welcome to unit 8 cinema hu300 art and humanities: twentieth century and beyond!

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Welcome to Unit 8 Cinema HU300 Art and Humanities: Twentieth Century and Beyond!

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Page 1: Welcome to Unit 8 Cinema HU300 Art and Humanities: Twentieth Century and Beyond!

Welcome to Unit 8

Cinema

HU300 Art and Humanities: Twentieth Century and Beyond!

Page 2: Welcome to Unit 8 Cinema HU300 Art and Humanities: Twentieth Century and Beyond!

Why film?

• What do you think the purpose of film is? Should it communicate a moral lesson? Should it merely entertain?

Page 3: Welcome to Unit 8 Cinema HU300 Art and Humanities: Twentieth Century and Beyond!

Who Invented Film?

The Lumière Brothers, c.1896

Page 4: Welcome to Unit 8 Cinema HU300 Art and Humanities: Twentieth Century and Beyond!

Soviet Montage Theory

The Kuleshov Experiment

The Battleship Potempkin (1905): Odessa steps scene

Sergei Eisenstein

Page 5: Welcome to Unit 8 Cinema HU300 Art and Humanities: Twentieth Century and Beyond!

Which film genres do you enjoy?

Page 6: Welcome to Unit 8 Cinema HU300 Art and Humanities: Twentieth Century and Beyond!

Genres

• Which genres appeal most to you? Are there some film genres that you have not seen? Why do some genres appeal while others do not?

Page 7: Welcome to Unit 8 Cinema HU300 Art and Humanities: Twentieth Century and Beyond!

What is genre?

The Word “Genre” kind or type

Film genre: Various types of films that audiences and filmmakers

recognize by their familiar narrative conventions. Common genres are musical, gangster, and science

fiction film.

Sub-Genre

Page 8: Welcome to Unit 8 Cinema HU300 Art and Humanities: Twentieth Century and Beyond!

What is genre?

Problems of definition

Who needs Genres?Filmmakers, producers, audiences, and critics.

Commercial and industrial nature

Page 9: Welcome to Unit 8 Cinema HU300 Art and Humanities: Twentieth Century and Beyond!

Mise-en-Scène :

“putting into the scene”

Aspects of Mise-en-Scène

1. Setting2. Costume and Makeup

3. Lighting 4. Staging: Movement and performance

Page 10: Welcome to Unit 8 Cinema HU300 Art and Humanities: Twentieth Century and Beyond!

Set vs. Location - Realistic Setting vs. Unrealistic Setting

Realistic Setting ExampleThe Terminal (2004)

Page 11: Welcome to Unit 8 Cinema HU300 Art and Humanities: Twentieth Century and Beyond!

Unrealistic Setting Example

Charlie and the Chocolate Factory (2005)

Page 12: Welcome to Unit 8 Cinema HU300 Art and Humanities: Twentieth Century and Beyond!

2. Costume and Makeup

Costume in Amadeus (1984)

Page 13: Welcome to Unit 8 Cinema HU300 Art and Humanities: Twentieth Century and Beyond!

2. Costume and Makeup

Makeup in The Hours (2002)Yes! This is Nicole Kidman

Page 14: Welcome to Unit 8 Cinema HU300 Art and Humanities: Twentieth Century and Beyond!

3. Lighting

Low-key lighting: Lighting that is dark and shadowy

Page 15: Welcome to Unit 8 Cinema HU300 Art and Humanities: Twentieth Century and Beyond!

3. Lighting

High-key lighting: Lighting that is generally bright and even

Page 16: Welcome to Unit 8 Cinema HU300 Art and Humanities: Twentieth Century and Beyond!

Production Designer:

The person responsible for the appearance of much of what is photographed in a film, including architecture, locations, sets, costumes, makeup and hairstyle, etc.

Page 17: Welcome to Unit 8 Cinema HU300 Art and Humanities: Twentieth Century and Beyond!

Special Effects

• What impact do special effects have on a film? Do you need a strong plot and characters, or can special effects be sufficient?

Page 18: Welcome to Unit 8 Cinema HU300 Art and Humanities: Twentieth Century and Beyond!

Auteur Theory: Director's personal creative vision

Origin: Cahiers du Cinémathe French New Wave

Auteurs: Ingmar Bergman, Federico Fellini, Alfred Hitchcock, Akira Kurosawa, Stanley Kubric, Francis Ford Coppola, Martin Scorsese, Pedro Almodóvar, etc.

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Film editing:How shots are put together

to make up a film.

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Transitions:

1) Fade-Out: gradually darken the end of a shot to black.

2) Fade-In: lighten a shot from a black.

3) Dissolve: briefly superimposes the end of shotA with the beginning of shotB

4) Wipe: shotB replaces shot A by means of a boundary line moving across the screen.

5) Cut: an instantaneous change from one shot to the next

Page 21: Welcome to Unit 8 Cinema HU300 Art and Humanities: Twentieth Century and Beyond!

Sound in the Film

1. The human voice

2. Sound effects synchronous sound asynchronous sound

3. Music