writing literary interpretations in english...analytical exposition three reasons for making the...

41
Writing Literary Interpretations in English Presented by Lindsay Williams

Upload: others

Post on 01-Dec-2020

2 views

Category:

Documents


0 download

TRANSCRIPT

Page 1: Writing Literary Interpretations in English...Analytical Exposition Three reasons for making the distinction: •makes the difference between NAPLAN style Expositions and Interpretations

WritingLiteraryInterpretationsinEnglish

PresentedbyLindsayWilliams

Page 2: Writing Literary Interpretations in English...Analytical Exposition Three reasons for making the distinction: •makes the difference between NAPLAN style Expositions and Interpretations

Produced by LindsayWilliamsWhile you may use the contents inyour own school,please donotsharethis with teachers inother schools.Any use even inyour own schoolshould be appropriately acknowledged.Enquiries can be sent to

[email protected].

©L&EWilliamsHoldingsPty Ltd,2017

Page 3: Writing Literary Interpretations in English...Analytical Exposition Three reasons for making the distinction: •makes the difference between NAPLAN style Expositions and Interpretations

AnticipatorySet

• Read‘TheSinkHole’(page1&2).• Insmallgroups,makeaninference:• Whatwillhappenwhentheboysreturn?• Howdoyouknow?• Whosefaultwillitbe?Why?

Page 4: Writing Literary Interpretations in English...Analytical Exposition Three reasons for making the distinction: •makes the difference between NAPLAN style Expositions and Interpretations

LearningGoals

Duringthisworkshop,youwill:• explore implicationsofthenewexternalassessment(exam)regimeforthecurrentYear9cohort• compareandcontrastthestructureandsomekeylanguagefeaturesofInterpretations(andExpositions)• discusshowthesefeaturesallowstudentstoshowtheybelongtothe‘LiteracyCriticismClub’.

Page 5: Writing Literary Interpretations in English...Analytical Exposition Three reasons for making the distinction: •makes the difference between NAPLAN style Expositions and Interpretations

ReviewingStructureofInterpretation

Page 6: Writing Literary Interpretations in English...Analytical Exposition Three reasons for making the distinction: •makes the difference between NAPLAN style Expositions and Interpretations

InterpretationtointerpretthemessageofatextMasteryofthegenredemonstrates:thatoneisableto‘read’themessageofthetextandhenceisabletorespondtotheculturalvaluespresentedinthenarrative(Rothery andStenglin1997:156).

Page 7: Writing Literary Interpretations in English...Analytical Exposition Three reasons for making the distinction: •makes the difference between NAPLAN style Expositions and Interpretations

InterpretationtointerpretthemessageofatextStructure:Martin&Rose(2008)• Evaluation• Synopsisoftext• Reaffirmation

Structure:Derewianka &Jones(2016)• Themeidentificationandpreviewofelements• Elementevaluation• Themereiteration

Page 8: Writing Literary Interpretations in English...Analytical Exposition Three reasons for making the distinction: •makes the difference between NAPLAN style Expositions and Interpretations

ReadtheInterpretation(p3)

• ReadtheexemplarforanInterpretationbasedontheshortstory(bothareaimedatYear9,thefirstexternalexamgroup).• Asyouread,canyouidentifytheStages?

Page 9: Writing Literary Interpretations in English...Analytical Exposition Three reasons for making the distinction: •makes the difference between NAPLAN style Expositions and Interpretations

Yousaytoma(r)to,Isaytoma(y)to…

Interpretationvs

AnalyticalExposition

Threereasonsformakingthedistinction:• makesthedifferencebetweenNAPLANstyleExpositionsandInterpretationsmuchclearer(tosimplify,oneisbasedingeneralknowledgetheotherintextknowledge)

• theirsocialpurposesaredifferent,eventhoughtheyarebothmakinganargumentofsorts.Intheexample,studentsarenot(presumably)beingaskedtodrawontheirgeneralknowledgetoargueabouttheircontention;presumablytheywouldberequiredtodrawonevidencetosupporttheirinterpretationsofthe text.

• differentsocialpurposesmeanthattheintroduction,body,conclusionservedifferentfunctionswithinthetwogenresè differentchoicesfromsystemoflanguage.

Page 10: Writing Literary Interpretations in English...Analytical Exposition Three reasons for making the distinction: •makes the difference between NAPLAN style Expositions and Interpretations

KeyLanguageFeatures

Page 11: Writing Literary Interpretations in English...Analytical Exposition Three reasons for making the distinction: •makes the difference between NAPLAN style Expositions and Interpretations

ElaboratingClause

Oneclauseexpandsanotherbyelaboratingonit(orsomeportionofit):• restatinginotherwords,e.g.Thepandasatethebamboo;theydevouredeverysinglestalkofthatgrass-likeplantinthebackyard.• specifyingingreaterdetail,e.g.Emilywouldbemorerestrained,gentlytuggingatthestickytape,carefulnottotearthepaper.• commenting,e.g.Thelightsflickeredon;itwasanincrediblesightafterthehoursofdarkness.• orexemplifying,e.g.Allthelightswentofftogether:Christmaslightswentout,theneonlightsofthebillboardswentout,andeventheemergencystreetlightswentout.

Page 12: Writing Literary Interpretations in English...Analytical Exposition Three reasons for making the distinction: •makes the difference between NAPLAN style Expositions and Interpretations

ElaborationinInterpretationFirstly,inBenandIsaac,theauthorconstructstwocontrastingcharacters.Isaacisthesensibleone.Thisisexemplifiedwhenheknowsthatthe‘gapinghole’theycomeacrossisasinkholeandwarnsBenthehe’d‘bettermoveback’because‘theedgelooksabitcrumbly’.Heisalsotheonewhoisinitiallyreluctanttogodownintothedarkness.Ontheotherhand,Benisimpetuousandadventurous,notreallyworriedaboutthedangers.Heistheonewho,withoutthought,dropshisbikeandgoesto‘theveryedgeofthehole’.Moreover,heistheonewhocomesupwiththeplanfortheboystouseropestolowerthemselvesintotheholeandpressuresIsaacwithpromisesofexcitementandtauntsaboutlackofcourage:‘Chicken?’hesaystoIsaac.Ultimately,Ben’spersonalitywinsthrough,sealingtheboys’fate.

Page 13: Writing Literary Interpretations in English...Analytical Exposition Three reasons for making the distinction: •makes the difference between NAPLAN style Expositions and Interpretations

ElaborationinInterpretationIsaac isthesensibleone.(elaboration:example1)Thisisexemplifiedwhenheknowsthatthe‘gapinghole’theycomeacrossisasinkholeandwarnsBenthehe’d‘bettermoveback’because‘theedgelooksabitcrumbly’.(elaboration:example2)Heisalsotheonewhoisinitiallyreluctanttogodownintothedarkness.Ontheotherhand,Benisimpetuousandadventurous,notreallyworriedaboutthedangers.Heistheonewho,withoutthought,dropshisbikeandgoesto‘theveryedgeofthehole’.Moreover,heistheonewhocomesupwiththeplanfortheboystouseropestolowerthemselvesintotheholeandpressuresIsaacwithpromisesofexcitementandtauntsaboutlackofcourage:‘Chicken?’hesaystoIsaac.Ultimately,Ben’spersonalitywinsthrough,sealingtheboys’fate.

Page 14: Writing Literary Interpretations in English...Analytical Exposition Three reasons for making the distinction: •makes the difference between NAPLAN style Expositions and Interpretations

ElaborationinInterpretationIsaac isthesensibleone.(elaboration:example1)Thisisexemplifiedwhenheknowsthatthe‘gapinghole’theycomeacrossisasinkholeandwarnsBenthehe’d‘bettermoveback’because‘theedgelooksabitcrumbly’.(elaboration:example2)Heisalsotheonewhoisinitiallyreluctanttogodownintothedarkness.Ontheotherhand,Ben isimpetuousandadventurous,notreallyworriedaboutthedangers.(elaboration:example1)Heistheonewho,withoutthought,dropshisbikeandgoesto‘theveryedgeofthehole’.(elaboration:example2)Moreover,heistheonewhocomesupwiththeplanfortheboystouseropestolowerthemselvesintotheholeandpressuresIsaacwithpromisesofexcitementandtauntsaboutlackofcourage:‘Chicken?’hesaystoIsaac.Ultimately,Ben’spersonalitywinsthrough,sealingtheboys’fate.

Page 15: Writing Literary Interpretations in English...Analytical Exposition Three reasons for making the distinction: •makes the difference between NAPLAN style Expositions and Interpretations

ElaborationinInterpretationIsaac isthesensibleone.(elaboration:example1)Thisisexemplifiedwhenheknowsthatthe‘gapinghole’theycomeacrossisasinkholeandwarnsBenthehe’d‘bettermoveback’because‘theedgelooksabitcrumbly’.(elaboration:example2)Heisalsotheonewhoisinitiallyreluctanttogodownintothedarkness.Ontheotherhand,Benisimpetuousandadventurous,notreallyworriedaboutthedangers.(elaboration:example1)Heistheonewho,withoutthought,dropshisbikeandgoesto‘theveryedgeofthehole’.(elaboration:example2)Moreover,heistheonewhocomesupwiththeplanfortheboystouseropestolowerthemselvesintotheholeandpressuresIsaacwithpromisesofexcitementandtauntsaboutlackofcourage:‘Chicken?’hesaystoIsaac.(elaboration:comment)Ultimately,Ben’spersonalitywinsthrough,sealingtheboys’fate.

Page 16: Writing Literary Interpretations in English...Analytical Exposition Three reasons for making the distinction: •makes the difference between NAPLAN style Expositions and Interpretations

NoElaboration

Firstly,inBenandIsaac,theauthorconstructstwocontrastingcharacters.Isaacisthesensibleone.Ontheotherhand,Benisimpetuousandadventurous,notreallyworriedaboutthedangers.

Page 17: Writing Literary Interpretations in English...Analytical Exposition Three reasons for making the distinction: •makes the difference between NAPLAN style Expositions and Interpretations

ElaborationinInterpretationThroughaskillfullyplannedplot,thefollyofthedecisiontoenterthesinkholebecomesapparent.IntheOrientation,readersareintroducedtoBenandIsaacwhoappeartobesimplytwoboysonaninnocentbikingadventuretorelievetheboredomoftheschoolholidays.However,thedangerconfrontingtheboysisforeshadowedinthedescription(throughtheuseofametaphor)ofthesuncasting‘longtentaclesofdeepshadowacrosstheforestfloor’.ThereaderisthenleadtobelievethatthecentralComplicationtoberesolvediswhetherBenandIsaacshouldexplorethesinkhole.However,theCodacontainsanunexpectedtwist:readersmakethesurprisediscoverythatatthebottomoftheholearavenouscreatureawaits.Suddenly,themenaceimpliedintheearliermetaphorbecomesapparentandisemphasisedintheunconventionalpunctuationofthefinaltwowordswiththecreaturewaiting‘Patiently.Hungrily.’Itisclearthattheboyswillbeeatenalive;thecautiousIsaacshouldhavetrustedhisown,sensibleadviceandresistedBen’simpetuousbehaviour.

Clueelaboration:specify

elaboration:comment

Page 18: Writing Literary Interpretations in English...Analytical Exposition Three reasons for making the distinction: •makes the difference between NAPLAN style Expositions and Interpretations

ElaborationinInterpretationThroughaskillfullyplannedplot,thefollyofthedecisiontoenterthesinkholebecomesapparent.IntheOrientation,readersareintroducedtoBenandIsaacwhoappeartobesimplytwoboysonaninnocentbikingadventuretorelievetheboredomoftheschoolholidays.However,thedangerconfrontingtheboysisforeshadowedinthedescription(throughtheuseofametaphor)ofthesuncasting‘longtentaclesofdeepshadowacrosstheforestfloor’.ThereaderisthenleadtobelievethatthecentralComplicationtoberesolvediswhetherBenandIsaacshouldexplorethesinkhole.However,theCodacontainsanunexpectedtwist: (elaboration:specify) readersmakethesurprisediscoverythatatthebottomoftheholearavenouscreatureawaits.Suddenly,themenaceimpliedintheearliermetaphorbecomesapparentandisemphasised intheunconventionalpunctuationofthefinaltwowordswiththecreaturewaiting‘Patiently.Hungrily.’Itisclearthattheboyswillbeeatenalive;(elaboration:comment)thecautiousIsaacshouldhavetrustedhisown,sensibleadviceandresistedBen’simpetuousbehaviour.

Page 19: Writing Literary Interpretations in English...Analytical Exposition Three reasons for making the distinction: •makes the difference between NAPLAN style Expositions and Interpretations

ImplicationSequenceaè bè c

Dance:(identification:element) ‘FixYou’movinglyportraysthesupportasongivestohisillmotherthroughmanymovements.(descriptionofexample) Oneactionthatdemonstratesthisoccurswhenthemother(i.e.portrayedbythefemaledancer)spinsclockwiseandthenfallstotherightwheretheson(i.e.portrayedbythemaledancer)catchesher.Themaledancerlifts/pullsthefemaledancerbacktoherfeetinasuperblyexecutedsuspendedmove.Thisactionexpressesthemother’sweaknessasaresultofherillnessincontrasttothestrengthofthesonwhowastheretoguideandsupporthismotherwhenshewasinneed.(linktosummaryofintent)Therefore,itisclearthatthedanceelementofactionplaysapivotalroleincommunicatingthechoreographer’sintent.

Page 20: Writing Literary Interpretations in English...Analytical Exposition Three reasons for making the distinction: •makes the difference between NAPLAN style Expositions and Interpretations

ImplicationSequence‘FixYou’movinglyportraysthesupportasongivestohisillmotherthroughmanymovements.

Oneactionthatdemonstratesthisoccurswhenthemother(i.e.portrayedbythefemaledancer)spinsclockwiseandthenfallstothe

rightwheretheson(i.e.portrayedbythemaledancer)catchesher.Themaledancer

lifts/pullsthefemaledancerbacktoherfeetinasuperblyexecutedsuspendedmove.

Thisactionexpressesthemother’sweaknessasaresultofherillnessincontrasttothestrengthofthesonwhowastheretoguide

andsupporthismotherwhenshewasinneed.

Therefore,itisclearthatthedanceelementofactionplaysapivotalroleincommunicating

thechoreographer’sintent.

Page 21: Writing Literary Interpretations in English...Analytical Exposition Three reasons for making the distinction: •makes the difference between NAPLAN style Expositions and Interpretations

ImplicationSequenceinInterpretationThroughaskillfullyplannedplot,thefollyofthedecisiontoenterthesinkholebecomesapparent.IntheOrientation,readersareintroducedtoBenandIsaacwhoappeartobesimplytwoboysonaninnocentbikingadventuretorelievetheboredomoftheschoolholidays.However,thedangerconfrontingtheboysisforeshadowedinthedescription(throughtheuseofametaphor)ofthesuncasting‘longtentaclesofdeepshadowacrosstheforestfloor’.ThereaderisthenleadtobelievethatthecentralComplicationtoberesolvediswhetherBenandIsaacshouldexplorethesinkhole.However,theCodacontainsanunexpectedtwist:readersmakethesurprisediscoverythatatthebottomoftheholearavenouscreatureawaits.Suddenly,themenaceimpliedintheearliermetaphorbecomesapparentandisemphasisedintheunconventionalpunctuationofthefinaltwowordswiththecreaturewaiting‘Patiently.Hungrily.’Itisclearthattheboyswillbeeatenalive;thecautiousIsaacshouldhavetrustedhisown,sensibleadviceandresistedBen’simpetuousbehaviour.

Page 22: Writing Literary Interpretations in English...Analytical Exposition Three reasons for making the distinction: •makes the difference between NAPLAN style Expositions and Interpretations

ImplicationSequenceinInterpretationThroughaskillfullyplannedplot,thefollyofthedecisiontoenterthesinkholebecomesapparent.(1) IntheOrientation,readersareintroducedtoBenandIsaacwhoappeartobesimplytwoboysonaninnocentbikingadventuretorelievetheboredomoftheschoolholidays.However,thedangerconfrontingtheboysisforeshadowedinthedescription(throughtheuseofametaphor)ofthesuncasting‘longtentaclesofdeepshadowacrosstheforestfloor’.ThereaderisthenleadtobelievethatthecentralComplicationtoberesolvediswhetherBenandIsaacshouldexplorethesinkhole.However,theCodacontainsanunexpectedtwist:readersmakethesurprisediscoverythatatthebottomoftheholearavenouscreatureawaits.Suddenly,themenaceimpliedintheearliermetaphorbecomesapparentandisemphasised intheunconventionalpunctuationofthefinaltwowordswiththecreaturewaiting‘Patiently.Hungrily.’Itisclearthattheboyswillbeeatenalive;thecautiousIsaacshouldhavetrustedhisown,sensibleadviceandresistedBen’simpetuousbehaviour.

Yourturn…

Page 23: Writing Literary Interpretations in English...Analytical Exposition Three reasons for making the distinction: •makes the difference between NAPLAN style Expositions and Interpretations

ImplicationSequenceinInterpretationThroughaskillfullyplannedplot,thefollyofthedecisiontoenterthesinkholebecomesapparent.(1)IntheOrientation,readersareintroducedtoBenandIsaacwhoappeartobesimplytwoboysonaninnocentbikingadventuretorelievetheboredomoftheschoolholidays.However,thedangerconfrontingtheboysisforeshadowedinthedescription(throughtheuseofametaphor)ofthesuncasting‘longtentaclesofdeepshadowacrosstheforestfloor’.(2)ThereaderisthenleadtobelievethatthecentralComplicationtoberesolvediswhetherBenandIsaacshouldexplorethesinkhole.(3)However,theCodacontainsanunexpectedtwist:readersmakethesurprisediscoverythatatthebottomoftheholearavenouscreatureawaits.(4)Suddenly,themenaceimpliedintheearliermetaphorbecomesapparentandisemphasised intheunconventionalpunctuationofthefinaltwowordswiththecreaturewaiting‘Patiently.Hungrily.’(5)Itisclearthattheboyswillbeeatenalive;thecautiousIsaacshouldhavetrustedhisown,sensibleadviceandresistedBen’simpetuousbehaviour.

Page 24: Writing Literary Interpretations in English...Analytical Exposition Three reasons for making the distinction: •makes the difference between NAPLAN style Expositions and Interpretations

‘thefollyofthedecisiontoenterthesinkholebecomesapparent’

IntheOrientation… Thereaderisthenleadtobelieve…

However,theCodacontainsan

unexpectedtwist…

Suddenly,themenaceimpliedin

theearliermetaphorbecomes

apparent…

Itisclearthattheboyswillbeeaten

alive…

Page 25: Writing Literary Interpretations in English...Analytical Exposition Three reasons for making the distinction: •makes the difference between NAPLAN style Expositions and Interpretations

EvaluationResourcesinInterpretation

Page 26: Writing Literary Interpretations in English...Analytical Exposition Three reasons for making the distinction: •makes the difference between NAPLAN style Expositions and Interpretations

LanguageforInteraction:EvaluativeLanguageExpandedEvaluativeLanguage Positive NegativeAffect/feelingsJudgements aboutbehaviour

Normality: Howspecial?Capacity:Howcapable?Tenacity:Howdependable?Veracity:Howhonest?Propriety: Howfarbeyondreproach?

Appreciation

Page 27: Writing Literary Interpretations in English...Analytical Exposition Three reasons for making the distinction: •makes the difference between NAPLAN style Expositions and Interpretations

EvaluativeLanguage

1. Highlightwordswhichexpressfeelings/emotions(PINK);makejudgements aboutbehaviour (BLUE);appreciateobjects,artworks,literature,physicalperformances,landscapeetc (GREEN).

2. Classifythesewords.3. Drawconclusions,e.g.typesof

evaluationmostevidentinthisanalyticalexposition,patternsthatcometolight(e.g.distributionacrossthestagesoftheexposition).

Page 28: Writing Literary Interpretations in English...Analytical Exposition Three reasons for making the distinction: •makes the difference between NAPLAN style Expositions and Interpretations

Extractfrom’TheSinkHole’Interpretation:ThemeIdentificationStage‘TheSinkHole’byLindsayWilliamsisan entertaining shortstorythatrevealsthedangers ofsuccumbing topeerpressure.Thismessageiscommunicatedthroughtheclever use ofcontrastingcharactersandacarefullyplannedstory thatendswithasurprising twist.

Page 29: Writing Literary Interpretations in English...Analytical Exposition Three reasons for making the distinction: •makes the difference between NAPLAN style Expositions and Interpretations

ExtractfromNAPLANExposition:ThesisStage

MynameisRoxanneWebster,aconsistent buyer ofTheMorningHerald.I amusuallyfilledwithpraise forourcity’smorningpaper,however,whenIsatdownwithmysteamingmugofcoffeeyesterdaymorning,Iwasastounded toreadyourarticleontoysandgames.Thearticle was,inmyopinion,ridiculous;asyousaidthat“toomuchmoneyisbeingspentontoysandgames’?Thisstatementiscompletelyfalse,andasaproud mother ofthreechildren,Ihavecorrect reasons forbelievingthis.

Page 30: Writing Literary Interpretations in English...Analytical Exposition Three reasons for making the distinction: •makes the difference between NAPLAN style Expositions and Interpretations

Extractfrom’TheSinkHole’Interpretation:ElementEvaluationStageFirstly,inBenandIsaac,theauthorconstructstwocontrastingcharacters.Isaacisthesensibleone.Thisisexemplifiedwhenheknowsthatthe‘gapinghole’theycomeacrossisasinkholeandwarnsBenthathe’d‘bettermoveback’because‘theedgelooksabitcrumbly’.Heisalsotheonewhoisinitiallyreluctanttogodownintothedarkness.Ontheotherhand,Benisimpetuousandadventurous,notreallyworriedaboutthedangers.Heistheonewho,withoutthought,dropshisbikeandgoesto‘theveryedgeofthehole’.Moreover,heistheonewhocomesupwiththeplanfortheboystouseropestolowerthemselvesintotheholeandpressuresIsaacwithpromisesofexcitementandtauntsaboutlackofcourage:‘Chicken?’hesaystoIsaac.Ultimately,Ben’spersonalitywinsthrough,sealingtheboys’fate.

Page 31: Writing Literary Interpretations in English...Analytical Exposition Three reasons for making the distinction: •makes the difference between NAPLAN style Expositions and Interpretations

Extractfrom’TheSinkHole’Interpretation:ElementEvaluationStageFirstly,inBenandIsaac,theauthorconstructstwocontrastingcharacters.Isaacisthesensible one.Thisisexemplifiedwhenheknowsthatthe‘gapinghole’theycomeacrossisasinkholeandwarnsBenthathe’d‘bettermoveback’because‘theedgelooksabitcrumbly’.Heisalsotheonewhoisinitiallyreluctant togodownintothedarkness.Ontheotherhand,Benisimpetuousandadventurous,notreallyworriedaboutthedangers.Heistheonewho,withoutthought,dropshisbikeandgoesto‘theveryedgeofthehole’.Moreover,heistheonewhocomesupwiththeplanfortheboystouseropestolowerthemselvesintotheholeandpressuresIsaacwithpromisesofexcitement andtauntsaboutlackofcourage:‘Chicken?’hesaystoIsaac.Ultimately,Ben’spersonalitywinsthrough,sealingtheboys’fate.

Page 32: Writing Literary Interpretations in English...Analytical Exposition Three reasons for making the distinction: •makes the difference between NAPLAN style Expositions and Interpretations

Extractfrom’TheSinkHole’Interpretation:ElementEvaluationStageThroughaskilfully plannedplot,thefolly ofthedecisiontoenterthesinkholebecomesapparent.IntheOrientation,readersareintroducedtoBenandIsaacwhoappeartobesimplytwoboysonaninnocent bikingadventuretorelievetheboredom oftheschoolholidays.However,thedangerconfrontingtheboysisforeshadowedinthedescription(usingametaphor)ofthesuncasting‘longtentaclesofdeepshadowacrosstheforestfloor’.ThereaderisthenledtobelievethatthecentralComplicationtoberesolvediswhetherBenandIsaacshouldexplorethesinkhole.However,theCodacontainsanunexpected twist:readersmakethesurprise discoverythatatthebottomoftheholearavenous creatureawaits.Suddenly,themenaceimpliedintheearliermetaphorbecomesapparentandisemphasised intheunconventionalpunctuationofthefinaltwowordswiththecreaturewaiting‘Patiently.Hungrily.’Itisclearthattheboyswillbeeatenalive;thecautious Isaacshouldhavetrustedhisown,sensible adviceandresistedBen’simpetuousbehaviour.

Page 33: Writing Literary Interpretations in English...Analytical Exposition Three reasons for making the distinction: •makes the difference between NAPLAN style Expositions and Interpretations

ExtractfromNAPLANExposition:ArgumentStageActive games,suchassports,arejustthat– active.Theykeepourchildrenfitandhealthy,allthewhileteachingthemlessonsthatwillstaywiththemthroughoutthecourseoftheirlife.Teamwork,sportsmanship,sharing,co-operation– allbeneficialskillsthatareimportanttobelearntbyourkids.Toyslikeskippingropes,skateboards,ballsandHula-Hoopsarealltoysthatgetourchildrenoutsideandbeingactive.Aschildhoodobesity issuchaproblem inAustralia,encouragingourkidstobeactivewhilsthavingfun shouldbepromotednotdiscouraged.Therefore,thereisnot‘toomuchmoneyspentontoysandgames’.

Page 34: Writing Literary Interpretations in English...Analytical Exposition Three reasons for making the distinction: •makes the difference between NAPLAN style Expositions and Interpretations

Extractfrom’TheSinkHole’Interpretation:ThemeReiterationStageInconclusion,theauthorusesshrewdplottingandcannilycraftedcharacterstocommunicatehisimportantmessageaboutthedangersofsuccumbingtopeerpressure.

Page 35: Writing Literary Interpretations in English...Analytical Exposition Three reasons for making the distinction: •makes the difference between NAPLAN style Expositions and Interpretations

Extractfrom’TheSinkHole’Interpretation:ThemeReiterationStageInconclusion,theauthorusesshrewd plottingandcannily craftedcharacterstocommunicatehisimportantmessageaboutthedangersofsuccumbingtopeerpressure.

Page 36: Writing Literary Interpretations in English...Analytical Exposition Three reasons for making the distinction: •makes the difference between NAPLAN style Expositions and Interpretations

ExtractfromNAPLANExposition:ReiterationStageInconclusion,yourarticlewassimplyfictitious.Toysandgamesareimportant forourchildren’sdevelopment.Gameskeepourkidshealthy,whilstlearningimportant lessons.Gamesarealsoeducational,andarebeneficialforourchildren’sbraindevelopment.Thereforegamesandtoysareanextremelyimportantlearningaidtoourchildren,andthemoneyspentonthegamesandtoysiswelldeserved.

Page 37: Writing Literary Interpretations in English...Analytical Exposition Three reasons for making the distinction: •makes the difference between NAPLAN style Expositions and Interpretations

InterpretationGenre:TypesofReadings(Macken-Horarik 2016)

OnlyevidentinEnglishExtension.

MosthighlyvaluedresponsesinEnglish– canbeproducedbystudentsin

anyyearlevelgivenappropriateteaching.

Page 38: Writing Literary Interpretations in English...Analytical Exposition Three reasons for making the distinction: •makes the difference between NAPLAN style Expositions and Interpretations

Conclusion

Page 39: Writing Literary Interpretations in English...Analytical Exposition Three reasons for making the distinction: •makes the difference between NAPLAN style Expositions and Interpretations

SequencingLearning(Humphrey2017,p133)

DescriptionPersonalresponse

CharacterdescriptionPlotretelling

ReviewAnalysis

CharacteranalysisCompositional

analysis

Interpretation

Page 40: Writing Literary Interpretations in English...Analytical Exposition Three reasons for making the distinction: •makes the difference between NAPLAN style Expositions and Interpretations

WantMore?

Employme!!

[email protected]

Page 41: Writing Literary Interpretations in English...Analytical Exposition Three reasons for making the distinction: •makes the difference between NAPLAN style Expositions and Interpretations

Acknowledgements

AllimagesareusedbypermissionofStockfresh.com.Imagesmaynotbere-usedoutsideofthispresentation.