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XV convegno internazionaledi studi sul cinema

XV international film studies conferenceUdine, 3-6 marzo 2008

Udine, March 3-6, 2008

Permanent Seminar on History of Film TheoriesUdine, March 3-4, 2008

VI Magis - Gradisca International Film Studies Spring SchoolGradisca d’Isonzo, March 7-13, 2008

Cinema e fumetto. Affinità,differenze e nuove interferenzeCinema and comics. Affinities, differences

and new forms of interference XV Convegno Internazionale di Studi sul Cinema

XV International Film Studies Conference

Palazzo Antonini, via T. Petracco 8, UdinePalazzo Caiselli, vicolo Florio 2, Udine

Visionario, via Asquini 33, Udine3-6 marzo 2008/March 3-6, 2008

progetto/project

Alice Autelitano, Enrico Biasin, Giulio Bursi, Mariapia Comand, Roy Menarini, FrancescoPitassio, Leonardo Quaresima, Valentina Re, Cosetta Saba,

Simone Venturini, Laura Vichi, Federico Zecca Pierre Chemartin, Nicolas Dulac, André Gaudreault, Philippe Marion, Bernard Perron,

Thierry Smolderen (GRAFICS, Université de Montréal)

Permanent Seminar on History of Film Theories

comitato scientifico/scientific boardCoordinators: Francesco Casetti (Università Cattolica del Sacro Cuore, Milano),

Jane Gaines (Columbia University-Duke University)Dudley Andrew (Yale University), Chris Berry (University of London-Goldsmiths), Natasha

Durovicova (University of Iowa), André Gaudreault (Université de Montréal), VinzenzHediger (Ruhr-Universität Bochum), John McKay (Yale University), Markus Nornes (University of

Michigan), David Rodowick (Harvard University), Philip Rosen (Brown University)

organizzazione/organisation

Franca Caufin, Centro Convegni e Accoglienza, Università degli Studi di UdineAlice Autelitano, Giorgio Bacchiega, Enrico Biasin, Alessandro Bordina, Ilaria Borghese,Giulio Bursi, Mariapia Comand, Marco Comar, Francesca Chelu Deiana, Livio Gervasio,

Stefania Giovenco, Valeria Mantegazza, Francesca Marcoccia, Sara Martin, Roy Menarini,Francesco Pitassio, Cristiano Poian, Leonardo Quaresima, Valentina Re, Marcella Rosi,

Cosetta Saba, Laura Sangalli, Mirco Santi, Simone Venturini, Laura Vichi, Federico Zecca

ufficio stampa/press

Volpe & Sain Comunicazione

sito internet/website

Cristiano Poian

assistenza tecnica/technical assistants

Gianandrea Sasso, CREA, Centro Ricerca Elaborazione Audiovisivi, GoriziaSimone Venturini, LA CAMERA OTTICA, Film and Video Restoration, Gorizia

Marco Comar, CINEMANTICA, Udine CLAV, Udine

Università degli Studi di Udine

traduzioni/translation

WS Traduzioni, Udine

disegni e progetto grafico/graphics

Stefano Ricci

Saranno parte attiva dei lavori del XV Convegno Internazionale di Studi sul Cinema e della VI MAGIS GradiscaFilm Studies Spring School ospiti presenti a vario titolo e dottorandi del Dottorato Internazionale in Studi

Audiovisivi: Cinema, Arti Visive, Musica, Comunicazione: Convegno e Spring School sono attività formative del dottorato.

Monday, March 3, 9.30-13.00Plenary Session

Università degli Studi di Udine, Sala Convegni, Palazzo Antonini

Interventi di saluto/Greetings

Furio Honsell, Magnifico Rettore dell’Università degli Studi di UdineCaterina Furlan, Preside della Facoltà di Lettere e Filosofia

Antonella Riem Natale, Preside della Facoltà di Lingue e Letterature StraniereArnaldo Marcone, Direttore del Dipartimento di Storia e Tutela dei Beni Culturali

Roberto Antonaz, Assessore regionale all’Istruzione, Cultura, Sport e PaceGianna Malisani, Assessore alla Cultura e Beni Culturali del Comune di Udine

Leonardo Quaresima, Presidente del Corso di Laurea DAMS, Università di UdinePresentazione

André Gaudreault, Philippe Marion (Université de Montréal/Université de Louvain)Discours d’ouverture. Des affinités, divergences et nouvelles interférences entre cinéma et bande dessinée

Dominique Budor (Université Paris III)Cinéma et BD: un dialogue pour définir le 9ème art

Discussione/DiscussionPausa/Break

Presentazione del n. 15 della rivista “Cinergie. Il cinema e le altre arti”Presentation of the issue no. 15 of the film journal “Cinergie. Il cinema e le altre arti”

Thierry Smolderen (Ecole Européenne Supérieure des Arts et Technologies de l’Image, Angoulême)Réactions en chaîne: de Töpffer à Chaplin, propagation du syntagme kino-mécanique (ou slapstick) sur fond de

révolution industrielle

Luca Raffaelli (Romics)Tex: cinema povero e fumetto ricco

Discussione/DiscussionPresiede/Chairman: Leonardo Quaresima

Monday, March 3, 15.00-19.00Permanent Seminar on History of Film Theories

Sala Convegni, Palazzo Antonini

David Rodowick (Harvard University)Introduction

Vinzenz Hediger (Ruhr-Universität Bochum) A Romantic Art Par Excellence: Film Theory and the Romantic Theory of Art from Lukacs to Rancière”

Monica Dall’Asta (Università di Bologna)A Theory on Its Own: Georgette Leblanc’s Propos sur le cinéma (1919)

Massimo Locatelli (Università Cattolica del Sacro Cuore, Milano)Rafael Seligmann (1911) and the Origins of Projection

Mattias Frey (Harvard University) A Universal Language Not Yet Understood: The Inscription of National Difference

in Early Film Theory

Santiago Hidalgo (Université de Montréal)The Intersection of “Film as Art” Discourse and “Interpretive”

Film Criticism in Early American Film Trade Journals, 1908-1914

Luca Mazzei (Università di Firenze)Silvio Alovisio (Museo Nazionale del Cinema-Università di Torino)

Domenico Spinosa (Istituto Italiano per gli Studi Filosofici)Reception Theories in Early Italian Cinema

Trond Lundemo (Stockholm University)Archive Theory as Film Theory

Tuesday, March 4, 9.30-13.00Plenary Session


Pierre Fresnault-Deruelle (Université Paris I)Réflexions sur la “succession simultanée”: l’éventail de Maria-Felice Tibaldi-Subleyras

Roger Odin (Université Paris III)Une analyse sémio-pragmatique d’un film par la BD: Un homme

est mort de René Vautier lu par Kris et Etienne Davodeau

Franco La Polla (Università di Bologna) Il domestico e l’esotico: il genio di Carl Barks

Giovanni Ricci (Università di Genova)Cinema e fumetto: educazione e diseducazione


Assegnazione del VI Premio “Limina” per libri di cinema italiani e internazionali pubblicati nel 2007

Awarding assignment of the Sixth “Limina” Award for Italian and international cinema studies books published in 2007

Pierre Sorlin (Université Paris III)Godard: lo schermo come fascicolo a fumetti

Gino Frezza (Università di Salerno)L’immagine, il percepibile, il narrabile

Eric De Kuyper (Rijksuniversiteit Groningen-Cinémathèque Royale de Belgique)Les Objets animés. A la recherche de la troisième dimension

Discussione/DiscussionPresiede/Chairman: Francesco Casetti

Tuesday, March 4, 15.00-19.00Permanent Seminar on History of Film Theories


Dudley Andrew (Yale University)Gilles Deleuze and His Reception in Anglo-Saxon Cinema Studies

Angela Dalle Vacche (Georgia Tech University)Bazin's System of the Arts: The Double-Eye of the Cinema

Chiara Tognolotti (Università di Perugia)Jean Epstein’s “Intellectual Factory”: An Analysis of the Fonds Epstein, 1946-1953

Luka Arsenuk (Duke University)Cinema as Mass Art

Marcus Nornes (University of Michigan)To the Distant Observer to the Distant Observer

Aaron Gerow (Yale University)Gonda Yasunosuke, Japanese Film Theorist

Phil Rosen (Brown University)Jane Gaines (Duke University-Columbia University)

Francesco Casetti (Università Cattolica del Sacro Cuore, Milano)Conclusions

Wednesday, March 5, 9.30-13.00Parallel Session – Synergies in Language and Narrative

Sala Tiepolo, Palazzo Caiselli

Emile Poppe (Rijksuniversiteit Groningen)Variations du et sur le cadre

Malte Hagener (Leuphana-Universität Lüneburg)The Aesthetics of Displays. From the Window on the World to the Logic of the Screen

Roberto Perpignani (Centro Sperimentale di Cinematografia, Roma)Le Montage dans le cinéma et dans la BD. Quoi en penser?


Bernard Perron (Université de Montréal)Entre bande dessinée, cinéma et fiction interactive: l’écran divisé du BDVD

Stefano Baschiera (National University of Ireland, Cork)The Thickness of the Panel: Narrative Layers and Complexification in Azzarello’s 100 Bullets

Thomas Martinelli (Università di Pisa)Jump Cutting Through Comics and Films

Discussione/DiscussionPresiede/Chairman: Dominique Budor

Wednesday, March 5, 15.00-19.00Parallel Session – Synergies in Language and Narrative


Henrik Gustaffson (Göteborg University-Stockholm University)Sequential Space

Raffaele De Berti (Università di Milano)Luciano Serra Pilota and “Dick Fulmine”: An Italian Super-Hero’s Birth

Nevena Dakovic (University of Arts, Belgrade)Alan Ford in Serbian Cinema (Magnus, Bunker and Kusturica)


Emiliano Morreale (Università di Teramo)Slumberland/Cinecittà. The Influence of Comics in Fellini’s Cinema

Andreas Thein (Filmmuseum Landeshauptstadt Düsseldorf)New Direction: Cinematic Impact on Marvel’s Superhero Revolution of the 1960s

Federico Zecca (Università di Udine)Comics in Translation

Discussione/DiscussionPresiede/Chairman: Roger Odin

Wednesday, March 5, 9.30-13.00Parallel Session – Intermedial Relationships in Early 20th Century

Sala Riunioni, Palazzo Caiselli

Harry Morgan (Université Paris Diderot-Paris VII)Lieux discrets: de William Hogarth à David Wark Griffith

Philippe Gauthier (Université de Montréal-Université de Lausanne)De l’“institutionnalisation”: aller-retour entre cinéma et bande dessinée

Louis Pelletier (Université Concordia, Montréal)L’Emergence de la presse quotidienne à grand tirage et l’institutionnalisation du cinéma et de la bande

dessinée en Amérique du Nord (1880-1920)


Nicolas Dulac (Université de Montréal)Aux sources d’une nouvelle esthétique populaire: rhétorique sérielle et transmédiation dans le feuilleton, le

comic strip et le serial

Pierre Chemartin (Université de Montréal)Formes mixtes et formes brèves au tournant du siècle: la pantomime et la saynète dans

la littérature en images et dans les vues animées

Discussione/DiscussionPresiede/Chairman: Pierre Sorlin

Wednesday, March 5, 15.00-19.00Parallel Session – Intermedial Relationships in Early 20th Century


François de la Bretèque (Université de Montpellier III)Christophe et les spectacles optiques

Laura Sangalli (Università di Udine)Emaki-mono, Manga and Early Japanese Cinema


Fabio Gadducci (Università di Pisa)Italian Cartoons and Early Cinema

Lance Rickman (University of Essex)The Appropriated Sequence: Montage on Paper and Film in 1901

Davide Gherardi, Giovanni Lasi (Università di Bologna)Comic Illustrations of Dante. Disseminating the Dante of Popular Publications

in Film and Caricature Images

Discussione/DiscussionPresiede/Chairman: Thierry Smolderen

Thursday, March 6, 9.30-13.00Parallel Session – Convergences in Contemporary Media Landscape


Sergio Brancato (Università di Salerno)Comics convergence. Dynamiques et transformation des médias contemporaines autour la bande dessinée

Pierre Durteste (Université Lille III)Un homme est mort de Kris et Etienne Davodeau. Objet d’histoire ou objet de mémoire du cinéma?

Matteo Stefanelli (Università Cattolica del Sacro Cuore, Milano)Le Regard enchaîné: culture de la bande dessinée, savoirs du cinéma. L’idée moderne de média, et l’influence

du cinéma sur les théories de la bande dessinée


Laura Montero Plata (Universidad Autónoma de Madrid)Quatre points de vue sur l’anime et le manga: références mutuelles et feedback

Emmanuel Plasseraud (Université Paris III)Paprika (2006) de Satoshi Kon. Un Manga baroque

Discussione/DiscussionPresiede/Chairman: Pierre Fresnault-Deruelle

Thursday, March 6, 15.00-19.00Parallel Session – Convergences in Contemporary Media Landscape


Giusy Pisano (Université Lille III)Spider-Man, du papier à l’image en mouvement, de la chronophotographie à l’image numérique

Mauro Resmini (Università Cattolica del Sacro Cuore, Milano) Miller’s Paradox: An Axiom in Crisis

Ilario Meandri (Università di Torino)Danny Elfman’s Batman and Spider-Man. Musical Topoi and the Construction/Translation of the

Narrative Realm


Enrico Fornaroli (Accademia delle Belle Arti di Bologna)Comicswood. Cinema and Comics from Tim Burton to Frank Miller

Alain Boillat (Université de Lausanne)L’Image animée figurée par la BD: un lieu de confrontation médiatique

Rino Schembri (Università di Palermo)Stratifications, Graphems and Synchronies in (Neo-figurative) Cinema: from Greenaway’s The Tulse Luper

Suitcases to Miller and Rodriguez’ Sin City

Discussione/DiscussionPresiede/Chairman: François de la Bretèque

Thursday, March 6, 9.30-13.00Parallel Session – Political Representations between Cinema and Comics


Frank Kessler, Sabine Lenk (Universiteit van Utrecht/Instituut voor Beeld en Geluid, Hilversum)Comment raconter l’actualité en images

Thomas Ballhausen, Günter Krenn ((Filmarchiv Austria, Wien)Striptime for Hitler. A Comparison between the Austrian Comic-Strip Tobias Seicherl

and the Austrian Newsreels before 1938


Gianni Haver (Université de Lausanne)“Shaplyn et Hinkel”: interventionnisme américain et représentation du nazisme entre comic books et

cinéma 1939-1941

Manuel Billi (Università di Pisa) Quand Tintin rencontre Tam Tam. Exotisation et phagocytose de l’altérité de l’“indigène” dans la bande

dessinée et le cinéma coloniaux français des années Trente

Discussione/DiscussionPresiede/Chairman: André Gaudreault

Thursday, March 6, 15.00-19.00Parallel Session – Synergies in Contemporary Media Landscape


Pascal Lefèvre (Sint-Lukas Brussels University College of Art and Design)Revitalizing Cinema by an Aesthetic of Artifice. Mise en scène and Framing in

Dick Tracy, Immortals, Sin City and 300.

Andrea Bellavita (Università di Trento)Entre traduction et trahison: Alan Moore, l’écriture, le cinéma

Mario Calderaro (Università di Torino)Cinema & Comics. Toward Audiovisual Structures


Veronica Innocenti (Università di Bologna)Marketing Strategies and Cross-Promotion for NBC’s High-concept TV Series Heroes

Andrea Fornasiero (Università Cattolica del Sacro Cuore, Milano)Migrating Authors Creativity between Cinema, Comics and Television

in the Contemporary US Market

Santiago Garcia (Universidad Autónoma de Madrid)Hero’s Journey: From Paper to Digital

Discussione/DiscussionPresiede/Chairman: Frank Kessler

ScreeningsCinema Visionario, via Asquini 33, Udine

Monday, March 3, 21.00Winsor McCay, the Famous Cartoonist of the N.Y. Herald and His Moving Comics

Little Nemo (1911, 10’)How A Mosquito Operates (1912, 12’)

Gertie the Dinosaur (1914, 6’)The Sinking Of The Lusitania (1918, 12’)

The Centaurs (1918-21, 7’)Gertie On Tour (1918-21, 7’)

Flip's Circus (1918-21, 8’)Bug Vaudeville (1921, 11’)

The Pet (1921, 12’)The Flying House (1921, 11’)

Tuesday, March 4, 21.00Pop!

Freud a fumetti (Corrado Farina, 1970, 10’)Kdo chce zabít Jessii? (Who Wants to Kill Jessie?, Václav Vorlícek, 1966, 80’)

Wednesday, March 5, 21.00Italian Underground

L’incompiuta (Piero Bargellini, 1965, 15’)La striscia (Piero Bargellini, 1966, 10’)

Estratti da Erinnerung an die Zukunft (Rushes) (Piero Bargellini, 1970, 12’)Diabolik (Mario Bava, 1966, 101’)

Mostra/ExhibitionPalazzo Antonini, via T. Petracco 8, Udine

Entro nell’animale e sono ioDisegni degli studenti del corso “Fumetto e grafica contemporanea”

condotto da Stefano Ricci (DAMS Gorizia)Students’ drawings from the course “Fumetto e grafica contemporanea”

held by Stefano Ricci (DAMS GORIZIA)

Cinema Vanishing (In) Art?

Gradisca d’IsonzoPalazzo del Monte di Pietà, via Dante Alighieri 29

Sala Bergamas, via Bergamas 3March 7-13, 2008

Lost FilmsCinema, Comics, Visual Arts

VI magis/gradisca international film studies spring school

cinema and contemporary visual arts/3

progetto/project

Alice Autelitano, Alessandro Bordina, Giulio Bursi, Mariapia Comand, Sergio Fant, Andrea Lissoni, RoyMenarini, Francesco Pitassio, Cristiano Poian,Leonardo Quaresima,

Valentina Re, Cosetta Saba, Simone Venturini Philippe Dubois (Université Paris III-CRECI)

Cinema, Comics, Visual Arts: Pierre Chemartin, Nicolas Dulac, André Gaudreault, Philippe Marion,Bernard Perron, Thierry Smolderen (GRAFICS, Université de Montréal)

Lost Films: Hans-Michael Bock (CineGraph, Hamburg), Jürgen Keiper (Deutsche Kinemathek, Berlin)

MAGIS - Gradisca International Film Studies Spring School is promoted by the Università degli Studi di Udine andthe Université Paris III-Sorbonne Nouvelle, in collaboration with: Universiteit van Amsterdam,

Ruhr-Universität Bochum, Universität Bremen, Università della Svizzera Italiana di Lugano, Università Cattolicadel Sacro Cuore di Milano, Università degli Studi di Pisa, Univerzita Karlova Prague, Universitat de Valencia,

CineGraph, Hamburg, Cineteca del Friuli, Cineteca del Comune di Bologna. MAGIS is focused on the develop-ment of the themes investigated at the Udine International Film Studies Conference, as well as an occasion to

develop a didactic activity directed to PhD candidates, advanced graduate students, and young researchers in gen-eral.

MAGIS is part of the activity of the International Ph.D. Program in Audiovisual Studies: Cinema, VisualArts, Music and Communication (Dottorato internazionale di studi audiovisivi: cinema, arti visive, musica,

comunicazione), established by the Université Sorbonne Nouvelle – Paris III in cooperation with Universitàdi Udine, Università Cattolica del Sacro Cuore di Milano and Università degli Studi di Pisa, of the Master

Degree “IACC” (University of Udine) and of the European Project “IPPCVA” (Ideation, Presentation,Preservation of Contemporary Visual Arts)

MAGIS – Gradisca International Film Studies Spring School è promossa dall’Università degli Studi di Udine edall’Università di Paris III – Sorbonne Nouvelle, in collaborazione con: Universiteit van Amsterdam,

Ruhr-Universität Bochum, Universität Bremen, Università della Svizzera Italiana di Lugano, UniversitàCattolica del Sacro Cuore di Milano, Università degli Studi di Pisa, Univerzita Karlova Prague, Universitat de

Valencia, CineGraph, Hamburg, Cineteca del Friuli, Cineteca del Comune di Bologna. La Scuola nasce in strettarelazione con il Convegno Internazionale di Studi sul Cinema, come opportunità di sviluppo dei temi affrontatidal Convegno e come occasione per lo sviluppo di un’attività didattica rivolta a dottorandi e giovani ricercatori.

MAGIS è parte dell’attività di formazione del “Dottorato Internazionale di studi audiovisivi: cinema, arti visive,musica, comunicazione” costituito dalle Università di Udine, Paris III, Milano-Cattolica, Pisa,

del Master “IACC” dell’Università di Udine e del progetto europeo “IPPCVA” (Ideation, Presentation, Preservation of Contemporary Visual Arts)

organizzazione/organisationFranca Caufin, Centro Convegni e Accoglienza, Università degli Studi di Udine

Alice Autelitano, Giorgio Bacchiega, Alessandro Bordina, Giulio Bursi, Silvio Celli, Mariapia Comand,Marco Comar, Andrea Lissoni, Stefania Giovenco, Valeria Mantegazza, Francesca Marcoccia, Sara Martin,

Roy Menarini, Francesco Pitassio, Cristiano Poian, Leonardo Quaresima, Valentina Re, Marcella Rosi,Cosetta Saba, Laura Sangalli, Mirco Santi, Simone Venturini, Laura Vichi, Federico Zecca

programma proiezioni e installazioni/screenings and installations programmeSergio Fant, Andrea Lissoni

ufficio stampa/pressVolpe & Sain Comunicazione

sito internet/websiteCristiano Poian

assistenza tecnica/technical assistantsGianandrea Sasso, CREA, Centro Ricerca Elaborazione Audiovisivi, Gorizia

Simone Venturini, LA CAMERA OTTICA, Film and Video Restoration, GoriziaTransmedia Spa

disegni e progetto grafico/graphicsStefano Ricci

Saranno parte attiva dei lavori del XV Convegno Internazionale di Studi sul Cinema e della VI MAGIS Gradisca Film StudiesSpring School ospiti presenti a vario titolo e dottorandi del Dottorato Internazionale in Studi Audiovisivi: Cinema, Arti Visive,

Musica, Comunicazione: Convegno e Spring School sono attività formative del dottorato

Friday, March 7Palazzo del Monte di Pietà, Gradisca d’Isonzo

9.30-13.30Greetings

Maria Amalia D’Aronco, Prorettore dell’Università di UdineFranco Tommasini, Sindaco di Gradisca d’Isonzo

Paolo Bressan, Assessore alla Cultura di Gradisca d’IsonzoMauro Pascolini, Centro Polifunzionale di Gorizia

Roberta De Martin, Assessore alla Cultura, Provincia di Gorizia

Leonardo Quaresima, Presidente del Corso di Laurea DAMS, Università di UdineIntroduction

Philippe Dubois (Université Paris III/CRECI)Petite cartographie des effets de présence du cinéma dans l’art contemporain

DiscussionBreak

Vinzenz Hediger (Ruhr-Universität Bochum)Original, Work, Performance

Cinema, Comics, Visual ArtsPhilippe Marion (Université de Louvain)

Système cinéma/système BD

Discussion

15.00-18.00

Workshop Cinema and Contemporary Visual Arts 1Philippe Dubois, Introduction: les vitesses de l’image: une question de sensation

Jean Christophe Blum (Université Paris III), Pascal Convert et le souvenir: la tragédie du contemporainFrédéric Monvoisin (Université Paris III), Logique de l’instant chez Wong Kar Waï

Workshop Cinema and Contemporary Visual Arts 2Coordinated by Malte Hagener

Mark Boswell (Pratt Institute Brooklyn, New York), Nova-Kino: The History of Cinematic Agit-Prop

Workshop Cinema and Contemporary Visual Arts 3Coordinated by Andrea Bellavita

Alice Cati (Università Cattolica del Sacro Cuore, Milano), Refractions of Self. New Patterns of Self-Representation between Art and Cinema

Workshop Cinema, Comics, Visual ArtsDominique Bertail, Jean-Philippe Bramanti, Thierry Smolderen (Ecole Européenne Supérieure des

Arts et Technologies de l’Image, Angoulême)De l’écran filmique au papier dessiné: pratiques créatives de deux dessinateurs fous de cinéma

Workshop Lost FilmsCoordinated by Hans-Michael Bock, Jürgen Keiper

Saturday, March 8Palazzo del Monte di Pietà, Gradisca d’Isonzo

9.30-13.30

Malte Hagener (Leuphana-Universität Lüneburg)The Cinema as Cultural Capital. Remediation, Appropriation, Sampling, Remixing

DiscussionBreak

Chris Dercon (Haus der Kunst, Munich)Curator Talk

DiscussionBreak

Cinema, Comics, Visual ArtsHarry Morgan (Université Paris Diderot-Paris VII)Formes et mythopoeia dans les littératures dessinées

Discussion

15.00-18.00

Workshop Cinema and Contemporary Visual Arts 1Philippe Dubois, Introduction: théorie du cinéma, théorie des images: affaire de dispositifJean-Michel Durafour (Ecole Normale Supérieure Lettres et Sciences humaines, Lyon)

La Théorie du cinéma est-elle soluble dans les théories des autres arts visuels?Emilie Verge (Université Paris III), L’Image numérique selon Klonaris/Thomadaki: à propos de Pulsar (2003),

Quasar (2003) et Angel Scan (2007)

Workshop Cinema and Contemporary Visual Arts 2Coordinated by Malte Hagener

Roberto Braga (Università di Bologna), REGARD: Collaborative Video-editing and Authoring over the WebAlessandro Catania (Université Paris Diderot-Paris VII)

Rework, Re-edit, Recap. Seuils textuels fragmentés et design narratif dynamique

Workshop Cinema and Contemporary Visual Arts 3Coordinated by Andrea Bellavita

Deborah Toschi (Università Cattolica del Sacro Cuore, Milano), Empty SpaceAdriano D’Aloia (Università Cattolica del Sacro Cuore, Milano), The Second Life of Cinema. Perceptual and

Cognitive Patterns of Virtual Cinematic Experience

Workshop Cinema, Comics, Visual ArtsDominique Bertail, Jean-Philippe Bramanti, Thierry Smolderen (Ecole Européenne Supérieure des Arts et

Technologies de l’Image, Angoulême)De l’écran filmique au papier dessiné: pratiques créatives de deux dessinateurs fous de cinéma


Luciano Berriatua (Université Paris VIII), Murnau’s 4 Devils

Sunday, March 9Palazzo del Monte di Pietà, Gradisca d’Isonzo

9.30-13.30

Julia Noordegraaf (Universiteit van Amsterdam)Experiencing TV: An Analysis of the Screen Space of the Media Museum

DiscussionBreak

Matthias MüllerArtist Talk

DiscussionBreak

Cinema, Comics, Visual ArtsPierre Chemartin, Bernard Perron (Université de Montréal)

Mise en scène/mise en case. Aspects de l’alternance visuelle dans la littérature en images et dans les vues ani-mées au tournant du siècle

Discussion15.00-18.00

Workshop Cinema and Contemporary Visual Arts 1Philippe Dubois, Introduction: passages d’images (l’esprit et la lettre)

Lucia Monteiro (Université Paris III), L’Imminence de la catastrophe: Abbas Kiarostami, Sophie CalleRoselyne Quéméner (Université Paris III), Les Correspondances filmées de Victor Erice et Abbas Kiarostami:

quand l’épistolaire se joue des frontières

Workshop Cinema and Contemporary Visual Arts 2Coordinated by Andrea Lissoni

Maggie Cardelùs (artist), Looking for Time

Workshop Cinema and Contemporary Visual Arts 3Coordinated by Julia Noordegraaf, Tina Bastajian

Maria Finn (University of Copenhagen), Gaps in Space and Time

Workshop Cinema, Comics, Visual ArtsPierre Chemartin, Nicolas Dulac (Université de Montréal/Université de Montréal-Université Paris III)Pose, caricature, stéréotype: de quelques stratégies de représentation dans les arts populaires (1880-1910)


David Meeker (BFI), Missing Believed Lost - The Great British Film SearchHorst Claus (University of the West of England, Bristol), Restoring Steinhoff

Monday, March 10Palazzo del Monte di Pietà, Gradisca d’Isonzo

9.30-13.30

Rinaldo Censi (Università di Pavia)“Boundless Desolation Emerged from the Cinematic Emulsions”: Spiral Jetty (Robert Smithson)

DiscussionBreak

Pascale Cassagnau (Délégation aux arts plastiques, Paris)Curator Talk

DiscussionBreak

Cinema, Comics, Visual ArtsPierre Fresnault-Deruelle (Université Paris I)

Approche iconologique du portrait d’Albert Schweitzer par Eugène Smith

Discussion

15.00-18.00

Workshop Cinema and Contemporary Visual Arts 1L’Art vu par les marges du cinéma. L’underground en Italie: Gioli, Grifi, Bargellini

Bruno Di Marino (Indipendent Scholar), Le Dispositif ciné-photographique dans l’œuvre de Paolo GioliDario Marchiori (Université Paris III), Piero Bargellini: l’image latente comme entre-image

Federico Rossin (Università di Pavia), From La verifica incerta (Grifi-Baruchello) to The Phoenix Tapes(Müller-Girardet): Found Footage from Experimental Film to Video-essay

Round TableWith the participation of Adriano Aprà (Università di Roma Tor Vergata)



Tanguy Bizien (Université Paris III), L’Expérience du temps dans Je t’aime je t’aime d’Alain Resnais et dans Present Continuous-Past(s) de Dan Graham

Workshop Cinema, Comics, Visual ArtsStefano Ricci (artist)

The Drawing of the Bear, a Rabbit in Ambulance, and the Dog Man


Michelle Aubert (CNC)Patrick Moules (Private Collector), Film Preservation - Off The Beaten Track

Tuesday, March 11Palazzo del Monte di Pietà, Gradisca d’Isonzo

9.30-13.30Lost Films

Giulio Bursi, Simone Venturini (Università di Udine), IntroductionHans-Michael Bock, Jürgen Keiper (CineGraph, Hamburg / Deutsche Kinemathek, Berlin)

Lost Films Between Remembrance and Reconstruction. Concepts and Perspectives for the Archives

Lost FilmsRound Table

Break

Peter CampusArtist Talk

Discussion

15.00-18.00Workshop Cinema and Contemporary Visual Arts 1

Térésa Faucon, Introduction: la transmédialité, cause de l’éclatement des lieux de diffusion?Francesca Esposito (Università di Bologna), Jochen Kuhn: films qui sortent du cinéma



Andrea von Kameke (University of Konstanz), Film Museums as Cinematic Spaces?

Workshop Cinema, Comics, Visual ArtsSara Colaone (artist), Storyboard in Film and Comics


Paolo Caneppele (Österreichisches Filmmuseum, Wien), The Case Of Lena Smith?An Example for Lost Film

Matteo Lepore (Österreichisches Filmmuseum, Wien), The Schlemmer Collection: OriginalCondition, Cataloguing Method and Identification Strategies

Wednesday, March 12Palazzo del Monte di Pietà, Gradisca d’Isonzo

9.30-13.30

Térésa Faucon (Université Paris III/CRECI)Politique de la répétition (J-L Godard, B. Conner, F. Alÿs, C. Breitz, D. Aitken)

DiscussionBreak

Melik OhanianArtist Talk

DiscussionBreak

Lost Films Elena Mosconi (Università Cattolica del Sacro Cuore, Milano)

Reconstructing Film’s “Aura”. The St. Francesco's Expanded Text

Discussion

15.00-18.00Workshop Cinema and Contemporary Visual Arts 1

Térésa Faucon, Introduction: le spectateur réinventé: du cinémaaux nouveaux dispositifs et lieux de projection

Sun Jung Yeo (Université Paris III/CRECI), L’Echange et la couleur naturante



Hampus Hagman (Stockholm University)The Modulated Screen: The Haptic Eye in Cinematic Multiples and Installation Art

Workshop Cinema, Comics, Visual ArtsSara Colaone (artist), Storyboard in Film and Comics


Alfredo Baldi (CSC-Cineteca Nazionale, Roma), For a Critical Edition of Sole in DVD

Thursday, March 13Palazzo del Monte di Pietà, Gradisca d’Isonzo

9.30-13.30Tina Bastajian (Universiteit van Amsterdam-Amsterdam School of Cultural Analysis, ASCA)Scratching Some Surfaces: Electric Cinema and the Re-Staging and Rendering of Expanded Cinema

Simona Monizza (Nederlands Filmmuseum)Curator Talk

DiscussionBreak

Marco Senaldi (Università di Milano Bicocca)What Is a Non-film? Towards the “Dissolution” of Film, From On Otto by Tobias Rehberger

to The Pervert’s Guide to Cinema by Slavoj Zizek/Sophie Fiennes

Discussion

15.00-18.00

Workshop Cinema and Contemporary Visual Arts 1Coordinated by Térésa Faucon



Workshop Cinema, Comics, Visual Arts


Denis Lotti (Università di Padova), The Ghione Case and the Historiographic Approach toSilent Cinema between Habit and Prejudice

Workshops

Workshop Cinema and Contemporary Visual Arts 1Coordinators: Philippe Dubois, Térésa Faucon (Université Paris III/CRECI)

Workshop Cinema and Contemporary Visual Arts 2Coordinators: Malte Hagener (Universität Lüneburg), Andrea Lissoni (Università di Udine)

Workshop Cinema and Contemporary Visual Arts 3Coordinators: Andrea Bellavita (Università di Trento),

Julia Noordegraaf, Tina Bastajian (Universiteit van Amsterdam)

Workshop Cinema, Comics, Visual ArtsDominique Bertail, Jean-Philippe Bramanti, Thierry Smolderen (Ecole Européenne Supérieure des Arts et

Technologies de l’Image, Angoulême), Pierre Chemartin (Université de Montréal), Nicolas Dulac (Université deMontréal-Université Paris III), Stefano Ricci (artist), Sara Colaone (artist)

Workshop Lost FilmsCoordinators: Hans-Michael Bock (CineGraph, Hamburg), Jürgen Keiper (Deutsche Kinemathek, Berlin)

InstallationsPalazzo del Monte di Pietà, Gradisca d’Isonzo

Saturday, March 8Matthias Müller, Christoph Girardet, Hide, 2006, 7’40” (loop), courtesy of the artist

Sunday, March 9Matthias Müller, Christoph Girardet, Manual, 2002, 10’ (loop), courtesy of the artist

Monday, March 10Omer Fast, De Grote Boodschap, 2007, 27’ (loop), courtesy of the artist and gb agency, Paris

Tuesday, March 11Peter Campus, Head of a Misanthropic Man, 1977/78, 12’22” (loop), courtesy of the artist

Wednesday, March 12Peter Campus, Head of a Sad Young Woman, 1977/78, 11’40” (loop), courtesy of the artist

Thursday, March 13Melik Ohanian, Inivsible Film, 2005, 90’, courtesy of the artist

Permanent ExhibitionPalazzo del Monte di Pietà, Gradisca d’Isonzo

Circo Togni (March 7-13)Images from the Togni family archive, curated by La Camera Ottica and Home Movies

ScreeningsSala Bergamas, via Bergamas 3, Gradisca d’Isonzo

Friday, March 7Pedro Costa, Juventude Em Marcha, 2006, 156’

Pedro Costa, Tarrafal (episode of O Estado do Mundo), 2007, 17’Presented by Chris Dercon

Saturday, March 8Matthias Müller, Sleepy Haven, 1993, 15’

Matthias Müller, Vacancy, 1998, 14’Matthias Müller, Christoph Girardet, Phoenix Tapes, 1999, 45’

Matthias Müller, Christoph Girardet, Kristall, 2006, 15’Presented by Matthias Müller

Sunday, March 9Deimantas Narkevicius, Revisiting Solaris, 2007, 18’

The Otolith Group, Otolith I, 2003, 22’Clemens von Wedemeyer, Maya Schweizer, Metropolis/Report on China, 2006, 42’

Curated and presented by Pascale Cassagnau

Monday, March 10Peter Campus, Three Transitions, 1973, 4’53”

Peter Campus, Third Tape, 1976, 5’06”Peter Campus, Six Fragments, 1976, 5’

Peter Campus, Death Threat, 2000, 11’22” (receiving radiation, 2000, 3’32”; disappearence, 2000, 3’49”;death threat, 2000, 3’10”)

Peter Campus, Divide, 2001, 3’Peter Campus, Edge of the Ocean, 2003, 3’

Peter Campus, Ponquog Bay, 2008, 11’A special video selection curated and presented by Peter Campus and Kathleen Graves

Tuesday, March 11Who They Are and What They Draw: Animate Projects

Phil Mulloy, Cowboys, 1991, 18’Lesley Adams, Postcards of Belief, 2001, 5’

Ann Course, Paul Clark, Rotting Artist, 2002, 3’Simon Faithfull, 13, 2004, 5’

Carolina Melis, Susanne Flender, As the Crow Flies, 2005, 5’Damian Gascoigne, Careful, 2005, 6’

David Shrigley, Chris Shepherd, Who I Am and What I Want, 2005, 7’Let Me Feel Your Finger First, Francis, 2007, 4’

Mark Simon Hewis, The Life Size Zoetrope, 2007, 7’Inger Lise Hansen, Proximity, 2006, 4’

Run Wrake, Rabbit, 2005, 8’Monika Forsberg & Susie Sparrow, We Believe in Happy Endings, 2006, 4’

Osbert Parker, Yours Truly, 2006, 5’Semiconductor, Magnetic Movie, 2007, 5’

Curated and presented by Sergio Fant

Melik Ohanian, September 11 1973 Santiago Chile 2007, 2007, 90’Courtesy of the artist

Wednesday, March 12Light Cuts: Frames and Fragments

Presented by Paolo Caneppele

Fresh Restorations From The Nederlands Filmmuseum Experimental and Artist’s Film CollectionsShinkichi Tajiri, Mad Nest, 1955, 4’

Wim van der Linden, Tulips, 1966, 3’Frans Zwartjes, Birds, 1968, 5’

Mari Boezem, Beademen van de beeldbuis, 1971, 4’Jacques Verbeek and Karin Wiertz, Slippery Slope, 1972, 4’

Paul de Nooijer, Transformation by Holding Time (Landscape), 1976, 4’Noud Heerkens, Re-action in A, 1979, 5’Edward Luyken, Ten Past Six, 1979, 10’

Claudia Koelgen, Ricercar, 1984, 9’Ben van Lieshout, Schutting, 1989, 9’

Jeroen Eisinga, Zoals het werd geopenbaard aan Jeroen Eisinga, 1998, 8’Barbara Meter, Ariadne, 2004, 13’Barbara Meter, Portraits, 1972, 6’

Curated and presented by Simona Monizza

Thursday, March 13Catherine, 60’

Image selection curated by Paolo Simoni and Mirco Santi (Home Movies - Archivio Nazionale del Film di Famiglia, Bologna), 2002-2007

Live Sonorization: Stefano Pilia and Andrea BelfiIn collaboration with LA CAMERA OTTICA, Film and Video Restoration, Gorizia

UDINE-GRADISCA FILM FORUMXV Convegno Internazionale di Studi sul Cinema

XV International Film Studies Conference Permanent Seminar on History of Film Theories

VI MAGIS – Gradisca International Film Studies Spring SchoolCinema and Contemporary Visual Arts III

Università degli Studi di UdineFacoltà di Lettere e Filosofia

Facoltà di Lingue e Letterature StraniereUniversité de Paris III, UFR Cinéma

GRAFICS, Groupe de recherche sur l’avènement et la formation des institutionscinématographique et scénique, Université de Montréal

CineGraph, HamburgDipartimento di Scienze della comunicazione e dello spettacolo, Università Cattolica del Sacro Cuore, Milano

Dottorato Internazionale in Studi Audiovisivi: Cinema, Arti Visive, Musica, ComunicazioneLaurea Specialistica Congiunta in Discipline del Cinema/Etudes Cinématographiques

Dipartimento di Storia e Tutela dei Beni CulturaliDipartimento di Lingue e Civiltà dell’Europa Centro-orientale

Corso di Laurea DAMS, GoriziaCentro Polifunzionale di Gorizia

Scuola di Specializzazione in Storia dell’Arte, UdineCorso di Laurea in Mediazione culturale - Lingue dell’Europa centrale e orientale

Corso di Laurea in Relazioni Pubbliche, GoriziaCentro Studi Amidei, Gorizia

CINEMANTICA, Laboratorio Cinema e Multimedia, UdineLA CAMERA OTTICA, Film and Video Restoration, GoriziaCREA, Centro Ricerca Elaborazione Audiovisivi, Gorizia

Direzione Generale per il Cinema - Ministero per i Beni e le Attività Culturali

Comune di Udine Provincia di Udine

Comune di Gradisca d’IsonzoProvincia di Gorizia

Consorzio per lo Sviluppo del Polo Universitario di Gorizia

Cineteca del Comune di BolognaLaboratorio “L’immagine ritrovata”, Bologna

CEC, Centro Espressioni Cinematografiche, UdineLa Cineteca del Friuli, Gemona

TransmediaPremio “Sergio Amidei”, Gorizia

Le Giornate del Cinema Muto, PordenoneCinemazero, Pordenone

Centro Sperimentale di Cinematografia - Cineteca Nazionale, RomaBritish Film Institute

Národní Filmovy Archiv, PrahaCinémathèque québécoise

MilestoneBonton Film

Animate Projectsarsenal experimental - Freunde der Deutschen Kinemathek e.V.

Nederlands FilmmuseumIn collaborazione con le riviste:

“CINÉMA & Cie” e “Cinergie. Il cinema e le altre arti”

E con il sostegno al Premio Limina di :

www.uniud.it/udineconference/

x v - filmforum · 2018. 2. 12. · x v convegno internazionale di studi sul cinem a x v...

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