wsca feb14 disneypresent
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Examining the Transfer of Images of Classical Myths
to the Visualizations by Disney
Dave Natharius, Arizona State University
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The original sources for many of Disney’s animated features:• grounded in classical and medieval mythologies and fairy tales• often simplified through their re telling and alternate versions ‐
This presentation examines Disney’s versions of four of the most well known stories and imagery that preceded the Disney versions. •Snow White and the Seven Dwarfs•Cinderella•Sleeping Beauty•Beauty and the Beast
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A very useful source:
A book of the exhibition:
Galeries Nationales du Grand Palais, Paris, September 16, 2006 – January 15, 2007.
and
Pavillon Jean-Noel Desmarais,Montreal Museum of Fine Arts
March 8 – June 24, 2007.
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SNOW WHITE AND THE SEVEN DWARFS,
1937.
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Snow White and the Seven Dwarfs•Best known version by the Brothers Grimm in 1812
•A version from Albania with 40 dragons rather than dwarfs, originating in the 11th – 12th centuries.
•A Russian poem by Alexander Pushkin with knights replacing dwarfs
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John Bauer,THE PRINCESS AND THE TROLLS, 1913
National Museum,Stockholm
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The Dwarfs find Snow White asleep, illustration of Franz Juttner, 1905.
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Snow White: The Dwarfs’ Cottage
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Dr. Rotwang’s house in Fritz Lang’s Metropolis
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“Snow White in her Coffin” by Theodor Hosemann, 1852
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Schneewittchen by Alexander Zick
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Maria, about to be “awakened” by Dr. Rotwang in Metropolis
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Snow White in her coffin
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CINDERELLA, 1950
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•Cinderella and similar stories most common of all fairy tales/myths•exist in numerous languages •may be over a thousand variants around the world•“Cendrillon” by Parrault, 1697•“Aschenputtel” by the brothers Grimm
“Cendrillon” by Gustave Dore, an illustration for the opera by Massenet (1899)
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Rhodopis (Rhodope)With Aesop
From an 18th CenturyPainting by Kauffmann
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Aschenputtel with the dovesAlexander Zick, 19th Century
From the Project Gutenburg archivesIllustration by Oliver Herford for the Perrault version
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CENDRILLON, 1899, by George Melies
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The mice and birds sewing Cinderella’s ball gown.
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Sewing mice in Beatrix Potter’s The Tailor of Gloucester
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SLEEPING BEAUTY,
1959
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(The) Sleeping Beauty
*A version published in 1528 as the medieval courtly romance: Perceforest.
*Published by Charles Perrault in 1697, the most common used version.
*Published by the Brothers Grimm as Little Briar Rose.
“Sleeping Princess” By Victor
Vasnetsov,1890?
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Sleeping Beauty’s Cottage
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“Return from the Inn,” Peter Bruegel the Younger, 1620
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An image ofthe sleeping princess: Brunnehilde, surrounded by magical fire rather than roses.
1910 illustration by Arthur Rackham to Richard Wagner’s Die Walkure
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Sleeping Beauty by Henry Meynel Rheem, 1899?
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Neuschwanstein (New Swanstone) Castle in Bavaria, Germany
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“Prince Charming’s arrival at the sleeping castle,” Gustave Dore, 1862
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The Prince finds Sleeping Beauty
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BEAUTY AND THE
BEAST, 1991
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Beauty and the Beast
*Theme of a true and loving woman can change a beast into a prince.
*Second only to Cinderella in popularity among numerous cultures.
*Has its origins in 2nd Century Roman literature: (Cupid and Psyche)
*Several medieval versions in Italy and Scandinavia.
*The “beast” is sometimes a serpent, white bear.
*Best known version written by Madame Jeanne-Marie Le-Prince de Beaumont, 1756.
*Other thematic stories: “ Hunchback of Notre Dame,” “Phantom of the Opera,” “King Kong”
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Cupid and Psyche, 1st Century wall painting, Pompeii
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Psyche Revived bythe Kiss of Amor (Love). Marble, Antonio Canova 1793.
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18th Century Painting “Titania Adoring the Ass-headed Bottom,” Fuseli, 1790
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“Beauty and the Beast”Illustration by Walter Crane, 1874
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Belle declares her love that transforms the beast
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Jean Cocteau’s “La Belle et La Bete,” 1946
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finis