writing for brass things to consider.... brass section ❖ blend is generally better that trying to...

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Writing for Brass Writing for Brass Things to Consider... Things to Consider...

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Page 1: Writing for Brass Things to Consider.... Brass Section ❖ Blend is generally better that trying to blend the woodwind section. ❖ Always take into account

Writing for BrassWriting for BrassThings to Consider...Things to Consider...

Page 2: Writing for Brass Things to Consider.... Brass Section ❖ Blend is generally better that trying to blend the woodwind section. ❖ Always take into account

Brass Section

❖ Blend is generally better that trying to blend the woodwind section.

❖ Always take into account range and tone color when writing

❖ Horn works well one to one in softer dynamics, Traditionally needs support in louder dynamics. (depending on section)

❖ Most common bass doubling - Tuba and Euphonium in octaves. As a conductor, watch pitch.

Page 3: Writing for Brass Things to Consider.... Brass Section ❖ Blend is generally better that trying to blend the woodwind section. ❖ Always take into account

Brass Section❖ Trumpet can be easily hidden in the lower register.

Double in other trumpets or horn to strengthen this register.

❖ Soft passages in low register? Watch ranges and colors and cut down parts. Think dynamic contour and dynamic control

❖ Typical Voicings: Largest interval space in low register ( think harmonic series), Even spacing of voices in upper register, Complete triads in trumpets, horns, trombones whenever possible, Horns can link trumpet and trombone.

Page 4: Writing for Brass Things to Consider.... Brass Section ❖ Blend is generally better that trying to blend the woodwind section. ❖ Always take into account

Link VoicingLink VoicingComplete triads, Use Horns to Link, watch Complete triads, Use Horns to Link, watch

doubling of 3rds and 7ths - especially low. 3rd doubling of 3rds and 7ths - especially low. 3rd or 7th in Bass Voice? - Don’t Double!!!or 7th in Bass Voice? - Don’t Double!!!

Page 5: Writing for Brass Things to Consider.... Brass Section ❖ Blend is generally better that trying to blend the woodwind section. ❖ Always take into account

Trumpet and Horn Trumpet and Horn VoicingVoicing

Usually keep even, closed position voicing in Usually keep even, closed position voicing in the upper registers.the upper registers.

Page 6: Writing for Brass Things to Consider.... Brass Section ❖ Blend is generally better that trying to blend the woodwind section. ❖ Always take into account

Trombone VoicingTrombone VoicingOpen voicing for the Trombones are rich and Open voicing for the Trombones are rich and

sonorous!sonorous!

Page 7: Writing for Brass Things to Consider.... Brass Section ❖ Blend is generally better that trying to blend the woodwind section. ❖ Always take into account

MutesMutes

Page 8: Writing for Brass Things to Consider.... Brass Section ❖ Blend is generally better that trying to blend the woodwind section. ❖ Always take into account

Other EffectsOther Effects

Page 9: Writing for Brass Things to Consider.... Brass Section ❖ Blend is generally better that trying to blend the woodwind section. ❖ Always take into account

Special ArticulationsSpecial Articulations

Page 10: Writing for Brass Things to Consider.... Brass Section ❖ Blend is generally better that trying to blend the woodwind section. ❖ Always take into account

Special ArticulationsSpecial Articulations

Page 11: Writing for Brass Things to Consider.... Brass Section ❖ Blend is generally better that trying to blend the woodwind section. ❖ Always take into account

Tips for Combining Woodwinds and Brass

❖ Horns are the go-between. Can either function with woodwind groups or brass groups.

❖ Don’t write horns too high

❖ Avoid too much doubling. You don’t have to have everyone play all the time.

❖ Be more creative than just Brass Choir, Woodwind Choir

❖ Always think what you want for your dominant color in each line. Always think dynamic contour.

❖ Above all things - Think Like A Player...

Page 12: Writing for Brass Things to Consider.... Brass Section ❖ Blend is generally better that trying to blend the woodwind section. ❖ Always take into account

Homework

❖ Read pages 71 - 90 in the Text