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Monday Night Screenings
Spring 1983
MIT Film/VideoMIT Film/Video Section, Bldg N51-100, 275 Massachusetts Avenue, Cambridge MA 02139 (617)253-1606
Screenings begin at 7 pm and are free . Sponsored by the Louis B . Mayer Foundation .
February 7Dusan MakavejevYugoslav film director Dusan Makavejev will present WR-Mysteries ofthe Organism (1971) . 'A weird and hilarious Yugoslav fantasy that mockswith ferocious humor both the Marxist state and the American way,blending politics with pornography. . .' New York Times.
February 14Woody and Steina VasulkaInternationally recognized video artists Woody and Steina Vasulka willscreen two works-in-progress : South-Western Landscapes and TheCommission . 'The potential of video technology for personal expressionand discovery-in broadcast and in the art gallery-is a great, largelyunexplored terrain across which the Vasulkas are travelling .' Robert A.Haller, American Film, December 1981 .
February 28John GianvitoJohn Gianvito has lectured on film history at MIT. He describes his firstfeature film, The Flower of Pain (1983), as 'a film about an adolescentrelationship, about emotional illiterates of a very particular age and milieu,a psychological mystery story, a memory-emetic, a blood poem ; quitesimply, a film about people who do not know how to love one another.'John will also screen his short, The Direct Approach (1978) .
March 7Five Independent Films of Memory and FantasyBreaking and Entering (1980) by Ann Schaetzel ; Delivery Man (1982) byEmily Hubley ; Gently Down the Stream (1981) by Su Friedrich ; Adynata(1983) by Leslie Thornton (New England Premiere) ; Mom (1978) byMark Rance. Presented by Ann Schaetzel and Mark Rance, graduates ofthe MIT Film/Video Section, Master of Science in Visual Studiesprogram.
March 14Bill ViolaBill Viola, considered one of the major contributors to contemporaryvideo art, will screen selections from The Reflecting Pool (1977-80) andChott EI-Djerid (A Portrait in Light and Heat) (1979) . 'As well as beingpowerful canvases (Viola's) tapes are layered with strata of cultural andspiritual thought. They are state-of-the-art achievements which go beyondbeing showcases for the techniques used in their production .' MaritaSturken, Afterimage, Summer 1982 .
March 28Bruce BaillieBruce Baillie, whose lyric, experimental films are known for their lushnessof texture and color, will screen Quick Billy, Castro Street, and All MyLife . Bruce Baillie 'rides through the wide spaces of the country, throughthe wide spaces of his memories, dreams, childhood, friendships, andwe who correspond sometimes with him, we do not even always knowwhere he is . He seems to be always on the road . But in the images ofhis films, he seems to be very stable and very sure and always goingafter some definite and, probably, always the same image. With eachfilm one feels maybe he found it . But no, the image, the dream is not yetcaught, still somewhere else-so he makes another film, trying to comecloser to it, from some other angle.' Jonas Mekas, Movie Journal.
April 4Land of Silence and DarknessDirected by Werner Herzog, Germany, 1971'The heroine of this documentary is a 56-year old blind and deaf womanwhose job is to help others similarly afflicted . The subject may sounddepressing, but what comes out of this tender film is not her differencefrom us but, despite her handicaps, her similarity . And in some scenes-likethe one in which she introduces some blind people to an elephant-it ispositively delightful . The film speaks up for life, and poses the question :what is the nature of loneliness and of human communication?' NewYorker Films.
April 11N!ai, The Story of a !Kung WomanJohn Marshall's film N!ai, The Story of a !Kung Woman presents 'a broadoverview of !Kung life (in South Africa) both past and present, and anintimate portrait of N!ai, a !Kung woman in her mid-thirties in 1978 . N!aitells her own story, and in so doing the story of change in (Kung lifeduring the past thiry years.' Documentary Educational Resources. GrandPrize, Cinema du Reel, 1981 .
April 25The 8th Annual Ithaca Video FestivalAn evening of video art selected by the Ithaca Video Projects, includingworks by :
Bill Viola; Max Almy ; Norie Sato ; William A. Brown; Daniel M.Reeves ; Jon J . Hilton ; Jim Whiteaker; Scott Rankin; Steina Vasulka;John Arvanites ; Edin Velez; Karen Peterson ; Peter Trivelas ; ArdeleLister ; Jan Peacock; Barbara Buckner; Eugenia Balcells ; Peter VanRiper.
May 2Terence Macartney-FilgateAt the National Film Board of Canada in the late 1950s, the impulse to,catch life as it was' with newly developed, lightweight, synchronoussound 16mm equipment resulted in the formation of the 'Candid Eye'team of filmmakers . Terence Macartney-Filgate, an original member ofthe Candid Eye team, and now a producer at the Canadian BroadcastingCorporation, will screen Back Breaking Leaf (1959, NFB), Up Againstthe System (1969, NFB), and Henry David Thoreau-Beat to a DifferentDrummer (with Pete Seeger, 1971, CBC) .
May 9New England PremiereDanny LyonDanny Lyon will premiere Born to Film (1983), and will screen Little Boy(1977). 'What sets filmmaker Danny Lyon apart from most otherdocumentarians is a confidence so complete in the power of the camerato communicate that he questions his subjects scarcely at all and doesnot otherwise bombard us with data. Since his skill in creating a flow ofsuperbly composed images is great enough to bring to mind Antonioni,his work is remarkably effective in making its point.' Kevin Thomas, LosAngeles Times, January 13, 1976 .
WOODY & STEINA VASULKA WILL BE SHOWING AND DISCUSSING
THEIR VIDEO TAPES ON
FRIDAY NOVEMBER 23 AT 7 pm
IN THE
STEWART BUILDING ,
ROOM 307, VIDEO AREA
Film October 28,1976Peter Daviswill present his films : This BloodyBlundering Business on the U .S .pacification of the Phillipines, andCounterpoint, the U-2 Story adocumentary on the spy activitieswhich led to the downing of FrancisGary Power's U-2 over Russia .
November 18,1976Monica Freemanwill present her film Valerie o-i theartist Valerie Maynard .William Greaveswill present his film From TheseRoots on the Harlem Renaissanceof the twenties .March 3,1977Jonathan Reiniswill present his documentaryDineh : The People, A Portrait ofthe Navajo .
0
Meet 41'rAdmission free " 5:
Donnell Library Center 20 VIm n ii,io?~; Io,ivE~ hEe'tl i11aElE~ lxo-;, ;~1~1!~ lay
1r~cj flw N(,wY()[},, `->?,th~C-j
March 17,1977Richard Brick The New Yowill present his film Last StandFarmer, a portrait of an elderly presents a seVermont hill farmer .Nina Schulman where leading vide(will presentand discuss her filmFarming on three women neighbors appear in person aon Rural Route Aurora, Iowa .March 31,1975Diane Liwill present her film The BarefootDoctors of Rural China, filmed in thePeople's Republic of China . I
Public Libraryfes of programsand filmmakers will
.nd show their works
October 21,1976Nam June Paik
will present selected works ofvideo art.
November 4,1976Steina and Woody Vasulka
will present selected works ofvideo art.
December 2,1976Ed Emshwiller
will present and discuss twoexperimental videotapes, Crossingsand Meetings, and Family Focus .
March 10, 1977Hermine Freed
will presentArt Herstory, FamilyAlbum, and additional new works of
video art including New Reel .
March 24,1977Louise and Bill Etra
will present "Explorations in theFuture and Perfect Tense", explora-tions in thought time-manipulation ofimage, computer generated images
used in video art. Also eight shortworks ofGothic horror .
e Makers30 p.m .'est 53rd street
r
Special 3 Day SessionMay 22-24 (Wed.-Fri .) All Day
Generated Image Workshopwith the Vasulkas
An intensive 3-day workshop in generated television imagecreation through techniques such as oscillators, feedback,colorization and keying . Tuition is $20 and enrollment islimited to 15 . Registration deadline is Monday, May 14 .
8 Week SessionBeginning May 6
Beginning Documentary Video Workshopwith Marc MillerTuesday 1-4
A course in the use of '/2" video as a documentary medium.The workshop will stress acquisition of portapak skillswith an introduction to editing . Participants will formsmall production groups, as well as bring their videoskills back to their own organizations .
Beginning Women's Video Workshopwith Judy DeSistiWednesday 1-4 or 7:30-10 (depending on participants' wishes)
A beginning course for women interested in using videofor personal expression and to produce information aboutwomen's concerns . The workshop will cover portapakskills, an introduction to editing, and the aesthetics ofdocumentary video .
Editing Workshopwith Sanford RockowitzMonday 7:30 - 9:30 pm. plus editing times to be arranged
A workshop in '/2" editing for persons with prior videoexperience. Included will be setup and operation of variousediting systems, use of auxiliary equipment, fine editing,organization of the editing process, and styles of editing .Enrollment is limited to eight people .
The Documentary, Women's and Editing Workshops willbegin the week of May 6 and run for eight weeks. Tuitionis $85 for individuals, $125 for persons whose tuition ispaid by a non-profit institution, and $175 for those whosetuition is paid for by a commercial organization . Dead-line for registration is Monday, April 29, and a depositof $25 is required . A limited number of work scholarshipsare available .
8 Prince Street Rochester, New York 14607
(716) 244 1259
Master Artist andAssociate Artist NewsThe Chamber Music Society of Lincoln Center
and its former artistic director, cellist Fred Sherry,recently named 52 of New York's most distinguishedcomposers, and 10 of them are Atlantic CenterMaster Artists . A portrait of the 52 esteemedcomposers by photographer Bruce Davidsonappeared in The New York Times. The Master Artistsincluded Aaron Jay Kernis, Mario Davidovsky,Joan Tower, Lukas Foss, Tania Leon, Milton Babbitt,George Perle, Ned Rorem, John Corigliano, andChen Yi . Congratulations to the cream of NewYork's composers!Composers Lukas Foss and Ned Rorem recently
were included in the New York Philharmonic'slatest CD compilation of archival recordings, AnAmerican Celebration .Several Associate Artists who studied under
jazz composer Dr. Frederick Tillis at the DardenCelebration of Cultures International ExchangeResidency at Akiyoshidai International Art Village inJapan last fall are still inspired by their experiences .Douglas Ovens, from Allentown, PA, composed apiece in Japan that has been performed twice in theUnited States, and has been commissioned by theLehigh Valley Chamber Orchestra to turn it into awork for orchestra. The piece, Hiroshima's Children,will premiere March 10 and 11 in Allentown . Thepiece uses projections from photographer HiromiTsuchida, whom Ovens met in Japan . St . Paul, MN,jazz pianist Laura Caviani was especially impressedwith the dancers studying under choreographerRalph Lemon, and said, "Now, when I play thepiano, I approach it as if I were a dancer. I'm moreconscious of my movement as I play."
Night Ascendsfrom the Ear like, A Butterfly, by composerHideko Kawamoto, a solo electro-acoustic piece, wasselected for the Sonic Circuits VII - InternationalFestival Electronic Music and Arts, and will be pub-lished by Innova recording .Mimi Shapiro recently had an exhibition of her
works at the Bolivar Gallery in Kingston, Jamaica .Rosemary Gillett had a show at the Lindenberg
Gallery in New York City, sponsored by Red LobsterRestaurants, titled LImagineDella Mente: Visionsof Tuscany.
Musicians at the Akiyoshidai International Ail Village include (back row, from left),Dr. Frederick 74llis and Doug Ovens, and (/ronl, far right), L-. . a Cai. : w. _,i.
KAREL HUSA ComposerBEBE NlUORE CAPAPBELL/Journalist &Author
DAVID DiATOOND%ComposerROBERT NATKIN/PainterHOWARD NEMEROV/Poet
1999 DIANE Di PRIMA/Poet JUN MAEDA/Set Designer
LESLIE BASSETT/Cornposer JACK GELBER/Playwright ELLEN STEWART/DirectorMICHAEL DIRDA/Literary Journalist LOUIS ANDRIESSEN/Composer ELIZABETH SWADOS/Composer
JOHN TORREANO/Visual Artist ROBERT CREELEY/Poet DIANE ACKERMAN/Poet
BUGLISI/FOREMAN DANCE,/Dancers & ED PASCHKE/Visual Artist PAULINE OLIVEROS/ComposerChoreographers CAROLEE SCHNEEMANNNideo Artist
ALISON SAAR/Sculptor 1993 KATHRYN CLARK/Paper Artist
JUDITH LANG ZAIMONT/Composer MARK CONIGLIO/Composer DONALD GLAISTER/Fine BinderJOHN CASEY/Fiction Writer JOAN LaBARBARA/Vocalist & Composer SUZANNE MOORE/Lettering ArtistARTHUR KOPIT/Playwright MORTON SOBOTNICK/Composer PHILIP WHALEN/Poet
MARY JO SALTER/Poet STEINA & WOODY VASULKA/Video
TADASHI KAWAMATA/Sculptor & Artists 1987Installation Artist MEL CHIN/Sculptor TERRY ALLEN/Multi-media
DAN WELCHER/Composer FRED HO/Composer RONALD BAYES/Poet
GARRETT HONGO/Poet JOHN YAU/Poet EDWARD MAYER/Sculptor
BEBE MILLER/Choreographer ALFRED LESLIE/Visual Artist JEAN-PIERRECHEN YUComposer TERRY RILEY/Composer BON NEFOUX/Choreographer
JONATHAN WILLIAMS/Poet & Editor DAVID PETERSON/Stage Designer
ITALY/US INTERNATIONAL DORE ASHTON/Critic TINA RAMIREZ/Ballet Dancer & Artistic
EXCHANGE.DARDEN CELEBRATION LEROY JENKINS/Composer DirectorOF CULTURES WILLIAM WEGMANNisual Artist LUISA VALENZUELA/Novelist
GIUSEPPE GAUDINO/Filmmaker & JANETTE CARTER/Singer & SongwriterDirector 1992 JAMES DICKEY/Poet & Author
ADRIANO GUARNIERI/Composer AMY CLAMPITT/Poet HOWARD FINSTER/Painter
GIO POMODORO/Sculptor JANET FISH/Painter STUART OMANS/DirectorZYGMUNT KRAUZE/Composer MICHAEL REESE/Technical Director
1998 DAVID BRADLEY/Writer SANDRIA REESE/CostumerTAMA LEON/Composer FAITH RINGGOLD/Visual Artist STEVE ROSENBERG/Musician
CARTER RATCLIFF/Writer & Art Critic ALVIN SINGLETON, Composer BLANCHE BOYD/Journalist
PAT STEIR/Visual Artist PEPON OSORIONisual Artist HOODING CARTER/NewsAnalystRIKA LESSER/Poet & Translator CARL ROYCE/Composer ALEXANDER COCKBURN/ColumnistDAVID NASH/Visual Artist MERIAN SOTO/Choreographer DORIS GRUMBACH/Critic & Novelist
BERNARD RANDS/Composer LOUIS W. BALLARD/Composer ROD MacLEISH/NPR Commentator
NICK CAVE/Visual Artist ELIZABETH COOK-LYNN/Poet & NovelistRALPH LEMON/Choreographer JAMES LUNA,'Visual Artist 1986SEKOU SUNDIATA/Poet, Writer & VINNETTE CARROLL/Playwright & AUDREY FLACK/PainterPerformer Director MARILYN FRENCH/Author
MELVIN DAWSON/Composer LOU HARRISON/Composer
JAPAN/U.S . INTERNATIONAL EXCHANGE ULYSSES DOVE/Choreographer JOHN EHLE/Writer
AKIYOSHIDAI INTERNATIONAL ART JOHN EDGAR WIDEMAN/Writer JUNE HAVOC/Actress
VILLAGE, YAMAGUCHI PREFECTURE . PAT WARD WILLIAMSNisual Artist ROBERT MORRIS/SculptorJAPAN ALLEN DRURY/Writer
NAN GOLDIN/Photographer 1991 PHILIP PEARLSTEIN/Painter
RALPH LEMON/Choreographer ELIZABETH COX/Writer JOSEPH SCHWANTNER/Composer
FREDERICK TILLIS Composer LUKAS FOSS/Composer & Conductor H.B . BARNUM/Jazz Musician &ALAN SONFIST/Environmental Sculptor Composer
GUILLERMO GOMEZ PENA/Performance ICHI IKEDA/Scenographer TALLEY BEATTY/Choreographer
Artist DAVID MOSS/Composer& Performer VINNETTE CARROLL/Director
SARA SHELTON MANN/Choreographer KEI TAKEI/Dancer & Choreographer FRANCINE du PLESSIX GRAY/Author
ROBERTO SIFUENTES/Performance Artist YUKIO TSUJI/Composer & Musician GUNTHER SCHULLER/ComposerJANUSZ GLOWACKI/Playwright JERRY UELSMANN/Photographer
1997 OLDRICH KULHANEK/Graphic Artist
HEIDE FASNACHT/Sculptor RODION SHCHEDRIN/Composer 1985CAROLYN KIZER/Poet LEN JENKIN/Director & Playwright MORTON FELDMAN/Comp oser
DONALD MARTINO/Composer JIM RAGLUND/Composer & BEVERLY PEPPER/Sculptor
MICHAEL LUCFPO.Nisuai Artist Sound Designer BARBARA ROSE/Art Historicw &
VALERIE MINERFiction/Writer MAC WELLMAN/Playwright Videographer
GREGOR`i AMENOFF/Visual Artist HENRY BRANT/ComposerDAVID LEH%°AN/Poet 1990 WILLIAM HARPER/JewelerROBERT RODRIGUEZ/Composer JACK BEAL/Painter BOBBIE ANN MASON/Writer
MERCE CUNNINGHAM/Choreographer DORIS GRUMBACH/Critic & Novelist CHARLIE HADEN/Jazz Musician
ELLIOT CAPLAN/Videographer GEORGE PERLE/Composer ROMULUS LINNEY/PlaywrightMEG HARPER/Choreographer & Dancer MARY LUCIERNideo Artist JAMES SURLS/Sculptor
SAMUEL DELANY/Science Fiction Writer RON PADGETT/Poet FRANK FAULKNER/Painter
JOYCE SCOTT/Visual Artist DANA REITZ/Dancer & Choreographer ALVIN LUCIER/ComposerJOANNE BRACKEEN/Composer JONATHAN STONE/Director WILLIAM STAFFORD/Poet
JOANNE AKALAITIS/Director
1996 ERIC OVERMYER/Playwright 1984J05E°H CH/illilt:'Director KRISTI ZEA/Production Designer LAWRENCE FERLINGHETTI/Poet
GILEEPT Playwright TINA GIROUARD/Visual Artist NED ROREM/Composer
BILL HART/Dramaturg DEBORAH HAYiChoreographer & Dancer MIRIAM SHAPIRO/Painter
W.P. KINSELLA/Write r DICKIE LANDRY/Composer ROBERT FRANK/Video Artist
BERNAR VENET/Sculptor "La Napoule International Cultural ALLEN GINSBERG/PoetDAVID BAKER/Composer Exchange" ELVIN JONES/Jazz Musician
NTOZAKE SHANGE/Writer BETSY JOLAS/Composer GEORGE GARRETT/Writer & Poet
DONALD SULTAN/Visual Artist JEAN ECHENOZ/Novelist ROBERT WARD/ComposerMOLiSSA FENLEY/Choreographer FUMIO YOSHIMURA/Sculptor
JOY HARJO/Poet 1989 DON CHERRY/Jazz Musician
AUGUSTA READ THOMAS/Composer LYNDA BENGLIS/Sculptor BOZA KOSAK/Designer of Textiles &ARATA ISOZAV;'A - chitect FRANK FAULKNER/Painter Fashions
AIKO MIYAWAR;! sculptor CAROLYN FORCHE'Poet MAXINE KUMIN/Poet
YUJI TAKAHASHI/Composer JOAN TOWER/ComposerSTEPHEN ANTONAKOS/Sculptor 1983
1995 EARLE BROWN/Composer HUBERT LAWS/Jazz Musiciar
MARIO DAVIDOVSKY/Composer FRED CHAPPELL/Writer LOWELL NESBITT/Painter
RACHEL HADAS/Poet TRISHA BROWN/Dancer & CHARLEEN SWANSEA/Po-t & Educator
DAVID SALLE/Visual Artist Choreographer JOHN CORIGLIANO/ComposerEIKO AND KOMA/Choreographers & DICKIE LANDRY/Composer AUDRE LORDE/PoetDancers ROBEF'T RAUSCHENBERGNisual Artist JACK MITCHELL-, Photugrapher
JUDO WEISBERG/Designer & Visual ALICE A`~'"GCK/Sculptor SAMUEL ADLER'Composer
Artist JACOB DRUCI:MAN/Composer RICHARD ANUSZKIEV011,Z,PainlerSONIA SANCHEZ/Poet HENRY TAYLOR/Poet TED TALLY,Playwright
CHINARY UNG/Composer RON JENKINS/Author & Dramaturg JAGODA BIIIC Fluei Arls`,
KAY WALKINGSTICKiVisual Artist JOSHUA SOBOLiPlaywright THEN f;9U5GRAVE,'C~;npose.rWENDELL CASTLE,/Furniture Designer JIRI ZIZKA/Director MARY LEE .'SETTLE'V,/ricer
DONAL C) ERE C(,,r,poser "La Napoule International
SHE-B)' HEARO% Novelist Cultural Exchange" 1982JOHN ASHBERY/Poet JAMES DICKEY'Poe,. & Author
1994 ROBERT ASHLEY/Composer & DUANE HANSON,iSnlptor
MILTON BABBITT/Composer Video Artist DAVID DEL TREDICI,Cornposer
ALE.- : I :ATZNisual Artist JOHN CHAMBERLAIN/Sculptor EDWARD ALBEE:'Pla_,wldght & DirectorPETER MAT,TH1ESSEP1!Author REYNOLDS PRICE'Writer'Durham
RICHARD HO'c'JARDIPuat 1988 MIA WESTERLUND ROOSEWSculptor &Painter
Visual NarrativesVisual Narratives, paintings by Mifflin
Holiday Uhlfelder of Tallahassee and sculp-ture by Nellie Van Scoy of Melbourne, willbe in the Harris House Gallery, March 4 -28 . An opening reception will be held onSaturday, March 4, from 4:00 to 7:00 PM .Describing her whimsical paintings,
Uhlfelder says, "I have always paintedpictures that illustrated ideas I have aboutintimacy. I am currently working on twoseries of pictures . One series uses imagesof two dolls, Trevor and Harriet, based onreal people . The dolls find themselves incircumstances that seem a little off. Butsince they are dolls, their demeanor doesnot change with the situation . The otherseries pictures a pair of dogs in similarplaces . I use a variety of materials in themaking of the pictures : upholstery fabric,clothing, notions, broken furniture pieces,toys, and other cast-offs . The pictures arecolorful and even pretty, but each has anedge, too."As a storyteller, artist, and writer, Nellie
Van Scoy has been telling tales since first
Spatial Metaphors
Chris Scala, Summer Desk, 1996
remembrance. "My current work exploresmy Georgia roots and southern heritage . Iam interested in personal and impersonalobjects and the significance of meaning asthey are gathered and placed side by side .Often I discover meaningful associationsthrough this process . My work is narrativedriven, as a strong southern storytellingvoice has been hard to ignore," she says .
Miffiu Uhlfi l,ln ; Harriet & Trevor Fly Like the Wind, 1998
Spatial Metaphors, paintings by ShirleyFrank of Seminole, Claudia Ryan ofBradenton, and sculpture by Chris Scala ofOrlando will be featured in the Harris HouseGallery, January 8 - February 1 . An openingreception will be held on Saturday, January8, from 4:00 to 7:00 PM. The exhibition willexplore space, form, and symbolism throughpainting and sculpture .Painter Shirley Frank says of her latest
works, "In 1987 I discovered that cemeterytombstones were intriguing for their variedshapes and the curious way they related toeach other and to the landscape . Later, Ifound that although they are earthbound,their ethereal symbolism implies immortality.This duality is the impetus for the `stone'series," says Frank .The paintings of Claudia Ryan explore the
symbolism of everyday experiences . "In mywork I try to create symbolic equivalents forthe sensations and objects I encounter
everyday, as they filter through my experience ; in order to give them more reality,to capture their beauty, and to praise them," she says .Chris Scala explores space and form through the medium of sculpture . "Over the
past few years I have worked in wire cloth," says Scala . "Visually it is extremelydynamic when configured in a particular way or exposed to different conditions oflight . When two or more layers of cloth are fixed in parallel to one another a visualphenomenon known as the moray effect occurs . As the viewer moves past, one planechanges relative position to the other plane and as the openings in the cloth reori-ent a sort of shimmering path travels through the sculpture . The piece is vibrant andseems to contain its own power source as if electrified ."The squarish and gridlike character of this material lends itself to the spatial
analysis of objects . The limits of occupied space are defined, yet you may observe itis empty. By exploring these qualities I draw attention to the orderly, physical charac-teristic of the object and subject contained within to be analyzed . One sculpturecontains the affirmation YOU ARE COMPLETELY SAFE. This phrase reflects howcivilization requires order to function `safely' but in exchange constraints areimposed with measurable perimeters."
I
Harris House
The LuminousObject
The Luminous Object will befeatured in the Harris HouseGallery, February 5 - 29. An open-ing reception will take place onSaturday, February 5, from 4:00 to7:00 PM. The luminous colors andbold forms of painters MarleneLondon of Winter Park andGinnie Ungewitter of DaytonaBeach will charm viewers in thisexhibition featuring contempo-rary still life painting .Marlene London paints in the
style that is described as perpetualrealism . "When I stare at anobject, there is really no point atwhich I stop learning things aboutit . The longer I look, the moredimensions of colors I see," shesays . "I am intensely fascinated bythe luminosity and physicality ofpaint . The simple objects I use inmy still lifes are brought into theviewer's emotional dimensionthrough the use of thick, juicycolors, vibrant shadow andlight interplay, and strategic crop-ping . I am looking to create adramatic sense of a lurkinghuman presence .
"I identify with such artists asRichard Diebenkorn, EdwardHopper, and Paul Reskia . Theseartists create the same sense ofsingularity in their work usingstrong color interplay to createthe intense "push-pull" betweenthe object and the viewer that Itry to achieve in my own work ."My newest exploration is excit-
ing . . . I am creating collage, layer-ing colors, thoughts and textilesto paint a narrative . I am studyingthe work of Squeak Carnwath,Lynn Whipple, and DianeArvanites, all of whom havemastered the art of multi-facetedartistic, spiritual storytelling ."Ginnie Ungewitter says, "The
subject from which I paint issimple . . . oranges, still life objects,room views . My canvas is cloth,glass or paper . My palette is basedon five colors - alizarin crimson,cerulean blue, cadmium red light,cadmium yellow light, and ultra-marine blue . Color, form, value,and texture are combined tocreate my painting ."The first few strokes on a new
canvas are exciting . I know the fin-ished painting will be dramaticallydifferent from those first fewstrokes . The color will change aswill form, design, and texturebefore I can present on the canvaswhat I first envisioned."
Marlene Laidon, 1997
THE ELECTRONIC IMAGE AND VIRTUAL SPACEEA 365/465DATE : JULY 24-28TIME: 9:00 A.M .PLACE: DAVID HALL, DA107CREDIT: 3 UNITS (For rate, consult the Registrar)NON CREDIT: $225LAB FEE: NoneSKI I I
I EVFI - No Restrirtinns
Although the problems of representing space through mediacanhardly be called new, the range of thetechno-artistic tools now available point to some emerging strategies in thinking about art and the pos-sible future of artistic practice . The dramatic space itself has become an area under the supervision andsurveillance of electronic sensors, offering extensive opportunities, advantages and adventures in theexploration of such a space.Severalconcepts have emerged in recent years: computer generated space; the concept of an "extend-ed nervous system" connecting initiatives of a human protagonist to the organization and operation anelectronic "stage"; some extensive software protocols mapping or re-assigning human linguistic and ges-tural sets to new dramatic assignments; and the remote communication networking that extends thepractice of art to unforeseen territories, populating this artificial world with anewgeneration of spirits sim-
ilar to those in ordinary nature .Participants in this workshop will examine all aspects of the electronic image and the development of electronicmedia. The nature of virtual space will be probed, particularly the conceptual involvement of humans connect-ed through an "extended nervous system", with the ability to pattern and organize dramatic space, thus definingthe elements of new narrativity, genre and form in the electronic arts .STEINA &WOODY VASULKAFor nearly a quarter of a century, Steina and Woody Vasulka have remained at the forefront of exploration intothe formal and interactive possibilities of the electronic moving image. Founders of the Kitchen in New York in1971, they were among the first to establish multiscreen video as an art form . As a concert violinist who was thefirst to integrate live interactive video into her musical performances, Steina has inspired a generation of high-tech performance artists . Woody is world renowned as a visionary pioneer of electronic image processing, andtoday, having moved into digital image synthesis and interactive multimedia, he remains on the leading edge .
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In December of 1983, the firstOpen Dialogue Conference washeld in Washington, D.C . A secondOpen Dialogue Conference fol-lowed in May of 1985 in San An-tonio. . .where over 400 artists andarts administrators met to discussissues impacting the future direc-tion of the arts in America. Out ofthese two conferences, the Associa-tion of American Cultures (TAAC)and The Open Dialogues were born .The number of ethnic artists and
ethnic arts organizations are many.Some in their infancy, some longestablished Yet, even those withthe finest foundations and strongesttrack-records are not yet on parwith what is frequently called the"mainstream." TAAC and OpenDialogue provide a vehicle thatboth (1) facilitates the sharing of in-formation, thereby fostering thoseorganizations that are strugglingdesperately, to obtain equity, and
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KCOS-TV& FRONTERA MEDIA ARTS
It's not about color. It's about attitude and approach.
OPEN DIALOGUE III :ENSURING CULTURAL DIVERSITY IN THE ARTS
(2) creates a clearinghouse of infor-mation and tools designed to assistall ethnic artists and their organiza-tions to tap into the resources thatare just now realizing the real andtrue importance of cultural diversi-ty in the arts.This year, Open Dialogue III
returned to Washington, D.C., fromJune 9-12. There was the usual setof workshops on fundraising,marketing and specific artsdisciplines . The principal focus waslegislative. Open Dialoguers con-verged on Capitol Hill for congres-sional forums, letting lawmakersknow their concerns regarding anational arts policy and fundingissues ."We registered 790 people this
year, nearly twice the number ofOpen Dialogue II participants,"celebrates Jane Delgado, conferencechair. Delgado is Executive Direc-tor of New York City's Association
of Hispanic Arts (AHA!) . "Thisturnout, and the incredible energy,indicates that the work of TAACcontinues to be relevant andresponsive to the struggle forcultural democracy. The level ofAnglo participation this year alsopoints to the fact that culturaldiversity, especially within majorarts institutions and governmentalarts agencies, is an increasingly im-portant concern."Mike Juarez, representing El
Paso's Juntos Art Association, at-tended open Dialogue III. "Thiswas a real awakening for me. Thelevel of networking was incredible,and especially important for some-one like me who labors in the rela-tive isolation of El Paso . I hope thatat the next gathering El Paso artistscan be better represented. We havea lot to show the rest of the U.S."Other El Paso attendees includedCultural Planning Council staffers
Eduardo Diaz and Nacho Acosta .If you would like to learn more
about the concept of "culturaldiversity," you may want to attendthe Texas Commission on the Arts'Minority Involvement Committeemeeting on September 15 (Thurs-day), 3:00-4:00 p.m., at the WestinPaso del Norte's Board Room. TheTCA has made a strong commit-ment to cultural diversity .
If you would like to receive infor-mation from TAAC and be advisedof Open Dialogue IV, please note :
The Association of AmericanCultures
Stables Arts Center410 8th Street, NWSuite 605Washington, D.C. 20004(202) 72711083
"Out of the Mainstream:
Tuesday, October 117:30 p.m.,
1010 Channel ][3
1010C10
The first airing of this showcase ofalternative film and video will feature
the work of Woody and Steina Vasulka,two Santa Fe-based videomakers .The Vasulkas will be appearing in
person on October 20, at 7:30 p .m . aspart of the Frontera Media Arts'Visiting Artists series . The lec-
ture/screening will be held at theBridge Center for Contemporary Arts,600-A N. Stanton . "Art of Memory,""Summer Salt" and other selections
of recent work will be screened .Admission to thisevent will be $2.
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For additional information, please call 779-7207.