william wordsworth as a critic
DESCRIPTION
Wordsworth's contribution to literary criticism, his view of poetry, his description of a poet and the comparison between Wordsworth and PlatoTRANSCRIPT
SQUEEZE YOUR BRAINS!! List the periods/ages in English Literature. Medieval literature (1066-1510) Geoffrey Chaucer Renaissance and Reformation (1510-1620) Univ Wits, Shakes., Revolution and Restoration (1620-1690) Metaphysical poets Neo-classicism (1690-1780) Defoe, Addison, Steele, etc Romantic period (1780-1830) Shelley, Keats, Byron, etc Late Victorian & Edwardian lit., (1830-1880) Dickens, Carlyle., Modernism (1920-1945) Woolf, Richardson, Lawrence, etc… Post-war & Post-modernism (1950’s – present)
What do you know about William Wordsworth? (Slide 5)
How does Romanticism emerge? (Slide 3,4)
Neo-Classicism insisted:
“Poetry imitated nature to delight and to
instruct and the poet must follow the rules
of the ancients”
Dryden, Addison & Dr.Johnson– questioned all the rules did not stand for the ‘Test of Time’
“Changes are always developments, they are never complete severances”
ROMANTICISM – the name to the new change
WILLIAM WORDSWORTH
• Born: 7 April, 1770• Died: 23 April, 1850• A Major English Romantic Poet• With S. T. Coleridge, launched
“ROMANTIC AGE”• ‘Magnum Opus’ The Prelude(A Semiautobiographical poem)• Britain’s Poet Laureate :
From 1843 until his death in1850
William Wordsworth
Manifesto of English Romantic
Criticism
WORDSWORTH AS A CRITIC
Not by temperament & training
‘The Lyrical Ballads’ – 1798
The preface (2nd edition) – 1800
An Appendix – 1802
An Essay Supplementary – 1815
Literary criticism – demolishes old & faulty
“…more permanent and a far morephilosophical language”
Difference: not only in metre, but also inthe choice of words and phrases
Disgusted by the “gaudiness and inane phraseology” of many modern writers, he castigates poets who,
“ separate themselves from the sympathies of men,… to furnish food for fickle tastes and fickle appetites of their own creation”
Simple in language:
“ language of common men…”
• Poetry is to give pleasure…
Situations from everyday life:– “The principal object: to choose incidents and situations from
common life,…”
Selection of language:– “In a selection of language really used by men…”
Transformed by the poet’s imagination:
Ordinary events VIVID & ATTRACTIVE– “to throw over them a certain colouring of imagination…”
“ordinary things should be presented to the mind in an unusual aspect”
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*
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* ‘man speaking to men’
* ‘a man,… endowed with more lively sensibility, more enthusiasm and tenderness, who has a greater knowledge of human nature, and a more comprehensive soul’
*‘every great poet is a teacher; I wish either to be considered as a teacher or as nothing…’
[Plato and Wordsworth has much in common]
* The idea of poetry form of communication
Rene Wellek
“Wordsworth….in the history of criticism which must
be called ambiguous or transitional,…. he adopts a
theory of poetry, in which imagination holds the
central place”
“…Wordsworth left only a small body of criticism, it is
rich in survivals, suggestions, anticipations and
personal insights…”
“Wordsworth actually ends in good neo-classicism,
doth the same tale repeat,… in a selection of
language really used by men…”
says….