cultural

LIDO: concept source and conceptID

Using LIDO in the Real World: Emerging Practice in Museum Metadata Sharing | @edgartdata #MCN2014

Page 14: Yale Center for British Art · •COPE: Create Once, Publish Everywhere •Multiple aggregators to contribute to: –Yale-wide Cross-Collection Discovery Service – Google Art Project/Cultural

LIDO as a data exchange standard

• COPE: Create Once, Publish Everywhere

• Multiple aggregators to contribute to:

– Yale-wide Cross-Collection Discovery Service

– Google Art Project/Cultural Institute,

– ARTstor

– eMuseum Network

– DPLA?

Using LIDO in the Real World: Emerging Practice in Museum Metadata Sharing | @edgartdata #MCN2014

Page 15: Yale Center for British Art · •COPE: Create Once, Publish Everywhere •Multiple aggregators to contribute to: –Yale-wide Cross-Collection Discovery Service – Google Art Project/Cultural

Using LIDO in the Real World: Emerging Practice in Museum Metadata Sharing | @edgartdata #MCN2014

Page 16: Yale Center for British Art · •COPE: Create Once, Publish Everywhere •Multiple aggregators to contribute to: –Yale-wide Cross-Collection Discovery Service – Google Art Project/Cultural

Using LIDO in the Real World: Emerging Practice in Museum Metadata Sharing | @edgartdata #MCN2014

Page 17: Yale Center for British Art · •COPE: Create Once, Publish Everywhere •Multiple aggregators to contribute to: –Yale-wide Cross-Collection Discovery Service – Google Art Project/Cultural

Yale-wide single search box (CCD): http://discover.odai.yale.edu

Yale Center for British Art online cross collection catalogue: http://britishart.yale.edu

Using LIDO in the Real World: Emerging Practice in Museum Metadata Sharing | @edgartdata #MCN2014

Page 18: Yale Center for British Art · •COPE: Create Once, Publish Everywhere •Multiple aggregators to contribute to: –Yale-wide Cross-Collection Discovery Service – Google Art Project/Cultural

LIDO as cross collection discovery tool: YCBA Single Search Box

Using LIDO in the Real World: Emerging Practice in Museum Metadata Sharing | @edgartdata #MCN2014

Page 19: Yale Center for British Art · •COPE: Create Once, Publish Everywhere •Multiple aggregators to contribute to: –Yale-wide Cross-Collection Discovery Service – Google Art Project/Cultural

Yale University Library Orbis (MARC)

Yale Center for British Art TMS collections management system (LIDO)

Page 20: Yale Center for British Art · •COPE: Create Once, Publish Everywhere •Multiple aggregators to contribute to: –Yale-wide Cross-Collection Discovery Service – Google Art Project/Cultural

LIDO and Linked Data

URIs based on unique identifiers Ontology: CIDOC Conceptual Reference Model LIDO is CIDOC-CRM compliant

Partners: - British Museum - ResearchSpace - Ontotext

Using LIDO in the Real World: Emerging Practice in Museum Metadata Sharing | @edgartdata #MCN2014

Page 21: Yale Center for British Art · •COPE: Create Once, Publish Everywhere •Multiple aggregators to contribute to: –Yale-wide Cross-Collection Discovery Service – Google Art Project/Cultural

challenges

• Museums use LIDO differently

• Aggregators are expecting different LIDO flavors

• Aggregators are not interested in rich metadata

Using LIDO in the Real World: Emerging Practice in Museum Metadata Sharing | @edgartdata #MCN2014

Page 22: Yale Center for British Art · •COPE: Create Once, Publish Everywhere •Multiple aggregators to contribute to: –Yale-wide Cross-Collection Discovery Service – Google Art Project/Cultural

opportunities

• Produce shareable metadata!

• Contribute back to the LIDO community with metadata profiles

• Go beyond discovery and description

• Develop/contribute to semantic platforms dedicated to research

Using LIDO in the Real World: Emerging Practice in Museum Metadata Sharing | @edgartdata #MCN2014

Page 23: Yale Center for British Art · •COPE: Create Once, Publish Everywhere •Multiple aggregators to contribute to: –Yale-wide Cross-Collection Discovery Service – Google Art Project/Cultural

thank you

• http://britishart.yale.edu/collections/using-collections/technology

• http://firstmonday.org/ojs/index.php/fm/article/view/1628 Metadata for all: Descriptive standards and metadata sharing across libraries, archives and museums by Mary W. Elings, Günter Waibel

• http://www.firstmonday.org/ojs/index.php/fm/article/view/1386 Moving towards shareable metadata by Sarah L. Shreeves, Jenn Riley, Liz Milewicz

[email protected]

Using LIDO in the Real World: Emerging Practice in Museum Metadata Sharing | @edgartdata #MCN2014